Acting was great though, characters and the band itself were soo wholesome! It's nice to take a break from dramas with too many shitty characters. Anyways, as I always say, I base my ratings on overall enjoyment. The show was not the best of the year but it was a comfortable and cozy watch. 7.5.
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Story : the story is almost flawless and fast paced enough that there isn't a single episode that wouldn't give you a high. The twists and turns that happen are almost realistic and you will find yourself getting slipped into the story.
Acting : Ma Dong Seok and Seo In Gook. DO i need say more? the characters in the drama are played so well, you start believing in them. They take you a roller coaster ride and they do it well!!
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traditional Thai romcom
Overall: this has a lot of frequently seen Thai romcom elements including a ton of comedy sound effects. My favorite was the last arc with Faifa and Wine. 24 episodes about 45 minutes each. Aired on GMMTV's YouTube channel https://youtube.com/playlist?list=PLszepnkojZI7tY-4JZhpydsT6fIpemt3l&si=f7ir8p1MqNiXYXtL and WeTV https://wetv.vip/en/play/feag2shxw6mx76l-Perfect%2010%20Liners For all parts, they should have aired 2 episodes per week instead of it taking 6 months to air and I was not a fan of the constant comedy sound effects.First Arc (episodes 1-8), actors Book and Force play Arm and Arc
Content Warnings: non con touching, non con picture taking/sharing
Watch Suggestions (if you're not a fan of the cold/jerk pursuer trope and if the comedy doesn't work for you)
- watch episode 1
- episode 2: part 1 6:15-7:35, 8:45-11:40, part 2 beginning to 1:30, part 3 2:40-5, part 4 4-end
- episode 3: watch part 1, part 2 watch 6:20-7:10
- episode 4: watch part 1, part 3 start at 3, watch part 4
- episode 5: watch part 3 starting at 2, watch part 4
- episode 6: watch part 1 (can skip or watch parts 2 and 3), watch part 4
- episode 7: watch part 1, part 3 9-10:20 and part 4 16:30-end
- episode 8: watch part 1 15-end, parts 2, 3 and 4
What I Liked
- I did laugh a few times
- subverted tropes
- easy to understand premise
- sweet moments
- nice to see a lot of GMMTV actors
- Pond & Sand breadcrumbs were sweet though some ignoring boundaries at the end of ep 5
- Tay Tawan cameo
- the friend groups
Room For Improvement
- started with the present, then flashback, the flash to the present and then back again the start of episode 3 felt jarring
- has the nonsense 'be a jerk to the person I like' "plan" (though it is nice that the other guy had a bit of a spine and pushed back)
- non con kiss in episode 5 part 4
- love rivals/jealousy
- the "I don't like you smiling at anyone else, I don't like you going around acting cute" in episode 7 part 4
- (neutral) the comedy sound effects didn't make me laugh
Second Arc (episodes 9-16) actors Perth and Santa play Yotha and Gun (dynamic is a hyper child-like character with a reserved stern character)
Content Warnings: punch, fight, non con kiss, blood, violence, non con touching, gaslighting
Watch Suggestions (to avoid one character being hot/cold)
- watch episodes 9 and 10
- episode 11: watch part 1, part 2 skip 2-7, part 3 skip 6:30-11, watch part 4 until 16:45
- episode 12: watch part 1 9:20-11 and 13min, part 2 watch 4-end, part 3 7-end and part 4 beginning-1:30 and 13:05-end
- episode 13: watch part 1 3-4:45 and 16:30-end, part 2 watch 1:40-2:30
- episode 14: watch part 1 beginning-8 and 13:40-end, part 2 5:50-10:15 and 14-end, watch part 4 5:30-9:05 and 14:45-end
- episode 15: watch part 1 2:30-14:15, part 3 3-end, part 4 9:20-end
- watch episode 16 (can start part 3 at 12:40 to avoid nonsense mom drama (why didn't she say something sooner???)
What I Liked
- caring moments like tying the tie
- supportive mom/sister
Room For Improvement
- the one character acts like a child (brings a blankie to university, sleeps with lights on, cat on his shirt, his childish mannerisms)
- a ton of new characters were introduced quickly
- how a character said another character had to take responsibility for his feelings
- a character was frequently drunk
- a different character punched someone for hugging his boyfriend
- the non con kiss to prove something
- treating a character like an object ie saying "quiet dog" in episode 13
- being hot and cold without communication
- "you started this"
- when asked why a character likes another character he can only come up with "he's cute"
- the cliche power of love magically healing deep trauma/phobia
- being pushy, "I don't know means yes", nope yes means yes or nodding your head means yes
Third Arc (episodes 17-24) Actors are Mark and Junior who play Wine and Faifa (dynamic is a peppy people-pleaser with a reserved character)
Content Warnings: slap, internalized homophobia, unwanted outing
Watch Suggestions
- watch episodes 17 and 18 (can start 18 part 3 at 11)
- watch 19-24 (can start ep 23 part 3 at 5:40 unless you enjoy the mom drama)
What I Liked
- caring moments
- one of the very rare examples that prominently features internalized homophobia
- good intimacy (though too much space between bodies which I think applies to all of the couples)
- nice finale
Room For Improvement
- the over the top character, though he at least doesn't feel like a 5 year old
- though it was nice to see previous couples, by the third arc they took up way too much screentime
- didn't care about the mom plot at all and wish the boyfriends would have first consulted their partners
- (Yotha & Gun had another round of "can I (have sex with you)" and "I told you before no one asks about that")
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Not too bad. But not too good.
