Reviews

A must watch drama

This drama was great, one of the best I've seen. The story is so well constructed, all the actors portray such relatable characters, dialogue is so natural that the whole plot feels like it might just happen for real. After each episode I couldn't stop thinking about it and Brush Up Life became a hot topic among my own friends and family for the same reasons. The child actors also did an amazing job, not only are they cast well to fit perfectly for the adult versions of them but they way they act showing the same habits and quirks of the older versions was perfect. The first episode at first might seem boring or bland but its so necessary for it to be that way. I can guarantee that if you just push through the first 30 mins of episode 1 you will be hooked.

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Just finished watching. It has been a long time since I cried my eyes out because of a movie. It feels good to let it all out. Do you know what is awesome with this movie ? It's that you know exactly what is going to happen but you can still feel it deeply because it is beautifully made. This is a real piece of art.

Well, the story is pretty much very predictable once you read the synopsis and after a few minute in the movie, I personally had figured out what was going to happen. Also, be prepared, the beginning is quite slow but this kind of pace matches this kind of movie. The story isn't particularly new. You will probably get a feeling of deja-vue. The story alone I would rate 3-4/10.

But what bring the grade up are the characters. I loved them, completely. They were so real, so 3d, so youthful and refreshing. I could see bit of myself in them. That's is why I rated the story 7/10. Because even if this kind of story have been done millions of times, the characters were actually interesting. They weren't those 2d (even 1d at time), stereotyped characters that we see everywhere nowadays. The friendship was beautifully portrayed. At the beginning, I was afraid that the little bit of romance would ruin it all, as it's often the case, but don't worry the romance is well balanced in this one. About the ending, I have heard people say that it was disappointing and selfish. But, I think that the ending is the strongest part of this story. Any other ending would have been disappointing. It's a very realistic ending.

Acting/Cast 10/10, Awesome, perfect !

The music. So perfectly on point. Honestly I generally don't pay much attention to music as long as it is not bothersome. But, I remember every single song of this movie because every single song went perfectly with the flow.

Rewatch Value : This the kind of movie that is actually pretty boring to rewatch, so I don't see the need. But I guess, if in a distant future, I feel the need for a tear-jerking movie, this one would be an option

Overall, It's not the movie of the year that's for sure. The plot has been overused, that's definitely true. But, if you want to see real art, if you are ready to let yourself be immersed, if you are disposed to open your heart, I promise you that you can have a wonderful experience with this movie. If you have time, give it a try.

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I don't know what is wrong with me. This is totally not my type of drama, but I was hooked from episode 1. I watched this every chance I got in exclusion to any other drama. It is so fun and quirky with suspense and angst and tons of totally cute romance. The plot and the flow of the story is well written and directed. Although, I did guess who was the bad guy way early in the drama, I don't think it is the writers fault. It is just intuition. The extra characters that usually get on my nerves were needed for the actual story line and I enjoyed their interactions with the main characters. I appreciated the irony of them talking about second female lead as the girls' occupation were actresses. It was quite amusing. Also, it was interesting that the fantasy part of the drama felt ridiculously plausible. I even liked the ending. :-)

I don't know much about Chinese actors. Janice Wu was excellent as quirky, naive and somewhat silly Tian Jing Zhi. I didn't feel like she was stupid as some people felt. She seemed to pick up on things quite quickly once she had all the facts. She felt real to me and even through all the silliness. Kim Tae Hwan doesn't seem like much of an actor, but I cut him some slack since this is his first drama and he is model cute. He wasn't horrible as Xue Ling Qiao, but sometimes a little expressionless. The other actors were good too.

I enjoyed the music.

I might rewatch this someday..

If you enjoy fun, fantasy romance, then I recommend this drama.

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With over 90 reviews on this 3 year old drama, I'm sure that mine will be lost at the bottom, but I want to take the time anyway to do this. Pinocchio was a drama that I put off for a LONG time. I thought that the plot just sounded kind of "meh". Then I learned a little about Park Shin Hye, who apparently drama fans either adore and think rainbows shine out of her rear end or they hate her and think she is the worst actress ever and avoid her like the plague. I am one of those rare drama fans that was just neutral, didn't see what the big deal over her was, but was somewhat reluctant to watch her. I am happy to report that she did a really nice job in this show. However, if you hate her, you are probably always going to hate her. I actually really enjoyed her, and think this might be one of the best shows I've watched her in. If this had been my first PSH show, I may have become a fan. Who knows? This was my first Lee Jong Suk drama though. He did a great job in this also.

But the story in Pinocchio was very intelligent and was not boring at all. I was worried about halfway through, wondering how they would pull 20 episodes of story out of this plot, but somehow they not only managed to do so, but did so very well. There were lots of thought provoking decisions and choices made by the characters and the show is set up around a topic that is very relevant today, especially in the era of accusations of "fake news" and misleading headlines- truth in media and how news stories are presented to the public.

