Reviews

Best 2019 drama. It’s very warm and realistic. A story about mothers, society and relationship. Mothers sacrifice a lot of things for their children. Responsibility as adults too. Sometimes people’s tongue can hurt other people so we should be careful of what we say even though it’s not intentionally. Some mothers can be selfish because they want the best for their children. Relationship will cause friction and it’s only natural that way, but we learn to stand up for ourselves, learning to set up boundaries. This show has a lot of lessons for us to learn from.

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One that loved not wisely but too well.

Once upon a time in Beili, there lived a woman who was simply too beautiful 倾国倾城/qīng guó qīngchéng; she could fell a city with one look and fell a kingdom with a second look. This kind of woman is a menace to mankind that can only be locked out of sight in a gilded cage. This is the cautionary tale of a brave man, one that loved not wisely but too well who dared to set her free. And his one true friend who tried to help him do the right thing.

Dashing Youth 少年白马醉春风 or Young White Horse Drunk in the Spring Breeze is the highly anticipated prequel to 2022's dark horse hit high fantasy martial arts drama The Blood of Youth 少年哥行. Like its predecessor, it is a youthful coming of age story about friendship, adventure and the spirited idealism of youth. Even though Baili Dongjun is the titular character, it is equally his best friend Ye Yun's villain origin story. They are parallel characters; both innate martial artists and scions of the Beili empire's founding families. As boys, they vowed to storm the martial world together when they grew up; Yun as the Sword Deity and Dongjun as the Liquor Deity. After the Ye family's downfall, they are destined to go down opposite paths. Dongjun lives a charmed life; making a name for himself as Li Changsheng's final disciple at the prestigious Jixia Academy; surrounded by new friends like Sikong Changfeng and Beili's Eight Talented Gentlemen. He reunites briefly with Ye Yun, who now calls himself Ye Dingzhi. In sharp contrast, Ye Dingzhi's path is a lonely one, full of obstacles, inequities, betrayals and brief snatches of happiness.

At its core, this is quite a straightforward story that is cluttered in the storytelling. There are too many digressions into the Who's Who of the martial world and and its pretentious rankings. While the fan service is terrific, such a dazzling array of too hot to handle swordsmen put my exploding ovaries in danger of apoplexy. The surfeit of hot filler characters with shallow side stories distract from the main arcs. For all their fancy swords and pompous rankings, all we see are a few showy poses and twirls before the CGI takes over and screen explodes in a gory orgy of light and digital creatures. While the CGI is well done, it is a big let-down not to see a few well choreographed live action fight sequences.

I was happy to see Hou Minghao dub himself as Baili Dongjun. It makes a big difference in how the character comes to life. While his acting is still a work in progress, he plays a character he can relate to and it shows. Ye Dingzhi is a more complex and intense role, one that He Yu pulls off charismatically. Even though he does questionable things, I empathized with him every step of the way. It would have been nice to see more of Xia Zhiguang's Sikong Changfeng. The humor and camaraderie between all the dashing youths is one of the drama's highlights. Even though the romances are not convincingly written or well developed, I liked all of the couples enough to root for them. The role of Yi Wenjun should have been more sympathetically portrayed instead of just as helpless, selfish and willful. The lovely Ye Yao is only Dongjun's muse, her character doesn't get to do much.

The irreverent Li Changsheng/Nangong Chunshui is the funniest, best acted and most engaging character in this story. Even though his arcs don't tie well with the main plot, the narrative visibly sags after his exit. His parting words to his disciples 凭心而动/píng xīn ér dòng or "act according to your heart" captures the spirit and idealism of youth that is Dongjun's lifelong mantra; one that years later, he passes on to his disciple Tang Lian. He helps Dingzhi steal the bride because Wenjun was not willing and therefor it is wrong to force her. It is the simple, absolute truth that trumps the cynical calculations driven by politics and expedience. He never wavers from this belief. It is true that Wenjun is a selfish, weak and dislikable character who makes terrible decisions with devastating consequences. But she was still wronged in the first place. Thus like Dongjun, I understood, even tried to empathize with her until she was too easily manipulated into returning to Tianqi. That was not only a stupid decision, it showed that she simply did not trust and love Dingzhi enough to wait for him. Poor Dingzhi, he never got any breaks. Even the love of his life failed him at the end. Through sick and sin, it was always and only Dongjun who remained his one true friend.

There is little new in the political plot that wasn't revealed in dialogue and flashbacks in TBOY. Which would be fine if they fleshed out the character stories and the succession struggle instead. But those are dealt with cursorily with Ruojin left as a blank cartoon character and the relationship between the brothers not explored. TBOY romanticizes Prince Langya as a tragic hero, the noble uncrowned king of Beili. In this prequel, he is the character that disappointed me most. He tore up his father's will out of misplaced loyalty and his own selfish desire to live an unrestrained life. He never made the case for why Ruojin was more worthy, supported him unconditionally and in the case of Wenjun, enabled him even though he knew it was wrong. There was never a so called greater good or do or die reason why Wenjun had to marry Ruojin, it was simply a matter of imperial privilege and entitlement. They could have escaped with his help and everything could have been so different. But I don't hold him solely responsible; there were so many malign forces at play and bad decisions that there is plenty of blame to go around.

The ending to this story leaves that bitter after taste that the bad guys won. It makes too convincing a case that a too beautiful woman who can topple kingdoms must be safely locked out of sight so she can do no harm. Both Wenjun and Dingzhi paid a high price for their mistakes but too many people who pushed Dingzhi down the dark path got off unscathed. In the novel, Dongjun has an epiphany about his own dào/道 or convictions in the middle of his fight with Dingzhi. He switches sides and punches the daylights out of the emperor instead. He scolds him: "She does not like you, why force her to marry you? She has escaped and is living a happy life, why lock her up again? You are the emperor with a harem of 3000. My brother only loves one person. Live and let live. Learn from your brother, he can even let you have the throne, why can't you let my brother have one wife?" Even though it changed nothing it was something that had to be said. Without this scene, Ruojin is never called out or held accountable for his role in starting a war over a woman. Instead it is Dingzhi who is destroyed and villainized for trying to hold on to a grass hut in a tiny corner of the world where he was happy. It is very hard to feel good about a story that ends like this.

