Reviews

Nothing new.. but watchable.

This drama had been one of my most curious dramas of 2022 . The drama being a BL, I was really surprised that China let it happen. But, I didn't have much expectation, knowing well about the bans and censorships that China usually impose on its shows. I watched it out of pure curiosity.

Honestly, I did like the first episode. But, the story didn't seem to keep a fixed pace. Some parts felt too fast, while some felt too slow to me. This is nothing new and I didn't seem to enjoy this as much as I would have watching a BL.

The acting was meh. I didn't feel it at all. Hu Shi Wen, who played Cheng Yi was alright but there is, of course, possibilities of improvement. Anyways, Hu Bo Wen seemed like a robot. The supporting too didn't do the job of making this interesting.

The music was good. This is the only thing in the whole drama that I wholeheartedly liked.

The editing was terrible. Sometimes, it makes the drama unwatchable. That is SOMETIMES. Overally, the drama is fairly watchable, in spite of some substandard elements.

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Perfectly Balanced Heartbreaker That Never Lets You Fully Break

This drama is like a friend who's telling you a sad story. They know you might cry, they know you might feel guilty, so they drop a random joke just to make you smile again.

To say this drama surprised me would be an understatement. When I first found out it existed, I thought it was just another short romance drama - nice enough to watch, but forgettable a week later.

Way Back Love is anything but forgettable. It's a beautiful story about love, friendship, and learning to live with the guilt you carry from your past. It's a hopeful yet sad journey, but it never felt overwhelming. It never left me too hopeful, and never too sad. The director balanced these emotions so well - like that friend I mentioned, the one who knows exactly when to step in before you break - and somehow, it worked for me every single time.

The story jumps between the past and present, but it never feels random. Whenever something heavy happened in one timeline, I was brought to the other in a way that gave me just enough space to breathe. Everything felt connected. When a character did something in the present that mirrored their past, I was taken right back there with them. The pacing was great - it never dragged.

So yeah, you can probably tell by now that the directing here is chef's kiss. One moment the scenography is colorful and full of life, and the next it's bleak and heavy - and every time, the music matches it perfectly. Nothing felt out of place.

And the performances? Amazing. I had only seen the leads briefly in other projects, so maybe that's why I was so impressed. They were both great, but I really have to single out Kim Min Ha - she was simply mesmerizing. Her acting felt so natural that at times it didn't even feel like acting. It was as if someone said, "Be Jeong Hee Wan," and she simply was. Shoutout to Jung Gun Joo as well - a really good performance too.

Overall, a truly great watch. After reading the synopsis, one could say this is a story we've seen many times before - and I'd agree. But the key is the execution, and here it makes the story feel really special.

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I could write a novel to compare how this adaptation succeded and failed! But because this is a review and not an analysis I'll try to be as brief and fair as possible.

This is what I call the Disney version of KWP! They took the core storyline and characters but repackaged it to satisfy a broader demographic. That's not a bad thing if you like cute romantic comedies with a hint of salaciousness and happy ending! The concept of KWP is unique in itself it's interesting and satisfying. However, if you are a fan of the original manga or original series you might be disappointed at the loss of the story's hard edges.

By softening the characters it actually made the relationship between Sumire and Takeshi "Momo" feel less passionate and dynamic. It also made their growth as individuals feel less dramatic. Without those rough and uncomfortable moments you lose much of the stories impact about intolerance from social/moral/gender expectations. That probably isn't a big deal to most but if you really enjoy those wtf elements (I call it rollercoaster euphoria) from the more mature storyline then you probably won't be fully satisfied with this latest adaptation!

The acting was fine. No one in this drama stood out to me as spectacular but they were adequate. If I had one gripe it would be Iriyama Noriko startled/deer-in-headlights look that I assume is supposed to represent nervous insecurity? I'll be nice though because it seems to work with this adaptations Sumire.  But nitpicky me really wanted that composed and confident public facade in the original. The same with Takeshi "Momo" he was too adorable to the point of being childish vs Man-child. But again it feels appropriate for this version.

Nothing to add on music though the introduction was nice.

Overall rated good, but without the original uncomfortable mature situations it's nothing special. I might watch this again because I love the KWP storyline but I'm not emotionally attached to this version

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Idols With A Twist…

With a predominantly idol actor cast ( aside from actual actress Jung Ji So) and respectfully a lot of hyped fans of these idols watching the drama, it does objectively brand the question for a lot of drama-watchers ( especially those who aren’t interested or a part of idol fanbases), whether ‘ Imitation’ is actually worth watching as a storyline , or is a waste of time.

There is a balance of good things and more critical points when it comes to ‘ Imitation’. On a strong note ‘ Imitation’ has a prominent message about problems with the idol industry and does not shy away from tackling themes such as corruption, the media, toxicity present in idol fanbases , mental health and hardships . What resonated even further was undeniably having a predominantly idol-cast playing in those roles. However, the show often did fall short with how consistent it was trying to be with conveying these messages through writing and character writing also.

