Reviews

Well, let’s talk about the elephant in the room. Unfortunately there are two: 1) the re-telling of Tin&Can story with mixed up timelines, and 2) the chemistry between Tin&Can. Well, the re-telling was an odd choice. I’m not bothered by it, but other people are. I have seen many loosing interest in this series because of that reason (and also because Saint isn’t part of the cast). Starting from zero with Tin&Can while showing us Ae crying through 3 whole episodes makes no sense. It’s not like they tried to reboot everything and make a stand-alone series. Also they wasted 6 episodes with the re-telling without providing something new and exciting. Some of the scenes they had to re-act were not as iconic as the original ones. I liked some of the new scenes, but they didn’t change the story at all. It just feels unnecessary. The characters changed a tiny little bit with Tin being more soft and vulnerable and less arrogant and dangerous looking (which also seem to disappoint many) and Can being a bit softer and more mature. But yeah, not a big difference. It's not like in DBK where they changed Kao's character so much he was unrecognizable (I'm still salty about that). So let’s move on to the second elephant: The chemistry between Tin&Can. I thought the chemistry was so great (much better than in s1) and that's why I looked up the actors (what I rarely do). I was surprised to see how close they are in real life. They seem to have personalities that resonate well together and that explains the great chemistry. But this chemistry vanishes completely when they have to kiss. You can feel through the screen how much Plan hates it, and that makes me sad. It’s not like I get some homophobic vibes from him. I highly doubt Plan would do any better in those scenes with a woman. I have seen him kissing a girl in another series (if you can call that a kiss) and it was even worse. He did well in the famous couch kiss at the end of s1, so I really don’t know what’s the issue suddenly. Maybe they shouldn’t cast two guys who are good friends? Watching them kiss makes me rather uncomfortable. Sometimes I prefer to look away, which shouldn’t be the case. It’s not their fault if their „couple“ becomes so popular, but perhaps they should just stop doing those roles when they don’t feel like it. I highly doubt they are so poor that they need the money. That said, I think the director’s decision plays a role too. Kisses were purposely not shown. They didn’t even kiss when they had sex. That’s a first, really. I’m pretty sure I have never seen a bed scene without a kiss. Enough negativity. Despite Plan being the mood killer I have to compliment him for his acting. He has to play the ugly, stupid monkey which isn’t easy and requires some courage. In fact I have never seen a similar character in any other BL series. He is not just there to look handsome, he has to be lively, crazy, cute, funny, sex-hungry (lol). It’s not an easy role and he does a good job. I’m really into the character when he appears on the screen. But yeah, at the end of the day the whole series feels so uninspired. I feel awkward watching it. I giggle like a little girl (like I never did before, I will admit it), I laugh, I shake my head, I feel embarrassed (really embarrassed like I never did before either watching any other BL), I have to look away, I hold my breath – it’s a whole EXPERIENCE. And then I’m sad, because it could be so much better and I know they messed it up. I wish they had done a better job (better writing, better intimate scenes) and I wish more people would love it. I didn't even mention the other couples, because I feel it's a waste of time. They don't have enough screen time, aren't very exciting or they are just toxic. Tin's background story and the issues with his brother aren't well told or well presented. I'm just not a fan of the writer. If not for Mean&Plan who are very charming, I highly doubt I would bother watching this.
EDIT: Since this series ended I have a strange feeling in my gut. For whatever reason I don't want to think about this series anymore (and I will not rewatch it). Hearing about questionable behavior of the cast towards the only gay character in the show (Earth) isn't helping either. This really was a train wreck.

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Is it camp though? GAP and the messy politics of lesbian representation

We did it folks, Asia’s first full-length Girls Love. There is a lot to say about what GAP represents. As the name suggests, this was an earnest attempt to well, close the gap for lesbian representation in Thai cinema, which is mostly known for its variety of BL content. It's a groundbreaking drama that's breaking barriers for sure, but did it break the mold of mediocrity? This review will be a wild ride so let’s strap in (no pun intended!).

I’ve been advised to go easy on this drama and I will do my best. I fully recognize what GAP means and represents for Asian sapphics, and I also recognize that no one involved in this was going for art-house cinema. And I myself am also not immune to charming cheesy trash. But I can’t write this review without addressing GAP’s quality in some capacity.

