Reviews

Hilarious & chaotic love story of two con-artists

This drama is one of the most hilarious and chaotic rom-coms I’ve seen! It’s truly underrated. The drama is a story within a story. The female lead begins to write her novel and the story is her novel (this was only done to pass censorship). The story is about the female lead who has the power to make any rich man fall in love with her as long as he gazes into her eyes. She is a con-artist, and a good one, until she meets her match, the male lead. He is also a con-artist, a fake rich man. As they try to one up each other (think cat and mouse game) and untangle the mysteries of their past, they end up falling in love.

The drama blends seamlessly the comedy, romance and very light thriller vibes. The chemistry between the leads is fire and their supportive friends/partners in crime are the most endearing! There is no stupid love triangle, no annoying characters, no boring work stuff, no filler scenes. Only tons of romance, cuteness and laughter.

POSITIVE:
- Hot chemistry between the leads.
- Tons of cute romantic scenes.
- Sweet kiss scenes.
- Top notch comedy. Seriously, this is one of the most hilarious modern cdramas I’ve watched!
- Great support cast. A perfect blend of friendship/partners in crime/cute side couples.
- Main leads who are always shamelessly trying to one up each other in the best way possible.
- No love triangles.
- No annoying characters.
- No boring work stuff/ filler scenes.
- Fast paced (never a dull moment).
- Fun bickering scenes balanced with heartwarming moments.
- Tragic past for both main leads which adds more depth to their characters.
- One of the most satisfying and well wrapped up endings!

NEGATIVE:
- There are some scenes where logic has left the room. However, that's what makes this drama so hilarious. The writers are aware of that and they shamelessly say “this drama is ridiculous and crazy, and that’s the point”. Basically, this negative point did not take away from my enjoyment at all!

OVERALL:
If you want a highly entertaining, hilarious and silly rom-com with hot chemistry between the leads and strong friendship bonds, watch this drama!

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Be ready to stuck by lightening

Where to start… its amazing story. From start to end a journey full of emotions, love and compatibility. The chemistry was on fire n I am not exaggerating if i say that they didn’t even need to kiss to create fire 🔥. Don’t worry you will get plenty of 😘. My favourite character was Li Xi although he seemed to be a stubborn guy (exactly opposite to a gentleman, sometimes acted like a jerk yes an extremely proud guy .. or Atleast he pretended to be) but deep down he was a softy. He took his time to understand his surroundings and value friendships but he tried after many events (considering his background we can digest it). All in all I congratulate Arther Chen for being my new offical crush (damn cute). The FL was good. The thing i like most about her that she was not hesitant to express herself. She didn’t care about the so called ‘I am girl’ image n confessed her feelings from time to time . She trusted him in every stage. She was not blinded by jealousy even he purposely tried to mislead her yet she knew him so well and trusted him till the very end!
Other characters played their parts well. Guo showed most versatility in his character. He made me like him, hate him and felt sorry for him. I wished he could stop himself but … it was too late when he realised! The friendship was stained…!! ( Still happy that he ended up with Xu Luna at the end (an ending different from novel)). Ran Di was cool… Fung Xiamo was also unique in her own way( I wished she could ended up with that guy from uni days (who had a crush on her) but the director didn’t put attention on her storyline as she was already additionally acted from novel). I like the changes they made in drama version but i also liked the novel (except the last part where the writer dragged it). All in all it was one of the best dramas with a good rewatch value.

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Too Short but Enjoyable - Cover Poster doesn't match the drama

Completed - 8/18/2022

When I saw the cover poster of this drama and read the synopsis, I was expecting a mature and sexy show with a focus on our female lead's romance and career change. After watching this, I feel like I got cheated. This is a simple, fun and light watch which focuses not only on our female lead's career but actually her personal growth. I am not saying this is a bad drama, but it's not what I expected.

