The constant comparisons won't help; on the contrary, they'll spoil the fun. All in all, I DID enjoy this second season of Meteor Garden. The acting of all has improved tremendously, and so are photography, direction and characterization.
Meizuo and Ximen's side stories are addressed and completed, something I thought was sadly lacking elsewhere. Shan Cai grows into a truly likable character and the second female lead is, for once, a delicious person, instead of the usual viper-like, scheming character. So refreshing! Honestly, I've had enough of girls portrayed as if they were incapable of true friendhip or generosity and who seem to live only to target the guy of their dreams. In this sense, this second season is way more romantic and realistic than many other adaptations.
It has some dragging parts, mostly when the whole plot is compared in length to the pretty rushed ending, but as a counterpart to this, some details are truly satisfying (I can't elaborate this unless I spoil the end).
Overall, I am convinced this drama is much better than what's usually expected and deserves a try.
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Support SK!! Their debut is insanely good. At least give them a chance, regardless of if you watch the show or not. You won't be disappointed.
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Dysfunctional family to touch. True to life. Rough. Surprisingly on a positive note though
"Boomerang Family" refers to the term 'boomerang kids': adults who for pragmatic reasons move back in with their parents - mostly for financial reasons, because of unemployment or because of divorce. The protagonists of this KMovie are the mother, her three adult children and her granddaughter. Together they form the boomerang family.In South Korea, family is the greatest good. Family is omnipresent and gets involved everywhere. This does not mean, however, that family is therefore only associated with happiness, love and warmth. On the contrary. There's a lot of pain associated with it. Much is and remains unsaid. Punches are often included as well.
That's what "Boomerang Family" is about - the dysfunctional aspects of a simple family. Strife and rivalry and fights. Envy and inferiority. Pride. Yet also moments of happiness. Eventually not being seen. Yet, being seen, too. Unspoken truths that will sooner or later be told anyway. Very private, often rough, unsightly, even downright repulsive manners in everyday interactions in the smallest of spaces, which we actually (if at all) only share in the closest, most intimate circle. E.g. in family, that takes you as you are. (Inevitably.) (Out of habit.) (Because one is just so familiar due to the proximity in time and space that one has shared.) (Out of love?)
The bottom line in "Boomerang Family" is love, which, in its most screwed up way, slumbers and lurks somewhere behind the curtain of mostly ugly, all too familiar patterns of everyday, long-established, well-established manners. Strangely enough, it is simply there.
In the world of the protagonists that curtain is rather shabby. Life is simple. The language rough. Proximity is created through shouting, scrambles and fights. Community can be experienced through shared meals, though. Those meals structure family life and become a connecting, binding medium. The common meal is the place of communication and encounter under largely regulated, peaceful conditions. Everything before and after, however, can quickly (almost certainly) get out of hand.
A special aspect for South Korean conditions, where the direct bloodline is still enormously important: Over time, it becomes clear that the protagonist family is actually a rather progressive variant of a patchwork family. Because of that fact, at first glance all seems to be in question. Nevertheless, this realization cannot erase the lived experience as a "family". The simple, unnamed, tangible, rustic, crude 'love' between siblings that is celebrated with this movie, is not in the genes, but has grown out of shared experiences. In this message lies the magic of this otherwise rather brittle, sometimes dark story. Eventually the heaviness is balanced here and there with a breeze of quite idiosyncratic humor.
Everyone in the family has their own stories and small, medium or big tragedies that bring them back together under one roof. A dysfunctional family to touch, true to life, authentic, in all obscenity. As a spectator, you are brought up close, sometimes closer than you might like. Heaviness and pessimism may want to impose themselves in the course of events, but they ultimately fail to determine the emotional space. You wouldn´t believe it, but the story ends on a consistently positive note.
