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If you are bored then it’s quite interesting to watch . But the plot was very annoying.
What I like in this drama is it’s very light, watchable to avoid boredom and the story was slightly different from other dramas.But I seriously hate this drama because of the FL’s character. She is nice, cute and simple as it shows. But without knowing the truth how can she just move out from the house and blamed her parents for her biological parents’s death. Is it really that simple. If someone addopted you adter your parent’s death and loved for the long time, and suddenly someone tells you that they are the murderer of your parents, how could you believe the stranger instead of them who are so nice to you along the years. How could anyone be so rude to them? If I was in her place, I would suspect them, but thinking of all those years when I’m being loved by someone that much, I’ll definitely try to find out the truth but I wouldn’t leave them that easily. This is the only reason why I hate this drama.
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This review may contain spoilers
A complex story with many more deep-seated conflicts and emotional drama than it initially reveals
Prologue:"Motel California" piles up drama in reverse, so to speak. The more we learn about the past, the more we understand of the tragedy...
Dramatic. Grievous, too, yet rounded in itself. Not joyful, yet the ambivalent emotions subtly creating a strange kind of warmth, because it's about human beings. Deeply hurt, insecure, imperfect and even embittered human beings who try to put aside their suffering, even suppress it, and still live their lives as best as they can.
Demanding, because as audience we might initially be somewhat reluctant to open our hearts to these people in "Motel California". (But we should, it´s worth it.)
A bitter, moving, and yet beautiful story about despite their defect nevertheless lovable people.
"Motel California" is a healing story amidst a structurally sickening, toxic work and living environment. It's primarily about the 'good, true and proper' origin, the outer impression, the 'right' educational institution, the 'right' gender (male). Additionally it is as well about exploitation, discrimination and bullying. It is also a story about love. Primarily between a boy and a girl. The girl ultimately struggles through life as a deeply sad lone fighter after having to leave behind the only much loved, loyal companion – the only one who, in her eyes, ever made her feel warmth, unconditional trust, reliability, and care in a cold, rejecting world.
"Motel California" is a complex story with many more deep-seated conflicts and emotional drama than it initially reveals. The recurring flashbacks gradually provide more valuable insights. This helps us better understand what is presented to us "today." Accordingly, only over time do we get emotionally closer to the protagonists, i.e., in the course of the second half.
"Motel California" tells of complicated life, of great pain, and above all of the FLs pain, who barrels through life with a disturbingly repellent shell. But many others also carry injuries and scars. Wonderful actors help us feel the drama within the drama through their strong performances.
The story, based on a novel, tackles demanding material. Quite courageous, because what torments and drives the two protagonists internally is not always pleasing on the outside. Especially the FL, with her incorrigible defiance and exorbitance, is sometimes hard to bear. Moreover, her deep pain, which sometimes almost spills out of her eyes, can be quite intense. Respect!!! For daring to uncompromisingly and soulfully tackling in a KDrama the distressing, uneasy dark side of emotional realities in an otherwise highly polished South Korea. And for Lee Se-young to take on the difficult, deeply wounded, ambivalent, and insecure character of Ji Kang Hee, who fights against the rest of the world from a seemingly lost position.
This is not a light-hearted KDrama. "Motel California" is not easy fare. Nevertheless, the latent severity is repeatedly dissolved by soul-warming scenes or channeled through pointedly inserted, humorous scenes. Additionally, there are soothing details between the lines, e.g. in dialogues, mise en scene, and atmospheric lighting.
What ultimately turns out to be a love story, at first starts of somewhat clumsily. At times, it might feel like a study of an almost toxic emotional dynamic between a man and a woman. In their rather awkward addictive habit and sometimes inappropriate ambivalence the love between them still seeks its way in difficult terrain. Over time we get to know the characters a bit more – their motives and backgrounds, as well as their unresolved, unredeemed feelings of guilt. Compassion may spread. And quite a lot so. This is KDrama par excellence. It's worth sticking with “Motel California” and not abandoning the two main leads (nor everyone else) along the way.
Layer by layer, the cloak of forgetting and suppression is gently removed over the 12 episodes. This cloak protectively covered the unresolved feelings. Yet, ultimately it turns out as emotional prison that has long prevented authentic, sincere encounters and healing communication.
The 'Motel California' ultimately represents a nurturing vessel for such encounters and healing. It is a symbol for origin, stigma and opportunity alike. The 'Motel California' forms an island in the sea of cruel rumor mills, social control, social ostracism, and discrimination. The name of the motel – "California" – represents the dream of another world. The motel as an establishment, in turn, stands for what the protagonist was always ashamed of in her childhood. For what caused her to experience painful 'othering' as a child. She was different and grew up under shattered, disreputable, and ultimately tragic family circumstances. I.e. that she is different – not as she should be – was (and is) mercilessly mirrored by her environment. She was not recognized as a full member of society in a small world where everyone seems to know everything about everyone else . And the 'disreputable' that clung to her was inevitably linked to the 'motel' in her eyes – the motel as a mirror of her inconsolable, almost unbearable, and still unresolved injuries of her childhood and youth. Nevertheless, the motel is also her home and witness to her forgotten (including good) childhood memories. "Home, Bitter Home", so the title of the original novel. At last the Motel also becomes a social hub for those who are ready to find redemption. This is thanks not least to Kang Hee's father, who, with his liberal, unmistakably patient, and trusting manner, opens the field for it.
