Reviews

A kdrama with a horror twist is one of my favorite genres of Korean tv and with a show starring Kim Tae Ri, that’s written by the same writer who gave us shows like Kingdom and Signal, I couldn’t help but be excited about Revenant.

The series is mostly a murder mystery that intertwines evil spirits and other horrors into its narrative, which is not so different from many other horror-kdrama I’ve watched. The plot builds the tension within the narrative rather well, and each episode usually ends in such a way that you have to see the next one as soon as possible, but it does have a bit of a pacing issue.

The story works more like a mystery than a horror story in my opinion, but the evil spirits and the Korean folklore about such spirits and shamanism is used in an interesting (but perhaps familiar way if you’ve watched many such dramas) as such a tool to communicate moral questions about society, as well as the weaknesses and behavior of the characters to the viewer, like horror stories of this nature do. That’s the purpose of the horror.

For a while it seems like the story goes in a few too many circles with the main characters’ quest to get rid of these evil spirit, and the narrative loses a bit of momentum towards the middle. There is a lot of repetition and too little progress whether it was in the story itself or the characters own personal arcs, even though we are always learning more and more about these evil spirits and the past that explains the present. But towards the end the story does pick up the pace again.

There are plenty of great, interesting characters here, and of course Kim Tae Ri, like the other actors, is doing a great job in their roles but the drama struggles to give all of them time to tell their story while managing to keep a good flow to the story. There were almost too many character and it breaks the flow. The story affects the characters, but the characters don’t affect the story too much. Therefor the story overwhelms the character a little.

In some instances the narrative does seem to drag things out just because they need to fill the time with something. I’ve seen this screenwriter do horror very well before, as well as murder mystery, but mixing the two together seems to have been a struggle at times. Perhaps if the drama had been allowed to be longer, it wouldn’t have felt like it was holding too many balls in the air at once and allowed the story to breath a bit more or add more things in so it felt less repetitive.

An exciting story that allows the story to unfold through the characters and their actions, but ends up dragging them a bit unhesitatingly forward for the sake of the narrative. There is always something hooking you within each episode, but the build up between each cliff-hanger could have been better in some places. It makes the narrative a bit uneven, and I personally would have liked more horror. But overall a very entertaining watch despite the hiccups in the narrative structure.

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The Story of Chunhyang is one of Korea's best known folk tales. It tells the love story of a beautiful Courtesan's daughter & the nobleman who falls in love with her.

The story has been dramatized many times on film. Besides this version, released in 2000 by director Im Kwon-taek, there was also a retelling of the story in the 2008 film, The Servant. Another version from 1968 exists. It stars one of South Korea's most well-known veteran actors, Shin Seong-il.

In the Story of Chunhyang as depicted by this film, the young nobleman, a scholar, takes an interest in the beautiful daughter of a courtesan at first sight. As custom dictates that a courtesan's daughter is also a courtesan the young master orders his servant to fetch the girl, thinking she'll be an easy lay. To his amazement she rebuffs his advances & reveals she’s no light skirt, but a scholar herself, gifted in art and poetry. This makes him fall for her even more and so begins their story.

And a beautiful, simple, upbeat story of love it was. I enjoyed every minute of it. The characters featured in this film are younger than those featured in The Servant (2008) & Chunhyang (1968). And ahh, the wonders of young love, new love. I never get tired of it. Never.

The film turned out to be so unlike what I expected. I had no prior knowledge of the folk tale so I thought this was going to be tragic & indeed there is this Romeo & Juliet feel to it, but that’s about where the comparison ends.

The acting was reasonably well done considering this was the acting debut of both leads, and the chemistry between these two love birds was sizzling. They made a very cute couple. I could watch them frolic & dilly-dally around all day. Female viewers can look forward to serious eye candy in the form of Cho Seung Woo. Though he's really young in this movie (around 19 I think) the guy is a distraction, perhaps THE most photogenic South Korean actor I've ever come across. You know who's gonna be stalking him from now on... LOL

Strong themes of duty, everlasting love and loyalty make up The Story of Chunhyang, as well as class differences and the role of women in pre-modern Korean society. It was all quite fascinating to watch. I felt like I gained a deeper insight of Korean culture & history.

But more than anything else I'm giving this movie high scores of 10 because this is what I consider a filmmaker's film – where a good balance of both creative & technical excellence was achieved to create something artistic & unique. I don't know if I'd go as far as to say it's a masterpiece, but there's a strong sense of the director's voice here. And I liked that voice. It was captivating. It pulled me in, made me smile, made me wonder what would happen next. The story is told with traditional linear narrative, but with an unconventional twist. I suspect audiences who are not appreciative of movies as an art might find this a bit off-putting simply because it is different & not what they might be used to.