Since I am trying my hardest not to lose my lesbian-license it might be a good idea to ease in with the good stuff:
GAP’s cinematography is a bit of a hot mess but it does have its more stylish moments. Surprisingly enough those ended up being the sex scenes. I genuinely felt like these were the visuals that the director put the most thought into (I will not comment on how I feel about that) and I appreciated that GAP didn’t feel the need to dial the steaminess down just because it featured two women instead of men. This was an aspect I had been largely worried about before GAP even aired. If BLs are produced primarily for a female audience, would that mean GAP would be produced for a male audience? The fact that the director/producer was male, didn’t ease my concerns. I feared that what I would be served was bound to be a product of sheer fetishization. But I also did not want GAP to feel sexless, just because it had female protagonists. Women having sexual desires is cool actually. Well, I am happy to report that I actually had no issue with how GAP portrayed lesbian sexuality. The male gaze might be impossible to escape but it was subtle enough that I, a bitter lesbian, could still get something out of those scenes.
I struggle with critiquing an actor’s performance, especially if it’s in a language I am not very familiar with, but I will say that Sam’s actress Freen brought a lot of charm and humor to her role. Sam is a bit of a bitch and while I don’t think that her character was executed brilliantly, I also recognize that a lot of measures were taken to make her more likable, which is an effort I can appreciate. One of those was making Sam sufficiently awkward, something that the actress embodied pretty well (maybe because she did feel a bit awkward, who’s to say). I appreciate this effort even more so, after I have been informed, that Sam actually behaves a lot worse in the source material. I think softening those edges was the right move for sure. But script changes aside, I thought that Freen’s characterization came across as charming either way. Charisma is a difficult thing to evaluate because it’s very subjective and also innate to a person, so it might be something that you can’t really praise someone for but I do think that Freen really did the absolute best with the material she was given.
I don’t want to imply that my favorite aspect of a lesbian love story was a male character but I do have to earnestly commend the show for Kirk. The show’s main antagonist is Sam’s grandma, someone so comically evil that all that’s missing is a big mustache she can twirl. Kirk is not that. In fact, Kirk is the guy that everyone at the office loves. Someone that at first glance might even seem like an ally. The guy your friends insist you should marry because he seems “like one of the good ones”. And Kirk is an absolute douchebag. This was a character that appeared likable, had solid motives for the way he behaved, genuinely believed he was doing the right thing, and he still managed to be a huge asshole in a way you had to build up to. Kirk didn’t “suddenly turn out to be evil” because he isn’t and he never has been. But his crime was entitlement. He believed he was entitled to the company as he believed he was entitled to Sam. It’s, dare I say, an attempt at social commentary, that managed to be both subtle and effective all in a show that tended to be painfully on the nose. Kirk as an antagonist amidst the mess was truly a breath of fresh air, I think the casting choice was also great. Choosing some BL-heartthrob to portray him was the right call.
I guess as far as representation goes, this is pretty solid. We obviously have two morally dubious sapphic disasters for our protagonists but we also have one trans woman who is not entirely played for laughs (and one that is….) and a butch/masc lesbian which is something you rarely see on TV these days. None of these characters are entirely “unproblematic“ representation but that is also such a boring standard to uphold so I can live with a little messiness if it means that we get a more diverse cast.
This is such a small thing and I am not sure if it even was intentional, but the OST when something 〜shady〜 was going on and when Sam and Mon were getting down to business were pretty much alike. This furthered the impression that their relationship was a bad and ominous thing that was happening. This might not have been what the show (that presumably is first and foremost trying to be a love story) was trying to imply, but since I have been blessed with both eyes and a brain, this was a conclusion I inevitably arrived at. The OST seemed to point at the concept that Sam’s and Mon’s inherent toxicity was supposed to be text instead of subtext, which I thought was neat at least.

The bad:
One fun fact about me is that I have severe scoliosis and awful posture which is why my physician ordered me to do extensive physical therapy for an entire year. This painful progress might have been erased entirely by sitting through this show as I had to watch it with my head permanently tilted. I am not exaggerating, nearly every second shot of GAP is a Dutch-angle (tilted picture). Sometimes this made sense. A Dutch-angle creates a certain uncomfortableness, an eeriness if you will. Also: Sam is in a higher position than Mon. The scales are tipped. But more often than not this was a creative decision that puzzled me. It’s obvious that the director just thought it looked cool so he decided to use it ALL THE GOD DAMN TIME WITH NO THOUGHT IN MIND. I thought about making a drinking game out of it but that would have been a genuine health hazard.
What is it that this company does? This is an office romance but I m not even sure what this office is ordered to do. Something something social media something something. I wouldn’t care about this if it didn’t play such a big role in the overall plot. Also: Sam wants to keep her company and we’re supposed to think that she is deserving of that but we never see her work ever. It is implied that she is harsh on her workers because their performance determines whether she can keep living her life or will be married off. Well girl, how about you do some work then? I get it, it’s inherent to the cruel nature of the exploitative capitalistic system that the CEO never does any actual work and only leeches of their employees so this is quite accurate to real life but GAP is a silly romance and I am supposed to root for the undeservedly rich. I can’t do that if I never see Sam actually achieve anything. Every little success is due to the work of someone else and it’s not because of her management style but despite of it. To a wage worker like me, this is quite the hard sell. And I actually kind of like Sam and for her to be a bitch and a bad boss at the start of this show is fine, but we never see the needed character development from her. Sure, she warms up a bit, but arguably not nearly enough to excuse her prior behavior.
Sam and Mon suck. Not nearly as much as individuals as they do as a couple. It’s not so much that they’re unhealthy, I think the show knew that to some extent and I don’t think all love stories in fiction need to represent what is desirable in real-life. It’s more that they were… annoying? Which is a weak criticism, I’ll admit. But their constant bickering never seemed worth what they were getting out of the relationship. I was never sold entirely on their love. They had chemistry, sure, but that is very little to build a relationship on. If this was supposed to be a fatal-attraction sort of deal where they cannot keep away from each other despite how unhappy they make each other, this drama also failed to address that in a productive way. I like messiness and flawed, dumb people (I myself belong to said demographic), but Sam and Mon only seemed to always reunite because the narrative needed them to. Not because they were good together or it seemed like something either of the characters would want.
The sound quality was pretty atrocious in a way that I can't explain how it even got like this. Some passages of dialog were completely fine while others sounded like they were recorded with a fork. But I am not a casual lakorn-watcher and I have been informed that for a production of this size and budget, this is quite normal so this is probably just something you have to get used to and I am willing to let this one go.
I want to address the plot but it’s difficult to critique something there is so little of. Which is fine, intricacy is not what anyone watched this for. I guess the story is best described by things happening. One thing happens and then another one. Are those events correlated? Who is to say. But things certainly kept happening, that’s for sure.

