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The cutest, fluffiest little rom-com ♡
For a one-episode drama special that is one hour long, this was so enjoyable and so, so adorable. I was giggling and smiling like an idiot, kicking my feet while trying not to wake the whole house up because it was way past midnight here. Why are they so cute omg!? I saw an edit of this today and as soon as I realised that it was Kim Do Hoon from Moving and saw that it was a rom-com special about two genius rivals, I decided to watch it. BEST DECISION EVER!!It was like watching a short campus rom-com movie, it had everything: the enemies to lovers, she fell first but he fell harder, college rivals, funny moments, and cute (almost cringe at times lol) and romantic moments, the whole episode was so nicely written. Seriously, I never rewatch anything, and never dramas, apart from some of my absolute comfort movies or Korean variety shows, but I could rewatch this again any day, whenever I feel like not watching anything from my list or when I can't find anything to watch. Perfect for an evening when you want a break from your current watching or on-air dramas, this has all the elements not to get you bored, it's cute and funny, and the actors have amazing chemistry. That kiss omg I don't think I ever jumped and giggled this much at a kiss scene before lol, that took me so by surprise lol, just the funniest scene ever!! Although the whole fake love confession plan was silly and childish from the male lead's side, both leads were smart and relatable, they were in two very different but similar situations and the message at the end was perfect. As a student myself, this really resonated with me and really gave me a little boost, so I loved it even more. It was a relatable message offered to us as viewers in the form of a cute little love story.
I 100% recommend this to everyone, and I hope everyone watching it enjoys it cos it is so fluffy and doesn't overthink it. This made my whole week, I honestly can't wait to rewatch it lol ♡
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The story was good, it covers a lot of different issues concerning things such as bullying, family problems and rumors. It's a story set in a high school setting, there's drama and even a love story. The drama is very short though, which is why I can't give it more than an 8 - because while it was a nice short drama, there are other things they could have done with it to make it an even better drama.
All of the main actors in this drama are younger ones, some of them even starting out with Kingyo Club being their first drama. That being said, I think they did a really good job! The acting seemed natural and there isn't anything bad I can say about it.
There were a few songs they played in the drama, I found both of them to be nice songs. Even though I'm not sure how they really fit the drama at some points.
Overall I think this is a really nice and short drama that I would recommend to anyone looking for something that deals with more than just school and a "cute couple." This is a drama that deals with more serious issues.
Also, I mentioned already - the episodes are only 20 minutes long! (:
The last 3 episodes were finally subbed recently and hopefully someone will update some of the streaming sites for those that don't download :D
I might rewatch this drama someday, although it might not be for a long while.
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Passionate kisses, save the damsel in distress, hilarious
This drama has the most passionate kissing scenes in both count and intensity of all Chinese dramas I had watched – I meant really passionate kisses not those obviously fake moments. As with most romance stories, there were plenty of save the damsel in distress scenes accompanied by endearing gazes as the hero held the damsel in his arms.It is a lovely romance story with emotional and hilarious moments. The hilarious moments really made me laugh out loud. Unlike Hollywood comedies which mainly play on words, some of these comedic moments were based on suggestive actions of the actors.
The drama is quite straightforward with some small, but not totally unexpected, twists in the story. It has the usual hygiene factors – handsome lead actor, pretty actresses, excellent acting, lovely costumes, lovely music, beautiful cinematography and endearing romantic moments.
What I appreciate most about this drama is the lesson on courtship and early marital life - instead of the usual unrealistic romance dramas. At moments when they were trying to figure out each other, the XiYue princess had her confidantes giving her some silly suggestions which she refuted with some sensible corrections. Similarly for the ninth prince, Song was always giving him some creepy suggestions while Zhen would refute with some sensible analysis. Zhen played the sensible relationship guru here.
The adjustments to life together were comical but not unlike real life when married couples live together for the first time and discover the bad habits of their spouses to their horror.
I noticed some flaws – for the production team to learn from if they should ever read this review. The piece of music chosen for the hilarious moments was too modern for this period drama and a misfit – sound like a piece adapted from some old Shanghai movies. There are some illogical moments, for example, the ninth prince was always turning up alone for dangerous investigations, and covering up for the rebel leader, which was essentially obstructing justice. And he was always lying to the emperor – although with good intent, it still made him a liar.
As I watched this drama right after ‘Goodbye my princess’, I could not help but draw a comparison, as both involved a marriage of prince and princess from different countries. The ninth prince in this drama was supportive of the princess and allowed her to make her choice, in sharp contrast to the fifth prince in ‘Goodbye..’, who forcibly kept the princess by his side regardless of whether she was willing. The two dramas were antithesis of each other, including how they ended. This drama leaves a warm cozy feeling which of course elevated my rating of it above ‘Goodbye my princess’ although the latter has a more interesting and convoluted story.