Nevertheless, I also have criticism:
Quite inappropriate in view of the difficult, emotionally complex theme of this KDrama are, in my eyes, the really intrusive product placements – almost as if a commercial break is being inserted every now and then... Cringey!
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The story seems cliche if you look at it on hetero/straight perspective especially when this type of storyline has already been applied in many telenovelas(Latin and Filipino) and even Asian. However, the good twist is that the gay storyline is the main focus, in which one of the characters is a hero who tries to win the love of his best friend after a random tryst due to intoxication. At first glance, it was not really a tryst because, both, as mentioned were intoxicated. But from there complication arose, including the surprise appearance of a girl friend of one of the main characters and then the development of love between two college-educated young adults who are both male.
This is a kind of romantic comedy series that I wouldn't get bored watching for many times, if time allows. Aside from the "main lovebirds", one character I really love is Yihwa. All cast, even the villain, portrayed their characters very well. The acting is "superb" (IMO) especially Yihwa's , and of course, Korn and Knock. Even though I tend to hate the villains, their characters have been played well that it is difficult for me to ignore them. Although it is possible to pinpoint the neophytes in acting, I have come to familiarize all the supporting characters. They've all managed to invoke emotions in their characters, which, I believe is very effective in stirring the emotions of the viewers.
It is not only about having to see the main characters to feel good throughout watching the series. The supporting cast really managed to bring out different types of emotions in me. So, I think this BL series is very effective in incorporating the characters, which I initially thought would just be fillers and uninteresting. But then, they did a great surprise.
And one thing I have to point out in this series are the kissing scenes(of course).
Max(Korn) and Tul(Knock) managed to portray natural kissing scenes, even the most intimate ones between two male lovers in a BL series. I can only watch this in gay movies which are rated for adults. But considering this has also been shown on Thai TV( I think) and online, they have managed to capture a big audience because of their kissing scenes.
I thought I'd be satisfied with just one love scene, but the series kept on surprising me. They really put intimacy of two male characters to a new level. And for that, I commend the actors, the producers, the writers and the directors.
Musically, the timing of the background effects is good. Some are over-the-top but understandable. I love the soundtracks though. Hearing them makes me appreciate Thai pop music more. This is coming from an international fan and viewer of the series.
Overall, this series has done a great redemption to the BL industry. I rate it first on my list.
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Impressions
At the beginning I was not impressed with this drama, I'll be honest. I am not a fan of romanticizing bulling. But my brain apparently didn’t process the "psychological" tag among all the others and when I finally understood I looked at it with a different mindset. It got me hooked, yeah. I guess being in the same idol group helps a lot, because their chemistry was great and their dynamic felt natural. The last 2 eps felt a lil bit rushed, I can't put my finger on the why I felt that, but I can pass that because overall it was great.Now, people and their obsession with kisses!!! Is that really the defining point to score a drama? for real?! my goodness. let me get this straight... So TBLs with mediocre plots and cringe acting are deserving 10 because they do have make out sessions, right?! But an exquisite KBL drama is no good if there's no kissing? I am pissed! A really great drama gets low score because of horny brats who didn't get what they wanted! Look... I get it, it's a romance drama among other tags, but you HAVE the romance. The touches, the glances, the subtle smiles and the straight up lovey dovey staring screams romance! The story was so beautifully portrayed, they had such a great chemistry, loved how natural their dynamic was(yes, I'm repeating myself), the character development was so nice and in the end they were so good at expressing what they feel that they dipped those red flags from the beginning in bright shiny green. From my pov, I am more annoyed when they do kiss but they resemble 2 dead fishes lip locked. I would rather prefer no kiss as long as it's a good drama. If they kiss and it's nice, halleluiah (enters Our dating Sim). KBL takes the industry like a storm and i'm here for it all in no matter if there's kisses or not. They build great background stories, the plot is well constructed and the actors chemistry is always on point... with a few small exceptions. So yeah, Let's go Korea!!!
In conclusion, IT IS WORTH IT!
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1
1Shin Hye Sun Running Circles Around Oppas that Can’t Act and a Crappy Plot that Can’t Plot
You know a writer has overestimated themselves when a show with an interesting premise, distorted timelines, flawed characters and major potential turns into pure, convoluted, nonsensical garbage.❌ The writing and execution in this is seriously bad. Like one of the worst I have seen in a long time. While the drama starts out very promising with unreliable protagonists who slowly reveal their intentions, it loses the plot somewhere in the middle and just ends up being vomit on screen that calls itself a script.
