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Aesthetically pleasing and simply heartwarming that it feels like you're reading a poem.
I started watching this drama with no expectation because I'm not familiar with the actors. Moreover the previous Shin Se Kyung's dramas I've watched weren't my cup of tea.I don't know how I ended up clicking this drama but after I watched the first two episodes I was totally hooked. Honestly, the plot is not really new and the characters themselves are obviously fictional but surprisingly this drama is so well written and nicely executed, so it still successfully gives you realistic feeling that you can relate to its story.
One of the most interesting parts about this drama is its range. I really like how diversed and woke the story is by including many aspects in life from love, friendship, family, career, gender, sexuality, environment, art, sport and many more. Although they bring up alot of issues, they still manage to keep its pace consistent and it doesn't go all over the place.
Another thing that I like about this drama is the meaningful conversation between main leads. Yes, this drama contains a lot of talking. However I don't feel bored at all. I like how honest, beautiful and pure the conversations are, even when they talk about ordinary things. They really put a lot of depth in their conversations.
You also don't have to worry about the angst because this is a lighthearted drama. So, despite its poetic vibes, you still can have many laughs. The humour itself is not exaggerated but it's right in its portion which I like it.
How about the casts? There are four main leads in this drama and I love all of them. Each one of them is unique in their own way.
1. Ki Sun Gyeom - He's so pure, selfless and innocent. I don't think this kind of person exist in real life but still I can't help falling in love with his character. Im Shi Wan portrays this role really really well.
2. Oh Mi Joo - She is probably the most realistic character in this drama but that's maybe also because I can relate the most to her character. I love how independent and straightforward she is. She's adorable!
3. Seo Dan Ah - She's a badass character here. She's a strong, an independent and a confident business woman. She is interesting.
4. Lee Young Hwa - I think he is the weakest among the main leads but he's still likable especially when he's with Seo Dan Ah and Ki Sun Gyeom.
That's all I can say about the characters. I think it's better for you to observe by yourself.
Overall this drama is really interesting and well executed. Each of episode keeps getting better and better. If you like a lighthearted and heartwarming drama, I really recommend you to watch this.
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Nirvana in Fire Season 2: The Wind Blows in Chang Lin
29 people found this review helpful
Closure
While NIF2 works as a superb standalone story, it is best appreciated if watched after NIF. Also be aware some of my comments may be spoilers for NIF so best not to read this if you haven't watched it.NIF2 is the story of the changing fortunes of the Changlin family as together with the Liang empire, they navigate a changing of the guard. While the story skips a generation, the ghost of Lin Shu "haunts" the drama. After all, the powerful Changlin Army is the legacy Prince Jing created in Mei Changsu/Lin Shu's memory. Xiao Tingsheng, the now elderly Prince of Changlin instills in his family the same moral values, duty, honor and loyalty that were innate to Prince Jing and Lin Shu. His sons Xiao Pingzhang and Xiao Pingjing grow up with and share a deep bond beyond blood ties with their imperial peers, especially the Crown Prince and their cousin Xiao Yuanqi. Their proximity to the throne and unbalanced power in the court is feared and envied by many. This sets the stage for political plots and intrigue at the highest levels of the court that pose many challenges for the Changlin family. This brings the free spirited and fun loving Pingjing back from the famed Langya hall to aid his more responsible elder brother Pingzhang, the heir who already shares their father's duties.
In NIF, we can only imagine what young Lin Shu's life was like. NIF2 invites us to experience being in the bosom of a close and loving family at the epicenter of power in the empire. We laugh and we cry with them, their friends are our friends, their foes our enemies, their hopes our hopes and we feel the pain of their losses in an acute and very real way. The script-writing and plot in this drama is deep and masterful in a way that rivals that of NIF. While political plotting, revenge, justice, loyalty, morality, duty and envy are still strong themes, it dives more deeply into relationships between sovereign and subject, parent and child, husband and wife and siblings and cousins while exploring the fine line between good and evil and nature vs nurture. Unlike NIF, the story does not revolve around one core character but a number of key characters. Like NIF there are many grey characters and even the good characters are very realistically written with their own strengths and flaws. These lead characters evolve over time as the story-line spans a generation shift and explores how these characters deal with change. The second half of the drama focuses on the younger generation and this is where weakness in the acting emerged as these demanding transitions are played out by younger and less experienced actors. That said, overall the cast was very strong and well populated with many veteran actors.