This is probably worth watching - probably most of the first half, and the rest with judicious fast-fowarding. I'll start with the bad to end on a positive note:- Gun is not a good actor. He's a good comedic actor, and when this series is being OTT or comical, it works. When it strays into sappy melodrama, which it unfortunately does far too often, then it's excruciating to watch his scenes. Lots and lots of melodramatic crying, and anger all at a loud volume with teeth bared. You'll learn to FF.
- The plot is totally predictable, and almost every moment you can see coming. The enemies portion of the story ended way too soon and suddenly you could almost hear the Tchaikowski Romeo & Juliet overture firing up. Actually, that would have at least made it funny. The problem was that you didn't get enough time to invest in the relationship, which for me was carried entirely by Boat, who is extremely attractive and also a good actor.
The good:
- Bank's storyline
- Bank's smile
- Bank shirtless
- Bank.
I'm being funny, but Pitch & Bank are likely to be what keeps you watching what is otherwise a forgettable experience. But be forewarned, they are not in it much, and apparently a large portion of their scenes were not included, which seems mystifying and criminal. Maybe the actors woudn't allow any producer "bad touch" and were being punished.
Boat is a really good actor, He does drama, comedy, and action very well. He's good at subtle expression and letting his eyes show you what he's feeling, as opposed to Gun, who only has one setting: OTT loud and teeth-baring. There are a lot of action scenes, and they're actually pretty good by BL standards.
I would advise you not to do what I did, and watch too much of this on normal speed for fear of missing any Bank.
Story: 7. The predictability was unfortunate, but the overall plot was decently laid out and coherent. The romance went from 0-90 too suddenly, but all-in-all it wasn't bad. There were no toxic females - there were women who liked the boys, but they weren't at all manipulative or scheming, and they never really got in the way of the main ship. They were sincere, honest, and mature, and if anything they were cruelly used by Sky. Although Juno needs to learn to take a hint faster. There are a lot of tropes, especially early on, but some of them are obviously exaggerated to the point of satire, which I appreciated.
Acting: 7. I'd probably have rated it 8 or 9, but Gun was a 2, so he dragged down the average. Boat is very good, and Tenon (Bank) is strangely enthralling - I guess he manages to pull off a sincere innocence that's endearing.
Rewatch value: 5. I'd give it a 1, but there's a scene with Bank in a tank top and a scene with Bank shirtless that I'm likely to rewatch many, many times. It may not be coming through, but I like Bank.
Overall: 7. I generally don't like to go below 7 unless it's really terrible. This is not - it's entertaining, although it loses steam by the end. If they had left out some of the repetition (how many times does Sun need to leave Sky unattended resulting in his abduction before he learns not to do it? He never learns not to do it.) and put in more of the secondary couple, this would have worked much better.
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Don't Shy Away From Being Yourself ❤️
Life becomes a little easy - when you find people who accept and love you for who you truly are. This message is exceptionally narrated in this movie through the main leads who are deemed "different" by society but manage to hold on to each other and fight through prejudices/biases of society, friends, family and their own self to eventually loving and accepting themselves for who they truly are.From the moment we're born, society judges us for our looks, height, skin color, skills, sexual orientation, behavior, and more. Biases and prejudices are ingrained in people’s minds upon first meeting us, and while some may change with understanding, many remain. Despite progress, there’s still a long way to go to eliminate these judgments in today's world. "Love in the Big City (2024)" is a commendable step in the right direction, and I applaud the cast, crew, and original novel creators for this remarkable film.
The movie powerfully portrays the challenges of "being different" through a heartfelt narrative that evokes a range of emotions—smiles, tears, and everything in between. The female lead is someone I've admired for a long time, but this was my first time seeing Steven Noh in action. Known from "Pachinko," his portrayal, even within a limited emotional range as his character demanded, showcased his immense talent. The main leads bond together on the common ground of being labelled outcasts and the movie progresses from their 20s to early 30s showing us how they fight the societal prejudices, missed chances at love, inner fear of showing their true self, facing their family, overcoming failed relationships to ultimately accepting their own true self, and being proud of it.
The line "How can being yourself be a weakness?" resonates as the film’s strongest message. Personally, as someone who has faced various judgments from young age from strangers/close relations alike movies like this offer a solace of sorts - a feel-good factor that reinforces the importance of learning to love your true self, before seeking it elsewhere.
The film does not come across as preachy - but rather resonates with me (and am sure others) because it does not shy away from showing the good/bad and ugly side of journey towards self-acceptance. Profound, Powerful, Engaging - from start to finish, would highly recommend it as a must watch ❤️
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Subtle yet deep romance with a thrilling plot
This drama has something very subtle yet beautiful about it. There has been a few dramas like that that I can think of. For example, Doctor John, Goblin, Nine: Nine Times Time Travel - that underlaying melancholy and pain of the characters, the steadily growing plot and the subtle but deep connection between the two leads.The story started out in a rather subtle way. We got hints of the plot elements there and there but the context wasn't fully there. With time, the drama goes deeper and deeper and all the connections between people hold so much more weight. The leads' romance was a slow burn but they're adorable together. Life is really tough for them, somehow there are a lot of enemies surrounding them, but their connection is genuine and beautiful. It is equal amounts of cute, fluffy and mature, deep. Thinking about our reserved yet polite and kind male lead, Jeong Hoon, and his sweet, tender smiles that just lights up the whole screen, makes me giggle and roll in the sheets. I love him. He deserves all the best things and more.
It's a SLOW BURN, okay, but oh how delightful it is to be the witness of that. If you're into that.
It surprised me how much...mystery/thriller elements this drama has, but somehow it has a perfect balance with the surrounding smaller plotlines and the main romance. Also, despite hating a great amount of characters, we also get to love even a greater amount. What's even better is that the characters are not one-dimensional, they actually have complex sides to them. We actually get to KNOW a variety of characters. Basically there are little to no characters that are thrown just for the sake of filling up space.