Personally, I think director Im Kwon-taek deserves props for this unexpected, but refreshingly original unveiling of the story. I won't reveal exactly how or what was done, except to say you've probably never seen a movie narrated quite like this in a long time, if ever at all.

The OST is a wonderful mash-up of old Korea sounds that were always beautifully matched with interesting, pleasing to the eye pictures.

I thought it was pretty well done.

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This is perhaps one of the most frustrating dramas of 2018 where the only saving grace was the male lead, Han Zhang as Tong Zhuo Yao. Although the drama started on a great pace and the plot was interesting, everything went downhill when the writer(s) decided to use and overuse every single cliché about separation for someone else sake. Although the chemistry between the leading couple was good, there was not a moment that the viewer could baste in the beauty of their romance for more than a few minutes before another separation happened after promising and assuring each other that they will never leave again, making the drama more torturing than entertaining. The overall acting was very good, the actors did what they could with their given characters but that didn’t save the drama which kept getting gloomier by the minute. Also, as if one pathetic infatuated actor was not enough, there were three! One can’t help to feel sorry for these actors that had to stick with such an awfully written storyline.

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So Much Potential...

It started really strong, and I loved the interaction between our leads. However, things got a little draggy in the middle, and it felt like everything just derailed during the last several episodes.

I love seeing supportive, trusting relationships, and boy did this drama nail it. Watching the ML and FL work together to face obstacles was so satisfying and heart-warming. Those were my favorite parts. I enjoyed the more mature character for ZLS, and YY was delectable as always.

But boy oh boy... the story... I can't believe I'm saying this, but this drama should've been longer. If you know me, you know I hate long dramas, but I repeat: this drama should've been longer. Or at least paced better. I noticed the pacing was quick in the beginning but didn't mind it much. The first time I was like hol' up was when a certain character went through something emotionally tragic and magically recovered within a few scenes. I initially shrugged it off cause fine whatever.

But as the episodes went on, similar things kept happening. Fool me once, shame on you. Fool me twice, shame on me. Well, I refuse to be shamed. However, a fool I am, so I kept watching all the way to very end hoping that maybe the problem would fix itself. "Welp," I said as I watched the story explode with a fiery crash in the distance. The uninspired army battle scenes, untimely time skips, unresolved/rushed plot points, and generally bizarre out of character behaviors transformed the ending into a surreal experience that left me wondering very intelligently, ".......what?"

Don't get me wrong y'all. I had a good time (like... who can resist YY with that ponytail hair?? certainly not me), but the last third of the drama had that "trying to clean up my college dorm before my parents arrive in 10 min so let's just shove all my dirty clothes under the bed and hope they don't notice" vibe.

My advice: watch for the YY and ZLS visuals/romance but turn off your brain for the story.

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such a disappointment

I swear I want to scream at the screenwriter! UGHHHH... Why is everything so damn downplayed?? The story sets up these HUGE emotional bombs and then delivers them like… a casual Tuesday lunch chat. Le finding out who his mother really is should’ve been a massive turning point — raw, messy, emotional. Instead it gets tossed out in the middle of a meal like someone mentioning they forgot to buy soy sauce. And that’s literally just one example.

I kept watching thinking, “Okay, maybe it’s slow-burning, maybe the payoff is coming.” NOPE. It’s just anticlimax after anticlimax, like the script is actively allergic to drama. How do you ruin your own plot twists?? How do you make every reveal feel like a footnote??

And honestly, Qin Lan’s acting is not helping. At all. She just refuses to go anywhere near heightened emotion. It’s like she’s scared of showing anything stronger than gentle disappointment. It’s the same in every drama of hers I’ve seen — beautiful to look at, elegant, calm… but the moment the character is supposed to explode, break down, do something, she stays on that same soft, neutral wavelength. It kills the momentum.

I’m frustrated because the premise actually had potential, and the setup hinted at something deeper. But nope — everything is toned down, flattened, and delivered like the actors are reading text messages instead of living through trauma. I thought it was going to get better. It didn’t.

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A cheesy well produced GL historical drama, an hour well spent!

I am always searching for good GL shows to watch because as much as like BL shows, as a lesbian I want more content that caters to me. A lot of the dramas with lesbian/sapphic characters and relationships is awfully serious and/or tragic which is fine, but sometimes I just want something that is cheesy and ridiculous. Let me tell you that this was exactly that! And it feels really, really nice to find that content.
With a runtime of about 1h, this drama won't take too long to watch, but manages to create a story that got me emotional in the last few episodes because I had started to care about the characters.

