I am sure that if someone with a critical eye was to peruse through this review, they'd "Tsk Tsk" just like El Temur did to show his condescension for things he thought beneath him but I am past the point of caring. For I am hopelessly and utterly in love with everything about this drama, blissfully ignorant to all of its flaws and honored to have witnessed characters that made me feel all there was to feel and more.
After I was done with it, I felt so emotionally spent that it was almost physical. Every waking moment of my existence had been consumed by this production and the withdrawal symptoms were kicking in with a vengeance. Now, there is so much to say, but not enough words. I want to shout its praises from the rooftops but I'll settle for writing this review that can't possibly ever truly deliver the amount of feeling I had for this drama.
This is a story about vengeance, lust for power, loyalty, sacrifice, the blurry line between good and evil, the ugly side of human nature and lastly one woman's quest for justice. You cannot go into this if you don't want to get invested because trust me you will. It will possess you and maneuver you around like a puppet until its characters' emotions are your own, their pain your pain, their heartbreak your heartbreak and it will make you want to burst from all the sensory overload.
If I am to be honest, I admit that I have never seen a more brilliant piece of acting before. From the minute roles to the colossal one's every single act is done with perfection.
This was my first time watching Ha- Ji Won and six episodes in, I had already added her to my favorite actress list and vowed that I will not stop until I had followed her into every show she ever starred in. Simply put, she is my Queen. Her acting is so real and raw that it breaks you every time and leaves you in awe. It's really no surprise that she won a Daesang for her role.
I don't think I have ever felt more strongly for any female heroine before Niang. The intensity of love that I felt for her was crazy. She's a woman of power, deadly beyond measure, a master mind and the definition of strength. In Asian Dramas, there is always more talk than walk about how intellectual the heroine is. Producers use the classic element of make believe and create so much hype that people really start to see the MC as smart and witty even when there are no visible actions to back it up. In the synopsis it would be stated repeatedly how much of a genius she is, the characters in the show would boast about her relentlessly but in reality she usually turns out to be a hollow personality-less beauty vessel constructed on baseless compliments.
Niang doesn't roll that way. She is the real deal from the start; a highly intelligent woman, a schemer, a warrior, a meticulous planner and a ruthless executioner. She doesn't need other people to gass her up, because everything she does speaks for itself. She doesn't require saving because she is the savior. She is a Queen in every sense of the word and honestly, I would rather kill everyone -love interest or not- if they dared hurt her. My heart clenched whenever she faced a setback, my fists pumped and I screamed joyfully every time she was victorious, I cried with her, I smiled with her and I rooted for her every single time. I can honestly sing odes in way of her perfection and it would still not be enough.
Before I started with the drama, I had heard a lot of praise for Ji Chang Wook and when I saw his face and got a glimpse of the character he played I had instantly stuck my nose up, jutted my foot out and turned the other way. I thought that there was no way that I'd ever root for such a privileged, weak and spoiled wimp of a Prince. It didn't help that I had hated characters like him in the past (See: Goo Joon Piyo from Boys over flower, Mike He from Full house, Yune from MiSa) but as I watched, piece by piece the ice around my heart fell off until I was effectively boarded and happily sailing on his ship.
Ji Chang Wook is a gem and I truly believe he deserved a Daesang too. Ta Hwan is a highly flawed character and an anti-hero at best. He's selfish, cowardly, naive and obsessive. For one good deed is followed by a hundred missteps on his part and there were multiple times where I wanted to just slap him senseless. But despite all this, JCW made me fall in love with him. A lesser actor or any other actor for that matter, couldn't have even dreamed to do the same.
He's the type of character that you'd love to hate and hate to love but soon enough you see the deep scars he harbors, the purity of his heart and you understand him. In a palace full of people under his command, he's utterly lonely, horribly abused by everyone he trusts, constantly forced into his insecurities and you cannot help but weep for him and the pain he has had to suffer. Once you understand him, every horrible action he commits doesn't make you hate him, rather it breaks your heart. I had so much affection for him that I bawled every time he was either volatile, helpless or bordering on insanity. I honestly prayed for his relief.
As for the other male lead, I had my doubts about Joo Jin Mo at times but soon, I realized that he held his own too. Even though I felt like Wang Yu was way too likable I did come to adore him. The loyalty his men showed to him, his persistence in fighting for his country and his devotion to Niang warmed my heart. Plus, the guy has really beautiful and expressive eyes.
As far as the couple ships are concerned, Ta Hwan and Niang was the only one that made sense to me. Sure, Wang Yu and Niang have some heart warming moments and their love for each other is supposed to be strong but the moments between Ta Hwan and Niang are simply emotionally intense. There is so much misery between them but their relationship is powerful. She builds him up when he's nothing, she's his support system and his love for her is obsessive because in the midst of so much cruelty she is his only friend and confidante. The only time he attempts to be selfless is when he's with her and she makes him want to be a better man.
Tbh, they both were my babies and they absolutely dominated the show.
The beauty of this show is that everything bad that could possibly happen; happens. In most shows you don't have to guard your heart because you're sure that when things are their absolute worse, a convenient plot device will somehow come in handy and save the characters from catastrophe but here, there is no such luck. The villains are extremely fleshed out and three dimensional which makes it all the more easy to despise them. This drama truly depicts that 'evil is bad that believes it's good' and that is the most dangerous thing about the awful one's because somehow they all have reasons that are wholly justified in their eyes. People I liked transitioned into horrible power hungry monsters and people I hated with a passion tried to force me to feel pity for them. It was such a mixture of charcoal and pristine that I was constantly in a whirlwind.
