Reviews

Mixed Reviews? Just watch it.

Im going to give my opinion on the complaints i see, whilst trying to remain unbiased because Pit babe (1+2) are easily in my top 10.

1. "There wasn't enough recap from the first season, I was confused!"
That’s entirely on you. I know my memory’s trash too, so you know what I did when season two dropped? I rewatched season one. Simple as that. You can’t fault a show for not spoon-feeding you a 30-minute recap just because you didn’t bother catching up.

It’s just common sense if a sequel comes out years after the original, whether it’s a series or a movie, you go back and refresh your memory. That’s your job as a viewer. Expecting the story to pause and re-explain everything just because you forgot is wild.

2. "Where are the authorities?"
Our main antagonist isn’t just some random thug he’s a very well-connected billionaire (or at least extremely wealthy) with ties to businessmen, politicians, and all sorts of shady elites. He’s also full of pride and ego. Involving the police would risk exposing himself and be an admission that he couldn’t handle things on his own that he had to rely on “low-level pawns” to do the dirty work for him. That’s not his style.

And from the protagonists’ side, calling the cops would be pretty much useless. With the kind of power Tony holds, the second law enforcement got involved, he’d be tipped off instantly. The whole thing would backfire, fast. In short: the cops aren’t missing they’re just irrelevant in a world where money, influence, and abilities speak louder.

3. "How the hell is Tony back? Lazy screenwriting."
(Skip this part if you're avoiding spoilers.)
People keep acting like this came out of nowhere, but it’s literally been explained since season one—this whole series is built around people with special abilities. That’s not a new thing. Tony’s ability is that he can bring himself back to life if he swallows his own blood at the time of death. It’s not some random plot twist; it’s tied directly to the rules of the world they’ve set up.

The downside? His body still needs time to recover and he has to be closely monitored after. He’s not some untouchable immortal, and the show doesn’t treat him like one. It’s not lazy writing it's actually one of the more consistent things in the story. We were given clear answers to the what, how, and why. Just because you missed it, doesn’t mean the writing failed.

4. "The acting was terrible."
This one’s super subjective. Personally, I thought the acting was solid line delivery, emotion, all of it felt on point. There were plenty of scenes where you could clearly see what the characters were feeling or thinking without them having to say a word. That’s real acting. It’s not just about speaking lines it’s about expressing, embodying, feeling the role. And in Pit Babe 2, I felt that.

To me, “bad acting” is when someone’s just reciting words with no depth, no connection to the character or the emotion behind it. I never got that vibe here. If anything, it felt like the cast really got their roles and committed to them.


5. "The plot was bad/not present."
(Heavy spoilers, read after watching.)

This is hands down the worst opinion I’ve seen in the reviews.

We’re continuing from season one where Tony was running a human trafficking facility for superhuman babies. That was the whole climax, and in the end, his plan was exposed and he was presumed dead. Season two picks up from that exact mess, and people are acting like the plot disappeared?

The main crew is trying to make sure something like that never happens again. That’s where the serum comes in. They’re developing one that can remove special abilities. The point is to protect people who don’t want their powers or can’t control them. Jeff is a great example of this. His ability is unstable and dangerously strong. If he doesn’t get rid of it, it could seriously hurt him or others.

Then conflict hits fast. With Kim leaving, the team is weaker. They try to patch that by bringing in North as a new racer. That’s already a big shift in dynamics, but then enters Willy. New racer, new energy, and he's openly interested in P’Babe. For the first time ever, Babe comes in second place, which throws everything off. The team feels it. Babe feels it. It rattles him hard and starts pulling at his relationship with Charlie.

Charlie, on the other hand, is stressed and pouring everything into the serum. He’s not trying to be distant on purpose—he just wants them to be safe. He wants a future where Babe isn’t hunted or used for his ability, ever again. So he temporarily steps away from racing to finish the serum, but that only creates more space between him and Babe.

Then Dean returns. That alone brings more tension. He’s promoted to racer to help support the team while Charlie’s away, but let’s be honest, Dean’s presence always comes with drama.

And just when they’re trying to hold it together, guess who comes back? Tony. Not in the loud, obvious way people expected, but silently through Willy. Tony’s no longer chasing the boys himself. He’s watching from the shadows, playing the long game. His new goal is creating a serum that gives special abilities. Imagine how much money that could bring in—selling powers to the highest bidder, especially in military or elite circles.

So while the team is trying to eliminate the danger of abilities, Tony’s building the exact opposite. And while that’s happening, Babe’s shaken confidence, Charlie’s distance, Dean’s reappearance, and the team reshuffling all add more layers to the actual plot.

There was a plot. And not just a basic one. It was detailed, emotional, and connected all the way back to season one. Pit Babe is the only Thai BL series that’s even touched this kind of storyline. Calling it unoriginal, bad, non-existent, or lazy just because it isn’t your cup of tea is just a lazy and shallow take.

((Its like saying Vanilla ice cream is terrible just because you don't like it, its not disgusting it's just not something you personally enjoy; therefore you have no right to deter others away from it.)**)


Now on the complaints i expect to see.

1. "Alan was hellbent on protecting everyone, why is he so selfish now?"

At first, it didn’t make sense to me either. Alan has always been the caretaker the rock of the team. He’s the oldest, the boss, the mentor. Everyone leans on him. But season two reveals his old spinal injury from racing hasn't healed and it’s come back and worsened. His condition is chronic, affecting his nerves and mobility, its not just old age and something he can get rid of. He can’t race, he can’t pushd his body like he used to, he cant properly protect the team. Altogether it shoves him into feeling useless, he knows he can't protect anyone; and if he goes through surgery to get rid of these spinal issues he'd be even more limited on how he could help because he'd be recovering.