The first few episodes of the show are quite humorous and full of clichés of the genre with a character (Xiaoqian), very excitable and decidedly cute, travelling to the past and meeting Muyun, the stern and serious character, and then said character travelling to the modern world and discovering said modern world with every moment that you would expect (special mention for her meeting Xiaoqian's cat). The story then starts to become stronger and denser with the introduction of the character of Hongyan. I don't want to reveal too much, but this arc which culminates in the last few episodes is what made the drama go from a cheesy romcom to a feeling of "dang, this is actually quite good".
They manage to pack enough backstory and background world information in an hour to make a somewhat coherent story and world that works within the limited time.

The actresses do a good job at portraying their characters and the archetype they each represent whether the peppy happy Xiaoqian, the serious Muyun whose shell was broken by Xiaoqian, or the broken Hongyan. They managed to sell me those characters which I wasn't convinced would happen when I first started watching the show. Wang Laoji (Muyun) and Peng Jingxian (Hongyan) in particular do a good job. Wang Xiaoyu manages to sell the character of Xiaoqian well enough, which can be hard (it's like being able to sell the character of the Prince in Cinderella without making it too cheesy or a caricature).

There is clearly 0 budget, but with that limited budget, they got some nice costumes, some nice music, and created a coherent whole in terms of photography and cinematography. It is very in line with this type of historical Chinese drama from what I am picking up from my watching (the slow motion in fights, the close-ups, the looks, etc.) and it works well. The editing isn't done really well, but the story flows well enough that it is not too much of a bother. If you don't have too high of expectations for it, you'll be fine.

I don't know that I would necessarily rewatch it on my own, but if a friend wanted to watch it and asked me to watch it with them, I would for sure rewatch it without an issue.

In conclusion, it delivers on what it promises and gives me exactly what I wanted. A cheesy and slightly ridiculous, but well produced within a limited budget show with a nice story and pretty girls who fall in love. What more could I ask? (A lot more, but for tonight, this is just right.)

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Slow-burning, often-overlooked drama of 2020

When My Love Blooms also went under my radar with its melodramatic tone and emphasis on flashbacks. However, WMLB is not so overtly melodramatic, especially in comparison to other kdramas. And, the way flashbacks are incorporated into the story is ambitious and novel. The major weakness of WMLB is that it takes too long to show its main merit and charm.

By committing to longer flashbacks, the drama tells two intertwined stories that make it challenging to buy-in to either. In the beginning, it feels as though we are watching two sets of characters, and it takes the better half of the series to believe that they are the same “people”. This drama needs a longer runway to fully capture its audience, so do not judge on the first 2 or 4 episodes.

Story:
With the concurrent telling of past and present, When My Love Bloom’s plot is surprisingly tight. Flashbacks are not shown just to explain a specific present event, rather they are given their own fully fleshed out story. Splitting time between flashbacks and present does take away from the development of the main plotline, especially because it is hard to believe, at first, that the past and present characters are really one another.

Acting:
Lee Bo Young and Yoo Ji Tae are what I first noticed from their respective 2013 and 2014 hits. I Hear Your Voice and Healer are both considered kdrama classics, and seeing the two leads in 2020 is a treat. No more needs to be said.

Their past counterparts Jeon So Nee and Park Jin Young also deserve praise. Within their storyline, their chemistry and performance are strong. The only minor criticism is that the two pairs could have better aligned their mannerisms because it may have helped bridge the disconnect between them. Still, I prefer the way the past and present are shown in WMLB over the usual where one pair of actors pretends to be 20 in one scene and 40 in another.

Music:
Music is a key point throughout the drama, from the use of 90’s music to the Female Lead’s piano background. The blend of oldies and classical with the more familiar sounds of kdrama ballad/OST is appreciated. But like the story, When My Love Bloom’s novel approach does not quite break away from the typical kdrama mold.

Rewatch Value:
Even though the drama exceeds expectations, it is hard to promise a rewatch. I hesitate to call it slow paced. It is more that there are two stories that could each be a standalone show. By the time the two “stories” fully connect, When My Love Bloom is already at its end. The finale’s lasting impression is that WMLB fails to stand out even with its novel storytelling and directing.