I enjoyed all the characters and was consistently surprised at the decisions that Choi Dal Po/ Gi Ha Myeong made. The side characters were all utilized well, and were interesting. I most loved both Yoon Yoo Rae and Seo Beom Jo. Yoo Rae was adorable and funny. I look forward to seeing more of the actress, Lee Yoo Bi. Kim Young Kwang is always a favorite and did not disappoint! His character really surprised me several times as well. The YGN Cap, Hwang Gyo Dong, played by Lee Pil Mo, was another favorite. In fact, there was not one badly done character in the show. I'd feel a little silly listing all the characters and what I loved about each one, so I will stop there. :)

I don't really re-watch many shows, but I think this show has a decent rewatch value. The story would hold up well to repeated viewing.

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Another drama where you want to cry over the injustice the female lead has to face and love to hate the conniving antagonist. One minute you swoon over the sweetness between the lead OTPs while the next you want to slap the foster-sister for all her tricks and lies. Talk about lying to cover up more lies. The sister had perfected this technique.
The Drama mainly focuses on the journey of the female lead finding out her true roots and reconciling with her family with the male lead supporting her along the way. We come to see the relationship between three generations of a family.... starting from the grandmother, her two daughter-in-laws, and her real and adopted granddaughters as they fight for the role of the head of the embroidery business. Old and new secrets come to light as the power struggle comes to a head.
Watching the OTP in the drama was really satisfying. It was nice to see the male lead coming to understand the goodness of the female lead and falling in love more than ever. Their romance evolved beautifully along the duration of the drama.

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Quite unique but seemed incomplete

I am damn sure that i watched all 16 episodes but it seems like i missed out on few episodes, they jump from one scene to the another during the end of each episode and give us a fuller version of it in the next episode but somehow for me , it was confusing , that probably led to this 7.5 . Had they maintained the same quality as the first half this would have been a 9 without a doubt.

What i loved about this?
This is not one of those dramas that focuses on only the main couple, i loved how each charactee had their own importance and behind story. I was looking forward to knowing more about each of them and absolutely enjoyed every minute of it.
I loved how they were aware of their situation and dealt with it with dignity, in the end they embraced their insecurities and learnt how to be happy

I fell for Chang Hee, though he is often seen being frustrated and keeps venting out his anger but whatever he spoke , he stated Facts . I loved how he dint hold back when ever he was angry and upset and blurted eveything out loudly and very fast. I bet it would have still been difficult for me to understand his dialogues had i known korean. He became one of my favorite kdrama characters and i also am satisfied with how things ended with him.

The three sibling bond is well written, though we see them fighting and glaring at each other often, i could see through each of them , how they cared for each other and how strong their bond was.

They say it is "liberation notes" definetly i see liberation here but only 40%. Would have been great had they ended Mr Gu's character with more certainity . For me he was a mystery in the beggining and remained a mystery even in the end

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I just realized I hadn't written a review on it so here we go- My Love Eun Dong is one of the best dramas I have seen in 2015. I was a bit skeptical about starting it but the soundtrack sounded nice and the cast was good so I gave it a try. Once I started it I could not stop watching it. In fact, it's been months since I marathoned a drama like I did with this one. However, I somehow think this will go on to be one of the lesser popular dramas irrespective of how good it was. I think it's definitely underrated and sadly it will not everyone's cup of tea.

What I liked about the story was how it incorporated all K-drama cliches from years before and presented a nice, smooth story. The FEELS the drama gave me was immense. The main guy Ji Eun Ho has one of the purest loves ever in a kdrama. I loved how dedicated he was towards her and literally never thought of anyone apart from her, neither did he give up on their love.

This is one of those dramas where you won't be sure whether it will be a happy end or a sad end. The story is kind of sad throughout and when I imagined a sad ending, I really thought it would be hell depressing. But the fun part here is you won't be sure how the leads will EVER manage to have a romance or a proper relationship with each other. Plus, there are a few mysteries which keep the story interesting.

The drama is very much an old school kdrama with star-crossed lovers and a whole lot of scheming and manipulations. It was seriously so entertaining. The splendid chemistry between the leads only increased my awe for it and not lessen it in any way. The soundtrack is pretty good too.

Like all kdramas ever, the last four episodes are sort of a drag and you might find yourself skipping some scenes. I liked the ending a lot. It fit in nicely with the story. I think I made a good decision watching it but I am not sure if I'll rewatch since I hardly ever do. Highly recommended if you like melodramas and pure love stories.