Doesn't mean this drama has no flaws at all, though. More than flaws, it's the use of kdrama cliches. It doesn't make the drama bad, we love kdramas despite seeing a repetition of things over and over again, it's just a bit frustrating to see this otherwise fascinating drama take on a kdrama cliche approach. It felt original in its strong execution, cast and plot but sadly it still got stuck in some of the 'kdrama rules' that this wonderful story could have lived without.
Has this drama used its full potential? Well, no. Does it have some superb, never seen before ending? No again. But at the end of the day I don't regret the time spent watching it and am still helplessly in love with its characters.
I guess my advice for the future viewers would be to watch it for the tone (melancholy, slow burn, melodrama) and cute romance while enjoying the surrounding thrilling mystery, but not get too deep into thinking everything has to makes sense in the drama. Best way to dive into this is by toning down your expectations a liiiittle bit to not be disappointed.
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Very bad plot and unmatched acting skills
I really wanted to love this, especially as a fan of Kim Hye-yoon’s incredible work in Lovely Runner.However, the characterization and plot development here fell short.
While Kim Hye-yoon is a powerhouse, her 'Gen Z gumiho' was written with an annoying edge that her naturally dramatic acting style only amplified, making the character hard to root for.
This was made worse by the total lack of balance with Lomon. He was far too passive; compared to her high energy, he felt devoid of personality and emotional range. Most importantly, he lacked that signature K-drama 'ML gaze'—his eyes never truly sold the idea that he was in love with her.
The two felt like completely different colors that just didn't mix. WIth a strong ML 's acting, the story might be worth watching.
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1
1Bow down for love.
I finally finished it. I ended up taking a lot of time pausing and trying to make this drama last longer. I was reluctant to say goodbye.Song Zuer captivates with a natural charm that blends playfulness, wit, and vibrant energy. Xiao Qiao, in contrast, embodies quiet strength and intelligence. She faces adversity with deliberate care and unwavering courage, always thinking ahead. Her deep understanding of Wei Shao guides her every move, and she stands by his side as an equal—never idle, never reckless.
Rather than allowing him to face danger alone, she shares the burden, fiercely protecting him, herself, and those she loves. She gently challenges him to see the Qiaos in a different light—an idea he struggles to accept at first. Yet she holds no resentment. Aware of the wounds he carries, she responds with patience and empathy, slowly helping him release the past and find peace—to truly bury the hatchet.
Liu Yuning’s Wei Shao commands attention without a word—his presence alone shifts the air. With sharp features and a cool, unreadable expression, he doesn’t chase the spotlight; he is the spotlight. He’s not the man you run to, but the one you instinctively follow—back straight, breath held. Yet beneath the warlord’s cold exterior lies a flicker of warmth. When he breaks down before Xiao Qiao, the depth of his love, pride, and pain bleeds through every glance.
Liu Yuning delivers a performance both fierce and tender, capturing a rare duality—dominant yet vulnerable, righteous yet enigmatic. His understated intensity, commanding voice, and raw martial edge give him a wolf-like energy that’s magnetic and nearly impossible to imitate.
These two demeanors create this electric “wolf and fox” dynamic. Both characters are written to extremes, and these two actors push those extremes in a way that makes their chemistry almost untouchable. Their on-screen connection feels fated.
The Wei brothers were an absolute delight to watch, each bringing unique personalities that lit up every scene. They truly embodied the Wei clan’s reputation for strength and spirit.
At first, I wasn’t particularly fond of Wei Yan, but over time, he grew on me. His personal journey—coming to terms with his past and striving to become better—added depth to his character. He played a key role in strengthening the bond between the wolf and the fox, acting as a catalyst for their relationship. Over time, he proved himself to be a sharp-witted companion and a dependable ally during the final conflict. I gained a newfound respect for him; he’s undeniably flawed, but he owns those flaws and integrates them into who he is.
Of course, can’t leave out Wei Liang and Xiao Tao, who were an absolutely charming pair. Their relationship started off with playful bickering, which quickly became their unique love language. As the story progressed, that lighthearted banter blossomed into one of the most heartwarming romances in the entire drama.
What made their dynamic so endearing was how effortlessly they matched each other's energy. By the end, they had become a couple you couldn’t help but root for—sweet, sincere, and impossible not to smile at.
The women of the Wei family—Wei Shao’s mother and grandmother—were standouts during the final conflict. Both displayed remarkable strength and resilience. While Wei Shao’s mother initially clashed with the main couple, she eventually transformed into one of their strongest allies. She is not an amazing character, but she changed for the better.
In contrast, his grandmother was a steady force from the beginning. She was the voice of reason and the key figure without whom the relationship might never have been possible. Wise and composed, she never boasted about her insights, yet she approached every serious matter with gravity. Most importantly, she supported Xiao Qiao from the very start, despite her ties to the rival clan.
I found the power struggle within the Qiao family interesting, particularly between the leader and Xiao Qiao's father, who was one of my favorite characters. He reminded me in some ways of Wei Shao's grandmother.
Da Qiao and Bi Zhi’s story is parallel to that of Xiao Qiao and Wei Shao. I really enjoyed their dynamic, although some of Bi Zhi’s choices sometimes felt off to me. Da Qiao was almost always supportive of him. While Bi Zhi might have become a general, deep down he was just trying to give the woman he loved a peaceful life. They were also one of the couples that demonstrated the most mutual understanding and care for each other.
As for the villains, they were strong but came off as a little too easy to win against at times.
The story’s pacing is sharp and well-balanced, with both narrative arcs—political drama and romance—equally engaging and never overshadowing one another.