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Tissues

Be in the right mood to watch this drama, it’s a sad one. As I was watching it, I realized it was a different storyline than what I thought it was going to be. Halfway through, I knew it was going to be more than just a breakup with a sad ending. As you watch it, you will realize that it could only end one way. I knew it was going to be a love story, but I didn’t quite expect the plot to turn suddenly into a break up for the reason that it did. It had happy times in the beginning, but mid point turned really sad. It is definitely worth the watch, but be in the right mood, it’s a downer.

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I started this drama out of boredom and after seeing many recommendations about it....I didn't realize this was going to turn into a 10-hour marathon with not even a food break in between episodes. This is how immersed and fascinated I was by this drama.

Highest selling point of the drama? Its plot. I was expecting kids running a good grades related business, instead I got a high school outcast who could give any gangster/killer/healer dramas a run for their money. You would think this is not very realistic and yet through the screenwriting, acting and directing they effortlessly make you believe it's real.
More impressively they make you root for our main character regardless of how immoral or unethical are the things he does.

Extracurricular offers a refreshing take on the high school genre far away from cheesy and innocent first loves and yet much closer to today's reality of high school (to a certain extent). I'm glad this is a Netflix production, in fact had it been picked up by any other channel I doubt they would have shown such mature and triggering subjects at least not at a high school level.

TL;DR: Must watch drama! Probably one of the best dramas this year.

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It may have some minor subplot issues, but is still an utterly underrated Kdrama

Go Ah-in (Lee Bu-young) is a no nonsense woman whose only purpose is to do her job as a creative director in an advertising agency in the most perfect and flawless possible. At first glance, she was able to finally achieve her ultimate career goal when she was promoted as the first woman to be an executive director (Chief Creative Officer/CCO) at her company. However, Choi Chang-soo (Jo Sung-ha), Go Ah-in's superior had another plan in mind.

At first glance, 대행사 (Agency) is an office drama comparable to Misaeng, but given with a company director's POV instead of an employee's. Both are great in their respective stories, and just love them both.

But for this show specifically, I love that it has a fast-paced flow and deals with the intricate office politics and complex world of the creative industry well, especially for people without creative industry background like me. Each episode increases tension between the main characters, and their rivalry really makes the plot interesting. One may think that this "rivalry" may be tiring for the remaining episodes, but with the addition of new stories and characters along the way, the story just keeps more interesting as more layers are being uncovered.

It's also great to know their respective characteristics and alliances on each factions in the office politics drawn early on. It may be seen as boring as we already know which side a side character is, but it didn't bothered me as much.

Jo Eun-jung (Jeon Hye-jin) is the most "fleshed out" character other than Go Ah-in in terms of her background story. It's quite remarkable to see how she is able to balance out her duties in the office, despite her son's disapproval for his mother to work and resign instead. Also, it's great to show that despite her dilemma, she is fully backed with support by her husband and mother-in-law. With this stigma against working mothers in a conservative yet competitive Korean society, it's quite good, if not refreshing, to know how this show addresses this issue. But then again, I didn't like that the MIL and the father wasn't that helpful to Eun-jung in convincing the son for her to work.

Personally, I knew what the outcomes would be, but would is still gagged with how each outcome are shown. It's like knowing that there would be a plot twist, but doesn't know what that plot twist would be. This is true most particularly with the presentation cliffhanger at episode 8.

The only production lapse that I noticed was during a throwback scene on the second ep where the creative office used modern-type computer monitors when it was set in 2004.

After the 1st half, this show now focused to complex corporate drama and chaebol problems care of Kang Han-na (Son Na-eun). She has an eccentric character and seems reckless on the outside, but is actually smart, if not cunning on the inside.

One complaint is that it would have been better pacing-wise had Han-na be developed into someone who can stand on her own despite facing failures, rejection, despair and loneliness. The romance subplot was just too transactional and there were virtually no chemistry between her and Park 부장. But if the writers really decided to insert this storyline, it would have made more sense had it was inserted towards the end (at least the last 2 episodes). I would have no complaints even if it was rushed since then again, I can't see the chemistry of said romance.

Being nit-picky as well, there were some things that this show failed to explained more. First, is Ah-in and her mother's story. After the episode 12 confrontation, I really hoped that there is more to be discussed and more emotions be shown to really have a a fulfilling closure on their issue. It ended even only through a text, which was appalling since it was built-up very well on the earlier episodes. Second, Ah-in and the budding romance with the CEO of a gaming company. The spark was already there and Ah-in could've enjoyed said romance, but it was just forgotten midway. What happened?

