Reviews

This is the kind of drama whose review needs to be written as soon as the viewing is over, emotions still raw and somehow sore.

Ironically, it had been sitting in my ptw list for a good year, waiting - so I thought - for me to be in the right mood for its somehow heavy subject. It came as a big surprise that this was the perfect moment and Algernon ni Hanataba wo is the show that finally reminded me why I fell in love with Asian dramas in the first place and became an addict so many years ago.
It enchanted me and pulled me into its world five minutes in. I hadn't even realized I was marathoning with bated breath until I exhaled.

The show is built on two different levels: the plot itself with its events and the story told by the characters. These two levels aren't of equal importance, that is, if you watch for the events it may disappoint you, as it suffers from the typical Japanese brevity and sudden, unexpected turns. However, this drama is meant to be valued for the thoughts it provokes and the way it does so, hence my perfect mark.

I won't lie, it made me cry. A lot.
This is a beautifully heart-wrenching story of diversity and the need to conform, be 'equal'. While most of us aim at being smart enough to earn more, have success in life and even wallow in our self-esteem, Sakuto dreams of becoming intelligent for the people around him to love him. This makes his journey all the more tragic, since it inevitably raises the question whether he was happier when only half cognizant of his surrounding or when he fully grasped the meaning of everyone's motivations and finds out that being a genius can be a sentence to loneliness. It also heavily probes on the benefits of intelligence when it's attained at the cost of humanity, empathy, compassion and even love.

I believe each single character in this drama has a precise purpose in terms of typecasting the different approaches to what is generally considered 'normal'. Here's a word I hate when referred to human beings, but it is the core of this tale, in its literal meaning of 'conforming to the norm'. This means that all the characters revolving around Sakuto find their justification only in connection with him, they represent the wide range of 'normality' as opposed to the extremes Sakuto's going to experience.

Which is not to say that they didn't act well. Quite the opposite: what fascinated me here is the fact that each actor played its part in a different way, according to his/her role in Sakuto's life. The same can be said about the direction, which plays a precise role too with its use of symbolism, archetypes, flowers, colours, camera focalization. Even Algernon is a great character. Tiny details are everything but irrelevant, a trait I always, highly appreciate.
And at the risk of being called biased, I maintain Yamashita's acting is impressive here. I was deeply moved by the sheer movement of his hand, the subtle, slow changes in stance, walk, gaze. I loved Sakuto as a viewer, as a woman, as a mother, as a sister, as a friend, to the point I desperately wanted to hug him and never let go. I could go on, but I'm becoming verbose and perhaps a little too emotional too.

The music is the only trait of the drama that gets a mere passing grade. I wish Japanese shows in general would put on their Osts the same amount of effort they spend on photography and characterization. The only song played here is very suitable to the story, but repetitive to the point of losing all its impact.

I've already rewatched many scenes soon after completing an episode. I simply couldn't help it. There's no doubt in my mind I'm going to re-watch the whole drama soon enough, certain it will lose none of its emotional impact on further viewing.

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There isn't much that I can add to what has already been expressed in other reviews here: the plot isn't new, nor unpredictable, the acting is good albeit a little over the lines, the dialogues are witty but definitely not deep, the music is fine enough. On a mere objective level, this drama is decent.

And yet, I loved it! I marathoned through it in a couple of days, and enjoyed every episode. I laughed, smiled, grinned. One may object that a drama is either good and to our liking, or it isn't. But the reasons why I like watching something aren't always as clear-cut and defined as I would like to think: I can remain cold in front of a masterpiece, and be enthusiastic of a piece of trinkets.
Hence my tepid marks, which reflect what I hope is an unbiased estimation, not the degree of my liking it.

Fact is, I truly loved the characters. Kohei, the bodyguard played by Nishijima Hidetoshi, is incredibly endearing. I had never seen this actor on screen before and at first sight I thought he was the complete opposite of an eye-candy. But his character is so sweet and lovable, I ended up liking him a lot. Kim Tae Hee, whom I could barely tolerate in My Princess, is adorable here, contributing factor the Japanese language, which renders her voice deeper and more pleasant.
The great actor Takanabe is hilarious. He seems vain and utterly stupid, but we soon discover he hides his own complex, and from that moment on, I dare everyone not to root for him, if not as a lover, at least as a friend and professional actor.
All the other characters do a good job, including Taecyeon, who surprised me with his very good Japanese. The bad guys aren't given enough screen time to get on our nerves.

The music is fine, mostly in the second half of the drama.

Surprisingly, I think I'll rewatch this drama one day. It was a perky watch, which I recommend to whomever is in need of something light, funny, romantic without being melodramatic or mushy.