That helplessness is what pushes him into bargaining with Tony. He believes going to Tony might make him stronger and give him a way to protect Dean and Kenta. He’s never dealt with Tony directly, he isn't truly aware about how underhanded Tony can be and he genuinely thinks he can negotiate his way into being useful again and maybe even outsmart Tony.

Then it all blows up. Instead of saving anyone, Alan ends up betraying trust and landing himself in danger. He knows exactly what he’s done. ( when Jeff confronts him, Alan doesn’t argue. He knows he broke his own rules. He knows he lied, and worse, he endangered his people. That silence that acceptance that’s not selfishness. It’s accountability after bad judgment, born from desperation. )


I'll always have the opinion that if you didn't like a series because you refused to pay attention, or it wasn't the genre you liked, or the plotline wasn't your preference, or you've watched less then 3 episodes. You cannot give a valid review nor should you try. A series isn't bad just because you specifically didn't like it.

(will add more to this review later)

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Want to discover the world all MDLers are connected with? Watch King of Dramas—The Ultimate Drama-within-a-Drama for us drama-addicts. Indeed, it was an extreme remark, but what can I do? I love this drama to pieces.

Story: Basically, the plot will give you a parody about behind-the-scenes of drama-making and a man who will conquer everything for the sake of his ambition. The story isn’t really life-changing but it is certainly highly influential and enlightening in my case--at least on how drama production works. Yes , it’s supposed to be fiction but watching this one and at same time hearing news about real life drama made me wonder if in reality what was happening here is based on real life-drama filming experience.

I love the writing— Simple yet has a refreshingly engrossing storytelling and it managed to combine right amount of angst, romance, huge dose of comedy while handling issues about ratings, writer and director difficulties, financial problems, sponsorships, actor- behaviors and even extras. Of course, KoD is still a drama, there is a main story going on and I can guarantee that this one gives no dull moments. Intense and fast-paced, you’ll realize what I’m talking about if you try now and watch the first episode. Since KoD satirizes drama-making, it’s only natural for it to be funny, and if I may add, it is enjoyably hilarious in almost every episode. Comedy-wise, it’s a genuine masterpiece for me. Romance is subtle yet touching at first and tends to develop later which makes it more believable and truly romantic—not the usual wrist grabbing can determine the person you love. Did I mention a lot of anti-cliches here? Well, It has. And I love every bit of it! The ending was lovely and very satisfying for my taste.

Cast/Acting: Another thing to love about this drama was the evident character development on the main casts. In the end I have no choice but to love all of them. When I first watched this, I had known little of the casts and it was a great surprise watching all of them. Kim Myung Min also played stellar performance, the character change is very convincing on his part. He is amazing that he can take full control of his facial muscles while conveying the right expressions on his role. I love the strict, straightforward Representative with a sexy voice. Yes, I have to add that, lol. Jung Ryeo Won’s character is loveable-simple yet strong and determined. Her expressions are adorable. Their chemistry was noticeable just with their eyes and gestures, oh well, it comes with the leads personality, that’s why it’s like that—at first. The chemistry was wonderful, with just their gazes alone, I’m melting; Anthony Kim-Lee Go Eun has just become one of my top OTP’s this year. The biggest revelation, I credit it to Si Won—He is simply a truly great actor here. At first it was all funny just because it innates from his personality and self-love, then his expressions, his eyes, and then it comes a time that just his presence evokes hilarity. That’s how funny he is. Min Ah’s character is annoying at first but becomes likeable later on. World’s boys, who wouldn’t love them? Let me join your group! Tehe-

Music: Blind for Love, Keep In Your Heart and Tuesday Song are memorable OST’s for me, now another fave added. Even the instrumentals were catchy.

Rewatch Value: 10 because I rewatched some episodes already while waiting for the new one.

Overall: If a true drama lover runs in your veins, I believe you should watch this!—err, scratch that, I mean you would appreciate, relate and enjoy this refreshing, funny, one-of-a-kind drama as much as I did. :P

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I started this drama on a whim and ended up loving it. It's one of the better romance drama that I've watched in recent years.

The plot is very simple. It is about a teenager crush that evolves into a beautiful relationship once reciprocated. While it is simple, I think the show did a good job overall in portraying the different stages of the relationship. There is no unnecessary angst and the tone remains light and fluffy throughout.

The only thing that makes me rate the story lower is the lack of scenes showcasing ML thoughts. The drama could have used an extra episode to flesh out ML character more. His background story is way too short and he changed from brotherly affection to full on loving the FL so quickly that I find it a bit abrupt. It would be better if there are more scenes showcasing his hesitation and motivation. The novel did a much better job fleshing out his character imo.

The casts are definitely the highlight for me. Everyone fits their role so well and the acting feels quite natural. I love all the 3 leads, though I am most impressed with Chen Zheyuan. His eyes deliver so much emotion! The chemistry between the 3 leads are amazing. I definitely will be checking out their future projects.
I also really like the OST because they fit and added so much to the scenes.

Overall I really like this drama. It is well produced and I could tell a lot of thought and effort went into it. It was good from beginning to the end. Although I feel like they could use 1 or 2 more episodes, but overall I'm very satisfied with the series.

I would recommend this drama for anyone that likes romance, slice of life, and something simple in general. This drama has been my happy pill after a long tiring day at work for the past 2 weeks, so I would definitely missed it.

