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Too Many Filters, Not Enough Depth
Before diving into this drama, ask yourself:A. Have you read the manhwa?
B. Do you hate romcoms?
C. Are you a modern feminist?
D. Do you enjoy old-school romcoms and need a filler?
If you answered A, B, or C, maybe skip this one.
This drama sticks to the classic chaebol-meets-Cinderella formula, complete with a one-night stand that leads to pregnancy. Groundbreaking? Not really. Deep? Nope. But if you’re in the mood for something light and easy, it might just hit the spot.
The leads are refreshingly in their 30s and 40s, which is a nice change from the usual 25-year-old CEOs we’re somehow supposed to believe. That said, even these “mature” characters can’t resist acting like teenagers once love and romantic rivals enter the picture. Ah, clichés—can’t live with them, can’t escape them.
Speaking of clichés, the second male lead is... a lot. He’s the kind of character that makes you want to fast-forward, and his excessive screentime takes away from what could’ve been the heart of the story: the leads building their relationship organically and navigating pregnancy together. Oh, and yes, there’s an evil sister-in-law scheming to take over the company. Because of course there is.
The supporting cast checks all the usual boxes: a quirky sidekick for comic relief, supportive colleagues, and a team director who’s self-serving but not entirely awful. They’re fine, but nothing to write home about.
As for production, don’t expect glammed-up wardrobes or high-budget sets. It’s a modest production, and that’s okay. What’s not okay? The overuse of filters. If you’re going to feature a more mature cast (which is a great idea, by the way), just embrace it! The blurry lenses are doing no one any favors.
In short, it’s a drama that knows its lane and stays in it. If you’re here for a breezy, old-school romcom with a mature twist, it might just be your cup of tea. Just don’t expect it to reinvent the wheel.
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Story : the story is almost flawless and fast paced enough that there isn't a single episode that wouldn't give you a high. The twists and turns that happen are almost realistic and you will find yourself getting slipped into the story.
Acting : Ma Dong Seok and Seo In Gook. DO i need say more? the characters in the drama are played so well, you start believing in them. They take you a roller coaster ride and they do it well!!
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This review may contain spoilers
I'm loving this!
Haha... no, this is not a McDonald's joke but I really do love the drama. I mean, people used to say Hwarang was bad but aside from some endgame plot that I'm not really fond of, that drama was okay. The same would I say about this drama. I've been waiting for a new drama where Hyungsik would play another royal prince character and lo, WE GOT IT! And this time, his character has a higher likelihood to get the girl SINCE HE'S THE MAIN LEAD GUY!😃Anyway, since this drama more or less was based on a Chinese novel... some plot might be predictable to those who are familiar with the novel. Or maybe not, since it's a kdrama some elements of the original novel would've been changed to suit the sageuk theme. That should be quite interesting to see regardless.
I really like how the characters were written. I mean, as much as there was this supposed triangle between Hwan, Jaeyi and Seung-on, the drama didn't focus too much on the triangle and just let the characters naturally grow to develop a decent friendship. There weren't too many unnecessary conflicts being made just to make the plot 'dramatic'. Which was nice. I love how Hwan and Jaeyi's appeared to start at first as an encounter between two people in crisis, which progressed into a sweet friendship between two person who could've easily been childhood friends and later having a much deeper love growing in between. I like how natural their relationship progressed into mutual love as Jaeyi grew to learn more about Hwan and help each other.
I also love the comedy element with Myungjin and Ga-ram and even more when Hwan and Jaeyi were with them. Cos seriously, I feel that a lot of the funny scenes were brilliant adlibs by the cast and that's so brilliant!
The mystery and political intrigues and conspiracies are nice too, but the serious plot didn't completely overshadow the lighthearted scenes. Also the ost, songs and special effects are well done as well and the visuals are pretty, so what else to ask? Seriously if you consider the time period where it'd be hard to investigate a murder and find the culprit without the modern techs we have now as well as the fact political murders and violent outbreaks of people who desire control of the throne are a common thing, it makes sense for people to not be able to trust anyone so completely, in order to stay alive . Added with superstitions and lack of complete knowledge on how things like science work in such times, life could be so scary if you're stuck in such a situation. I really like how the writer made good use to insert little clues here and there that may at first seem unrelated or pointless, only to later bring it back to form the bigger image in order to head to the final conclusion.
If you just want to enjoy some drama to fill your pastime, you can try watching this drama and you may find yourself liking it. If you're the type to be all negative and expect a drama to live up to some non-existent 'perfect' standard of what could be a great drama, don't bother watching this drama and spread your negativities here.
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Not too bad. But not too good.
This is probably worth watching - probably most of the first half, and the rest with judicious fast-fowarding. I'll start with the bad to end on a positive note:- Gun is not a good actor. He's a good comedic actor, and when this series is being OTT or comical, it works. When it strays into sappy melodrama, which it unfortunately does far too often, then it's excruciating to watch his scenes. Lots and lots of melodramatic crying, and anger all at a loud volume with teeth bared. You'll learn to FF.