Let’s start with the main female lead Ma-Ha. Ji-So is a good actress, however, although initial introduction wasn’t terrible, it didn’t quite embody her role either. It had nothing to do with Ji-So not being an idol. After all she takes on roles in order to adapt herself to becoming someone else onscreen whilst the cameras are rolling. That’s her job. Instead, its rather the fact that Ma-Ha was always a character who you should’ve felt sorry for with her hardships, but often it was easy to grow detached from the FL with Ji-So’s lacking vitality invested with her given - performance. This isn’t entirely the actress’ fault, as this was also sparked by screenwriting problems also .

As viewers there’s a lot we are supposed to like about Ma-Ha. She’s not only the female lead of the drama, but the “ underdog” archetype who takes a central position as a member of her girl group and desperately yearns for the group to become famous. These goals were easily likeable traits, but then when we actually exposed to her reasons for “ becoming an idol” as well as her “ will they, won’t they?” lacklustre onscreen chemistry with popular Shax boyband member Ryeok ( Jun from U-KISS), her character simply became uninteresting for the most part. This is because rather than depending Ma-Ha’s own sense of purpose outside of the group in early episodes , the female lead’s entire being was pretty much defined by romantic tropes, than actual character development.

Oh boy, this leads us onto the romance elements and setups of the show. Tackling this topic in a drama about idols evidently isn’t a crime. After all, a lot of idols have love lives and date in secret but the problem with “ Imitation”’s depiction of the turbulent love lives of idols was that it lacked a lot of depth. There were multiple opportunities for us as viewers to perk up and take note of what really happens in the lives of idols, when the spotlight and cameras aren’t rolling. However, instead “ Imitation” was focused nearly entirely upon bringing in pairings which were fairly dull.

This is even case and point with our main pairing between Ma-Ha and Ryeok. Jun is a really good actor alongside Ji-So but the tropes and cliches soon diminished a lot of onscreen chemistry between them. This was because similar to Ma-Ha, Ryeok’s original character was fairly interesting. He had clear goals and motives, as well as presenting an evident contrast to Ma-Ha due to being successful and suffering under a lot of emotional burdens. Yet rather than connecting these characters under their similarities and learning to symbiotically “ lean” upon one another gradually from their “ hate to love” relationship , the drama attempted to present too many cliche “ differences” between them, which often fell short due to questioning why on earth these characters should have been together if this was all their relationship equated to.

Similarly one of the most poorly-written couples in this drama was Hyun Ji ( Lim Nayoung )and Yoo Jun ( Hwiyoung). Hyun Ji was by herself an interesting character alongside fellow member of Teaparty Ri-A ( Minseo). However, her pairing with Yoo Jun? It was incredibly enforced to say the least. Hyun Ji’s feelings for Yoo Jun were fairly unrequited as Yoo Jun, rarely reciprocated them romantically. Their screen time interactions were minimal and when they were together, the topic was usually just about Ma-Ha. If the show had developed this couple more, or had just disregarded entirely and explored Hyun Ji’s relationship with her fellow members then it would have been a lot more coherent than the pairing we were presented with onscreen .

Aside from the romantic factor, the biggest flaw in this show was undeniably disregarding the seemingly “major” established storyline around Eunjo and Annie. Now this was an interesting part of the show, however, it was nonsensical and seriously bad writing to disregard these characters, bring them up for a few seconds when it was called for and then anticlimactically solve the case, without rhyme or reason .

Perhaps the one character who you surprisingly grow to love as a viewer is solo singer La Li Ma( Jiyeon from T-ara). Ji Yeon really gave a dynamic performance as the soloist, and her character takes some surprising turns away from the stereotypical “ catty second female lead” trope that she was presented within in the first few episodes. It was oddly refreshing and enjoyable to see this character grow.


So, is “ Imitation” worth watching? The drama presents some fairly hard-hitting issues about the idol industry, but sometimes struggled to convey these meanings due to the heavy investment of romance as well as disregarding major plot lines and character development also. The acting is a mixed-bag. There are times where the acting front is really good, and other scenes where it is questionable . The OST is okay also -a little generic, but certainly nothing wrong with it either. Overall, certainly not a bad show but dependent on what you’re looking for. If you’re watching for the idol cast and themes about music, idol and cutesy couple moments, then you’ll absolutely love this one. If you’re not a major fan of them and where enticed by the darker storyline topics, then you may be a little disappointed.

