A bond is a bond, whether forged in the innocence of youth or the wisdom of age.
I can't believe there aren't any reviews for this awesome movie! Even though I'm not the best at putting my thoughts into words, I'll give it a shot and try to convince you why this was such a fun watch.Imagine a gangster asking a 9th grader for singing lessons because his boss has this weird birthday tradition of hosting a singing competition, and coming last is a big no-no. Sounds crazy, right? But these two actors made it look like the most normal thing ever. You'd almost believe it could happen at your school!
This drama is about a sugary-sweet yakuza and a cold-hearted teenager who's the poster child for teenage angst and icy glares.
It's a quirky reminder that friendship can blossom in the most unexpected and peculiar ways possible. The story takes time to warm up, but as you notice changes in their expressions, you realise that, oh, they are totally into the BFF game now.
What's fascinating is that our teenage protagonist isn't your typical rebel; he's surprisingly cool-headed. On the flip side, there's another teen in full tantrum mode, plus a mature girl their age always trying to cool things down, showcasing the many shades of adolescence.
I enjoyed this movie a lot. There are so many fun moments, some literal god-level smart writing, and, of course, a totally heartwarming climax. I know my review is kind of wrapping up now when I hardly wrote anything but anything more than this can be a spoiler, and I don't want to steal your joy away.
Just to make this review a worthy read, I am going to tell you the most important thing about this movie, which is the post-credit scene. Please don't miss it, and look closely at the tatto on our sweetheart yakuza and smile like I did.
Now go and watch this gem right now, and please return and write a better review than me to attract more viewers, I believe in you hahaha.
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We are back!!! 铁甲依然在 (tie jia yi ran zai).
Novoland Eagle Flag is about a time in fantasy world Novoland's history where the outlawed Tianqu warriors are revived for an epic showdown with growing evil forces of the supernatural Chenyue cult.These are tumultous times in Novoland, where the ruling Yin Empire only has a tenuous grip on its power over its vassal kingdoms. The emperor and the ruling nobles of the various kingdoms are protected by their own armies led by skilled generals. By coalition and mutual self interest, an unstable balance of power is maintained. Internal politics and power struggles within the empire and the kingdoms complicate the plot. These sub threads are quite well written but can be ignored or followed loosely without losing track of the story-line. This inherent instability is manipulated by the Chenyue cult who preys on the superstitions, insecurities and ambitions of the ruling elite. As war breaks out when a powerful warlord seizes power, the might of the Chenyue's undead Redteeth army grows surreptitiously with the death count. This sets the stage for the return of the formidable Tianqu warriors, historical protectors of the realm until banished for killing a despot. Only the Tianqu warriors, lead by their chief suzerain with a legendary sword, had been able to suppress the Chenyue.
Our three main characters are destined to play a critical role in Tianqu's return. They are bound together by a touching friendship as they come of age during these troubled times. Asule is crown prince of the nomadic Qingyang tribe who are fierce warriors in the harsh wintry North. He is sent at young age to Eastland as a political hostage. Yuran is an orphan from the elite of the Winged Tribe who is a princess in name at the Xiatang court. Ji Ye is the unfavored elder son of a nobleman whese mother was a concubine. They were lonely children whose paths crossed in Xiatang and essentially become each others' families. Yet they are pawns in this ruthless world where their friendship is constantly tested by ambitious and powerful actors who use them to achieve their own agendas. Asule is an idealist who wants to use his power to save the world. Ji Ye wants to prove himself, he is a conqueror who wants to rule the world. Yuran doesn't care about the world or the future, she just lives in the moment for herself and her friends. The relationship between the three leads was one of the best parts of this drama and well written. They balance each other out perfectly. Asule is a gentle soul who cannot bear to kill even when it is the only way to achieve the greater good. Ji Ye has no such reservations but his ruthless ambition is checked by Asule's goodness. And Yuran is the glue that binds them together and keeps them grounded on what is truly important - their friendship and the importance living for oneself.