This messy and disappointing prequel was in some ways limited by what was already canon in TBOY but still could have been better on multiple fronts, Nonetheless it is a chock full of eye candy and a fun watch if you don't look too hard at it and ignore the inconsistencies with TBOY. Even though this is a critical review I enjoyed the drama. I am just mad because it had the potential to be almost as good as TBOY. But it wasn't and so I can only rate this 8/10. I am still happy to recommend it , especially if you loved TBOY. If you liked Wuxin before, you will love him more after knowing his parent's story.

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Sweet + Entertaining + Fast Pace

Positives:
-Entertaining: I tried so many of these sweet dramas (modern and costume) and this one stood out for entertainment value. Pacing is great and I never got bored. It actually does have a simple story to tell and the romance/jokes are not trying too hard. Their daily lives are full of interesting moments which made me smile, lol, squeal, excited, and wanting more.
-Perfectly cast: GORGEOUS respectable yet full of contrast male lead character (main reason why I watch dramas) plus a cute and assertive female lead, with a young and energetic cast of friends. They all fit their characters well, have fun interactions with each another and delivered good performances.
-Fight scenes: there are a good amount here done by male lead himself and the martial arts director and crew deserves recognition.
-Production: although not a big budget drama, everything from wardrobe, hair & makeup, setting, camera work, fight scenes, CG are done well. Nothing annoying stood out that takes away from story/characters. I can tell production cares and want to deliver a fun drama for people to enjoy.
Negatives:
-Some typical romance cdrama tropes but with a male lead like that, who cares...
-Over simplified throne struggles which is not a reason I watch this drama.

So if at the end of the day you just want to come home, relax, destressed, and enjoy something easy and fun, watch this. =)

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Well, let’s talk about the elephant in the room. Unfortunately there are two: 1) the re-telling of Tin&Can story with mixed up timelines, and 2) the chemistry between Tin&Can. Well, the re-telling was an odd choice. I’m not bothered by it, but other people are. I have seen many loosing interest in this series because of that reason (and also because Saint isn’t part of the cast). Starting from zero with Tin&Can while showing us Ae crying through 3 whole episodes makes no sense. It’s not like they tried to reboot everything and make a stand-alone series. Also they wasted 6 episodes with the re-telling without providing something new and exciting. Some of the scenes they had to re-act were not as iconic as the original ones. I liked some of the new scenes, but they didn’t change the story at all. It just feels unnecessary. The characters changed a tiny little bit with Tin being more soft and vulnerable and less arrogant and dangerous looking (which also seem to disappoint many) and Can being a bit softer and more mature. But yeah, not a big difference. It's not like in DBK where they changed Kao's character so much he was unrecognizable (I'm still salty about that). So let’s move on to the second elephant: The chemistry between Tin&Can. I thought the chemistry was so great (much better than in s1) and that's why I looked up the actors (what I rarely do). I was surprised to see how close they are in real life. They seem to have personalities that resonate well together and that explains the great chemistry. But this chemistry vanishes completely when they have to kiss. You can feel through the screen how much Plan hates it, and that makes me sad. It’s not like I get some homophobic vibes from him. I highly doubt Plan would do any better in those scenes with a woman. I have seen him kissing a girl in another series (if you can call that a kiss) and it was even worse. He did well in the famous couch kiss at the end of s1, so I really don’t know what’s the issue suddenly. Maybe they shouldn’t cast two guys who are good friends? Watching them kiss makes me rather uncomfortable. Sometimes I prefer to look away, which shouldn’t be the case. It’s not their fault if their „couple“ becomes so popular, but perhaps they should just stop doing those roles when they don’t feel like it. I highly doubt they are so poor that they need the money. That said, I think the director’s decision plays a role too. Kisses were purposely not shown. They didn’t even kiss when they had sex. That’s a first, really. I’m pretty sure I have never seen a bed scene without a kiss. Enough negativity. Despite Plan being the mood killer I have to compliment him for his acting. He has to play the ugly, stupid monkey which isn’t easy and requires some courage. In fact I have never seen a similar character in any other BL series. He is not just there to look handsome, he has to be lively, crazy, cute, funny, sex-hungry (lol). It’s not an easy role and he does a good job. I’m really into the character when he appears on the screen. But yeah, at the end of the day the whole series feels so uninspired. I feel awkward watching it. I giggle like a little girl (like I never did before, I will admit it), I laugh, I shake my head, I feel embarrassed (really embarrassed like I never did before either watching any other BL), I have to look away, I hold my breath – it’s a whole EXPERIENCE. And then I’m sad, because it could be so much better and I know they messed it up. I wish they had done a better job (better writing, better intimate scenes) and I wish more people would love it. I didn't even mention the other couples, because I feel it's a waste of time. They don't have enough screen time, aren't very exciting or they are just toxic. Tin's background story and the issues with his brother aren't well told or well presented. I'm just not a fan of the writer. If not for Mean&Plan who are very charming, I highly doubt I would bother watching this.
EDIT: Since this series ended I have a strange feeling in my gut. For whatever reason I don't want to think about this series anymore (and I will not rewatch it). Hearing about questionable behavior of the cast towards the only gay character in the show (Earth) isn't helping either. This really was a train wreck.

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Rebirth For Idiots....The Delusion is REAL

Pros: Main leads and third leads chemistry/relationships/happy ending for both sets.

That is literally it. This 40 episode series had no other pros. This is absolutely the worst costume drama I have ever seen; it was an unmitigated disaster. Actually it was the worst drama I have seen from any country. After crawling to episode 30, I waited until the finale aired to decide whether to just watch that or maybe a few more episodes.