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To let go is to embrace

Hello, dear Wispys~ Most of us have finally reached our destination (i.e. the finale of the story), while some are still 'experiencing' the journey together with Tang Li Ci and others. It was a wonderful journey for me, and I hope it was a splendid experience for you as well! (˶ᵔ ᵕ ᵔ˶)💞

Loosely adapted from the novel “Enduring a Thousand Tribulations” by Teng Ping, the drama follows its sole main character, named ‘Tang Li Ci’, on his journey to accepting certain truths, letting go of obsessions, and sacrificing for the greater good. The story begins with the lavish wedding of a young woman named A-Shui, who allegedly sold herself to City Lord Hao Wen as his concubine to pay for her father’s funeral. However, the wedding is abruptly halted when a devastating tragedy occurs mid-occasion, at the hands of a single man, as if it were a blessing in disguise for the innocent, young girl. This mysterious assailant reveals himself to be Tang Li Ci, a cruel and cunning cultivator who supposedly gouged out the heart of his saviour, who was essentially family for seven whole years. Being accused of the brutal massacre, the true young master Tang embarks on a journey to clear his name, along with his faithful friend, who is more like a devoted follower, Chi Yun. That is how he meets new people, such as A-Shui, Zhong Chun Ji, and Shen Lang Hun, some of whom later become his newfound family… Our male lead will face several confrontations and betrayals as he steers his life towards an almost impossible goal of resurrecting his deceased senior brother, Fang Zhou, and making things right.

Unlike some historical C-dramas we’ve watched, [Whispers Of Fate] draws on a range of philosophical and religious themes closely connected to Buddhism, such as “letting go of the self” and “embracing emptiness”. Therefore, I would humbly like to interpret my review through the lens of Theravada Buddhism (School of the Elders), exploring certain plot points and identifying how they are interconnected with the concepts of “The Four Noble Truths”, “The Wheel of Life”, and “The Eightfold Path”, which I will provide relevant links below to aid further understanding. (..◜ᴗ◝..)✨

More than ten years before the incident at the Hao residence mentioned above took place, Tang Li Ci (formerly known as Ajibaner Tang Jia) was rescued and taken under the wing of a highly revered martial artist, Fang Zhou, who was the eldest disciple and master of the Zhoudi Tower. Fang Zhou bestowed the name 'Tang Li Ci' upon him with the hope that he would become someone special—someone who doesn’t cling to past grievances. Seven years passed, and the bond of brotherhood between them grew deep—so deep that Tang Li Ci could not accept the fact that Fang Zhou was nearing death due to old injuries sustained during a battle with Yi Que Yin Yang at Tiandu Peak. This obsession led him down a dark path, where he practised an unorthodox technique to transfer his healthy life force to Fang Zhou while absorbing the poison harming his senior brother into his own body. However, this attempt ended in disaster, resulting in Fang Zhou's instant de@th due to Liu Yan’s interruption. Still unable to accept this loss, Tang Li Ci clung to a final desperate hope. He dug out his senior brother’s heart crystal to 'nourish' it within his own body, ensuring that it would continue to beat. As if that weren’t enough, this crafty 'fox' even stole the ice coffin belonging to Wangyu Yuedan’s father, the former leader of 'The Palace of Fallen Jade,' to preserve Fang Zhou’s deceased body inside. (Yes, I know… He’s been a naughty boy, stealing other people’s belongings… (ᵕ—ᴗ—) )

All living beings experience suffering, both physical and mental. Tang Li Ci's situation serves as a perfect example of Gautama Buddha's famous quote, "the root of suffering is attachment." This celestial being felt his world crumbling when confronted with the First Noble Truth: suffering or unsatisfactoriness (known as ‘dukkha’). His intense longing and obsession to be with Fang Zhou, who had already passed away, led him to pursue an impossibly dedicated goal of resurrecting his deceased senior brother—this is a clear example of mental suffering.

The Second Noble Truth (‘samudāya’) addresses the origin of dukkha, which is suffering caused by desire and attachment. This suffering arises from craving permanence in an impermanent world. These desires can manifest in wanting to achieve something—such as Tang Li Ci deluding himself into thinking he could bring the deceased Fang Zhou back to life—or in not wanting something, which reflects Tang Li Ci’s unfortunate fate associated with Yi Que Yin Yang. This latter aspect is a significant source of the misfortunes he has encountered.

In episodes 32 and 33, the male lead finally grasped the importance of letting go of his past obsessions, accepting them, and living in harmony with the present. From a Buddhist perspective, these small steps toward understanding one’s cravings and recognising the illusory nature of permanence represent significant progress toward the Third Noble Truth, or 'nirodha,' which means the cessation of suffering. 'Nirodha' signifies the potential to end our suffering and be liberated from the “Wheel of Life” (Bhavacakra). This concept illustrates the Buddhist belief in the cycle of Shengsi (生死), the Chinese transliteration of life and de@th, emphasising the interconnectedness of birth, death, and rebirth, as well as the teachings of karma.

Our male lead is determined to keep everyone by his side and to alter the tragic outcomes he has witnessed—the deaths of many innocent people, including his close friends and acquaintances. It is only when Tang Li Ci comes to understand his own suffering and its origins that he will truly grasp what it means to let go of these desires and embrace emptiness; this is what ‘liberation’ entails. As another quote states, “No one saves us but ourselves. No one can and no one may. We ourselves must walk the path.”

The fourth and final Noble Truth, known as 'magga', explains how individuals can guide themselves to achieve enlightenment by practising "The Eightfold Path". This path consists of right view, right intention, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration. In simple terms, it is a guide that helps us move away from our cravings and towards ultimate freedom. In his final moments, Tang Li Ci reflected on the sincere wish he had made during the Lantern Festival:

“No matter how the world changes as years pass, I hope the people I care about, those who were with me, and friends who fought side by side…, can live peaceful and happy lives.”

When Tang Li Ci focuses on his desires, he becomes ensnared in the Wheel of Life once more, taking on different forms: first as a little white fox, then as a dragon. In the new timeline, he consistently serves as a guardian deity, protecting Shenzhou (神舟), which means Divine Land or Divine Continent, and its remnants. This role has led to the creation of the Legend of the Fox-Dragon. While it can't be said that he has fully achieved enlightenment—since he remains tied to that world by his attachments to friends and those close to him—it can be inferred that this protective Fox-Dragon may have finally grasped the Four Noble Truths before disappearing into the mortal realm. This occurs after he resets the world to a time before the existence of the Tianren realm and Yi Que Yin Yang.