Newcomer Liu Haoran's Xiao Pingjing was stellarly portrayed from start to finish. He managed to "grow up" from the immature, playful, outspoken, impetuous and slightly irresponsible younger son to be a skilled pugilist, brilliant general and military tactician, the rising star of the Changlin family. This actor immediately conveyed that Pingjing must be what a young Lin Shu (whom we never met in NIF) would have been like. He is the young actor to watch coming out of NIF2. Sadly his love interest Lin Xi was played by a limited and forgettable young actress. Lin Xi's father was killed before she was born so she is an aloof character, a talented and capable lady doctor. She had to make a terrible, controversial and life altering decision in this drama. This is an awesome part that a better actress could have killed. This one wore a perpetually tragic expression and when pressed to defend her decision she overacted, wailing in a completely out of character way. There was no chemistry between Pingjing and Lin Xi and as a couple, they were not convincing. Pingzhang and his wife Meng Qianxue on the other hand were touchingly in sync with each other. Fortunately this is not a love story although there is more romance than NIF. Both female leads were strong and well written characters but only Meng Qianxue's role was well acted.
In the second half of the drama, cousin Xiao Yuanqi also comes of age, clawing his way up despite the disgrace his father (the youngest son of Prince JIng) brought on to their branch of the family. Yuanqi is a chameleon and the most interesting, complex and empathetic character in the entire drama. To be fair it is a challenging role, one that actor Wu Haochen was not up to. While his performance was technically good, it was also pedestrian and boring. He simply lacks onscreen presence and charisma. I didn't want to watch him and would either tune out or tune into whoever he was sharing the screen with. This was too critical a role for them to have miscast so badly. The character itself was exceedingly well developed, it just didn't come to life in the right way. It is why for me this drama is not a perfect 10 even though the script, plot and story-line can hold its own against NIF.
NIF broke my heart because even though Lin Shu/Mei Changsu got his justice, it was his final act. What he lost could never be recovered. I was inconsolable for a long time. Watching NIF2 was cathartic because NIF2 shows us that his legacy and everything he stood for lives on in all the lives he touched. And despite its own tragic moments, in NIF2 we get to imagine that maybe Lin Shu came back to fulfill his final promise. That gave me the closure I badly needed.
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The peak of gay romcoms! The most influential JBL came back better than ever!
Ossan’s Love (2018), arguably the most successful Japanese BL, is a favorite of mine. It kind of suffers from being made in 2018 and that made me a bit reluctant when I heard it was getting a sequel season 5 years later; Could it live up to today’s standard? Or will it drag on and fall into that 2018 humor?Well, thankfully, OLR has moved with the times and served one of the most poignant examples of a sequel surpassing the first season. Everything is praiseworthy in this new season. The characters are so much more lovable, the conflicts as silly or as serious they are get resolved fairly quickly, respecting that all the characters are adults who can, more or less, communicate and solve their issues. I can also see the influence of post-OL BLs in this, especially the focus on domesticity. Haruta and Maki’s relationship progress is adorable to watch and there wasn’t a moment I would change between them. Izumi and Kikunosuke initially felt too random of an addition of characters but by the end of the show I grew to appreciate them. Kurosawa this season was much more likable as well. The slice of life aspect is not dull, not even for one moment because of its comedy and occasional drama. I also still think OL’s has the best female cast out of most if not all BL, even if they’re not the focus a lot. Chizu and Choko are a delight to watch every time and even in their limited screentime they feel fleshed out.
Production quality is also much higher this season and it’s so nice to see the change it was able to make after its success. Keeping Sukima Switch for the new theme song was a great nod to the first season’s theme song. The final episode was so satisfactory that I don’t even feel like complaining about how sad I am to let go of this show. Even if you didn’t like S1 a lot you should watch this as I can confidently say it’s one of the most wholesome, well written romantic shows you can find.