❌ Some things are added just for the sake of it - no logic or reasoning required. Random dead bodies in random freezers, random trucks of doom, random cabins in the freaking forest. There is so much randomness is this show, I was half convinced the writer was on shrooms.
❌ The drama tries desperately to be complicated but ends up coming off as confused as a floppy fish out of water. This was what I was afraid of when I saw who the director was. I have watched almost all of his dramas and things with him go either way. Either he nails his execution and gives you masterpieces like 25-21 and Search WWW or he completely fucks things up like in King Eternal Monarch. Unfortunately, this drama has the same floundering headless chicken execution that King Eternal Monarch had and it’s just sad.
❌ Then, there are the crappy love interests. There are literally three of those in this drama. The third ML is there for no reason. He is also basically a brother figure of the FL’s long term ex boyfriend (the ML) and his pursuit and feelings for her are just awkward, messy and add zero substance to the plot. Just one of those random things the show throws in just for the sake of it.
❌ However, ofcourse, the major downfall of this show are the two main oppas. First of all, neither of them are good actors. They are bland, plastic and have zero nuance to them. Also, their screen presence is in the negatives. I swear Kim Nam Gil’s sock has more screen presence than all of these 3 oppas combined.
❌ Second of all, both of the two male leads are severely unlikeable and selfish for the majority of the show.
❌ The first ML, Hyun Oh, who breaks up with the FL after eight years of dating is trash human being number one. He is selfish and thinks that the world revolves around his mommy issues and the fact that he has two dozen grannies to take care of.
❌ Oh, poor him, his sad oppa problems give him a get out of jail free card to be the most toxic, wishy washy faded red flag that you want to 10000% avoid in real life. And, when I say red flag, I don’t mean the sexy bad guy red flag, I just mean dirty mud blood red flag that is just disappointing and annoying.
❌ Their entire relationship is just about him. He constantly makes her feel like he is better than her and she constantly doubts herself. After dragging her along for eight years and breaking her heart, he still doesn’t cut it off clean. He keeps giving her mixed signals and doing things for her she never asked for so she can never fully move on. And the moment he hears that she COULD move on, he is all scandalised about it.
❌ This man’s head is so far up his own ass that he never realises how someone who he has claimed to love for YEARS is in unbearable pain. And while, I did like their past relationship scenes together and was initially rooting for him, with every episode it seemed he just got worse and worse. By the last episode, I wanted to throw him off a cliff and call it a day.
❌ Then, comes the second main oppa, Ju Yeon. I didn’t like his and Hyeri’s (Fl’s second personality) dynamic from the get go because it came off childish, awkward and silly. Which is fine because that was who Hyeri was supposed to be as a character. What is not fine is that when he learns about her disorder, his reaction is the WORST thing imaginable.
❌ Instead of consoling her or feeling for her, he makes her apologise for hurting him, REPEATEDLY. And then, keeps insisting that she bring the other damaged personality around because he is in love with it.
❌ The whole delusion around the fact that he is in love with a fictional personality and wants her to remain sick just so he can fulfil his own kinks is SICKENING.
❌ After that, I really didn’t see the romance in him waiting around for the personality to show up. It was just stupid and even though the drama later tried to convince us that he’d take her as both Hyeri and her original personality, his actions clearly reflected that he is still very much hung up over Hyeri.
❌ Ofcourse, it’s inevitable that the oppas do get some redeeming moments in the last couple of episodes where they finally focus on people other than themselves but I don’t really give a fuck. I make judgements on characters as the way they are throughout the entire drama not their last minute actions and from the way these two were, the only happy ending for the FL would have been was to stay alone and away. Hell, the 3rd ML who was basically irrelevant cannon fodder was the most likeable option.
❌Also, speaking of shitty things in this drama, let’s talk about the whole DID thing. I usually don’t care about the science and logic of these tropes and I don’t care here either but I feel like it’s almost romanticised. This constant question of were you more happy as the other personality? Then this whole grown ass man being in love with and constantly reinforcing the other personality after knowing the woman for one single MONTH.
❌It gave me a bad taste in my mouth because the FL’s second personality is just a defence mechanism and it’s unnatural, born out of trauma and shouldn’t even exist in the first place, much less be reinforced and constantly validated.
❌ But, I shouldn’t have cared about the technicalities because this drama seriously does not give a shit about authenticity. It pulls out the worst “Oppa’s love heals everything even if it’s freaking DID” card I have ever seen in a drama.
Especially when that love is toxic, unwanted, weirdly codependent and downright stupid. They didn’t even try to pretend like they were using the illness as anything other than a plot device.
❌ To top off the nonsense, every single problem in these people’s lives MAGICALLY gets solved in the eleventh episode. DID? Cured by good old Oppa humping. ML’s reason for breaking up with Fl in the first place which led to this 14 episode worth of junk being made? Solved in 2 seconds. Love triangle? Solved with a good old smiley, breakup date.
