Forever REMEMBER [ED]
Revenge in a court without justice, is it possible?Suspense-horror series with an intriguing twist and message.
Viewer description is STRONGLY advised because "Remember 15" is indeed VERY GORY AND INTENSE, it´s no exaggeration. You have been warned.
SHORT VERSION:
A story about a group of people who traveled to an island on the 5th death anniversary of a girl they all knew. All of them carry their own dark past with heavy secrets, which were very well portrayed and underscored by the production. Only the story lacked a bit of coherence.
I REMEMBER 15 reasons why you should watch this series
1. The protagonists are ordinary people and that´s why it is so capturing.
2. Every person has their individual flaws and personality traits.
2. The concept of this series is not far from what could happen in that kind of situation.
4. The concept is interesting.
5. The problems of these young adults are various.
6. You never know what will happen. It´s random.
7. It is not ONLY random and unfounded slaughter.
8. The crew did the best they could with their budget.
9. The art department is fascinating.
10. It has characters that represent LGBTQI+.
11. It has characters that are facing disadvantages in life (sickness, disability)
12. The opening of this series is vibey.
13. The opening soundtrack is addicting.
14. They had a lot of fun while filming on set. (As shown in the interviews)
15. Amazing actors, Amazing crew.
DETAILED VERSION:
STAFF APPRECIATION / Production
In the beginning, I really would like to point out the staff´s work in this series. The Art Director [Kissada Namuang] / Art Department [Sumat Namuang, Suphachai Aemsoem, ...] & the Prop Master [Kittuchot Lumloet] really did an insane performance as well as the actors. It´s even more mind-blowing when you keep in mind that it´s the first main role/ big role for some (3) of them, at least on MDL.
The music is well combined with the mood of the series and all individual parts work well together. The opening, an example of the superb combination of cinematography, lights, shadows, colors, and music, is very addicting for me to watch. I could write about this for days.
PLOT 6.0 >> 5.5
12 young adults return to the deserted island, the place where Lyla died five years ago to pay tribute to Lyla and find out who sent a message over the phone to the deceased girl. However, the closer it gets to the truth the more they discover their cruel past. The suspense remains until the last episode, with a few cliché twists.
In terms of content, it approaches a well-known American show that drew a lot of criticism in 2017: 13 Reasons Why. However, while the situations and topics are somewhat alike the approach of each plot is totally different. 13RW focuses on drawing society's attention to urgent problems and crises of young people and improving classmates in their actions. However, while „Remember 15“also spreads awareness for mental health, LGBTQI+, and toxic personalities/ relationships, the approach and outcome are surely more brutal and more dystopian than in other series with the same trope/topic. What kind of rules and morals do you expect from traumatized teenagers facing death on an island far from a normal and structured civilization?
The more important question to ask is what can we learn from this show?
ACTORS 7.5
As for Zee Pruk Panich, Jimmy Karn Kritsanaphan, and Title Tanatorn Saenangkanikorn, they convince the audience of their role. Here I personally highlight Zee (Bew), he had to portray such a difficult character. My rating can also be very much based on the fact that I have „dealt“with his acting skills the most so far and therefore have "high expectations" which he bravely met in „Remember 15“. Especially when considering what kind of role he had to portray.
However, all characters are complicated and multilayered. In general, I would say that the overall acting is solid. At least nobody was a thorn in my side. Personally. On the contrary, even the rather new and inexperienced actors played their roles well [Noon Khingkarn Boonma = Nest, Boss Daranpope Charmpoonod = Mac, Sairung Prapakon Chairak = Lilly]. Hardly anything to complain about. Especially Sairung had a tough role to play. My utmost respect to Sairung, Nut, and Pruk for accepting and embodying these very complicated characters. It mustn´t have been easy.
OVERALL >> 8.0 >> 7.0
The series convinced me in many aspects and buried some of my doubts in the implementation like a corpse in the sand. The scenario is terrifying and not exactly encouraging to make new acquaintances. HOWEVER, that's the way it is with a lot of thriller/horror series, but that doesn't make them any less remarkable. The show's triggers and topics are something the viewer could "learn" from, as quoted in the last episode. One should not take revenge into their own hands, as it is for the law/god/nature to decide what will happen to the offenders/sinners, otherwise, chaos and massacre ought to happen.