So, is GAP an amazing show? God no. Is it an okay show? Also no. Should you watch this? I don’t know, I honestly don’t. I don’t know if I am capable of celebrating something solely for what it might represent. And I can’t recommend this show no matter which framework I use to analyze it. But yet I find myself wanting to. I once wrote that there are two schools of thought when it comes to LGBT+ representation: Either “we want stories that represent our experience, even if painful at times” or “we want access to the same rom-com escapism that heterosexuals get”. And personally, I see value in both. The problem is that I don’t think that GAP managed to deliver either one though I can certainly see attempts in both. There are some hints of social commentary and there definitely is the over-the-top rom-com storyline. But GAP is not good, it simply isn’t.

Is it camp though?

Define “camp”, please. Well, camp describes “art or entertainment that deliberately does not follow traditional ideas about what is considered good in order to produce a humorous effect”. The two types of camp that exist today are purposeful camp and unintended camp. As the name implies, intentional camp refers to the purposeful use of camp in humor. Unintentional camp results from naïveté or poor quality or tastes. It’s “so bad it’s good”, it’s the love of the unnatural, artificiality and exaggeration. This sounds like an insult but truth is that camp and the LGBT+ community have been intertwined from the beginning. Being excluded from mainstream society and mainstream art meant that we had to create our own. And this is where we got our ability to celebrate the ugly and weird. Camp evaluates tasteless kitsch whereas the bourgeois feuilleton high culture scorns it. The camp's level of sensitivity ranges from intense adulation to sardonic, disinterested amusement. Therefore, the definition of kitsch and camp is mostly subjective. And in my subjective perspective, when I look at GAP and see the nonsensical plot, the questionable performances, the Dutch-angles, the fake crying, and the constant yelling, I see camp.
Is this too little of a basis to recommend something? That is up to you but this is the hill I choose to die on.

I understand why so many people needed this to be good. One of my first comments on here reads “If this show turns out to be bad, I will simply gaslight myself into thinking it’s good”. It’s not just the lesbian representation, it’s the longing for a story that is not dependent on men. And now that GAP failed to be even passable, there is the fear, that no one in Thailand’s entertainment industry will ever try again to produce a WLW-story. But truth be told, I think we will be fine. I have never been a BL-watcher but according to all sources, Asia’s first BL was absolute dogshit and yet the genre found its niche. More importantly, however, while successful representation is undeniably incredibly important, social progress comes first. Good LGBT shows, books, and movies have always followed social changes in the real world, not the other way around. As East Asia becomes more progressive, the entertainment they produce will inevitably diversify. But we shouldn’t put our hopes and dreams in these capitalistic constructs. Our liberation should not be dependent on how much money people can make off us. Instead of hoping that rich men in production companies tell our stories we need to get out there and fight for the rights and resources to tell them ourselves.

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There are weeks where I watched this, and I get a good sense of enjoyment and then there are other weeks where I'm like why the writer wanted to include this? Started off pretty good with the whole concept of this drama, getting to know the ones who passed away and grant them their final wishes but then they added some things to this drama (like the ex-girlfriend returning arc) that I just wasn't a fan and at times ruin the flow of what this drama was about. Though the romance was somewhat lacking towards the end, the drama does wrap up loose ends and show a connection for all of the side stories. So at least I can give points to that.

What I like:
* Some heartwarming stories of the ones who passed.
* Good osts playing just at the right moment
* Chemistry between the leads
* Good amount of funny scenes (a lot with the uncles).
* A bittersweet ending that makes you treasure your love ones even more

What I didn't like:
* There were 21 spirits with wishes to be granted but I felt like some spirits didn't get a full satisfying ending. Some stories ended properly while others didn't have full conclusion. I mean at least show each spirit walking to the afterlife, but they didn't even do that.
* The ex-girlfriend arc. I felt like there were too many wasted episodes on this. Nothing meaningful occurred with this arc and even the conclusion of this arc seemed very lacking, as in it didn't felt like anything was resolved.
* Turning a good friend to an evil one: Honestly, I hated the direction the writer decided to take for this character. It was a twist I didn't expect but also one I didn't like. I would've preferred the story where he had to choose who to save first and he chose his older brother instead of the ML's brother. Then followed with guilt and eventually a broken bro-ship once the truth was revealed.
* Just not enough romance scenes with the leads - After they officially get together, it just seemed like there wasn't many scenes of sweet moments together. Even towards the end seemed lacking.

Overall, not a bad drama. Despite some story arcs I wasn't a fan of, it does have a good overall message, treasure the ones you love. You never know when it's going to be their last.

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Violence Begets Violence

I've been wanting to write a review for some time and have only gotten around to it now.

Honestly, I would rate this lower but I think the great acting of the ML and SML offset my low rating.

I want to first start off by saying I binged watch this in one day because I wanted to see how everything unfolded but I think that there were a few things left to be desired.

First of all, I think everyone could relate to the bullying that the ML, Shi Eun, faced when he finally had enough, and finally fought back, there was this gratifying, sweet taste of revenge that every viewer cheered for. You wanted to see those bullies beaten back and every time they got what they deserved, it was oh so fun to watch. As morbidly disgusting, savage, and violent as it was, you felt the rage and the vengeance the ML was feeling.

