Mediocre Acting for a Tragic Drama
Summary: just watch the first few episodes bec of its original lines . This is not a romantic lovely story. More tragedy really.Pro:
- good casts but could be better
- many original plot . Watch till about 11th episode and enjoy.
Cons
- chemistry is just plain. The main actress is really cute and sweet but she lacks the toughness and can’t act on the most painful crying scenes. I wanna cry because she can’t cry well esp the last episode.
If you compare her with the actress in Princess Agents, you’ll get the feel why she’s not so great in this story. She doesn’t exude that tough persona. She’s great with the Pillow Book & ten miles of peach blossom kind of story. She’s not appropriate for tragedy
- the chemistry between main characters are so-so. Even with the rival is so-so.
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This review may contain spoilers
The most relevant word I could apply to this show? Interesting. It's interesting.Of the romance-related shows to see on Netflix (Terrace House, Ainori) this is definitely the lowest tier. In production value, professionalism, and execution, this show leaves a bit of a poor taste in my mouth. It was filmed in beautiful Okinawa- the scenery and sights are probably the biggest draw here. That being said, you don't see much of it- the entirety of it's 9 episode run-time takes place over the course of 3 days which made it extremely difficult for there to be any romances at all formed over the course of this show.
At the onset, the concept for this show is what really drew me- over the course of the show, each of the 18 contestants (10 men, 8 women- apparently 1 man and 3 women dropped out at the last second) confess their all-consuming "deep dark secret". On this front, the show certainly delivered- at the risk of being too spoilery, things like criminal records, debt, troublesome past relationships, and frowned-upon occupations make up a decent chunk of the secrets. Each one was at the very least slightly surprising, and at most downright scandalous- and while they were all interesting, I found it a little bit insightful into the things that Japan considers taboo enough to be considered a deep dark secret. Regardless of the quality of this season, I would watch another hypothetical season in a heartbeat solely considering the possible secret revelations.
The participants were a real mixed bag- some of them were endearing, kind, or strange enough that I found myself rooting for them, while others I found downright detestable initially. Of course over the run of the series you get to know the lot of them better, so even strong initial impressions are for the most part broken up and you're given a more well-rounded idea of who this person might be. The editing shows very little bias in terms of who they give the most screen-time to, or who gets the most favourable cuts, so that isn't too big of a concern in my opinion. There's really only one or two participants I found to be just straight dislikeable people.
The most difficult part of watching this show was the host(s). While the female host was inoffensive enough, my biggest qualm with her is that she mostly stayed silent while the male host was a veritable trash bag of a human being. Perhaps it was a persona, perhaps not, but his lack of sensitivity and humourless attempts at joking insults were appalling. If you're easily angered by slut-shaming, transphobia, sexism, all that jazz- stay far away. This type of concept for a show could have been done with grace and compassion, but that is certainly not what you'll find here.
Now! For the romance! I had two or three couples I was really, truly rooting for, and some of them even pulled through! This show isn't completely unsatisfactory in that sense. But there are one or two people I felt very sorry for by the end, so get really to feel a certain amount of sadness mixed in with the ups of the couples. I don't think any of the couples that ended up forming were framed or set up by the production crew, however I feel like the crew may have had a general idea as to which couples they wanted to pair up based on their similar backgrounds and secrets.
TL;DR: A decent enough show to pass the time, but it might annoy the hell out of you. Don't take it too seriously or expect a masterpiece, and you might even enjoy it.
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This review may contain spoilers
Is this a series made to cure BL addiction?
It is already common enough for BLs to suffer from the problem of character overload, but at least sometimes the part for the main couple is done well or there is enough cuteness and sweetness in the side couples to make us overlook the flaws. In Love Area Part 2, however, the part for the main couple (actually the other parts as well) is botched up so badly that it has got to be the work of some evil genius. It definitely takes talent to be able to screw things up this badly with the material started in Part 1.I recall Part 1 being quite bearable despite its flaws like random digressions to side stories that lack development. But at least we see in Part 1 the conflict between Valen and Kaitoon at the start and how their relationship changes over time, and the promise of a romance between them at the end. Part 1 seems to be going somewhere. I was hoping that Part 2 would avoid the flaws of Part 1. However, the flaws are accumulated and magnified instead.