The plot unfolds in the aftermath of a devastating betrayal between two once-allied clans. Wei Shao, who witnessed the tragic loss of his loved ones at a young age, harbors deep hatred toward the Qiao clan. However, fate takes an unexpected turn when he finds himself falling for Xiao Qiao, a member of the Qiao family. She enters the Wei clan through a political marriage intended to halt an impending revenge plot and initiate peace talks.
The heart of the story lies in their romance. What begins as mutual hostility and manipulation gradually transforms into a deep bond rooted in trust and empathy. Their growing connection becomes a challenge for the main antagonists, as Wei Shao and Xiao Qiao develop an unwavering understanding of each other. Remarkably, they never blame one another for the actions of their families. Wei Shao is able to see Xiao Qiao as an individual, separate from the clan he despises, choosing not to project his anger onto her. In turn, Xiao Qiao respects his role as a leader and forgives the difficult decisions he must make under the weight of his responsibilities.
The romance in this story blossoms at a gentle, unhurried pace, skillfully weaving together light-hearted humor, tender exchanges, and a powerful, slow-burning chemistry that draws you in. It’s not a tale driven by a consistent trope of a relentlessly toxic or overbearing male lead. If you’re looking for a drama built around emotional manipulation or cold indifference disguised as passion, this is not it.
At its heart, it is Wei Shao’s deeply personal and emotional journey. He begins as a proud, battle-hardened leader, defined by his authority, sharp instincts, and the weight of past grievances. But as the story unfolds, we witness the transformation of a man long guarded by resentment and power. Slowly, he begins to dismantle the emotional walls he has spent years building.
This isn’t just a love story—it’s a quiet surrender. Wei Shao doesn’t simply fall in love; he bows to it. Not in defeat, but in reverence. He lays down the armor forged from pain and pride and kneels at the altar of love—not out of weakness, but out of strength and trust. In Xiao Qiao, he finds not just a partner but a safe haven, someone worthy of seeing his vulnerability. And in doing so, he chooses tenderness over vengeance, devotion over pride. His submission to love becomes the most courageous act of all.
Now, about the visuals—I absolutely loved the artistic direction they took with the drama. The color palette and gradients used in the sets and costumes, especially the wedding attire, were stunning. The title card shots for each state were also beautifully done, showing just how much attention to detail went into maintaining visual consistency throughout. It was a visually captivating experience with fantastic cinematography. While there weren't many large battle scenes, that didn’t matter much, as they were never the central focus of the story.
I also really enjoyed the background music during the emotional scenes—it added a lot of depth. The opening theme, sung by Liu Yuning, was excellent, and overall, the entire soundtrack was well-chosen and perfectly fitting.
Overall, this was one of the most put-together and well-written dramas of this year so far. I know it has its flaws, but it is a story I enjoyed, with moments that vary from touching to laughter-inducing. It's a drama that I could easily see myself rewatching in the future.
"Dripping water wears through stone; with a beauty by my side, sorrow and hatred dissolve.
With gentle affection and tender grace, even a noble man bends his will for true love."
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The storyline of EXO Next Door is mediocre and nothing special to put it bluntly, you could probably find a similar story visualizing fan fiction. 99% of us watched it for the members (including myself) and the cast was what really made it so popular.
This drama has an exceptionally close concept with boys over flowers with the asshole main lead and the nice friend who we all know gets friend-zoned by the female lead.
I will say though i enjoyed the scenes between Sehun and Kwangsoo and found their relationship really funny and entertaining.
For the cast acting Ga young was good as the female lead and really portrayed her character well. I find Kyungsoo to be the most natural and least awkward among the group (and i'm not only saying that because he's my bias). Sehun on the other hand... I have no comments. Kwangsoo was really entertaining to watch and really was a unique and adorable character to watch I got happy every time I saw him, I'll give the directors props for Kwangsoo.
For the music in EXO Next Door the one that stood out was the slow song sung by Baekhyun which I liked a lot.
BOTTOM LINE, if you are an exo fan you will really enjoy this, but story wise... it's really just exo fan-service, which i'm sure a lot of people don't have a problem with. In watching this drama you will laugh a lot and get overly excited and fangirly over a lot of scenes. Treat this as a light hearted fun show don't expect really deep feeling.
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This review may contain spoilers
"Love when you are ready and not when you are lonely"
What can I say? NADAO really isn't playing when it comes to the production of this series. Ever since the first season to this one, I actually believe they have improved and given us this delightful first episode, filled with many captures and panoramic views of the city, and also of course the always so aesthetically pleasing scenes with our main leads, Teh and Oh-aew.The shots where they enter and the whole dynamic with the colors Blue and Red (just like in the first season), will be very significative along the series and probably has a plethora of symbolic meanings associated to them.
What I do love about this story is how realistic and relatable it truly feels. Teh and Oh-aew really do represent all of us in terms of chasing our goals and dreams, while questioning our own sexuality and passions, to graduating high school and applying to college that not always is close to home, having old and new friendships, and many more... all in all, the ordeals of a lifetime.
Am sensing that a lot will happen this time around too...
The first season was more like an awakening. Like a realization of a blooming of youth.
Meanwhile in this, it will depict the changes that come with college life and access to adulthood.
BK once again awe us with his skills in conquering both of our hearts with the way he takes the character of Teh, the always avid dreamer and aspiring actor and then we have PP being his adorable self, taking us in an emotional ride by how well he shows Oh-aew struggles through the screen. The way they can draw emotions in their roles is truly amazing. PP with just his expressions alone can really makes us see the pain and suffering that his character is going through, that talent hasn't changed from the first season to this one, on the contrary their acting has only gotten better. Am looking forward to see more of it.
Teh is a constant, while Oh-aew is a variable.