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Quiet in its voice, thunderous in its impact – a drama of nuance, humanity & whispered revolution

Between Wind, Clouds and Change – "King Maker: The Change of Destiny".
Some dramas tell about history – others tell how history is made. "King Maker: The Change of Destiny" does both. It's also a historical KDrama that doesn't just focus on battles or hero myths, but makes the art of face reading (Gwansang) the narrative compass: Whoever wants power must understand people – and themselves. The story takes place in the late Joseon era, a time of political upheaval and dynastic power struggles. But instead of swords, the drama talks about people who deal with knowledge – and read faces. The series is based on the novel "Wind, Clouds and Tombstone" by Lee Byung-joo and creatively reinterprets historical events.

At the center stands Choi Chun-joong, a man not only talented at physiognomy, but who has a deep sense for the movement between fate and choice. His gift for reading personality, future, and intention from a face makes him a valuable advisor, but also a target for political intrigue. Park Si-hoo plays Chun-joong with subtle intensity – a man who thinks more than he speaks, but whose presence fills every scene. At his side is Princess Lee Bong-ryeon (Go Sung-hee), who struggles with her own tragic gift – seeing the fates of others. Go Sung-hee gives Bong-ryeon a quiet dignity, shifting between vulnerability and determination.

I´d say the quiet, deep relationship between Chun-joong and Princess Lee Bong-ryeon gives the series an emotional warmth that goes far beyond grand gestures and touches through small, sincere moments. Their love is marked by separation, reunion, and the burden of fate – less passion, more loyalty. Their romance is not the center, but rather the emotional backbone – giving the political drama a human depth. It's like a river that always flows, even as the banks change. Their bond is based on shared gifts – face reading and destiny reading – and becomes a kind of spiritual complicity. It shows how intimacy lives not in big gestures, but in shared understanding. The romance is quiet, but sustaining – an echo underlying everything.

The series doesn’t follow a classic hero’s journey, but tells of entanglements: between the power-hungry Prince Lee Ha-eung, who loses himself between reform and control; between officials who renegotiate their loyalties daily; and between people whose moral decisions influence the system more than titles. Especially impressive is the calm, almost tentative narrative style, using time jumps not as breaks, but as mirrors for human maturity.

The drama convinces with a finely tuned ensemble performance. The relationship between Chun-joong and the ambitious Prince Lee Ha-eung is a prime example of ambivalence and power psychology. Jun Kwang-ryul shines as the power-conscious Prince Lee Ha-eung, whose performance captures the full moral complexity of the era, balancing ambition and regret. The supporting characters are also carefully and multi-layeredly designed – from scheming officials to tragic outsiders. They’re not just decoration but part of a system that enables as much change as it prevents. Particularly interesting is the cultural background: The art of face reading – called Gwansang – gets a tangible, almost magical significance in the series. It’s not just a trick, but a mirror for responsibility, freedom of choice, and compassion.

What makes "King Maker: The Change of Destiny" so special is its quiet, poetic narration: Political intrigues, conflicts of loyalty, and personal sacrifice are not made sensational, but are shown with respect for the characters and their development. The love story between Chun-joong and Bong-ryeon is tender and believable – it grows out of mutual understanding and shared worries, not dramatic coincidences. Their relationship stands for mutual respect and quiet strength.

The production scores with atmospheric camerawork, detailed costumes, and a fitting soundtrack. Every scene feels lovingly staged and invites the viewer to let the slow unfolding of fate and change wash over them.

"King Maker: The Change of Destiny" is not a loud drama, but a quiet, intelligent masterpiece, convincing with its humanity, well-placed accents, and deep appreciation for tradition and change. Anyone willing to embark on a journey of delicate nuances, fascinating history, and gentle romance could as well love this KDrama.

This KDrama is a moving homage to the quiet forces of change, to the power of perception and humanity. A series for heart and mind – and a recommendation for anyone wanting to feel how history, magic, and love can meet on soft feet.





--------------------------- SIDE NOTE: GWANSANG in "King Maker: The Change of Destiny" --------------------------------------

Gwansang continues to shape the cultural self-understanding of many people to this day. What appears as “face reading” in historical dramas like "King Maker: The Change of Destiny" is more than just interpreting external features. It is an echo of ancient shamanic practices, an intuitive grasp of truth—deeply rooted in Korea’s spiritual history. Even today, many people seek counsel from face readers or shamans when it comes to fate, love, or decisions. Between tradition and trend, this art lives on—as a mirror of a culture that never completely loses sight of the invisible.