The ending was satisfying in a way that it wrapped the main stories very well, in a compelling but not overdramatic fashion. Yes, it was expected, but then again it was executed perfectly in such that it was not boring. The last episode was very engaging in terms of portraying the cooperation of Ah-in and Han-na for their "common enemies". It was the definition of women empowerment in a society where men are still dominant in many corporate aspects.

Still, every episode ended with a bang. I think the reason why it has a lower MDL rating is due to its delayed subbing. It's very surprising how this is not picked up yet by major international streaming platforms given its high ratings in Korea. It may have minor subplot issues, but is still an utterly underrated Kdrama.

SIDE NOTE:
It will be an unforgettable watching experience for the last 2 episodes. At times, I was reading English subtitles, and at others, it was Indonesian. I was really able to maximize my Korean and Indonesian skills just to get the gist of what they were saying. Still, it is a very rewatchable Kdrama and I enjoyed watching it despite some minor subplot issues.

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Very niche, but my favourite show EVER!

"Two men talking in a room" is what you'll get in 60% of this show. 25% of the show has more than two but no more than ten men, or a man and a woman, talking in a room. And another 10% is two or more men talking outdoors... yup, you get the idea. Superficially, that's most of what you'll see in The Wind Blows From Longxi. And it’s also part of the show's very niche appeal.

Longxi checks all my personal boxes for a favourite drama— great acting, real historical events, tight plot, treacherous politics, and zero distracting romance. It’s one of my favourite shows of all time, if not my favourite show ever. In a nutshell, Longxi is about spies during the Three Kingdoms period. Chen Gong is a veteran Shu field agent embedded in Wei. A critical military campaign against Wei goes horribly awry due to wrong intel provided by Chen Gong. How did that happen? Where do Chen Gong's loyalties truly lie? These are the questions that Chen Gong’s sworn brother and in-law, Xun Xu (also an intel veteran), is brought in to investigate. If you’ve read The Tao of Spycraft or any of Ralph Sawyer’s other books on ancient Chinese warfare, many of the spy methods and tactics in this show will be familiar. Since defection and double agents are normal in spycraft, one question is whether the defection is genuine or just a ruse to gain the enemy’s trust. That’s the central issue in this show, which the poster caption 谋中谋 计中计 (“the scheme within the scheme; the plan within the plan”) encapsulates.

Plot: A very twisty plot that doesn’t strain credibility. The least headache-inducing way to follow the plot of this show is to ask whose interests are currently aligned with whose. Without saying too much about what happens (because that would really ruin everything), the whole plot turns on the constantly shifting allegiances of various players, at the highest and lowest levels of society, in the conflict between Shu and Wei. The plot is complicated but doesn’t tie your brain in a knot until the episodes hit the late teens. Thankfully, ep. 21 onwards provide the clarification you need. If you get lost, there is a 5 minute “Cliff’s Notes” recap at the end of every episode that summarises the key developments. However, you’re very much on your own when it comes to the finer plot points, which the recap doesn’t cover. The final resolution is elegant and gut-wrenching, and I am glad the team did not go for a happier ending. That would have been far less satisfying.

Script: The script doesn't waste any time getting the show off the ground, even if it seems that little goes on in the first episode (it's important background context and sets the scene for everything else). Overall, it's just the right length at 24 episodes. Since this is a hardcore spy-plus-politics drama, most of the real action takes place behind closed doors, with bearded, middle-aged men plotting and scheming over cups of tea. The dialogue is exquisitely political and worth following closely. We are treated to scene after scene of various players abandoning old allegiances and cementing new ones, and having those allegiances tested by their new masters. One such scene is the one where Feng Ying (Shu spymaster) seeks out Li Yan (Shu general), formerly from an internal “enemy” faction, to declare his allegiance to Li Yan. Feng Ying tries to get on Li Yan’s good side to protect himself from Li Miao (Shu interim mid-level "civil servant"), who also works for Li Yan, but wants to turn Feng Ying into a scapegoat for his own political purposes. Li Yan appears to believe this is a ruse by Feng Ying and tests him, but goes along with it as it benefits him in the short term. I also liked how there were relatively few flashbacks. The ones in Longxi are short and moving without being too sentimental; I especially loved the one where a ball lying by the door causes a very miserable Guo Gang to reminisce about playing cuju (蹴鞠?) with Chen Gong in the rain. Another striking thing is the judicious use of action scenes. Since Longxi is about politics and intel, there are only a handful of brief action scenes (mostly military skirmishes). Then in ep 23, the viewer is treated to the show's only extended sword-fighting sequence with Chen Gong. The burst of pure violence and pent-up rage in this sequence arguably makes this scene the emotional climax of Longxi. Chen Gong, like any good field agent, has iron self-control. At worst, he has quiet breakdowns in private, then quickly gets his act together again. But in the swordfight scene, he lets it all out. It's moment of pure catharsis for the character that sets the stage for the final episode. Definitely one of the finest moments in an already amazing show.