That is only reinforced through the outcome of their own life changes and decisions within their personal journey here. Hard not to feel empathetic towards the characters when they give us an insight that we can without a doubt relate. Not everyone is set on their dream so passionately as Teh is, some of us are lost like Oh-aew until we do find our own dream. Changes are always the hardest to accept, mainly when the fears speak louder than reason. However some are inevitable.
What I do love about the episodes of this second season is the fact that we are able to witness their coming of age, along with how their personal choices affect others and their own perceptions of what is right or wrong, bad or good, and the maturity they need to overcome the obstacles that might settle in their own way.
And somehow, I like those odds.
"Love when you are ready and not when you are lonely"
It's a phrase that can easily apply here and also when it comes to temptation. Still, it's quite enthralling the way they film the turmoil of conflicted emotions within the scenes between Teh and Oh-aew. Every single scene is made with the sole purpose of pleasing the artistic eye, therefore to engage the viewers with the complexity of feelings their characters are feeling, all through their intimate and personal journey and paths.
If we go beyond and past all prejudice here, we might see the levels of maturity this season and characters deal with when it comes to the ordeals of life and relationships, be it love, betrayal and even friendship and family. It teaches us valuable lessons if we are able to see between the lines, if we manage to decipher the symbolic value of each and every scene.
People keep on commenting and comparing about ITSAY and IPYTM, from my point of view they are both masterpieces in their own unique way. Both series are different but with the same characters, they are shown to take a step towards adulthood while making mistakes and losing the moon while counting the stars, but it's also shown how to overcome obstacles, how to change paths and chase new dreams, how to deal with breakups and failure, the bittersweet feeling of loneliness and the good friendships we make in life we do carry in our hearts. To not give up on ourselves and on others, and most importantly to learn our own worth and to love ourselves first before opening our hearts to love once again.
It's a trial and error this thing called LIFE.
We're never too sure of whatever our decisions be won't uphold consequences of appreciation or regret.
Sometimes we have to swing it, be bold, learn how to overcome our mistakes. Be mature enough to admit them or to forgive them. Not everything can be forgiven, that's certain, when it comes to relationships communication is one of the most important things to have, without it there's no foundation to begin with.
Teh and Oh-aew have shown that they have come a long way. And it's okay.
Coming to the start point is not always a step back. The beach in Phuket is always their start point.
It's the place where they matured from boys to men. Where they shed uncertain and sorrowful tears, and where they discovered themselves and their over growing feelings towards one another, their sexual awakening was written in those grains of sand and witnessed by the crashing waves, and their very first time was shared and covered by the blanket of the twilight sea as the beaming moon testified up in the night sky above them.
It was their safe place, where they started it all and I found it was the perfect place for them to end their final scene.
They did it, they fulfilled a full cycle ever since ITSAY all the way until here and now in IPYTM. And I am one to admit I would love to have a third installment but at the same time am pleased with how this one ended as a whole in all the symbolism.
Both of them were able to show that it's okay to have new interests, new paths, different dreams and goals, and jobs. It's not okay to cheat in anything or anyone in life, but there are those who overcome it, those who regret it, and those who don't mind at all.
I am just glad that Teh and Oh-aew were able to show where they stood in both of their point of views in that matter.
Don't blame one character, to err is human. Humanity is bound by several mistakes it makes, no one is a saint in this life. And not everyone have or deserves any second chances. For some mistakes it does not take one person but two. If people blame only one in a scenario, then what about the other party? It was the trouble the minute it showed up and the way it used it's own way and merit to climb up top too success without caring about the lives it would ruin by allowing so...
Meanwhile let me add another thing to this long review xD sorry not sorry...
The only flaw I might point out to this, or rather my expectation when I learned that ITSAY was going to have a second season. I was looking forward to have a better insight of Oh-aew. In the first and last episodes we are somehow granted that. But in the middle it felt off. Almost like Oh-aew was a support and not a main character because the attention seems focused on Teh once again just like it was on ITSAY and although on that one it's totally understandable, here it would be better to have both or more screen time for him to shine as well. Nevertheless, they tried to include a variety of characters each one with their own struggles and at the end they even brought the old friends from the first season into the screen to show their roots and connection between the series and the main characters. It was a nice touch I give them that.
The OST is cute, to have BK and PP song as an intro makes it even more special.
They made this one for this and the lyrics are all about Teh and Oh-aew.
And I also like the fact that it has an instrumental version too. They have outdone themselves with the OST of many songs for this season and I am loving them all. NADAO really spoilling us with MVs from the songs and promotions that I can't complain.
I might change the ratings at the end, but so far I am given a high score even though I know they will make me suffer :')
Visually appealing, the emotional scenes are nicely done too, not to slow or fast paced, it doesn't dwell on too silent moments and it also doesn't have those overbearing music scenes. Cinematographically they give us plenty of good shots, while playing with angles, taking advantage of the natural and artificial light and even using the zoom in such a smoothing way that it's very pleasing to see. In certain scenes it gives us a warm like filter, and in others a cold filter which makes me think again of the colors they are paired with, Blue and Red (detail on that also on the plushies they have, and also their college ties ;3)
This drama is the reason I will be anticipating the next few Thursdays of the moon cycle schedule.
Because this season started on a full moon and it will end on a full moon :') therefore completing a full cycle.
And I really wonder if both Teh and Oh-aew will complete their own cycle as well after everything they will go through...
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Fact is, for once I've decided to write a review which is very personal and not at all objective. It's based upon the emotions it gave me, not the cinematographic quality of the drama.
Also, I think it's necessary to say that among the 3 versions of the same story, this was the last I watched, despite its being the first live-action based on the popular manga.
And while I consider the Japanese version the best one regarding acting and music and the Korean one better in terms of photography, colours and characterization, I'm ready to face criticism and admit that the Taiwanese version was the most satisfying to me on a romantic level.