In Korean culture, the art of Gwansang has a centuries-old tradition. It is the art of drawing conclusions about character, fate, potential, and even future events from facial features. The forehead as a sign of wisdom, the eyes as mirrors of the soul, the jaw as a measure of determination—these are all classic elements of this ancient teaching. But Gwansang is more than physiognomy in the Western sense: it also touches spiritual dimensions, for behind the visible form, an invisible echo often resonates—an aura, an energy, a truth between the lines.

As a cultural practice, Gwansang becomes an ethical touchstone in “King Maker: The Change of Destiny.” Here, especially through the character of the “Taoist” or "Fortuneteller" Choi Chun-joong, Gwansang is not portrayed as magic but as an intuitive science that influences political decisions. The art of face reading is not romanticized but reflected upon. How far can one really see? Where does perception end and wishful thinking begin? The face becomes a map—not for destiny, but for decision. Princess Bong-ryeon, in contrast, represents another, intuitive level: she senses destinies in advance, has visions, and follows not the logic of what is visible but the inspiration within. Their connection brings together two paths of knowledge: calculation and intuition, reason and empathy. In this way, the series shows that true understanding happens not only through the eyes—but also through the heart. And so, King Maker ultimately becomes a meditation on responsibility: those who read faces must also be able to look within themselves.

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well-acted soul-transmigration story with one of the worst finale to date

Before diving into this, I'd like to say first that this show is an adaptation. The original material is a fairly popular webnovel, which tells a story about a outrageously loyal employee of one of the biggest fictional company in South Korea, Soonyang, who found himself transmigrated into the youngest grandson of the very company he worked for, Jin Do-jun just shortly after his death.

I was plenty excited for this show because I've always loved stories with rebirth & transmigration in the center due to its satisfying face-slapping laced with revenge type of story and to some extent, Reborn Rich didn't disappoint. The show clearly was confident with its thrice-weekly airing time, the casting line-ups, and it was fascinating seeing the rating rose higher and higher the more we dive into the show. I was afraid the show wouldn't be able to intrigue but I was wrong. From episode 2 onwards, the story gradually layered itself with step-by-step of how Do-jun tries to slowly steal Soonyang under his grandpa's nose, and eventually announced himself that he'd buy the company to his grandpa himself.

Some episodes are fillers, but some episodes are pure fun & smart battle-of-wits, polished as familiar as it could have been with the history of business in South Korea that I couldn't seem to drop the show whenever those episodes were on. Basically, if we're talking about pace & story, the show was pretty unstable on maintaining its tension. And those broken tension were usually caused by the (highly) unnecessary loveline, which I still thought as the most useless part of the show. Why?Because it felt like a different show altogether when these 'lovely' scenes appeared. In a story where revenge and political intrigue played a pivotal role, a love-line, personally for me, only served as a distraction for the main character themselves. It was not helping that the writer didn't know how to make the romance work (didn't even give the depth for both Min-young & Do-jun, and then suddenly they're dating????PLS), and how the director didn't have the right style to present the heartfluttering bits amidst the intense power battle between these Soonyang people. In others episodes, sometimes the pace was too slow and sometimes it turned less interesting, which turned out to be the way it was simply because the writer wanted to the satisfying meat in the next episode.

Seeing these patterns played out a couple of times made me realize; ah, the writer wasn't able to control the story to be as equally engaging each episode, and what was more surprising is when I was gradually made aware that despite keeping the main story intact, there were many details & points from the original materials left out to make the show adaptable for the drama format. It was less obvious at first, but the more we got near to the ending the more I realized the wrongness of the story which eventually cultivated into that stupid-ass conclusion which COMPLETELY betrayed the essence of the entire story with that one episode alone. It's an understatement to say that I'm disappointed. And I couldn't even imagine what the webnovel readers would feel seeing that clusterfuck ending.

You know...when you write an adaptation, you must know the original material well enough to be able to make out a more engaging story out of it. You have to know what fits into the format, what to include and what to miss, and what to keep in mind. Reborn Rich is essentially a soul-transmigration story. A unbelievable story where a supporting character gets a chance of living a main character's life after their death, and with their knowledge of the future and all, makes the main character's life theirs by the end of the story. The pattern is obvious, what you'll get from the story is also obvious. And during the time I've read countless rebirth & transmigration story, there hasn't been ONE that has a mind-boggling conclusion like this one. Why?Because it betrayed the value, the fun, the very reason why people still flocking to these stories. Hyun-woo's supposed to live out his life as Jin Do-jun because that's what we're all invested for to read and watch, his journey to the top. His journey to seek the power and make all Soonyang people pay for his death and everything. But to get that, there's gotta be a real & heavy consequences; he's in the place where he could never wish for and will never get for even if he's working himself to death for years. And he was also, if we're talking about the same show, obviously died in the first episode. His death is the key to the beginning of the story. It's because he was dead that he transmigrated. It was because he's gone that he had a revenge. It was because he's dead that we watched the whole ass show.