The KMovie is a film adaptation of a novel. It could also be a theatrical performance. It touches, repels, shamelessly places the ugly next to moments of happiness. Who actually is to judge life? What is good? What is beautiful? What is valuable? What is happiness? Ultimately, all protagonists feel (not only, but ALSO) valuable and happy in their affiliation. So what are the criteria for evaluating the quality of life? "Boomerang Familie" chooses a very idiosyncratic, but ultimately soothing perspective - beyond lifestyle, image, aesthetics or monetary wealth.
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Well, I liked it!
DISCLAIMER: I do have notoriously low standards hahaI did go in with very low expectations after reading the main review but NO regrets watching it <33
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STORY:
PLOT OVERALL: It was like a cute little on-shot written with the synopsis ("Actors Play and First being made to live together for 10 days in a house to find/whip up chemistry for their upcoming series ") as prompt.
-1- I am pretty much sucker for a good "OBLIGATORY-LIVE-IN" plot, especially when mashed with an "HATE-TO-LOVE" ingredient. And I got it here.
Actors Play and First being made to live together for 10 days in a house to find/whip up chemistry for their upcoming series - was an acceptable and believable excuse. (I've seen series coming up with much more ridiculous reasons to push two people together).
-2- CHARACTER GROWTH: Personally I DID FIND subtle growth and changes in character - and that was all I needed. The story is of 10 days span and they pretty much had an slow steady built relationship, catalyzed by situations of close proximity and a third party, maybe hindered by personal inhibitions - common plot development but always realistic and understandable.
-3- DEPTH: Was lacking, or I am missing some details. But again, for a 5 episode plot explaining 10 day story with lot of fanservice scenes, it is not expected in an average show.
-4- PACE: Was slow, even super slow at times, I could safely skip 5, 10 seconds instead of waiting for something to happen and that's saying something. I was thankful to the speed controlled widget I have lol, I watched a lot of scenes between 1.2 to 1.8 speeds.
-5- HUMOR: It was a little bonus, to my humor sense, some scenes were funny, and I lowkey like Penelope (even though she was a little "clingy" at some parts haha).
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ACTING: GOOD.
MAIN LEADS: IMO CHEMISTRY WAS GOOD - their acting could show growth of their chemistry well, and the awkwardness in the beginning too. Nothing in to make me feel cringed or that it was unnatural.
There was indeed a little something missing in the chemi - a tiny little bump I cannot quite place - but as a casual viewer I was satisfied.
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SUPPORTING CHARACTERS:
I liked the variety in natures of the casting team. PRAEW was either aloof or just acts that way and probably a Y-girl, FAH was strict and more of a cold minded professional, PENELOPE was colorful character who could does have flaws but is also sensitive and fun, DIRECTOR pretty much impressed me in the tea scene lol-he gave his all, CHAI too surprised with acting skill in "that one scene". PLUTO was the sweet kind of second lead who in a well produced drama can give SLS induced heartaches.
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REWATCH VALUE: I am not big into rewatching but this definitely makes my list!!!!! It could be a cute comfort show for another day.
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Let me keep this review shorter than most of my other detailed long ones. This is a classic action film produced in Hong Kong by the master John Woo and it’s definitely one of his better works to date. When I say action, I target every meaning behind the word. This is the epitome of the action genre that puts the majority of Hollywood action films to shame.
Is there a plot? Not really, is there realism? Heck no! The guy fires hundreds of bullets without even reloading, what common sense are you talking about? But who cares about that? The lovers of the genre don't watch for the plot or for realism, what matters in action films is the intense style of violence, bullets flying and once again violence! This is an extreme action film where everyone holds a gun (or two) and fire until they die. People are everywhere, explosions, motorcycles blowing up in the air, cars exploding and bombs. It’s all there, the camera was everywhere and those slow motion scenes are just magnificent. Nothing less from John Woo’s explosive directing style.