Although time travel does not exist in Buddhism, ancient texts describe countless physical galaxies, solar systems, and worlds similar to ours (**which would be Shenzhou in the drama), collectively referred to as the “Thousand-Fold World System.” With that context in mind, here is my subjective interpretation: What if the Tang-gongzi we knew were reborn as an entirely different being in a world that resembles our own? At some point, he might have regained his memories due to his abundant spiritual powers, allowing him to ‘change the past’ and create a brand-new world filled with happy inhabitants.

And now… CUT! -ˋˏ✄┈┈┈┈ This is getting far-fetched… (๑´>᎑<)~* Let me finally present my humble insights on the drama...

Although the ending of [Whispers of Fate] may not be considered perfectly happy by all viewers, it is a drama that boasts stunning visuals, enchanting music, and a thought-provoking storyline. The production team paid close attention not only to the attractiveness of the main and important supporting characters but also to several minor characters who have only a few minutes of screen time. For instance, this includes the lesser-known members of Feng Liu Dian (House of Pleasures), the two goddesses guarding Ajibaner Tang Jia’s celestial mother during her pregnancy, along with other celestial beings.

One of the most charming aspects that captivated me was the music and the traditional instruments used. I was especially taken by Hong Gu’s arched harp, known as the Zonggaoji (originally called the "Saung-gauk" in Myanmar). This instrument is unique and rare, as it is not commonly seen in historical Chinese dramas. Among all the original soundtracks, my favourite is "春声碎 (Shattered Sounds of Spring)," followed closely by "临风吟 (Ballad to the Breeze)." "Shattered Sounds of Spring" feels like a soulful ode to Tang Li Ci’s longing and false hopes, as well as Liu Yan’s resentment towards him after Fang Zhou’s passing. In contrast, "Ballad to the Breeze" seems to convey that Tang Li Ci has finally come to terms with the truth and has moved past his earlier struggles. Additionally, the wardrobe designs for each character have been thoughtfully chosen not only for their visual impact but also to reflect the rich history of ancient China. Personally, I found Zhong Chun Ji's wardrobe choices less appealing. Unfortunately, her styling came across as somewhat over the top. For instance, her initial hairstyle at her introduction and the purple princess outfit paired with ocean-themed head accessories were particularly striking. (づ˶˃⤙˂˶)

[Whispers of Fate] can be a slow watch, and some viewers might feel that the story drags before reaching certain climactic plotlines. However, as you continue watching, you will find yourself hooked. The drama is undeniably complex, and it would have benefited from more thorough explanations of key events, such as how Ajibaner Tang Jia(Tang Li Ci) was injured and subsequently saved by Fang Zhou, as well as Tang Li Ci’s connections to Yemo and Yi Que Yin Yang. Additionally, the character arcs can be confusing, particularly with A-Shui.

A-Shui had great potential to drive the story forward with her intriguing, mysterious background. She was depicted as a pure-hearted woman who heals those around her with unconditional love and care, without any ulterior motives. However, she came across as a plain, blank sheet of paper left unused on a desk—without intention or purpose. A-Shui was one of the biggest enigmas for both Tang Li Ci and the audience. Unfortunately, her characterisation felt unsatisfactory. It would have been more effective if her relevance and importance had been hinted at in the earlier episodes, rather than being crammed into the later ones.

Despite a few downsides, [Whispers of Fate] is definitely one of the best dramas worth watching. By paying closer attention to the details and themes, we can learn a lot from these characters about their choices and their consequences. The drama offers not only entertainment but also a rich narrative filled with knowledge about ancient Chinese culture, infused with artistic heritage, philosophy, and religious viewpoints.

┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈ . ݁₊ ⊹ . ݁ ⟡ ݁ . ⊹ ₊ ݁. ┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈┈

The following links may help clarify the concepts I used for my review:

The Four Noble Truths-related:
https://www.ebsco.com/research-starters/religion-and-philosophy/four-noble-truths
https://buddhasartofhealing.com/blogs/thangka/dharmachakra-the-wheel-of-law?srsltid=AfmBOorLcTPTx228ED37pwiRx-P8kp8WFuUEg0Ip4NDq-Lu0NHYxWHbu
https://buddho.org/buddhism/#the-truth-of-the-way-that-lead-to-cessation
https://www.worldhistory.org/Four_Noble_Truths/

The Wheel of Life:
https://www.oxfordbibliographies.com/display/document/obo-9780195393521/obo-9780195393521-0072.xml#:~:text=bhava%2Dcakra)%E2%80%94or%2C,concrete%20form%20abstract%20metaphysical%20concepts.
https://www.lionsroar.com/buddhism/wheel-of-life-bhavacakra/

Many-worlds system concept:
https://www.quora.com/Does-Buddhism-support-the-theory-of-parallel-universes
https://www.themindingcentre.org/dharmafarer/wp-content/uploads/2009/12/R450-160524-Parallel-universes-RB150.pdf

Famous Gautam Buddha Quotes:
https://www.vedantu.com/general-knowledge/gautam-buddha-quotes

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In Amazement!!

I thought this drama was perfect! I am in amazement at how many reviews have missed the whole story line and decided to focus mainly on the acting skills of the ML and FL. Living in North America, it is fascinating for me to learn about other country technologies and their perspectives as they apply to the world market. I certainly won't take anything away from Dylan Wang and Bai Lu as they both are exceptional actors. It is refreshing to see Dylan Wang accomplish a more serious modern day role and how he brings a mature level to his acting. I have seen Bai Lu in many dramas and her acting gives a "real" feel to her roles. I would definitely rewatch this drama again.