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Wow, this was such a fun and light-hearted drama to watch. The story was really simple and I feel this is perfect to watch on a weekend, as it's so feel-good and chessy. I couldn't help laughing-out-loud at many moments. The characters were so endearing amd funny, especially Yoon Tae-oh. I mean Ji Soo portrayed the character of Yoon Tae-oh so perfectly, I was totally smitten by him. I have watched only one other drama of his, Scarlet Heart, where I did not pay much attention to him, but in this drama, I absolutely loved his character and his acting.
My only complaint is that I wanted more episodes,I mean, how could they end at just 8 episodes? But there has been reports that other 8 episodes are already filmed, so fingers crossed for that.
You can watch it on Netflix if you are in the mood of something light and mushy.

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Women hold up half the sky.

Song of Youth is a historical Chinese soap opera that pays tribute to 红楼梦 Hongloumeng (Dream of the Red Chamber), widely regarded as China's greatest novel. Fans of the novel will immediately recognize that the backstory of an aristocratic family in decline and the multiple character blueprints that are based on this vernacular classic. Uniquely, this narrative plucks out the all-consuming, angsty, tragically epic love triangle that forms the core of the novel and focuses instead on broader, often less appreciated themes. The love triangle is still there but it is been muted to the extent that it is only peeks out towards the end.

Lin Shaochun, a talented actress from a performing troupe marries Sun Yulou, the youngest scion of the noble Sun family. With her innate resourcefulness and the support of her husband, she becomes indispensable to his initially disapproving family by ably resolving all their internal and external conflicts and challenges. Bai Lu as always delivers a very enjoyable performance as the supportive and loving wife of Sun Yulou and the clever, thoughtful and femininely authoritative Sun family fixer. Even though I think Wang Yizhe has a lot of potential as an actor, he struggled to get into character and I didn't see much spark between him and Bai Lu. But it doesn't matter because albeit with some challenges, their arc is short and it is ultimately a rather pedestrian love match. After that the narrative explores more complicated and more poignant relationships where the couples have limited ability to make their own choices. Very much like Court Lady, Lin Shaochun is just a tour guide through the social structures, culture, relationships, vanities and daily life details of feudal 18th century China. Thankfully unlike Court Lady, Bai Lu's portrayal of the role as occasionally ruthless and not overly preachy and righteous makes Lin Shaochun very likeable if too infallible to be that interesting.

What stands out about this drama is that very much like Hongloumeng, it celebrates the contribution of women to society - Mao Zedong was far from the first to acknowledge that women hold up half the sky. True to the novel, the drama is very female centric - Lin Shaochun is the main protagonist and in a fitting role reversal the ML Sun Yulou is just a prop; an attractive, decorative vase. Even the best antagonists are formidable and devious women. In fact, most of the male characters in the drama are rather weak and not that intelligent - Sun Yulou only pulls himself together to be worthy of Lin Shaochun, his oldest brother is a foolish gold digger's wet dream, his second brother is the most capable of the lot and his third brother is a henpecked wastrel. All of them become better, more successful men thanks to their smart, determined and capable wives. I find both the eldest and (especially) the second brothers' stories to be far more interesting than that of the main CP. Unfortunately the second brother's story fizzles out in the middle and ends in a slightly disappointing way. Nonetheless, Yao Dizu is by far the most multi-faceted and refreshing character in the drama, more so than Lin Shaochun. She is also the only character that gets to be the author of her own story. If Lin Shaochun were written to be more of a bystander and less of the person who always saves the day, this would be a much better drama. She always wins by the same modus operandi so by the second or third arc, I was on to her and the "twists" become predictable.

The other problem with this drama is that it doesn't seem to be written in one voice or tone and thus gives the impression that it doesn't know what it wants to be. I think it is intended to be a satire or parody of bourgeois upper society during Ming Dynasty. Unfortunately in parts the humor is quite slapstick when it comes to Lamu Yangzi and some of Jin Chen's scenes because that matches the kind of humor they do best. Bai Lu and the rest of the cast however, are better suited towards more subtle, satirical humor and when the writing tries for something in between, it comes across as forced and half the time it misses the mark. That said, there are some really good laugh out loud moments but overall the wit and humor is hit or miss. The rhythm of the screenplay is particularly awkward at the beginning but more enjoyable from the middle episodes. After the four brothers' stories, the recycling of themes around the fallout from arranged marriages gets old and the final arcs flatline - I saw the final end twist a mile away so the end was predictable and anti-climatic.

This gorgeous production was clearly shot with meticulous attention to detail from the sets to the authenticity of the costumes, make up and the cultural details. The only lapse is perhaps the fact that the classic Cantonese opera Legend of the Purple Hairpin is sung in Mandarin and not in its original language (this was one of my grandma's favorite operas, she used to play the Liza Wang/Adam Cheng recording all the time). Overall a high quality production that is an enjoyable light watch even though it falls well short of Hongloumeng in terms of panoramic impression, breadth of social commentary and lasting impact. This is fun enough for me to rate this a 7.5.