- The plot is totally predictable, and almost every moment you can see coming. The enemies portion of the story ended way too soon and suddenly you could almost hear the Tchaikowski Romeo & Juliet overture firing up. Actually, that would have at least made it funny. The problem was that you didn't get enough time to invest in the relationship, which for me was carried entirely by Boat, who is extremely attractive and also a good actor.
The good:
- Bank's storyline
- Bank's smile
- Bank shirtless
- Bank.
I'm being funny, but Pitch & Bank are likely to be what keeps you watching what is otherwise a forgettable experience. But be forewarned, they are not in it much, and apparently a large portion of their scenes were not included, which seems mystifying and criminal. Maybe the actors woudn't allow any producer "bad touch" and were being punished.
Boat is a really good actor, He does drama, comedy, and action very well. He's good at subtle expression and letting his eyes show you what he's feeling, as opposed to Gun, who only has one setting: OTT loud and teeth-baring. There are a lot of action scenes, and they're actually pretty good by BL standards.
I would advise you not to do what I did, and watch too much of this on normal speed for fear of missing any Bank.
Story: 7. The predictability was unfortunate, but the overall plot was decently laid out and coherent. The romance went from 0-90 too suddenly, but all-in-all it wasn't bad. There were no toxic females - there were women who liked the boys, but they weren't at all manipulative or scheming, and they never really got in the way of the main ship. They were sincere, honest, and mature, and if anything they were cruelly used by Sky. Although Juno needs to learn to take a hint faster. There are a lot of tropes, especially early on, but some of them are obviously exaggerated to the point of satire, which I appreciated.
Acting: 7. I'd probably have rated it 8 or 9, but Gun was a 2, so he dragged down the average. Boat is very good, and Tenon (Bank) is strangely enthralling - I guess he manages to pull off a sincere innocence that's endearing.
Rewatch value: 5. I'd give it a 1, but there's a scene with Bank in a tank top and a scene with Bank shirtless that I'm likely to rewatch many, many times. It may not be coming through, but I like Bank.
Overall: 7. I generally don't like to go below 7 unless it's really terrible. This is not - it's entertaining, although it loses steam by the end. If they had left out some of the repetition (how many times does Sun need to leave Sky unattended resulting in his abduction before he learns not to do it? He never learns not to do it.) and put in more of the secondary couple, this would have worked much better.
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Don't Shy Away From Being Yourself ❤️
Life becomes a little easy - when you find people who accept and love you for who you truly are. This message is exceptionally narrated in this movie through the main leads who are deemed "different" by society but manage to hold on to each other and fight through prejudices/biases of society, friends, family and their own self to eventually loving and accepting themselves for who they truly are.From the moment we're born, society judges us for our looks, height, skin color, skills, sexual orientation, behavior, and more. Biases and prejudices are ingrained in people’s minds upon first meeting us, and while some may change with understanding, many remain. Despite progress, there’s still a long way to go to eliminate these judgments in today's world. "Love in the Big City (2024)" is a commendable step in the right direction, and I applaud the cast, crew, and original novel creators for this remarkable film.
The movie powerfully portrays the challenges of "being different" through a heartfelt narrative that evokes a range of emotions—smiles, tears, and everything in between. The female lead is someone I've admired for a long time, but this was my first time seeing Steven Noh in action. Known from "Pachinko," his portrayal, even within a limited emotional range as his character demanded, showcased his immense talent. The main leads bond together on the common ground of being labelled outcasts and the movie progresses from their 20s to early 30s showing us how they fight the societal prejudices, missed chances at love, inner fear of showing their true self, facing their family, overcoming failed relationships to ultimately accepting their own true self, and being proud of it.
The line "How can being yourself be a weakness?" resonates as the film’s strongest message. Personally, as someone who has faced various judgments from young age from strangers/close relations alike movies like this offer a solace of sorts - a feel-good factor that reinforces the importance of learning to love your true self, before seeking it elsewhere.
The film does not come across as preachy - but rather resonates with me (and am sure others) because it does not shy away from showing the good/bad and ugly side of journey towards self-acceptance. Profound, Powerful, Engaging - from start to finish, would highly recommend it as a must watch ❤️
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No time to die.