In any case, a recommendation to you sweethearts, but I'll stay on the mainland for now. I´ve learned and changed some views on things I had a very set opinion on before watching. I´m glad I have watched this.
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The storyline was interesting to me because of the unique concept that constituted the plot (a vampire who feeds off of energy through physical contact and a human who has mysophobia). It was well paced throughout and the drama did wrap up nicely. There were, however some loose ends, but the second season is rumored to air next month so hopefully, those will be taken care of. The climax of the story (within the drama) though, didn't seem to be as dramatic as they may have intended it to be. It didn't create the suspense or anticipation that it probably should have.
I am actually a big fan of the male lead actor after his drama The Eternal Love, so I found myself inevitably comparing these two. That said, I think both lead actors did a good job of portraying their characters, but I never really felt the chemistry between them. Again, perhaps the second season may change my view on that.
As for the music, I did quite like two of the OSTs. They fit the tone of the story well and were memorable enough, as well as not too overused.
Overall, I would recommend this drama for a short and simple watch, as there are only 16 episodes at around 30 minutes each. I also definitely recommend reading the webtoon!
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It's as it is title suggests Failing in Love not falling in love.
It was a good watch for me, I enjoyed it and specially the ost was amazing it's one of best part of this web drama. As it's name suggest it's about failure in the love lives of teenagers, their feelings, struggles, emotions, confusions, finding what they want from life and the friendship between them. It's a pretty much portrayal of a regular teenagers life I can understand cause I'm passing through same phase.The execution is pretty much realistic, I liked the fact that even though it's just a short drama we get to know the backstories of characters and also pretty much big character development in the end. Although the ending wasn't fairytale like they lived happily ever after together but I really liked that it wasn't typical but everyone was happy and satisfied in there own life in own way, it was perfect ending for me.
This isn't about who ends up together or who gets the girl it's much more than that.
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1
1This review may contain spoilers
A Belief in Safety Pins--To Mend
--Only lightly spoilery--There's a certain *vibe* to Punks Triangle that makes it such a triumph. It's casual yet intimate.
Smoky nightlife filled with private chats with someone you admire but could never imagine having.
With damn fantastic cinematography and costuming, crazy chemistry and acting, it's a thrilling watch.
But the biggest draw and reason for its success (to me, at least): AE/Enaga.
Never have I truly bought a disguise/second identity before!
It wasn't the appearance so much that sold it. A large hat, wig, and baggy clothes can only do so much.
It was the thorough shift in attitude. Who could put together that their awe-inspiring model with a deadly walk and siren eyes, who knows what he's doing, is also the timid, slouching figure with a slow stride and clumsy hands sitting next to them in class?
And the crazy contrast between the identities of AE and Enaga led to many deeper conflicts and realizations within our leads. AE is as much Enaga as he is AE. As Enaga, he is out of his element away from the runway. He's earnest about making clothes but unconfident and inexperienced. But being AE, he has a spotlight on him wherever he goes. He can't get past the idolization to find something real. And he's afraid of disappointing the person he cares about. Becoming Enaga, he is allowed to be an approachable man. But while he's glad to have met someone who likes the other parts of him he shows in his other identity, he also finds himself jealous of Chiaki's fondness for him as Enaga, his softer side. "Do you like that version of me better?"
Becoming someone else to express other parts of you can be freeing as much as it is a burden. Or it can start as a way to hide; avoid unwanted attention, and then become a prison of your own making later on: I.E., how AE started experimenting with his style in school as a way to avoid being approached, and now all eyes are on him as a model.
I appreciated the conclusion having a subtle merging of AE and Enaga, leading to a flirty yet endearing wrap-up between our leads and an essential realization for Chiaki necessary for them to move forward: "My bias is just a person, after all."
My only real complaint about this drama is that deep down, I wanted an explosion of some kind in the finale! Something to send off all the edging of the audience with a high. A searing kiss or small switch-up of some sort would have sealed the deal perfectly!
But as it stands, I'm still left very satisfied and impressed.
Recommended!