And now you're telling me he wasn't dead?

Then what about those 17 years of him living his life as Jin Do-jun?

Was by the end of the story the biggest victim of all happen to be Do-jun who got brutally used as a plot device and abandoned just like that because Yoon Hyun-woo was simply dreaming about those years in a span of a week?Because his head is apparently more solid than a rock stone even being shot in the head doesn't make him die?????????

Because the show is so all smart that all they could do is to use truck-of-doom repetitively and escaped all the consequences?????

What the fuck is this.

And more of the reason to not like this conclusion is because it betrayed the entire story of what was supposed to be an adaptation. Because the webnovel is sure as hell isn't played out like this. Because the scriptwriter of this show got fucking greedy and crossed the damn line they shouldn't have; they disrespect the entire webnovel. They disrespect the original material just because they could and just because they think the whole story is theirs to write. BUT IT FUCKING IS NOT. THIS IS AN ADAPTATION. THERE'S A LINE AND LIMIT TO NOT BE CROSSED OVER AND THAT CONCLUSION??????THAT'S NOT IT.

I was able to overlook the writer's stupid ass decision to change the subplot here and there, adding the unnecessary romance, or making the grandpa's death lame as fuck despite him being one of the powerful characters in the show. I could forgive alllll that. Because they didn't change the flow of the story. But the finale did. In more ways than we all could imagine. Because it showed that the creator of this show didn't understand what must be done to deliver a transmigration story. They didn't understand the genre. The respect and love for these works, and why we came to love these superficial stories that weren't realistically possible but served as a satisfying read every single time. And to think I was excited when I first heard about the show...........and now I'm just angry. Disappointed but angrier at how they managed make a mess of a story that could have been turned out really good. If possibe, I'd highly recommend watching it only until episode 15 (minus the last few minutes of the ending). The last episode is entirely different story that shouldn't have been a part of this show. Period.

Even if I had complains here and there about the plot and the story, in terms of acting, the whole show is nothing less than perfect. Everyone in Soonyang were all so good I had nothing to nitpick; they also had personalities and some performances stood out than the other. It was also the reason why I stick so long for the show. Lee Sung-min was just............amazing. Flawless. Best acting performances I've seen this year. I wish we could see more of his chemistry with Song Joong-ki's character but nonetheless he was still such a huge blast to watch. Kim Shin-rok was absolutely killing her role too, and the tension between Kim Nam-hee and Park Ji-hyun in every single scene they're in are deliciously impeccable. I love nearly all the performances from Soonyang family members. They're all solid and know how to maintain that special intensity between the scenes. The music was just okay (sometimes I loved it, sometimes I don't), and well after seeing the ending, I didn't think I'd have a high rewatch value for the show.

Overall, Reborn Rich is a show that has its ups and downs throughout the story, delivery an intense power struggle between family members of one of the biggest fictional company in South Korea. The original material itself is very solid, and the way the story followed and reflected into past years of real business industry in South Korea was new and refreshing too. Featured strong and powerful performances, I don't think there's a reason you wouldn't want to watch the show. At least until episode 15.

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The rebellious disciples ~ It will always be you, in all lifetimes | Great ending—Baby Machine CP!

"Everyone has their own fate. Sometimes, you can save a person but can't change their fate." - Ye Xin

Alright, I am totally sold! That was such an enjoyable and satisfying story overall. I love a lot of things about it but my love and adoration for Mu Qing Ge/Xue Ranran is even greater!

I typically jot down notes on how I feel about a drama I'm currently watching and upon checking it minutes ago, it was full of high praises and words of adoration for the FL. She's one of my most favorite FL character this year. I love everything about her and what she does...her broad-minded, non-condescending and appreciative view of everyone's potential and capabilities was truly commendable. + The way she finds meaning and fun in almost everything brings this delightful charm to her. A well-written character who made the story beautiful and admirable—the backbone of this story!

The story as I mentioned above was well-written and despite it being a Xianxia drama, the amount of cliché plot sand scenes were minimized to offer just the right amount and I would say that they did a spectacular job for that. Every scenes are interconnected to one another and I never felt at lost even once while watching it. The scenes were engaging and enjoyable that I don't feel bored at all.