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I watch a lot of dramas. Why? Well, lots of reasons but one is because my work is some heavy shit and sometimes I need something that is pure distraction. And this drama delivers on that.

So this is not the drama to watch if you want to think deeply about the world or be moved by something new or profound. It IS the drama to watch if you just had surgery and you need something to keep your mind off the pain while you recover, or if you are that combo of bored and distracted that means you can't keep track of complicated plotting, or if you're feeling sad generally and want to watch an angst-light bickering couple be adorable at each other for a while.

One point I thought worth making is that the premise of forced marriage and subsequent escape/chase as the base of a romantic relationship is tricky to handle well. The show does a great job of balancing the characters and the romantic development so that it doesn't feel like the female lead is intimidated into love or suffering from Stockholm syndrome or something. His intentions towards her aren't creepy, and while she's attracted to him early on, she doesn't fall for him until much later when the power balance between them is much more equal (side note: I would hesitate to call this a "historical".... it's thoroughly modern in terms of the ideas that the characters have about love and morality).

There's a lot of reviews already so rather than describe the show again, I'll respond to two of the major flaws that have bothered other people: plot, and the female lead's character.

Plot: This feels adapted from a web novel, and so rather than a straight plot that carries us from beginning to end, there are definite arcs: The Island Arc, the Escape/Chase Arc, the The Black Gang Arc, and the White Jade Arc. We drop some characters along these arcs and move to new locations where new characters come in, so the beginning of each arc is a bit like starting a new show, with some ramp up time before the story gets going again. The transitions to the Black Gang arc and the White Jade arc are a bit choppy, so our gang of heroes ends up talking about goals for a while and the audience is like "huh? Explosion? What? Coverup? How did we get here?"

Eventually everything makes sense again and it's pretty easy to fill in the gaps, so if you're in it for the cute couple it's not a major detractor. But if you really want a compelling and tight plot, you will definitely hate the transitions and probably not enjoy the show much overall.

Lead Female: She is a bit screetchy at the beginning, and I think the type of character (her backstory) isn't well enough established early on to make sense of some of her actions. However, she's actually a pretty good character once you get her (and the screaming subsides), so here's my take on her: She's a general's daughter who is stubborn, book-smart, and has an intense sense of justice and desire to do good in the world. She's been indulged, but not *specifically* trained. So she's grown up around martial arts and picked up some things, and she knows lots of tricks that she's read about and is decent at putting together traps or thinking her way out of a situation. BUT she's not that great at anything other than slingshot. She's got a lot more courage than experience, so when she starts having experiences, she isn't always prepared for what's happening.

What I liked about her character was that for everything except cooking, what they established that she was good at remained good throughout the show (and the cooking is a really minor exception). So, she has a photographic memory, which is useful even at the end. She's good at tricks and quick thinking. She doesn't use them every possible time, but she doesn't get "dumber" over time as some smart characters tend to; in fact her skills improve. The pirate actually changes to get better at trusting her and acknowledging her strengths, and she learns new skills. It's not *amazing* but it is well done enough to keep their relationship interesting throughout the show, which is great because the romantic arc is such that the show could have suffered from early bed death.

The show was a ton of fun for me. I even loved the cheesy costumes (caterpillar eyebrows!!!!) and props, which offered their own laughs at times. The show never takes itself to seriously, which is what you want for a low-budget comedy low on realism and loose with plot. A high production value would have made the historical inaccuracies and trope-heavy plot unbearable.

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Red flag with a face card is still a red flag. No excuses!

If a guy never listens to you, constantly talks about himself, takes you for granted and is self-centered, would you still stay with him? Without a doubt, the answer should be no. But if he has a charming face, all his bad qualities will vanish into thin air. But that shouldn't be the case, right? We shouldn't be bewitched by someone's looks. The same goes with this TV special.

The k-drama opens with Oh Jin (played by Shin Ye Eun) getting greeted by her boyfriend Cha Min Jae (played by Kang Tae Oh) with passionate kisses the moment she steps into his house. At first, this might seem romantic and sweet but Oh Jin stops kissing Min Jae midway and insists to put away the beer and freshen up first. He didn't even ask how was her day and instead asked why she was late. Min Jae then grabbed her to continue making out but she protested again to which he didn't listen to and wanted to do it his way.

It was pretty obvious from the opening scene that this relationship is doomed to end. Min Jae constantly dismisses Oh Jin's thoughts and feelings and would always point out that she's being too emotional. Oh Jin only realizes this when her boyfriend flicked her forehead too hard after losing in a bet. The finger flick is a wake-up call to Oh Jin that perhaps she deserves better than this. What was once little cracks in their relationship started to develop into a tremor that will make or break their connection.

Shin Ye Eun portayed Oh Jin with naturalism and nuance. We empathized with her as she navigates a breaking point in her relationship. It broke our hearts when she come to realize that her boyfriend is not cherishing and treating her right the way she should be. Ye Eun channels Oh Jin's confusion and ambivalence toward her boyfriend and a budding romance with the PE teacher. Ye Eun's maturity was also shown as the story progresses.

Tae Oh adopts a smug and broody approach to depict a self-centered and insensitive boyfriend. In reality, a possessive and cold-hearted guy turns out not to be hot at all. He constantly turns the tables and puts all the blame to Oh Jin for being too emotional. Thankfully, Oh Jin sticks to her guts and was firm on her decision.

Meanwhile, Hong Kyung plays Koo Won Bin, a PE teacher who is harboring a crush on Oh Jin. He is very soft-spoken and is straightforward about his feelings, a stark contrast to Min Jae's personality. He is sheepish yet has a way with words and it feels as though he is straight out of fiction books.