The main leads are cool just like John Woo’s typical main leads. The acting is superb, on one hand there’s the great Chow Yun Fat that lacks recognition and on the other hand, there’s the well-known great Hong Kong star Tony Leung. It’s a dreamy powerful combination that allows John Woo to make use of the brotherhood theme that he loves so much. There’s also a nice performance from Anthony Wong as the bad guy but he falls behind compared to Yun Fat and Tony.
Watch this if:
-You love action films because this is one of the best.
-You’re looking for action entertainment.
-You like John Woo’s films (especially his HK ones).
-You like any of the cast.
Do not watch if:
-You dislike violent films because this is the essence of violence.
-You’re looking for a certain plot because there’s nothing special in this film’s story.
-You dislike the genre action.
So why does this get a 9/10 from someone who’s very cheap with his ratings? It’s because I am an action junkie and Hard Boiled is one of the best Action films ever made in the history of cinema, PERIOD.
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This drama got me hooked from beginning to end.I binged watch the first ten episodes in just one day. I commend them for their acting especially the male lead.Zhang zhe han never failed to surprise me. He can portray characters who looks really cold and tough.I remember him as Prince Qin in his previous drama and it was good to see him back in a modern drama .He looks dashing with his new hair. His eyes are very expressive.
I loved how adorable the Lou Xi is.I became her fan the moment I saw her onscreen. She has a natural charm and no doubt she will land in more bigger roles.
But damn I had no idea Riley speaks English well and being raised in Canada he speaks smoothly. Not really a fan of him but he can really act. The only character that annoys me was Wena and i think she was so good playing the spoiled rich princess.
Tao Lun and Wena are supporting characters but their characters exist for a reason and they are part of the main conflict of the story.
Though Zhang Min replaced Tao Lun and perform his duties as a son but his father never treated him well. I feel sorry for him because he was living a dual life and was deprived of his right to live as Zhang Chi.
Family problems really gets complicated and as you grow older you are left with no choice but to protect the ones you loved.
He had to protect his mother at the same time lived as someone else's son.
Tao lun was still very fortunate because he had foster parents who really loved him.
But when you think of it Zhang Min and his mother suffered for losing Tao lun.
The ones greatly affected are the children.
I strongly recommend this drama and I am loving the natural chemistry of the leads. The way he stares at her makes me melt. Where could I find a boyfriend who looks at me the way he looks at Lou Xi.
The plot seems cliche but the pacing and storyline is good. Just the right amount of sweetness and angst.I'm gonna miss this drama.
So if you ever watched a melodrama and wants to brighten up your mood you should check this out.
The ending was a bit rushed and the real culprit apologized for his mistake in just one episode and it was over.They could have done a lot in a 36 episode drama.It gets draggy the moment they found out the real Zhang Min.
I want a better ending but I am more than happy to see the leads ending up together.
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I'm giving this a high rating, because this two-episode series (less than 30 minutes) says more than many series with 12 or more episodes.For me, the actor who plays Neung is fantastic. I hope we see him in more roles, he really is THAT good.
The story is powerful in a lot of ways. Neung has a girlfriend, he gets drunk one night with his friend Keng and they have sex. The next day they are hanging out with friends and the two of them are very awkward with one another because of what happened. In private, Neung and Keng argue and Neung claims he's not gay and storms out. Later, the two of them get together again and, after what seems to be some S&M foreplay, they spend the night together again. The next morning they are really happy and Keng gives Neung a key to his apartment.
Word gets around that the two of them are together and Neung is confronted by his good friend Tui (and two others), with Tui saying he won't be friends with someone who is gay... all three of the friends desert Neung, who goes back to the apartment, only to find an empty apartment and a note from Keng, saying he has to go to a new school, but he is leaving the apartment to Neung with the memory of the time they spent together. Neung is devastated.
Neung goes out walking near a bridge, and Tui and the other friends approach him and apologize. Tui is especially affectionate and he and Neung end up as a couple after that. The End.