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Trillion Game is a hidden gem
"Trillion Game," a delightful Japanese drama, promises to deliver the perfect dose of laughter. Stumbling upon this hidden gem was an unexpected delight and undoubtedly one of the highlights of my September. If you're anything like me, someone who often finds themselves numb to typical dramas and only has limited free time, then this drama is a must-watch. It's a captivating series that can be enjoyed from start to finish.While "Trillion Game" isn't without a few minor hiccups in its storyline and editing, I can wholeheartedly assure you that investing 10 hours of your life in this series is a decision you won't regret. Meguro Ren effortlessly captures the charisma and poise of Haru, while Sano Hayato perfectly embodies the timid yet brilliantly Gaku.
The show's female characters each possess their unique brand of beauty and charm, with Torinrin and Kirika-hime standing out as my favorites. "Trillion Game" not only offers a refreshing escape from the mundane but also introduces a cast of characters that will stay with you long after the final credits roll.
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It is twice the pleasure to deceive the deceiver.
This Chen Kaige production more than lives up to its pedigree with a fresh and intriguing plot, unforgettable characters, eye popping visuals and costumes and movie quality production values overall. It is the rare Chinese drama that delivers a hefty and completely satisfying wow factor at the end that actually exceeds the exciting, high octane start. Unlike most Republican era dramas, this one is not at all just plain depressing and yuck.On his way home, fresh graduate Hua Minchu (Oh Hao) finds himself entangled in the affairs of the Eight, a vast and powerful jianghu alliance representing eight professions or guilds (spies, sages, mechanics, deceivers, thieves, assassins, poisoners and entertainers). The Eight guild masters have been long awaiting the emergence of a new leader (their Holder) to help them "go legitimate" by disbanding and exiting the grey underworld economy to become upstanding and productive members of society. But this is easier said than done as different factions emerge and other forces plot to seize power and unlock the secrets of a fabled magnificent treasure.
This drama bursts with colorful and multi-faceted characters from the most banal to the most divine; the most loyal to the most diabolical; the most compassionate to the most deadly and the most transparent to the most deceptive. While Oh Hao's Hua Minchu is clearly the lead and very well acted, this drama is about teamwork and the entire idiosyncratic cast steals my heart. All of the guild masters are legends unto themselves; each bringing an unmatched skill to the table that complements the skills of the other masters. Both good and bad are so dynamic, bad ass and so utterly awe inspiring it is literally a gangster's paradise. I love that this drama is about a team that works together, loves together, rejoices together and mourns together - the sum of the parts is greater than the whole. It is big fun to watch such impeccably well acted character dramas like this that doesn't just focus on one lead character. That said, I must admit that Oh Hau/Hua Minchu is delicious! He is a man's man - tall, tan, charismatic and ruggedly handsome - unlike the super androgynous, pasty white faced effeminate male leads we see too much of. He is not the best fighter nor does he always make the best decisions but he is clever and dang - he is way too sexy for whatever outfit they pour him into! I watched this through what I (mistakenly) thought were gaping plot holes just to savor his effortless charm and masculinity.
The villains in this show are very good villains - just as deadly, well resourced, smart and cool . Among others, our heroes are pitted against main villain Fang Yuanji, a viciously brutal, steroid enhanced lean mean killing machine and a shadowy mastermind with an opaque agenda. I had my heart in my mouth every time the Eight engages in hand to hand combat with Fang Yuanji and all their encounters are shockingly consequential. I don't think I need to elaborate on the visual virtuosity of action scenes produced by Chen Kaige - and in truth I don't have the words to do them justice.
From the start, I saw this as a character drama and did not have high expectations in terms of plot so I was wowed when it actually delivered. The story is tightly written and the plot unfolds at an exciting pace with enough conspiracies, twists, angst, betrayals, manipulations and manifold adventures within the well constructed and engaging arcs. However, it is not that easy to develop believable romance threads within such an action packed and heavily character laden story. As such, the romance between Minchu and Xishui (Tan Songyun) was not convincingly developed and it was quite obvious that many of their scenes were cut. That said, they still had good chemistry and Tan Songyun is always adorable, she just seemed to have been dealt a bit of a raw deal on her scenes. I don't enjoy triangles generally but in this case, it is handled very well and turns out to be actually relevant to the plot. In the middle, plot holes emerged with key actors making uncharacteristic decisions that had me rolling my eyes. And then in the final two episodes, I realized I was fooled - everything makes sense and every major loose thread comes together in an EPIC showdown and an exhilarating finale that will leave you thrilled, agonized, shocked and completely and utterly pleased by the way the deceiver is deceived. This is the one drama I have seen this year with a truly strong finish and it is the way dramas should end - shortly after a thoroughly satisfying climatic peak.