I'm not going to lie; I bawled a lot in this drama. However, none of my tears flowed when people died or were killed rather they were for the tiny moments; the moments where the helplessness of the characters was shown, the moments where they are trying their best to hold on but falling apart, when they are striving to fight madness but stumbling and it's so beautifully heartbreaking that it wrenched out sobs from me.
This drama is filled with small immensely impactful scenes that combine to make the whole production powerful.
The side characters are very strong and multiple story-lines make the drama diverse and interesting. I majorly love me some Tal Tal; the smart, loyal and brooding man that you just can't get enough of. Wang Yu's men were always a source of happiness; Jokho and many others too make the list.
One thing I agree with many reviewers was that I too wanted the MC's to take a breather. From start to finish they are battling complication after complication and I desperately wanted the sweet moments to be drawn out and for them to bask a little more in the fleeting happiness they were granted. I mean, I wanted to see the faces I love express joy so badly that after finishing the show, I spent hours watching behind the scenes and blooper videos to lighten my heart and seeing those actors laugh and goof around filled me with inexplicable warmth.
As far as the ending is concerned, I'll dole out the same advice a friend gave to me and that is to not dread the tragedy too much for it's something that's bound to happen and you might actually find it quite acceptable. Who knows?
I have said so much, yet I feel that there is so much more to say. I am positive that I can write a thesis on my love for this drama and still not be satisfied so I'm going to end this here.
Every single second of this is nerve wracking in some way, the violence isn't over-produced, the action scenes are beautiful, the dialogues are excellent and although I never really re-watch seasons even when I say that I will, this is one season that I'm absolutely certain that I will binge re-watch and will most probably once again, be strung like a live wire because of all the feels.
An undeniable must watch.
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Story : the story is almost flawless and fast paced enough that there isn't a single episode that wouldn't give you a high. The twists and turns that happen are almost realistic and you will find yourself getting slipped into the story.
Acting : Ma Dong Seok and Seo In Gook. DO i need say more? the characters in the drama are played so well, you start believing in them. They take you a roller coaster ride and they do it well!!
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Not too bad. But not too good.
This is probably worth watching - probably most of the first half, and the rest with judicious fast-fowarding. I'll start with the bad to end on a positive note:- Gun is not a good actor. He's a good comedic actor, and when this series is being OTT or comical, it works. When it strays into sappy melodrama, which it unfortunately does far too often, then it's excruciating to watch his scenes. Lots and lots of melodramatic crying, and anger all at a loud volume with teeth bared. You'll learn to FF.
- The plot is totally predictable, and almost every moment you can see coming. The enemies portion of the story ended way too soon and suddenly you could almost hear the Tchaikowski Romeo & Juliet overture firing up. Actually, that would have at least made it funny. The problem was that you didn't get enough time to invest in the relationship, which for me was carried entirely by Boat, who is extremely attractive and also a good actor.
The good:
- Bank's storyline
- Bank's smile
- Bank shirtless
- Bank.
I'm being funny, but Pitch & Bank are likely to be what keeps you watching what is otherwise a forgettable experience. But be forewarned, they are not in it much, and apparently a large portion of their scenes were not included, which seems mystifying and criminal. Maybe the actors woudn't allow any producer "bad touch" and were being punished.
Boat is a really good actor, He does drama, comedy, and action very well. He's good at subtle expression and letting his eyes show you what he's feeling, as opposed to Gun, who only has one setting: OTT loud and teeth-baring. There are a lot of action scenes, and they're actually pretty good by BL standards.
I would advise you not to do what I did, and watch too much of this on normal speed for fear of missing any Bank.
Story: 7. The predictability was unfortunate, but the overall plot was decently laid out and coherent. The romance went from 0-90 too suddenly, but all-in-all it wasn't bad. There were no toxic females - there were women who liked the boys, but they weren't at all manipulative or scheming, and they never really got in the way of the main ship. They were sincere, honest, and mature, and if anything they were cruelly used by Sky. Although Juno needs to learn to take a hint faster. There are a lot of tropes, especially early on, but some of them are obviously exaggerated to the point of satire, which I appreciated.
Acting: 7. I'd probably have rated it 8 or 9, but Gun was a 2, so he dragged down the average. Boat is very good, and Tenon (Bank) is strangely enthralling - I guess he manages to pull off a sincere innocence that's endearing.
Rewatch value: 5. I'd give it a 1, but there's a scene with Bank in a tank top and a scene with Bank shirtless that I'm likely to rewatch many, many times. It may not be coming through, but I like Bank.
Overall: 7. I generally don't like to go below 7 unless it's really terrible. This is not - it's entertaining, although it loses steam by the end. If they had left out some of the repetition (how many times does Sun need to leave Sky unattended resulting in his abduction before he learns not to do it? He never learns not to do it.) and put in more of the secondary couple, this would have worked much better.
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Don't Shy Away From Being Yourself ❤️
Life becomes a little easy - when you find people who accept and love you for who you truly are. This message is exceptionally narrated in this movie through the main leads who are deemed "different" by society but manage to hold on to each other and fight through prejudices/biases of society, friends, family and their own self to eventually loving and accepting themselves for who they truly are.From the moment we're born, society judges us for our looks, height, skin color, skills, sexual orientation, behavior, and more. Biases and prejudices are ingrained in people’s minds upon first meeting us, and while some may change with understanding, many remain. Despite progress, there’s still a long way to go to eliminate these judgments in today's world. "Love in the Big City (2024)" is a commendable step in the right direction, and I applaud the cast, crew, and original novel creators for this remarkable film.