Phasing was good and they were able to maximize all of the episodes to the fullest. No major nor minor plot holes I can think of, and I don't have any dissatisfactions either. Maybe something I 'hoped' was included even as a short scene is the wedding ceremony of Gao Cang & Xi Er (If they really ended up together)—I like this pairing a lot and I find the both of them adorable. It's just sad that we didn't get to see them be wedded but anyways, that's fine and totally understandable as it's not their story. Just wanna mention here that Xi Er's commentaries about what she smells to describe feelings and emotions is very unique and funny to me. She's even nonchalant whenever she delivers them which makes it even funnier. Haha!

The most important and noteworthy part of this story would probably be Mu Qing Ge's journey in making Su Yi Shui a better and kinder person. Her approach towards his violent reactions and retaliations is that one thing that made me look up and admire her. She was understanding, patient and sincere in dealing with him—Explaining things carefully in different ways in order for him to understand every situation. She's like a mother raising and correcting her juvenile naughty son.—She uses warmth to melt his frozen cold heart, gentleness to mend his maimed soul and love to lighten the darkness surrounding his world which made him gradually open up and love her in return.

The same credits should be given to Xue Ran Ran as she also suffered quite a lot dealing with his "Master". Although it was a completely different scenario this time as Su Yi Shui has already been tamed, felt indebted and of course, in love. He at the same time was the toughest to deal with, in his hot and cold, confused and full of hesitation phase. Thank god Xue Ran Ran's persistence and passion for him was boudles. Because if not? then I don't know anymore. Also, XRR & SYS chemistry gives off this extra cheerful and playful vibe which makes watching them more entertaining than ever!

Rising action and climax of the story were greatly executed and I hereby say that the most entertaining part of the whole drama is the last 10 episodes. I never felt that they were rushing anything at all. More so, they seemed like a water flowing smoothly in a river. The director and writers certainly got a good grasp of the story—on how should it flow and how should it be ended.

The conclusion was logically done as I don't expect Mortal Cultivators (no matter how powerful they are) to defeat an Immortal. So, kudos to the team for giving us such a satisfying and rational ending. Mu Ran Wu's ending on the otherhand felt lacking to me. That b*tch deserves an excruciating death more than that gone-insane trope.

Ending is my most favorite part of the whole drama. Xue Ran Ran & Su Yi Shui settling down, retiring and living their happiest days (becoming baby machines lol) with their kids is the best ending we drama fans could ever receive from a drama. So I truly appreciate and extremely grateful to the entire team for giving us such a happy ending.

P.S. Seeing kindness and reasons through Su Yi Shui's display of cruelty is Mu Qing Ge/Xue Ran Ran's real charm and power. Her words of affirmation and strong relentless love gave him warmth—She lit his life and provided him HOME.

Story - 10, Best Xianxia I have watched this year (2025) and in a while. Story is compact and has a smooth sailing flow. Like I mentioned above, the director and writer got a flawless idea of how the story should progress and perfect control on how to conclude it.

Acting/Cast - 10, I so love each one of the cast! Deng Wei is the perfect leading man and no one in my opinion can top Julia Xiang's performance in this show—She excels in this mischievous and silly acts/expressions which suits her the best + Flawless and effortless execution of both Mu Qing Ge & Xue Ran Ran was truly amazing. The supporting roles are great as well. It's also nice to see Ai Mi and Fo Bo Han again (since I have been seeing them in almost all of the dramas I watched. Haha!)

Music - 10, beautiful and lovely. It accentuates the mood and color of the drama. + It brought out the emotions of the scenes they're used in.

Rewatch Value - 10, A drama that I will surely re-watch if I can and would also recommend to people to watch.

Overall - 10, Everything about this drama is exceptional to me. Thinking about this drama reminds me of how beautiful the story and visuals/CGI are. I wish more directors can start making Xianxia dramas like this.

IF you find my review helpful please let me know.

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Down With Love is a Taiwan drama and I must confess that it's among one of the best Taiwan dramas I have watched plus one of the best that has been produced so far. It features 2 wonderful leads Ella Chen and Jerry Yan, and some couple of really good actors.



The storyline is really nothing new - a boss falling in love with a nanny he hired. The amazing thing with the plot is the twist. I will try to summarize without giving spoilers lol. A boss who already has a girlfriend (the gf is a big time actress) falls in love with a nanny he hired. This same boss has a best friend, while the nanny has a sister.



Things got complicated because they were all trying to save their friendships instead of their relationships. Jealousy, how it feels to be lonely, how it feels to miss an opportunity and strive to have another chance were all expressed in this drama.