Make this the next drama you start. You can thank me later. My 8.0/10 rating would be higher were it not for the cut episodes and the somewhat weaker romance arcs.
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2-Storyline/Plot : That's what captured me about this drama; the story about revenge, hate, action and even romance, the whole concept was was so deep.
Every episode i get amazed by events and several twists that made it very appealing whether it was action twists or romantic developments.
3-Acting/Cast : After this drama Yamashita Tomohisa became one of my favorite actors; he really did his role perfectly; the kind of cold, affectionate character that made me very invested in his character. There were Horikita Maki too, she was cool but not that great as a character. I actually loved the acting department though there were too many weird characters.
4-Music : Yes I remember the music, it was quite good.
5-Rewatch value : There are a lot of moments that deserve the rewatch plus it's short therefore, it's easy to do so.
6-The ending : I liked it even though i was expecting more but either ways it was nice plus there's the film so it's not actually an "end"
7-Overall : Kurosagi is a drama that can make anyone fall in love especially action-revenge lovers (as myself).
I had so much fun while watching it. My all time favorite part when Kurosagi says "Bang"!
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A good story ruined by poor execution!
I am sure I heard this was a big hit in its country of origin. So, I got curious and had quite a bit of an expectation. After completing the drama, I am just utterly disappointed. I almost dropped this because of the poor casting choices. They could have chosen better actors in the leading role. I guess they went after who is popular at the moment. The actor playing the King is so wooden and uninspiring. I can't believe they got him to play the famous Qin Shi Huang. He was supposed to be an authoritarian tyrant. He exuded so much power and vitality in him but I couldn't feel it with this actor. He had almost the same expressions all throughout the entire drama. He looked and acted weak. Gongsun Li's character was supposed to be vibrant, smart and outstanding. Again, I couldn't feel it with this actress. She was bland. I like the actors playing Jing Ke and Madam Chu. I like her little facial expressions and the way she talks. She had this irritating persona and therefore, was a really effective character. I prefer Han Shen over everyone on this drama. You could feel his suppressed emotions. He portrayed the character of a man in love with a woman he could never have well. As for the visual effects, they looked like it was done by amateurs. Lastly, there were so many plot holes and inconsistencies with the characters. I really wanted to like The King's Woman but I just can't. It is a good story but ruined by poor execution.Was this review helpful to you?
Ironically, it had been sitting in my ptw list for a good year, waiting - so I thought - for me to be in the right mood for its somehow heavy subject. It came as a big surprise that this was the perfect moment and Algernon ni Hanataba wo is the show that finally reminded me why I fell in love with Asian dramas in the first place and became an addict so many years ago.
It enchanted me and pulled me into its world five minutes in. I hadn't even realized I was marathoning with bated breath until I exhaled.
The show is built on two different levels: the plot itself with its events and the story told by the characters. These two levels aren't of equal importance, that is, if you watch for the events it may disappoint you, as it suffers from the typical Japanese brevity and sudden, unexpected turns. However, this drama is meant to be valued for the thoughts it provokes and the way it does so, hence my perfect mark.
I won't lie, it made me cry. A lot.
This is a beautifully heart-wrenching story of diversity and the need to conform, be 'equal'. While most of us aim at being smart enough to earn more, have success in life and even wallow in our self-esteem, Sakuto dreams of becoming intelligent for the people around him to love him. This makes his journey all the more tragic, since it inevitably raises the question whether he was happier when only half cognizant of his surrounding or when he fully grasped the meaning of everyone's motivations and finds out that being a genius can be a sentence to loneliness. It also heavily probes on the benefits of intelligence when it's attained at the cost of humanity, empathy, compassion and even love.