The movie powerfully portrays the challenges of "being different" through a heartfelt narrative that evokes a range of emotions—smiles, tears, and everything in between. The female lead is someone I've admired for a long time, but this was my first time seeing Steven Noh in action. Known from "Pachinko," his portrayal, even within a limited emotional range as his character demanded, showcased his immense talent. The main leads bond together on the common ground of being labelled outcasts and the movie progresses from their 20s to early 30s showing us how they fight the societal prejudices, missed chances at love, inner fear of showing their true self, facing their family, overcoming failed relationships to ultimately accepting their own true self, and being proud of it.
The line "How can being yourself be a weakness?" resonates as the film’s strongest message. Personally, as someone who has faced various judgments from young age from strangers/close relations alike movies like this offer a solace of sorts - a feel-good factor that reinforces the importance of learning to love your true self, before seeking it elsewhere.
The film does not come across as preachy - but rather resonates with me (and am sure others) because it does not shy away from showing the good/bad and ugly side of journey towards self-acceptance. Profound, Powerful, Engaging - from start to finish, would highly recommend it as a must watch ❤️
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realistic. relatable. refreshing.
ik we are here for the "dimple couple" Shin Min Ah and Kim Seon Ho (atleast I am) so I'll skip the introduction. I haven't seen the original work so i won't mention any comparison to it. the plot seemed like something new to me and trailer gave fresh vibes so I didn't hesitate to start (nor do I regret). I'd discuss some aspects in the drama I particularly loved so you may relate to it or consider watching :)PLOT/PALETTE:
so. back to the drama. a girl leaves her job and goes to some rural place and sees a guy who's... everywhere? I thought it would be cdrama style cliché but it's actually far from that (thankfully). color palette of episodes are really relaxing to watch. I'm not an artsy person and I don't know much about palettes but it's really calming and definitely suitable for the picturesque sceneries.
CHILDHOOD CONNECTION DONE RIGHT:
what i really loved in the drama is that despite the leads having a couple of childhood interactions, they don't give much importance to it and (rightfully) move forward because it was simply a part of their past. it was refreshing to see such an arc because in most dramas, the leads who hate eachother suddenly fall in love because they "vowed to marry each other as 3 yo kids" or whatever, you get the idea.
BEST PORTRAYAL OF LOVE TRIANGLE:
the characters are written realistically and mature. props to the crew for including minor details that may seem unimportant but really adds on to reality. there's no over the top cheesy lines and exaggerated portrayal as seen in many other rom-coms. every single arc (including love triangles) is carried out so well that no part of the drama bores the viewers. I simply can't stop admiring how beautifully the love triangle was carried out because in most case it would simply ruin the overall drama experience.
SIDE CHARACTERS HAVE THEIR OWN LIVES TOO:
the side chracters had their own story to tell, not just being comedic clowns or matchmakers for the main leads. ofc their story slightly depends on the leads because they are centres of the drama but we can agree the writer gave justice to the supporting casts by not always placing them in scenarios where leading characters need them. EVERY character had their own situations and struggles but the way each person grew through the story made me happy and proud.
overall, the drama kept it charm throughout. 100% worth the watch! long story short, start watching now!!
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This review may contain spoilers
"Love when you are ready and not when you are lonely"
What can I say? NADAO really isn't playing when it comes to the production of this series. Ever since the first season to this one, I actually believe they have improved and given us this delightful first episode, filled with many captures and panoramic views of the city, and also of course the always so aesthetically pleasing scenes with our main leads, Teh and Oh-aew.The shots where they enter and the whole dynamic with the colors Blue and Red (just like in the first season), will be very significative along the series and probably has a plethora of symbolic meanings associated to them.
What I do love about this story is how realistic and relatable it truly feels. Teh and Oh-aew really do represent all of us in terms of chasing our goals and dreams, while questioning our own sexuality and passions, to graduating high school and applying to college that not always is close to home, having old and new friendships, and many more... all in all, the ordeals of a lifetime.
Am sensing that a lot will happen this time around too...
The first season was more like an awakening. Like a realization of a blooming of youth.
Meanwhile in this, it will depict the changes that come with college life and access to adulthood.
BK once again awe us with his skills in conquering both of our hearts with the way he takes the character of Teh, the always avid dreamer and aspiring actor and then we have PP being his adorable self, taking us in an emotional ride by how well he shows Oh-aew struggles through the screen. The way they can draw emotions in their roles is truly amazing. PP with just his expressions alone can really makes us see the pain and suffering that his character is going through, that talent hasn't changed from the first season to this one, on the contrary their acting has only gotten better. Am looking forward to see more of it.
Teh is a constant, while Oh-aew is a variable.
That is only reinforced through the outcome of their own life changes and decisions within their personal journey here. Hard not to feel empathetic towards the characters when they give us an insight that we can without a doubt relate. Not everyone is set on their dream so passionately as Teh is, some of us are lost like Oh-aew until we do find our own dream. Changes are always the hardest to accept, mainly when the fears speak louder than reason. However some are inevitable.
What I do love about the episodes of this second season is the fact that we are able to witness their coming of age, along with how their personal choices affect others and their own perceptions of what is right or wrong, bad or good, and the maturity they need to overcome the obstacles that might settle in their own way.
And somehow, I like those odds.