But I think also that the storyline was a bit too violent and too far-stretched. With a con man trying to kill teenagers, with teenagers using bats and other weapons against each other, where a father beats his kid with a golf club, and where kids didn't know when to stop the beating, the violence almost became unrealistic and too much at times. Also, the only way to beat the bullies was to resort to even more violence or bullies getting bullied by other bullies or just because there's that one dude, like Soo Ho, that no one wanted to f*ck around with. You shake your head at the one friend, Beom Seok who never really learns what true friendship means until he's full of regret. Seriously.

I think, in the end, there's no real moral compass and everyone gets away with everything except of course the ML and his buddy Soo Ho who ends up in a coma. The one really good guy in the whole show, ends up in the worst state. Let's not forget the assemblyman gets away with being an abusive father, while his adopted son, Beom Seok, the friend who put his one real friend in a coma, has and gets to leave the country not really paying for his crime, Soo Ho remains in a coma, the one female friend Young Ki, leaves and disappears and the ML gets blacklisted from all the good schools only to end up in a school that looks like he's in juvie and starting in the same cycle of bullying all over again. All he wanted to do was focus on his studies and now what? He's put back another year with more bullies to pick on him?

Nothing turns out good for any of the good characters. Nothing. And unfortunately, that just means that even though some of the bullies got their own share of beatings, they really still won in the end.

This is a story of how violence begets violence, and how revenge is double-edged sword.

For me, the ending left a lot to be desired.

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It's against my principles to give anything 10/10 but on mydramalist, I had to for Miss Korea, because a mere 9 would have been a criminal libel. I'm almost pleased that they had LSK looking ridiculous as a "teenager" in a few shots because it gave me the wafer-thin excuse I needed to justify calling this "not 100% perfect" I can't give a list of pros and cons, because there really weren't any cons, so here are the top pros I found most remarkable:


1. ZERO, let me say again ZERO, nada, nil, bupkiss, makjang. Twenty episodes with plenty of grim but no nonsense. The absence of time skips, noble idiocy, zombie spouses etc was so bizarre for a K Drama that its very sanity almost seemed makjang. It was the primary example of

2. The revolutionary idea that viewers might be intelligent adults, and treating them accordingly. Characters who behaved credibly, and stayed in character. When noble idiocy loomed, it was called out as BS, which it always is. Shite happens and the bad guys DO get away with it, but life can go on and happiness can still be found.

3. The music. Really intelligent and well thought out choices, from the best ever use of Mickey and Barbie Girl to the song that ALWAYS makes me think of Dan Aykroyd and John Belushi behind chicken wire - Stand By Your Man The music was note perfect and the use of so many English language songs really helped this old man feel the nostalgia feels.

4. The acting. Unlike many, I HATE Pasta to the the core of my soul with a loathing that will burn forever. It was the very first K Drama I ever dropped and I still resent it bitterly for wasting 9 hours of my life that felt like 9 weeks. I could rant about everything I dislike about that Drama for nearly as long as I could laud this one to the skies, which is what makes it relevant here. LSK's performance in this Drama showed that he's an actor, and becomes his character. From partway through Episode 2 I did not even think of him as the loathsome tyrant of Pasta once. A great performance as a real human being. I know that it was the same creative team too, which makes the credibility and humanity of the characters all the more remarkable to me. Oh Jung Se was as reliably awesome as ever, adding one more big black mark to the record of those criminals who wasted his talents in MHIYD

This is also the third Drama in a row where I watched an actress for the first time whose previous works had been panned but who delivered in style.Go Ara, Yoona and now Lee Yeon Hee had all been lambasted as pretty faces who can't act, but all three for me delivered solid performances worthy of commendation. I absolutely loved LYH's delivery of the "You're Mine, and I'm mine" lines, perfectly encapsulating the character she so ably brought to life. And of course, very much unlike Yoona, LYH got a good ...

5. Ending. Perhaps the most remarkable feat of this Drama was its conclusion. It took real courage to end the pageant when they did, but then to give a masterclass in how to wind down a Drama was equally remarkable. In her recap of Episode 18, koala talked about the K Drama fixation with the drama lasting until the last couple of minutes then a quick happy ending as the credits roll. Or a handshake and a smile, which in some parallel Universe apparently counts as a "happy ever after" ending. The alternative to this "cry, hurt, pain, anguish, separation - kiss,smile, fade-out" style is normally a soggy, pointless pile of sap that looks and feels like the fan service it almost invariably is. But here, even when the BIG drama was done and dusted, there were enough smaller dramas to make it feel like a real, ongoing story, even while it wound down toward a truly satisfying happy ending.

At times I reveal a tendency to be a bit hyperbolic in my reactions to negative characters. It's a tribute to the brilliance of the 3-4 episode wind down of this Drama that by the end, all that bile was gone, and I was OK with the two villains getting away with it, actually getting off scot free. Because the Drama eased off gradually and showed the OTP being so perfectly perfect for each other while still being believable human beings, I wasn't left ranting "you call THAT a happy ending, why aren't those two snakes being skinned alive and boiled in oil?" Instead I was (quite literally) smiling and clapping with delight at the ways the Drama surprised me.


I am so indebted to the soompi friend for never missing an opportunity to sing this Drama's praises, and completely understand why he referred to it as the new Gold Standard of K Drama writings. It quite unarguably is, and that is itself a real problem. Even though my tally of 60-something Dramas watched means I'm still a beginner, I'd already got used to lowering expectations and looking only for good characterisation and believable OTP chemistry in the Dramas I choose to watch. Now I feel like I've seen a glimpse of K Drama's own Asgard, where the Drama Gods sup on ambrosial shows we never get to see. The end of Episode twenty meant the beanstalk was hacked out from under me, and my brief ascension to the dizzying heights of this medium's potential was terminated, leaving only very happy memories and the sad conviction that "we will not see its like again" . Except, of course, when I watch all over again from the beginning, this time with my wife.