The cast was very strong as this big budget production spared no expense with veteran actors. Many did not like the actress Song Zuer but I thought she was the perfect Yuran, which is not a deep character, just a very vehement one. While Liu Haoran did a good job portraying Asule, the character was poorly written and waffled in the back half. Don't hold it against him that the scriptwriter turned him into a brainless incredible hulk-like killing machine whenever he is angry. And while Chen Ruoxuan overdid the petulant youth in the beginning, Ji Ye's character is a strong one that showed tremendous growth towards the end.
The script-writing which was fantastic and gripping in the first half turned into an epic disappointment in the back half. It became repetitive, deviated into half heart-ed ill fated romantic tropes and took odd and messy turns with several core characters including Asule. I realized too late that this is the same dastardly Linmon Pictures that similarly destroyed the back half of Legend of Fuyao. It is their signature gimmick of replacing the production team with Team B so that Team A gets to move onto new projects. At that point you are so invested that you end up watching the rest of it anyway. The only thing that helped Novoland is that it is backed by the substance of a real book whereas Fuyao descended into 100 pct script-writer induced train-wreck. Given the record budget, the popularity of the novel, serious hype and the veteren cast this should have been a 9 or 10, one of the best of the year. What an epic let down - despite some truly superb battle scenes and cinematography, it ended up as just an OK overall production due to the messy writing.
The ending is controversial and felt rushed. Unlike most, I believe the Eagle Flag chapter of Novoland ended where it should have. One of the biggest misconceptions of this drama is that the story is character driven. It is not. The three leads may have their own subplots but all of the plot threads converge in the final conflict between Tianqu and Chenyue. The characters are relevant only as far as their roles in the build up to an epic climatic clash between good and evil. What happens to the characters after that is not important since the story is not really about them. A sequel or season 2 seems unlikely in this context although there could be spin offs that once again touch upon some of their subsequent paths - someone who read the books will know better than I.
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This review may contain spoilers
the script and acting went hand in hand and made this an interesting watch.
This was genuinely such an unexpectedly wonderful surpriseof a short drama. The whole premise being Stockholm syndrome × psychiatrist/patient × a weird 2nd chance romance kinda trope was honestly not expected. Like I don't really know how to explain it but as someone with a psychology background this was just-Both the characters being survivors of SA and dealing with the trauma in their own fked up ways was portrayed so intricately. How they both were each others medicine but also making each other worse, and just their codependency and the FL's struggle with the ML messing up her carefully structured "normal life" after escaping from him the first time. The ML being obsessively in love with her even when it was unrequited and a sllolid burden weighing on her did not stop him from trying to keep her to his side was done showing just enough crazy to make you realise that he's fked up without overdoing the crazy.
Nan Xiang (FL) played by Lin Zilin was such a traumatized, complex character and the way she portrayed it was top notch. Her trauma still making her a patient herself, she went on as the ML's psychiatrist, i feel that was coz girlie had some sort of a savior complex coz she did take it on as a challenge, but she just didn't expect to fall for him and his obsession was something she wasnt prepared for. The actress did such a good job, especially in the parts where her trauma surfaced and she had anxiety. She knew she messed up as she had taken the initiative in their relationship but she was alsothe one to back off when she realised how troubling it actualy was. I honestly liked that they gave her some sort of redemption here and there, like her jumping into the pool to save him once she got to know his trauma, and also when she came back for him even though she knew he was more than capable and that it was all his plan just to get her back.
Yu Tiandong (ML) played by Zhang Chi, as an actor this dude was fkn great, no lies. The portrayal of a character as complex but still simple in a way is genuinely not easy, but this man did a phenomenal job. First of all, i gotta say i have a crush on him, that hairstyle suits his crazy so well. Yu Tiandong being an SA victim and having developed bipolar disorder and fear of water was portrayed so well. And also the love this character had for the FL had me in the feels. Him wanting to in a way help her root out her past was honestly a bit messed up the way he went about it but also it was needed. I feel it was more of his guilt at having taken the money after his assault that was more traumatic for him, and he was just trying to protect her in ways he'd have liked to be protected i guess.