The acting was superb. Ella Chen can sure make 1000 different face expressions. Jerry Yan also proved to be one hell of a boyfriend. There was chemistry between Ella and Jerry, there was also chemistry between Ella and the guy with the supporting male role (Michael Zhang). The character Hui Fan was well-shown, she really looked pathetic.



The OST was really good also. It also included songs from S.H.E



I tapped some stuffs from DWL. First is been truthful to yourself (you are in love with someone, just get down to it and don't beat around the bush), there some cases you have to let go and be happy for the other person (as in - Let a bird go, if it comes back to you, then it's yours), you can't find out the answer to something without giving it a try. Lastly, no matter the case, you've got to continue with life and be happy.



I sincerely hope you guys would enjoy Down With Love.

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If you are willing to go outside your comfort zone, this is a unique drama that gives a lot of room for contemplation. Infidelity is not the usual hum drum romance. These 2 parallel affairs have something is common that keeps you from entirely sympathizing with the jilted spouses: empty, loveless marriages. At times I felt that the affairs were well warranted because the jilted spouses were so incapable of showing love and appreciation that they drove their spouses to seek love elsewhere. It was both tragic and extremely realistic.
The acting is exceptional and the plots twists will keep you on edge. I was quite shocked at how severe Japanese culture is towards divorce. This story would not play out the same way in the US.
In the end, truthfulness is the only way to conduct one's life. And if a woman chooses to have children, her only choice should be a life of sacrifice for her children. In conclusion, this drama is worthy of watching if you are in a relationship or are contemplating marriage. It will make you give pause to showing more appreciation to loved ones. I

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A brilliant drama. I enjoyed every moment and second of it. Watched it without any breaks, in a flash, I just couldn't move my eyes away. It got deep into my heart, and is not going anywhere soon.

I laughed and cried with the characters all along. I watched the drama in 2 days, but came to dearly love the characters.

Though it did not end as I was expecting it to end... not gonna spoil that for you...again...enjoyed every moment of it.

The parallels between the 2 families with the same problem was brilliant...I fell in love with Haru's family, and came to deeply understand the despair Miwako's mother was in, though there moments I just wanted to punch her in her face...but who knows, how I would be in that situation...

This is a very deep human drama I think. The IS term is being used to explain people that they have learn to accept themselves as they are, and only then try to change themselves, or show themselves to others... If you don't know who you are, who does? Your parents? Your friends? Who knows? You are the one who decides.

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This is a simple yet a nothing close to realistic drama that easily makes you forget about reality. It is an adaptation that you'd originally expect to be bad and uncomparable to the webtoon however, it's nothing like that. It gives the same vibe as the webtoon and it is equally (or sometimes more) funny to it.
This drama will have you laughing (literally) non-stop.

The main cast is very good and the cameos are just as great (and countless), wit some of them beeing: Song Joong Ki, Jung Joon Young, Kim Jong Kook, Laboum and others..

Also, the music is unexpectedly good, I personally had no idea MFBTY participated, so I was pleasantly surprised. And aside from all the comedy, there's also romance and lots of character development!

This is a very sort webdrama even though it's 20 episodes long, so you can easily finish it in a day. If you watch this You definitely won't be disappointed.

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Despite the discouraging length, It’s never wrong to watch a taiga drama. Or at least that’s how I see it through my experience.

Kurode Kanbe is an acknowledged figure of the Sengoku period –the most chaotic era of Japanese history. He came from a humble clan in Himeji Castle but he distinguished himself through his impressing battle tactics. I will stop here to not spoil those who are unfamiliar with the history of the main character.

This taiga drama illustrated the life of the historically-famous strategist. It wasn’t only a numeric retell of his life story. On the contrary, Gunshi Kanbei was more focused on the emotional side more than anything. Which implores that you will get to know the story without the clinical heavy/slow pacing.

Sengoku Jidai is known for its numerous battles, renowned generals, political clashes, lots of betrayals and utter turmoil. This drama didn’t only illustrate Kanbe’s personal battles but it also included all of the major events that occurred during his lifetime. And since he was close to several main figures of the era, Kuroda Kanbei found himself entangled in all of those continued wars. He was forced to make critical decisions and became a key character in the unification of Japan.

That aside, Kanbe’s familial life was also put in the spotlight. His relationship with his vassals, his wife and his offspring was vastly explored and beautifully dramatized. But the over-idolizing was probably a bummer. Kuroda Kanbei wasn’t exactly a selfless man like the screenwriting pictured him to be. He was known to be quite ambitious. They didn’t focus much on that side except near the end. But again this isn’t a documentary and the main historical points were left untouched.