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LOVED IT SO MUCH

There were many negative reviews on this one but this most comes from international viewers, since many don't tend to watch long running weekend family dramas and have high expectations. I watched this ever since the start week after week and it's honestly the best family drama I've watched not in terms of story (!!) . The story was meh as people say because it does not have many dramatic plotholes or out of the ordinary. But it's worth your time if you go and appreciate this show as its own, family, friendship, love, comedy, forgiveness, and abit of revenge plots here and there but it isn't HUGE. This drama is purely warmth and love, we watch villains in this drama and some go through huge character developments along the way and change for the better. You will cry for the antagonists. You will cry for the protagonists. Chemistry between all couples and families is amazing and the cast is really the best, they all look like actual families. I've really grown attached to this family and show. The last 2 episodes made me cry alot, was really touching. Proud to say this is one of my life dramas (인생드라마) . Loved it alot alot. I'll miss Samgwang alot.

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awesome setting/styling, slightly confusing plot (watch suggestions)

Overall: while I loved the setting/styling, there were way too many characters/plot for 12 episodes and I was ambivalent about the romance aspect with the leads. Because of the collaboration, actual kisses & wide release, this got a bit of a rating boost. The series is based on a book but I reviewed the series on its own merits. 12 episodes about 45 minutes each. Aired 2 episodes per week on: YouTube, GagaOOLala, Viki, iQIYI, WeTV, Loklok & Heavenly (more info at the end of this review)

Content Warnings: murders/deaths, rape?/non con turned consensual?, suicide, non con kissing, strangling, manhandling, fights/violence, blood, torture, manipulation, drugging, theft, kidnapping

Watch Suggestions (focuses on the leads, takes out love triangle, most violence/angst/pain)
- watch episodes 1-5 (beware episode 1 has non con/dub con)
- watch episode 6 at 31 minutes if you want a plot explainer
- skip episode 7 (angst and torture)
- episode 8 watch 5m30s-9 for a side couple, the rest is angst, pain, love triangle stuff
- episode 9 start at 29 minutes and watch to the end to get more plot developments
- episode 10 skip 7:30-20 or watch the whole episode
- episode 11 start at 11 min to 14:40, 18:30-20:20, 23:45-25
- episode 12 watch 7:45-18, 26:30-30, 34:10 to the end

What I Liked
- an opposites attract dynamic
- sweet moments
- setting/style
- really happy that a character convinced another character not to see/forgive a truly terrible character in episode 12
- got actual, shown kisses
- the production really made an effort to get this on as many platforms and to as many people as they could, they also wrote out the countries on their social media that had access to each platform
- collaborative effort between China, Taiwan and Thailand; hope this was successful and we see more collaborations

Room For Improvement
- exposition dump to start the series
- too many characters and plot given and I was confused until finally in episode 6 at 31 minutes they explained the plot more clearly, spent too much time on the leads apart
- wish they had modified the scenes in episode 1 and in episode 6
- how no one was concerned about the sister's fate
- wanted more relationship development shown of the side couple, it seemed that it mostly happened off screen
- Su Yin was infuriating and had way too much screen time
- the dubbing especially with 1 character (I guess he was speaking Thai and then they dubbed over it)
- odd camera angles

Thoughts on Grey Characters/Their Romantic Relationships
Sometimes these characters and their dynamic work for me and other times they don't. Here are the factors that I think about:
1. was there a realistic reason why the character/s acted the way they did in the past (Huai En was tortured/abused/manipulated his whole life but that doesn't forgive what he may have done in ep 6)
2. how bad was/is the treatment (because this is fade to black and based on reaction afterwards, I'm not sure if episode 6 was rape or turned consensual but it was still terrible, and in episode 9 he was choking the other lead)
3. were both characters grey or was one squeaky clean (Xiao Bao was pretty squeaky clean, he's very dense, Huai En was a cold blooded killer)
4. was there some kind of apology/amend making (I don't think Huai En apologized, he did save Xiao Bao and his family and risked his life to do so)
5. was there character growth (episode 9 and Huai En was still physically violent, in episode 11 he did have a revelation of the tighter he tried to hold on to Xiao Bao the more he slipped away)
6. do I believe that the characters will stay together in a happy romantic relationship (maybe)
final verdict: I'm nervous that the first time Xiao Bao looks at another attractive person Huai En will rape/kill him, but they did seem pretty happy at the end


Airing Platforms/Links/Countries (country info was from the production company)
YouTube https://www.youtube.com/playlist?list=PLkzvQsQu-ofvkwO5v1gax9jqOYNYvhWN4
Airing everywhere except: Thailand, Japan and South Korea

GagaOOLala https://www.gagaoolala.com/en/videos/4541/meet-you-at-the-blossom-2024-e01
Airing everywhere except: Japan, South Korea, Thailand, Chinese Mainland, Hong Kong China, Vietnam, Philippines, Canada, Australia, India, Spain, Mexico, Argentina, Chile, Peru, Colombia and Brazil.