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Started strong but went downhill towards the end, such a shame!

This show started really strong for me. I thoroughly enjoyed the sweet chemistry between the leads. How I see it, I don’t see a sizzling chemistry between the leads, as you do for the second couple, however, they look good together and complement one another. The acting is also really great by both of the leads and I wish to see them in more works in the future.

However, somewhere towards the middle, the show became a little drag. For a short series of 14 episodes with episodes not that long as well, I feel like it was unnecessary to include some of the tropes like a second male and female lead. It was not even executed well because it was so short that it felt like it was included just for the sake of having that drama instead of actually getting something out of it. Similarly, there were a lot of things happening without any context. Really poor writing and direction towards the middle which made me question if the writer has changed. They’re getting married out of nowhere and many other things happen like that which leave you questioning the entire plot and what exactly is happening.

For instance, Episode 13, though cute, was such a filler episode. No substance whatsoever. They're adding any random fight, argument, or misunderstanding now just to stretch it to 14 episodes. So many good subplots have been missed by their writing team like the business aspect (for the show focusing on her job so much at the start, that is barely covered anymore) or how they got married or even a better confession. As it is now, it starts feeling lame/repetitive/boring to me towards the second half. This was such a good plot, they definitely needed better scriptwriters.

The story in itself is quite simple, straight forward and sweet. I somewhat enjoyed it despite the lack of coordination because I enjoyed their scenes together quite a lot, so I kept my brain aside while watching. It’s an easy and fluffy romance that is a nice watch. Would recommend it for people who’re looking for some cute fluffy romance, no angst per se and no melodrama or toxic people per se (other than that one co-worker). Quite an easy watch (with too many plot holes).

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this story is cursed to leave us unsatisfied

Whether you're watching this story for the first time or you've seen the Chinese versions, my initial impression is to temper your expectations, this show is far from the polished diamond it could be. Based on the same novel as Addicted (2016) and Stay With Me (2023), a lot of us had high hopes for this remake and just wanted to see our characters get their long awaited happy ending without the censorship gods trying to de-gay the story, and while this version did give us a "happy" ending, it wasn't the journey it so easily could have been.

Story:
In this adaptation, Hero (Guhai/Wubi) angrily runs away from home after his rich father remarries, he escapes to the countryside to live with his aunt and starts going to school there where his new straight-laced classmate Poppy (Luoyin/Suyu) turns into the outlet for his frustrations.

At the beginning, they sloppily rush through the story, giving the stepbrother enemies-to-lovers romance a new Lakorn flavor comedy spin. Though I love Thai humor, the type of corny slapstick comedy they're using here doesn't really fit with this story or characters, and I wish they didn't interrupt the vibes with so much potty humor. It starts to improve in the next few episodes, and though there's still a lot of cringe, we start to see some good chemistry. Then episode 6 hits and the story is all over the place again. After that the episodes are a mismatch of good and bad, including the random side couple drama, which honestly feels like a fanservice throw in for Hit, Bite, Love fans. They tried to do way too much, and it made the overall feel very disjointed.

Acting:
This isnt really all on August and Mac, but I personally wouldn't have cast them together. Their acting and character development felt forced at first, but after a couple episodes they started to improve and the characters start becoming more complex and loveable. Then all of the sudden, the chemistry just stops, and the story becomes jumbled, their romance just "happens" and we don't expirience anything really unfold. I suspect it's due to all the flack that they've been getting about Mac being 16 and the huge age gap between him and his co-star, which seriously-- why cast him in the first place then?

There arent any crazy scenes but oddly enough they do have a couple of intimate scenes, and there are even a few suggestive shots of the minors that were totally unnecessary, but then they go and censor the kisses??? Isn't censorship the whole reason this story keeps getting remakes, why cast minors in the first place? Seriously it's like the Chinese version all over again. And you know what, if Stay With Me should be testament to anything, it's that you don't need sexy fanservice or even kisses to have sweet romantic tension, so where'd the chemistry go??? Do better Thailand.

Overall, whether I rate this as a standalone or compare it to the other adaptations, the result is still the same. Lots of potential, a mess of production, and a "happy" ending that leaves you just as unsatisfied as before.

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This is the kind of drama which deserves the highest possible marks in terms of directing, acting and soundtrack. The reason why I'm "only" giving it a 9, is because despite its high level of tension and the splendid typecasting of some characters, it took me an unreasonable amount of time to warm up to it and when I finally did, my brain was already complaining loudly. Admittedly, Jung Kyung Ho and his superb impersonation of a sensual and tormented Doc's Son DID capture my heart and other parts of my body very early on but, clearly, they can't be used to write a review.

I understand where this plot wants to go, and I even appreciated – to some extent - the never-ending shifts of most characters from one side to the other, when not somewhere in between. However, it gets a little surreal in the long run, to the point that the unpredictable becomes predictable: once you know nothing is as it seems, you're prepared to think the opposite of what they want you to think – hence seeing through the smoke curtain. Therefore, if it weren't for the heartthrobbing Paksa Adil and all the scenes he's in bar none, this drama would be a sequel of police actions going askew either because some corrupted high power butts in or because they are as incospicuous as a baobab tree in the desert. Not to mention the nth old, or fat, or old and fat villain sitting on some baroque chair and acting like a lunatic buddha ordering this or that killing. I need to confess: at times I yawned. And why do the powerful and corrupted always meet at Japanese restaurants? Does sashimi embody the "raw" quality of the Korean politics?