The chemistry between Shan Cai and Dao Ming Si is what makes this into a worth watching show. For the first time, I was not rooting for the heroine to end up with the second lead, but for the main couple to finally be together. While watching hana Yori Dango and Boys Before Flowers I found myself constantly thinking: throw that arrogant brat away and choose Rui, or Ji Hoo!
You are allowed to laugh.
I ascribe this to the actors and the way their interactions were portrayed.
While Shan Cai can be annoying at times, she is a consistent character and once she finally realizes who she loves - it takes her some time - she is truly convincing. The same can be said about Dao Ming Si, whose candour as a besotted lover is quite endearing.
Therefore, although I recognize this show is pretty cheap when it comes to costumes, screenshots, photography and overall acting, I still have a fond memory of it and will probably rewatch it in the future.
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Psychological thriller? Yes, please!
A perfectly written psychological thriller that talks about human behavior under unique circumstances. I have to say, I went into this TV series with high expectations, but unlike others who craved blood and death games, I kind of guessed from the trailers that this wouldn't be bloody and would be more like a human experiment on behavioral issues, which I was right about.I recommend this series to everyone who wants to see the thrill of miserable people craving money without the death or blood factor. I don't think we need blood and death games to make something interesting, because the human psyche is interesting without them as well.
The main characters are very different people, so as you are watching, you will probably have your favorite, which you're going to cheer for. I don't think the series showed us unrealistic characters; I would say they chose a big spectrum of people that represent broad humanity. They showed the bad, the good, and the middle, and they also included disabilities and special skills. In other words, there were only 8 players, but they kind of represented a much bigger group of people.
I love how the production style was very artsy and the background music was classical music.
My biggest positive point is that they managed to wrap the story in just eight episodes, and honestly, they wrapped it so well that season two isn't needed in my opinion, which is rare with Netflix shows.
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Oh. My. God. This show is so ridiculously bad, I'm not even mad anymore.
What's worse is that I think I actually may have enjoyed it instead.Game Rai Game Rak, like almost all Lakorns comes with its fair share of bullshit. You've got an old Island crone whose eyes turn bright blue everytime she sees the future (which ofcourse is completely irrelevant to the plot), you've got a one-dimensional villain, a nasty insecure bitch of a relative who basically destroys lives left and right but somehow has a change of heart in the last ten minutes of the show, wins everyone over and sets off in the sunset without ever having to pay for her crimes.
You've got a selfless and highly forgiving damsel in distress who's constantly being sexually, physically and mentally harassed by our main lead who misunderstands her because of trusting the lies his worst enemy fed him.
Not the brightest tool in the shed, I tell you.
Ofcourse there is always that one guy who is like a brother to our heroine (however always conveniently having waaay more skinship than normal siblings have) who inspires jealousy and possessiveness in the male lead who then proceeds to humiliate the heroine by calling her a slut and whatnot. We also can't possibly forget the one or two or in this case, three other guys who're interested in the female lead and are so insignificant, they might as well be invisible.
Everything is overdramatic and over the top. Rape gets romanticized like nobody's business. People get shot and catch bullets on the daily. Corny dialogues flow out like bad breath everytime someone opens their mouth. Obnoxious music starts playing every ten minutes; effectively swiping away any sincerity that the show managed to portray. Scenes are constantly repeated and the plot-line soon gets derivative.
In short, it's an honest to God definition of a hot mess.
But then again, nobody watches Lakorns for a solid story, well developed characters or a good plot with lack of loopholes. No, people mostly watch Lakorns because they're the classic guilty pleasures and because they get the chemistry between characters spot-on.
Game Rai Game Ruk is no different, which is why despite everything, I still watched it to the end.
This is the third Thai drama starring Yaya, that I have watched and unsurprisingly she impressed me once again. Her acting is always a 100% genuine and the characters she brings to life are so hard not to love.
Game Rai Game Rak is very very similar to Kleun Cheewit; having an almost identical feel at times, but where Jeerawat was a fierce and fearless woman, Fahlada radiates innocence. She's pure, delicate and basically the classic good girl- all the while, successfully staying far away from the 'kind but dumb' category everybody hates.
However, as adorable as she is, I feel that if you don't like YaYa you might not like Fahlada either. In Kleun Cheewit, I started to love the actress because of the drama and her role in it but in GRGR, I liked the drama only because I loved the actress and if I had seen this drama first I might've never adored Urassaya as much as I do now.
After watching this drama I finally understand why Yaya and Nadech are such a big deal in Thai entertainment industry. Their chemistry is absolutely electric and while I did feel that Nadech has a short emotional range as an actor, I believe this was one of his best roles.
From start to finish, it's impossible to hate Saichon. Even when things get ugly and he acts like an ultimate creep by smelling Fah's hair when she isn't looking, taking pictures of her when she's unaware, spying on her with a telescope, tying her up again and again and degrading her, (there's always the unforgivable and romanticised implied rape and all the other times he makes her cry and do things without her will) the reason you can't hate him is because of their sweet as hell moments in the island and the surety that no matter how rotten he acts he still deeply loves Fahlada.
The ultimate on-his-knees groveling session at the end and the fact that Fahlada hits him quite a lot all the time really does help his case furthur and to be honest, even though I am highly unforgiving of assholes there was never a moment where I didn't root for them to be together.
So all in all, Game Rai Game Rak is the kind of show that you can only watch while being extremely lenient 'cause the moment you start to notice all that is wrong with it, you'll start hating it. While I reccomend this for a good time-pass, personally, I skipped and fastforwarded a lot of scenes because, as the show progresses the episodes begin to be filled with more of the same thing. So even if it is skipped a bit, it won't effect the over-all watching experience.