Viki https://www.viki.com/tv/40650c-meet-you-at-the-blossom
Airing: Americas, Oceania, Middle East, Europe, India

iQIYI https://www.iq.com/album/meet-you-at-the-blossom-2024-1689d4pr2sl
Airing: USA, Canada, Australia, New Zealand, UK, Macau China, Brunei, Singapore, Cambodia, Laos, Myanmar, Indonesia, Malaysia, Philippines, Thailand, Vietnam, Mexico, Spain, Argentina, Chile, Peru, Colombia, Brazil

WeTV https://wetv.vip/en/album/c5o1ffdwm6yhwy5
Airing: Thailand, Vietnam, Philippines, Indonesia, Malaysia, Singapore, Brunei, Cambodia, Laos, Myanmar, Macau China, United States, Canada, Spain, Mexico, Colombia, Argentina, Brazil, Portugal

Loklok - airing: Indonesia, Thailand, Philippines, Malaysia, India, Mexico, Spain, Russia

Heavenly - airing in South Korea

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Buckle up for a zany joyride

When you read the synopsis of this show, you would assume it to be a cheaply made, quickly produced filler to slot into a gap in the schedule. It could have been such a show, but it is so much more!

The show is a Chinese costume drama set in a mythical past where the country was divided in a number of warring states. Two particular city states have been at war for years due to some misunderstandings. I won’t bore you with the details as it is quite convoluted and contrived.

On the surface, the plot sounds like the usual palace intrigue, fight for power trope with a dose of romance. What I didn’t expect is a cheeky farce that works like a treat. It is over-the-top, manic, chaotic and racy. The narrative just has this devil-may-care attitude. Time and again I would think “they can’t do this” or even WTF but that’s exactly what happens. A lot of the times, it is for laughs but sometimes it is for the shock value as well. You can’t predict how far the show will push a particular line.
Is it a perfect script? Not by a long shot. There are tropey and confusing subplots as well as its fair share of plot holes. What saves the show is its internal core logic. There is a solid narrative thread that runs through the whole show that is unwavering so that the behaviour of main characters are consistent even though some of the split second action/reaction can be kooky and unpredictable.

Even as I wrote this, my mind is in turmoil. I would recall a cringey moments that made me facepalm and then a LOL gag would pop into my head only to be replaced by a really sweet, swoon-y moment. By all that is holy in dramaland, this show should not work but it does. It buoys you along with its manic pace and you are all in or you are out.

Another surprise is the company of young actors. They are not well known but the ensemble certainly made up for that with a great deal of commitment, solid acting abilities and decent comedic timing. By the halfway mark, you are so used to their antics that you just accept what they do as the norm, warts and all. The standout here is the FL, Zhang Yue Nan. She was the focus of many threads, and she shines while playing a variety of roles. The SFL, Fan Wei, is good as well. She plays the villain, twice and to good effect. Consider she is in her 20’s and only had a handful of support roles, this is not a bad effort. The ML’s are good and handsome, especially Yan Zi Xian. He can anchor a scene with his presence. However, a lot of the time, they play second fiddle to the strong FL’s. There are rough edges with some acting and overacting is to be expected in a comedy. It is all part of the bigger picture, and you have to cut them some slacks.

The various CP’s have good chemistry and they don’t shy away from skinship. Nothing more than kisses and hugs but they did it with some passion.

Another positive is the lush settings. The court set is of high standards and costumes (generic era/locale) are certainly a cut above average. Overall, it is a solid production. The minor negative is the dubbing. I’m not sure if the whole show is dubbed or if some of the actors dubbed themselves. The sound is patchy in the beginning but got better towards the end. It is a minor issue, but you notice improvements as the show progresses.

The ending is very good and consistent. We are rewarded with some fan service and most of the threads are closed satisfactorily. It doesn’t feel rushed while leaving its fans in a happy place.

I won’t say that it was love at first viewing, but it definitely grew on me. I can recommend this show and with a run of 24 x 30 mins episodes, it is not a huge time investment.

Sadly, this show will probably disappear into the Great Web Void soon as it won't be heavily promoted. That will be a shame.

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I feel the most important thing to re - iterate here is that don't skip this drama because it may seem like the continuation of Tharn Type 2. Rather decide whether to watch it based on the consensus I'm going to present hereafter on why to watch it or not.

REASONS TO EXCERCISE CAUTION BEFORE YOU WATCH
Oh, where do I start?
Blackmailing ✔️
Gaslighting ✔️
Harrasment ✔️
Trying to pass off mental health issues as just being violent and manipulative ✔️
Trying to make the lead saying that he wants to imprison the other lead romantic ✔️
(Honestly listing all the toxic stuff that happened in this series might take a whole other review.)