I have never watched a Chinese drama quite like Joy of Life. It Is pure entertainment, a heady, masculine cocktail of science fiction, political intrigue, espionage, martial arts and laugh out loud comedy. A dying young man laments his life cut short before he experiences the joy of life. He finds himself reborn an infant in another time with intact memories of the 21st century. Raised by his grandmother, this cunning, cynical know-all kid is expertly schooled in martial arts by his uncle Wushu (pun fully intended) and in medicine by a deadly poison master. Summoned to the capital by his distant father, Fan Xian sets off eagerly, anticipating the beginning of his carefree, happy existence. But his glee is short lived as someone wants to kill him dead. He finds himself saddled with a political marriage he is hell bent on squirming out of and his mother's legacy - control over immense wealth and the incredibly powerful Oversight Bureau. This is at odds with his desire to indulge in joyful pursuits and worse, catapults him right in the middle of a power struggle between two princes. Soon it appears as if everyone wants him dead. But Fan Xian literally has no time to die as he is swept away by a whirlwind of timeless secrets, murky political conspiracies, shocking betrayals and sinister encounters with opaque characters that could be friend or foe.Fan Xian is the central, core character that the plot revolves around;, there isn't really a female lead or a second lead. Fan Xian is a smart, ruthless and cunning rascal with very strong survival instincts who is not about to let anyone short change him of his second chance. His life philosophy and indifference to common inducements stymies family, friend and foe alike, leaving them at a complete loss as to how to motivate or manipulate him. Unlike his mysterious mother, a woman beyond her time, lofty aspirations like changing the world in the pursuit of social justice couldn't be further from Fan Xian's more self oriented goals. Until the world changes him when someone with joy of life shows him that there are things worth giving one's life to protect. This moves Fan Xian unaccountably, makes him do things against his nature and better judgement, it stays with him and forces him into the fray, to risk his life for what he wishes to protect. This pivotal moment and how it sparks a growing flame adds a defining dimension and substance to Fan Xian, one of the best written, most layered and entertaining characters I have come across in a long time.
This serpentine political chronicle satirizes the ruthlessness of man's ambitions and how it coincides with life's cruel and random vagaries. Most of the characters, including Fan Xian are scheming, ruthless, violent, deceitful and utilitarian. Bad things happen to good people, actions have consequences, people die, forgiveness and justice are not always possible. This underlying dark tone with its bitter notes and philosophical questions is so artfully disguised by the wit and humor that drenches this drama that it easily passes off as a comedy. The entire tone of a scene or a conversation can just shift with a bizarre interruption or a non-sequitur mundane question or digression that shouldn't even be funny but somehow is. The wit and comedy from clever word puns to baffling allusions to 21st century concepts are not merely for laughter's sake they are intended to hint at character traits, hidden motives and unspoken truths. The plot is action packed with many twists and is littered with thrilling martial arts encounters where moments of imminent peril can be unexpectedly broken by well timed comic relief.
To put it simply Zhang Ruoyun simply owns the character Fan Xian, it is unimaginable that anyone else can pull off this jaded, irreverent, manipulative and utterly irresistible rogue in such a compelling way. Even though this is not much of a romance, Fan Xian seems to have an affinity for and way with women that recalls Jin Yong's lascivious and vile Wei Xiaobao but in today's day and age, it is only acceptable that he is limited to one true love. From his hilarious sidekick the venal and wily Wang Qinian to his riotous siblings Sizhe and Rou Rou to his numerous antagonists, Fan Xian is surrounded by exceptionally well cast supporting characters that are properly fleshed out and have agency and free will. My personal favorite is of course the emperor, who is the best example how this drama dazzles with the art of the unexpected. I was completely nonplussed to see an emperor slither around in dishabille; with escaped hair tendrils and in oddly sensuous low cut nightgowns that flaunt his tanned bare chest. I was right there with Fan Xian in refusing to kowtow to such a slob and surprised he didn't have to leave a thumb or two behind as a result. Multiple clues to one of the big plot twists hide in plain site, from the oddly misplaced pieces of wardrobe and styling to the borderline goofy, eclectic 1980s subtly Latin background music. The unique and creative combination of casual (much dialed down) violence, cartoonish character traits, strange props, out of genre music, and the odd wit and humor in mundane dialogues reminds me of Tarantino, something I did not at all expect here.
This is of course just the first of three seasons. And I must admit I dropped this after 5 episodes when it was airing. I don't even remember why I didn't like it at all at the time. On my second attempt, I was addicted from the first episode and enjoyed almost every minute of it. I do think that the Bei Qi arc was not at the same level of the first arc, which set a very high bar. I was less invested in the characters in the Bei Qi arc and I found Xiao En's big reveal too long winded and his giant secret overly built up. One of the main roles in this arc is very poorly acted and noticeably several notches below the level of the rest of the veteran cast. The actor tried so obviously to be opaque and inscrutable that I pinned them as a backstabber right away. Their fixed wooden stare failed to connect with Fan Xian at any level and in several scenes I felt like Fan Xian was talking to a mannequin or to himself. This made it look like after being so smart and distrustful for so long, Fan Xian inexplicably let his guard down way too easily. Into the final moments of the last episode Fan Xian continued to be dumbed down and was pretty much thrown under the bus to force that completely unnecessary ending "shocker" that I could see coming a mile away.
The biggest drawback of this drama is of course the long wait for season 2, which still has not even started shooting as of May 2021. However, this shouldn't hold you back from watching this now due to its high rewatch value. I rate this a 9.5 for now but it has a potential to be upgraded to a 10.0 if the next two seasons deliver.
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A disappointing barely-BL.
The series is framed by a class about love, wherein the students in the class are paired off in heterosexual couples to do a bunch of love experiments. Two girls pair up, because one is in love with the professor, and the other has a stalker, so she's terrified of all men (except Jiwoo, who's too tiny to be scary).That means that two boys have to pair off, and off we go.
This is a BL, and yet the class doesn't even attempt to address same-sex relationships, or anything not heteronormative. The most we get is that the professor allows the same sex pairings. To be frank, nobody should need his permission.