I've heard some viewers resent the fact that Tui "suddenly turns gay" after he shuns Nueng. But I see it differently:
many young gay men in the closet are the first ones to turn against and make fun of other gay people, because they themselves are struggling. It's not nice in any way, but it's a process that a number of gays go through.
There is also a nice metaphorical touch, involving two fish in a tank at the apartment.
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While the original Gokusen had popular names such as Matsumoto Jun and Oguri Shun, Gokusen 2 has Kamenashi Kazuya, Akanishi Jin, Hayami Mokomichi, and Koike Teppei. For those who've seen the first Gokusen you'll find familiar faces also among the cast - and a return of Kuma! One of my favorites from the first season, I was happy to see him return in Gokusen 2!
The acting was great, I loved the entire cast!
The music wasn't anything special - the theme song changed from "Feel Your Breeze" to "No More Cry" at the end which wasn't a bad song. I loved Kamenashi Kazuya's "Kizuna" that was played during the drama, though (:
I can see myself rewatching this drama sometime, but probably not for a long time.
Overall - I enjoyed it just as much as the first season. For those of you who have seen the first season - you won't be disappointed with this one. For those who haven't seen any of the seasons yet but are curious because you like the cast - watch it! (:
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This drama is very refreshing, very well written and highly entertaining. The synopsis might not really attract you, but just watch it, you'll get drawn into the series in no time at all.
Hiroshi Abe is definitely at his BEST here! He plays Kuwano-san, an accomplished architect who is rather quirky and sarcastic and definitely not a people's person. And I gotta say... Abe did a BRILLIANT job portraying this character. His acting here is SUPERB, really. His character is a mix between Jack Nicholson in "As Good As It Gets" and Hugh Laurie of "House M.D."
It is very interesting to see how Abe's character tries to interact with other people in different kind of situations as portrayed throughout the series. I especially love the interaction between him and Ken-chan, the neighbour's dog. If you haven't seen it, I'm telling you, you'll fall in love with Ken-chan, because he is the cutest thing ever!
The actress that plays Hayasaka-san is also amazing. She's able to "balance" Abe's Kuwano and they succesfully created a perfect on-screen chemistry together.
This drama is totally a must see!
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Not as emotional as the JDrama version, but hitting well either way.
There are two kinds of viewers in the world.People who avoid emotional pain, and people who knowingly rewatch stories that emotionally ruin them just to confirm they can still feel something. I, unfortunately (or perhaps very predictably), belong to the second category. I watched the Japanese version of Even If This Love Disappears From the World Tonight years ago and loved it deeply. So when the Korean adaptation quietly arrived on Netflix, my immediate thought was, “Surely this won’t hurt me again,” which, in hindsight, was an objectively hilarious lie.
For those unfamiliar, the film follows high school student Kim Jae-won (Cho Young-woo), a quiet, reserved boy who agrees to date Han Seo-yoon (Shin Shi-ah), a girl living with anterograde amnesia that prevents her from forming new memories. Every day, Seo-yoon wakes up with her memory reset, relying on journals and notes to reconstruct her life. Meanwhile, Jae-won makes it his quiet mission to give her something worth smiling about each day. It’s a premise that sounds deceptively simple, but like many gentle autumn romances, it carries a hidden frost beneath its warmth.
Let’s start with the leads, because this film lives and dies by their performances, and thankfully, it thrives.
Cho Young-woo continues proving he’s something of a chameleon among his generation. His portrayal of Kim Jae-won leans into restraint rather than dramatic flourish, embodying a boy who feels deeply but expresses sparingly. There is a quiet steadiness to Jae-won, the kind that feels like a steady campfire in late October: warm, dependable, but with embers hinting that something fragile burns beneath. Cho balances that tenderness beautifully, portraying a character who shoulders emotional burdens without ever announcing them. Jae-won’s promise to bring joy into Seo-yoon’s daily life feels both earnest and heartbreakingly determined, and Cho captures that balance with remarkable subtlety.