Umi is an overworked employee at a TV talk show. We follow her journey of switching careers, finding love and especially finding herself. Although romance is a part of the drama, it is not the main focus. This is a story about Umi. I enjoy getting to know Umi and following her journey. I appreciate that she's not the typical, quiet, naive female lead. In fact, she is a ball of energy and not afraid to go all out to get the work done. It is quite refreshing in a way. She's easy to root for, though she could be quite loud especially when she was screaming/screeching when snowboarding. Actually, there are many loud women in this drama, though none of them is annoying. Everyone is sweet and supportive of each other. It's quite nice to see that.

I like the three main male characters in this drama. This is my first time watching Honda Kyoya. He is quite cute, though he does look young. His acting is OK. It's nice to see Shirashu Jin as President Keisuke. I love him in "I Don't Love You Yet". It's also great to see a different side of Izuka Kenta as the weird and funny Satoru. He's no longer the innocent college student in the "Pornographer" or the cool hotshot in "Rinko Wants to Try". I quite enjoy the friendship between Jin and Kenta, and isn't it interesting that they both were in a BL drama before?

One thing I really like about this drama is the use of silence. There are many significant moments in the drama where there's no background music. The drama lets the actors and their dialogs take center stage, and does not use music to manipulate viewers' emotions. Viewers can really feel the emotions happening on the screen.

My main criticism would be the length and pacing of the drama. I wish the drama is longer. "Animals" is trying to cover our female lead's career change, romance and personal growth, all in less than 8 hours. I would have loved to see her slowly transitioning to her new job. She seems to fit in too easily and transition from a novice on makeup to someone who seems to be an expert within an episode or two. I want to see the romance develop more and have more scenes between Umi and Kazao. We see their cute bickering (which I like), but I want some more romantic scenes to see how they realize their feelings for each other. The romance lover in me is not quite satisfied.

I also realize I know nothing about Japanese fashion. I find most of the outfits that FL and her sister tried on for the interview and date are really ugly. LOL. Of course, this is just me. I am someone who wears just a T-shirt and jeans.😆

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Be 100% you, wherever you are

The Makanai is a delightful and heartwarming coming of age drama about two teenagers who travel to Kyoto to train to become Maiko. The friendships and supportive atmosphere of the yakata will welcome you in and delight you with beauty and delicious food.

Close friends Kiyo and Sumire enter the world of the maiko at the age of sixteen. Sumire is a natural but Kiyo is not and is expelled. Fate as it does, plays a hand when the older cook of the house hurts her back and Kiyo steps in with her lovingly prepared meals and becomes the new makanai, fixing all the meals for the women. That is pretty much the whole plot, the story follows the two over the next year as they blossom and find their way in the world all while maintaining their friendship.

The drama does cover the lives of the “Mothers” who run the yakata and also the star geiko, Momoko. The women are supportive of each other as they face life choices, some choosing to stay and others to go. Answers to conflicts arrive as easily and gently as on a breeze. There is no hazing or jealousy, only a little friendly competitiveness and teasing. This is a glimpse behind the scenes and into the world of the maiko and those training to be one. Because one cannot be a married maiko or geiko, as the young women age, they are faced with leaving their art if they choose to marry.

More than focusing exclusively on the maiko tradition, the friendship is the heart of the drama. Kiyo and Sumire have a sismance that will inspire you. The young women are always happy, never depressed or sad living away from home. Everyone does their chores and lessons with a joyful attitude. It may not be entirely realistic but it does make for soothing viewing. The cooking and food prep is tantalizingly shot with great care. Be advised you may not want to watch this on an empty stomach as Kiyo’s dishes do look delicious!

Though the action is languorous, the scenes tend to be vibrant with conversations going on in both the fore and background. Laughter often fills the air in the cozy house. The acting is natural and approachable. This slice of life is an example of life being lived in the details.

With the exception of a boisterous and attention seeking geiko who returns after a failed marriage I found most of the main characters charming. The other exception to my enjoyment of this drama was a mai developed on Night of the Living Dead for a festival. But that’s my personal issue-I’m terrified of zombies even when portrayed by stunning maiko!

In a world that can be cold, this drama wraps you in its warm embrace and feeds you comfort food, giving you hope that your dreams can come true and that friendship can be for a lifetime.