Themes: The 2 main themes of Longxi are (1) the moral neutrality of politics, and (2) that human relationships are a double-edged sword. The life-and-death political struggle between Zhuge Liang and Li Yan is not a matter of good versus evil (even if Li Yan does some truly terrible things), but down to a difference in opinion as to how Shu should ensure its medium-term survival. And at the end, it’s Chen Gong’s feelings for Di Yue (his wife) and Xun Xu that threaten his allies’ best-laid plans, even as his allies exhort him to continue making enormous personal sacrifices for Shu. For both Xun Xu and Chen Gong, what ultimately gives them moral closure and defines their biggest decisions is not self-interest or patriotism, but staying true to their loved ones. Powerful stuff.

Acting: Everyone put in an A+ performance here, except Angelababy. I have nothing against that lady, but she was pretty wooden in this show and looked so airbrushed. She also didn't quite click with Bai Yu on screen. (I don’t watch enough shows to comment on whether this is better or worse than AB’s usual...) Chen Kun was of course brilliant as Chen Gong, but I was equally (if not more) impressed by Bai Yu’s low-key but completely spot-on performance as the dangerously sentimental Xun Xu. Xun Xu has the smarts and EQ to be a great intel guy, but he's too emotional and high-minded for his line of work. He's terrible at lying and makes a few wrong calls that have serious consequences. One gets the sense that he has only survived this long due his kicked puppy expression that tugs at everyone's heartstrings, a good brain, and sheer luck. Bai Yu perfectly captured this precarious balance of vulnerability, world-weariness and cunning at the core of Xun Xu. His final exchange with Chen Gong, especially the delivery of「我看透了你的心」(“I’ve seen through your heart”) in ep. 24 was also a total tear-jerker. With a lesser script and actor, Xun Xu would have been a character whose naivete makes the viewer question how his head has managed to remain on his shoulders. But through the combination of great script characterisation and Bai Yu's acting, Xun Xu becomes a convincing example of the idealistic survivor who manages to keep going even after all the dust has settled. I also really enjoyed Edward Zhang’s performance as the Wuxian cult leader Huang Yu. He fully conveyed his character’s megalomania and cruelty with what little screen-time he was given. The actors playing Feng Ying, Guo Gang and Mi Chong were also absolutely brilliant. I loved them all!

Music: This was okay. It was composed by Kawai Kenji, but I was hoping for thematic music that was less Western in flavour. It was also disappointingly run-of-the-mill "epic"-sounding stuff. But it's not a deal-breaker for me.

All in all, 10/10, A++++ from this very satisfied viewer! For me, I’m not sure if any other mainstream period drama can compare with this show.

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I liked it less than Season 1, but I still appreciated the new season!

I was literally in the middle of randomly rewatching season 1 of Yumi's cells when season 2 finally appeared! Yay!!! If you were a fan of season 1 then season 2 tries hard to recapture that magic and continue Yumi's story right from where the last episode ended. I was glad to see all of the old characters and cells return, but I will also confess that I am unapologetically team Wung, and was rooting for him more than Yumi at the end of season 1. I say that so that my bias is clear, although I will try to not let that cloud my review too much.

I think the main issue I had with this season is that unlike season 1, which was a clear linear plot about the evolution of Yumi & Wung's love story, season 2 tries to possibly do too much. Yes, as you can see from the poster art, Yumi has a new main love interest, Yoo Babi from season 1. We do get to see their relationship turn romantic and get introduced to Babi's cute and festive cells, but a lot of time is also spent on Yumi's writing career, some new characters, and an appreciated update on Wung too. I didn't read the webtoon, so maybe they just tried to fit as much of the original content as they could into the story. Sadly, although Yumi's emotions and the storytelling overall is still super creative and often relatable, the actual plot starts to drag and get repetitive about halfway through. And although watching season 1 first makes the most sense, there are plenty of flashbacks for context just in case you skip to this season for Park Jin Young as the male lead.

He may not have been the ship I wanted to sail but he is cute, so I understand.