Though I'd never read the novel, people in the comments section were excited because the novel had a great antagonist and a flowing storyline. Unfortunately, the screenwriter and director butchered the novel and threw most of it out. What followed was a spiral into a world of jealousy, delusion on a scale that literally went on until the final episode, and just really horrible content.

They wasted a great antagonist by turning him into a Gaston-like (from Beauty and the Beast) joke who laughed evilly, just about kissed his own muscles and walked around like he was Gods gift to existence. Furthermore, out of all 40 episodes, he maybe had one episode worth of screen time. The real "villains" were all over the place and their evilness could only be justified as boredom and jealousy.

The story began with about 4 or 5 men all in love with the female lead who was clever though she pouted so often, I always wondered how she didn't swallow her own chin. The male lead was a righteous man though not without flaws. I personally started watching this only for WZC who played SML. Turned out that his character was the real "villain" but not one that you even wanted to watch. The writers made him so delusional with his unrequited love towards the FL that, even before the halfway point of the show, you wanted him and those like him to just fall off a cliff.

I feel really bad for the actors of this horrendous mess. The SFL somehow ended up getting the most screen time than both leads combined and she was so delusional with her unrequited love towards the ML that she was willing to kill children even to pin things on FL. Both SFL and SML didn't take no for an answer when the ML and FL repeatedly told them they didn't love them, never had, and never would. It was an extremely sloppy script. Even the "battle" at the end I would equate to a fight between two gangs not an actual war. It was so puny, it was laughable.

There was no character development and those that created the most havoc in the show got half-assed redemption arcs in the last two episodes. It was heavy on palace politics and delusional jealousy that went so far beyond the norm that most people couldn't remain sane watching it without fast forwarding the majority or skipping whole episodes altogether.

This is the first time I had ever seen any comment section on any rating site spend weeks actively plotting characters' deaths because of just how deplorable they were. I have absolutely nothing against any of the actors but they deserve better than a disaster of these proportions. The screenwriter and director need to stop taking drugs and go back to school, because they basically failed miserably at doing something actually extremely simple. They had a story. All they needed to do was copy it into a workable script; it's not like they had to reinvent the wheel. But instead, they took maybe 20% of the original book and created this debacle.

I truly wish more novelists would step up and stop selling their rights and instead write the scripts themselves. It would increase the number of scripts as well the quality of them. But to all those reading this review, please avoid this hot mess if you cherish your sanity.

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A VERY realistic take on Japanese LGBT life and its society that affects all the characters

Thanks for Furritsu for the subs. I finished watching the remaining episodes on Billi

So I really liked this drama, it’s different. To me depressing or not happy endings stories like this one really interest me. I don’t get emotionally affected by stories like these (because I don’t see it as real).

Oh yeah I am going to talk SPOILERS for this series.

Story: The good half of the story (episode 1 to 8) focus on Mieko and Makio, their friendship and their involvement with Eiji who they all met working part time in a restaurant. With the POV being on Mieko making her the main character of this series. This changes in the final two episodes (8 to 10) where the POV is more general and focus on Makio and Asato general relationship.

For me I liked how realistic and down to earth the story is. Mostly you are following the lives of Meiko, Makio and Eiji (in the 1st half) and Asato (in the later section). For me I don’t think this is a BL story, as while Makio relationships with Eiji and Asato are shown the story does’nt completely focus on Makio. As the story covers Meiko story as she progresses in her life. Also the portrayal of how society views LGBT relationship is completely realistic compared to the fantasy of BL. I just thought things
like this happens in real life and that’s fine, people are in one situation and the next moment they move on to another.

Characters

Meiko: Is such a refreshing female character, she's interesting character, but yes thinking about it she's really stupid for the actions that she did. What I like about her is that she's relatable and reminds me of myself, she is an observer but wants to help when she wants to. Her friendship with Makio is amazing. I understood her downfall when she volunteered to be a surrogate mother, thinking she would help Makio and Eiji’s relationship but as a result it was the one of the catalysts to cause the breakup of Makio and Eiji. Because I could see that is not what Makio wanted. Ok her actions were VERY selfish and egoistical of herself, but in a way she was'nt a baddie in my eyes, she really valued Makkio in her life and I see it as she did'nt mean to intentionally break the relationship between Makkio and Eiji. She's like WAY better than some toxic female characters in most BL dramas these days.

Makio: From the outside he’s a very happy go lucky kind of person. He also doesn’t think much when he decides to date Eiji. The thing is this series does'nt really show you what kind of person Makio really is so you have to judge from what you see him on the screen. But when he dated Eiji and moved on to Asato just shows that he really wants to get into a relationship with a guy the BL way lol (like date a guy with no judgement on his gay status, no child, just have the guy to himself)

Eiji: A really interesting character. I like how honest he is with himself but too shy to stand up for himself, like how he just confessed to Eiji after a misunderstanding and the same when he confessed to his parents but to me he feels like he rather please others rather than thinking about living in a way he wants to. But sadly he is a prime example of being influenced by how society views LGBT subjects. He wasn’t mentally strong to maintain the relationship he had with Makio.

Asato: A late comer into the story. He honestly needed more episodes than 2 to get to know his character. But he’s at least more emotionally stronger than Eiji, I liked how casual his relationship with Makio is and how naturally they became lovers. From being ex-classmates, to bickering about rubbish, to being casual friends and to being lovers. Felt natural and down to earth. He has his own personal problems career wise (and with his granddad) but not related to his sexuality.

Directing: Really slick and felt natural. I LOVE how the ending credits are shown.

Music: It's not really there, snice it's trying to show real life so most of the scenes have no music. I do like the ending themes tho.

Postives: Very high production values, very good acting, great directing and a very realistic story about LGBT life. I liked all of the characters in this story.

Negatives: The Asato and Makio storyline needed more episodes than two. It was a very sudden change of pace from the Makio, Meiko, Eiji storyline.