Then there is Shin Shi-ah, who honestly surprised me in the best possible way. My only prior exposure to her was in The Witch: Part 2, where she delivered a physically intense, emotionally restrained performance as Ark 1. Seeing her step into Han Seo-yoon feels like watching an actor open an entirely new emotional door. Seo-yoon could have easily been written as purely tragic, but Shin injects her with humor, charm, and an almost stubborn optimism that makes her incredibly endearing.
What struck me most about her portrayal is how she layers Seo-yoon’s emotional reality. On the surface, she’s bright and playful, someone who embraces each day with enthusiasm. But beneath that brightness sits a quiet, almost subconscious sadness. There’s this delicate sense that Seo-yoon understands, in her own way, that every beautiful day she experiences comes with the cost of losing it again. Shin communicates that tension with subtle expressions and emotional transparency that feels painfully real.
And yes, this might sound like an oddly specific compliment, but Shin Shi-ah delivers some of the most emotionally convincing crying scenes I’ve seen from younger actors in recent dramas. Emotional vulnerability on screen can easily slip into exaggeration, but her performances feel raw without ever becoming overwhelming. It’s the kind of emotional honesty that makes you instinctively lean closer to the screen.
The supporting cast also deserves recognition, particularly as the film introduces several fresh faces that feel like promising additions to the next generation of Korean screen actors. Joo Yoo-jung as Choi Ji-min, Seo-yoon’s best friend, stands out in particular. Ji-min begins as the dependable, grounded presence in Seo-yoon’s life, but her role evolves significantly as the story progresses. Joo handles these shifts with impressive control, carrying the emotional weight of certain later scenes with a quiet strength that leaves a lasting impression. Supporting characters often function as emotional scaffolding in romance tragedies, and Ji-min’s presence here is both narratively vital and deeply human.
Plot-wise, the story admittedly leans into familiar territory. Memory-loss romances have existed in various forms across media, and this film doesn’t attempt to reinvent the wheel structurally. However, cliché is not inherently a flaw, particularly in a genre built on emotional resonance. What matters is execution, and the Korean adaptation distinguishes itself through tonal balance.
The first half leans noticeably lighter than its Japanese counterpart. At times, it almost flirts with rom-com territory, and I found myself laughing more than expected. These lighter moments don’t feel out of place; instead, they create a sense of comfort and familiarity. The film invites viewers to settle into the characters’ daily rhythm, enjoying their small joys and playful interactions. It’s a bit like being handed a warm drink on a chilly evening , you relax, you smile, and you momentarily forget there’s a storm slowly gathering outside.
When the narrative begins to shift into heavier emotional territory, that earlier warmth becomes incredibly effective. The contrast sharpens the emotional impact without feeling manipulative. The second half explores themes of sacrifice and love with a quiet, almost poetic tenderness. Without revealing specific details, the film asks a deeply uncomfortable but beautiful question about how far someone might go to protect another person’s happiness. It doesn’t scream its answers. It simply lets them unfold slowly, leaving viewers to sit with the emotional weight afterward.
If the film has one noticeable flaw, it lies in its runtime. The Korean adaptation is slightly shorter than its Japanese predecessor, which results in a faster pacing of certain relationship beats and background elements. While the emotional core remains intact and the second half wisely slows down to give viewers space to breathe, I personally found myself missing some of the extended character exploration present in the original. The Japanese version allowed certain emotional threads to simmer longer, creating a slightly fuller narrative tapestry. That said, the Korean film still delivers its emotional crescendos effectively, proving that impact is not solely dependent on length.
Ultimately, Even If This Love Disappears From the World Tonight succeeds as both an adaptation and a standalone romantic tragedy. It honors the spirit of its source while embracing its own tonal identity, supported by two remarkably well-cast leads and a strong supporting ensemble. It is a film that wraps you in gentle warmth before quietly placing a weight in your chest, leaving you with the kind of lingering emotional aftertaste that feels oddly comforting despite the tears.