Unfortunately, there's no way to explain the faults of this plot without spoiling it. Suffice to know that I stopped watching it for the plot and just went for the way scenes were shot and acted. Now, if it were possible to rate direction and cinematography in particular, it would be a completely different story, since the drama is visually and technically impeccable. Attention to details, colouring and the use of light – or lack thereof - all are spot on and intensely evocative. I found many of the characters extremely interesting, constantly fluctuating between dark and shade – light is completely absent here – and the acting by Kim Yoo Mi and Choi Moo Sung impressed me no end. Kim Yoo Mi in particular gives life to an amazing character, extremely stubborn as a "boss" and wonderfully human as a woman. My liking of her character is all due to her acting, because, let's face it, the poor actress's actions consist mostly on moving from an armchair to a sofa with a glass of whisky in her beautifully manicured hand. It's therefore the subtle changes of her face that tell her story.

As for Jung Kyung Ho's, it'd deserve a review on its own, so mesmerizing it was. His character is the best written one: you can peel off layer after layer and there's still something to find. The actor's take of it, suavely ruthless and gracefully tormented, makes his Doc's Son into one of those unforgettable characters who are going to stay with you for a very long time. Without him, this drama would be nothing more than a morbid, blurred photograph of an improbable criminal world. His onscreen chemistry with Nam Gyu Ri and his "putative family" is palpable and great to watch, but then again, I think this actor would have great chemistry with a tree trunk, if needed.

On the opposite side of the spectrum there's Ji Hyeong Min, the super cop who got so much on my nerves I want to forget him with all my might. He goes from being as likable as an ingrown nail to suddenly grasping the situation to no avail whatsoever. Truth be told, the whole police force – the official one, that is – could have heavily contributed to the comic if this drama had a comic intention, which it doesn't. The level of corruption and the number of undercovers borders on ridicule.

The soundtrack is classy, powerful, always appropriate. In short, marvelous.

I am not going to rewatch this drama any time soon, if ever. Intense but frustrating, it is the kind of experience which leaves me with a bitter taste in my mouth, since the ultimate meaning of it seems to be that justice is a mere word, a utopia for philosophers and dreamers. I have no doubt this is so in real life too, but at least when dealing with the world of fiction, I'd rather be deceived.

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This is the most unfair idol show i have seen so far

from the first episode they were attacking C groupe by showing how over confidante they are and they create a big mess from the start.
In every episode not only they showed how C groupe are bad (which is totally wrong) but also they have showed how J groupe are not good at anything and how the Great K groupe are the best and always know what to do and how they help all of them -_-.
After that Mnet discover that C groupe has many fans and votes, so they can't accept it so they start to attack every time a C trainee specially Cai bing by showing evil editing so that they can manipulate our thoughts and they have succeed.
How this is a fair competition how? more than half of the debut team are K group! and surprisingly a sister of an idol became ranked 1 -_- and that didn't happened during all the previous ranking , how can votes change in a small amount of time!!
I really hate Mnet and Korean idol shows to be honest Chinese shows are way more better (they never showed us drama or bad attitude they always showed us how friendly and helpful everyone of them), i really feel sorry for C groupe :'(
This is just evil! i will not support the debut team at all!!!

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A Dark, Addictive, Masterpiece-Level Chinese BL

REVIEW UPDATED

I can’t believe I’m saying this, but this series might actually surpass Revenged Love as my number one BL of the year.

I love dark, toxic, and manipulative stories. It’s fictional, so I know it’s not real, but it’s thrilling, intense, and way more addictive than the typical “green flag” BL. This series nails it.

If you’re not watching, you’re seriously missing out. Once you start, you won’t be able to stop.

To My Shore is a perfect 10 for me. From the first episode, it grabs you with its atmosphere, intensity, and emotional tension. Yun Qi as Fan Xiao is only twenty-three but carries the screen like a seasoned star. He’s dark, manipulative, a total red flag, and he even hurt himself just to make his lover fall for him. Bold, magnetic, and completely sure of what he wants, he’s terrible in the best way, and that makes the show impossible to resist.

Yi Ran Hao as YouShuLang brings the perfect balance. Their chemistry is dangerous, intimate, and impossible to look away from. YouShuLang’s heartbreak hits you like a punch to the chest and stays with you long after the episode ends. The interrogation scene was breathtaking, full of tension, fear, and chaos, and Fan Xiao’s twisted love felt painfully real.

What makes To My Shore unforgettable isn’t just the plot but the way it makes you feel. The direction is sleek, the pacing tight, and every scene pulls you deeper into their twisted connection. Every moment hits like a masterpiece

And finally, can we give a round of applause to all the actors, the production team, the crew, the staff, and the directors. They literally had to fly from China to Thailand to film this just to avoid censorship from the Chinese government.
I’ve been to Thailand twice and I’m going again in a couple of weeks, and let me tell you, Thailand is extremely hot, even during the cool/dry season. These actors were filming in full suits, in a foreign country, without knowing the Thai language, and still delivered such an incredible performance.

Chinese BL in 2025 is not just entertaining. It is setting a new standard. And To My Shore is absolutely one of its crown jewels.