It is just outlandish how bad the writing is. There is no real healing or character development anywhere. You won’t find it even with a NASA grade microscope.
✅ So, is there anything good about this show? Yeah, it’s Shin Hye Sun. She is one of my favourite actresses and like always she does an excellent job here as well. Her acting range is insane. She is nuanced, charismatic, expressive and delivers both her roles with perfection.
✅ I loved her as the damaged, sassy, broken, insecure, overly dependent and deeply flawed Ju Eun Ho. She made me feel for her struggles and I absolutely rooted for her. (Atleast, I did root for her before she became a manic panic obsessed oppa groupie who was legit like “I missed your toenails” to her shitty ex boyfriend.)
✅ While I wasn’t as much of a fan of her Hyeri personality with how over the top she was with the whole childish get up, and the exaggeratedly slow speech, I still appreciated SHS for it because it did the job of what the show wanted to deliver with her.
✅ Shin Hye Sun grossly overpowered all other actors with her talent in this drama and it showed. She single-handedly carried it on her back and I hope she asked for a freaking full body deep tissue massage along with a hefty paycheque for this.
✅ To be honest, there are some other good aspects of the show as well. For one, the skin ship and the kisses in it are good. Some episodes pack a surprisingly emotional punch. There are some great cinematography and OST moments. Moreover, the ups and lows of a relationship in flashbacks are also nicely shown but overall, it’s not enough.
❌ Because when you don’t have all the plot holes, the unlikeable male leads, the bad acting, the terrible writing and the confused timelines, you have uninteresting side filler characters taking up the screen.
❌ The grannies are boring, the office people are annoying and all other supporting characters are lacklustre. The only one interesting side character is Hye Yeon but she doesn’t have enough agency to make you invested.
❌ Which is why, on the whole, this drama does feel like a lot of wasted potential and has the tendency to turn your brain cells to rot.
Take my free advice; save your time and your IQ and go watch something else.
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At the time, I was looking for any new drama. I was captured by the cast and the general story and end up watching it.
2 )Storyline/Plot:
I would summarize it in: revenge leads to love; that would be the main idea of the whole drama along with other events that made the story one of its kind somehow.
Positive points:
*The script writers gave a special story for this drama. Well, it's not the type that would make you jump off your seat but it's the type that would make you interested.
*The turns in this drama were simply unexpected, I usually anticipate many events while watching dramas especially K-dramas but in here many of them were surprising; I just love it when I find the exact opposite of what I have anticipated.
*There was creativity when script writers chose to show different parts that the ausience has to collect together in order to understand the meaning behind it.
*The drama's events never became slow.
Negative points:
*Some moments weren't necessary.
*Exept that there isn't much to mention.
Story would have 8.5/10
3) Acting/Cast:
Like I said earlier, one of the reasons that made me watch this drama was its cast; they were perfect for their roles.
*Kim So Yeon was so brilliant, she portrayed her role in a perfect way; whether she was the spoiled rich girl, the tough prosecutor, the woman in love or the fashion girl; she would do anything to get new brands no matter how much hardships she may go through plus she's pretty ; she totally made this drama enjoyable.
*Park Shi Hoo: I just love that actor; here he showed many personalities: the cool type, the angry type, the mysterious type, the tough type and many others that made his role very interesting to watch.
*Han Jung Soo: I really fell for him here, his role was nicely done
*Other supporting roles were acceptable overall.
Cast: 9/10
Acting: 8.5/10
4) The ending:
Even if it was a typical rom-com ending but it was what I wanted to see in the last episode.
The ending: 8.5/10
5) My impression (How did it affect me):
*I finished it in three days which means that I really liked it.
*Even though it started in an annoying way, this drama managed to pull it off and grab my attention later on.
*It was interesting from the moment it started until the end.
My impression: 8.5/10
6) Overall:
*If you like special romantic comedis then this is for you.
*If you like to see great actors on screen then watch this.
Overall 8.25/10.
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The actors:
They gave their best in portraying their role in this drama. In fact, those actors are really great because the way they act is very convincing, as if the situation is real.
The plot:
Though, this kind of drama is not really new but atleast, the writers and the director made this one as an exceptional by making the scenario unique and thrilling in some way. It's a must-watch for me because this doesn't only depicts the issues roaming about prosecutions, criminals and politics it also shows the values (good friendship, loyalty, caring, justice) that we will get by watching it. It'll also makes you cry, laugh, thrilled, sad and angry most of the time.
The OST:
I really love the ost! I really can't say anything about it, but i really like it ??
To summarize everything, all i can say is, you SHOULD watch this drama! It's really great. I'm not exaggerating here, but you should especially if you like actions, friendship, investigation genre, this one is for you!
Oh, by the way, i wasn't able to read all the views regarding this drama, but hey, if there's negative review, please don't believe it for every people has their own preferences. Thank you ????
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Despite a few flaws here and there, Save Me is undoubtedly that one Korean Drama that comes to the closest degree of perfection.