Finally, a title of ‘Love by Hypnosis’ may be more grammatically correct. Hypnotic is a drug to induce hypnosis or a person susceptible to hypnosis.
As a whole I enjoyed this drama a lot and would highly recommend it.
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An arrow of pain and cuteness that hits you right in the right spot.
This is a beautifully portrayed tearjerker, the kind that hits you right in the heart, or is it the stomach?This movie does an amazing job inviting the viewers in to the world of a child who neither can see or hear. A child otherwise abandoned (by death and choice), manage to find her way in to the heart of a man who was brought to her by some sad circumstances. Though they may look like a total missfitt these two complete each other perfectly showing us what a little tactile communication along with love and affection can do to change a persons way of living. While staying away from scenes that may dehumanize, exotify or give out the feel peoples misfortunes as inspiration. This movie feels real, and makes the viewers feel at home in a way.
The way this was shot really conveyed the emotions as well as the perspectives of both the leads. This movie addresses important issues while showering us with fluffy animals and cute smiles. This actress may not say much but boy/girl does she portray her role well, hats off to this kid and the directors. To be honest most of the movie I was going between a 8-9 but the way the end scene was shot pushed the score to a 10.
All in all definitely a must watch!
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I wasn't familiar with the traditional story of Don Quixote, but that wasn't necessary because this drama really didn't stick to the traditional story. What the drama took from the Spanish story was a theme of "unconventional chivalry" and really played it up.
Assuming that you read the synopsis, this story is a Secret Garden type of switch but without the romance. (if you didn't see the Kdrama Secret Garden -you need to- but think Freaky Friday). Yes there is essentially no romance in this drama but you really don't miss it. The main characters are like fish out of water and it makes it hilarious to watch.
The two main characters are played excellently by the already awesome Matsuda and Katsumi Takahasi. I loved seeing Matsuda smile and be really dorky then witch to being all Yakuza, if you are a fan of his then there is no reason not to watch. Katsumi was really good to playing a totally dweeb young man , he made it believable.
All in all, this a undeniably great drama. It sucks you in, has great topics and situations and by the end you feel as if you too have gained 2 friends. Even if you see the end coming in this drama, the characters are so likeable that you want them to do their best. All the episodes are good and there is no need to fast forward, and i normally need to fast forward. If you feel like getting away from all of the plotting and scheming that some of the other dramas have, this is a good refreshing one. Watch it. Like now.
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Cast - Well, let's take a look at the cast first: Ken (Wonpuapan Theeradeth) plays the lead - Paat. He's a tea farmer, not terribly well behaved or educated but proud of rebuilding his family fortune and farm. I'm sure it's a part that Ken could play in his sleep but he really made you feel his sadness and anger at what he viewed as betrayals from his deceased wife and society in general. Yes, he's got a few friends and his workers see him as fair but that's about it. Think, walking thundercloud. It's a convincing act!
Every grumpy/mean lead needs a heroine to change him. In this drama, it's Namtarn (Wongsarattanasin Pichukkana) playing Rojanasnai, the innocent heroine. Friendly, good to her family (who does not treat her well as she's the adopted daughter) and a good student. Plucky to a certain extent but your are mostly believing it because she seems like a genuinely nice person. I've read this ingenue part was her debut role and she acted it convincingly.
The other main parts are all acted convincingly so I guess these actors did their parts well. Only a few seemed over the top and that eventually toned down. If you watch lakorns, you'll be familiar with the stereotypical roles - foolish servant vs. the proud servant, the brave soldier (in this case, the police officer), the villainous drug dealer, the humble, hardworking farmers, the ferocious beauty, the spoiled sister, etc. One item of note - the older actors playing the dads, moms, etc. were especially good.
Plot: Their forced-cohabitation romance comes about because their families' promises to wed their children together. It's a classic asian dam trope but with more of a city/country clash to it. He thinks she's too soft and she'll give up on the marriage. There is a fair amount of revenge-based behavior but it doesn't get too bad. In the script, his friends and mother know what he's trying to do and tell him to cut it out - but it still isn't something you'd want to experience. The side characters and plots - the women who want Paat, the drug dealers who want Paat to stop interfering in their trade and the guys who like Rojanasnai - all are well done. Even the monstrously bad behavior of her obviously mentally-unbalanced sister (whose been spoiled because her parents don't want to set her off) has some believable aspects. There are also some nostalgic plot lines involving the Hmong people now living in Thailand. Outside of the "will they or won't they fall in love" plot line - the most obvious storyline is about how lovely living in the Thai countryside is. The countryside and the tea plantation is filmed beautifully and seems like ad for Thai tourism at times.