As a short chinese drama, the script was honestly so unexpected, especially since i watched it on YouTube titled "She fell for her psycho CEO patient, trapped by his love, escaped only to be stolen again and spoiled" so i guess you can see how i was expecting to have like 2hrs of brain rot, but instead ended up with one of my new favorites. I'm not gonna watch this again anytime soon since it is quite emotionally charged, but its something I'd recommend even with that title.
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The entire acting was pretty good to me as it felt real and had managed to bring me into the drama since i was quite hesitant to watch it at first, but the entire cast had me hooked!
Music was fit nicely as it played appropriately and had no weird 'mis-match' of it in each scene.
Re-watching it won't be a problem but the large amount of episode can be quite hindering but if to really re-watch it, it would be an amazing dream again.
Overall, it was really good and it had many sweet and tearful moments.
I recommend everyone to watch it!
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I was sorry to find out that this drama has not had high ratings in Korea and has not been viewed by many viewers outside Korea either. Although I can understand the basic reason of not wanting to watch people suffering I can say that it is a real pity not to appreciate all the effort that obviously went into the production, filming and acting of this drama. I think this is the best acting I have seen of So Ji Sub so far (and I have seen most of his well-known dramas) and especially in the last episodes he gave a performance that would have been higly worth an Oscar award if he had been in the US. But I also have to mention the other two main actors and in particular Yoon Kye Sang who played an incredible character who was strong and very generous.
So to summarize this drama focuses mostly on what friendship, comradeship and patriotism are all about but it also describes a very intense love story. I highly recommend the viewers to have a strong stomach and go through all the hardships that these poor soldiers went through and in the end...you will feel higly rewarded like I did!
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This review may contain spoilers
that life can be meaningful if we’re brave enough to let ourselves be vulnerable.
How do you cope with the loss of a family member? How do you tear down the walls you’ve put up to protect yourself from the outside world without crumbling under the weight of all the pain? And how do you ultimately learn to open up to the world again, and to form new connections and be vulnerable, with the awareness that, one day, they might leave too? Screened in competition at the 2021 Torino Film Festival, Aloners (Hon-ja-sa-neun Sa-ram-deul) deals with these and many more themes, from the struggles to process grief to the ghosts of the past that still weigh on our shoulders; from all the repressed anger that comes from a lifetime of buried emotions to the need to set boundaries with toxic family members; from how difficult it is to reach out and ask for help to the universal truths we keep hidden, such as the fact that life is often devoid of meaning and that we don’t really enjoy being alone all that much. Aloners is filmmaker Hong Sung-eun‘s (also the film’s writer and editor) feature directorial debut, but you absolutely wouldn’t think it was, judging by the complexity of its themes and by the sensitivity of a screenplay that effortlessly draws you in, crafting an atmosphere that is drenched in intrigue, mystery, emotion, and subtle irony.The film centres on Jina (Gong Seung-yeon, also in her feature debut), a woman in her late twenties who leads a repetitive (and highly relatable) existence: Jina works at a call centre, where she spends her time apologising to entitled clients who are often in the wrong, ignoring their insults, and accommodating their absurd requests. On her way back to her apartment, she walks on her own, her eyes glued to her mobile phone. At home, she lives by herself, and avoids interactions with her neighbours. She eats her dinner on her bed while watching TV and falls asleep not long after that, only to wake up the following day and have the exact same experience over and over again. In fact, not only has Jina managed to survive such a monotonous lifestyle for so long, but she’s also become exceptionally good at it: she’s currently the top employee at her workplace, due to how many phone calls she manages to answer (and endure) each day. But there’s a reason why Jina is so successful at being alone: quite simply, she has lost all interest in having interactions with others, be it her neighbours, her coworkers, or even her own family. Instead, she has chosen a life of seclusion and embraced the fact that her existence has no meaning.
But Jina isn’t the only “aloner” in the film. Her father (Park Jung-hak, of The Land of the Waves) also lives on his own, due to Jina’s mother’s recent passing, which left him a widower. His way of coping with his wife’s death is the opposite of Jina’s: he spends his days attending religious functions and turning his daughter into a scapegoat, guilttripping her into keeping him company and unloading all his guilt onto her to avoid facing the fact that he wasn’t present enough in his wife’s life. Also alone are Jina’s neighbours, a mysterious young man (Kim Mo-Beom) who attempts in vain to have a conversation with her every morning until he dies in mysterious circumstances, and a new neighbour, Seonghun (Seo Hyun-Woo, of A Taxi Driver), who rents the former resident’s apartment after his passing, and who’s temporarily on his own because his girlfriend believes his new flat to be haunted.