In Part 2, there are even more barely related characters; love triangles become squares or some other polygon. The worst part of the story is the "development" of the relationship between Valen and Kaitoon. They become a couple and enjoy some sweet moments, but there really isn't much of a story to speak of here. Perhaps to add spice to the thing that isn't much of a story, the evil genius lurking around decided that the love triangle with Valen, Kaitoon and Non (someone with a crush on Kaitoon) should be turned into some bizarre love polygon. So while Valen is in love with Kaitoon and getting jealous of Non for childish reasons, he inexplicably also gives some girl flowers, behaving like a shy teen with a crush. (Huh?)
But of course that is not enough "conflict" for the evil genius hiding in the production team. There must be a misunderstanding between Valen and Kaitoon that leads to a break-up before the series ends, right? This is predictable fare except that the evil genius makes Valen's behavior totally illogical. Valen sees Kaitoon's group mate (Sean) being a third party in King and Pete's relationship (King is Valen's friend) and somehow assumes that Kaitoon is in cahoots with his group mate to give Pete a chance to cheat on King. (HUH?)
Speaking of King and Pete, Pete's behavior is about as absurd as it can possibly get. First, his jealousy when he sees King with another guy is practically at psychopathic levels, suggesting an unhealthy obsessiveness. Next, his claim that he has suddenly disappeared and left King suddenly (Part 1) because of his struggles with depression is exposed to be bogus. Even by the end of the series, the reason he has simply disappeared is unknown, just like his reasons for suddenly wanting to make up with King again. Yes, he has been in a relationship with another guy during the disappearance, but is this other guy the reason for his disappearance? Couldn't he have simply broken up with King if he had fallen in love with someone else? And if he is such a jerk, why does he seem genuinely sorry for what he has done?
And, trust me, there is more in all the main characters' behaviors in Episode 7 that will leave you stupefied--if you don't fall asleep watching scenes that look like some advertisement for a tour or the work of a travel vlogger. (They are actually visually appealing but not exactly interesting.) I don't have the ability to describe the mess without using a few hundred words more, and I'm just too lazy to do it.
There is also the addition of at least two more love triangles just so that the scenes can jump purposelessly from one love polygon to another and alienate viewers. The introduction of June, Bill and Sonya into the series appears to be devoid of purpose. (And also: more illogical behavior thrown in.) Then there is also a (straight) love triangle involving Valen's sister that gets added in without development or resolution because -- why not? We are trying to make the series as bad as possible, right? And maybe there can even be a Part 3, right?
By Episode 7, it is clear that even if Episode 8 (the final episode) salvages things a little, it cannot make up for the experience of watching Episodes 1 - 7, which is by turns boring and infuriating. Indeed, Episode provides a bit of a closure. I bet the evil genius behind the mess was disappointed that he could not continue having fun. Do Valen and Kaitoon make up? I would love to give a spoiler, but I can't really tell. It is not because we have an open ending. It's just that I can't be sure if the "ending" is just another daydreaming/imagination scene (like Kaitoon and Non's at the end of Episode 7).
It's sad that Part 2 destroys: (i) the King/Pete pairing when there is potential for a much more moving story for them, and (ii) the character development of Valen in Part 1. It's also saddening that things don't end well for Non, who is a likable person and possibly the only sensibly portrayed character of any importance. Maybe Love Area is secretly The Tragedy of Non. While heartbroken King has friends who care (and even a possible new love interest) and June has someone to cry to, our poor Non does not even seem to have a friend around to console him.
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Once in a very long while, the stars align to create truly transcendent art on screen. "Goblin" is an example of this, as the maturation of talented writer Kim Eun-Sook blends with nuanced directing, breathtaking cinematography and the formidable acting skills of Gong Yoo and the rest of the stellar cast.