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Humorous, Beautiful Romance, Super Cute, Fine Acting
I love this delightful drama. It is visually aesthetic, the plot is light but deadly, the romance is cute and satisfying, the acting is on spot and convincing, the comedy is oxymoronic and can be ironic, both male and female leads are good looking, and the second couple is adorable. This is a story about a group of young and talented musical instrumentalists coming together and forming a girl-only heavenly orchestra during the fictional Sheng Dynasty in ancient China. There, little fox meets old fox.Li Sasa (Bao Shang’en) is an excellent first seat pipa instrumentalist. One day while performing, she mysteriously time-travels back to 1,000 years ago. To return to her present life, she needs to divorce a man who mistreats his wife, Li Runiang, her other self, and then to seek out and marry Li Runiang’s true love. After divorcing her good-for-nothing husband and losing everything, Li Sasa is desperate to find shelter so that she can find Li Runiang’s lover. Impressed by her talent, she is taken in by Lu Jingnian (Wu Chengxu) who is in need of a pipa instrumentalist for his team to take part in a very important competition in front of the Emperor.
Lu Jingnian seems like a Casanova on the outside as he’s loved by all the girls in town and he’s very kind and nice to each one of them, and with his colorful and flowery outfits, he earns the nickname “flowery peacock” from Li Sasa. Lu Jingnian is also very intelligent, crafty and cunning, thereby is double named as “the old fox”. Bringing her present-day directness and smartness, Li Sasa seems like a “little fox” to Lu Jingnian. But behind that flamboyant façade, Lu Jingnian is a devoted man, just like his father who finds life meaningless when his wife dies, and follows her in death soon after.
Lu Jingnian has a noble but dangerous mission to accomplish. As he and Li Sasa encounter problems with their team members, mysteries and dangers, each time Li Sasa assists Lu Jingnian overcome the problems, and in turn, Lu Jingnian selflessly saves her multiple times. They fall deeply in love with each other. When Li Sasa realizes she will leave Lu Jingnian and back to her modern life one day, she’s torn. She knows Lu Jingnian would be devastated to lose her. What follows becomes very heartbreaking and the story is being told beautifully with coherent logic.
I must applaud these two very young actors, Bao Shang’en 20, Wu Chengxu 22. This is Wu Chengxu’s second drama playing the main lead and Bao Shang’en’s debut. Their acting is natural and very believable. Despite their relatively inexperience, they have worked hard and put up an excellent show, making viewers falling in love with the characters instantly.
The overall acting by other cast members is good with some more convincing than others. The costumes and interior wall decors are very colorful and beautiful which match well with all the exquisite classical instruments. The ensemble is picturesque, and it feels like looking at a historical painting.
My Verdict
I have absolutely enjoyed this under-the-radar drama. The classical ensemble reminds me of today’s the 12 Girls Band of China. Visually, it’s beautiful and the ancient music is soothing. The romance is cute and humorous, and the acting and story are better than my expectations. Though some scenes are cliché and tropey, I love how the writer uses idioms to express the musical terms, and how coherent the overall storyline and logical the plot are. Cheeky instrumental music with animal sounds are widely used to match the funny scenes. Red eye and fake dimple makeups for the girls take a bit of getting used to for me.
Sacrificing one's life for love seems romantic but unthinkable. Though many people continue to live a fruitful life when the love of their life dies, many also die with their loved ones simply out of broken heartedness. Here, the ending of the ancient lovers feels like the butterfly lovers to me. Having said that, this is not a sad ending story (read comments below for my interpretation of the ending).
Yes, this is a wonderful little gem not to be missed. Romance buffs will love this story. Strongly recommended.
BRAVO!
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The movie is good, got me hooked all the time. Lu Han acting was pretty good, I wasn't expecting it haha
The female lead also did a great job, I felt her emotions and pain.
You should watch because is a really nice thriller and action.
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Hail Hail! The Gang's All Here.
West Incheon’s favourite good cops Kang Do-chang (Son Hyun-joo and Oh Ji-hyeok (Jang Seung-jo) are back again for another season of murder, mayhem and manipulation with the rest of the lads from Team 2 who are much more of a cohesive fighting machine than once they were. They are still led by Team Leader Woo Bong-shik (Jo Hee-bong), a perpetual nervous wreck whose timidity regarding what they're up against is only equalled by his fear of his wife’s nagging and their chief, Moon Sang Beom (Son Jong-hak) who lives for that holy grail promotion that’s just around the corner.In this series the team tangles first of all with a serial killer in their neighbourhood with a fetish for young women in white. When they finally get their man they play a rather protracted, elaborate game of cat and mouse with a family-run conglomerate, TJ Group who seem to be at the centre of domestic violence and possibly crimes of passion. At the start the patriarch (Song Yang-chang) of TJ Group is spending time behind bars for dubious business practices and the company is left to the devices of his contentious offspring Cheon Sang-woo (Choi Dae-hoon), Cheon Na-na (Kim Hyo-jin) and son-in-law Woo Tae-ho (Jung Moon-sung). The half siblings duke it out for supremacy while Woo Tae-ho, also head of the legal team, is caught between their ferocious rivalry. Their story is both high melodrama and a psychological battle of wits rolled into one.