The beauty of the show is in its fearlessness. It yanks out all the controversial social issues that people keep hidden behind opaque curtains and exposes them for what they are.
Religeous extremism, bullying, corruption and abuse of power are laid bare infront of you in their ugliest form.
There's a perverse darkness to the show. This constant undercurrent of foreboding and this feeling that you're watching something that you shouldn't watch. Despite the fact that it has no explicit scenes, the drama still manages to come off as an undeniable Taboo.
Save Me excels at every factor that makes a good show. Excellent direction, a tight narrative and a well-thought out, intelligent script make it impossible for the viewer to not get invested.
Every character and role, no matter how minor, is extremely fleshed out; consequentially making all the more impact.
It is only right that a brilliant script would be backed up by brilliant acting and sure enough, our actors don't disappoint.
At first I thought that I wasn't getting enough from Seo Yeo Ji but as the episodes progress you're entranced by her. Sang Mi is a strong woman caught in a vulnerable position. From determination and rebellion to helplessness, frustration and finally utter desperation; it's an awful never-ending cycle for her.
The deadly world of religeous fanaticism is wonderfully portrayed and Sang Mi's battle with sanity amongst masses of deranged manics shakes you to the core. Her love for her mother, her strong will to save herself, her despair and her agony are all emotions that you feel alongside with her.
However, the star of the show is undoubtedly Woo Do Hwan. I felt so deeply for Dong Cheol that I often found myself tearing up at the unfairness of his situation. He's a warrior with a heart of platinum and a soul that shines. He's sexy, sweet and broken. And I was in love with every version of him. I cherished every moment he was on-screen and missed him every moment he wasn't. It's truly remarkable how excellently Woo Do Hwan acted despite having very little experience under his belt, and that too, in a way that he stole the show from much experienced actors.
Okay, so you know those flaws I mentioned in the beginning? Well, Han Sang Hwan is the biggest one. Considering I'm an egalitarian, I hate noble idiots and goody two saints equally regardless of their gender; and Sang Hwan, to put it frankly, is a little bitch.
Despite the fact that he is the show's hero and this 'leader' that the drama writers want to force you to like- he isn't much at all. He's the classic privileged rich kid with daddy issues that you can find in every other wealthy neighborhood. His character is like an after-thought to the story and Taecyon for me, was very unmemorable.
I hated the fact that the drama, time and time again took away the spotlight from the life of the show (Dong Cheol) and gave it to him. At one point I was bad-wishing him almost as much as I was cursing the evil guys but hilariously enough, he failed in almost of all his hero missions (rescue plans and outsmarting people) all by himself. Until the last few episodes, his character retains the heroic but dumb vibe and I just couldn't take him seriously. Especially when all the real work was done by Dong Cheol.
However, the saving grace about Save Me is that even though it makes it clear who the main leads are, it doesn't discriminate in screen-time. Every single character is given their moment to shine and that is the sole reason why Taecyon did not make me snatch one star back from the rating.
The villains are cleverly written. They are all complex characters driven by different motivations and are as compelling as they are hateful. There are some very lovable side characters- Mr GateKeeper being my personal favorite- and some good ol' bromance to keep things balanced.
Save Me is a show that makes you feel. I found silent tears trekking my cheeks in miserable moments and then there were times I wanted to scream and yank my hair out from frustration. The drama kept me hooked to the screen from start to finish and brought out a whole lotta physical reactions from me.
The OST, mostly instrumental, is pure genius. Played at all the right moments; it incites dread, anticipation and panic in the on-lookers.
There are no plot inconsistencies and the show ends beautifully, providing deep satisfaction and closure, while simultaneously teasing that maybe all that evil isn't gone for good? Who knows.
Personally, this show was right up my alley. It kept me guessing throughout and from the moment I pressed the play button to the time the ending credits rolled; my heart felt like it was in a chokehold of fear for the characters.
While this show may not be for everyone, if you want to test your boundaries and tread into dark waters; Save me is, without a doubt, a must watch.