Because the stalked girl (Yuna) isn't afraid of Jiwoo, she allows him to escort her home, which draws him into the stalker mess.
This is a series that could have worked if it were twice as long. It simply had too much going on, a lot of it totally unnecessary, to cover in six brief episodes. Almost the entire story is about Jiwoo pursuing Yuna and dealing with her stalker. There almost no BL whatsoever.
Then, we skip all the processing it might take to go from identifying as straight and being in love with a girl to going gay. Jiwoo changes like a light switch being flipped, and Roa, who loves him, rejects him based on truly incomprehensible reasoning, then abandons his life and runs off to the sea. But we do have time for a silly girl's antics and pursuit of her professor and Roa's intrusive asshole roommate.
This story is so disjointed and lacking in any organic character or relationship development that I felt absolutlely nothing at the end.
The series doesn't fail because it's short, it fails because it's a long story that was crammed into a short space. For contrast, watch the 8-minute BL short Please Tell Me So on YouTube, also starring Han Hyun Jun - this does a much better storytelling job despite its brevity.
I'm often told that I should unconditionally support Korean BL because it's new there (It isn't. Long Time No See was made in 2017, less than a year after SOTUS) and operating in a homophobic environment (welcome to the continent of Asia). Why? I support good Korean BL like Semantic Error - I have no responsibility to support borderline gay-baiting like this, which is a cynical attempt to exploit a fashionable genre without having to commit to it. This is not a m/m romance, it's a story about stalking, with a shallow and cliched15-minunte BL stapled to the end of it.
Story: Since this is marketed as a BL, I have to rate the writing as a BL, so 3. I liked that Jiwoo's first hints of attraction to Roa was from seeing him shirtless rather than trip/catch/stare or accidetal kiss.
Acting: 7.5. Han Hyun Jun is more like a 9, most of the rest are fine, and Kim Tae Hwan is OK but a bit stiff.
Music: It's there.
Rewatch: 2 - I wouldn't watch it again, but I might revisit a couple of scenes that I liked.
Overall: 5. My overall opinion was that it was bad, but didn't look like it was bad. It's competently produced, but the story is just not interesting as a BL and skips too much that is important. I really hope someone puts Han Hyu Jun in something much better than this because he is talented and just adorable.
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This review may contain spoilers
"Love when you are ready and not when you are lonely"
What can I say? NADAO really isn't playing when it comes to the production of this series. Ever since the first season to this one, I actually believe they have improved and given us this delightful first episode, filled with many captures and panoramic views of the city, and also of course the always so aesthetically pleasing scenes with our main leads, Teh and Oh-aew.The shots where they enter and the whole dynamic with the colors Blue and Red (just like in the first season), will be very significative along the series and probably has a plethora of symbolic meanings associated to them.
What I do love about this story is how realistic and relatable it truly feels. Teh and Oh-aew really do represent all of us in terms of chasing our goals and dreams, while questioning our own sexuality and passions, to graduating high school and applying to college that not always is close to home, having old and new friendships, and many more... all in all, the ordeals of a lifetime.
Am sensing that a lot will happen this time around too...
The first season was more like an awakening. Like a realization of a blooming of youth.
Meanwhile in this, it will depict the changes that come with college life and access to adulthood.
BK once again awe us with his skills in conquering both of our hearts with the way he takes the character of Teh, the always avid dreamer and aspiring actor and then we have PP being his adorable self, taking us in an emotional ride by how well he shows Oh-aew struggles through the screen. The way they can draw emotions in their roles is truly amazing. PP with just his expressions alone can really makes us see the pain and suffering that his character is going through, that talent hasn't changed from the first season to this one, on the contrary their acting has only gotten better. Am looking forward to see more of it.
Teh is a constant, while Oh-aew is a variable.
That is only reinforced through the outcome of their own life changes and decisions within their personal journey here. Hard not to feel empathetic towards the characters when they give us an insight that we can without a doubt relate. Not everyone is set on their dream so passionately as Teh is, some of us are lost like Oh-aew until we do find our own dream. Changes are always the hardest to accept, mainly when the fears speak louder than reason. However some are inevitable.
What I do love about the episodes of this second season is the fact that we are able to witness their coming of age, along with how their personal choices affect others and their own perceptions of what is right or wrong, bad or good, and the maturity they need to overcome the obstacles that might settle in their own way.
And somehow, I like those odds.
"Love when you are ready and not when you are lonely"
It's a phrase that can easily apply here and also when it comes to temptation. Still, it's quite enthralling the way they film the turmoil of conflicted emotions within the scenes between Teh and Oh-aew. Every single scene is made with the sole purpose of pleasing the artistic eye, therefore to engage the viewers with the complexity of feelings their characters are feeling, all through their intimate and personal journey and paths.
If we go beyond and past all prejudice here, we might see the levels of maturity this season and characters deal with when it comes to the ordeals of life and relationships, be it love, betrayal and even friendship and family. It teaches us valuable lessons if we are able to see between the lines, if we manage to decipher the symbolic value of each and every scene.