Music: Nothing terribly special but nice. It doesn't overpower the plot although the theme song does get used a lot at what were probably commercial breaks.
Rewatch Value: You know, if it popped up on my playlist, I'd rematch it. Ken and Namtarn made a nice, believable couple There were some nice kisses and some witty dialogue. The countryside looked very soothing. I'm not watching lakorns for realistic, gritty modern life so, yes, it has a pretty high re-watch value.
I hope I'm not making this sound horribly bland. It's not a ground-breakingly exciting drama but it isn't the worst thing out there. It might help you acquire a taste for Thai lakorns.
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Secondly, it's a C drama! It's just a cute, feel-good world where everything eventually works out for their careers and their romance.
Now the serious stuff 😊
There are no fake dramatic conflicts or the typical "male lead saves the day" plot. The two stand on opposite sides of the workplace, getting to know each other again while dealing with their past issues. What makes this show so touching is how both characters are strong in their own ways: The female lead is clear-headed and independent, earning all her success through daily hard work and persistence. Facing industry prejudice, office gossip, and tough assessments, she always stands tall and faces challenges head-on. Her main goal has always been chasing the blue sky; love was never her solution to life's problems.
And the male lead isn't just some floating, domineering CEO. Even though he's in a high position, he's also under pressure to reform the industry. He might seem cold on the outside but is warm on the inside. As he slowly learns the truth, he learns to let go of his arrogance and respects a girl's passion and determination and supports her all the way yet giving her the space when he needs to. What a gem of a man 🥰
Romance: Feels modern and deeply empowering to me. I was highly entertained by the high-friction, petty tension of their early interactions. The idea of females not having to sacrifice career for love hit me. It's a comforting fluff. No annoying love triangles and devastating breakups. Miles Wei is swoon-worthy 🥰
When it comes to workplace details, this show is really authentic. The production team built a 1:1 replica of a flight simulator, and aviation professionals guided the cast and crew throughout filming. Scenes like air-ground communication, flight assessments, and emergency handling all match real industry situations, without any obvious mistakes. The pressure in the aviation industry, the stereotypes female pilots face, and the complicated realities behind airline reforms are all shown in detail, making the whole story feel real, not just another idol drama with a workplace setting.
Miles Wei delivers it time and time again! Playing a CEO is actually super hard! If you don't nail it, it gets so greasy. It's really tricky to get the balance right--definitely a huge test of acting skills. And he absolutely nailed it!!
Liu Xiening was ok. FOR ME, Miles was more deeply involved in his character than LXN
Music- super cool. "Beautiful Life" is uplifting and is on a loop ✨️ 😍
Definitely recommend ❤️
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Death will happen, no matter what. But what is important how you treasure the presence of these people for as long as they live.
I love the way the actor showed such gentleness while embalming the dead. Every process was done so delicately and filled with respect to the deceased.
A very touching movie indeed. I cried more than twice in it.
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This review may contain spoilers
Gay subtext meets historical drama
"She already knows how to make women fall for her without consciously thinking about it ..." (episode 6, 17:43)"I never knew those two [women] could have such chemistry, they are bringing out the best in each other" (episode 6, 51:47)
The stage of "Jeong Nyeon" is no common theatre. A theatre it is where women reign supreme and assume a duality. In their duality, they are the subject and object of romantic contemplation, the wooer and the wooed, the pursuer and the prize pursued, the lover and the beloved. They circle one another, and, unawares, trace the contours of homoerotic tension that hums under the mask of their performance
The removal of Bu Yong and the life she shared with Jeong Nyeon is a cowardly bow to societal prejudice. Nevertheless, the adaptation is worthy of acclaim for its deliberate construction of a homosocial sphere, in which same-sex longings find fertile ground to flourish
"The stars that once graced the [female] gukgeuk stage went on to continue their paths as artists, pansori singers, outdoor theatre performers, or even film actors. They have merely dispersed, not disappeared, and they will shine on in the vast night" (episode 12, 1:14:12)
The legacy of female gukgeuk slumbers in silence and neglect, awaiting but the breath of fresh voices to bid forth anew its sovereign might and elegance
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Viewers fresh from home or even on the cusp of building their own families may relate most to the tale dictated by Tonbi. The same might be said for those who, already having experienced much of life, are adjusting to empty nests. This drama builds an effectively nostalgic hometown backdrop, complete with unique landmarks and quirky, over-exaggerated denizens. With such a setting, themes and happenings are explored which remain universal despite whichever specific focus is placed on them. The result is a warm, emotional ride which is rather easy to connect with.