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This review may contain spoilers
enjoyed the second half more
Overall: I'd really like to see these actors with better writing. If I were to start this at episode 4 and think they had just started dating, then the terrible communication and reluctance would make sense. But their characters' ages were 25 and 32, they were dating for 5? years (engaged for 3), they had known each other for 18 years (age 7 and 14). Their relationship dynamic didn't make sense to me even with a traumatic past event. This is based on a book which I didn't read and I reviewed the series on its own merits. 8 episodes about 45 minutes each. Aired on YouTube and iQIYI (uncut). Mandee also produced: Bed Friend, Cutie Pie 2, Cutie Pie and Why R UContent Warnings: past death/gore, attempted murder, maybe held against will, dub/non con kiss, manipulation, manhandling, trauma/mental health struggles, stalking
What I Liked
- Kuea & Diao's friendship (and Diao and his friend group)
- Lian & Kuea's scenes
- Lian & Yi dream sequences/their dynamic
- cameos from characters in Cutie Pie
- couple funny parts like that dog's costume in ep 3
- sweet moments
- mystery aspect
- good kissing/intimacy (note, this is cut down in the YouTube version)
- Diao's evasive skills in ep 8
- Max's real mom played Yi's mom
- the ending of episode 8 was absolutely adorable
- production value (everything looks beautiful except too much blur filter, the actors, the sets, the cars, etc)
Room For Improvement
- I struggled with the characters and the relationship dynamic, we had an attractive, taller, stern, controlling character paired with a cute, shorter, avoiding physical affection character. The relationship felt more parent/child than equal partners, though thankfully this did start to change a bit. However, Yi said that Diao couldn't go to his own sister's party in episode 4 which was not cool. Also in episode 1 it appeared that there were security guards in their home to keep tabs on Diao/prevent him from leaving and security cameras inside the house for the same reason. And then the writers could have had Diao (an expert in martial arts) fight off those dudes but he got like 1 hit/punch in and then was a damsel in distress. Also him getting around on his bicycle further infantilized him.
- the manipulation/lying to Diao starting in episode 2
- poor communication, they didn't have sex in over a year? they've known each other for over 18 years and can't say what is bothering them, what they need from a relationship, problem solve together how to fix their problems? (I did like that one scene when asking about their honeymoon and future family plans), in later episodes they both say the importance of better communication but then don't communicate well
- the writers didn't make it clear that they had collaborated on their plan
- should have cut out the whole love rival side plot and explained character motivations more
- how Diao frequently avoided physical affection from his boyfriend
- too many time jumps in the first episode
- fart joke humor (and they've known each other for 18 years so what Yi said never happens in front of people was a total lie)
- comedy noises including the goat bleating
- cliche plot point at the end of episode 1
- maybe it was supposed to be funny how the dad prefers Diao because I found it really sad, Yi's dad was awesome in some ways but he was overly harsh to Yi at times
- terrible tiger cgi
- nonsense plot things: in 18 years, Diao didn't know that Yi has sisters (even if the marriage was recent that is something you would know about), Diao had never met Yi's mother in the 18 years that he knew him?, assuming someone is cheating because they smile/hug the opposite sex
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Ahjussis Assemble!
It didn’t take long as someone who has never seen the webtoon to realize Agent Kim Reactivated was based on one. Logic, the laws of physics and biology flew out the window in the opening episode. Once again, a father with a particular set of skills was unleashed in order to save his daughter who had been taken. Along for the bumpy ride were his only two friends who apparently owned one set of clothes each and like Kim seemed to have super powers in a world without super powers. AKR didn’t cover any new spy ground and tended to be repetitive, but it also had its entertaining moments as well. And So Ji Sub.Manager Kim is the widower father of teenaged Min Ji. He meets up with two friends once a year. Han Su is a champion taekwondo master who owns his own school and teaches kids martial arts. Jin Cheol is married to the scariest woman on the planet and spends his days directing traffic and hanging out in his veteran’s trailer playing video games. All three have a past connected to far more violent fare. When the rich girl at Min Ji’s school goes too far bullying her, Kim is forced to shake off his mild-mannered alter ego and set loose a frightening set of skills to find his child, leaving a line of broken bodies in his wake.
What worked for me:
I enjoyed the middle-aged ex-spies, men not comfortable with their own emotions, showing utter loyalty to each other. All were trying their best to be good parents and struggling to understand how to deal with teenagers. I will watch So Ji Sub as a badass anytime, anywhere. Kim was played straight with an unflinching focus on the mission. The other two ahjussis-Choi Dae Hoon as taekwondo expert Seong Han Su and Yoon Kyung Ho as Park Jin Cheol who had an Iron Head and basement full of weapons brought the humor and heart. It also showed the generational technology divide between the ahjussis and teenagers.
The fight scenes were well choreographed and contained gravity defying wire work, but were generally well shot. The kicks often missed but the stuntmen sold the action.
Things that made me go hmmmm…
The three men all wore glasses but never lost them during vicious fights. Their physical abilities were beyond human and not consistent with the laws of physics. Characters sustained blunt force trauma to their heads with no repercussions, bullet and knife wounds also healed rapidly. Poor Han Su was stuck in his dobok for the whole drama. All three were their own one-man army, yet still had people sneak up on them.
What didn’t work as well:
Way too many kidnappings. I stopped counting at 5. Too many ill-defined villains. And the trope I hate, the hero cuts through the minions like soft butter and then lets the Big Bad loose-repeatedly. The drama killed time by showing lines of cars leaving and driving through the city or countryside on multiple occasions. Repetition caused loss of emotional impact. Long minutes were used on car rides and walks, padding the hour plus episodes. The de-aging of the actors in flashbacks was jarring. The natural culmination of the drama appeared to be at the end of episode 7 but continued on. While I could see the reasoning, they dragged it out too far. The product placements were ridiculously obvious, pulling me out of the moment each time.