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True North

For fans of the critically-acclaimed Kingdom series, this is a much-awaited production that has been a long time coming. Officially designated as a Special Episode and “Sidequel”, Kingdom: Ashin of the North is a feature length film that serves as the prequel to and the basis of the upcoming season 3 (as I understand it at the time of writing). For viewers who are interested in watching the entire series and have not seen the preceding seasons, I would advise starting off with those before embarking on this one. Both seasons 1 and 2 released only 12 episodes between them so it won’t take too long for viewers to get up to speed with the complete sequence of events.

The production team remains the same, with Baeksang-winning screenwriter Kim Eun Hee as the creator and showrunner, as well as the art direction and special effects crew. The only notable change from season 2 is that Kim Seong Hun, who helmed the first season, replaces Park In Je in the director’s seat. The franchise is developed by AStory while the production and distribution rights are retained by Netflix. Unlike the first 2 seasons which were filmed on location in Gyeonggi and North Gyeongsang Provinces, principal photography this time took place solely in Jeju Island.

In addition to the gorgeous panoramic vistas of the new filming locale, the overall tone is somewhat darker and more chilling, in comparison with the earlier seasons. Nonetheless we do get the exact high standards in production values and overall quality of the cinematography, set designs and, of course, the special effects encompassing the visuals and the zombie makeup, which is particularly praiseworthy. The action choreography and the stunts involving said zombies and humans alike deserve as much acknowledgment. The original score is composed primarily of dramatic orchestral music while the ominous BGM is generously applied throughout to great effect as well.

In case anyone’s forgotten, here’s a quick refresher. During the ending scene in the final episode of season 2, our protagonists Prince Lee Chang (Ju Ji Hoon) and Seo Bi (Bae Doona) find themselves in a creepy, dilapidated and seemingly deserted village in the northern borders while investigating the origins of the saengsacho, the source of the scourge that plagues their kingdom. Cue the dramatic entrance of a new character right before the end credits begin rolling - the mysterious female figure in a dingy room filled with chained up and boxed up creatures, presumably zombies. Who is she? Is she a villain who created or started the outbreak? Why is she smiling? Well, now we finally get the answers to all our questions and more.

She’s none other than the titular Ashin of the North and this special episode chronicles her origin story. From her humble beginnings, the calamitous circumstances that ensued thus setting off an irreversible motion of fate-altering events that kicked off in the North before eventually engulfing the whole peninsula of the Joseon Kingdom. Epic, cataclysmic, action-packed, thrilling, evocative, and incredibly brilliant. Kim Eun Hee has done it again and expanded on the original concept within the space of 90 minutes to set up a new direction for season 3. You’d expect nothing less anyway from the screenwriter who brought us Signal.

The main cast this time around is headlined by the wonderfully experienced and award-winning Jun Ji Hyun as the eponymous character. With a screenplay that is fully devoted to her character, she carries this show with consummate ease as she projects an aura of darkness and conviction alongside her dynamic range to breathe life into the mysterious Ashin. During a recent interview with Kim Eun Hee, she stated that the role of Ashin was written specifically with Jun Ji Hyun in mind, because of how impressive she had been in the films The Thieves and The Berlin File, incidentally both of which I had watched some time back. Although she is most well known for the dramas The Legend of the Blue Sea and My Love from the Star which established her reputation as a romcom specialist, JJH is extremely versatile and adaptable to diversely multifaceted roles than people give her credit for.

In any case, I thought she utterly nailed her portrayal here that enabled viewers to be engaged in the story and invested in her character’s journey of evolution. Acting chops aside, her action sequences are quite realistically executed as well. She appears very fit and certainly looks the part of a fearsome bow-wielding warrior. I think she has lost even more weight as can be seen in her recent photo calls promoting this show. Meanwhile the talented and prolific child actress Kim Shi Ah portrays the young Ashin while Park Byung Eun returns as Min Chi Rok of the Royal Commandery.

No amount of words will do justice to the spectacle that is Kingdom: Ashin of the North, because seeing is absolutely believing and there is much to be observed in this production indeed. The only downside for me was that it was too short - I wanted...no, needed more! 16 months was definitely worth the wait, especially now that we know for a fact there’s more to look forward to in the horizon. I only hope the wait won’t be as long.

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No more moons please!

Well, this is getting repetitive...
You would think that after giving us Kimmon and Copter and the 15 insufferable characters that Bas has played since he was the original Wayo in the first edition of "2Moons", this company would have said... "ok enough... we did well enough, let's move on". Sadly, season 2 became a chaotic mess when all the original cast left and they had to re-cast, sending fans into distress because some couldn't accept the idea of not having Kimmon and Copter playing Ming and Kit or couldn't accept the idea of having inexperienced newcomers replacing them.