I believe each single character in this drama has a precise purpose in terms of typecasting the different approaches to what is generally considered 'normal'. Here's a word I hate when referred to human beings, but it is the core of this tale, in its literal meaning of 'conforming to the norm'. This means that all the characters revolving around Sakuto find their justification only in connection with him, they represent the wide range of 'normality' as opposed to the extremes Sakuto's going to experience.
Which is not to say that they didn't act well. Quite the opposite: what fascinated me here is the fact that each actor played its part in a different way, according to his/her role in Sakuto's life. The same can be said about the direction, which plays a precise role too with its use of symbolism, archetypes, flowers, colours, camera focalization. Even Algernon is a great character. Tiny details are everything but irrelevant, a trait I always, highly appreciate.
And at the risk of being called biased, I maintain Yamashita's acting is impressive here. I was deeply moved by the sheer movement of his hand, the subtle, slow changes in stance, walk, gaze. I loved Sakuto as a viewer, as a woman, as a mother, as a sister, as a friend, to the point I desperately wanted to hug him and never let go. I could go on, but I'm becoming verbose and perhaps a little too emotional too.
The music is the only trait of the drama that gets a mere passing grade. I wish Japanese shows in general would put on their Osts the same amount of effort they spend on photography and characterization. The only song played here is very suitable to the story, but repetitive to the point of losing all its impact.
I've already rewatched many scenes soon after completing an episode. I simply couldn't help it. There's no doubt in my mind I'm going to re-watch the whole drama soon enough, certain it will lose none of its emotional impact on further viewing.
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If this love is poison, then I will gladly drink
A wonderfully wholesome romance and fun law drama with the best partners in every sense. This is a good apple.Ryoma was a passionate lawyer as well as a riot of a human. A delightful tsundere, with his L-like eccentricities and constant overanalyzing of situations and talking to himself/his succulents. What I loved the most about him, though, was his steadfastness for Haruto. No matter who or what tried to get in the way (including Haruto himself), he stood firm and said, "This is my partner."
And Haruto. Haruto at first appeared to be a suspiciously shiny apple. Enchanting, but clearly, something is under the surface. Once he felt safe with Ryoma, though, he slowly let his real self show. His hurt, fear, and overwhelming love he had to give. I adored his confidence, resilience, and unconditional support for Ryoma.
I hate to say goodbye to this wonderful pairing and their little succulent family.
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This review may contain spoilers
Quiet in its voice, thunderous in its impact – a drama of nuance, humanity & whispered revolution
Between Wind, Clouds and Change – "King Maker: The Change of Destiny".Some dramas tell about history – others tell how history is made. "King Maker: The Change of Destiny" does both. It's also a historical KDrama that doesn't just focus on battles or hero myths, but makes the art of face reading (Gwansang) the narrative compass: Whoever wants power must understand people – and themselves. The story takes place in the late Joseon era, a time of political upheaval and dynastic power struggles. But instead of swords, the drama talks about people who deal with knowledge – and read faces. The series is based on the novel "Wind, Clouds and Tombstone" by Lee Byung-joo and creatively reinterprets historical events.
At the center stands Choi Chun-joong, a man not only talented at physiognomy, but who has a deep sense for the movement between fate and choice. His gift for reading personality, future, and intention from a face makes him a valuable advisor, but also a target for political intrigue. Park Si-hoo plays Chun-joong with subtle intensity – a man who thinks more than he speaks, but whose presence fills every scene. At his side is Princess Lee Bong-ryeon (Go Sung-hee), who struggles with her own tragic gift – seeing the fates of others. Go Sung-hee gives Bong-ryeon a quiet dignity, shifting between vulnerability and determination.
I´d say the quiet, deep relationship between Chun-joong and Princess Lee Bong-ryeon gives the series an emotional warmth that goes far beyond grand gestures and touches through small, sincere moments. Their love is marked by separation, reunion, and the burden of fate – less passion, more loyalty. Their romance is not the center, but rather the emotional backbone – giving the political drama a human depth. It's like a river that always flows, even as the banks change. Their bond is based on shared gifts – face reading and destiny reading – and becomes a kind of spiritual complicity. It shows how intimacy lives not in big gestures, but in shared understanding. The romance is quiet, but sustaining – an echo underlying everything.