Overall, this is a quick, nice watch with a compelling storyline. This kdrama is not about getting pissed off over a finger flick, it's highlighting growing out of love and also touches on gaslighting which is a prominent issue nowadays in relationships. Watching this can also be a wake-up call to viewers that loving someone can just be something that is done out of habit without us realizing it. This sounds painful but it is the reality of love. The fact that this special episode was able to narrate a heartbreaking yet light-hearted story in a short amount of time is such a feat and is all the more reason for watching.

PS. If you were rooting for Kang Tae Oh, there is seriously something wrong with you. I bet you rooted for Song Kang in Nevertheless, too.

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The Kmovie would have been a good queer film if not for the plot. I watched the movie earlier with a friend and am not surprised as to why 1million viewers tried to watch this film within two weeks. How could four-hot-good-looking-irresistible stars not garner these amount of fans?

In this movie, what was really interesting was how each character had their own story to tell. I'm also glad that the director and producer gave the chance for these characters to show their own side of the story. The movie is quite long, with bits of musical pieces in between that I almost thought it was going to be like a broadway musical show up to the end.

Joo Ji-hoon (from Goong and Mawang) who played as Kim Jin Hyeok, Antique's owner was the most complex character in the lot. He had this terrible past which he doesn't have closure with up until he made up the Bake shop. Jin Hyeok do not actually like sweets because of an incident 20 years ago. The only way he could move on from that was to catch the person who inflicted trauma in his past but the story does not only revolve around him. There's more...

Kim Jae-wook (from Coffee Prince) as Min Seon-woo, the gay Patisserie (my favorite character) was VERY queer, charming, hot and definitely devious when it comes to making men; straight or gay fall for him. Only Jin Hyeok is the exception for some certain reason related in the past (again). He is the only guy who is able to resist his charm thoroughly up to the present but there would be some side story between their friendship and how things work out in favor for both of them in the end.

I loved the way Jae-wook presented his character, it seemed so real and not icky to watch all. There were several kissing scenes with a guy in this movie to show how gay his character really was. What fascinated me more was that before I actually watched the movie, I have read several comments from him as to how he was able to portray the character in a realistic manner. During the filming sessions, he admitted that he was having a very hard time internalizing his gay character because in reality he wasn't gay. What's more interesting is how it seemed so natural on screen, you wouldn’t even think he was uncomfortable with the whole process. He was so darn convincing that I would think he was gay if I didn't know any better.

Yoo Ah-in (Sungkyunkwan Scandal) as Patisserie apprentice Yang Ki-beom, a punk kid who wanted to eat cakes and is running away from something. The kid is an insistent worker, stubborn but has a high respect for Seon-woo and would only acknowledge him as the best Patisserie in the whole world. He also has a sweet tooth that he became the official taster for the bake-shop.

Choi Ji-ho as Nam Soo-yeong, the guy who is unbelievably stuck with Jin-hyeok. He is the son of the Kim's house nanny and became Jin-hyeok's body guard in the process. He may be a bit slow, and could have been affected by the charms of Seon-woo but he has a great respect and kin-ship affection (not in a gay kind of way) towards Jin-hyeok. He always sees to it that he will be able to cater the needs of his young master.

There are other characters that have their own roles, but it would be too tedious to mention them one by one. Over all the movie's quirkiness is thanks to these four wonderful guys. They have brought the entire film to the best of its ability that even in its 109 minutes, did not once made me feel it was draggy or boring. The mixture of humor and suspense was perfect, even the soundtrack fit so well with the whole movie. There might be some several graphics that was a bit too exaggerated but the colorful atmosphere and acting took that tiny glitch away.

The movie may not show any love interest between a man and woman, but it would certainly show how people could connect deeply with each other no matter how one is scarred from the past or has a marred future. It only shows that in the end, everyone would be able to cope up with their own personal demons.

A must see movie for those who has a queer eye and a different perspective in life.

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If frustration had a name, it would be "Motel California"

This was a one-woman show, all other characters are pretty irrelevant. Lee Se Young was stellar as the cinematography was, too bad her character was an understandable frustrating mess not helped by a shitty script.
Pace is draggy and all over the place. Drama sucked my energy dry.

#I've_got_melo_trauma
#Not_watching_ANY_melo_for_6_months
#Gimme_Back_My_HOURS

I was wondering how they were going to wrap up this thing up given how everything remained messy up to the middle of episode 11...

Turns out, THEY DIDN'T DO SH***

They didnt' resolve anything, they just used a magic wand and all the shitty villagers and classmates did a 180 in the last ep and everything is ok and let's laugh under the (grey) sky after years of bullying? ARE. YOU.KIDDING.ME ? ? ? As somebody who has had experience with some of the issues faced by Kang Hee I can tell you this :

1. Racists gonna remain racists, it's not because they do good things on the side that it changes the fact that they're filthy racists.

2. Even if they did a turnaround, I won't forget and I won't forgive, but in this drama, all these prejudices are treated like it's nothing.

3. It takes a lot of courage to apologize to your former victims. Most bullies would rather die than admit their wrongs that leaves (most of) them with two options: 1. Make up excuses to justify their past behaviors, usually by victim blaming 2. Just ignore the victim and act like they don't exist since these bullies are cowards who can't even look their victims in the eye.
And we're not going to have a "party" together UNLESS they PAY the whole bill!

Didn't care about the Esther story line. From the moment they showed the cheating it was either she aborts or she gets with glass-guy : they also swept under the rug that he's filthy rich hence it's very likely Esther and him are being pressured to abort the baby by their respective families. They have the same background so it makes sense they're allowed to be together, but even if glass-guy's family is ok with him getting with Esther the divorcee they definitely are not for her to keep the baby. BUT this show is doing a Love Next Door thingy so screw these issues I guess. She's gonna keep the baby and get her first love and not be outed by her family because they're not living in South Korea, they're living in Lalaland where genealogy and tracing one's ancestors have no importance whatsover.