This is great art and great television, regardless of the country of origin. That is not to minimize the South Korean expertise that created it, but simply to avoid the sometimes- backhanded compliment of "great...for a KDrama." It's just great TV, full stop.
I've watched KDramas for about a decade, and this one is the best I've seen. Highly recommended, not just for drama fans, but for all fans of quality cinematic art around the world.
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At the time, I didn't have time to watch dramas so I only watched films. This was appealing enough to give it a try.
2) Storyline/Plot:
This film's story seemed somehow special and different from any other idol or rom-com film that's why it felt appealing.
Positive points:
*The story was smooth since it combined great events and feelings together.
*The mini-stories intoduced during the film were a nice touch to avoid slow moments.
*The love story was light to the point that it would make you think that this isn't a romantic film yet the important feelings were there plus it felt like the right thing to do.
*Considering the fact that it was almost a musical film, I would say that the music was cool; not great, not bad.
Negative points:
*There was something missing in this film. They should've pushed it a little far in the middle since the story's development felt incomplete.
Story: 7.5/10
3) Acting/Cast:
*Lee Min Jung : I really loved that actress here; she knew how to deliever feelings and make good expressions. She portrayed her role well and gave a good impression as the lead lady plus she's pretty.
*Lee Jung Jin : I liked his character too, he was so mature and manly in many ways , he did his role in a good way.
*I loved the relationship between leads whether in fighting or in romance; good chemistry.
*I liked other cast plus there acting was satisfying.
Cast: 8/10
Acting: 8.5/10
4) The ending:
Even though it was a typical rom-com ending but I end up enjoying it and closing the screen with a happy face.
The ending: 7.5/10
5) My impression (How did it affect me):
*I was entertained, it was fun to watch.
*I was a little surprised since I hadn't much expectations for this but I end up liking it. I just love it when a film/drama surprise me (in a good way of course)
*I wasn't bored which is enough to make me satisfied.
My impression 8.5/10
6) Overall:
*If you like rom-coms then you would like this.
*If you like musical films then you may appreciate this.
*If you like light love stories then this is for you.
Overall: 7.5/10.
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Just feels right
Everyone is cute, (almost) everyone is nice, no horrible horrible angst, just a bunch of lovely and brave kids growing up and turning into adults. It's relaxing, the friendship is solid even when there is obvious romantic feelings budding and there is no awkward second hand embarrasment for us viewers. The acting feels natural, nothing over the top, and the main couple is just adorable. ML and SML have this weirdly nice husky voices that I enjoy a lot. The FML makes sense most of the time. The only thing I find annoying is when they switch Bull's Nikon camera to Canon.Was this review helpful to you?
Healthy and Strong Romance, Weak Criminal Cases
If you're looking for a light, easy watch that's relatively drama-free and focused on romance, Love is All is an adorable historical romcom. The series shows how Tan Lingyin and Tang Tianyuan solve different criminal cases together, and come to love and rely on each other along the way. This relationship is extra sweet, especially when Tan Lingyin discovers that Tang Tianyuan is actually her childhood idol. While the drama has its strengths in terms of the main romance, however, it also has some of its issues in relation to its stagnant plot and storyline.I'd therefore highly recommend having a watch if you like these tropes:
♡ Healthy Romance Between a Magistrate and His Subordinate: There will be many comparisons to the relationship between Lu Yi and Jian Xia in the 2019 drama Under the Power, which I believe is accurate, as our main love line is also very natural and adorable. Both Zhang Ruonan and Zhang Haowei have incredible chemistry together, and showed how Tan Lingyin and Tang Tianyuan are not only very innocent in love, but also eventually grow to deeply care for each other. Tang Tianyuan also never uses his powers to overpower or control Tan Lingyin, but instead to help her and to encourage her to become a better advisor. Both characters thus begin with a bickering relationship, where Tang Tianyuan is more careful and strategic, while Tan Lingyin is mischievous and reckless. However, they also always consider each other’s well being and put their partner first, and have many heart-melting scenes that will make you feel “squishy.”