But, we got "2Moons2", with a whole new cast and wasting the first 4 episodes with a reminder of what happened in the original series. This series was not perfect but we got Earth (now called Din) doing a decent job as the new Wayo, Joong who seems to be the most successful of the bunch moving to GMMTV, Nine who now seems to focus on his singing career after being on a Chinese singing competition, and Phoom who was quite subdued in the very mediocre "Coffee Melody". That season ended with Wayo suffering from his picture being placed all over the university by the guy who likes him but gets rejected and then seeks revenge. He runs away to his home and while Pha is kicking the other guy's ass, Joong (Ming) comes and tells everyone that he knows where Wayo is, at home with his father.

Even a this point, season 3 seemed inevitable, focusing on Wayo-Pha and their crisis and also on a secondary character called Suthee (played by Green) who was going to be "The Ambassador" in season 3. But, Mello Thailand/Motive Village (whatever the name is now) messed it up, again... first by creating a music group with all the guys from "2Moons2", except Din... which created an incredible uproar by the fans. Then, more controversies with their contracts and between the company and director Anusorn (who directed the second part), ended up with the whole cast quitting again. Instead of ending the project, Motive Village decided to re-cast for the third time and we ended up with this mediocre series as the third season of an already mediocre project.

Some of the bad things:

1. The plot/storyline: No clue, really... the main character of the this season is Lom, who is Pha's cousin and his "enemies to lovers" story with Tatch. They both argue about being the candidate for the university's Ambassador competition and decide that, whoever has more IG followers by certain date, will be the faculty's representative. Lom lives in a self-pitying world as he always says he is not good looking enough, especially when compared to Tatch, but he has way more followers than him, so he is always trying to make Tatch more popular and in the process, falls in love with him. That part of the plot seems clear... but then we have the other couples from the previous two seasons and we see them quite scarcely throughout the episodes... the Wayo issue from the end of season 2 should have been the starting point for this season but, instead, gets pushed I think until episode 5 or 6 (don't even remember now) when Pha tells Lom how the problem was solved as a 3-minute flashback during the episode.
Kit and Ming, Pha and Wayo and Forth and Beam do not advance their relationships and, instead, we get the usual jealousy, fighting, arguing and tears in the usual BL tropes wasting whatever momentum the couples from part 2 left for the new couples in this season. I mean, we even have Pha and Wayo still arguing in the last episode and suddenly solving things with a kiss and a hug. It seems the director and the writer were set on focusing so much on Lom-Tatch, that the rest of the guys were just a side note during the series... if you watched carefully (unless you fell asleep from the boredom or you quit the show before the end), each couple (Wayo-Pha, Forth-Beam and Ming-Kit) had their "big" argument, their jealousy moment, and their NC scene with some very awkward kissing making it the same dull formula for all the couples all the time. Lom and Tatch being the focus of this season, had way more screen time, way more kissing scenes (a bit less awkward than the other couples), so we got to see the perfectly waxed armpits from Danny many many times. Plus, we even got an extra couple with Toon and Tong (Lom's friends) kissing in episode 12 without much development for their couple.

2. The acting: Yes, I am aware the actors are brand new and QUITE inexperienced... but it was painful to watch. No emotions in sad scenes or angry scenes or any scene whatsoever, no chemistry between them, some of the characters really don't match these actors, and yes, I also know I shouldn't compare, for example, the acting and character development by Nine vs.the acting and character development by Toey (both played Kit) or the cute, naive acting done by Din vs. the cute, naive acting done by Park (both played Wayo), but the chemistry between the couples in "2Moons2" felt a bit more natural than with these couples. Plus, with the reduced screen time that the 3 original couples got, meant we barely had any chance of really getting to watch how each actor portrayed their character... just to see if they brought anything original to the table. Instead, we end up getting Danny (playing Tatch) and Mark (playing Lom) for 85% of the episodes and very few glimpses of the rest. It is a shame that the company did not prepare these guys better for what was definitely a pressure-cooker because fans already had 2 different casts to compare and to choose from.

3. Side characters: If we barely saw the main couples, we had even less side characters with Lom's friends being the ones who got most airtime and the cartoon-like villain we got this season (Panon), that actually has a good twin as well (Parak)... evil twin-good twin, how original! But the bad guy is in love with Lom and tries to get him to break up with Tatch ... so in this Thai BL we got the crazy male character instead of the usual crazy female character. We also have a girl who likes Tatch and is a friend of Lom... she thinks Tatch will ask her out but he never does and then feels betrayed by Lom when Tatch tells her he is in love with him and not her. At least we didn't see the plot get any crazier by having her do something "evil", so we settled with the crazy male character doing all the bad things, then get beat up with his own twin and miss the Ambassador competition.

Good things? I'm not sure... some of the actors had cute moments but good luck finding something else.

In the end, for the third time, this series has been wasted due to poor management, poor writing, poor directing and mediocre acting. I truly hope this is the last season of the "2Moons" franchise because the original was not exactly a masterpiece and the other 2 have gone down in quality ever since.