1/14/23

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I am completely empty

This series was a blow to my emotions that I will never recover from. It's not just a depiction of a complicated story but a painful moment realization.

Wang, who has been searching for the remnants of his father's memory his entire life is suddenly drawn to a house in the middle of nowhere. An oasis... a cave? a cage where the man holding the key to the mystery lies impatient.

An unstoppable force meets the immovable object. As a young man full of resolve and fire, crashes into a man that only knows fear and regret masked as prudence.

With a Strindberg-esque theater in it's core, this show brings blade-sharp monologues and dialogues with amazing rythm and ruthlessness. It plays into the inevitability of family and the unfortunate blooming of a love that grows like weeds in concrete.

The cinematography is beautiful, the use of lines and colors to depict meaning is raw and subtle at the same time. Its impossible to pinpoint the "good moments" because it's all so meticulously planned that everyone I tried to get a quote written down I ended up with a transcription of the entire scene.

It's not necessarily sad. I don't cry at "sad". It was just too much. The situation, the emotions, the dialogues are multidimensional and overwhelming.

Pond offered a gut wrenching performance that was always topped with a smile that passes through you.

F*ck, how this shit tore me apart.

If you do not find theater entertaining, if you like explicit, easy, quiet shows definitely skip this one. This is not your typical BL, for the ones coming towards it only because of that label. It is BL, but it became so much more.

This is not a "fun" ride. It's a story of a bird trying to convince another to leave the cage. The door is not locked, the air is much nicer up there... but how could you convince a bird with no wings to fly?

Id rather stay in the labyrinth than join Icarus in the sea.

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Before writing a review for this drama, I needed time to cool down a little. Not only I am a fan of dark detective stories, I also love Takeuchi Yuko to pieces. Both premises may have biased my judgment of the show itself.

This drama starts in the very middle of things. Unless you have watched the 2010 special - which I haven't yet - you won't see any introductions, neither of the characters, nor of the setting. You are thrust into the first crime and given brief flashes of the characters' past, pieces of a puzzle you'll only complete by the end, and not in full. It's realistic, harsh and frustrating, but it worms its way into the viewer's interest in a very subtle, gradual way, until you come to the end and wish there were another entire season to watch at once.
The cases brought me more than once to the brink of tears. They are desperate and intense, involving such human characters I couldn't remain detached even if I wanted to.

The cast is downright brilliant. My favourite Takeuchi did not disappoint me. Her character's very complex, with a perpetually seething anger as palpable and incomprehensible at the beginning as it is understandable once her past is slowly revealed. I have a weakness for characters who are incapable of expressing their feelings, because when they finally let the slightest glimpse of vulnerability surface it's so much more intense and heart wrenching.
Which inevitably leads me to her loyal subordinate Kikuta, portrayed by an impeccable Nishijima Hidetoshi. He reads her without fail, and I love that his evident attraction to her originates from his admiration for her skills rather than a simple man/woman dynamic.
Some of the characters are downright irritating. The police director - whose role is quite a mystery to me - is so obtuse the sole purpose of his existence seems to be to provoke his detectives' reaction. While it works on a dramatic level, I hope such individuals do not exist in real police departments, or I'd give up on the Japanese justice entirely, mostly if he's paired with the older corrupt detective whom I wanted to punch in the face.
Good or bad, none of these characters left me unmoved, proof of their outstanding job here.

I loved the music: well chosen, well used, well balanced.

Re-watch value is very high, because at first viewing I found some details hard to follow, mainly because of the fast delivered lines and the unusual way the crimes unfold. Most of all, though, I am experiencing withdrawal symptoms regarding the characters and am looking forward to a continuation. I'd vote for a second season in no time.

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Romance has never been my favorite genre. While I always welcome a good love story, I prefer them interspersed between other elements. Should I be caught with a rom-com, it’s usually safe to bet I’m watching with a friend—or the cast drew my attention. In the case of “Can We Love?” both eventualities came to pass. However, unexpectedly, this drama became a weekly pleasure; I even felt compelled to share it with others via an article. What about “Can We Love?” sparked this romance madness in me? Well, let’s see….