As usual in Taiga dramas, the cast was relatively loaded. Okada Juichi was marvelous as Kanbe. He’s definitely a rare Johnny’s –an idol of high caliber. I am so glad I got to first meet him through this. Other cast members were pretty fitting. But the ones who stood out the most were Egushi Yosuke’s Oda Nobunaga (one of the best portrayals of the legendary character), the penetrating performance of Takenaka Naoto as Toyotomi Hideyoshi, Nakatani as Kanbe’s wife, Tanihara Shosuke short yet amazing portrayal of Takenaka Hanbe and other remarkable talents like Tanaka, Kuroki, Uchida, Ikuta, Matsuzaka, Hamada, Tsurumi and Takahashi.

The directing was noticeably improved from previous taigas but it’s nowhere near perfect. The cinematography was catching. The sceneries and outfits were as usual historically accurate despite some insignificant flaws.

The smooth flowing of events in Gunshi Kanbei proves that this is an impeccable example of how taiga dramas are supposed to be.

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THIS DRAMA IS NOT FOR THE FAINT HEARTED

I decided to write a review because I have noticed a lot of comments about this drama and that the rating is low probably because of what was presumed to be understood.

I have watched 12 subbed episodes and 4 unsubbed ones. I am currently learning thai and I understand little by little of the language, the rest I just use google translate and base it on the scenes and how it was executed.

I will try to stay away from spoilers as much as possible.

I got curious with this drama because I wanted to know how Ben will fall in love with Fah despite the complicated relationship chart. After watching the first episode I got hooked mainly because of the actors.

PLOT: the main plot of this drama is revenge over revenge. The cheating was a product of the revenge scheme by Vichuda. We have the first generation love triangle (Orn-Tharn-Vichuda) and the second generation; their children with their romantic feelings and complicated side characters. Aek loves Fah not as a sister but I am not sure if Fah feels the same. PP has romantic feelings for Aek (or she thinks she has). This is already complicated and then comes into the picture the other characters.
This is not for the faint hearted because we do not normally see a mother who sleeps with her daughter's husband. That is just top notch immoral but at least in this drama the mother and the daughter are not biologically related. (doesn't really lessen the disgust).
This drama has emotional and mental abuse from parents. Vichuda emotionally abuses PP whilst Orn emotionally, mentally and physically abuses Fah.
This has attempted suicide, drugs and alcohol.
This has a lot of cheating in it.
The men in this drama are actually useless and to be honest. I am waiting for character development from them.

As seen from the trailer and relationship chart the characters are entangled in a very complicated manner with their feelings making it worse.

This is usually not my cup of tea as I know that this drama will give me stress. WHY do I still watch it? Despite the drama basically full of negative things it is still so juicy that it makes it really addicting to watch. Even with the lack of morals obviously, I still watch this drama because I wanted to know how the writers will wrap this up. The drama is fast paced, almost each secret gets revealed each episode so you really wonder, what is then left and how will it end after all is revealed?

What I also liked in this drama is dialogues, even with subtitles, some dialogues have double meanings. It is like mind games, you dont know what's next.


ACTORS: The main reason this drama is as it is is because of the actors.

ORN ( The mum): Ive seen her in some dramas as supporting roles and I must say she acts the crazy mentally unstable mum perfectly well. You just love to hate her because she portrays her character without conscience so good. She can haunt you in her nightmares. I compare her character similar to the Grimm's brother fairytale version of the evil witch step mother who is jealous to snow white as well as the witch who kept Rapunzel captive all her life. That is how evil her character is.

VICHUDA (the older sister): from the ones that I have seen, you can clearly see and feel the change in emotion when she is hot and cold with her daughter.

THARN: This character, aside from being the father... He has no balls from the start, not sure if he will grow some as the series will progress

FAH (FAH also in real life) : This young newbie actress can act. I love how she portrays from being hurt to scared to conflicted in just few seconds. Her subtle smirks, grin and eyebrow movements can convey disgust, sarcasm and provocation all at the same time. She portrays the character of a woman with strong will despite the abuse. You understand her character and why she endures with the situation and tries to live well for what is in front of her.
I actually love how she is indifferent but polite at the same time. With her and Ben, it is believable that she portrays annoyance with him but at the same time respect him as a husband. She is so pretty even without make up, very fitting for like snow white or rapunzel trope haha.