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I gotta tell...It is the most exciting Chinese Youth Drama I have ever seen in 2018!

The Story is so cute,funny and romantic. Ill recommend this drama to put it in your watchlist especially young MDL users.The story is so Good and very well organize,well it has flaws but only a little bit if you notice it.
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This is story is about love and friendship. The story is getting better on and on. It makes you to watch more episode because it does not leave you hangging


Gou Fiction did a job well done of building his character and its improving episode by episode.
Sun Yi Ning also did a great job for acting as a two characters base on hiding her identity.
The other Actors and Actresses did great too to support the plot really well.

The OST's are very nice especially the "STAR" by Gou JunChen because of it's lyrics that I can feel the feelings in it. The OST "To be Your Love" is really cute. The OST's are motivating you to watch another episode. I have download all the OST's in this drama, you better download it too ;)

I have put this as the 1st in Favorite Youth Drama list.

What are you waiting for watch it now!

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Being right next to the person you genuinely love is all that matters.

i came across this on netflix and i thought it would just be like any other movie. you know, those you just watch to pass time. But it’s 2am now and i’m bawling my eyes out & my nose is blocked af. i didn’t realise i’ve been tearing up painfully while watching the movie.

As y’all know, the male lead is a gangster and i was really irritated watching his scenes at the start. He was violent, aggressive & vulgar. However, my heart softened when i realised he had a heart of gold. I wondered if he saved or harmed the universe in his past life, to be trapped with an ill-fated life & at the same time, blessed with a kind, pure & genuine soul. A guy who sacrificed without yearning for any acknowledgement or rewards. Really, the world doesn’t deserve him. Ahhhh Roy chiu acted really well and his emotions really brought me with him in the movie. He’s really really good.

The female lead expressed herself so well too, i could precisely feel the way her heart melted at every touching moment she witnessed & feel the same way her heart crashed at every painful moment she suffered. It made me feel that the female character was so strong for even….. existing. ❤️

This love between them was passionate, fiery, yet, f*king painful. It’s so beautiful, i can’t get my eyes off them. I yearn for a love as beautiful as theirs.

Anyway, y’all really need to watch to understand those feels. & will i watch again? yea, when i need a good cry.

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'If you could freeze time and you weren't dying, what would you do?'

This was a very subtle, yet, in my opinion, a most important central piece for this movie.

The story of the movie isn't innovative in any way, it has a predictable central plot, but it brings some unique surprises while it reaches its ending.
I wouldn't have loved it so much if the story didn't twist so interestingly towards the last half an hour. I would have just thought that the movie was nice, but yet another typical, self-sacrificing love from one of the leads towards the other's happiness. And if it were so, then Sweet November would have been the more plausible story for me... but it turned out that the story was beyond that and it made me give this movie a special place in my heart.
Now, what really made this movie such a big hit for me were the actors... I mean, oh my God, the acting was among the best I've experienced, I was absolutely sucked in and I absolutely lived their pain, love and happiness alongside the two. Seldom do I fall in love with both male and female leads in a movie, so allow me to be excited :).
Time to go deeper into the movie!
I have to say that I really enjoyed how the story had, along the line of the plot, scattered interesting visual images that would fixate into my mind and give new meaning to the movie:

The numbers that would suddenly appear before his eyes every time he would waver as to giving up his love, to further enforce that time was running out for him were very interesting, especially when his career goes on the line for him excessively playing Cat Girl's song and his boss threatening his job, the shirt with 88 written on it suddenly popped before his eyes in order to assure him he was doing the right thing.

Also, when she returns from her date a little drunk and she sneaks in his bed, he feels really comfortable, but he gets up an leaves her after he sees 20x on the little pin-board next to his bed, reminding him of his days left.

Another nice image was that of him letting time pass again in the photo studio, when he decides to start on of the clocks, that is the moment when he knows time cannot stop and his love won't find fulfillment.

The cactus he chose as a gift for her is quite unique in its symbolism also: that species of gymnocalicium is a hybrid cactus, the colored top has no chlorophyll, so it needs to be put on top of another cactus, a green one, in order to get food and survive. That is, for me, the nature of their relationship, a symbioses, where one cannot survive without the other, neither can it let any ham come to the other, as the pain would be felt by them both.

Shall I answer the question from the beginning of my review? It's not a spoiler per say, but it will reveal, if you think hard about it, the ending of the movie, so I'd advise you to stop reading, if you don't want to get a glimpse of how the story id finished.
*** When time freezes, they could reveal the storm of feelings that boils in their hearts... Only when time freezes and everyone around them stops, will they be free to love one another, just like to birds flying towards the sky ***

Hope you enjoyed my review, have a great time watching the movie !