People keep on commenting and comparing about ITSAY and IPYTM, from my point of view they are both masterpieces in their own unique way. Both series are different but with the same characters, they are shown to take a step towards adulthood while making mistakes and losing the moon while counting the stars, but it's also shown how to overcome obstacles, how to change paths and chase new dreams, how to deal with breakups and failure, the bittersweet feeling of loneliness and the good friendships we make in life we do carry in our hearts. To not give up on ourselves and on others, and most importantly to learn our own worth and to love ourselves first before opening our hearts to love once again.
It's a trial and error this thing called LIFE.
We're never too sure of whatever our decisions be won't uphold consequences of appreciation or regret.
Sometimes we have to swing it, be bold, learn how to overcome our mistakes. Be mature enough to admit them or to forgive them. Not everything can be forgiven, that's certain, when it comes to relationships communication is one of the most important things to have, without it there's no foundation to begin with.
Teh and Oh-aew have shown that they have come a long way. And it's okay.
Coming to the start point is not always a step back. The beach in Phuket is always their start point.
It's the place where they matured from boys to men. Where they shed uncertain and sorrowful tears, and where they discovered themselves and their over growing feelings towards one another, their sexual awakening was written in those grains of sand and witnessed by the crashing waves, and their very first time was shared and covered by the blanket of the twilight sea as the beaming moon testified up in the night sky above them.
It was their safe place, where they started it all and I found it was the perfect place for them to end their final scene.
They did it, they fulfilled a full cycle ever since ITSAY all the way until here and now in IPYTM. And I am one to admit I would love to have a third installment but at the same time am pleased with how this one ended as a whole in all the symbolism.
Both of them were able to show that it's okay to have new interests, new paths, different dreams and goals, and jobs. It's not okay to cheat in anything or anyone in life, but there are those who overcome it, those who regret it, and those who don't mind at all.
I am just glad that Teh and Oh-aew were able to show where they stood in both of their point of views in that matter.
Don't blame one character, to err is human. Humanity is bound by several mistakes it makes, no one is a saint in this life. And not everyone have or deserves any second chances. For some mistakes it does not take one person but two. If people blame only one in a scenario, then what about the other party? It was the trouble the minute it showed up and the way it used it's own way and merit to climb up top too success without caring about the lives it would ruin by allowing so...
Meanwhile let me add another thing to this long review xD sorry not sorry...
The only flaw I might point out to this, or rather my expectation when I learned that ITSAY was going to have a second season. I was looking forward to have a better insight of Oh-aew. In the first and last episodes we are somehow granted that. But in the middle it felt off. Almost like Oh-aew was a support and not a main character because the attention seems focused on Teh once again just like it was on ITSAY and although on that one it's totally understandable, here it would be better to have both or more screen time for him to shine as well. Nevertheless, they tried to include a variety of characters each one with their own struggles and at the end they even brought the old friends from the first season into the screen to show their roots and connection between the series and the main characters. It was a nice touch I give them that.
The OST is cute, to have BK and PP song as an intro makes it even more special.
They made this one for this and the lyrics are all about Teh and Oh-aew.
And I also like the fact that it has an instrumental version too. They have outdone themselves with the OST of many songs for this season and I am loving them all. NADAO really spoilling us with MVs from the songs and promotions that I can't complain.
I might change the ratings at the end, but so far I am given a high score even though I know they will make me suffer :')
Visually appealing, the emotional scenes are nicely done too, not to slow or fast paced, it doesn't dwell on too silent moments and it also doesn't have those overbearing music scenes. Cinematographically they give us plenty of good shots, while playing with angles, taking advantage of the natural and artificial light and even using the zoom in such a smoothing way that it's very pleasing to see. In certain scenes it gives us a warm like filter, and in others a cold filter which makes me think again of the colors they are paired with, Blue and Red (detail on that also on the plushies they have, and also their college ties ;3)
This drama is the reason I will be anticipating the next few Thursdays of the moon cycle schedule.
Because this season started on a full moon and it will end on a full moon :') therefore completing a full cycle.
And I really wonder if both Teh and Oh-aew will complete their own cycle as well after everything they will go through...
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If you've watched "Signal" (if you haven't - what are you doing?!), you might think that the premise sounds a bit familiar, though the dramas don't have that much in common. In my opinion, "Signal" was a better crafted drama with less plot-holes/the-police-is-too-dumb moments, however "Tunnel" is still a drama that deserves a chance.
One of the things that stood out to me in this one was the main female lead, something that I've disliked with OCN's dramas are their stupid and useless female characters (though, to be honest the rest of kdramaland is no better), however, Shin Jae Yi has been the exception for me. Sharp, smart, and unrelenting, she was a great female character that held my attention alongside the male duo.
This drama's weakness comes towards the end, just like "Voice", it began to fizzle out, with too many police stupidities and too many instances of Park Kwang Ho, the main character, just yelling "bastard" over and over. It was hard for me to get through episode fourteen but I'm glad I did. The ending wasn't as sharp as it could've been, and it wasn't unique like how I would've wanted it (but I do like sad and torturous endings), but it was a heart-warming one.