♡ A Focus on Women in History: The drama uses many instances to show some of the struggles that women face, especially to be respected and recognized for their work. While the historical aspects of such scenes may not be completely accurate, I did like how the show explored how Tan Lingyin’s abilities are questioned because of her gender. These conflicts are not only shown in the way the men in the drama speak about women and their roles, but also through side characters such as Zhou Zhengdao, who disguises herself as a man to work undercover in the Magistrate’s office. This is by no means a drama that deeply delves into these problems; but its attempts to highlight and incorporate some of them should be recognized.
♡ A Funny and Lovely Side Cast: I was surprised by how much I liked some of the supporting characters, and how much life they added to the drama. I absolutely loved Tang Tianyuan’s brotherly relationship with Zheng Shaofeng, and how both of them worked together to pursue the women they loved. I even loved Zhu Dacong — the silly fiance who Tan Lingyin attempts to run away from, because despite the fact that he was often the “fool” in the series, he was absolutely loyal and respectful to her even when she continuously tried to get rid of him. Most of all, while our second male lead Duan Feng does not get much screen time, he was incredibly handsome as a roguish bandit and was fun to watch as well.
♡ Cute Edits and Comedic Humour: This drama uses a lot of slapstick comedy, and uses cute extra-diegetic edits (i.e. whiskers, blush, funny cutscenes, etc.) as well as techniques such as breaking the fourth wall, that add to the lighthearted tone of the series. Overall, it’s meant to be a very fluffy and humorous series, and while the comedy may not work for all watchers, it’s nice to see as a break if you are watching more plot-heavy or emotionally investing dramas at the same time.
However, there are also some things you might not like about the drama:
♥ Major Logical Inconsistencies: There is a need to watch this show with quite a healthy amount of suspension of disbelief, and to not take the drama or its events seriously. There are a lot of issues from the outset, including characters that are supposed to be incredibly smart, yet unable to see the obvious (i.e. how the drama ridiculously implies that Zhao Zhengdao is completely unrecognizable when she dresses as a man, with her disguise being apparently so effective it can fool Zheng Shaofeng — who supposedly is great at gathering intelligence — for a solid ¾ of the drama).
♥ Somewhat Ineffective Genre-Mixing: Unfortunately, I don’t think the combination of crime and comedy in this series, especially when Love is All veers more on the comedy side, worked very well together in this drama. I think the main problem is that the cases themselves seemed very inconsequential, in that nobody seemed to be at serious risk or danger at any moment. Most of all, sometimes it also seemed as if characters, while demonstrating adherence to their moral beliefs, acted in unprofessional ways or sidelined their cases for their personal life. I admit I also did find myself sometimes fast-forwarding scenes where they were discussing cases, since I found them rather uninteresting. Thus, if you’re looking for a drama that depicts the solving of intricate crime scenes with interesting and gripping stories, this is not a show for you. However, if you really want something with a focus on romance, where the crime solving is just part of the background plot and helps to minimize filler scenes, then you may appreciate these aspects more.
♥ For A “Crime-Solving” Drama, Can Be Boring To Watch: Unlike other crime dramas, where villains may be more compelling and give the impression of being “evil” or “dangerous,” this drama didn’t really ever venture into this territory. Moreover, the length of the drama seemed to be too long, considering how little time was spent on cases, and cases often felt anti-climatic rather than exciting or mysterious. I emphasize that this is a light drama that really focuses on the romance between the different characters, and it has a very fluffy tone and colour palette. Consequently, while this drama never satisfactorily builds up any moments that can be considered high-stakes or life or death for the main characters, the lack of angst may be something that you appreciate if you want something that’s less heavy to watch.