P.S.: Did anyone else got creeped out by the doctor after you saw in the ending he was a bit of a stalker?

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Beautiful Short Series

This was really something special, with a really unique plot, relatively sensitive depiction of mental illness, top-rate acting, beautiful cinematography, and one of the best OSTs I've encountered for a BL.

I was dubious they could stuff all this into four episodes, and while they don't quite accomplish it, it's done better than I expected. This is a series that respects its audience and doesn't load most of the run time with flashbacks. The actors really committed to this, inhabited their characters, and weren't afraid to demonstrate love and affection - it feels real.

It did need one more episode or so to fill in a couple of gaps - there's one in particular that really needed a better resolution - but a budget is a budget and you have to do what you can. More happened in this than the majority of series with 12 50-min eps, so I can't really complain.

This has the best soundtrack I've heard in a BL in a long, long time. The endcredit theme is perfect.

Anyway, I highly recommend this - you have to pay attention though - it's not something you can watch while doing anything else.

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A crying shame.

The Story of Pearl Girl is the story of an intrepid pearl diver's harrowing journey from the despair of a slave farm to the heights of the prosperous Yangzhou jewelry guild. Aided by an erudite nobleman Zhang Jinran and a ruthless and calculating merchant Yan Zijing, Duanwu escapes from the exploitative clutches of the Cui clan. She throws her lot with Yan Zijing, choosing to make her own way in the world as a merchant galley serf over the more certain future of a nobleman's harem. After multiple betrayals and double crosses in the dog-eat-dog culture aboard Zijing's ship, she emerges clear eyed and better equipped to survive a ruthless, avaricious business world. She learns that underneath his merciless facade, Zijing is saving her by teaching her to save herself; that they have a shared past that she has barely scratched the surface of understanding.

Set in a cruel world fraught with treachery, avarice and oppression that belies the ostentatious luxury of the jewelry trade, the narrative is laden with an air of heaviness from start to finish. It is a character story about how one resilient woman fights her way to the top of the jewelry business during feudal China. The characters are well designed with Duanwu and Cui Shijiu as two women who have to fight for their place in a man's world; one who starts with nothing and the other with everything, to lose. Likewise the cynical and realistic Yan Zijing went to the school-of-hard-knocks while the righteous and idealistic Zhang Yiran clearly had an ivory tower education. Both Yan Zijing and Cui Shijiu are consumed by revenge and on opposite sides of a blood feud not of their own making but one's cause is just while the other's is not. I enjoyed watching how these characters, with at times common and at other times with opposing world views interact and react to the situations they are thrown into. Plot wise, the logic holes are evident from the start but for character driven stories, I am very forgiving for as long as the characters stay largely consistent and relatable. But once the characters start to unravel, the issues with the plot are amplified and the entire narrative becomes a mess.

I genuinely enjoyed and was engaged by the first arc of this drama. It is both fascinating and difficult to watch the stunning backdrop of the swashbuckling high seas and the exotic and dangerous Silk Road marred by the unmitigated oppression and cruelty of the ancient world, especially towards women and children. Zhao Lusi's Duanwu is spirited, tenacious and undaunted as she fails again and again until she succeeds. I could understand why Yan Zijing resonated better with her but could also see that she lacked the maturity to appreciate how Zhang Yiran's wisdom and knowledge of the law would aid her later on. These three main characters richly complement each other in their strengths and flaws to make a formidable team when they work together. I didn't mind the romance but I didn't need it and it went a bit abruptly from red flag master-servant to lovers. Nonetheless I was looking forward to it growing and had hoped to see them right past wrongs together. I did not expect it to take a wrong turn down the path of the worst noble idiot trope in recent memory, nor for it to last pretty much until the end of the drama. That is when The Story of Pearl Girl, turns into yet another period drama that starts strong and then inexplicably nosedives at the mid-point and never manages to recover.

After the convoy arc, a traumatized Duanwu re-emerges as Su Muzhe, a detached, gently sad and bland character who Disney princess cries almost every other episode. Lusi's vapid and weepy interpretation of the role lost me as much as her Duanwu engaged me. Duanwu would have gotten angry and demanded an explanation from Zijing or plotted revenge. I was baffled by the Su Muzhe who manages to coldly co-exists with him in the same city, moves on and focuses on business, vowing to live a good life nonetheless. This is so out of character it is almost impossible to reconcile Su Muzhe with Duanwu. I rooted for the feisty Duanwu of the first half who dares to love and dares to hate. The passive aggressive Su Muzhe who only dares to cry turns what could have been a terrific story into a crying shame. The narrative meanders into maudlin sub-plots about boring and poorly acted tragic side characters. Gratuitous crying scenes have diminishing impact, no matter how good the actor is at them. Long before the drama ended, I was bored by Su Muzhe's endless pity parties and stopped caring for her. Su Muzhe is not the kind of role that plays to Lusi's innate strengths and charisma. I hope she avoids taking on such characterisations in the future.