"Love when you are ready and not when you are lonely"
It's a phrase that can easily apply here and also when it comes to temptation. Still, it's quite enthralling the way they film the turmoil of conflicted emotions within the scenes between Teh and Oh-aew. Every single scene is made with the sole purpose of pleasing the artistic eye, therefore to engage the viewers with the complexity of feelings their characters are feeling, all through their intimate and personal journey and paths.
If we go beyond and past all prejudice here, we might see the levels of maturity this season and characters deal with when it comes to the ordeals of life and relationships, be it love, betrayal and even friendship and family. It teaches us valuable lessons if we are able to see between the lines, if we manage to decipher the symbolic value of each and every scene.
People keep on commenting and comparing about ITSAY and IPYTM, from my point of view they are both masterpieces in their own unique way. Both series are different but with the same characters, they are shown to take a step towards adulthood while making mistakes and losing the moon while counting the stars, but it's also shown how to overcome obstacles, how to change paths and chase new dreams, how to deal with breakups and failure, the bittersweet feeling of loneliness and the good friendships we make in life we do carry in our hearts. To not give up on ourselves and on others, and most importantly to learn our own worth and to love ourselves first before opening our hearts to love once again.
It's a trial and error this thing called LIFE.
We're never too sure of whatever our decisions be won't uphold consequences of appreciation or regret.
Sometimes we have to swing it, be bold, learn how to overcome our mistakes. Be mature enough to admit them or to forgive them. Not everything can be forgiven, that's certain, when it comes to relationships communication is one of the most important things to have, without it there's no foundation to begin with.
Teh and Oh-aew have shown that they have come a long way. And it's okay.
Coming to the start point is not always a step back. The beach in Phuket is always their start point.
It's the place where they matured from boys to men. Where they shed uncertain and sorrowful tears, and where they discovered themselves and their over growing feelings towards one another, their sexual awakening was written in those grains of sand and witnessed by the crashing waves, and their very first time was shared and covered by the blanket of the twilight sea as the beaming moon testified up in the night sky above them.
It was their safe place, where they started it all and I found it was the perfect place for them to end their final scene.
They did it, they fulfilled a full cycle ever since ITSAY all the way until here and now in IPYTM. And I am one to admit I would love to have a third installment but at the same time am pleased with how this one ended as a whole in all the symbolism.
Both of them were able to show that it's okay to have new interests, new paths, different dreams and goals, and jobs. It's not okay to cheat in anything or anyone in life, but there are those who overcome it, those who regret it, and those who don't mind at all.
I am just glad that Teh and Oh-aew were able to show where they stood in both of their point of views in that matter.
Don't blame one character, to err is human. Humanity is bound by several mistakes it makes, no one is a saint in this life. And not everyone have or deserves any second chances. For some mistakes it does not take one person but two. If people blame only one in a scenario, then what about the other party? It was the trouble the minute it showed up and the way it used it's own way and merit to climb up top too success without caring about the lives it would ruin by allowing so...
Meanwhile let me add another thing to this long review xD sorry not sorry...
The only flaw I might point out to this, or rather my expectation when I learned that ITSAY was going to have a second season. I was looking forward to have a better insight of Oh-aew. In the first and last episodes we are somehow granted that. But in the middle it felt off. Almost like Oh-aew was a support and not a main character because the attention seems focused on Teh once again just like it was on ITSAY and although on that one it's totally understandable, here it would be better to have both or more screen time for him to shine as well. Nevertheless, they tried to include a variety of characters each one with their own struggles and at the end they even brought the old friends from the first season into the screen to show their roots and connection between the series and the main characters. It was a nice touch I give them that.
The OST is cute, to have BK and PP song as an intro makes it even more special.
They made this one for this and the lyrics are all about Teh and Oh-aew.
And I also like the fact that it has an instrumental version too. They have outdone themselves with the OST of many songs for this season and I am loving them all. NADAO really spoilling us with MVs from the songs and promotions that I can't complain.
I might change the ratings at the end, but so far I am given a high score even though I know they will make me suffer :')
Visually appealing, the emotional scenes are nicely done too, not to slow or fast paced, it doesn't dwell on too silent moments and it also doesn't have those overbearing music scenes. Cinematographically they give us plenty of good shots, while playing with angles, taking advantage of the natural and artificial light and even using the zoom in such a smoothing way that it's very pleasing to see. In certain scenes it gives us a warm like filter, and in others a cold filter which makes me think again of the colors they are paired with, Blue and Red (detail on that also on the plushies they have, and also their college ties ;3)
This drama is the reason I will be anticipating the next few Thursdays of the moon cycle schedule.
Because this season started on a full moon and it will end on a full moon :') therefore completing a full cycle.
And I really wonder if both Teh and Oh-aew will complete their own cycle as well after everything they will go through...
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Fact is, for once I've decided to write a review which is very personal and not at all objective. It's based upon the emotions it gave me, not the cinematographic quality of the drama.
Also, I think it's necessary to say that among the 3 versions of the same story, this was the last I watched, despite its being the first live-action based on the popular manga.
And while I consider the Japanese version the best one regarding acting and music and the Korean one better in terms of photography, colours and characterization, I'm ready to face criticism and admit that the Taiwanese version was the most satisfying to me on a romantic level.
The chemistry between Shan Cai and Dao Ming Si is what makes this into a worth watching show. For the first time, I was not rooting for the heroine to end up with the second lead, but for the main couple to finally be together. While watching hana Yori Dango and Boys Before Flowers I found myself constantly thinking: throw that arrogant brat away and choose Rui, or Ji Hoo!