The series doesn’t follow a classic hero’s journey, but tells of entanglements: between the power-hungry Prince Lee Ha-eung, who loses himself between reform and control; between officials who renegotiate their loyalties daily; and between people whose moral decisions influence the system more than titles. Especially impressive is the calm, almost tentative narrative style, using time jumps not as breaks, but as mirrors for human maturity.
The drama convinces with a finely tuned ensemble performance. The relationship between Chun-joong and the ambitious Prince Lee Ha-eung is a prime example of ambivalence and power psychology. Jun Kwang-ryul shines as the power-conscious Prince Lee Ha-eung, whose performance captures the full moral complexity of the era, balancing ambition and regret. The supporting characters are also carefully and multi-layeredly designed – from scheming officials to tragic outsiders. They’re not just decoration but part of a system that enables as much change as it prevents. Particularly interesting is the cultural background: The art of face reading – called Gwansang – gets a tangible, almost magical significance in the series. It’s not just a trick, but a mirror for responsibility, freedom of choice, and compassion.
What makes "King Maker: The Change of Destiny" so special is its quiet, poetic narration: Political intrigues, conflicts of loyalty, and personal sacrifice are not made sensational, but are shown with respect for the characters and their development. The love story between Chun-joong and Bong-ryeon is tender and believable – it grows out of mutual understanding and shared worries, not dramatic coincidences. Their relationship stands for mutual respect and quiet strength.
The production scores with atmospheric camerawork, detailed costumes, and a fitting soundtrack. Every scene feels lovingly staged and invites the viewer to let the slow unfolding of fate and change wash over them.
"King Maker: The Change of Destiny" is not a loud drama, but a quiet, intelligent masterpiece, convincing with its humanity, well-placed accents, and deep appreciation for tradition and change. Anyone willing to embark on a journey of delicate nuances, fascinating history, and gentle romance could as well love this KDrama.
This KDrama is a moving homage to the quiet forces of change, to the power of perception and humanity. A series for heart and mind – and a recommendation for anyone wanting to feel how history, magic, and love can meet on soft feet.
--------------------------- SIDE NOTE: GWANSANG in "King Maker: The Change of Destiny" --------------------------------------
Gwansang continues to shape the cultural self-understanding of many people to this day. What appears as “face reading” in historical dramas like "King Maker: The Change of Destiny" is more than just interpreting external features. It is an echo of ancient shamanic practices, an intuitive grasp of truth—deeply rooted in Korea’s spiritual history. Even today, many people seek counsel from face readers or shamans when it comes to fate, love, or decisions. Between tradition and trend, this art lives on—as a mirror of a culture that never completely loses sight of the invisible.
In Korean culture, the art of Gwansang has a centuries-old tradition. It is the art of drawing conclusions about character, fate, potential, and even future events from facial features. The forehead as a sign of wisdom, the eyes as mirrors of the soul, the jaw as a measure of determination—these are all classic elements of this ancient teaching. But Gwansang is more than physiognomy in the Western sense: it also touches spiritual dimensions, for behind the visible form, an invisible echo often resonates—an aura, an energy, a truth between the lines.
As a cultural practice, Gwansang becomes an ethical touchstone in “King Maker: The Change of Destiny.” Here, especially through the character of the “Taoist” or "Fortuneteller" Choi Chun-joong, Gwansang is not portrayed as magic but as an intuitive science that influences political decisions. The art of face reading is not romanticized but reflected upon. How far can one really see? Where does perception end and wishful thinking begin? The face becomes a map—not for destiny, but for decision. Princess Bong-ryeon, in contrast, represents another, intuitive level: she senses destinies in advance, has visions, and follows not the logic of what is visible but the inspiration within. Their connection brings together two paths of knowledge: calculation and intuition, reason and empathy. In this way, the series shows that true understanding happens not only through the eyes—but also through the heart. And so, King Maker ultimately becomes a meditation on responsibility: those who read faces must also be able to look within themselves.
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The biggest reason being that this movie at times felt a touch too muddled in what it was trying to convey. It deeply explores an issue very well but yet not deeply enough. Deep issues are at times downplayed due to very stereotypical assumptions, and the end for me felt like a cop out. I admit, that viewpoint can be countered but I felt in the grand scheme of things, it allowed the audience to still retain their view of "normalcy". However, this isn't what made me dock points largely.