The other narrative mistake was to separate the three anchor characters at the same time so many of the early supporting roles are transitioned into new ones, forcing the audience reinvest in new characters all over again. Yue Yunxiu is a boring, flighty character that has no chemistry with Su Muzhe and fails to shore her up in the same way Kang Ju lifts up Yan Zjijing. The entire business partnership between the women lacks flair and pizazz; I can't imagine any joy in shopping for jewelry at an establishment run by such a dolorous pair. The narrative makes a lame attempt at comedy too late in the game and it is largely left to actors that lack Lusi's fantastic comedic timing. Even when the three friends join hands again, their dynamic is not the same and Duanwu never reemerges.

As for the romance, it stagnates even after they reunite and never blossoms into a full blown relationship. I would have liked to see them seize the day and live in the moment in a way that gives us something really worth crying over. Instead all we do is watch them mourn what could have been. It is incredibly unfair to Muzhe because Zijing refuses to move forward but yet can't set her free either. I wish they both chose differently but since they did not, the way their romance ends is fitting. I respected Zijing's choices especially in the end but I think Su Muzhe's victories were all hollow and I hoped she would find Duanwu again within herself but she never does. I enjoyed how Liu Yuning portrayed Yan Zijing's darkness and complexity but after the best first arc, he is too quickly whitewashed and sidelined. Even though the final arc is all about his justice, he doesn't get to do that much as the hidden villain is too obvious to the audience early on and most of the antagonists are so dumb they pretty much outed themselves.

Zhang Yiran is the best of friends and that rare character that does the right thing even when its the wrong thing for himself. While Duanwu didn't fit in to his world, he may eventually have been able to console Su Muzhe and I wish they had left that door open just a crack. As for Cui Shijiu, this character caught and held my interest from start to finish as a result of Xie Keyin's bold screen presence and her husky and earthy vocals. Her character is flawed, not that smart or especially well written but Xie Keyin embraced her flaws in such a relatable way and conveyed the role so compellingly that I cared about her and did not drop this drama because I wanted to know how her story ends. She and Zijing are both characters that choose revenge over love but only one of them lives to regret it.

The biggest issue with the storytelling is that it tries to incorporate too many themes and archaic ideas of what an independent and empowered woman is supposed to be. The writers bend the plot and characters in ways that don't make sense or is out of character in order to force certain themes and outcomes. This is not a good way to tell a story. Both Duanwu and Zijing's characters are thrown under the bus just to prove that a woman can make it on her own in business during feudal China. We watch allegedly smart villains kill off characters with no motive other than for dramatic impact and shock value. But what makes me really mad is that it is another scratch on the surface empowerment story written by misogynists with a thinly veiled and insidious message about the fate of women who dare to try to make it in a man's world. A true empowered woman would seize second chances and live well in the true and full sense and meaning of the term rather than to wander aimlessly as a shadow of their former selves.

This was a heavy journey from start to finish that does not end in satisfactory way and the ending contains some really questionable messages. There is no payoff for all the suffering, no one gets a great ending and promises to live well were not kept. In the name of both Madame Eight and Shrimpy, I dare not rate this more than 7/10. It is not a drama I recommend unless you are a die hard fan of either of the lead actors and are able to enjoy anything they are in.

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The Princess Bride.

Lost You Forever is a dark, beautiful, suspenseful and, poignant tale of intrigue, treachery and longing. This drama is immersive with its air of mystery, the shiver of danger, a whisper of regret and a sense of profound loss and longing that saturates every scene. It is a story about love but it is not a love story. It is a far more complex and expansive exposition of the many kinds of love and how it can be restraining and boundless at the same time.

Set in Dahuang, a magical, treacherous and unpredictable world where humans, demons and deities co-exist, two forsaken royal orphans vow to always cherish and protect one another. Shattered by a broken promise, Xiao Yao loses herself, misplaced during a time of great turmoil. She assumes the appearance of a man and lives among the humans and demons of Qingshui Town as the village fertility doctor. This is the most exciting arc because everyone has secrets and danger lurks around every corner. When cornered, Xiao Yao is most adept at grovellng, lying or poisoning her way out of trouble. Yet she is carefree, uninhibited and almost contented in Qingshui Town with her found family. Alas, destiny catches up with her as Cang Xuan, Tushan Jing and Xiang Liu all converge upon Qingshui Town, shattering her refuge.