You are allowed to laugh.
I ascribe this to the actors and the way their interactions were portrayed.
While Shan Cai can be annoying at times, she is a consistent character and once she finally realizes who she loves - it takes her some time - she is truly convincing. The same can be said about Dao Ming Si, whose candour as a besotted lover is quite endearing.
Therefore, although I recognize this show is pretty cheap when it comes to costumes, screenshots, photography and overall acting, I still have a fond memory of it and will probably rewatch it in the future.
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Proof that even good acting can't revive a lackluster script
The first 15 episodes were so good. Really kept me engaged and every time I finished an episode, I was left wanting for more. But it somehow went downhill from there. Just cliche after cliche after cliche. Mind you, all those cliches weren't even executed properly. I haven't read the novel but from the spoilers I've seen, it seems like the scriptwriters didn't either. The plot's a mess, the characters are boring, their actions are predictable, ACTUAL interesting characters aren't utilised properly and the pacing is absolutely terrible. The acting's the only redeeming quality of this drama.Was this review helpful to you?
If you've watched "Signal" (if you haven't - what are you doing?!), you might think that the premise sounds a bit familiar, though the dramas don't have that much in common. In my opinion, "Signal" was a better crafted drama with less plot-holes/the-police-is-too-dumb moments, however "Tunnel" is still a drama that deserves a chance.
One of the things that stood out to me in this one was the main female lead, something that I've disliked with OCN's dramas are their stupid and useless female characters (though, to be honest the rest of kdramaland is no better), however, Shin Jae Yi has been the exception for me. Sharp, smart, and unrelenting, she was a great female character that held my attention alongside the male duo.
This drama's weakness comes towards the end, just like "Voice", it began to fizzle out, with too many police stupidities and too many instances of Park Kwang Ho, the main character, just yelling "bastard" over and over. It was hard for me to get through episode fourteen but I'm glad I did. The ending wasn't as sharp as it could've been, and it wasn't unique like how I would've wanted it (but I do like sad and torturous endings), but it was a heart-warming one.
"Tunnel" is not a perfect drama but it's a good addition to the ever-growing crime genre in Korean dramas. I recommend giving it a try, but be ready to be at the edge of your seat each episode, and be warned that you'll probably spend sixteen hours in front of your screen because it's hard to stop watching one you start.
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Oh. My. God. This show is so ridiculously bad, I'm not even mad anymore.
What's worse is that I think I actually may have enjoyed it instead.Game Rai Game Rak, like almost all Lakorns comes with its fair share of bullshit. You've got an old Island crone whose eyes turn bright blue everytime she sees the future (which ofcourse is completely irrelevant to the plot), you've got a one-dimensional villain, a nasty insecure bitch of a relative who basically destroys lives left and right but somehow has a change of heart in the last ten minutes of the show, wins everyone over and sets off in the sunset without ever having to pay for her crimes.
You've got a selfless and highly forgiving damsel in distress who's constantly being sexually, physically and mentally harassed by our main lead who misunderstands her because of trusting the lies his worst enemy fed him.
Not the brightest tool in the shed, I tell you.
Ofcourse there is always that one guy who is like a brother to our heroine (however always conveniently having waaay more skinship than normal siblings have) who inspires jealousy and possessiveness in the male lead who then proceeds to humiliate the heroine by calling her a slut and whatnot. We also can't possibly forget the one or two or in this case, three other guys who're interested in the female lead and are so insignificant, they might as well be invisible.
Everything is overdramatic and over the top. Rape gets romanticized like nobody's business. People get shot and catch bullets on the daily. Corny dialogues flow out like bad breath everytime someone opens their mouth. Obnoxious music starts playing every ten minutes; effectively swiping away any sincerity that the show managed to portray. Scenes are constantly repeated and the plot-line soon gets derivative.
In short, it's an honest to God definition of a hot mess.
But then again, nobody watches Lakorns for a solid story, well developed characters or a good plot with lack of loopholes. No, people mostly watch Lakorns because they're the classic guilty pleasures and because they get the chemistry between characters spot-on.
Game Rai Game Ruk is no different, which is why despite everything, I still watched it to the end.
This is the third Thai drama starring Yaya, that I have watched and unsurprisingly she impressed me once again. Her acting is always a 100% genuine and the characters she brings to life are so hard not to love.
Game Rai Game Rak is very very similar to Kleun Cheewit; having an almost identical feel at times, but where Jeerawat was a fierce and fearless woman, Fahlada radiates innocence. She's pure, delicate and basically the classic good girl- all the while, successfully staying far away from the 'kind but dumb' category everybody hates.
However, as adorable as she is, I feel that if you don't like YaYa you might not like Fahlada either. In Kleun Cheewit, I started to love the actress because of the drama and her role in it but in GRGR, I liked the drama only because I loved the actress and if I had seen this drama first I might've never adored Urassaya as much as I do now.
After watching this drama I finally understand why Yaya and Nadech are such a big deal in Thai entertainment industry. Their chemistry is absolutely electric and while I did feel that Nadech has a short emotional range as an actor, I believe this was one of his best roles.
From start to finish, it's impossible to hate Saichon. Even when things get ugly and he acts like an ultimate creep by smelling Fah's hair when she isn't looking, taking pictures of her when she's unaware, spying on her with a telescope, tying her up again and again and degrading her, (there's always the unforgivable and romanticised implied rape and all the other times he makes her cry and do things without her will) the reason you can't hate him is because of their sweet as hell moments in the island and the surety that no matter how rotten he acts he still deeply loves Fahlada.