I'd highly recommend you watch this if you liked dramas with a precious romance between the main characters, and you want something that’s light and binge-able. This is a great watch if you want something to take your mind off for the day, or to unwind and smile over at how comedic and meta the series is. While the comedy certainly will not work for all viewers, and some may find aspects of the plot boring and draggy to watch, the adorable romance between the characters is sure to make your heart warm if you want to see a couple with incredible chemistry.
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If you enjoy Ding Yu Xi, watch this drama
==Breakdown==Background plot / palace intrigue - 85%
Romance - 15%
Background plot - Meh
Romantic chemistry - Excellent
Misc comedy - Good
Production value and direction - Good
Let's be honest, if you watch and enjoy this drama, it's because you like Ding Yu Xi. This is my first drama with this actor and I'm now watching his entire backlist.
There is nothing else exceptional about the drama. Thus, you have to set your expectations appropriately. The story isn't the worst. It's mid / fine but I found it convoluted at times and boring most of the time. The production value is fine-- not mind-blowing, not bad, just fine. The rest of the cast is pretty good and plays their parts well. I liked the FL-- the actress and her character-- quite a lot and look forward to her future projects.
But Ding Yu Xi is BY FAR the best part of this show and I have re-watched his scenes because he's just so dang mesmerizing. He eats this role and the character of Shen Du is exceptional / interesting / captivating because of the actor who plays the part.
I'd say it's 30% palace intrigue, 55% solving mysteries, and 15% romance. The leads had great chemistry (for their 15% of the story), but if you watch Cdramas for the romance, maybe just watch some compilation videos on YouTube and skip this one.
Then again, if you're a fan of Ding Yu Xi, this one is worth watching for him / his scenes alone.
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There aren't too many movies like this. It has a good message that should come across to everyone. Maybe the world would really be a better place then. This movie's message isn't that everyone should be real-life Superman or next Mother Teresa. However, it does remind us that the little things and decisions we make ARE important. If some little thing you do makes at least one person happier, isn't it good enough? Everyone does have that little piece of kryptonite in their brains that makes us blind and indifferent towards other people. "We can't save everyone so why should we even try?" That is a thought that so easily creeps into our heads when we are overwhelmed by all the bad things happening in this world. This movie challenges that thought and I'm happy it does so.
I give best scores to this movie and I think it deserves good ratings even if it's viewed from a more objective standpoint. However, I'll let that to someone else. As for the rewatch value: I think everyone should watch this movie at least once a year since we forget the things we learn so easily. Oh, and I'm also an official fan of Hwang Jeong Min now. Such great acting.
After watching this movie, I'll wake up tomorrow with many good intentions. I know they won't last long but if I tomorrow pick up one trash from the ground or try to make someone else happy then I think this movie has made the world already a better place. Thank you, Superman!
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This drama by no means is perfect, in fact it has many flaws with sinful number of drama cliches. There were definitely lots of holes in the plot and some situations were just downright crazy. Some of the characters' behaviours were extreme and very unrealistic.
However, unbelievably these seemingly major flaws were overshadowed by the overall story about love, friendships and family relationships. I was completely drawn into the lives of these surprisingly interesting characters. The bromance between Jin Fan and Xie Chuang is one of the best I've seen in any drama. Their chemistry was perfect and they were joy to watch. I love to know the name of the actor that played Xie Chuang because he was so good. And wow, Hawick Lau portrayed his character, Jin Fan to perfection. I am a big fan of his now.
The romance between the main couple was cute as they had good chemistry but I also found the second couple (Xie Chuang and Jin Fan's sister) adorable. The story about the corporate world was surprisingly equally interesting as the relationships between the characters.
This drama absolutely exceeded my expectations, it made me laugh, cry and actually care about the characters deeply. I normally try to avoid watching long dramas because I get bored easily but I was thoroughly entertained by all 51 episodes.
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Memoirs of May
Here are few reasons why you need to check out this drama:✨It featured one of South Korea's dark history.