Verdict:
Even If This Love Disappears Tonight is a tender, emotionally layered romance that gently lures viewers in with warmth before quietly breaking their hearts. It’s the kind of story best experienced slowly, preferably with tissues nearby and enough emotional space to let its themes linger afterward. If you have the opportunity, I wholeheartedly recommend watching both the Japanese and Korean versions. They share the same emotional skeleton but carry different tonal textures, and together they create a fuller, richer exploration of love, memory, and sacrifice. Both are worth experiencing, and both leave behind a lasting emotional echo that feels bittersweet in the most beautiful way.
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This review may contain spoilers
Definitely not for the ones who want to watch romance.
This drama i feel keeps going back and forth and there is too much sorrow in it. Espically with Ye Ji. She's going through so much and towards the end it feels like she didnt actually even love Jin. Hwan's feels were understandable but Ye Ji, to some extent kept leading him on. This drama started off good and smooth but then it started taking too many leaps and I felt like it was running somewhere. The actors have done a brillant job. Espically Jin's was a difficult one to potray because of his leg conditiin but Seok Jin did a wonderful job in convincing the audience.Was this review helpful to you?
This is the only KDrama that I have watched the entire series at least 4 times, True Story. And would watch again if I can learn to stomach his selfish co-workers, but no, I cant forgive them. The story so sweet that I'm crying as I'm writing this review, *I need a tissue.*
This is the drama to watch if you are looking for a simple love story that is not based on "star-cross lovers", or pre-destined love or fate; but a love that forms from the realistic development of feelings and affection, combined with a character so unreal that he challenges you to examine yourself. With familiar classic components of a romantic KDrama, that thankfully did not overshadowed or ruined the performance delivered by a great actor.
I, 100% recommend this to anyone.
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It actually operates on a conceit that's fairly common these days; the non-linear yet interconnected vignettes that coalesce into an overarching plot. Oftentimes, in these types of films, the actual story is less interesting than the way it's assembled. Take for instance, Christopher Nolan's Memento (2000), which was fascinating for its accurate and chilling portrayal of the nature of retrograde amnesia but would have been merely a middling crime thriller if assembled in chronological order. However, other films use this plot technique in order to symbolically resonate with the themes presented in the story, such as Marc Webb's charming (if a bit precious) (500) Days of Summer (2009). Fish Story definitely falls into the latter category and (at least for me personally) does even a little bit more.
I love the Butterfly Effect. Not the crap film starring Ashton Kutcher but the actual phenomenon. It's something that, when portrayed right, can be smart and gripping. Fish Story uses the medium of urban legend to give some physical form to the theory and to trace the evolution of a myth and its implications for the fate of humanity. It sounds a bit ludicrous and melodramatic, but the film is so self-assured that you really can't doubt its intentions, ones that become more and more believable as the film progresses. And, if all of that sounds lacking in proper gravitas (which it sort of does, on paper), the film also has a recurring theme of resilient underdogs who emerge triumphant or at least at peace at the end of the day. As such, even if the main story doesn't float your boat, there will be definitely something to appreciate in the smaller arcs.
Lest that all might seem a bit stuffy, the film actually has a good sense of humor. One that's a little self-deprecating and rife with situational irony. It might not be a laugh out loud comedy, but it will definitely elicit a wry chuckle or too here and there at the expense of some of the more hapless characters. Which, come to think of it, is essential in a film like this. It's not hard to become pretentious when using this particular film-making conceit, but Fish Story so easily circumvents this pitfall because it knows how to laugh at itself.
Is it the best film ever? No. It's probably not even the best film in its niche genre, but it's definitely safe to say that it stands in the top ranking for being the most fun and the most exhilarating. And also for having a great song. If you're into punk or j-rock, Fish Story (the song) is a satisfying reason enough to give this film a spin.
Tl;dr? Watch it for some intelligent fun, an interesting storytelling format, and a kickass song.
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