Overall: More than words IS NOT A BL drama in my view. It’s more like a slice of life drama with the characters being LGBT and how society affects them. Many BL fans might be disappointed in the way the story focuses on one couple for a good amount of episodes only for them to break them up and gives little time to set up for the second couple to form. But I found this story to be SUPER REALISITC because stories like this happens in real life. I don’t know if BL fans think the story is depressing/sad because one couple ending is not happy at all, I thought it ended on a happy hopeful tone to it.

But for those looking for a mellow down to earth slice of life drama with gay characters this series might be for you.

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--rough review--
The storyline of EXO Next Door is mediocre and nothing special to put it bluntly, you could probably find a similar story visualizing fan fiction. 99% of us watched it for the members (including myself) and the cast was what really made it so popular.
This drama has an exceptionally close concept with boys over flowers with the asshole main lead and the nice friend who we all know gets friend-zoned by the female lead.
I will say though i enjoyed the scenes between Sehun and Kwangsoo and found their relationship really funny and entertaining.
For the cast acting Ga young was good as the female lead and really portrayed her character well. I find Kyungsoo to be the most natural and least awkward among the group (and i'm not only saying that because he's my bias). Sehun on the other hand... I have no comments. Kwangsoo was really entertaining to watch and really was a unique and adorable character to watch I got happy every time I saw him, I'll give the directors props for Kwangsoo.
For the music in EXO Next Door the one that stood out was the slow song sung by Baekhyun which I liked a lot.
BOTTOM LINE, if you are an exo fan you will really enjoy this, but story wise... it's really just exo fan-service, which i'm sure a lot of people don't have a problem with. In watching this drama you will laugh a lot and get overly excited and fangirly over a lot of scenes. Treat this as a light hearted fun show don't expect really deep feeling.

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The Crown Was Beautiful, But the Romance Was Everything

Perfect Crown is the kind of drama that reminds you why rom-coms became so beloved in the first place. It has been such a long time since we got a drama that truly understood both the romance and comedy genres and delivered them this well. Was it cheesy? Absolutely. Was it cringe at times? Definitely. But did that stop me from watching? Not even once. Because the tropes were executed so well that they never felt tiring or overly cliché. The drama took familiar rom-com elements and gave them its own charm and uniqueness, which is honestly the best part about it.

The first half of the drama was nearly seamless for me. It hit every spot a rom-com should hit and kept me completely hooked. The first episode alone was powerful, but somehow the following episodes became even better. I loved how the characters were introduced, but what truly stayed with me was the first meeting between Grand Prince Ian and Hui Ju. That entrance scene at the little king’s birthday banquet? Absolutely unforgettable. It has genuinely haunted me ever since. Byeon Wooseok didn’t just play a regal prince, he was a regal prince. The aura, the posture, the expressions… he embodied the role perfectly.

IU, on the other hand, was wonderful as Seong Hui Ju. Her character reminded me a little of Jang Man Wol from Hotel del Luna — strong, sharp, intimidating at times, yet still carrying a soft and vulnerable side underneath. I loved that balance so much. I was also pleasantly surprised by how attached I became to the sibling relationship between Hui Ju and her brother. At first, they seemed like the typical hostile siblings we often see in dramas, but the writer actually gave their bond depth and sincerity. That unconventional development honestly elevated the drama even more for me.

The second half leaned more into palace drama and politics, though if I’m being honest, the politics were never the main attraction for me. What completely stole the show was the growing romance between Hui Ju and Grand Prince Ian. The drama fully embraced its rom-com identity and continuously gave us iconic, heartfelt, and sometimes ridiculously adorable moments between the two. Yes, there were villains, schemes, and political conflicts along the way, but I barely cared about them because I was so invested in the romance.

Did the drama have flaws? Of course. Was it perfect? No. But was it worth every bit of excitement, joy, and emotional investment? Absolutely. This is the type of drama you enjoy most when you stop expecting it to be something it was never trying to be. If you simply allow yourself to get immersed and enjoy the ride, Perfect Crown becomes an incredibly entertaining, lighthearted, and genuinely romantic experience. This drama screams ROMCOM from beginning to end, and no one can convince me otherwise.

A lot of people focused heavily on the political side and criticized it, but honestly, I do not think the politics were ever meant to be the core of the story. The romance was the plot’s center point. However, despite being romance-driven, the drama still had emotional depth. Every major character had growth, struggles, and a journey of their own. Most importantly, the love story between Hui Ju and Grand Prince Ian was developed beautifully and with so much care.

Also, I have to mention the little king because he was genuinely one of the cutest parts of the drama. Every scene with him made me smile.

As for the ending, I never once doubted that we would get a happy ending but, somehow the drama still exceeded my expectations. I absolutely loved that they gave us more romantic and sweet moments after the monarchy’s abolishment because we truly needed to see more of their married life together. A royal baby would have been the perfect cherry on top, but honestly, I was already incredibly satisfied with the conclusion we got.

The pacing was also surprisingly solid for a 12-episode drama. I have seen far worse rushed endings in dramas with similar lengths, where the main leads barely get a few minutes together in the finale. Perfect Crown, however, gave us a satisfying and emotionally fulfilling ending that felt rewarding instead of rushed, and I genuinely appreciated that.

IU was splendid as Seong Hui Ju, and Byeon Wooseok truly showed growth in his acting as Grand Prince Ian. There were multiple scenes where both of them absolutely excelled emotionally, so it honestly surprises me whenever people call their performances bland. In my opinion, they completely outperformed themselves here. I also think this partnership showcased their strongest chemistry to date compared to their previous co-stars. Their chemistry was so magnetic and natural that it might genuinely take me a while to adjust to seeing them paired with other actors in future projects.

The supporting cast was assembled so well too. I loved the secretaries, the little king, and even the Queen Mother. Yes, I disliked her in the earlier episodes, but her actress was absolutely captivating on screen. As for the Prime Minister… I could not care less about him as a character because he was such a coward, but I did enjoy the actor’s performance.