The thing to note first of all about this franchise is that this never purports to be a police procedural about the nobility of the boys in blue. Far from it. Indeed it is a show about cops — warts and all. The official English title is somewhat misleading and would be better translated from the original as The Model Detective. That said Do-chang and Ji-hyeok aren’t perfect men (Ji-hyeok comes pretty close) but they are the closest thing to diligence and smarts as one might get from this rag tag bunch of investigators. The two men are as alike as chalk and cheese but in very significant ways define what this abstract model detective looks like. Do-chang is all heart and emotionally driven. He sympathizes deeply with the victims’ families which is evidenced by his relationship with his adopted daughter and their relationship with the victim's grandfather. Having lost his father to a cold blooded killing, Oh Ji-hyeok isn’t just intellectually committed to cracking every case, he is absolutely determined to catch every single perpetrator that comes his way. He is depicted as the consummate detective and he’s earned the respect of his colleagues to the extent that his intelligence guides the discourse in the office. The maknae of the team Shim Dong-wook shows plenty of promise except that his Achilles’ heel seems to be his ne’er do well brother Dong-il who seems to fall prey to all kinds of schemes concocted by those whose aim is to divide and conquer.
Unlike your garden variety police procedural, getting to the bottom of the mystery isn’t the main thing here. There aren’t any intractable mysteries or supervillains here. If that’s what you’re looking for, you might want to look elsewhere. Like many K crime shows, knowing who’s responsible isn’t the end of the story or sufficient cause for an arrest because proof is hard to come by. Meanwhile the perpetrators are protected by layers political clout or vested interests which reflects how any kind of business is done in that part of the world. Truth isn’t just a casualty, it’s barely relevant in such a context. In the end one might appeal to self-interest, financial incentives, threats, and political expediency but very seldom is righteous fervour or a well-developed sense of justice part of the equation. Within this dog eat dog ecosystem, detectives see themselves as a link in the food chain and they might want to negotiate for a better deal than what the public service can offer them. It isn’t just a case of survival of the fittest but a submission to the status quo — to the way things are. Jang Ki-jin which is this season’s corrupt cop alongside Choi Yong-geun an ex-cop now enjoying the benefits of being a stooge of TJ group represents a sample of what’s wrong with the public service: It is dominated by capable but ambitious individuals who use their previous service as a stepping stone to getting in bed with the rich and powerful.
Woo Tae-ho, who is another new face in the franchise, is a morally enigmatic figure. Without his inclusion in the mix, the TJ Group would be just another feuding chaebol family. He’s a mediator, a broker and the protector in a messy situation. Somewhere along the way the former prosecutor got mired in that family’s misdemeanours to the extent that he became the family’s lap dog cleaning up after them. His moral compass has gone awry in service of the woman he married. Perhaps that’s why he became attracted to the deceased Jung Hee-joo, a subordinate, who was something of a misfit in that environment. Tae-ho’s dynamic with his wife Cheon Na-na is tragically compounded by layers of irreparable misunderstandings. From an outsider’s perspective, it looks like they’re two people who may lingering feelings for each other but an insurmountable wall has sprung up between them with neither wanting to make the first move to repair matters. There’s little trust on her side and there’s plenty of guilt on his. Na-na whose mental state is fragile despite the bravado clearly frames herself as the victim in the Cheon family dysfunction. She teeters back and forth on the edge of the abyss between stylish poise and wretched madness. It’s a masterful performance by Kim Hyo-jin. Without a doubt her chemistry with Jung Moon-sung is one of the more arresting parts of the show. Jung Moon-sung is one of those truly underrated actors who has the versatility and the charisma to be a male lead but for some reason that status has eluded him thus far.