Though Jung Wan (Eugene) might be considered a traditional heroine, there are actually three leading ladies. Each woman has her own fully realized plot, with journeys so unique from the others (yet still connected!) that they could stand as three separate dramas. Does this result in a disjointed feeling? Not at all! The writers have a talent for seamless transitions, balancing characters and their evolving circumstances from episode to episode. Instead of being drawn out forever, even conflicts were frequently solved within an episode or two (crazy, I know).

This isn't true of the entire drama unfortunately; I could practically feel the steam seep out around near in late episodes. While not nearly enough to derail the entire experience, some cliches and melodramatics slithered in, while other bits were managed a little awkwardly.

A big pro for “Can We love?” is realism, despite obvious exaggeration here and there for entertainment’s sake. These characters have mundane worries for the most part (such as money trouble, single-parenthood, or romantic uncertainty). They have their foibles and quirks, but even at their worst they’re never the maniacs one often encounters in similar dramas. The second female lead will not be hitting her rival with a car, here, folks. You’ve probably met or heard of people like the “antagonists” in this drama…though in the case of a certain abusive mother-in-law, I hope not.

But for me, honestly, the best part must be the romance. Great kisses abound, with actual moving lips and touching. Because the characters are adults and act as such, they’re not mortified by the prospect of sex (pre-martial or otherwise). Couples communicate, both to solve problems and to build intimacy and knowledge of one another. The "main" pairing even felt like they were actually in love. I admit to giddiness with certain scenes, an uncommon occurrence.

Uhm Tae Woong was a primary source for such giddiness, as fast-talking charmer Oh Kyung Soo. Discard thoughts of him from other dramas, those intense and serious men; this role is completely the opposite. A “world-famous director,” Kyung Soo flirts, teases, and pursues what he wants with sincerity—whether in work or love. You might fall a little in love yourself, however your tastes run; he might be my favorite leading man to date. Leading lady Eugene embodies a gentle presence, easily becoming a sympathetic lead in Jung Wan. Her chemistry with Uhm Tae Woong sparkles, and her mothering scenes are fantastic.

Also notable: Kim Yoo Mi presents a complex and controversial Sun Mi. This actress masterfully handles tough, flawed women with hidden vulnerabilities. Choi Jung Yoon capably maneuvers the emotional tribulation and wide nuances required of Ji Hyun, though the character did not satisfy my interest as much as others. Kim Sung Soo (gentle and mature Do Young) and Park Min Woo (puppy-eyed noona killer Yoon Suk) round out the cast quite well.

What about the music? I found it above average, often memorable and always well-placed. While there isn’t a false note in the bunch, certain songs might wax repetitive for some viewers. The vocals are where the soundtrack really shines: “Everyday” (GGot Jam Project), “I Want to Love Again” (Lunafly), and
“My Hero” (Kim Ji Sook) are all excellent examples. Others include “Softly” (Sum & So Yeon), and a more elusive track, known affectionately to viewers during the drama’s run as the “Hey, Boy” song. You’ll know when you hear it.

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I loved this drama and was excited to watch new episodes every week, it was filled with fun scenes, the romance was cute, the couple looked good together and both actors are really attractive, also I liked the 3 cleaning fairies plus o sol's relationship.

I used to like this drama so much that I was sure I going to rewatch it someday, but that changed because I disliked how the story unfolded.

To me it all went downhill when O sol stopped working in the company and started living in Seon kyeol's house. Sure we were blessed with some great kisses and domestic stuff, but to me that was when the plot started becoming nonsensical.

I didn't like Daniel at all, I found him clingy and annoying as all hell not to mention his stalking behavior. I didn't like O sol's rude brother and his attitudes as well as her father.

I even started disliking O sol and not understanding her decision of breaking up with Seon kyeol (not to mention how unoriginal and boring that ''have the couple breakup in the last few episodes'' kdrama trope is) and her attitude towards him, a person who didn't deserve any of it. To me that was the final nail in this drama's coffin. What his selfish grandfather, who physically attacked him as a kid (I also didn't like how the writer seemed to have forgotten that and gave the grandfather a redeeming scene, expecting us to feel sorry for him) and who caused his misophobia, did, wasn't his fault.