The ultimate on-his-knees groveling session at the end and the fact that Fahlada hits him quite a lot all the time really does help his case furthur and to be honest, even though I am highly unforgiving of assholes there was never a moment where I didn't root for them to be together.
So all in all, Game Rai Game Rak is the kind of show that you can only watch while being extremely lenient 'cause the moment you start to notice all that is wrong with it, you'll start hating it. While I reccomend this for a good time-pass, personally, I skipped and fastforwarded a lot of scenes because, as the show progresses the episodes begin to be filled with more of the same thing. So even if it is skipped a bit, it won't effect the over-all watching experience.
Your classic bad boy-good girl story that you'll love to hate and hate to love and unfortunately do both by the end.
Enjoy!
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A bustling place, or a battleground, a life of absurdity, a story of mistakes and regrets - KUNNING
Story of kunning palace is an intriguing spin about Jiang xuening, daughter of a minister official who made her way to being an empress with the price of betrayal towards her loved ones. Her greed lead to her own demise, with woes and regrets. By the grace of God, she gets another chance to turn the wheels of fate, prevent the mishaps, and change her mistakes from past life.And coming back to main review:
- the plot is fabulous. The acting, dialogue delivery it was all beyond my expectations. The chemistry between all the leads is no joke. It has dynamics between " fl- male bestfriend" " evil lady- upright official", and "enemies to lovers" troupe! And guys, we have ANGST, one of my super fav genre. Romance isn't the main genre since it's a slow burn, but whenever it's there, it's insane level!
The ambigious atmosphere is once again no joke. Some scenes are insanely hot and seducing, gosh, my heart still can't calm down. The fact that she has ambigious vibe with literally all the leads is even more insanely heart fluttering. ( I hope my constant use of the word 'insane' can explain how good this is)
I love the opening in the drama, it kinda sums up the whole angsty past life which answers lots of question in our mind and makes the first few episodes less confusing. The style of using dialogues in opening song is new, and I am loving it.
The story contains lots of twists and turns, revenge, unopened secrets and plottings etc etc etc. it's not just romance guys, there's a lot of more than that to it. The tension of revenge in each scene. The anxiety of being caught or betrayed, the excitement of plotting against enemies, is so satisfying. It's not only well written but also a well delivered plot. I personally did not find plotholes, everything was well covered (ofc unless you are curious about lots of things). Each and every little action serves as great potential for further plot developement.
Most importantly, the growth of each character is so beautifully sketched and that doesn't just include the main leads, but many of the supporting character too. It's a tearjerking yet satisfying revenge.
The rebirth may not have changed some of their fates, but it has given them the happiness and satisfaction of being needed, loved, and gave them the oppurtunity of finding their real selves and holding the mirror to them, the themselves that deserved to be shown to the world.
The acting doesn't need questioning to it, so I won't be wasting time on it.
The costumes were so well planned with their character and personality. I will be writing a spoiler with spoiler alert on it at the very end. It's not exactly a spoiler, but more of costume analysis with character sketch. You can choose to read or not.
Negative points of drama:
1) Not a fan of director's camera. Either the camera angles are weird at few scenes and the blinding lights take away your attention. And also there's green and pink filter making its way home. Hope that could be amended in his new works. But don't worry, that doesn't affect the thrill and excitement much. You are still gonna fall in love with this drama.
2) A certain death did not convince me, not gonna say much about this point since it could become a major spoiler again. But once again these two points are minute points. So you better not hesitate to watch the drama just because of these two points.
So to sum it all up if your are fan of following genre:
- smart, quirky and black bellied fl
- domineering, yandre and black bellied ml
- reverse harem
- angst
- well plot revenge
- power struggles
- best retribution to evil character
This is exactly your type! Congratulations you have a recommendation in your 'must watch list'. Trust me, you wouldn't wanna miss this!
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COSTUME ANALYSIS
Jiang xuening: She mostly wears blue costume with a hint of orange shade which signifies her wish to live a peaceful and serene life, yet her witty, spontaneous and bold personality.
Jiang Xuehui: She is often seen wearing purple which depicts that even though she is a girl who looks calm outside, she has a stubborn personality in her. In the last episode, she is shown wearing light red colour dress which telss us her current life is filled with happiness and the feeling of abundance.
Xie Wei: In the former episodes, he is shown wearing dark black or blue colours which represents him as a sad, evil, mystery, cunning, and rebellious character who is willing to die for his revenge. But in latter episodes after he starts falling for JXN and acknowledges his trusted and close family, he starts realising that revenge and death aren't his only goal in life, he must live with and for his loved ones, he starts letting go of his burdens, and hence with his changing beliefs and growth, his clothes colour change to a lighter shade of blue signifying his wish to live a peaceful life.
Zhangzhe: is mostly shown wearing red official costume signifying his morale and upright personality. He is also shown in light shades of grey and green showing his calm and reliable personality.
Xue shu: She is often shown wearing that unlikeable pink colour which looks pretty from outside, when seen as a small object to huge background of grasses and stones, but looking at it up close could annoy you and disturb your emotions psychologically to the point that you would feel like tearing it off. After you start cohabiting with that colour, it series and disgusts you, giving you vibe of fake superficialness. The pink gives a colour of graceful, kind and compassion to her personality from outside, but interacting her could make you realise that she is exactly that shade of pink which disgusts you after you get acquainted with it, depicting exactly that character of novel, whose mere sight disgusts you, you would feel like slapping everytime you look at her.