THE REASONS TO WATCH

Now for the reasons to watch.
The number one reason you need to watch this is because, it is in fact, not a continuation of Tharn Type. Yes, Fiat and Leo are in it, but it feels like the characters here are a more accurate representation of what they were meant to be in Tharn Type 2. The storylines of both characters are explained much better here, and there are actual explanations to their behaviour in the prequel.

And yes, watching the prequel would help you understand some scenes better, but Don't Say No works as a standalone series just as well.

The second point as to why you should watch Don't Say No is because of the cast. I haven't seen most of the actors in any major works before this, and for beginners, they're quite good. They seem to have captured the essence of their characters perfectly and it says a lot about the actors when they are able to invoke the exact emotions from the audience suitable to their actions. Yes, some of the crying scenes and the intimate scenes could have been better, but for first timers you could tell they did their best.

Finally, if neither of the arguments have convinced you, or you're still on the fence, my final defence : Leon ☺️.
Just watch it for Leon. That boy has got me and Phob falling for him. Honestly I was quite suprised that such a sweet and respectful character is present in the MAME universe, but he is, and honestly, I believe he's reason enough to watch the series.

So there you go : this has been reasons to watch or not to watch Don't Say No.

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Wonderful People in a Wonderful World

"In the middle of life's journey, I got lost and wandered. No matter how much time passes,losing someone precious to you will always be lonesome. I will try to keep going. If i keep going, one day the pain will lessen. I hope all those grieving find comfort. I hope the world will be more friendly to those in pain. I hope a beautiful world will come while you overcome your pain."

I never thought a story of revenge and salvation can be this satisfying.

Full on heavy drama shows are never my priority to watch. With so much content nowadays, you have to have a list of priority and this initially wasnt in my top, but i ended up eagerly waiting for each episodes. This series is anxiety-inducing but is also satisfying and inspirational.

The first episode hooks you in. The perfect perfect casting of Kin Nam Joo and Kim Kang Woo as perfect husband and wife Eun Soo Hyun and Hang Soo Ho, and parents who tragically lost their kid due to a an accident. The accident and the justice system's inability to punish the criminals made Soo Hyun take matters in to her hands - destryoing her once perfect life by killing the man responsible for the death of her son. This is the story of her (and her husband's) disappointments, healing, salvation and triumph.

The series also introduced us to Gwon Seon Yul. A man-child seeking revenge to those who have destryoed his family - with a surprise casting of Cha Eun Woo. The character needed the depth of someone who has lost everything in life - someone you are supposed to despise but is too good looking to hate. He fits the bill perfectly and I am pleasantly surprised with how well he acted in this series - i never thought Id say this but with the right direction he has finally proven something and has indeed become an Actor here.

Fanatics beware this is the part were i say some things you might hate. The story, to be quite honest, is not really unique - in fact a lot of times it verges on the typical melodrama soap opera. The overall plot is predictable and we can see from a mile away who the real culprit is. The attempt to make Seon Yul's character the fadeaway villain is also not convincing - like I said in the last pharagraph Cha Eun Woo is just too good looking to hate and you know all their efforts for a fakeout is not believable. Also, I am sorry to say but for me, the pacing too can sometimes be a little slow (I watched most of it in 1.25 speed) with a lot of emphasis on quiet, thinking scenes.

With all that said, this is still a very satisfying and inspirational series and the series finale was executed beautifully - tieing up Soo Hyun and Seon Yul's storeis perfectly and leaving viewers with a feeling of hope that no matter how dire their cumstances are, good things are still bound to happen and that no matter how hard life is, thare are still wonderful people and this is still a wonderful world to live in.

Maybe a hard sell for a rewatch, but seeing it one time is enough to send its message. Overall its a 9.5, especially for the acting and direction. A show most reccommendable to watch.

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From promising to waste, barely romantic

Zhou Yiran and Sabrina's acting was the only thing good on this show, but from what's promising to be on par with one of best dramas in 2023 along with Hidden Love, When I Fly Towards You, Road Home, Meet Yourself, and The Love that You Gave Me. This suddenly break it's momentum from doing great to being time waster.

When I heard this show was giving Forever Love vibe, I had to watched it, and considering I was definitely impressed by Zhou Yiran, with Sabrina as female lead, I was excited that I had binge watch first 9 episodes, I get so excited waiting for new episode then second half of the show happens, and it all went down the drain. I have excuse the poor editing as I was enjoying the characters, but plot turn 180 and I was suddenly questioning why I even started this.

Don't even compare this to Forever Love because that was a gem, a treasure you can find in the midst of underrated show, this was being hype so much that I cannot believe the sparked from this couple had dim so fast, this couple was only good pre-confession, they are another couple that lost it's shine after, and was barely romantic to each other.