"Tunnel" is not a perfect drama but it's a good addition to the ever-growing crime genre in Korean dramas. I recommend giving it a try, but be ready to be at the edge of your seat each episode, and be warned that you'll probably spend sixteen hours in front of your screen because it's hard to stop watching one you start.
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Oh. My. God. This show is so ridiculously bad, I'm not even mad anymore.
What's worse is that I think I actually may have enjoyed it instead.Game Rai Game Rak, like almost all Lakorns comes with its fair share of bullshit. You've got an old Island crone whose eyes turn bright blue everytime she sees the future (which ofcourse is completely irrelevant to the plot), you've got a one-dimensional villain, a nasty insecure bitch of a relative who basically destroys lives left and right but somehow has a change of heart in the last ten minutes of the show, wins everyone over and sets off in the sunset without ever having to pay for her crimes.
You've got a selfless and highly forgiving damsel in distress who's constantly being sexually, physically and mentally harassed by our main lead who misunderstands her because of trusting the lies his worst enemy fed him.
Not the brightest tool in the shed, I tell you.
Ofcourse there is always that one guy who is like a brother to our heroine (however always conveniently having waaay more skinship than normal siblings have) who inspires jealousy and possessiveness in the male lead who then proceeds to humiliate the heroine by calling her a slut and whatnot. We also can't possibly forget the one or two or in this case, three other guys who're interested in the female lead and are so insignificant, they might as well be invisible.
Everything is overdramatic and over the top. Rape gets romanticized like nobody's business. People get shot and catch bullets on the daily. Corny dialogues flow out like bad breath everytime someone opens their mouth. Obnoxious music starts playing every ten minutes; effectively swiping away any sincerity that the show managed to portray. Scenes are constantly repeated and the plot-line soon gets derivative.
In short, it's an honest to God definition of a hot mess.
But then again, nobody watches Lakorns for a solid story, well developed characters or a good plot with lack of loopholes. No, people mostly watch Lakorns because they're the classic guilty pleasures and because they get the chemistry between characters spot-on.
Game Rai Game Ruk is no different, which is why despite everything, I still watched it to the end.
This is the third Thai drama starring Yaya, that I have watched and unsurprisingly she impressed me once again. Her acting is always a 100% genuine and the characters she brings to life are so hard not to love.
Game Rai Game Rak is very very similar to Kleun Cheewit; having an almost identical feel at times, but where Jeerawat was a fierce and fearless woman, Fahlada radiates innocence. She's pure, delicate and basically the classic good girl- all the while, successfully staying far away from the 'kind but dumb' category everybody hates.
However, as adorable as she is, I feel that if you don't like YaYa you might not like Fahlada either. In Kleun Cheewit, I started to love the actress because of the drama and her role in it but in GRGR, I liked the drama only because I loved the actress and if I had seen this drama first I might've never adored Urassaya as much as I do now.
After watching this drama I finally understand why Yaya and Nadech are such a big deal in Thai entertainment industry. Their chemistry is absolutely electric and while I did feel that Nadech has a short emotional range as an actor, I believe this was one of his best roles.
From start to finish, it's impossible to hate Saichon. Even when things get ugly and he acts like an ultimate creep by smelling Fah's hair when she isn't looking, taking pictures of her when she's unaware, spying on her with a telescope, tying her up again and again and degrading her, (there's always the unforgivable and romanticised implied rape and all the other times he makes her cry and do things without her will) the reason you can't hate him is because of their sweet as hell moments in the island and the surety that no matter how rotten he acts he still deeply loves Fahlada.
The ultimate on-his-knees groveling session at the end and the fact that Fahlada hits him quite a lot all the time really does help his case furthur and to be honest, even though I am highly unforgiving of assholes there was never a moment where I didn't root for them to be together.
So all in all, Game Rai Game Rak is the kind of show that you can only watch while being extremely lenient 'cause the moment you start to notice all that is wrong with it, you'll start hating it. While I reccomend this for a good time-pass, personally, I skipped and fastforwarded a lot of scenes because, as the show progresses the episodes begin to be filled with more of the same thing. So even if it is skipped a bit, it won't effect the over-all watching experience.
Your classic bad boy-good girl story that you'll love to hate and hate to love and unfortunately do both by the end.
Enjoy!
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Potentials Wasted & Left a lot to be desired
the first half of the show is pretty soild (for a rom-com) but the second half is boring as hell. i skipped alot just to be done with it. I watched it for PMY but her acting is questionable at some points. Main Male lead's performance was also underwhelming, the second male lead was good tho.i think what made the second half unbearable to watch (aside from the poorly written script) is that the main characters had no chemistry, the FM and the second lead worked better for me, and it's not for "second lead's sympathy" reasons, they pairing felt refreshing and made up for the chemistry which lacked in the endgame couple. in addition, i think their stories would've made a lot more interesting plotlines and events than what we've been left with. I was surprised by the LGBTQ+ representation but again, something was lacking, much like most of the sub-plotlines, it felt poorly done and toned down.
to put it simple, yet another underwhelming project from PMY.
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Appreciable attempt...