Speaking of Park Jin Young as Babi, I do think he played his role pretty well, but once Babi became the center of the story he also became super boring. He and Kim Go Eun do have some cute chemistry moments in the first episodes but there are also quite a few cringy-trying-too-hard-cute moments too. Their cells often have to save the day to keep the story fun, or make their fights much more engaging. Watching Yumi become super jealous and distrustful on loop was already annoying in season 1, but Babi always being even-keeled with the same bland smile or sad expression just made it worse. If you are a Park Jin Young fan I'm sure he will be sufficiently cute for you to enjoy but compared to the chemistry in season1 I was kinda disappointed. Side couples were often much more interesting than the leads were. Wung's character having a decent amount of guest star screen time helped a lot too, but he always wore a shirt this time : ( #imissedhisabs

The rest of the cast were the same quirky characters I liked in the first season with some good new editions. My favorite of the new characters hands down was illustrator Control Z. ("Zeeeeeeee" lol ). He was another character that saved me from wanting to drop the tedious love story parts. I was hoping Da Eun would be as involved in the story as Sae Yi was, but I feel like she was underutilized. I think because of the self-centered nature of the Yumi character some great performances are more like guest appearances than the feel of an ensemble cast. There were some literal good guest star moments too. Park Jin Joo's cameo was really funny.

And all of the voice actors were amazing once again! I truly missed their antics!

Another plot issue was, as inspiring as Yumi's writing pursuit was, without the cell's POV, that was boring to watch as well, and definitely started to feel like filler in the last episodes.

Kim Go Eun as Yumi grew on me too and had a little more life in her performance this time. Or maybe that's just compared to boring Babi. Bland Babi's character was never allowed to evolve much past pursuing Yumi. Or was the lined black and white version of Babi also a metaphor for his lack of a personality? Apparently, in the original story he's the fan favorite, but I had a hard time seeing his appeal in the show. Their relationship was shady from the start, which was also pretty hard for me to look past after liking Wung so much!

Would I watch this again? Sure. I would definitely skip past a lot of scenes but the same charm of the cells and getting frustrated at Yumi makes even this messy plot still fun to watch. The Cells are everything, and along with favorites (like naughty) they really got creative with some of these new cells... like the hilarious "hand"!

And yes, I still love the OST and the new song editions. I was very glad to hear certain songs again.

Overall, it's super hard to recapture the energy of a successful first season, which the writer even blatantly has Yumi stressed over during the show's last episode (very meta). What Yumi's Cells 2 does well is stick to what worked in season 1 without trying to repeat it exactly. I still never cried, but I LOLed often. It's still the perfect length to binge and re-binge, even if the story drags at times. I got some character updates that I needed. I still wished for more growth from Yumi, but through her chasing her dream I saw some. I was also satisfied with everything ending as it did, and how they implied what was next in Yumi's love life without me needing to see it all played out, but if they do decide to actually go for a season 3, count me in... again!

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After watching this drama, I became certain about one thing: I am a fan of business dramas! I previously watched a couple of other productions from the same genre and liked them but I considered it a mere coincidence that wouldn’t repeat again. Obviously, I was dead wrong.

Fumo Chitai is an unusual Japanese drama (19 episodes length) but I believe that goes back to the fact that this was made to celebrate Fuji TV’s 50 years’ anniversary. Whatever the reason was, this drama was pretty well-made. This drama tells the story of man who was a leader tactician for the Japanese Imperial army during World War II but when Japan surrendered, he was considered a war criminal and had to go through a hellish trouble to go back to his country. After war, when Japan was devastated by loss and had to find a way to survive, Iki Tadashi has to live a life where he can use his brilliant mind to set the future of his country. He practically exchanged military war with economic war.
Of course, the journey isn’t easy at all and Iki has to face many ordeals to accomplish good deeds for his society. Moreover, he was confronted by greedy politicians, influential figures, people with tricky minds and others who use unethical methods while he had to keep his principles and beliefs to achieve greater good.

The reason why I became surer about my tendencies to Business dramas through Fumo Chitai is the screenwriting, there’s more wittiness in business dramas’ scripts. The screenwriter has to be very capable to keep the thrills and make the audience always interested in what will happen next using the complicated business theme. This drama’s screenwriter was pretty successful at keeping the drama captivating from the beginning until the very last end. He used “arcs” where the main character had to overcome an issue and straightly move to the next one. Certainly, all of the arcs were business themed like the defense ministry’s plane choice, the automobiles contracts, oil exploiting and so on. Without any exception, all the arcs of this drama were stimulating and fun to follow.

However, the reason that forbids me from giving the storyline and the drama a perfect score is the romantic part. It annoyed me and I am not saying that because of my general dislike for the genre but it was unbalanced. I know that a serious heavy drama like this needs a light side to it but that wasn’t cool at all, I am sure if they just focused on the family part then everything would’ve been great.