The final episode was painful to watch because of how o sol kept rejecting seon kyeol and how her and her father kept blaming and making him guilty of something that wasn't his fault. I didn't like seeing him acting so pitiful around the father and her.

I'm not sure if I'd recommend it or not, sure the ending was a happy one, there's lots of funny scenes and the couple had good chemistry but there's lots of things that prevent me from doing so. I guess you could give it a try if your a fan of any of the actors because everyone did a great job.

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A Heartwarming and Wholesome Youth C-Drama That Feels Like Home

WOW! Just finished this and what a beautiful drama it was! I binge-watched all the episodes over the past few days and it was an absolute rollercoaster of emotions! I rarely binge-watch dramas since I usually prefer ongoing ones, but with some free time on my hands, I gave this a shot. Honestly, it is one of the best youth dramas I have seen.

I am truly in awe of how wholesome and heartwarming youth C-Dramas can be.

I especially adored our main couple, Xichi and Huan’er. Their journey from strangers to neighbors, classmates, friends, best friends, lovers, and finally family was so naturally and beautifully written. Their relationship felt so genuine, and you could really see and feel how much they cherished each other’s company.

It has been a while since I have seen such a well-balanced relationship in a drama. Both of them gave so much to each other, offering unwavering support along the way. They were both walking green flags, wholesome, funny, and downright adorable. I am really going to miss them.

Another highlight for me was the parents of the trio. I do not think I have ever liked so many parents in a C-Drama before. They had distinct personalities that made them feel like real people rather than just being there as “the parents” of the main characters. It was so refreshing.

The humor in this drama was also totally my style, with no over-the-top slapstick or forced comedy-relief characters. I especially loved Xichi, as he was such a funny and witty character. But the humor did not stop with him, since his friends, classmates, and even the parents all had their own hilarious moments.

Overall, I absolutely loved this drama and highly recommend it if you enjoy youth and family-centered stories. Even though I am a romance lover and could not wait for them to grow up and get together, I have to admit that I enjoyed the middle and high school scenes the most. The university portion felt a bit superficial and lacked the depth of their earlier years. I found their home life far more engaging, which is why I think the title "Always Home" was the perfect choice. That sense of warmth and belonging was truly the heart of the story.

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The first real omegaverse series, strong beginning, flat in the end...

While Pit Babe tried to be omegaverse it was without explaination and without a real omegaverse story. This series explained most of it in the beginning and you think you will get a typical storyline, but you won't. This is more a psycho-thriller with BL elements than a BL with psycho-thriller vibes.

I won't go too much in details, because there are many reviews out there which will depict the series. When "Sheng" said "you little maniac" to his partner, he is exactly that. A ruthless, manipulative tyrant in most cases but with Mr. Sheng he is the cutest omega-like being on the planet. Mr. Sheng is also not a "child of sadness". While having a soft core he did also questionable things considering all his ex-lovers he had, a wolf in sheeps clothes so to speak.

Then we have a second couple which had a good dynamic in the beginning but got less and less screentime as the story progressed. While Shen is an alpha, he has too much hate for omegas in him to see the true nature of Gao and it ends in a disappointing finale (for me). There is hope, we will get a special to have their story to be completed but now it's open ended. At least for me it felt unfinished.

There is the critics who say there was rape, but in the omegaverse there are just animal instincts taking over when in "heat". It's not a rape per se, because both partner have the same desire. And everyone else who said "but we could see it clearly", yes that was because the director choose to show us even when in the story the room was dark.

Production budget seemed huge and in typical BL manner there is a lot of subtle bluring going on especially in the more romantic scenes and close-ups. The lip sync is also not perfect, especially with the child, the acting felt sometimes a bit stiff (due to the lib sync) and it often sounded subdued for the scenes we were seeing. Because this was a chinese production for the foreign market I wonder why they had to do this, because everyone besides chinese people would not know of the different chinese dialects and it took away some of the intensity of the scenes. Other then that, production quality was top notch.