Your classic bad boy-good girl story that you'll love to hate and hate to love and unfortunately do both by the end.
Enjoy!
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"Roses are Red, Violets are Blue, STAR-CROSSED LOVERS- ME & YOU"
2 INDIVIDUALS, 3 LIFE TIMES, 10000 YEAR.ITS THE STORY OF angst, love, pain, miscommunication, jealousy, sadness, sacrifice, helplessness, and betrayal.
IT THE STORY OF EMOTIONS, DESTINY and FATE!!!
We have heard of enemies to lover but have you heard of star crossed lovers?
Imagine the universe bringing them together but also throwing them apart!!!
"SHE WAS BORN SO HE COULD DIE"
HONESTLY, NO one should be reading a review to watch it.
People should watch it and decide if its worth it, cuz i know once you start watching episode 1 you will be hooked like an addict!!!
WHERE DO I START?? This drama is one of the best drama made in the history of C-drama, dare i say the best xianxia!
The CGI is TOP CLASS, it screams money and beauty. The plot is just crazy, it full of angst, literally never a dull moment. The music is not repetitive and a collection of many OST, the main OST grows on you as the episodes pass. The cinematography and camera angle are AMAZING.
It is fast paced but its not rushing. I love the pacing, less filler scene and cringe moment. For the first time watching a C-drama i never once cringed in second hand embarrassment. IT'S STRAIGHT PLOT.
The starting and ending credits on start of each episode are so beautiful that I don't skip them, those are one of the best intro i have ever seen.
The costumes, jewellery , hairstyles are amazinggg!!! I MEAN they look like a million bucks!! YOU CAN SEE THE MONEY.
The fight scenes SLAP YOU on your face, they are insane. You can see the work and dedication in them. But the craziest thing is that LYX did them all on his own without a body double.
ACTING/ACTORS-
When a character either make you want to KILL them or SAVE them from the world it means the ACTORS are outdoing themself!! Here each and every actor may it be the main leads or a simple maid has done such exceptional job in portraying their characters, you actually connect to the emotions of the story.
PSYCHOTIC, RUTHLESS, COLD-BLOODED, EMOTIONLESS, UNHINGED, PITIFUL AND SINFULLY INSANE, that's what our MALE LEAD is!!
TANTAI JIN is not your common ML that changes in blink of a eye as soon as the female character comes into the play.
HE IS EVIL. He was born evil. YOU KNOW IT, HE KNOWS IT but you can't stop loving him and defending him.
We see him go from an bullied and tortured individual to the DEMON GOD/GOD OF WAR/KING OF JING/SECTOR BROTHER everyone FEAR and ADMIRE, we see his journey.
You see and understand why he is like that. THEY [the world] made him like that, they sowed the seeds if their doom in form of Tantai jin. They made the DEMON GOD by their action. THEY digged their own grave and they were the one lying into it!!
I had hoped they don't whitewash his evilness!!! I know it was nearly impossible to show him as evil as in the novel but i wanted them to keep his origin as much as they could with censorship and all, AND THEY DID!!! THEY MADE HIM UNAPOLOGETIC, not unhinged but still the perfect amount of evil.
There's just something believably sinister, unhinge, creepy and scary about him.
Tantai jin is soooo creepy!!! I can't explain in but the way that man looks, moves his body, flickering his hands and speaks is soo strangely different, still you cant stop watching him. His face changes from innocently handsome to creepy af handsome in SECONDS according to his mood.
AND OMG HIS SMIRKS AND SMILES WHEN HE LOOKS AT THE 'Female lead' OR IS 'PLANNING MURDER' make me fall on my knees.
Some scenes when i watch them I get the feeling like I'm watching a gothic horror.
Even SUSU is not your common FL. She's not helpless, it's so refreshing to actually have a strong female lead in a xianxia!!! At some incidents you will find her too CRUEL for the things she does to the ML and you won't like it but at the end of the day you get her, she is doing that from the world and even for him to an extend. God, her actions pissed me off so much but you know how it has always been.
LYX I HAIL YOU SIR. YOU WERE INSANE FOR DOING THIS!!
LYX changes his personality in a blink. He literally played 4 characters [THE ANCIENT DEVIL GOD, MINGYE, TANTAIJIN, CANGJIU MIN]and you can differentiate those character by the way they speak and carry themselves. There is something about LYX voice, its so soft but goes soo well with his characters. And for once i thank the universe that they didn't dub his voice which makes it even better!! LYX was made for this role OR i should say this role was made for LYX. His fight sequences, his smirks, his eyebrow raise will make you week.
I am on my knees of that man.🙇♀️🙇♀️🙇♀️🙇♀️
LEO LUO x BAI LU-
LYX and BL CHEMISTRY IS CHEMISTRYING. I swear you can't move your eyes off them. The eye contact they have, the touches they steal, the kissed they share, the intimate scenes they slay. the mocking glances they send each other, the way they see each other make you SCREAM!!! Their CHEMISTRY is CHEMISTRY-ING.
THE OTHER MAIN LEADS-
I am not actually very interested in the 2nd CP, the 2nd FL is just so bland and evil. Watchers on MDL called nicknamed her BITCH-ang [you will know why and get it when u watch it].
Honestly i literally wanted to skip their scenes. The 2nd FL is sooo frustrating that i wanna shout and scream and punch. The 2nd ML suffers from HERO COMPLEX and has a thing for evil damsel in distress.
But holy hell the 3rd CP has me on my toes!!! The demon fox is a freaking seductress. She screams seduction in every action she does, may it be talking or fighting or seducing!! Our poor 3rd ML didn't have any chance.
THE ONLY NEGATIVE THING-
Firstly it will be the makeup in some of the closeup scene in earlier episodes. Due to the high camera quality you find it cakey.