This movie deals with a topic that I rarely see and as a review mentioned, where a man trying to become a woman isn't the butt of a joke. Here, there is no laughter, little room for it. This movie cleverly approaches the topic as it takes this Herculean and manly guy who isn't happy with himself. He wants to become a woman. It creates an interesting and refreshing dichotomy as here is a guy who can easily fight any man and easily conquer a horde of attacking gangs yet he wants to be a woman.
The strong point is definitely Cha Seung Won's character (Ji Wook) and he carries this movie for me. The rest of the plot for me is kind of fodder as are a bunch of the characters. There were certain characters in here that for me had no legitimate reason to be here or to be included in the story as they were. Mainly because they muddle vs aid the story. There are other characters though I recognize their importance because they add to Cha Seung Won's character. For example, the antagonist here the sub-leader of a gang and while I find his character to add very little in terms of plot, he brings out Ji Wook's character. What I mean is that most of the action sequences come from the interaction between the two which allows for the story to cement the manly image that Ji Wook has. However, while a good portion of the action scenes are relevant, I have to pick a bone with a good number of them. I feel this way about a lot of movies and dramas that bring to the table an unsettling topic or a very intelligent topic. There are always dramatic actions sequences involved. Yes, it's a way for the director to sell the plot but it would be nice to just directly approach the topic. In this case, the topic is interesting enough to be the sole focus. I just feel that the action sequences at times distract from the main topic.
On a personal note, there were quite a few things in this movie I wish I could alter. I also wish I could make this movie go hard in terms of really exploring this theme. I feel like this movie should have shocked the viewer more than it did. It makes it feel a little regrettable in that regard. Nonetheless, definitely one to watch.
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This review may contain spoilers
Down With Love is a Taiwan drama and I must confess that it's among one of the best Taiwan dramas I have watched plus one of the best that has been produced so far. It features 2 wonderful leads Ella Chen and Jerry Yan, and some couple of really good actors.
The storyline is really nothing new - a boss falling in love with a nanny he hired. The amazing thing with the plot is the twist. I will try to summarize without giving spoilers lol. A boss who already has a girlfriend (the gf is a big time actress) falls in love with a nanny he hired. This same boss has a best friend, while the nanny has a sister.
Things got complicated because they were all trying to save their friendships instead of their relationships. Jealousy, how it feels to be lonely, how it feels to miss an opportunity and strive to have another chance were all expressed in this drama.
The acting was superb. Ella Chen can sure make 1000 different face expressions. Jerry Yan also proved to be one hell of a boyfriend. There was chemistry between Ella and Jerry, there was also chemistry between Ella and the guy with the supporting male role (Michael Zhang). The character Hui Fan was well-shown, she really looked pathetic.
The OST was really good also. It also included songs from S.H.E
I tapped some stuffs from DWL. First is been truthful to yourself (you are in love with someone, just get down to it and don't beat around the bush), there some cases you have to let go and be happy for the other person (as in - Let a bird go, if it comes back to you, then it's yours), you can't find out the answer to something without giving it a try. Lastly, no matter the case, you've got to continue with life and be happy.
I sincerely hope you guys would enjoy Down With Love.
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This review may contain spoilers
my brother in christ...
— i went in blind, & i haven't even read the summary beforehand...i should've. it's confusing at the beginning, but dots start connecting quite nicely somewhere after the first revelation. i don't believe that it could've been confusing to anyone, you just need to pay it minimal attention, at least.— it's strange, & then it's quite horrid but overall it's just heartbreaking. i dislike sibling bonds in movies precisely because it was gut-wrenching to see the dynamic switch between the two brothers after we discover the truth. it's hard to bring your brain out of that illusion once you're convinced that they're blood-related. nonetheless, i liked this movie a lot. my brain glitched for good five minutes after finishing it because you rewind all little details that didn't make sense & you see them in a totally different light.
— i cried, like a lot.
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I laughed and cried with the characters all along. I watched the drama in 2 days, but came to dearly love the characters.