The latter arcs take on a political tone as Cang Xuan emerges as a contender for the Xiyan throne with Xiao Yao clearing the path for him. They must establish Cang Xuan's support base among the restless and resentful Central Plains; where the noble clans and families have complicated blood ties to remnants of the defeated Chenrong state. Xiao Yao is the princess bride, a chess piece that Cang Xuan dangles temptingly in front of the scions of the powerful aristocratic families he seeks to win over. Marriage to him is simply a means to seal alliances. He supresses his heart's deepest, secret longing by sheer willpower. Zhang Wanyi adroitly portrays Cang Xuan as a consummate politician, a very dangerous, smiling tiger / xiàomiànhǔ 笑面虎 who has his enemies in a death lock before they even know it. Love is not of paramount importance for Cang Xuan and Xiao Yao, whose destinies are interlocking as a result of their childhood oath. They work towards a greater purpose with one heart and one mind. Anyone and everyone else is always subordinated to this purpose. They are both unattainable characters who have already carved out so much of themselves for each other that there is not much left for anyone else. This is why what Xiao Yao seeks is an unequal relationship with essentially, a doormat. The princess in her however prefers that it is a doormat made of fox fur rather than a rather foolish, entitled product of too much in-breeding.

Xiao Yao is by far the darkest, most complicated, and most independent female protagonist I have come across in Chinese dramas. This is an awesome and challenging role that Yang Zi delivers magnificently. As someone who had a huge allergic reaction to her earlier works, I am speechless at her portrayal. Her Wei Xiaoliu has decisively unseated Ni Ni's Fang Weizhi as the most convincingly acted female disguised as a male character. But it is her heart-wrenching homecoming scene that can squeeze tears from a rock that truly captures the depth of Xiao Yao's sense of abandonment and despair over the person she lost forever. I can't think of another actor that has so visibly taken their acting to a high a new level the way Yang Zi has. That said, no power on this earth will make me revisit her past roles though I enthusiastically look forward to her future ones.

Tushan Jing is the weakest link in this drama both in terms of how the character is written and portrayed. Despite his stunning physical appeal, this is not a role that a promising but inexperienced actor like Deng Wei is ready for. He pulls off a charismatic and endearing Ye Shiqi that melted Wei Xiaoliu's stone-cold and lonely heart. But he lacks depth and range and visibly struggles to get into character as Tushan Jing. His perpetual stricken, deer-in-the headlight expression threw me out of some of the drama's best, most intense moments. When the Haoling King assures his daughter that the shrewd and canny Tushan Jing must have already guessed her identity, the camera pans to a dumbfounded looking Tushan Jing! I burst out laughing even though I am absolutely sure I was not supposed to. It does not help that the character's weak and indecisive waffling does not match Tushan Jing's reputation as one of the most brilliant and cunning minds of Dahuang. There is clearly also a writing issue but it does not excuse the actor's inability to make the character seem deeply conflicted rather than just weak and lacking basic smarts and survival instincts. This is a glaring weakness that weighs on both my viewing experience and my rating.

Xiang Liu is Xiao Yao's greatest nightmare, a demon that she is bonded to by a spell no one fully grasps. He is her soul mate; they are both lonely, realistic characters trapped by a cause that is bigger than themselves and thus have no free will. Tan Jianci's masterful, subtly tragic rendering of this vicious, resentful and enigmatic nine-headed demon with a shockingly passionate heart has catapulted this fantastic actor to a new level recognition. His styling is spectacular but what takes my breath away is how with the angle of the head or a flicker of an eye, his expression can change from unholy amusement to vicious cruelty; from tortured to pure, unbridled joy and affection. I don't know how Xiang Liu's story ends but the fact that he is committed to a lost cause that pits him against the person Xiao Yao protects at all costs fills me with dread. I cannot see any scenario in which this ship does not somehow sink but my heart won't listen to my head that urges me to get on the lifeboat to safety before it is too late.

Season 1 sets up the backstory of a world torn apart by war and introduces many well-written and multi-faceted characters that were collateral damage in the conflict. Intricate relationships and debts that will at some point come due accumulate between the various stakeholders. After some draggy politicking, Season 1 ends triumphantly with an unexpected twist and sets the stage very nicely for Season 2. I expect Season 2 to reveal even more secrets from the past that will force Xiao Yao to make some impossible choices. How unbreakable is her bond with Cang Xuan? Will the tragic story of Chi Chen and the Xiling witch repeat itself? Will Deng Wei finally get his act together and give us the real Tushan Jing? Will Xiao Yao shock us with her marksmanship by shooting her rival in her black heart? I hope we will not have to wait too long to find out. At the same time, I am grateful that this breaks in a good place for a time out. I have come to care too much for these characters and something tells me that this is the kind of story where even those who get what they want may not truly want what they get.

So far, Lost You Forever is the most addictive and immersive drama I have watched in 2023. I rate this a 9.0 for now because there are some notable flaws but if Season 2 comes together well, there is scope for me to revise it up.

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