This drama showed a glimpse of what happened during those years when Martial Law was implemented in SoKor. You will learn about SoKor's history during 1980s through this drama.If you are up for a background about what happened during the timeline of this drama, you might want to search: Gwangju Uprising.
✨Cinematography. Story. Acting.
I'm not really into Film Making but definitely this is one of those Kdramas with amazing Cinematography. The composition of the scenes, the color grading, the lighting. It was very pleasing. Story wise. Awesome. Back to reason number 1. I really love how they feature their History through this drama. Acting of the casts was also superb.
✨Chemistry between the two main leads.
Lee Do Hyun is definitely making a mark in the Kdrama world. I can't think of another actor that would best fit the role of Hee Tae. Go Min Si was also able to portray the role of Myeong Hee very well. I was hesitant if she could perform the role of a woman in a province during 1980s since I've only watch her in Sweet Home and Love Alarm, where she has a very strong personality. But, she was really able to pull it off. Their chemistry was overflowing. It was "kilig" watching their love story. They will also definitely make you cry.
✨Lessons about family and love.
This drama shares lessons about family and love. Circumstances revolving our family can really affect our choices in life but in the end, we still have the right to decide for ourselves. Loving someone can also be difficult and it could forever change our lives but if the other person is worth the risk, then do it.
Overall, this 12 Episode drama is worth my time. A must watch. Highly recommended. ❤️ If you haven't watched this yet, check it out. 🙂
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My dark horse thriller of 2025
In the last days of 2025, three different thrillers aired, and after a rough personal year in the genre, I wasn’t craving anything extraordinary - just good dramas. And, as with many things in life, the positive surprise came from the least expected. That’s how **The Truth Within** turned out to be my dark horse thriller of 2025 - *The Hunt* remains my favourite.Without diving too much to avoid spoilers, this is a five-case thriller with an underlying mystery (the sixth case), where case-solving and criminal procedures, with a strong emphasis on the forensic aspect, take center stage, very much in the vein of the best era of CSI: Las Vegas. Here, there’s no room for cops’ family affairs, personal life matters, the old master-apprentice trope, or the social commentary we usually see in the genre.
It’s a stylized tense drama, far away from a gritty vibe but also from the overly artistic aesthetic that’s becoming the opposite trend in the Chinese entertainment landscape since last year.
The two Taiwanese directors - there’s also a third, Chinese one who collaborates with them - have a renowned portfolio in thrillers, and you can tell. I love the storytelling here and how they enhance a solid script. The lighting, the overall cinematography, where the framing and the use of the camera help create the atmosphere, together with neat and efficient dialogue, give this project a distinctive and fresh personality that I deeply appreciate. Silence and unsaid words are also protagonists, but again, used with precision.
The straight, clean, and plain focus on the case-solving process feels refreshing. Although short cases aren’t my preferred jam in any genre or format - and that was one of my two main gripes about it - they have the right amount of length and flow, are interesting, and even tackle a theme I never expected to see in C-dramaland. The underlying mystery is well interconnected too, and the viewer accompanies the investigation team as the clues unfold. Overall, the pace feels right: neither slow nor rushed.
Production is excellent despite it not being a super-budget drama, and my other gripe with this type of series luckily didn’t become a nightmare: procedures don’t have major flaws that make you roll your eyes, and they managed to introduce the main role of the forensic doctor quite logically within the team dynamics and stories, resulting in balanced and fair screen time among the main team, as it should be.
I liked how they presented the dynamics between the characters. I appreciate that every team member has a distinct personality, and that they didn’t go over the top or force comic relief with any of them. Despite the precise approach to cases, you find yourself getting attached to all of them when danger arises - proof of a good script, solid execution, and good acting from the entire cast, not only the main leads (by the way, not the usual suspects in these dramas either).
If I have to remark on the things that bothered me, the one that sticks out the most is the three or four images that were unnecessarily censored around the middle of the drama, once it gained more views.