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Just read the novel instead.
This movie has changed and disrespected the original source material to the point where it's completely unrecognizable, from the little details to the overall messages and symbolism that ORV tried to convey, everything had been completely butchered. As an adaptation, it fails in every aspect. As a movie, the cinematography is amateurish, the script sounds AI generated, the CGI is a joke, and some actors with major supporting roles are just completely sidelined for no particular reason; it's underwhelming, to say the least.This isn't a matter of an "accurate adaptation" anymore. This is setting a precedence for future adaptations to completely mess up a beloved story by removing all the aspects that make it good in the first place. ORV isn't loved because it's a generic male power fantasy, it's loved because the story subverts this. By stripping away everything to adhere to the general audience's expectations, there won't be anything left to love. There is genuinely so many things wrong with this movie from the erasure of Korean history to even misogyny (which wouldn't be noticed if viewers don't know the original story).
ORV is a love letter for its readers, but this movie spat on it, tore it with a paper shredder, stomped on it repeatedly, burned it, and threw the ashes into the ocean.
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This review may contain spoilers
Rebirth For Idiots....The Delusion is REAL
Pros: Main leads and third leads chemistry/relationships/happy ending for both sets.That is literally it. This 40 episode series had no other pros. This is absolutely the worst costume drama I have ever seen; it was an unmitigated disaster. Actually it was the worst drama I have seen from any country. After crawling to episode 30, I waited until the finale aired to decide whether to just watch that or maybe a few more episodes.
Though I'd never read the novel, people in the comments section were excited because the novel had a great antagonist and a flowing storyline. Unfortunately, the screenwriter and director butchered the novel and threw most of it out. What followed was a spiral into a world of jealousy, delusion on a scale that literally went on until the final episode, and just really horrible content.
They wasted a great antagonist by turning him into a Gaston-like (from Beauty and the Beast) joke who laughed evilly, just about kissed his own muscles and walked around like he was Gods gift to existence. Furthermore, out of all 40 episodes, he maybe had one episode worth of screen time. The real "villains" were all over the place and their evilness could only be justified as boredom and jealousy.
The story began with about 4 or 5 men all in love with the female lead who was clever though she pouted so often, I always wondered how she didn't swallow her own chin. The male lead was a righteous man though not without flaws. I personally started watching this only for WZC who played SML. Turned out that his character was the real "villain" but not one that you even wanted to watch. The writers made him so delusional with his unrequited love towards the FL that, even before the halfway point of the show, you wanted him and those like him to just fall off a cliff.
I feel really bad for the actors of this horrendous mess. The SFL somehow ended up getting the most screen time than both leads combined and she was so delusional with her unrequited love towards the ML that she was willing to kill children even to pin things on FL. Both SFL and SML didn't take no for an answer when the ML and FL repeatedly told them they didn't love them, never had, and never would. It was an extremely sloppy script. Even the "battle" at the end I would equate to a fight between two gangs not an actual war. It was so puny, it was laughable.
There was no character development and those that created the most havoc in the show got half-assed redemption arcs in the last two episodes. It was heavy on palace politics and delusional jealousy that went so far beyond the norm that most people couldn't remain sane watching it without fast forwarding the majority or skipping whole episodes altogether.
This is the first time I had ever seen any comment section on any rating site spend weeks actively plotting characters' deaths because of just how deplorable they were. I have absolutely nothing against any of the actors but they deserve better than a disaster of these proportions. The screenwriter and director need to stop taking drugs and go back to school, because they basically failed miserably at doing something actually extremely simple. They had a story. All they needed to do was copy it into a workable script; it's not like they had to reinvent the wheel. But instead, they took maybe 20% of the original book and created this debacle.
I truly wish more novelists would step up and stop selling their rights and instead write the scripts themselves. It would increase the number of scripts as well the quality of them. But to all those reading this review, please avoid this hot mess if you cherish your sanity.
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Could have, would have, and should have been epic but just isn't.
This drama's thrilling opening had me on the edge of my seat with my heart in my throat. It is one helluva start that brilliantly sets the stage for the backstory. We are immediately transported to ancient Wei, a wicked, immoral, debauched kingdom where the dissipated nobility hunt slaves for sport. Our titular character Xing'er/Chu Qiao is no ordinary slave she is a superhero; assassin, gladiator, warrior and survivor. Her courage and fiery fighting spirit draws the interest of many suitors including her owner and spymaster Yuwen Yue, Yanbei hostage prince Yan Xun, Prince Yuan Song of Wei and Prince Xiao Ce of Liang. If not for the fact that she pulls her weight when it comes to the rescuing, this would sound absurdly Mary Sue. As it turns out, the most powerful men across three rival kingdoms simply have a death wish and are fatally attracted to dangerous, irascible and bad-ass women. Recognising her indomitable spirit and lethal fighting ability, Yuwen Yue trains her to be a top notch spy and assassin.I enjoyed every moment of the first half of this drama - despite some discontinuity in the editing, the plot is intriguing, the characters are flawed and complex, it moves at a fast pace and the fight scenes are powerful and exhilirating. The chemistry between Zhao Liying and Lin Gengxin is off the charts and their supercharged one on one fight scenes are hot, hot, hot. The way Yuwen Yue grooms her, her gratitude and resentment and the push and pull attraction between them and their strong personalities results in a highly combustible build-up in passion between them. I just love how his eyes reveal how vulnerable he is, his grumpy sullen glower conveys his displeasure at being enslaved by his slave while the tiniest wry smile suggests a sense of acceptance and humor about it. The fierce answering spark in Xing'er's fiery eyes and her combative, resentful stance is a dead giveaway as to who this spitfire also most unwillingly longs for. I believe she would never have left with Yan Xun if her pride had not been so wounded at the thought she was nothing more than a lean mean killing machine to Yuwen Yue.