To sum up:
If you like Ji Sub in battle mode, don’t mind a mix of gritty spy drama with humor, and can check your brain at the door, Agent Kim Reactivated could be worth your while. I feel like I overrated it, but for the most part I enjoyed the ride.
“We need another parents’ meeting to settle things.”
26 July 2026
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A gripping action-thriller that deserves more recognition!
If you’re one of those people that wants to find logic in every fictional drama or you’re a nitpicker, then I suggest you to skip this. However, if you’re someone who just enjoys the ride, likes to watch gripping and entertaining dramas with an amazing cast and well-written story, without searching for every little flaw in every episode, you should definitely check this one out!Thankfully I’m in the latter category, that’s probably the reason why I could enjoy it to the fullest and became one of my favourite shows of all time. This drama has everything: action, suspense, crime, investigation, mystery, humour, teamwork, romance and is very informative, you can learn a thing or two. Everything is nicely balanced. What else could a viewer possibly wish for?
Acting:
The acting here is one of the best I’ve seen this year alongside with Reborn Rich. The definition of perfect casting, all characters have great chemistry with each other and everyone embodies their character smoothly, it just feels so natural. But I have to give an extra applause to Kim Rae Won as he plays this crazy mutt detective role so well, making him stand out from the rest of the cast. Not to mention he has this indescribable charm to him.
Story:
The story is fast-paced and intriguing. They’re showcasing different emergency codes with different cases in every episode, while there’s 1 main case slowly unfolding in the background, so the viewer doesn’t even have time to feel bored. Some cases might be very sad, but the comedic elements are present to balance out the mood. I was hooked from the beginning, every episode was an exciting watch and all the cases were interesting and unique. One of the reasons I absolutely adore this show, is the teamwork, how the fire crew and detectives work together to save people and solve cases. The first episode started off strong and remained like that for the rest of the season, the last episode ended with a cliffhanger, but we get a second season and I’m so excited for that!
Relationships:
The relationship between the main leads develop naturally and for the best throughout the series, the different cases and life threatening situations make them form a strong bond by the last episode. There’s also a little love triangle, but I wouldn’t even call it like that, because it is very obvious what’s one-sided and what’s mutual. The romance part isn’t forced, it’s depicted genuinely and developed slowly. No need to worry if you’re not into romance because, although there is a romantic undertone, it doesn’t overshadows the main plot.
The music is catchy and very nice, matching well with the scenes, paints a picture of the drama every time you listen to it, it’s not overused nor placed in scenes where it’s not needed.
Overall, it is an above average, great watch I would recommend to my fellow action-thriller lovers. I do wish to see more bromance moments between Hogae and Dojin after they sort things out, and my ship sailing in the next part.
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Typical romcom
I started watching this looking at the positive reviews & hype. But its not that good as I expected. Male lead's acting was good. FL umm idk. Sound production was pretty good but not best. 2-3 scenes are rewatchable. Chemistry 5/10. Overall I think Male lead carried the show. The visuals of leads are good. Direction aint that bad. But the drama isnt as good as its hyped. I think there are better dramas out there. Sometimes typical dramas also become great because of lead's chemistry & good sound productions. But somehow i felt this drama lacked it.Was this review helpful to you?
Crazy Satisfying
10/10. This was rom-com done right. It had all the elements I love--slapstick comedy, character development, heart-fluttering kisses, no draggy misunderstandings, a mystery that kept you on your toes, and a satisfying and unproblematic ending. Sure, the ending was more like a gift-wrapped up and tied with a nice, perfect bow, but hey after all the previous Kdrama endings we've been through (if you know, you know), I think we all deserve a satisfying one that leaves a smile on our faces. Hands down, this will be one of my favorites! Thank you Crazy Love Production and Cast!Was this review helpful to you?
It's not Little Forest of Two People anymore - it's Four.
There's too inappropriately much airtime for the second couple to the point that drags the whole story down. From about ep.15 onwards, I can't bear watching the second leads' scenes anymore.First off, the second couple isn't worth watching as their acting skills are not up to par. Second, there's nothing substantial in their storyline, just some cliche boy falling in love at first sight > lying to get close to girl > girl being angry after knowing the truth > boy chasing girl -- but wait... why their story anyway?? It's supposed to be the first leads' story, isn't it? To be the most honest, I feel that the second leads' airtime is equal to the first leads'. I don't know why they have to put two totally different but equally weighed stories to compress in one series to be compared eye-to-eye for the weaker storyline to be suppressed and looked down on by the audience.
After a few episodes of too many improperly show-up scenes of the second leads, I start to be annoyed so much and have bad impression on them instead. I've been skipping their scenes the whole way through since early episodes (and still get their story -- see how simple-minded their storyline is?!) This series can be a lot more interesting if they'd reduce these wasteful scenes of the second leads.