And then there’s Sujin (played by newcomerJung Da-Eun), a new employee at the call center that Jina has been given the task to train, and who keeps trying to befriend our protagonist, having just moved to Seoul from Chuncheon, where all her friends are. Through all these figures, not only does director Hong Sung-eun alert us of just how many people are living alone nowadays – so much so that the Korean term holojok has been coined to describe the people in the country who “prefer to be left on their own,” but also presents us with a story with more than one protagonist, each with their own distinct lives and points of view, and each with their own truths to keep hidden.
And there are quite a lot of unexpected things happening in Aloners, some more puzzling than others. There are tensions at Jina’s workplace, even more so after the balance is altered by the arrival of Sujin, as the newcomer’s enthusiasm and curiosity clash with the disillusionment of seasoned call centre workers who stopped trying to find any meaning or enjoyment in their job a very long time ago. There’s a demanding boss (Kim Hannah, of Shang-Chi and the Legend of the Ten Rings) who can still relate to her employees, underneath it all, and there’s a neverchanging routine that is turned upside down the moment Sujin arrives, bearing gifts that will come to assume different connotations later in the film. But there’s a lot more than that. There are wills that don’t make sense, people who secretly spy on others but aren’t able to communicate without placing or receiving blame, and people who are trying their hardest to open up to others but don’t know how. And then there are things that might or might not be happening in places that may or may not be haunted, mentally ill time machine-builders who might actually be geniuses, and people who are gone but still very much present in the memory of others.
Even that description doesn’t do Aloners justice, as there is just so much condensed into the film’s 91 minutes screentime, and Hong Sung-eun’s assured direction and delicate writing ensures we are always shown, not told not just what happens in the film, but also what remains unsaid. Different viewers will get a different message out of the film, depending on their own experiences and mindsets as they go into the screening. There’s social commentary on modern life, as you might expect, but there are also moments of irony and mystery to keep you entertained, as well as fantastic performances by Gong Seung-yeon and Jung Da-Eun that will haunt you long after the credits roll. There’s the occasional twist you won’t see coming, and there’s a very well-crafted, complex father-daughter relationship that perfectly encompasses the kind of baggage that affects our every interaction with our family members. Aloners is a film about processing grief, learning to let someone go, and letting yourself feel, with the awareness that, once all the walls you’ve put up are broken and your defences are gone, there’s no going back.
Yet, to me, the film is first and foremost about the burden we all silently share as human beings, and the kinds of truths that often remain unsaid just because it would tarnish the facade we’ve spent all these years perfecting. We have become so accustomed to not having a reaction when someone hurts us, apologising when we should be insisting on being treated with respect, and defending ourselves when we should be apologising that we’ve forgotten how to be vulnerable, and how to accept ourselves for who we are. Most of all, we’ve forgotten that we’re all alone, underneath it all, and that every single one of us shares the same fears and uncertainties. By taking on a journey with Jina and the other “aloners,” the film ultimately shows us that honesty and acceptance are the answers, and that, if we are brave enough to share our baggage with the right people, we might be able to find this existence of ours a little more meaningful, after all.
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THIS IS ME BEING NICE
Cute cast - check! Unique storyline - check! Good location - check! But what started out as a promising fantasy rom-com slowly fell flat, and then fell harder on its ass with that lousy ending. Im giving it a 6 out of 10 and this is me being nice!The fantasy theme hooked me initially- after tens of high school and university themed BLs, I thought it was a breathe of fresh air. However, after the first episode when they tried to incorporate some cheap special effects, it became evident that they didn't really know how to utilize what was supposed to be its strength. The supernatural element was minimized that you almost don't feel it, until that brief moment in that episode when the cupid, Nite, disappeared completely (and that wonderful pink glow appeared again). By the end I was almost thinking if maybe the main characters Tae and Namwhan were just high on something and they just imagined the whole Cupid thing.