While it is a groundbreaking series, it is far from a 10 for me, because a) I'm sound sensitive b) Shen seemed a bit too two-dimensional without the growth I expected and c) the finale. It's a very good show overall when you like the psycho-thriller approach.

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Why am I writing this review? Because I have a habit of writing one for under-rated dramas.

This drama got criticised a lot. That a lot of people would just not give it a chance. But believe me, if you're a fan of (( melodramas )) or (( romantic )) ones. This is one of the best.


…….

STORY:
This drama got one of the best story lines. It's not about a romance between chicken restaurants owners, or competitors, or whatever you read from the plot. One thing to say, ITS NOT. This drama is really deep, the romance is deep, different than what you usually watch. It was touching. I won't say they got chemistry or something like that, no it was TOUCHING. A weird one that you won't even understand unless you keep watching.


ACTING/CAST:
Bae Su Bin: If you think you got no reason to watch this, then give Su Bin a one chance to create this reason. Watch one episode and you'll have the reason to continue watching. I watched 26 episodes switching from (I like you), to (I dislike you). Then I finished up watching this drama not knowing, is he a good guy, or bad. I don't even know if I like him or dislike him(drama). But that's not a negative thing, because that's what he is in the drama, a bad guy..and a good one. You know what that means? His acting was DAEBAK, I never knew he was this good.

Jang Shin Young: sometimes got me confused, but you'll get to know her acting style later on. She did really well on the last episodes.

Rest of cast: They did pretty well.



MUSIC:
The music was good, nothing that grabbed my attention, but fitted the scenes.
…….



HOW I RATED THIS:
First episodes: 7.5-8
Last episodes: 8-8.5
Final episode: 10


TO SUM THIS UP:
- Watch it! Do not hesitate. You won't regret it. Listen to me, and WATCH IT!

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The Longest Disappointment

So, because My Drama List is filled with people who say if you hate the drama you're ruining it for them, and upvote automatically any ratings that praise the drama highly, despite people telling you over and over it's bad and people hating the writing, I'm going to write this review for more balance. I love xianxia dramas. I've watched a ton of them, but this takes the cake on how terrible they can be. And yes, I watched all 40 episodes. Me and a bunch of other people who tried to defend it to the end, ended up flipping on the drama once they figured out what I said was consistent throughout the drama. But those people are less likely to write reviews.

The only saving grace of this drama is Xiao Zhan and maybe the production values, but that's about it. And pretty production values when you don't have the story isn't enough for me. I've never particularly cared about pretty faces. I care about in order: Story first, acting next, production values (which include costuming, CGI, props, etc) last. If I wanted to gawk at pretty faces, I'd look at runway photos. The problem with this drama is squarely on the story.

The writing sucks so, so much on one key issue: The female lead's agency is all over the place because the motivations aren't clear in the character.

Kinda passes the Bechdel test. Sexy Lamp it's questionable about her agency. And she kinda fails Mako Mori at turns--they give her a goal other than a man, but do they ever implement that goal within the story? No. Not once.

The thing is that there is this bit where she's supposed to protect this dress, and after the tenth episode watchers drop like flies because of this dress. She could have climbed out of the ravine the entire time--which is shown in a later episode. She fights with her best friend's sister over said dress saying her best friend's sister can't wear it, but then by episode ten you understand why people dropped the drama hard. After all that lecturing about how her best friend's sister shouldn't wear the dress, suddenly she decides to dance in it herself. Which is a mind-numbing plot point. It makes no sense whatsoever for her age.

There is a difference between innocent and air headed, and she's air headed. Innocent is going into danger to retrieve her friend's dress. Air headed is wearing the dress after yelling about how terrible it is to wear it. Air headed, to me, is being oblivious of how others will react to your actions even when you know it's wrong and taking the worst action anyway.

And then if you think this is the largest crime of the female lead, you're wrong. It gets worse as the drama goes on and the agency of the characters is all over the place.