I kept hoping it would picked up till last minute, I kept hoping and it DID NOT DELIVER.
Such a waste of potential.

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I have mixed feelings about this drama. Maybe my expectations were too high, because of the great reviews, and because of how much I was pleasantly surprised by Sungkyunkwan Scandal (both were based off of books by the same novelist). Don't get me wrong, there are many great things about this drama, but towards the end I felt myself losing interest.

During the first half of the series I was extremely excited. The story of the royals plotting, and scheming, was great. I loved following their rivalries, obsessions, and ruthless ambitions. I thought it was even more impressive considering the fact that most of the main cast was so young. The performances by the teen actors were really great. I think Kim Yoo Jung, and Yeo Jin Goo could rival any adult couple with their performances. l loved watching all the relationships develop, and the fact that there were such strong backstories for the characters. I loved some characters, and loved to hate others. I was instantly hooked, but then all the characters grew up...

Once the characters matured, the show lost some of it's spark for me. I'm not sure if it was because of the pacing, or the constantly depressing tone. It was clear from the first episode that this story would be tragic, but many times in the 2nd half I was bored watching characters cry & scream over the same things. It also seemed irrational for so many characters to be so determined to be with people who didn't love them, so it was harder for me to sympathize with them. The story always managed to pull me back in however with new revelations, or a great scene, but there were still long periods that felt repetitive. This made it much harder to stay excited.

I can't really blame the adult cast, because many of the adult cast members matched their younger counterparts well. I thought Kim Soo Hyun did well as the king, and he really seemed like an older Yeo Jin Goo. Jung Il Woo didn't really look much like his younger version, but I knew to expect a great performance from him. The Queen, Seol, and Jan Shil were all great casting matches. I think the most flawless transition between the young and older version of the character was Jin Ji Hee and Nam Bo Ra. I also think that Nam Bo Ra had one of the most moving scenes in the entire series. On the other hand, one character that was a disappointment was Song Jae Hee as the older Heo Yeom. He just seemed so much older than the rest of the cast, and It was distracting hearing him described as being so handsome when, no offense but... he's one of the least attractive men in the cast.

I think one of the biggest character issues I had was with Wol/older Yeon Woo. I thought she visually matched Kim Yoo Jung, and gave some good emotional performances in some scenes, but she lost all of her charm. She transformed from a young but wise independent thinker, into a willing doormat with a blank wide eyed stare. I really had a hard time believing that such a well read young girl would be so self sacrificing towards the king. I think it also effected their romantic moments together. I think Han Ga In meant for her performance to be melancholy, and altruistic, but instead she often looked bored to me.

Even though all of the main characters had at least one epic crying scene, i barely teared up while watching this. Nam Bo Ra, and Yeo Jin Goo came the closest to making me cry, but I did not have an emotional reaction to many of the sadder parts, which is crazy since the 2nd half is mostly sad parts. Even when characters died my eyes were dry, and I am often a crybaby. I enjoyed watching the relationship between wol, the king, the prince, and the queen, but it lacked enough chemistry to get me emotionally invested in their stories. You still may want to keep tissues nearby just in case, a lot of them.

Speaking of story... The plot itself was a good one, but the pacing of the episodes got worse and worse. There were too many repetitive scenes ( i said this already didn't i. irony...), which fueled much of my boredom. There was also too much reliance on flashbacks, including a flashback of a scene that happened seconds earlier. I didn't lose interest in the story, I just lost patience with how it was being told. The last episode is a perfect example of that. They rushed through endings for major characters, some pretty tragic endings, then filled the time with a silly story about learning to play an instrument. I was satisfied with the ending, but not moved by it.

I would recommend this drama to people who like tragedies (like 49 days, or Sorry I love you). Those looking for more romance (like in Sungkyunkwan Scandal, or Goong) may be disappointed. Those looking for comedy will find some funny moments, but not enough to balance all the crying, sulking, and screaming. Overall I liked the story, but thought the drama was inconsistent. I doubt i would watch this again, but maybe I'd like it more the 2nd time since I now know what to expect.

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Let life be beautiful like summer flowers...

This tantalizing and poignant love story captures the spirit of carpe diem. It opens with a young girl's chance encounter at the hair salon. She is aroused by a strong and silent stranger from the way he caresses her ears and washes her hair. For most girls, it would stop just there; a titillating fantasy not to be acted upon. But He Ran is not like most girls. She throws herself at Xiao Han shamelessly; not one whit bothered that he is well into his prime. Twist and all, this is a simple and very cliched romance plot that hinges on the chemistry between the leads and whether they can convince audiences to root for them.