Though it did not end as I was expecting it to end... not gonna spoil that for you...again...enjoyed every moment of it.
The parallels between the 2 families with the same problem was brilliant...I fell in love with Haru's family, and came to deeply understand the despair Miwako's mother was in, though there moments I just wanted to punch her in her face...but who knows, how I would be in that situation...
This is a very deep human drama I think. The IS term is being used to explain people that they have learn to accept themselves as they are, and only then try to change themselves, or show themselves to others... If you don't know who you are, who does? Your parents? Your friends? Who knows? You are the one who decides.
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This review may contain spoilers
The ending is what diminished it for me
7,5/10 is my rating. This is a 2019 (Josean era) fictional drama with 16, 60 minute, episodes.Ha-seon (Yeo Jin-goo) leads a relatively care free life traveling around performing comedic skits that primarily make fun of the royalty. Yi Heon, the King (also played by Yeo Jin-goo) was a benign noble as a Crown Prince but became a paranoid, vicious and crazed king. He is bloodthirsty which is driven by opium induced delusions about being killed. When one of his close advisers comes across Ha-seon by a chance encounter, he is stunned to realize the clownish actor looks exactly like the king. The king has become increasingly concerned about assasination attempts and has tasked his close advisers to find a way to get him out of danger. The adviser who encountered the look alike proposes to the king that he be used as a stand in and the King is more than willing to have the doppelgänger stand in for him. Through a combination of coercion and persuasion they talk Ha-seon into playing the greatest role, that of the king, while the real king slips away to a quiet retreat. As Ha-seon becomes acquainted with palace life and gets to know the inhabitants, Queen Yi Kyu (Kim Sang-kyun) quickly steals his reluctant heart and is surprised herself to find that this new side to her husband is stirring romantic feelings for him she did not have before. Nothing could go wrong - right?
spoiler 🚨 I liked the first half of this very well I thought the male lead did an excellent job playing both the clown who was kind and the king who was bloodthirsty and crazy. I like the female lead who played the queen as she was calm and kind. However, the way the king was and all the palace intrigue reminded me of the American show “Game of Thrones“. As is often the case in Royal courts, it seemed as if everyone was out to poison or kill everyone else for the throne. In the middle of the show, there was a part where the Crowned Clown bowed down to one of the evil villains and I wound up fast forwarding because I knew that eventually he would win out and I couldn’t take watching it go on for so long. After that part it got good again and I thought “well there’s just that one part that doesn’t detract from the movie too much.“. At that point, had it ended well, I probably would’ve given it an 8.5 or possibly a 9. The show literally went down in the last episode or so when it seemed like nearly every character I liked had something tragic happen to them or someone they cared about. Then to top it off, the male lead steps down and gives the crown over to someone we were barely introduced to. After everything that he had gone through as well as all the people that supported him it seemed like a waste for him not to reign longer. The Queen also had been made barren and it would’ve been nice if they would’ve found out that wasn’t true after all. Because it felt like Ha-seon did in part step down because she was unable to bear an heir. Then they aren’t done with the tragedy because as he steps down and leaves the palace, one of the last characters that I still liked gets killed as some crazy ninjas say they are avenging the dowager queen who died a year before and we never really got to know these people to know why they would be so loyal to her even a year later. In fact, when the dowager was alive you didn’t really see her do anything all that great nor did they refer to any great things she had done in the past. Then they make you think the male lead is dead and you get to see the queen, who had stepped away from the throne to be with him, grieve for over two years. Then he just suddenly shows up and says he’s been in what would amount to a coma (how they would’ve supported someone in a coma in the Josean era is a bit of a mystery) and they have this long emotional moment. Rather than being heartwarming, their reunion felt a little bit cheesy and over done. It is a shame that it did not end better because it could’ve been a good show. This is the third TV series I’ve seen with this male lead and I have to say all three have not ended as I like them to. It is to the point where if he is in something I will likely read spoilers to make sure it doesn’t have a poor ending. If you don’t mind tragedy and like things that are a bit nebulous, you may like this better than I did. It is worth watching because a lot of the show is quite good and if you’re able to look past that middle part and the end then you may enjoy it.
#TheCrownedClown
#YeoJinGoo
#KimSangKyun
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