Several aspects struck me as slightly uneven nonetheless. The plot relies on various coincidences and, while I can allow for the fact that life sometimes hands out beautiful symmetry, there are too many to shrug. Many point out that Japan stumbles often with romantic love. As expected, few romantic relationships in Tonbi (including one which later becomes a major plot point) felt honestly loving. Because the true focus centers on bonds between parent and child, this is relatively forgivable. Lastly, much of the story is told by son Akira, either through flashbacks or as stories told to others. For the most part this works just fine, but these sequences frequently show characters from their own perspective. While it would be nice to have that level of insight in real life, this staggers somewhat strange. Even for a community of people as open as these, we rarely know everything others experience alone (especially our parents).
Near the start of Tonbi, I spent a reasonable amount of time deciding whether Uchino Masaaki was performing well. His Yasuo is larger than life, initially more like a dumb but lovable hound unable to control itself when excited than an actual person. Yet when all parts of his portrayal are placed together, brilliance flows forth. My favorite bits were his emotional revelations, becoming acquainted with the vulnerability and loneliness of the character. Sato Takeru improves every time I encounter him. His scenes often feel quite natural lately. While his Akira does not induce the same level of interest as Yasuo, the chemistry with Uchino-san makes this drama. A true degree of familial love seems to pass between them, whether they are sharing warm moments or standing in conflict.
Instrumental pieces in Tonbi are light and subtle. There are various gentle themes which play at pivotal moments, particularly those when a character is reminiscing or about to experience change. Overall suitable, the tender and unobtrusive way they are presented is simply wonderful. Fukuyama Masaharu provides the gorgeous theme ("Tanjobi ni wa Mashiro na Yuri wo"), with a voice that croons nostalgia with every syllable. Whenever it played during the final moments of an episode, my heart swelled.
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That being said, I don't think it was that bad. It isn't the most groundbraking suspense drama you'll find, it isn't the best written thing you'll see, but for the lack of experience these girls seem to have, the fact that it's "one of those idol dramas", the budget and the amount of episodes, I've seen much worse. To be honest, it's a very binge-watchable drama and it keeps the tension more or less throughout, so I don't regret watching it.
The plot starts in medias res, which I really appreciate in a suspense story, and I wish it had kept the focus it had on the beginning throughout the entire thing because, as the episodes advance, it gets unecessarily complicated for a story that didn't need so many unconnected twists and turns. And, for what I've seen in some comment threads, I'm not the only one left with more questions than answers when it's all said and done. I wish there had been one big focus instead of small things that have a common thread, kind of, if you squint.
Still, for all its complicated messes with the plot and its unanswered questions, it did leave me wanting to discuss it to try figuring out what just happened, and I consider that a good thing; I had left complicated dramas wanting to never look back in the past, but this is not one of those, at least. It's a mess but it's an interesting mess. And hey, I commend these girls for starting out with a suspense/horror/mystery drama rather than a typical school drama which would have probably hidden their inexperience a lot better but it would have been a lot less interesting to watch.
If you're looking for suspense with minimum to no gore, a sort of idol version of SAW, which will keep you wanting to know more, even if it's to try figuring out what on earth you just watched, and don't mind very inexperienced performances and some clear fanservice-y moments attempted to be disguised as representation (that's the idol industry for you, though, it's a general recurring problem), give this one a shot. And then DM me and tell me what you think just happened.
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Cherry Magic! Thirty Years of Virginity Can Make You a Wizard?!
26 people found this review helpful
A Series with Heart and Soul
One of the main aspects that stands out about Japanese drama is their way of including a heartfelt and inspirational message in their stories. I came across Cherry Magic on MDL two months before its official airing date. The plot summary and casting choices intrigued me. I had recognised both of the main leads, Akaso and Machida-san from their previous works, Nee Sensei, Shiranai no? (2020) and Joshi-teki Seikatsu (2018). Since Ossan’s love (2018), Japan has become more open to exploring BL/LGBT genre and well-known actors and actresses featuring in the genre. Considering those points, I had gone ahead and read the first two volumes of the original manga by Toyota-san’s Cherry Magic. The manga’s direction was lighter than other shounen-ai works, and I appreciate Toyota-san writing the characters in a likeable manner.The story could have taken many different directions; however, I appreciate the staff and crew’s mindsets on the drama structure's focus. Having read the manga (Vol 1~4), and watched the drama series, I could sense the amount of thought that went into making the show fitting for a live-action adaptation while bringing heart and soul to these characters.