I love how cute the main actors were - Tee as Tae and Peace as Nite are so easy on the eyes and although the acting were a bit amateurish, i think they at least carried the show. Noey as Namwhan was also adorable and I loved that they didnt write the main female character as an annoying side show.
Also to be fair, although the story wasnt fully developed, I had a more pleasant experience listening to their lines - the script was written in a way that feels like the characters are real people, not actors acting in a drama.
Another good thing is the setting - Khon Kaen was such a wonderful background, and although at times it felt like a tourism ad, i still loved the way they showcased the city. Also, that brief moment in Chang Mai was mesmerizing to say the least. There was however, quite a lot of distracting establishments and product placements. I cant remember how many times they showed the Emma house model signage with its 4 bedrooms, 3 bathrooms and 2 parking - i thought it was part of the cast.
I heard production was hindered by the pandemic, but I think what they should have done is waited a bit, to wrap the story properly with the same cast. The last episodes felt so detached and was filled with so many flashbacks to extend time- it was so obvious that they were just made to complete contractual obligations without really caring for whoever was left still watching.
And no, there was no real resolution to the story. When Cupid disappeared I was left heartbroken, and my heart hasn't healed properly, up to now. Id recommend skipping this one, unless you really, really need to watch something and there's no other option.
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To fight all this s***** life and actually work towards your dream is not an easy thing to do. What's harder is finding such a teacher. I was fortunate to meet such professors back in college and I'm trying to be that kind of teacher to my students -i'm far behind though- but not every one is as lucky as I was.
The student-teacher relationship in this film is so touching. It's the kind of special relationship I would love to have with my students but too scared to. To get involved into somebody else's life is terrifying.
The chemistry between the two actors in insane. No wonder they were dashing in Secret Door.
Kang So Ra was so cute. I loved her role.
No matter who was singing, the songs and music just went straight to my heart.
The story is so touching; I kept crying throughout.
There are many funny scenes which lighten the mood.
Perfect! Will definitely watch it again -though I never rewatch anything-
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So terrible, don't waste your time
What a mess!! They ruined the original story. The storyline is awful, it is so confusing because it leaves so many leaks. And don't get me start on the ending. ARGG. Anyway, they took out the diversity that exists in the original Jane the Virgin (ex. lgbt characters), the culture and turned into a traditional boring "save me" lady story where the main Female Lead is just passive and helpless. They didn't show anything about the pregnancy and the dilemas present in it. So, take the advice from a person who wasted her time: don't even start this drama.Was this review helpful to you?
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I first got into MARS because of Meteor Garden, which also starred Barbie Hsu and Vic Zhou. To be honest, I wasn't expecting much from the two of them. Meteor Garden was their first acting gigs, and I figured they didn't have the experience yet to be truly great. Boy was I wrong (and gladly!). The amazing depth with which they imbued their characters left me wanting more in the subsequent dramas I watched. Sigh...
Music/aesthetics wise - this drama was waaaaaay back in 2004, when taiwanese dramas had terrible funding, bad fashion (at least how we would consider it now), and different filming styles. Don't expect amazing packaging or cinematography, and expect most of the boys to wear their hair long. In this case I feel like MARS doesn't suffer from it however, since the character's personalities are the most appealing and strongest parts of the drama. There are two songs that are particularly gorgeous, but most of the other tracks were instrumentals and easily forgotten. Not that that's a bad thing (I'm looking at you Almost Paradise!).
A word of warning however - this drama deals with dark issues, and may contain possible triggers. I'd suggest looking up the summary before watching it, because I know that personally I watched it better knowing the general subject and plot.
Now where to find the next drama up to par with this one?
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Beautiful, heartwarming story about life choices and regret
This is a must-watch if you're in for a heartwarming love/family story without the stupid draggy drama tropes.Bound to give you some inspiration in life and some words of encouragement.