At the end of the day, I am genuinely glad I did not rely on the overly negative reviews and ratings on MDL because I would have missed out on such an enjoyable gem of a drama. Perfect Crown gave me exactly what I wanted: romance, comedy, memorable chemistry, emotional moments, and characters I became attached to. It is definitely a drama I can see myself rewatching years from now.

For me, Perfect Crown had one of the best castings and one of the most enjoyable rom-com experiences in recent years.

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‘Fishbowl Wives’ ; A Worthwhile Watch, Or A Waste Of Precious Time?

‘ Kingyo Tsuma’ ( alternatively known as ‘ Fishbowl Wives’ or ‘ 金魚妻’) is adapted from the eponymous psychological work by Kurosawa R . A mature and a surprisingly dark insight at times into the world of marriage, affairs and domestic abuse, ‘ Kingyo Tsuma’ is an intriguing if somewhat unrelieved portrayal into the fishbowl-like environment of main female lead Sakura Hiraga ( Shinohara Ryoko).

Hiraga is seemingly living the dream. She’s married to affluent hair stylist Hiraga Takuya( Ando Masanobu), she lives in an opulent penthouse apartment and she is envied by almost everyone that she knows.However as the saying goes: the grass is always greener on the other side of the fence.

Unbeknownst to others, the seemingly perfect Sakura Hiraga is an abuse-victim. Attacked physically and verbally by her husband on a regular basis, Hiraga likens herself to a goldfish stuck in a fishbowl; trapped in an inescapable situation with no way out.

It is due to her fascination with goldfish that Hiraga ends up encountering Toyoda Haruto ( Iwata Takanori). Toyoda is a kindhearted and younger man who owns a pet shop. After becoming enamoured by Hiraga, the female lead begins to question whether Todoya could be the key for her escaping from her megalomaniacal husband.

Screenwriter Tsubota Fumi has numerous works accredited under her name. Previously having worked upon ‘ Will I Be Single Forever ?’ (2021), Ojisan wa Kawaii Mono ga Osuki’ (2020) and ‘ Colorful Love: Genderless Danshi ni Aisareteimasu’ (2021), Fumi has notably had previous experience with adapting or writing somewhat “ avant garde” or unconventional screenplays.

This isn’t to entirely critique Fumi’s screenplay or the leadership of directors Matsuyama Hiroaki ( ‘ Mystery To Iunakare’, ‘ Switched’, ‘ Nobunaga Concerto’ ) and Namiki Michiko ( ‘ Mirai Nikki’, ‘Soredemo, Ikite Yuku’, ‘ Ichikei no Karasu’). The series did an excellent job through the writing reigns of Fumi and Hiroaki and Michiko’s lens perspective of making viewers feel uncomfortable during key moments. The topics exploited onscreen particularly revolving around infidelity, debauchery and domestic abuse could often purposefully make the viewer feel almost voyeuristic.

In addition to this it was apparent that ‘ Fishbowl Wives’ offered some wry and witty attempts at comic relief- a droll comic exchange or setup evidently drawing attention away from tense or angst-ridden moments in the series. However where ‘ Fishbowl Wives’ could admittedly feel somewhat limited was through the direction of writing .

The performances given by the main cast are certainly solid, with Shinohara Ryoko and Iwata Takanori particularly stealing the spotlight during tense or tour de force moments.

On the other hand whilst both leading actors’ idiosyncratic performances were certainly good, the onscreen chemistry between Ryoko and Takanori was admittedly somewhat stunted and inconsistent in parts .

Perhaps this isn’t entirely the fault of the actors. Whilst there is supposed to be an awkward barrier between their onscreen characters due to their respected age gap, it was often hard for viewers to truly engage with this “ developing” relationship due to the characters rarely having a lot of personal drive. ( Particularly with Sakura Hiraga. Although the female lead does develop and does make some life-changing decisions, there were many elements surrounding her seeming “ disregarded” dreams, her first meeting with Takuya as well as trauma which were often widely disregarded and limited opportunities in order to flesh out her character.)

Naturally this also had a knock-on effect with the plot. One of the focal and major drives of ‘ Fishbowl Wives’ narrative came through Hiraga and Haruto trying to find happiness. Whilst we did see opportunities as viewers towards Haruto and Hiraga’s feelings for one another blossoming and the impact of their relationship upon plot, the somewhat lukewarm venture into the characters’ mutual growth and chemistry with one another did restrict dynamic engagement with the audience.

As for the progression of the narrative, ‘ Fishbowl Wives’ is truly a trial of patience. Even for an eight episode miniseries the plot could feel somewhat tedious in parts and slightly dragged out. Admittedly the series did attempt to offer some distributed screen time upon the subplots revolving around Hiraga’s acquaintances, but due to limited screen time, these storylines felt somewhat rushed and sporadically placed.

The delivered ending is admittedly dependent on viewers’ expectations; some possible enjoying the bittersweet note and imagery, whilst others feeling somewhat disappointed by the lack of a concise conclusion.

Under the directing reigns of Hiroaki and Michiko, ‘ Fishbowl Wives’ is notably an assortment of bright palette schemes, symbols and motifs. ( One of the most reoccurring motifs throughout the series evidently being the goldfish; an important plot device for the main characters, as well as a symbol of irony and foreshadowing). In addition to this the OST is notably subtle yet synchronic with key scenes; somewhat generic in parts, but helping to heighten certain scenes also.

‘ Fishbowl Wives’ offered viewers with aesthetically pleasing scenes and decent performances by the cast. However whilst the series did offer viewers with an intriguing plot premise, ‘ Fishbowl Wives’ slowly began to meet its cataclysmic downfall as the series progressed. The ending of the series will certainly differ for audiences dependent on expectations, but helped to reinforce the assertion that ‘ Fishbowl Wives’ struggled at times to escape its own bubble of writing limitations also.