In the end “Why was Jung Hee-joo killed?” is perhaps a far more difficult question to answer than “Who killed Jung Hee-joo?” The answer to the first question is far more psychologically complex than one might think. But at the end of the day, it’s a question that’s much more of interest to a viewer like me than the conspirators who are trying to misdirect and impede the investigation. For those of us who were raised on the teat of western crime fiction, it might be something of an anticlimax that the answers that her grandfather seeks can only be found only after a series of negotiations, accommodation and political compromises. However, such is the reality of that world. At least the cops can console themselves with the belief that the dead woman’s family can get some closure.
In an ensemble such as this with veterans and well-regarded character actors, it’s pretty much a guarantee that the performances will be stellar across the board. The actors contribute in large part to making this viewing experience an immersive one. It is a male-centric story and one of my great delights is watching the Team 2 camaraderie at work. The banter between the leads and among their colleagues never fails to amuse. Each deliver a punchline with flair especially when it's not heard by the others. What began to flower in S1 has developed into a bit of an art in this series. The dialogue spiced with wit and irony is music to the ears. Despite the ribbing and backhanded serves of chastisement, these men do really care about each other — they can be relied upon to have each other’s backs when the chips are down. Often it is a testosterone filled space that they occupy but I relish every single moment that I spend with these men.
It’s no secret that I’m slightly in love with Oh Ji-hyeok partly because of Jang Seung-jo and he does play the character in a thoughtful understated way. Despite his superior skill set, Ji-hyeok is a team player and the running gags about his good looks and his wealth oddly enough never gets old. His double act with the grumpy but passionate Kang Do-chan (Son Hyun-soo) is more often than not comedy gold.
This show is a fine example of how to do core characters well — to imbue them with distinct personalities and give them character arcs that often test their mettle. I don’t think it’s too much of an exaggeration to note that many crime shows do such a good job with the antagonists that often the protagonists fade innocuously into the background. Not so here. The drama is clear on what its roots are and where its focus should ultimately be right to its humorous ending.
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To My Star Season 2: Our Untold Stories
67 people found this review helpful
This review may contain spoilers
ALL HURT & NO COMFORT
This series looks at love through rose-tinted glasses and calls it a day. Emotionally manipulative and angsty, this BL tries so hard to make you root for one of the main characters but fails hilariously.STORY & CHARACTERS: There's nothing new or unique about this story. You've seen this shtick before in most breakup dramas. The common tropes of moving back to the childhood village, reuniting with the past lover, and having the main love interest chase the other stubbornly - have all been used before, but that's not the problem. These predictable tropes aren't really the story's downfall. It's the fact that the mystery of the break-up was recycled from the first season. The themes of insecurity and low self-esteem were already the major conflicts in S1.
Season 2 was basically the same thing, but with higher budget and more unnecessary characters that got more screentime than the two main characters.
There's no plot twist here, folks. One of the main characters (Ji Woo) is literally just the carbon copy of his S1 persona. He did not develop at all, but just regressed to a more selfish coward who spews hypocrisy and hate every time he opens his mouth. He verbally abuses Seo Joon, the other main character but asks for comfort from the latter ("please hug me"-ep 10) when he's the one who finally gets rejected.
This is endless angst with Ji Woo consistently hurting Seo Joon for 7 episodes:
First strike: JW knew that SJ has extreme emotional trauma from being abandoned by his parents, and yet he still abandoned SJ without a proper goodbye on his birthday.
Second strike: Every chance he gets or in all their interactions, JW sees it fit to hurl emotional abuse & insulting words to SJ. SJ did not do anything wrong in this relationship. Even with his his exhausting schedule, SJ still makes time to see JW. Sometimes, he only sleeps for two hours just so he can hang out with JW. SJ neglects his health and his own friends for JW.
Third strike: JW let SJ sleep in that brutally cold camper van for DAYS because he couldn't summon enough humanity to be kind to the person he proclaimed he loves.
Fourth strike (and the most hurtful): JW slept with SJ, and told SJ the morning after that they could continue this "fuckbuddy" relationship. That was the lowest blow, and you could really see the exact moment SJ's face falls at the implication.
TLDR: This series has no heart. It tries so hard to tell a deep, idealistic story by making everyone cry their heart out in the dark (seriously, the lighting is so bad. I can barely see anything), but it doesn't quite make it because it's hard to get past the baseless cruelty & hurt. There is NO justifiable excuse for JW's behavior- of him emotionally scarring someone just because he himself is feeling lonely & isolated.