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Good Efort Making the Fighting Choreography, but Lazy Writing

1. At the back of my mind, I always thought this entire show could have been avoided easily if someone talked to her about her dad or took care of her. Instead, she had a crap childhood and was bullied because of her dad's job and was even harassed by cops. Why was she not put under witness protection or something of similar nature? Several parts of the stort felt like it happened just for the plot. Such as: how the crime boss is supposed to be smart and out manoeuvred the police many times, but didn't predict the guy whose face he disfigured would come back for revenge. He let him go instead of killing him by following the chinese saying: "to cut weeds and eliminate the roots."
2. It was shown he easily killed people that betrayed him. Why was the female lead's dad so memorable that he got all sentimental at the end, just because he was an early member, who fought with him and was nice to him? His character is kind of all over the place, both psychopathic and willing to murder people in cold blood; willing to use anyone and everything to stay out of jail and continue his drug business which he cares about. But he is also sentimental and seems to care about the female lead? In the end, he was basically willing to die for her, taking bullets out of his gun. Or maybe he went full on Johan Liebert, in order to see if she would become like him and kill him and become a monster? If he really wanted the female lead to become someone who would never betray him, he should have just went after the police himself and provided her with full on fabricated evidence that the police chief did it instead of using her and risk being found out. That would have been the biggest revenge against her dad's betrayal , having his daughter view her her father's murderer as a friend or guardian, instead of using her as a mole and easily risking her finding out the truth.
3. The female lead is perfect at fighting, and never looses a single fight. I like a strong female lead, but when it's shown she is hardly buff or muscular at all, very pretty and feminine looking, and wrestles and takes down hallways of well trained men armed with swords while not wearing any sort of protective gear is rather unrealistic. Her acting is very good, and the action scenes are very detailed if not very realistic. I felt as if many parts of the plots happened just for the fight scenes and action and final climax, instead of the other way around. Like, the director wanted as many exciting fight scenes as possible.

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For revenge I sold my soul to the Demon

Song Hye Kyo is back. And she brought a wrath and Lucifer with her this time along. I personally hated her last drama 'Now we are breaking up'. But this time she has compensated for that miserable drama and made me fall in love with her again.
As one can guess from the synopsis, that this drama revolves around Song Hye Kyo's character's revenge towards those that made her life more miserable than hell. After waiting 18 years for the perfect timing to take her revenge. Nothing can budge her from her goal Im Ji Yeon (and others). She will use every card for her advantage.
Song Hye Kyo just stole the show here. One could feel the pain she felt and the anger that was hiding behind that beautiful face of her's.
A special shoutout to Jung Ji So and Shin Ye Eun's acting. Man they were too good in their display of emotions. And ofcourse Im Ji Yeon and other cast were just pinpoint perfect in there portrayal of their character.
The storyline and the production were also great. Loved each and every second of the show. And it kept me tied to my seat. I binge watched the drama in a sitting. This season had me waiting for the second season already.

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Generally speaking, I usually have the opposite effect for over-hyped things. The more hype a thing has, the more likely it is for me to not like it. I went into watching Eternal Love with low expectations and as I had predicted at the time, I didn't find it too extra ordinary in the beginning.

STORY:

Eternal Love is comprised of the following three stages:

Episode 1-15:
This is when Yang Mi plays Si Yin and we are mostly being introduced to the characters. Ye Hua and Su Su meet up. It sets the pace of the story. This part doesn't have any wow factors, rather it provides an undercurrent of mild amusement. At this point you're not completely invested in the story but you also cannot let it go.

Episode 16-30:
Now this part was just plain torturous. This constructs the build up towards the main plot. It showcases Su Su's and Ye Hua's love and all the hardships she had to face as a mortal. Even though their sweet moments were heart warming, over-all this is literally the deadest portion of the show. It's not exactly the shows fault, rather the sypnosis's. We already know that SuSu is going to go blind and kill herself and honestly, I just felt like only after that, the true story would kick in which is why I had to fast forward some scenes because the whole wait did get, frankly, very boring. I understood that it was necessary for the character development and it provided a strong basis for the story to continue but that didn't mean that I found the drag-on particularly enjoyable. But since my intuition said that the light at the end of the tunnel would be very bright, I persevered.

Episode 30-58:
And this is when the show sky rockets to its summit. I think Episode 30 was by far the best episode made. From here onwards there are so many emotions; one great scene followed by another and suddenly I went from being half-heartedly interested to full on obsessed.

Acting:
Damn, I think I have a little bit of a crush on Yang Mi. She's such an absolute star to be honest. She portrayed her different personalities excellently. From the youthful and mischievous Si Yin, to the kind-hearted and vulnerable SuSu and finally to the boss ass queen Bai Qian; she simply slayed. There is this utter grace with which she speaks and moves that you can't help but be entranced by her. She was the true embodiment of a Queen and a total badass. Her fighting scenes were so empowering and the way she wields that Jade Purity Fan; just dang. She's a woman of power to her core and when Ye Hua forcefully kisses her once, she doesn't just let it be -nuhhun- she bestows him with a five fingered bitch slap 'cause ain't nobody messing with the Queen of Qing Qiu.

Mark was also a very nice surprise. He expressed a multitude of emotions just with his eyes. He didn't have to speak or show rather even the slightest twitch of his face spoke volumes. To be honest, I really fell in love with Ye Hua's character in the later part of the show. He's so selfless and devoted in his affection for Bai Qian that you can't help but root for him. Mark's delivery of Mo Yuan's character was also very impressive. Mo Yuan is a personality that demands respect and he gave him the elegance and majestic aura that was required.