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A hero’s journey through personal growth, love and friendship

Don’t let the first episodes fool you into believing that this is a childish drama. Yes, the drama starts off as goofy and light-hearted but from episode 13 the tone completely changes to serious and mature and it stays that way until the end. The drama is about the male lead who has lived in isolation all his life until he meets the female lead. Together, with their two newfound friends, they go on a journey to find the truth about the male lead’s parents and the mystical sword left to him by his father.

This drama is based on a video game of the same name thus the atmosphere and script feel quite different from the usual wuxia cdramas (in fact I believe it’s xuanhuan genre). All Sword and Fairy dramas are stand alone, they take place in the same world but have different stories.

PLOT:
This is a plot driven drama with some romance on the side. The first 6 episodes are extremely goofy and lighthearted. Until episode 12 the story is at the setting stage, we discover about the world, get introduced to the four main leads and see their adventure side quests with other side characters.

Episode 13 is when the main story begins. The tone is changed from lighthearted to more serious and mature. The main conflict is addressed and we begin to learn the truth of what has happened 19 years ago (which all characters are involved with). The good guys meet the bad guys and the angst begins. Here the drama does a fantastic job showing the characters growth and the many wise life lessons they learn.

MAIN LEADS + ACTING:
The male lead appears dumb at the start but is actually uneducated as he has spent all his life in isolation. Despite that he adapts very quickly and shows us the wisdom he has learned from his father. He is kind-hearted, brave and protective. He has tremendous character growth throughout the drama. The actor Chen Zhe Yuan showed brilliant performance as always. He is the reason I started to watch this and his on screen presence did not disappoint me. The actor has such expressive eyes that all his emotional scenes HIT ME HARD.

The female lead is confident, outspoken, perceptively and brave without being annoying. She appears tough on the outside but is actually soft-hearted. She is quite unique from the typical female leads that I’ve watched. She has fantastic character growth from being morally conflicted and somewhat selfish to becoming the most supportive friend who is the glue of the friendship group. The actress Ju Jing Yi shines brightly like a diamond in this role, her on screen presence is fantastic and her acting radiant.

The second male and female lead are both more reserved and their stories are directly connected to the main leads. The male lead is called an Ice Cube. Despite his cold nature, he has the warmest heart. The actor is fantastic in his performance with micro-expressions and has a strong on screen presence. The female lead is kind but firm.

POSITIVE:
- A fantastic execution of a hero’s journey - from zero to hero.
- Engaging main plot. From episode 13 the plot was executed fantastically and I didn’t find a single episode boring or having the urge to skip parts.
- Villains are usually boring and evil for the purpose of being evil but in this drama the characters were well developed and a delight to watch. Everyone in this drama has a strong purpose and legitimate reason for what they were doing.
- Chen Zhe Yuan and Ju Jing Yi shone bright on screen with their brilliant acting and fabulous character’s growth. Both actors really stood out to me and pulled me into the story. Their performance was wonderful to watch.
- Pacing of the drama was perfect. The mystery and plot was built very well. With each episode the stakes were higher and higher and I could feel the angst towards the approaching end. Until the finale episode, I couldn’t guess what would happen.
- Cute romantic moments.
- Nice visual fight scenes especially towards the end of the drama.
- Great chemistry between the main leads. I was rooting for them from the start. I loved their banter and bickering.
- Many morally grey characters (including the female lead at the start) which I loved to see.
- Fantastic character growth for all important characters.
- Wise life lessons shown.
- Epic adventure vibes.

NEGATIVE:
- The first 12 episodes gave a wrong impression of the drama and were not particularly strong which is a shame as it made a lot of people drop this. There were side stories of side characters that I found boring. The main leads would help side characters and receive a small amount of information which meant it wasn’t a filler but at the same time the actual stories didn’t add any value to the plot. However the guest appearance of these side characters were done by actors that I knew and their acting was really good.
- At the start of the drama there was focus on the romance which made me believe that it would be a huge part of the drama but it wasn’t. In most episodes the romance was completely gone and the plot took the driver’s seat. The hopeless romantic in me needed more romance.
- One sided love stories that I wish weren’t there at all. Not really love triangles but both the second male and female lead fell for the main leads. They didn’t interfere in their relationship and were very respectful so I’ll give them that but I felt it kind of ruined the friendship aspect of the drama. Whenever the main leads would have a romantic moment, the director would always zoom in on the second male and female lead’s unhappy faces which didn’t sit right with me. I wish the focus was more on developing their friendship with each other rather than them falling in love with each other.
- I didn’t like the second female lead most of the time. Her character’s reserved personality was quite boring for me and I found her acting wooden at times especially compared to the rest of the cast. However she did improve towards the end of the drama. Despite what I said, many people loved her character so this is just a personal preference.
- Second male lead stole all romantic moments with the female lead. I honestly didn’t understand why the writers did it this way. But the female lead had so many emotional bonding scenes with the second male lead that were very impactful compared to her scenes with the male lead. I wish the writers focused on writing platonic friendships between them.

OVERALL:
If you are looking for a well executed plot driven drama about a hero’s journey through many trials and emotional growths with morally grey villans + you love Chen Zhe Yuan, give this drama a chance.

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promising start that fell apart

Overall: I laughed several times in the first episode but the plot just fell apart as it went on. This is based on a web comic (of which I read the beginning). Aired on Viki and GagaOOLala (SE Asia). Eight episodes total, about 15 minutes each.

Content Warnings: manipulation, non con kiss

What I Liked
- the sense of humor and funny moments
- good intro credits
- the female editor was funny and I was okay with the fiancee as well
- that they re-cast the glasses guy and re-shot stuff

Room For Improvement
- they changed something from the web comic and it makes no sense here, why would the assistant make all those demands if he really wanted to work for the artist??? Wouldn't he have zero demands and just agree to whatever working conditions the artist wanted? Why would him acting cold make the artist fall in love with him???
- way too much of the short screen time was spent on the "friend" with glasses (who can't recognize his feelings for 10 years??) speaking of dumb dumbs
- that assistant was super stupid, why didn't he ask the artist what his relationship was with the editor? Even after she was giving them finger hearts and left them alone he thought they were dating????
- in episode 7 the whole confession felt really stiff and the artist was looking in the wrong direction
- bad kissing (aka dead fish lip presses)
- they were dating, since when? the final episode really jumped/skipped around
- I dislike silent simp characters so that letter actually made me mad
- the stereotypical effeminate/trans character at the bar in the beginning (this did not add to the story at all and they could have used that time elsewhere)

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Watch for the plot, not the romance

A lighthearted easy to watch drama with the main focus being the dating show.