Yeon Soo's mother got a new beau... but I haven't forgotten what two women said about him loosing most of his money gambling BUT the show sure did. Another Problem Non-Problem.

Ah Reum left her house and that was it. If it was THAT EASY why didn't you do it from the start? Another Non-Problem.

We never got to learn why Seung Eon didn't even get a Middle School degree given he's been raised by Jung Pil (Chung Pil whatever) since he was 7. But Whatever again I guess. He would have made an interesting character given his backstory but since this was a one woman show, he faded unfairly in the background.

Han U also faded in the background... But he also had an interesting story. It's not everyday you meet someone who gives up everything to restart from scratch in my home country, I can't even imagine what it is in South Korea... But I guess dragging Kang Hee's storyline was more important.

Kang Hee and her father's relationship problem has been solved by the power of his incoming death by the cancer of doom. I guess. Still she doesn't call her father "Father" by the end of the show and she says that "He raised her well"... When the show spent a whole lot of time to show she had to raise HERSELF since her father was always busy taking care of the villagers in particular Yeon Soo's mum but WHATEVER I guess.

And Yeon Soo... Well. Basically a doormat from start to finish. He did get some b*** by the end of the show but not that much. I get it, in recent months the faithful male lead with puppy love - Seon Jae in Lovely Runner, Sa Eon in When the Phone Rings, Ji Hyuk in Marry my Husband, Ji Hwan in My Sweet Mobster, Ji Uk in No Gain no Love and so on... - enamored with the ONE AND ONLY girl has made lots of women - me included - swoon. So it seems we're in for a lot of this type of male leads coming onto our screens...

HOWEVER, you do need to make your ML 3 dimensional if a guy is only defined by "I love Kang Hee", well that's not a person let alone a character. Your "character" is just and empty shell.

We never even got to know if Yeon Soo the doormat ends up going to Seoul to live with Kang Hee. BUT I guess he doesn't need to because from what we've seen, Seoul isn't that far from this village and "everything is forgotten and forgiven" by the power of K drama so Kang Hee doesn't mind coming to this shitty village by the end of the show.

Overall a happy ending that only works if you decide to play the amnesia card.

Well I'm sorry I CAN'T.

Suggested Rating based on the different criteria: 5

Personal rating: 3 Too must frustration, no satisfying conclusion... I loathe this drama even more than "Love Next Door" and that's saying something.

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Zero Character Development

I must say that I felt hooked because I was waiting for the main character to finally win and get her revenge--but I wrong for rooting for her because she is stupid. She keeps getting entangled with her husband who was not worthy at all. How I would breakdown the plot:

Episodes 1-4 = pretty much Tae-Ho gaslighting Sun Woo that he is not cheating

Episodes 5-14 = revenge going back and forth, no winner but everyone is a loser; both parents emotionally abusing the kid / Jun Yeong

Episode 15-16 = pure trash; Sun Woo trying to be a saint saving his trash ex

That's pretty much it. A trash I would not recommend because there is no character development. Sun Woo could have been a better character if she was not stupid. She keeps on telling that she wants everything for Jun Yeong but keeps exposing the kid to the wrong environment because she is selfish and have other motives.

Best ending goes to Ye Rim. Girl freed herself from stupidity.

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A handsome ML and some satisfying PDA

OK - so the story was full of holes and didn't have much substance - but the chemistry between the actors was terrific, and I appreciated the little twists in the story along the way and at the end. The ML was worth every scene he was in especially because he's gorgeous - but the FL was irritating as hell. Maybe her sister would have been a more fitting FL.

The best part of this production for me was the PDA - real kisses, not those pressed lip fake kisses. Not overdone or shocking - but real and romantic, and that made the series for me and earned a 7.5 rating. That's why I look for ROMANTIC historical stories. If you're looking for something light to watch in between serious drama, this one will do! (And looking at the ML is worth it!)

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I came into this drama expecting nothing at all since I was fairly bored and the first few episodes totally blew my mind. The drama started off with a clear message to the viewers: Dan Oh, a girl who is trapped in a manga world tries to break free and keep herself alive from the unfairness and absurdness of the cruel world while trying to find the meaning behind her life.

However, it started going downhill and the message of the drama started to disappear too. Dan Oh went from trying to change her life to saying " Haru!!" during every single scene she was in, it was cute at the beginning but gets extremely repetitive quickly. At first, the introduction of the character Haru was seemingly interesting for me. Who is he? What is his relation to Dan Oh? Why is he the only one who can change the story? As the drama progresses, we got to know the answer behind the first two of these questions and found out that they were lovers in the previous drama, as for the latter... we still don't know. It seemed as if Haru life revolved only around Dan Oh, we really never got to see him really do anything besides think about Dan Oh, nor do we know what his hobbies are (other than saving Dan Oh). His character became utterly boring and one-dimensional to me. The second male lead: Baek Kyung was just an annoying jerk throughout the series and the writers only redeemed him in the second last episode. Second last episode! All through episode 1 to 14, his only role was to get annoyed at Dan Oh and Haru, shout at everyone and slam the locker. The love triangle was so draggy cause we all know that Dan Oh likes Haru and Baek Kyung was clearly not in the picture. Instead of spending episodes with repetitive scenes such as: Dan Oh & Haru cute moments together with Baek Kyung watching from afar with an annoyed expression, the stage happens and Haru gets jealous seeing Dan Oh with Baek Kyung, the stage ends and DanHaru leaves together but then stops on their tracks because Kyung mentioned something about how "Eun Dan Oh is my fiance!!!" and then cue the amnesia storyline but make it happen twice. The writers could have focused on answering important questions such as: How did this manga world happen? Who is the writer? How did Kyung's brother become self-aware and what is his role? Are all the characters going to be stuck in this loophole forever? What's the weird portal? Why is the comic book stored in the library where everyone could easily find it? Meanwhile, you have another love triangle (yes another one) between Do Hwa, Joo Da, and Nam Joo. Do Hwa is literally the only likable character in this series and shadow Joo Da is just really badass and together they would make a great couple right? Wrong. Joo Da chooses Nam Joo, a character who is only there to calls her "my woman" at every opportunity he gets and because if she leaves him, he won't have anyone to care about him.