There were other minor issues that didn’t ruin the overall tone of the show: a subtle (edit: perhaps more than subtle for the trained eye) drop in quality in episodes 14 and 15 - I guess they left the direction to a director’s assistant/apprentice? - and a few inconsistencies toward the last two episodes, where the story changes the vibe a little due to the logical progression of it. Luckily, the uniqueness returns in the last 15 minutes in all its glory, and the show ends on a high note.
**The Truth Within** is not a gritty drama, nor one that delves deeply into social topics and leaves you ruminating after it ends, but rather one that keeps you on the edge of your seat, eager to press play on the next episode.
For those who like this type of thriller and want a project with personality, it’s a very tight drama.
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The focus on the absolutist self-image of the Jaeboel changes towards their very human weaknesses
"The Taste of Money" from 2012 bombards the audience with aestheticized images, a strangely bizarre stirring mixture of cynical decadence, insatiable greed and human weaknesses that even the richest of the rich don't stop at. Let's start with the moral of the story: money doesn't buy happiness. On the contrary. The more there is, the unhappier their owners get. They may be wealthy bank-wise, but humanly they are bankrupt. Maybe they can buy anything, but in fact they are (and remain) alone. Their relationships tend to be abusive, mostly cold, and rather an empty, highly polished shell.The KMovie focuses on a Jaebeol clan with a CEO, his wife, daughter and son, as well as the CEO's assistant and a filipino housekeeper.
----------- SIDE NOTE: --- Jaebeol, the secretive modern royalty of South Korea ---
The rich and powerful of South Korea emerged as a distinct variety in the post-war years. As a motor of progress and prosperity, they still influence social life as a matter of course - hidden, unofficially, from the background. In their hands gigantic possessions are concentrated. These are consistently maintained within the founding families. The Jaebeol clans were created as part of the autocratic governance of the early decades of the Republic and were further strengthened during the military dictatorship. The founders set the course for the economic upswing. In the meantime however they behave like the country's new nobility. They shamelessly and ruthlessly buy and bribe people at will. The remaining 99 percent of society are practically 'learned helpless' at their mercy. You have nothing to oppose to this power, which simply interferes with the legislature, judiciary and executive if necessary.
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The protagonist's family is one of the first percent of the social class, which behaves as a matter of course as royal families. Here pomp, decadence, coolness, distance, and even obscenity dominate. The highly polished, stylized aesthetic stands in deliberate contrast to a rather gloomy lighting mood. The opulent wealth almost builds an aesthetic wall that cannot be penetrated. The family members are trapped inside. Nothing can or event likes to really approach that, let alone penetrate it. It is (and remains) a strangely strange world.
The idiosyncratic cinematic narrative style contributes to this. It doesn't even try to collect all the threads at the end and close them neatly. It's as if the camera jumped in on the family story at one random point and got off at another. At the beginning, the focus is on the corrupt machinations and the almost absolutist self-image, but that changes on the track after the very human weaknesses of the individual clan members open up. Although they pretend to be untouchable, they are still vulnerable and actually want to be touched. From there it becomes a more or less satisfactory settlement with their own heart balance. 'Love' is a concept in this world that doesn't really want to fit in.
One of the key scenes: Youn Yuh-jung is shown a 64-year-old woman in an unusual candid sex scene. A disturbing effect is deliberately wanted. In a way, this encounter between young and old, between boss and employee, points out the dilemma of the story, so to speak. In this short, impressive scene, the venal world of dependencies and emotional states is turned upside down. The rich have everything and yet they don't - there is something they don't have: the feeling of being wanted, desired or even loved for their own sake.
"The Taste of Money" is a somber social study about the 1 percent that sits at the top of South Korea's social pyramid. Once again. There is an astonishing number of such startling studies in the world of film and series. But it seems even more astonishing to me that there are obviously still far from enough of them. Because nonetheless, this 1 percent still sits dazzlingly on its throne and it is still considered highly desirable within South Korean society to get as far up the pyramid as possible...