The literal translation might be "shooting stars" but I still wanna call it "shitting stars" for 2 reasons: firstly, it has 똥:tong (poop) in its original title and the very fact that they've used asterisks (**) for the international title. So, even though many people say it's shooting, the intentions of the makers is very clear, huh!Produced by "Mays Entertainment" and created by "Studio Dragon", "Sh**ting Stars (별똥별)" is a romcom plus idol-life drama. Written by Choi Young Woo and directed by Lee Soo Hyun, the show was originally broadcasted on tvN while iQIYI took charge of international distribution.
The show could be a romcom drama having the main couple at the center, surrounded by many other lovelines, but deep down, it portrays the life at Entertainment agencies, as personal managers of celebrities and members of a a PR team, all of whom are indulged in cleaning up the mess created by the stars, hence justifying the intended title.
Oh Han Byeol (Lee Sung Kyung) is the PR team Head at Starforce Ent. and a long-time close buddy to the topmost actor in Korea, Gong Tae Song (Kim Young Dae); both of them are like sworn enemies and the story mainly follows their story, as they develop feelings for each other. Kang Yu Sung (Yoon Jong Hoon) and Park Ho Young (Kim Yoon Hye) are two managers at the same agency, while Choi Ji Hoon (Ha Do Gwon) is the director. Cho Ki Ppeum (Park So Jin) works as an ent. reporter whereas Do Soo Hyuk (Lee Jung Shin) is the legal advisor to StarForce.
Other familiar faces in major roles are: Lee Seung Hyub (N. Flying), Jang Hee Ryung, Kim Dae Gon, JunQ (MyName), So Hee Jung, Choi Ji Woo and Jin Ho Eun. There are many rookie actors who did deliver well. Also, you'll see many guest roles including Kim Dong Wook, Lee Sang Yeob, Jang Ki Young, Song Ji Hyo, Moon Ga Young, Chae Jong Hyeop, Lee Ki Woo, Kang Gi Doong, Lee Sang Woo, Park Jung Min, Seo Yi Suk and Lee Joo Woon.
Plot development is average yet decent and likable. The pilot episodes and the follow-up didn't create any impression, ngl. But it suddenly became interesting from the 4th episode, idk why. The furtherance is smooth, with so many up & downs and several peak moments, accompanied by twists and revelations. Except for the first few episodes, I didn't really see it going down or dragged or exaggerated. Imo, the 13th & 14th were the ones where the show was at peak throughout, and everything is put to rest by the end, opening a smooth path for the finale week. Thr ending sequence and the finale ended in a grand way. So overally, it might not be very good in sum development, but it was nice and decent with minimum flaw and damage.
The show as an usual romcom, that too in 2022 did not require immense talent to create, however, maintaining the decent quality throughout is what should matter the most. In my opinion, the writers have been able to achieve so to a great extent, if not entirely. And provided that the writers are both debutants, they should be appreciated and encouraged for this was able to be acknowledged by a huge number of audience. It was a wise choice in their part to make it more about the "behind the scenes" workers than the stars, and also giving sufficient share to each of the couple development, adding the character goals to it.
Lee Soo Hyun PDnim who has debuted only 2 years back, has been able to create about 4 moderately acclaimed pieces and I believe this drama also belongs to the same category. His previous experiences surely has helped though this was his first romcom, unusual of his genre. The decent job in case of screenplay, screen-editing, sound editing, sequencing, etc. should be appreciated. Setup in modern urban vistas, there was no need of visual excellence, and everything has been kept simple. The extraordinary failure of cinematographic work in Africa should deduct a point from overall though.
There are 5 OSTs in total and all likable, perfectly blending to the drama and properly utilised throughout. "Shooting Star" by Nam Woo Hyun is alluring track with tranquil music describing how it feels to be in love. "How I Feel" with Kim Jae Hwan's captivating vocals has a jolly rhythm and a piece of confession. "My secret, My everything" by Sondia and Vincent Blue brings back the vibes of old K-romcom OSTs, I cry every time I listen; their harmony is everything. "Departure from a Country" by SuJu Kyuhyun is a melancholic yet alleviating song with stimulating lyrics. "Won't give up" by Choi Yuree is is a softcore track about assuring one about staying by their side and comforting for ever.
What I liked...
# Chemistry development between Tae Sung and Han Byeol was very fond, sweet and likable. Even though they get together sooner than expected, the follow-up journey was nice as well.
# The second couple (won't say who) were the cutest, I'll cry. I wish they had more screentime as couples or their prior development but I'm actually very happy that the couple existed. Let me cry again. The same goes for the third lead couple as well. Let me informq that there are 6 couples in total and each of them are uniquely heart-winning. Look forward to them.
# Park Ho Young, as a person was sweet and her acting is so adorable no matter the situation. The cheerful character she played, surely will remain in my memory.
# Kang Yu Sung, as a responsible and handsome manager did give me flutters throughout. The man is so charming, I will literally pluck stars for him. The character was well written.
# My Lee Jung Shin did shine in the show as well. Him in formal is paradise. The couple chemistry might have come very late but it was nice.
# The PR team, Manager team and the entire organization have been an amazing experience. I don't think such importance was given before? The office scenes were mixed bags of emotions, depicting various situations.