He Ran's relentless pursuit of Xiao Han can very easily come across as crude and thirsty but Xu Ruohan gets this tricky portrayal mostly right down to the small nuances. She is just an artless young, girl headily experiencing infatuation, desire, and possibly even love for the very first time. She can be incredibly petulant, unreasonable, and childish, like the protected and spoiled little rich girl she is. But she taunts and tempts him with the instinctive provocativeness and burgeoning sensuality of a child-woman. The way she looks at him with her heart in her eyes and the effervescent joy in her smile made me shake my head at the futility of Xiao Han's efforts to evade her charms.

As for Xiao Han, his genuine attempts to resist the ardent allure of this captivating young temptress is just the right touch. He rightly has misgivings - she is too young and they are from different worlds. Xiao Han is a man of few words; a gentle giant who is very still and seemingly unmoved by her attempts to seduce him. Only the smallest microexpressions give him away - the hint of a smile, a tensing of his incredible jawline, a barely perceptible slow sidelong glance, and a whisper of innuendo in his tone. While Xiao Han clearly looks and is more mature, the relationship doesn't come across as exploitative largely because He Ran is the instigator and calls most of the shots. Of course, it helps that Jerry Yan does not look a day over thirty and the only offensive thing about him is how well he wears those sleeveless wife-beater T-shirts.

Their love story unfolds against a lush, almost surreal romantic palette drenched with deep and lush saturated colors of the riotous blooms adorning Xiao Han's intimate seaside home. The couple's sultry chemistry permeates the screen, captured mesmerizingly by the director's avant-garde and sensual visual composition style. The superbly curated soundtrack supercharges the narrative with all the right emotions at every critical juncture. I was invested in their romance the moment I heard the first song, Cantopop hit (半點心 A Drop of Your Heart). At the time, they had barely even met! I am so busy being a Peeping Tom that it takes me a while to notice that the plot doesn't move much. He Ran is just escaping into Xiao Han's world and their relationship is built around "ask me no questions and I will tell you no lies". They are both secretive and repeatedly fail to communicate. Thus despite its addictive beauty, theirs does not bear the hallmarks of a lasting relationship.

He Ran and Xiao Han's relationship shortcomings are amplified by the too coincidental to be true gender reversed second age-gap romance. There the couple actually dares to call each other out and are open about themselves and their doubts and constraints. That said, their initial attraction is too tropey and not convincing and it is a major subplot that develops too late in the main plot line; right after He Ran and Xiao Han's relationship peaks. This long-winded and often boring digression annoyed me and disrupted the momentum of the main romance. Their sizzling chemistry also highlights a more adult passionate intensity that seems missing in He Ran and Xiao Han's encounters.

The Chinese title of this drama 夏花 / Xià Huā or Summer Flowers, comes from Rabindranath Tagore's poem "Let life be beautiful like summer flowers..." After Shakespeare, Tagore is the most widely read and well-loved foreign poet in China. Thus there is already a lot of foreshadowing in the Chinese title. But I think it is not that important how He Ran and Xiao Han's story ends. Because the story's real message is about living in the moment and daring to live and love with no conditions or expectations for the future. That they did and like summer flowers, their love bloomed with wild abandon drenching the earth with the radiant, ecstatic colors of beautiful life. With a little bit of help from Uncle Han, who is just the best fairy godfather ever.

As for the ending, I didn't like it. Not at all. It diminishes both main characters. It is why even though I love many parts of this drama, I can only rate it a 7.5. A better ending would have gotten an 8.0-8.5 from me. I will elaborate on why I am so disappointed in the ending below. It is of course a major spoiler so please don't scroll down if you have not finished watching the drama.









Warning - major ending spoiler way down below.















Major Ending Spoiler

To me killing off a character is a lot better than killing the character of the character. And that is what leaving the door open for some ambiguity does - both He Ran and Xiao Han's characterizations suffer as a consequence. The ending should have been clear and decisive. The drama consistently builds up to it. This loosey-goosey ending makes the timeline messy and creates unnecessary loose ends. Did Xiao Han not accompany He Ran to seek treatment? What about his promise to care for her? Surely he was not growing flowers at home while she was fighting for her life thousands of miles away. But what really takes the cake is He Ran's unreasonable demand that Xiao Han waits for her and loves no one else. It is utterly selfish and insensitive. What if his first love had demanded that of him and he never gave He Ran the time of the day? Dying is easy, it puts her beyond all further suffering and emotion. From then, the suffering begins for the survivors. She sets her mother free but poor Xiao Han is supposed to miss her for the rest of his life? Did she ever even truly love him? Wow! This cop-out ending made me intensely dislike He Ran instead of remembering her poignantly as the brave young girl she was at the beginning. A girl who chose to live life gloriously if briefly instead of wallowing in self-pity.

"Let life be beautiful like summer flowers and death like autumn leaves." - Stray Birds by Rabindranath Tagore

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