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EPISODE 1 "T": after watching it I was like "whaaaat wait what is this?". it's about a transgender girl who has sex with a random guy met at a party, who the morning after steals her motorcycle. Then she meets a friend from high school who helps her look for the motorcycle but they have sex (damn why is my life so plain), even if the guy has a girlfriend. Then they see the guy that she met the day before and she slaps him. End. Good acting, confusing plot.
EPISODE 2 "B": the one I was looking forward to, since I'm a bi girl myself. But I ended up disappointed. This girl is in a relationship with another girl, but she meets a guy, they kiss and the girlfriend sees them. This was based on the stereotype that "if you're bi, you'll surely betray your lover". But it is not true. On the other hand, the acting was pretty good.
EPISODE 3 "G": the one I liked the least actually. It's about a group of gay friends who knew each other because they all were in a relationship (in the same time, yes) with a guy named Joe. One day, one of them announces he's been in a relationship with Joe for more than 5 months and they're marrying soon. But then he promises to not marry him and the ending was quite confusing. I didn't like it that much, the acting was not that good.
EPISODE 4 "L": the best out of the 4! A girl who works as an assistant producer meets this actress, whom she helps to practice the scripts. Then they kiss. The two lead actresses are really good and had a great chemistry. The thing that disappointed me a bit was the sad ending, but I still really enjoyed it and I could watch it over and over again!
Overall, not bad, it's the first time I see something about a transgender person and a bisexual person and I still enjoyed it. Recommended if you have a spare evening and don't feel like watching a movie.
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So Ji Sub and Shin Hyun Joon, what more could a viewer possibly ask for? I’m so glad, genuinely glad that I waited 7 years to watch this! Why? Because it made me appreciate it even more than I would have back then considering that NONE of the recent dramas could ever match up to. We tend to value things more if we know it’s no longer available and is no longer easy to get by, thus I value this drama very much now.
Let me say this, a huge part of this review is dedicated to SJS's and SHJ's phenomenal performance! Because with all do respect to the very well-written story, those two wonderful men will steal you from the very first scene before the story gets to take a place! Their chemistry, is simply breathe-taking and heart-wrenching at the same time!
SJS’s trademark is his “sad eyes” and people have known it since I Am Sorry, I Love You (and what a trademark it is!) Trust me it is not easy to show such a sincere sad eyes like he does when he acts. His “sad” act, his crying scenes…he looks so damaged and destroyed it looks so real that you’d lose where you were at when you watch him act. His sincere-heartfelt act changes the “too overused” plots into a piece of art and a classic one even if it is a 10/20 years old. If you want to truly "feel" SJS, it has to be I Am Sorry I Love You and Cain and Abel.
Cho In has became my favorite character for SJS because he is a warm-hearted decent person, with cute smile and soft voice. This character has allowed SJS to show different side of him, different expressions… mixture of many expressions that I’ve seen for the first time while watching him. I loved Cho In’s kindness, naivety, innocence, sweetness, softness and vulnerability.
If SJS’ Cho In is half the reason why I loved this drama, Shin Hyun Joon ‘s Sun Woo is definitely the other half! This is the 2nd time that this man pushes me to tears (first time was in Stairway To Heaven). His portrayal of the antagonist is simply majestic and too beautiful to be put in words. Sun Woo is definitely a worthy rival of the great Cho In.
The story is very well written plot-wise and character wise. It struck me as slightly slow and scattered in the first episode, but things quickly gathered together and progressed in a way that really draws in the viewer. The characters and settings that were introduced kept things new and exciting without being overwhelming or hard to follow. I especially appreciated Young Ji because she was flawed! But not in ways I found to be cliché. She felt real to me! Which something I don’t normally see when it comes to the main female character especially this genre.
I have always for *some reason* thought that this is a revenge-themed drama but to my surprise this drama had so much more to offer other than plain revenge and for a revenge drama fan such as myself I still loved it very much, that didn't disappoint me at all, so kudos to the writer!
The OSTs are wonderful, the painful lyrics make the drama even more sad which contributes very well to the story. I loved it.
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