JW's pain & chosen isolation are understandable. His mental instability is not his fault. Choosing to break off a relationship is not a sin nor should it be condemned. He has every freedom to do so, but nothing can ever excuse or justify every single hurtful word and behavior JW chose to throw at SJ.
FINALE: There's no comfort or genuine resolution in this story. It isn't realistic or even idealistic at all. Nobody would want to have this kind of relationship filled with inequality & insincerity. In the end, the writers will try to put a band-aid on all the emotional trauma & abuse, but it's simply not enough. Strong angst & decent acting, but not much else. This love story is as shallow and insincere as Ji Woo's love for Seo Joon. Truly a tearjerker but for all the wrong reasons. 5/10
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The characters are quite unusual, but in a refreshing and realistic way. Every one of them has a unique perspective on life and can teach you a few important lessons. Watching them interact and see them conquer their fears, accepted failures and move on to happiness is quite therapeutic.
All the characters have some kind of struggles they are facing, and all of them deal with them in a different way. We can relate to some and learn from others. Each presents a specific approach to life and striving for happiness.
It shows how people deal differently with pain: some pretend to be strong, some crumble, others live in denial and some chase after the lost happiness even when it's impossible to get it back. In a surprisingly heartwarming way, it shows the various sides of depression that does not leave the viewer drained of life, but rather hopeful.
The directing and editing has this dreamlike feel to it, which makes the drama even more appealing. Some might say it was too slow paced, too confusing, but for me it was pure perfection. Usually I dislike dramas that are this slow. I feel like they just try to be artistic for no reason. Somehow, the slower pace added a whole new level of charm that made me love A Piece Of Your Mind even more.
Any flaws? The device itself. While I can accept its existence, how it was made cannot be explained no matter how far-fetched sci-fi approach you take. Did it bother me while watching? No, since the device itself was never the focus point of the plot. It was always about the people and their relationships and how they can affect each other, not the electronics that made the connection happen in the first place.
Overall, it’s a healing story that will make you feel like you have dreamed it.
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Impressions
At the beginning I was not impressed with this drama, I'll be honest. I am not a fan of romanticizing bulling. But my brain apparently didn’t process the "psychological" tag among all the others and when I finally understood I looked at it with a different mindset. It got me hooked, yeah. I guess being in the same idol group helps a lot, because their chemistry was great and their dynamic felt natural. The last 2 eps felt a lil bit rushed, I can't put my finger on the why I felt that, but I can pass that because overall it was great.Now, people and their obsession with kisses!!! Is that really the defining point to score a drama? for real?! my goodness. let me get this straight... So TBLs with mediocre plots and cringe acting are deserving 10 because they do have make out sessions, right?! But an exquisite KBL drama is no good if there's no kissing? I am pissed! A really great drama gets low score because of horny brats who didn't get what they wanted! Look... I get it, it's a romance drama among other tags, but you HAVE the romance. The touches, the glances, the subtle smiles and the straight up lovey dovey staring screams romance! The story was so beautifully portrayed, they had such a great chemistry, loved how natural their dynamic was(yes, I'm repeating myself), the character development was so nice and in the end they were so good at expressing what they feel that they dipped those red flags from the beginning in bright shiny green. From my pov, I am more annoyed when they do kiss but they resemble 2 dead fishes lip locked. I would rather prefer no kiss as long as it's a good drama. If they kiss and it's nice, halleluiah (enters Our dating Sim). KBL takes the industry like a storm and i'm here for it all in no matter if there's kisses or not. They build great background stories, the plot is well constructed and the actors chemistry is always on point... with a few small exceptions. So yeah, Let's go Korea!!!
In conclusion, IT IS WORTH IT!
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Are you looking for a gripping adrenaline fest to watch on the edge of your seat?
Are you looking for a mature story line and brilliant characters?
THEN DON'T WATCH IT !!!!
Not only that this is a huge snooze fest, The actors and the characters have absolutely spark and the story makes no sense. This was the biggest disappointment of 2017 after last year's uncontrollably fond. Not only they managed to completely destroy a beautiful story but they reached new heights of trying to make a fool out of the viewers. This whole drama was just pretty people declaring themselves as deities and acting like snobby little bastards and squabbling like high school kids. The story was long lost and there was almost no chemistry between the leads.