The acting was incredible. I was skeptical of Rowoon's acting at first since I've never watched him in a drama before but his acting really amazed me. The rest of the cast's acting was brilliant too.

The OST was good too.

Overall, if you can overlook all the plotholes and the annoying repetitive scenes and the cliches then this drama is for you.

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traditional Thai romcom

Overall: this has a lot of frequently seen Thai romcom elements including a ton of comedy sound effects. My favorite was the last arc with Faifa and Wine. 24 episodes about 45 minutes each. Aired on GMMTV's YouTube channel https://youtube.com/playlist?list=PLszepnkojZI7tY-4JZhpydsT6fIpemt3l&si=f7ir8p1MqNiXYXtL and WeTV https://wetv.vip/en/play/feag2shxw6mx76l-Perfect%2010%20Liners For all parts, they should have aired 2 episodes per week instead of it taking 6 months to air and I was not a fan of the constant comedy sound effects.

First Arc (episodes 1-8), actors Book and Force play Arm and Arc
Content Warnings: non con touching, non con picture taking/sharing

Watch Suggestions (if you're not a fan of the cold/jerk pursuer trope and if the comedy doesn't work for you)
- watch episode 1
- episode 2: part 1 6:15-7:35, 8:45-11:40, part 2 beginning to 1:30, part 3 2:40-5, part 4 4-end
- episode 3: watch part 1, part 2 watch 6:20-7:10
- episode 4: watch part 1, part 3 start at 3, watch part 4
- episode 5: watch part 3 starting at 2, watch part 4
- episode 6: watch part 1 (can skip or watch parts 2 and 3), watch part 4
- episode 7: watch part 1, part 3 9-10:20 and part 4 16:30-end
- episode 8: watch part 1 15-end, parts 2, 3 and 4

What I Liked
- I did laugh a few times
- subverted tropes
- easy to understand premise
- sweet moments
- nice to see a lot of GMMTV actors
- Pond & Sand breadcrumbs were sweet though some ignoring boundaries at the end of ep 5
- Tay Tawan cameo
- the friend groups

Room For Improvement
- started with the present, then flashback, the flash to the present and then back again the start of episode 3 felt jarring
- has the nonsense 'be a jerk to the person I like' "plan" (though it is nice that the other guy had a bit of a spine and pushed back)
- non con kiss in episode 5 part 4
- love rivals/jealousy
- the "I don't like you smiling at anyone else, I don't like you going around acting cute" in episode 7 part 4
- (neutral) the comedy sound effects didn't make me laugh


Second Arc (episodes 9-16) actors Perth and Santa play Yotha and Gun (dynamic is a hyper child-like character with a reserved stern character)
Content Warnings: punch, fight, non con kiss, blood, violence, non con touching, gaslighting

Watch Suggestions (to avoid one character being hot/cold)
- watch episodes 9 and 10
- episode 11: watch part 1, part 2 skip 2-7, part 3 skip 6:30-11, watch part 4 until 16:45
- episode 12: watch part 1 9:20-11 and 13min, part 2 watch 4-end, part 3 7-end and part 4 beginning-1:30 and 13:05-end
- episode 13: watch part 1 3-4:45 and 16:30-end, part 2 watch 1:40-2:30
- episode 14: watch part 1 beginning-8 and 13:40-end, part 2 5:50-10:15 and 14-end, watch part 4 5:30-9:05 and 14:45-end
- episode 15: watch part 1 2:30-14:15, part 3 3-end, part 4 9:20-end
- watch episode 16 (can start part 3 at 12:40 to avoid nonsense mom drama (why didn't she say something sooner???)

What I Liked
- caring moments like tying the tie
- supportive mom/sister

Room For Improvement
- the one character acts like a child (brings a blankie to university, sleeps with lights on, cat on his shirt, his childish mannerisms)
- a ton of new characters were introduced quickly
- how a character said another character had to take responsibility for his feelings
- a character was frequently drunk
- a different character punched someone for hugging his boyfriend
- the non con kiss to prove something
- treating a character like an object ie saying "quiet dog" in episode 13
- being hot and cold without communication
- "you started this"
- when asked why a character likes another character he can only come up with "he's cute"
- the cliche power of love magically healing deep trauma/phobia
- being pushy, "I don't know means yes", nope yes means yes or nodding your head means yes


Third Arc (episodes 17-24) Actors are Mark and Junior who play Wine and Faifa (dynamic is a peppy people-pleaser with a reserved character)
Content Warnings: slap, internalized homophobia, unwanted outing

Watch Suggestions
- watch episodes 17 and 18 (can start 18 part 3 at 11)
- watch 19-24 (can start ep 23 part 3 at 5:40 unless you enjoy the mom drama)

What I Liked
- caring moments
- one of the very rare examples that prominently features internalized homophobia
- good intimacy (though too much space between bodies which I think applies to all of the couples)
- nice finale

Room For Improvement
- the over the top character, though he at least doesn't feel like a 5 year old
- though it was nice to see previous couples, by the third arc they took up way too much screentime
- didn't care about the mom plot at all and wish the boyfriends would have first consulted their partners
- (Yotha & Gun had another round of "can I (have sex with you)" and "I told you before no one asks about that")

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