Their chemistry is sizzling hot and both of them compliment each other to the max. I love how their love story transcends all worlds and they're two people destined to be together. I mean towards the end I was so committed to seeing their happy ending that for the first time in my life, I deliberately went to seek out spoilers just so I could have a consolation that everything wouldn't be in vain. Even though the ending is pretty sappy and the consequent events just turn out to be interestingly very very convenient for everybody, I think I wouldn't have opted for less.

The most annoying part of this show probably has to do with everything that was related to the Ghost Realm. Xian nu is literally the world's dumbest villain to ever grace the screens. I mean sure if you gonna be a negative ass bitch, filled to the brim with inferiority complexes, the least you can do is actually have some brains to execute your deviltry, instead she remains pitiful throughout and besides being an annoyance, doesn't amount to much.
Never fear though, because her husband matches her toe to toe as far as stupidity is concerned. Li JIng has a constant "woe-is-me" expression plastered on. He always acts like he is the most tragic person alive and he's constantly throwing pity parties and pining after someone he wronged. Like really bitch, if you gon' whine about how pathetic your life is and how you're suffering so much you should've thought better when you decided to waste your life being a nuisance and cheating on someone you supposedly loved. Smh. I was very thankful when both of these roaches finally ended up dead 'cause they literally belonged with each other in hell.

One of the best things about Eternal Love are the side stories. I had so much love for Dijun and Feng Jiu. Dijun, with his constantly amused face (as if the whole world was a huge joke to him) and Feng Jiu, with her endearing personality and child like tendencies really won me over. This show has so much character development and attention to detail. With excellent emotional delivery and story writing, I think the hype surrounding it is more or less justified.

One thing that I found hilarious was how little Bai Qian truly cared for her son like, ain't nobody got time for that but A-li is legit a ball of adorableness and the few moments they share together are absolute bliss.

Rewatching a 58 episode show is no easy feat so I don't think that I'd be doing that but there are definitely some iconic moments that I have already watched a thousand times over and will continue to revisit.

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sweet seaside romance

Overall: a refreshing seaside romance series. 5 episodes about 20 minutes each. Aired on GagaOOLala.

Content Warnings: maybe something at the beginning with a side character but it didn't bother me at all, past death

What I Liked
- the characters felt realistic instead of caricatures, how both of them were confident in some ways but guarded in other ways
- flashback that hinted about why Amane was jaded about love and then the reason was shown in episode 2
- caring/sweet moments
- how Ryuji sought communication
- that Amane took risks to stay true to himself/what he wanted
- production value

Room For Improvement
- don't think physics would agree with what happened around 10 minutes in episode 1 lol
- it was only 5 episodes we definitely could have used more

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Want to discover the world all MDLers are connected with? Watch King of Dramas—The Ultimate Drama-within-a-Drama for us drama-addicts. Indeed, it was an extreme remark, but what can I do? I love this drama to pieces.

Story: Basically, the plot will give you a parody about behind-the-scenes of drama-making and a man who will conquer everything for the sake of his ambition. The story isn’t really life-changing but it is certainly highly influential and enlightening in my case--at least on how drama production works. Yes , it’s supposed to be fiction but watching this one and at same time hearing news about real life drama made me wonder if in reality what was happening here is based on real life-drama filming experience.

I love the writing— Simple yet has a refreshingly engrossing storytelling and it managed to combine right amount of angst, romance, huge dose of comedy while handling issues about ratings, writer and director difficulties, financial problems, sponsorships, actor- behaviors and even extras. Of course, KoD is still a drama, there is a main story going on and I can guarantee that this one gives no dull moments. Intense and fast-paced, you’ll realize what I’m talking about if you try now and watch the first episode. Since KoD satirizes drama-making, it’s only natural for it to be funny, and if I may add, it is enjoyably hilarious in almost every episode. Comedy-wise, it’s a genuine masterpiece for me. Romance is subtle yet touching at first and tends to develop later which makes it more believable and truly romantic—not the usual wrist grabbing can determine the person you love. Did I mention a lot of anti-cliches here? Well, It has. And I love every bit of it! The ending was lovely and very satisfying for my taste.

Cast/Acting: Another thing to love about this drama was the evident character development on the main casts. In the end I have no choice but to love all of them. When I first watched this, I had known little of the casts and it was a great surprise watching all of them. Kim Myung Min also played stellar performance, the character change is very convincing on his part. He is amazing that he can take full control of his facial muscles while conveying the right expressions on his role. I love the strict, straightforward Representative with a sexy voice. Yes, I have to add that, lol. Jung Ryeo Won’s character is loveable-simple yet strong and determined. Her expressions are adorable. Their chemistry was noticeable just with their eyes and gestures, oh well, it comes with the leads personality, that’s why it’s like that—at first. The chemistry was wonderful, with just their gazes alone, I’m melting; Anthony Kim-Lee Go Eun has just become one of my top OTP’s this year. The biggest revelation, I credit it to Si Won—He is simply a truly great actor here. At first it was all funny just because it innates from his personality and self-love, then his expressions, his eyes, and then it comes a time that just his presence evokes hilarity. That’s how funny he is. Min Ah’s character is annoying at first but becomes likeable later on. World’s boys, who wouldn’t love them? Let me join your group! Tehe-

Music: Blind for Love, Keep In Your Heart and Tuesday Song are memorable OST’s for me, now another fave added. Even the instrumentals were catchy.

Rewatch Value: 10 because I rewatched some episodes already while waiting for the new one.

Overall: If a true drama lover runs in your veins, I believe you should watch this!—err, scratch that, I mean you would appreciate, relate and enjoy this refreshing, funny, one-of-a-kind drama as much as I did. :P

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