I have always considered Zhao Liying a vastly overrated, creepy life sized LOL doll with her gigantic head and eyes. This drama has given me a newfound appreciation for her acting skills and commanding screen presence. Her fight scenes are phenomenal and it is obvious that she immersed herself in this fabulous, kick-ass role of a fearless heroine with a big heart and bold dreams. It is hard to pull off the typical cold male lead well but Lin Gengxin effortlessly depicts the iceberg that conceals a dormant volcano. It is such a waste that his masterful articulation of such a complex and interesting character does not get nearly enough screen time. With one glaring weak link, this boasts an all star cast with complex, interesting and funny supporting characters with Xiao Ce (Deng Lun), Yue Qi and Yang Song being my favourites.
After peaking near the middle with a barbarous, heart wrenching massacre that results in irreversible divisions, the plot digresses into a long winded, meandering, melodramatic and ultimately trite tale of revenge as the focus shifts to the second leads Yan Xun and Chun'er. They are parallel selfish and amoral characters who go off the rails albeit for good reason and become consumed by hate and revenge. Although Li Qin does a fantastic job making a delusional, entitled and spoilt princess somewhat empathetic, the character Chun'er is not smart or interesting enough to command the amount of screen time she got and in so many gratuitous sub-plots. Xing'er/Chu Qiao's character is thrown under the bus in these arcs where she is dumbed down, stagnates and even regresses on several fronts when she excuses Yan Xun's misdeeds and lies at the cost of many lives. Like Chun'er she closes both eyes to the fact that Yan Xun sold her an empty dream and is nothing but a selfish, heartless prick with no game plan, is of mediocre ability and has no vision.
Yan Xun is a well written, complex and interesting antagonist. It is hinted from the beginning that he is innately selfish and quite manipulative, traits that rule him after the loss he experiences. This has to be said - this role however was badly miscast and that is why the drama pretty much implodes in the second half, from the moment Yan Xun takes centerstage. Shawn Dou is a blank actor that never compelled me because underneath the surface of his toothy, million dollar smile, there is not much to him. He can only pull off easy going, laid back two dimensional good guy roles and from his blank placid gaze it is clear he never really gets deep into character, he is the epitome of still waters run shallow. They would have been way better off sticking a Darth Vader mask over him rather than to inflict the wooden, constipated expression he wore for over half the damn drama on us. And the annoying sibilant "dark" whisper that became his voice made him the first male character I have ever been tempted to mute in a c-drama. To me, there is no believable triangle in this drama because there is zero spark between him and Zhao Liying. Put against an intensely masculine actor like Lin Gengxin, Shawn Dou's utter lack of sex appeal (男人味) is painfully obvious. I don't mean to offend his fans but this is too important a role that got way too much screen time to have been so poorly cast. I struggled to complete this drama because I lost all interest in the Yanbei arcs and the last few episodes are simply incoherent.
I was well warned that this drama has the worst open ending ever. The problem is that unlike The Rise of Phoenixes, it is not just about one bad ending episode. This drama starts to sink from about the halfway point where my intriguing historical spy / assassin drama turns into yet another boring revenge drama and my strong female allows her dreams to be subsumed by someone else's agenda. The only reason I didn't drop this is the remarkable chemistry between Yuwen Yue and Xing'er. I am reading the book (which is long but riveting) so I know their story does go on and the portrayal of both characters are quite faithful to the novel. Many much more interesting sub-plots didn't play out because they wasted 15-20 episodes on the most boring Yan Xun and Chun'er. Sadly the odds of this ever being completed with the original cast are low.
This drama could have, would have, and should have been epic but it just isn't. All it is is unfinished. Thus I rate the first few arcs 9.0/9.5 but the second half is at best a 5.5/6.0. My overall score is 7.5 which I consider generous. This is one that must be watched with adjusted expectations.
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Ms. Incognito or should I say, Ms. Inconsistent?
A badly written interactive fiction game, that’s what this drama felt like. The production team gathered an amazing cast, built such promising characters… and then decided to throw it all away after just two episodes. YES, two episodes!It’s honestly ridiculous how lazy the writing got. The story started so strong, and then nosedived into chaos with zero logic. Yet, because those first two episodes hook you in, you somehow keep watching, like, “Okay, maybe they’ll fix it?” Spoiler: they don’t.
My biggest disappointment was the female lead. She started out with personality, confidence, and potential, but somewhere along the way, she just turned into a punching bag for the antagonist. While the antagonist had all the power, our supposedly rich AF FL didn’t have a single bodyguard or a competent team around her. Just the poor lawyer who’s apparently a one man army, multitasking through every crisis.
Also the title Ms. Incognito? Be so for real. She wasn’t incognito for even five minutes. This woman’s enemies found her faster than I find spoilers on Twitter.
I can’t emphasize enough how much potential this drama had. The characters were unique, layered, and played by such talented actors. And they just… wasted it. Ughhh.
Like I said, it’s basically a badly written interactive fiction game that you can’t stop playing, not because it’s good, but because you need to see how the trainwreck ends.
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