The premise is very simple: like the original US film 17 Again,
18 Again is about the male lead being unhappy with his life and his body suddenly goes back to when he was 18
So you have two actors (one "old" and one "young") playing the same character
and learning about what it means to appreciate the mundane daily life
and what it means to love someone even when real life gets hard
(but like, realistic "trying to make enough money to live" "trying to chase after your career dream" hard, not "chaebol mother kimchi slaps" or "ultimate bad guy is here to kill us all" hard)
10/10 to the acting because Lee Do-hyun absolutely slayed!
Playing a 40+-year-old soul in a 18-year-old body, he really did have that chemistry with his costar Kim Ha-neul
The way he looks at her with so many mixed emotions and the way the characters interact really makes me forget that Lee Do-hyun is a young new rising star.
Of course the other actors also added a lot to the story telling. I don't think there's a bad apple in the cast at all.
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This review may contain spoilers
Far from a perfect drama and yet it will pull you in right from the first scene. I usually do not watch melodramas or revenge dramas, but this one seemed interesting enough. This drama's strength lies in its plot, cast, the great camerawork and the TERRIFIC soundtrack!! I thought the plot of this drama was really creative. A lot of things introduced in the first episode tie up well towards the later half. The revenge part and the parallel investigation by the cop were wonderful. There was no need for romance in the drama according to me. It could have done well on its own. Although it can be a bit slow at times, it won't bore you.
Kim Nam Gil is the star of the whole drama. This is my first time watching him in anything and I must say, I was totally enchanted by him. He has an amazing screen presence and acts with such depth and emotion that its impossible to tear your eyes away from the screen. I will also mention his long hair and moustache- suits him rather well. :D His character was the type you would want to see in a revenge drama. He is willing to go to any length to destroy those who did him wrong. Of course, he is very, very human and you'll see his soft side a lot of times.
Kim Jae Wook was super likable in his role. I would love to see him play a tortured guy again. He was a breath of fresh air, because he wasn't your typical doormat second lead. Although he gets too repetitive after a while, I enjoyed his acting. Plus, he's great to look at! In fact both guys are eye candies.
Han Ga In didn't impress me. She's pretty to look at and wore fabulous clothes but her character was really fickle and annoyed me at times. Her part in the drama made no difference to me. She was interesting in the beginning but went redundant later on. Her sister was a far more interesting person and she was the only HILARIOUS person in this drama.
Although its one of those dramas which screwed its ending, I wouldn't say that it ruins the drama. The drama is worth watching minus the last 3 episodes. From the beginning I was prepared for what was about to come. If I hadn't known the ending, I would have been super mad at it. So I'd recommend to be prepared beforehand by reading the spoilers or skip this drama altogether.
Bad Guy's OST will probably always be in my Top 3 Kdrama soundtracks ever. Every single song is beautiful, melodious and will make you want to listen to it over and over. Even the background scores were amazing.
I liked how this drama was filmed. Its camera work managed to capture the right tone and mood of the story.
Though this drama is not meant for a rewatch, it was entertaining enough the first time around.
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Content Warnings: kick, maybe kind of something at the end?
What I Liked
- the friendship
- some of the humor was funny like the failed flirting with that girl
- cute moments
- that poor communication didn't drag on
- good kissing
- music, especially the rap song at the end
Room For Improvement
- the relationship/romance felt rushed, I think they could have cut out some other scenes and fleshed out more how/why they developed feelings with each other
- the ending is a bit open/wish they had gone a different direction with it
- how wearing glasses was considered less attractive
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Yet another saga of how power corrupts people who in turn corrupt others as well. An honest judge is forced to convict an innocent man. The convicted man's daughter who is a cop, decides to set things right. Things start off badly between the protagonists, but they gradually come to understand each other and work together. It starts off with a lot of promise, but it gradually turns out to be a tug-of-war. Expected things happen, but the audience are kept waiting in the tussle between (good and evil?)
The actors have done a decent job, but the major expressions in the drama are poker face and smirk, and not all of them seem natural. A bit more of joy would've been nice.
Rewatch value is kinda low for me. The last two episodes kinda killed it all.
It's definitely worth a one time watch, start with no expectations and you might be in for a surprise!
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