Let me be clear here, I don't mind delayed agency, I don't really mind passive agency. I don't mind a long try fail cycle. What I really, really do mind, is when the principles of the character are laid out, the lesson is stacked in the "I really learned this lesson" pile and you've spent say 2-3 episodes establishing what this lesson is, the character demonstrates they have learned it, and then the rest of the story doesn't apply it when it's clearly critical to apply it right then. Why did we waste our time with those episodes then? The writer actually put into the drama several spelled out points where she couldn't figure out how to get to the next section, so literally had another character tell the female lead what she needed to do in order for the plot to change direction, rather than it coming from the character. And for those who've watched the drama--this is the female lead in a nutshell.

OK, you want to skip the female lead. Zhi Yuan isn't better. He had a straight line until the end of the drama. His agency looked consistent, and then he made a mind-numbing decision in the last part of the drama along with one of those accidental amnesia events the writer comes up with where the female lead suddenly forgets all her past knowledge, and then both characters make this really odd decision together. First he fails and it makes no sense to the point that people on the main comments objected strongly. And then she failed by not applying her past knowledge when she learned the spell she could have applied right then just the previous 3 episodes making you go, that makes no sense. If any agency or moving forward for the FL isn't about the male lead, then the female lead forgets everything with no reason for it.

And you think, at this point, "But the male lead can't be affected by this, right?" Hahahaha. So wrong. By the middle of the story, the writer, who is lost on how to make character motivations work, has other characters telling the male lead character what his motivations are. She's jerking around the male lead by having other characters tell the male lead where to go, but without building a reason why he needs to go there for himself. I'm going there because Sifu said I need to go there. I need to do this because someone else said I needed to. Do I have a pesonal motivation for it? Meh, nyahh, I'm changing my mind because someone else is telling me to.

This leads to a lot of empty moves and the character agency being scattered to the wind, as the characters forget everything they've learned from the few episodes before them. Because their motivations are all external and nothing internal. So there wer people who wanted to defend the book and the drama to the end--until they got there and then realized really sharply what I said about the dress chapter being signs that the drama is going sideways was true. One watcher who was of this sort got frustrated both with the drama and the book saying both were a waste of time.

The female lead character--all of the characters need to learn things and apply them at key times. They shouldn't be told what they want from other characters. It's poor writing. And since the writing was terrible, I can't recommend the drama. My relative's B movie had better throughline of character motivations than this. And it's not a slam against Chinese dramas, since I've watched plenty of older ones and also have read classics and folktales--I do recognize how this employed older drama conventions. It's telling you that the main female character lacks motivation and agency which then infects the rest of the show and this is why I don't recommend it.

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When you order prime rib and get spare ribs instead.

I expected Youku's short "Revenge" series to be a xianxia in disguise featuring the many hot re-incarnations of "The Best-est of the Chest-ests" Dai Gaozheng in all his topless smoking hot glory. If that is also what you are here for, let me save you some time because Bride's Revenge is nothing but chest bait. In this incarnation as Mu Anhe, Dai Gaozheng is over-dressed and so camera shy he is in hiding for over a third of the drama. When he reappears, it is uncomfortably obvious there is no spark between the leads. While their chemistry is sweet and loving, it notably lacks the passion and intensity of the previous incarnation.

The plot is uncannily similar to Maid's Revenge where two related men Mu Ancheng and Mu Anhe duke it out over the family assets and a woman. Except this time a bunch of "green tea bitches" scheme, bitch slap and scratch each others' eyes out over a scrawny and unappetising scumbag. That entire arc of not very smart people trying to out dumb each other made ten minutes feel like an hour. Even a happy ending cannot save this drama. The dissatisfaction level is just like when you order prime rib and get spare ribs instead. Give this one a pass unless you are super bored and need a quick Dai Gaozheng fix. And in that case, just watch the last three episodes or better yet, rewatch Maid's Revenge.

I generously rate this 3.0/10.0 because Dai Gaozheng is still the chesty definition of hotness.

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