Genre : rom-com, supernatural, manwha
Story : This drama was inspired from the manwha series Bride of water god by Yoon Mi Kyung and then they went ahead to rip the story into shreds turning it into bullshit. If you're looking for a similar story as the manwha about sacrifice, love and grace and politics, then go watch something else because this has absolutely none of that shit. The so called god of water is a narcissistic asshole who's self-centered to the point you're annoyed. Yoon So Ah is a materialistic bitch who is way too involved in acting like the victim. The story makes no sense till a while and the characters that actually were exciting like the one of Im Joo Hwan and the nurse aren't developed further. At least Goblin developed all the characters well.
Actors : Shin se kyung is a bad actress and i don't think i am going to watch any of her other dramas. Nam Joo hyuk's acting was a wasted opportunity same as In joo Hwans story. There is almost no chemistry between the leads and the other side actors aren't that commendable. The only surprise in the package was Crystal who surprisingly was way better than the drama.
Will i watch it again... Hell No.
Will i recommend it to anyone?... I am doing a public service by advising you to go look for some other drama. Seriously there are tons of better ones out there.
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This review may contain spoilers
Everybody can't stop bashing on the drama. Guys, make your own advice and watch the drama, then if you don't like it, drop it. But don't ask people to not watch it. For me, The drama was fine. An advanced reincarnation's concept. (similar to Goblin)
It's about :
-strong love
-jealousy,
- memories,
-hard life conditions,
- how far people are ready to go to be rich, why being rich ?
- travel , time travel,
-adventures
- work's life, work's motivation..
-and to love forever
The drama is so rich ! How can you hate it that much. Yea, I agree , the drama don't deserve a 8/10 but at least a 7/10. It's not honest to give it a 1/10 or 3.
The show started strong ! But was finally slow, sometimes complicated. The characters were well done ! Shin Se Kyung improve a lot, her chemisty with Kim Rae Won was not a joke.
The end was pretty interesting, he choose to live forever to keep her with him. I really loved the end.
As Goblin the drama was about Love through the time , and the Ost were pretty good !
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A Well Made Thriller
Simply Awaken was a really good drama to watch. Not unfamiliar or a new different kind of a story narration but here it has a quite decent balance in both thrilling and emotional scenes which was very interesting to see. The genres were completely stick into mainly three Mystery, thriller and a bit of fantasy. and there were no unwanted or forced romance or anything like that.In The past few years Nam Goong Min Made a big impact in drama industry he was particularly very selective for his works. Especially his last 2 works before this. He is one of the most promising actor we have now. And he has done it again here as well. His performance will be one of the main highlight of this whole show, Just awesome, Very smoothly handled a very complicated role which was outstanding.
Coming to the story and screenplay, by the way i don't want to look further into that part because you can read the synopsis and find the plot and all, but as i mentioned earlier they have a good balance in every aspects so its a kind of a very interesting screenplay also it makes logical.
Also one of the good thing that there was a very good finale Episode which so many other dramas failed to make, but here they done it brilliantly includes a very satisfying Climax also . Nothing more or less needed then that. Overall if you are a thriller fan awaken will be a best choice for you. I loved every bit of this drama without any boring. Try it
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Watch it!! - no regrets :)
I absolutely adored!! It had it had cuteness. It had romance. It had drama. It had mystery thriller. It had tension. It basically had everything!!I love a series that pulls together and has a nice balance of everything and that’s exactly what this series had not only that but it also brought a light. The fact of truth that K-pop stars have to go through. Hopefully fans have watched this and they’re gonna reflect on their behaviour and be more like the fans at the end respecting privacy and protect protecting the idols privacy 👀👏🙏
I’d kind of figured out that it was the ex she just got so suspicious by the end but at the same time I’m so glad it wasn’t someone unexpected that you’d grown to love! The music was addicting and the way the main characters grew together was so wholesome and cute!! I’m definitely going to look at series with these actors and actresses in because they were all great and I would definitely watch a drama from this director again!
There was found family there was tension there were suspicion. I’d like to know whether the mum went to the concert. I’m hoping she did but I feel like she solved the ticket… and the ex manager/owner of golden boys the way he was almost like a father figure and he apologised for his behaviour so reflection tick tick! (I do love the actor who played the manager/owner of Golden boys I’ve seen him in quite a few things and he’s acting is incredible! Same goes for the male lead apart from that I don’t think I recognised many in this series but I will be looking them up for recommendations of other ones to watch now!
Overall, an amazing series really enjoyable really captivating and fun to watch!
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