Apart from the rant, I'd like to praise a bit about the first leads' chemistry. Their chemistry is great, so sweet and so authentic (unlike the second leads that I don't feel any chemistry between them at all.) I've watched Zhang Binbin in Love O2O, Eternal Love and The King's Woman before. I never liked his acting in any of them. He was either cringey or stiffed or forceful or all of above. He always looked like being forced when he had kiss scenes (even when it's with Dilireba. Both of them looked being forced to kiss in The King's Woman). I thought Zhang Binbin doesn't suit to play love scences. But in this series, he has done too good. I like all the subtle smiles and all the eye movements in his scenes with FL, especially love his eyes that I used to think were too cheesy because of the big eye size on a face that is too sweet for a guy. In this series, all of his features have become the complements for compliment.
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Women hold up half the sky.
Song of Youth is a historical Chinese soap opera that pays tribute to 红楼梦 Hongloumeng (Dream of the Red Chamber), widely regarded as China's greatest novel. Fans of the novel will immediately recognize that the backstory of an aristocratic family in decline and the multiple character blueprints that are based on this vernacular classic. Uniquely, this narrative plucks out the all-consuming, angsty, tragically epic love triangle that forms the core of the novel and focuses instead on broader, often less appreciated themes. The love triangle is still there but it is been muted to the extent that it is only peeks out towards the end.Lin Shaochun, a talented actress from a performing troupe marries Sun Yulou, the youngest scion of the noble Sun family. With her innate resourcefulness and the support of her husband, she becomes indispensable to his initially disapproving family by ably resolving all their internal and external conflicts and challenges. Bai Lu as always delivers a very enjoyable performance as the supportive and loving wife of Sun Yulou and the clever, thoughtful and femininely authoritative Sun family fixer. Even though I think Wang Yizhe has a lot of potential as an actor, he struggled to get into character and I didn't see much spark between him and Bai Lu. But it doesn't matter because albeit with some challenges, their arc is short and it is ultimately a rather pedestrian love match. After that the narrative explores more complicated and more poignant relationships where the couples have limited ability to make their own choices. Very much like Court Lady, Lin Shaochun is just a tour guide through the social structures, culture, relationships, vanities and daily life details of feudal 18th century China. Thankfully unlike Court Lady, Bai Lu's portrayal of the role as occasionally ruthless and not overly preachy and righteous makes Lin Shaochun very likeable if too infallible to be that interesting.
What stands out about this drama is that very much like Hongloumeng, it celebrates the contribution of women to society - Mao Zedong was far from the first to acknowledge that women hold up half the sky. True to the novel, the drama is very female centric - Lin Shaochun is the main protagonist and in a fitting role reversal the ML Sun Yulou is just a prop; an attractive, decorative vase. Even the best antagonists are formidable and devious women. In fact, most of the male characters in the drama are rather weak and not that intelligent - Sun Yulou only pulls himself together to be worthy of Lin Shaochun, his oldest brother is a foolish gold digger's wet dream, his second brother is the most capable of the lot and his third brother is a henpecked wastrel. All of them become better, more successful men thanks to their smart, determined and capable wives. I find both the eldest and (especially) the second brothers' stories to be far more interesting than that of the main CP. Unfortunately the second brother's story fizzles out in the middle and ends in a slightly disappointing way. Nonetheless, Yao Dizu is by far the most multi-faceted and refreshing character in the drama, more so than Lin Shaochun. She is also the only character that gets to be the author of her own story. If Lin Shaochun were written to be more of a bystander and less of the person who always saves the day, this would be a much better drama. She always wins by the same modus operandi so by the second or third arc, I was on to her and the "twists" become predictable.
The other problem with this drama is that it doesn't seem to be written in one voice or tone and thus gives the impression that it doesn't know what it wants to be. I think it is intended to be a satire or parody of bourgeois upper society during Ming Dynasty. Unfortunately in parts the humor is quite slapstick when it comes to Lamu Yangzi and some of Jin Chen's scenes because that matches the kind of humor they do best. Bai Lu and the rest of the cast however, are better suited towards more subtle, satirical humor and when the writing tries for something in between, it comes across as forced and half the time it misses the mark. That said, there are some really good laugh out loud moments but overall the wit and humor is hit or miss. The rhythm of the screenplay is particularly awkward at the beginning but more enjoyable from the middle episodes. After the four brothers' stories, the recycling of themes around the fallout from arranged marriages gets old and the final arcs flatline - I saw the final end twist a mile away so the end was predictable and anti-climatic.
This gorgeous production was clearly shot with meticulous attention to detail from the sets to the authenticity of the costumes, make up and the cultural details. The only lapse is perhaps the fact that the classic Cantonese opera Legend of the Purple Hairpin is sung in Mandarin and not in its original language (this was one of my grandma's favorite operas, she used to play the Liza Wang/Adam Cheng recording all the time). Overall a high quality production that is an enjoyable light watch even though it falls well short of Hongloumeng in terms of panoramic impression, breadth of social commentary and lasting impact. This is fun enough for me to rate this a 7.5.
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