# Emphasizing mental health issues in idol dramas is common but this show did a good job in exposing variable sides of it and also throwing light upon the "behind-the-scene" efforts from the companies, which might not be entirely real.
# Dae Soo calling Yuna-yaaaa was so funny yet so pleasant, I swear. I will miss that for a while, hahahaha.
# There are more than one bromance in different forms though none of them is greatly emphasized, starting from co-stars to managers then between stars & manager and then stars and staffs, and what not. Each of them were fluffy.
# I love the very way the OSTs has been utilized in the show; not only they're good on their own, the appropriate use during the melodrama is actually well-handled. I don't usually see this as a specific point but this drama made me realize so.
What I didn't like...
# Kim Young Dae's acting was a bit off imo. Outstanding performance should be expected from a lead but I guess he was still not prepared to takeover the ML role. It wasn't bad actually, the thing is he needs more training and polishing, and definitely has the potential to become a good factor.
# Unnecessary crossovers did irritate me. The "Find Me In Your Memory" appearance was fine and relatable but the "Penthouse" one was annoyingly cringey and wasn't necessary. Def felt like a filler.
# The cinematography in 1st ep was disgusting, infact, very much overdone. No, seriously, Africa doesn't look like that irl.
# The less of the 2nd couple came to me as disappointing when I realized that even with the seemingly lees screentime, they outshined the lead couple.
Final Remarks... The pros definitely outweigh the cons: in simple, it was a good show to look forward to. Unlike a lot of people, I think it a fairly average drama with very few flaw, which makes it a decent one time watch, yet something that everyone should watch, provided that these days, old-styled romcom dramas with good production values. Go ahead.
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HOW DO YOU DOOOOOOO
Well, not very well considering True Beauty ended today and I'm going to have to spend the whole of 2021 nursing my awful second lead syndrome.True Beauty was a really fun ride. It had it's plot in place, the right amount of funny moments and lovable high schoolers (and their families). The female lead was likable and I rooted for her throughout. Cha Eun Woo did great and could hold his own (has he been working out though? He grew biceps overnight. Damn).
But there is one person who totally breathed life into this show and yes the entire planet knows him by now and there are exactly zero surprises in this name-reveal. SEOJUN was amazing. His puppy scenes made me soft. His intense scenes made me hot. His confession scenes set the bar too high. His ultimate fate made me cry buckets (with him). He simply took over all our lives. He is definitely on that list of my all-time favorite characters and I just want to maintain a list of all his iconic dialogues and go back and watch them scene by scene (maybe that's borderline creepy. Well, I'm sorry dae sekkiya).
But there are so many more characters I want to talk about. The supporting cast was a great strength of this show. Im Semi did such a good job and I loved her pairing with teacher Han. I loved seeing them smash gender roles so royally. Teacher Han was the kind of teacher teacher I not only wanted all my life, but the kind I want to be in the future (yep, I'm a future teacher lol). Su Ah and Taehoon were adorable. Su Ah was such a good friend too. Sujin was great too, minus the minor (or MAJOR) blip where she strayed for a while. But I liked her journey enough to forgive her. I wish the writer hadn't given her that cliche second female lead script, but I guess they were sticking to the script.
Seojun Squad and Suho squad were both awesome. But yes, if I have to pick one, I'll have to pick seojun squad (I'm sorry dae saekkiya). Kim Chorong and Taehoon are the kind of friends I want to manifest into my life (where do I sign up for them?). Joo Young was goalssss. He was so funny (oh shit, my eyes hahaha). I loved all the extraordinary you cast cameos (but what about haruuuu). Chani did well in extended cameo.
Looking back, I was super excited for True Beauty when I found out Hwang In Yeop was playing the second lead. I absolutely adored him in 18 again. And even though I knew he wouldn't be getting the girl here (again), I was just so excited to see him in a role with more screen time for him. And in that sense True Beauty didn't fail to deliver.
It is easily one of the best high school romance kdramas out there I would recommend to everyone and I am sure I will go back and watch it again sometime and bug a few friends to watch it too.
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1This review may contain spoilers
A Mature Storyline
I had not expected , I thought this would be same Thai traditional cheesy BL story but I was wrong . Gmmtv did a great job .Disclaimer - I wrote this review according to my own thoughts . This review may contain spoilers . It will be change according to the upcoming episodes .
Story - Po , a heartbroken soul , was wondering a good job but everytime for being honest he failed at the interview . He recently broke up with his partner ( Earn ) and tried to heal his broken soul . He suddenly got a job at a big entertainment company and he was tasked with documenting a boy group's ( MARS ) final concert before their disbandment . Thame ( the leader of MARS ) about to make a solo debut in South Korea for a misunderstanding with his bandmates .
Impression - A mature and emotional story . The way the actors expressed every details ,is excellent . Thame and Po , both of them were trying to understand their hearts with each other's companion . The cinematography and visuals are top tier . As William is here then the music must be good , yes his beautiful voice stole our heart . The intro was so beautiful , one of the best intro I ever seen .
Overall - Try one episode , you will understand . I am giving 10/10 .
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