I had very high expectations for this drama after watching the first two episodes, it was right up my alley (providing an old kdrama vibe). However, it slowly lost that charm. Don't get me wrong, it's still a reasonable drama, I really like the dating show concept, it kind of feels like watching one, the only difference is being able to see the behind the scenes chemistry of the cast and how it's all put together. But just a heads up before jumping into this, the first half and second half are quite different due to its shift from focussing on the mains relationship to only mostly focussing on the dating show.

As much as I absolutely adored them in the early episodes, towards the second half of the drama, I began to lose interest in Yu Reum and Jae Hoon's relationship. I was worried this would affect my overall view of LIFS as waiting for their romantic relationship to actually develop was tiring. However, I chose to focus on their individual stories, rather than their romantic ones and I think, with that mentality, I was able to stick with this longer and enjoy the drama more. And for that, I recommend starting LIFS for the plot and less for the romance between the main leads, because, even 11 episodes in, there is little to no romance between the two. The title 'Love Is for Suckers' summarises this drama pretty well.

Lee Da Hee and Choi Si Won are an amazing kdrama couple (perfectly casted in my opinion), but they sadly just couldn't thrive the way they were meant to with a plot like this... They had so much potential, but the writing was lazy, giving no tension or hook.

There is a love triangle, but the second female lead is sweet and likeable, no overly rude and annoying SFL's in this drama - just means viewers might root for her happiness more.

Overall, it's cheesy but not to the point of being unbearable and cringe to watch, the acting is pretty good and most of the characters are likeable in their own quirky way. The plots rather simple (and slow paced), but it's reasonably interesting despite being a bit messy and occasionally going backwards rather than forwards in the development of characters. Also, the actual story doesn't start until episode 5; the first 4 are more just an introduction to the characters and their backstories.

The writer did one thing right - giving a good character development to John Jang. I was so much more invested in his story, he’s surprisingly a really likeable character as the story progresses. Park Ji Wan too! Those two are lowkey my favourite characters. ^^

If you read my review and still think you'll watch it, why not - go for it! Despite its flaws, it's still worth checking out.

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A Lot to Unpack - An Honest Review

I only watched this because Xiao Zhan is one of the people I follow and also for seeing what the military genre holds in their country, as it's the first time I watched a military cdrama. And while everyone knows the general issues production had, I did find out recently that it was because of censorship and multiple reviews, that this drama lost 13 episodes and therefore explains the haphazard editing and much of the disconnection and inconsistencies. Let's unpack this series.

Pros: I loved Gu Yiye from the beginning. The character wasn't perfect in the slightest but was always determined to make himself better no matter how much hard work it took. Every step he took, every emotion he displayed made it in effect seem like a docuseries and not just a fictional drama. No matter how many people frowned upon him, he was determined to show his hard work and take his own path to the top. XZ filmed this series during the most difficult time in his career and life and still put 110% into it and it shone through in dividends. His explosion of emotions or even basic army tactics spoke volumes about how much he was invested in his character.

A-Xiu was literally the perfect match for GYY. Though their relationship began out of responsibility, it blossomed into real genuine love. The way she always had his back no matter what. She helped break the PTSD cycle, she ran around searching for doctors for his arm, she was ready to beat up anyone that ever bullied GYY and was the solid foundation that essentially GYY never had in his life. To her, he was the brightest star in the entire world. Both Jiang Nan Zheng (JNZ) and Hu Yang (HY) couldn't provide the simple things GYY needed and that really all he ever needed was understanding and support.

My other favorite characters were many of the support like Zhang Fei, papa Gu, and the rest of their comrades in arms. Each one came with their unique personalities and flaws. If a character is too perfect, it won't be remotely realistic. Just like if the opposite happens and the character is awful, it won't lead credence to the portrayal either. The couples whether they stayed together or not still were properly evolved and had their closure at the end.

I loved the special effects during the big battles or whether they actually used real military equipment or CGI I don't know but all the blasts and the combat scenes were really nice. Be they real war or drills; when actual fighting was involved or strategies explained, it was nice to see how the mind worked to help move on to the next step. The OSTs were also appropriate and made the proper impression whether in the credits or in the scenes. Also liked the fact that this series ran low on propaganda which is a very good thing as these military dramas tend to overdo that aspect in large quantities.

Cons: I will be completely honest here and I'm not hating on him in the slightest but Johnny's performance for more then half of the series was underwhelming. I have been told for a long time that this genre was his niche so I was very excited to see him and XZ in this great drama but his performance fell flat for being the ML; I've got nothing against him at all; this is just my own personal experience and opinion as a viewer.

Gao Liang until he went to study at the school was essentially riding the coattails of nepotism which was quite unseemly and with the sob story about him being an orphan and his dead brother; also weird that the story kept changing to fit whatever was going on in the drama. I kept wondering why no one was calling it out but perhaps that's how their military ran in those days.

JNZ started off as a smart young woman but then they dumbed her down into this whining, crying female lead that had literally no concept of being affected by the battle that took so many lives. It felt like the battle the rest of the cast fought and the one she was in were completely different situations. The "turn your frown upside down" in regards to the trauma GYY was going through, her attitude was rather lame and that's the other thing that made GYY start to distance himself from her.

The amount of random time lapses and inconsistencies were staggering. A few examples; JNZ hated her father the chief and then in the next episode when she finds out he's fighting for his life, she was practically ready to change his diapers in the hospital for him. One episode she calls GL her brother, in the very next episode she's madly in love with him. The romance between GYY and AX would also have been good to see.