Most Asian dramas tend to over sexualise and romanticise unhealthy relationships, especially within the BL and LGBT genre. Therefore, the direction of Cherry Magic proves that none of those portrayals is necessary to create an exciting and engaging show. The show features a fair focus on realistic obstacles, including workplace struggles, the risk of striving for your dream goals and self-acceptance.
Acting:
The acting was top-notch; I could feel the character’s emotions, including the scenes without any dialogue. I loved how the main and some of the supporting casts were given a chance to show their range. It helped me become more invested in their characters. Setting the characters in a genre with both slice of life and a supernatural element could be quite challenging. Therefore, I believe the writers did an excellent job writing the main and supporting characters in a relatable and somewhat realistic approach.
Setting:
It was refreshing to see a drama set in a workplace setting with the given genre. It brought more opportunities to explore some realistic obstacles and a sense of relatability towards a mature target audience.
Much analysis has been made on the drama’s setting, placement of props and editing by fans. Although the production value is relatively standard, the staff considers all the mentioned elements, therefore, reflecting the character’s emotions with their given surroundings. I appreciate the setting being viewed more than a stage or an aesthetic; it made me rethink the use of colour palettes (e.g. Blue for gloomy mood by Kurosawa).
Music:
I fell in love with both the opening and ending songs featured in the show. The lyrics had much depth and connection with our two main characters. I found it interesting the opening represents Adachi’s internal feelings while the ending represents Kurosawa’s perspective. Both songs complement each other, and the visuals fit the songs melody. The soundtrack is both amusing and emotionally moving. From my perspective, I did not feel any of the ost or songs were out of place.
Last thoughts:
If you are used to seeing skinship and rapid development featured in romantic relationships, the show may not be your forte; however, I recommend you give the series a watch.. While watching the show; it reminded me that falling in love can be a wonderful thing in life despite the depressing and heartwrenching moments.
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Could've been a 7 if not for the last 3 episodes
Got started on this series with very little expectations and enjoyed the first 9 episodes, not because of the romance or the actors, but because of the characters (especially Pah and Pie) and great comic timing.The struggles and growth the characters go through, how they form-break-mend relationships and chart their own break-through, how they overcome self-doubt and discover themselves, were very nostalgic and feel-good.
It really started to go downhill for me because of 3 things (most of which happened in the last 3 episodes)
1. Judy's character development and her relationship with BM just came across as v flippant and poorly thought out and done just to catalyse Tae's character development. I would've much preferred if she had not reciprocated BM's feelings because that felt rather out of character, especially for someone who maintains a strong professional image, it felt unrealistic that she would start a relationship with an intern who already had a boyfriend who was also an intern.
2. Phi Jo's comments to Jane felt very out of character, after his chat with Pah, and the subsequent justification for his actions felt very forced (not sure if it was a translation issue). Jane's flashback made me dislike Phi Jo after growing quite fond of him, especially since he was built up to be a non-judgemental coach type of leader. The office culture also felt very toxic and seemed to be deemed "acceptable".
3. Jane's sudden departure to study overseas and his decision to do so without talking it out with someone he just started a relationship with. And them not speaking for years and then conveniently getting back together again was simply unrealistic... the amount of disrespect to the audience for being made to believe it was ok...
Sadly this series did not end on a high for me but thought it still deserved a rating above 5 because i truly enjoyed two thirds of it.
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One word. MASTERPIECE.
So, I just finished watching the last episode of "a tale of thousand stars" and it left me with so many emotions that i decided to write a review in order to pour them all out.For everyone who is still contemplating wether you should give this drama a try or not, i want to help you by saying "YES, you should definitly watch it". Without giving too much away, everything in this show is just so spot on. The story, the characters, the soundtrack, the cinematography, ... You can practically feel, how much work and thought were put into every single scene.
Everything makes sense. There's a read thread going through each episode, starting from the very first one to the finale. It never loses focus on the original plotpoint, still giving the characters and the storyline room for development.
What i personally loved most about the show, is the complexity of the different characters and their relationships towards each other. Their actions and feelings are not just black and white, right and wrong. There is so much going on on the inside and they were written so cleverly, that despite their complexity, they are still relatable and the viewer can empathize with them.
Last but surely not least, let's talk about he incredible chemistry between the two male protagonists. Every time Tian and Phupha interact with each other - heck, every time they even just look at each other - you can feel the tension and electricity going on between them. There are literal sparks flying around them. I salute to Earth and Mix for their fantastic performance.
In conclusion, I can nothing but recommend this show, It truly moved my heart and i am sure it will move yours as well.
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