The acting was absorbing, I know Karasawa Toshiaki from a very long time ago but this is practically the first time that I considered him a high-class actor. I only thought that he was a good actor before but his performance here just engraved his skills in my mind. He was also accompanied by other amazing actors that made the acting department feel so high.
The characters were pretty well written for a business drama and their interactions were also appreciated. And let’s not forget that many foreign characters took part in this drama. However, the only spot-light character during the whole drama was without doubt Iki Tadashi, one heck of a smart male lead who always knows how to get out of troubles and bring profits for his society, company and colleagues. He’s simply a splendid man.

The drama was set from 1945-1970 or so. Thus, you can expect time jumps and somewhat old visuals to fit the drama’s setting.

Watch if:
-You like business dramas.
-You like intense twisty dramas.
-You like brilliantly intelligent main characters.

Do not watch if:
-You dislike business dramas. Seriously this is the perfect definition of how a business drama should be like.
-You’re looking for something fluffy or light.

Fumo Chitai is a glorious story of a man who reformed himself from dust in order to build his country while protecting his noble beliefs. It’s absolutely recommendable for the fans of intense, heavy and entertaining productions.

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It’s a total disaster

As a longtime fan of Omniscient Reader, I had hopes for this movie, but it really let me down. This movie was honestly painful to sit through. It completely disrespects the source material — major plot changes, wrong character portrayals, and decisions that make absolutely no sense if you know the original story. The creators clearly cared more about using big-name actors for hype than staying true to what made the novel great.

The pacing is chaotic, with too many plot holes and zero emotional buildup. It feels more like a cash-grab than a real adaptation. If you haven’t read the novel, you’ll be confused. If you have, you’ll just be angry. Nothing about this feels faithful, and calling it “creative liberty” is a joke.

Visually, it might look okay, but that’s about the only thing going for it. Everything else? A disaster.

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Slow steps with questionable pacing and timeline. Also, let me just add I love Chot.

It's started off great but it fell flat towards the end. From time to time the plot and the timeline feels off and hard to progress. The plot is not consistent at all. Sometimes it's good and sometimes it feels like it's all over the place and honestly I can't quite grasp the time skip. I don't even know what the screenplay writers were thinking like where is the whole in between story, especially of Jaab and Jen??Also Pat and Jeng, they both have one hell of a chemistry but their storyline is seriously slow, like it can not even be called a slow burn. It leaps from 0 to 1000 and then the next moment they are back to 0. What I am trying to say is the pacing is a mess. This series could have turned out to be so much better. It had so much potential but it couldn't live up to it.

However, hear me out, it's not the best but not the worst either; it's worth a try, especially the first half of the series.

The characters are lovable but then again sometimes a little annoying and even rash. Starting with Jeng, his character is most of the times calm, composed, reasonable, a little controlling and hands down his visuals. Also, it was kind of cute how he was so bothered about the manager performance appraisal review from Pat. And Pat is cute especially when he is drunk. He worries a lot and even messes things up but sooner or later he rectifies it too, of course after the damage is done though. Also, he cried a lot, more so, in the second half of the story and I wasn't quite a fan of it. I do get it that the writers wanted to portray him as a pure, upright and innocent person but he came off to be irritating at times. His actions were questionable and his reasonings didn't quite make sense.

The most disappointing part of the series for me was the story of Jaab and Jen. Damn!! Jaab and Jen , in the starting, the tension between them was so clearly evident. I was actually more interested in their story than the main couple's storyline even though I did love the main leads. I was manifesting them and somehow it worked. They ended up kissing and it left me in total awe - I was like 'WOW' but then at the same time 'What just happened?!' Right after that kiss, it just turned into ghosting and then out of nowhere there is Paint. Also, two years gap. Their story is officially a mess.

What I really really adore in this series is the bond between the two brothers: Jeng and Jaab, it's heartwarming. They bond and blend so well. They are effortlessly funny in the right amount and supportive too. Further, the friend circle of Pat is hilarious and also extremely supportive in whatever he does which is both good and bad but I love them especially Chot. Touchwood to the bond that Pat and Chot share.

Chot really is the MVP of this series. He is sassy, confident, funny in the right amount, a reliable friend, an understanding lover and a heart stealer. Also, the office plot in the starting is so on point from the part of not getting the credit for the work one has done to the gossiping colleagues and this kind of really riled me up.

The series is not the best but it's still worth a try.

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