The fact that this series tried desperately to turn GL into Robocop, making him single-handedly take out very butch and heavily armed terrorists or that last drill that dragged for far too long and him zipping around the island with literally a propeller in his butt and 17 pairs of eyes being able to spot a singular intruder on his own and then go chase him down. It was beyond unbelievable even for a fictional military drama. That can't be excused by the cut in episodes, but I would like to ask what the writer was thinking. The fact that he was able to scuba dive with explosives without any real training was very inconsistent and pretty ridiculous; just like GYY and his soldiers being able to essentially turn into paratroopers with zilch experience also made little sense.

There were many more but I'll mention a last one and that's the tug of war of JNZ and GL and their marriage. When GYY is dating JNZ, GL is always there getting in between them like an annoying mosquito they can't swat. But as soon as JNZ is single, GL seems interested and then quickly backs off; giving her a zillion excuses. Did he ever really love her? Or was she like a trophy to win in a competition? Yes they got hitched in the last episode but it seemed it was such an afterthought and added a musical to the mix. When she didn't look at him, he was super clingy but when she starts being the epitome of gorilla glue, he runs in the other direction. And her solution to every one of their problems was marriage. Her showing up in the 21st century wedding dress and heavy bling (that didn't make sense as she had a military salary) at the hospital where he was unconscious looked completely misplaced in a military drama. Many moments like that make you scratch your head in confusion.

Would I recommend it? If you're a military drama fan and like Xiao Zhan as well as well done supporting characters and great action, then yes I would. But I do warn about a lot of inconsistencies that might make you very confused.

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“Does it taste good to eat an entire feast on your own? Or does it taste better to eat just rice and kimchi with others? Which person seems the happier person to you?”. Ok Da Jung.

“Your job needs to be something more than just a source of income”. Ok Da Jung.

Don’t let the cover picture nor the description fool you! This is no rom-com and I actually mean that in a good way. I have missed the old typical rom-com K dramas, which had meaning and had strong message to carry on. I was almost losing hope in finding good quality typical K drama BUT I finally found Ms. Temper & Nam Jung-Gi! At first it may give you the impression that it’s just a silly, funny, shallow typical k drama with lots of clichés and predictable plot. Yes, it is to some point predictable I’m not going to say it isn’t BUT is it typical? No, in my opinion it isn’t. First of all, take any rom-com drama out there (especially work related ones) and take out the “romance” element or the “comedy” element what are you left with? Basically nothing impressive, this drama on the other hand has so much more to offer you other than just romance or comedy.

The story took path where we as viewers couldn’t predict; it wasn’t really focused on one certain element but all elements and all characters equally. I loved how the work environment is the most essential element here and loved the way it was presented. They took something real and serious and presented it in a funny and humeral way at the same time kept it realistic. Therefore, you as a viewer not only will you have fun and great amount of laughter while watching but also you will appreciate/understand the message behind each and every episode here.

Ms. Temper & Nam Jung-Gi as a drama has given importance for the side characters just as much for the main characters and that is something isn’t often seen in drama land if you ask me. The story allows you to slowly understand the characters each and every one of them and takes you along with them so you will be able to understand their actions or why they decided to live their lives the way they do. In opinion what makes this drama special isn’t the story as much as the well-written characters. I wonder how the writers were able to make them so interesting and fun to watch at the same time kept them down to earth real. No perfection, no bad or evil characters here just different perspectives and different way of looking at things. Life is hard enough, we fight constant battles each day to survive we don’t have the luxury to worry about others so how far are we willing to go in order to survive? Does that make us bad/selfish people or timid spineless people? Or does it just simply make us people?

I will take a moment here and appreciate one of K drama’s best female character ever created and a true role model Ok Da Jung (Lee Yo Won). She is a strong, righteous and great person who knows exactly how to stand up for herself and wouldn’t fight using dirty methods no matter what. She may seem harsh and too blunt but she isn’t a bully and she cares mostly for the company and staff. You could learn so much from Ok Da Jung and you will probably wish you had such a great boss to work for in real life.

I think Lee Yo Won did great accepting this project, at first I was surprised because I am used to watching her in melodramas or more dark serious plots and entirely different characters than ODJ so I wondered why would an A-list actress go for cable project and with such unknown cast but I still trusted her judgment and as her fan I respect her for taking this risk. This is her first rom-com project and I’m happy she decided to explore her talent, she was wonderful as Ok Da Jung it will be almost impossible for you not to love her. The rest of the cast did splendidly especially Yoon Sang Hyun as the timid nice angel Nam Jung Gi and Hwang Chan Sung as the boy who has still yet to learn to grow into a man who can handle responsibility. It is fair to say that even the guest actors (Lee Jung Jin & Yeon Jung Hoon) did an amazing job for short appearance; I was delighted to have them on the show.

I generally do not rewatch dramas but I do have few ones that I'd rewatch. However I think this drama can easily be rewatchable material for anyone who would rewatch dramas in general because I do believe it will be just as much fun as it was the first time and frankly you never get enough of Ok Da Jung & Woo Joo's scenes.

Overall
I can see this drama will be one of the underrated dramas here on MDL and will go unnoticed. I don’t know if my review has helped or not but if you are looking for your typical fluffy romance then let me tell you this isn’t it. This drama does not focus on the romance in fact you can barely see it but you most certainly can feel it. The thing is "romance" in here is presented in mature manner but that's also has its beauty so don't let this stop you from giving the drama a chance. Ms. Temper & Nam Jung-Gi has so much more than just comedy and romance; this is a fun enjoyable ride if you are willing to appreciate what this drama has to offer. After all as Nam Jung Gi says, “Does a relationship between a man and woman have to be melo or lovely dovey fairytale? Why do people expect that?”.
Also Ok Da Jung and Woo Joo make the cutest most adorable couple ever don't miss out on that :')

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