Secondly due to the new censorship they had to make a 56 episode drama into 40 episode so sometimes the editing seem choppy [though honestly it wont matter].
OVERALL, THIS DRAMA IS WORTH YOUR EVERY HOUR, EVERY MINUTE AND EVERY SECOND!!!
It may not be perfect but its definitely the best out there.
I laughed. I cried. I got angry. I got sad. I mourned.
LAST EPISODE HAD ME SOBBING. UGLY CRYING IS TOO SMALL A WORD TO SAY WHAT I FELT. This series is a masterpiece.
"It all started with tantaijin and it all ended with him"- BAILU, A BTS INTERVIEW.
NOW I UNDERSTOOD WHY THE TITLE WAS-
"Until the end of the moon".
[TANTAI JIN=🌕]
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This review may contain spoilers
Just Beautiful and Natural.
The Oath of Love is a much-anticipated drama that literally went to hell and back, leaving fans in an awkward situation. The Oath of Love, which was supposed to premiere in September 2019, was repeatedly postponed due to "Operation Qing Lang," which targeted celebrities with large, often chaotic fan bases. The drama was thought to have been postponed solely to put fans on their best behaviour. I was pleasantly surprised when I saw the first episode of The Oath of Love after the very long two-year wait. And now I understand why the things we desire are usually the things that bring us the most joy.The Oath of Love is based on Bo Lin Shi Jiang's(柏林石匠) novel "Entrust the Rest of My Life to You" (余生，请多指教). Because of the success of the novel, The Oath of Love already has a large fan base, and as proof of the cast's star power, the drama surpassed 700 million views in three days.
This drama centres on an uplifting romance between a doctor and a cellist. To be honest, the story isn't particularly unique. It's just a typical rom-com like we see in c-dramas. Except for the medical aspect of the drama, there is nothing unusual about it. But it's the characters and, of course, the cast and their acting is what makes this drama so endearing.
I was expecting a typical, ice-cold, and serious-looking male lead and a confused and senseless female lead based on the synopsis. But I'm really impressed by the character arcs and portrayal in this case.
Lin Zhi Xiao (Yang Zi), the female lead, is a third-year university student majoring in cello. She is energetic, positive, and kind but, sometimes acts on impulse. She is determined to achieve her objectives and does not give up easily. Although she is a little inexperienced and slow when it comes to relationships, once she is certain of her feelings and intentions, she will move forward boldly.
The love from family is irreplaceable in a person's life. This is an important life lesson that this drama teaches us. Difficult situations can make us more mature in all aspects of life. This is what one should learn from Lin Zhi Xiao.
Gu Wei (Xiao Zhan), the male lead, is the chief surgeon at a gastroenterology unit. He is a very capable doctor, but he takes failures and setbacks far too seriously, which led to psychological issues. Finally, after meeting Lin Zhi Xiao, he learns to look past the setbacks and learn from them. They transform into each other's suns and shine brightly.
One should not take setbacks to heart and stumble there, unable to rise. One should learn to learn from them and make their life more colourful with love. This is what one should learn from Gu Wei.
Gu Wei has a cold and aloof personality, but he is actually very warm and caring towards the people he should be. Lin Zhi Xiao, on the other hand, is equally warm and caring, in this case, to everyone. Lin Zhi Xiao's character development is one if the best I have seen to date. When in comes to Gu Wei, he is already and adult and naturally, there won't be any more development for him. But, his personality is so endearing that you would wonder if such a person would ever exist in this world. Their distinct personalities is one thing that makes this drama really cute and charming. You will know it when you watch the drama. The supporting characters in this drama are good, but their relationship advice can get really annoying at times.
I must say that the romance in this drama is both healthy and consensual. Nobody forces themselves on the other, and no one intentionally hurts the other's feelings. Despite the characters' 9-year age difference, the plot's romantic development felt very natural. Even I, who is not really a fan of age gap, which can become really creepy if not excecuted well, liked this drama very much. This is all due to the cast's efforts in bringing the characters to life.
Speaking of the cast, this drama has a star-studded cast that will compel you to watch it no matter what. Actually, I came to see this drama solely for the cast, as they are my favourite actor and actress. If you've seen at least one drama with them in it, you'll understand their allure. Both Xiao Zhan and Yang Zi deliver excellent performances, particularly in serious and emotional scenes. They have serious acting skills that only a few people have or can have. Their chemistry was on fire, and their interactions were adorable to watch, which, combined with the naturalness of their development, made one wonder if it was all real.
Special appreciation to the cast:
I'm really happy at the fact that Yang Zi can portray a character, who is much younger that her, flawlessly but, I think she should broaden her horizon and take up more serious roles.
Xiao Zhan's glamour is growing year by year and so is his acting skills. But, I think and hope he should take up more roles like Wei Wu Xian form The Untamed.
If a drama features Xiao Zhan or Yang Zi, the OSTs in that drama are bound to be fantastic. This drama's OSTs and BGMs too were fascinating and were amazingly in sync with the mood of the story. Here is a list of OSTs:
"The Oath of Love (余生，请多指教)" (Theme song) by Xiao Zhan and Yang Zi (This felt incredible because of the combination of their voices, and it is my personal favourite.)
"The Greatest Fortune (最幸福的幸运）" by Xiao Zhan
"Somebody Liking Someone （一个人喜欢一个人）" by Yang Zi
Even though it has its flaws, this is a fantastic show in general. This has become one of my favourite modern c-drama rom-coms that can make your heart skip a beat. This drama is not overly depressing and contains numerous comedic scenes. Of course, not everyone will enjoy it, but if you're looking for a light and fluffy drama with an amazing cast and lead chemistry, this is the show for you.
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