BEN (BIE THASSAPAK): this is my first time seeing this actor and I have to say that he really plays his part well. I believe that if he is not the actor the story might not be as interesting because he made his character not a one dimensional playboy. You as a viewer gets curious with his motives and see how he will deal once he finds out that he bit more than he can chew with the mother.

AEK (JOSS): Joss fans might hate me but the actor is weak here. I dont see any chemistry with Fah, or as a brother in love with his sister. Alongside Ben, you cant feel the tension. I only felt his character and was able to finally see that tension on episode 9. I know that he has Fon as a love interest here but his portrayal of Aek is weak that I dont want him to be with Fah. The character of Aek is careless and rash and does more harm to Fah than good. If he would portray his character better despite those characteristics I would probably really root for him. I have other actors in mind, if they were Aek, tension would be greater and that you will really do not know who Fah will end up with. As for now he is just giving me nothing.That aside he does have chemistry with Fon.
Thinking other things, Lee Thanat could be Aek because he also has chemistry with Fon.

PIPI (PLOY)- she plays the part of a rebellious teenager well for me despite her being actually older in real life than FAH. Suicidal and depressive teen, with her mood instability, I think she did it well portraying where her behavious is rooting from. Good chemistry with her love interest.

OFF (RON)- being a supporting and side character, as usual OFF is good at whatever is given to him. Ive seen some of his works but not BL. I dont watch BL

FON (NARIN): Ive seen her in some dramas and she has been stereotyped into cute roles. At least in here she is believable as a serious teacher and her character is at least different from her usual cute characters. (she is still cute here though)

AUNTIE: haha whoever she is I am rooting for her. She is basically the conscience of this drama. Does she not fear being fired with the things she does haha...spoiler that surprise menu served to Orn haha.


MUSIC: othe music is melodramatic full of pain and hurt with love trying to emerge.
that other song though the one played when one is in pain is just emotionally great
That is just a short review Ill come back again when this drama is finished

Okay Ive finished this drama for quite some time. After episode 14 it went downhill from there. Few scenes for the main characters and more on Pipi and Ron which I hated.

The talent of Faye and Bue got wasted when their storyline was set aside.

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When I heard about the casting of Kazoku Game before the season started, I hesitated because I never really heard about Sakurai Sho being a good actor. Although I've seen Kamiki Ryuunosuke before on Tantei Gakuen Q as a budding actor, I wasn't really curious about this recent drama of his when it started.

Then a recommendation came from a friend and the intense need to watch it, and... the rest is history.

Now, for my review:

Story: No one could contest that this was a beautifully written drama. I appreciate that they modified the themes to suit that of the modern generation, having bullying as the universal issue these days. I'm sure that at some point of the story we were able to relate to the characters' plights and mirror ourselves to them. I personally did.

Acting/Cast: This department was almost perfect, except for some side characters that felt stiff at some scenes, but the main characters, especially Shinichi and Yoshimoto-sensei, were practically having an acting talent showdown. Everyone in the family were superbly cast.

Music: I'm not a fan of somewhat cheerful music, but I like the satire in every note of the music to the scenes in this drama, thus still the high score. Endless Game's catchy tune got into me after a few episodes, and it was basically Yoshimoto-sensei's character song.

Rewatch Value: Since this is mystery, the enjoyment value goes down since you already know what happens after you've finished watching it for the first time. But watching it with friends, it was very fun observing how they react at the scenes in the drama (and being blown away with it).

Overall: This is a drama that will be etched to my memory for a very long time, and unless I encounter another drama as intense as this (or more than that), this will stay at my favorite drama list's top 1 spot for a while.

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I fell in love with a show on the very first episode. Followed the love throughout the series only to be crushed by the final episode. I understand not all stories have happy endings, but this ending was completely unnecessary, and the episode itself had a completely different and confusing feeling than the rest like it wasn’t supposed to be part of the story. I will likely watch this again with the exception of the final episode, I don’t think that my heart could take it again. Overall, the actors were amazing and I hope to see them all go on to more wonderful projects.

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Everything About My Relationship...the title literally describes the drama ^.^ it's it's pure romance mixed with humor & lots of cuteness...

The acting is more than good with great chemistry from the whole cast...

The music was OK fitting but not much to make me excited...
I'll sure watch this when I need some laughs mixed with lots of cuteness :D

I loved this drama...I know the plot was simple but that gives it more points for me...no stupid drama staffed in the plot & unjustified misunderstandings...
They broke up & get back together in 2 min.s...because they love each other...
This is how characters should be...there wasn't any annoying characters & amazing finale...this how a drama should be...relaxing & yet not boring at all...
I had a good time & I couldn't get mad at my couple because together they were so good.

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