This movie is smart innovate, gave me requiem for a dream feels mixed with momento flashes .
I was hooked after 5 minutes.
The story of a young man who is given a task by his dad to go clean up a dirty apartment of his deceased aunt Matsuko.
We watch the movie through Eita's eyes as he cleans his aunts apartment and discover her true identity.
With great comical scenes and depressive nature of the movie it covers a huge part of Japanese society of what was it and how much changed through the years.
As you see Matsukos braveness through out you start cheering for her even though you already know at the starting of the movie she is dead, this movie covers a lot of themes in Japan from yakuza to AV idols to perfect housewives and many more with on going amazing music scores this is a masterpiece.
I think it's the first time a movie made me laugh and cry in 5 seconds intervals, a true gem is found.
highly recommended it's perfect.
I'm still in shock just wow.
http://dramanice.eu/memories-of-matsuko/watch-memories-of-matsuko-episode-1-online
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This is a 4-part series, roughly 75 minutes total run-time.
STORY: The first part is wacky and a tad confusing but stick with it because it settles down and reaches its stride rather quickly and carries it all the way to the through the end credit roll. There are also quite a few clichés but this has a HAPPY, even if a somewhat bittersweet, ending!
ACTING/CAST: The cast chemistry was great (well, only 3 people really get any real screen time). The main couple were fun to watch and there were a few hilarious bathroom scenes that as a guy I was cringing and laughing at the same time. Makes me wonder: do women really not know male bathroom etiquette? Well, watch the scenes and you'll see what i'm talking about.
MUSIC: The music was good though I don't speak the language. The sound quality had issues but this was most likely because I saw the English fan-subbed version.
REWATCH VALUE: Definitely will watch this again, next time with a good friend.
TL;DR: Starts out strange, quickly gets good, has some twists, and a happy ending!
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I wasn't disappointed, either. The Ouran High School Host Club drama truly was the icing on Hunny-sempai's keki for me. I love the drama, the cast, and the entire adaptation of Bisco Hatori's fantastic manga on screen.
In particular, I find that Yamamoto Yusuke plays Tamaki well (I knew he could do it--he is awesome). I don't understand the arguments about his acting ability based on his hair color--which in the manga isn't blonde anyway. A character which surprised me was Daito Shunsuke's Kyouya. Kyouya was my least favorite character in Ouran until the drama. He's still not my favorite, but I like him much more now (that has nothing to do with Daito's suaveness, whatsoever, lol). I also felt that Haruna was a good Haruhi, and Chiba is an awesome Hunny. The Takagi Twins never fail to disappoint, either.
Plot-wise, I feel that the drama did the best it could with the ridiculous time constraints put on it by the network. As the first drama I've ever watched in Real Time, I never once did not laugh during an episode. Everything worked well, and it could not get me more excited for the movie.
Overall, I will rewatch Ouran again because it's that good, it's my favorite manga, and it's a good drama on sad days.
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The story is fresh, innovative, clever, and meticulously planned out. I have never encountered something like the "Liar Game" before, and just the concept of it makes me excited about this drama. The game's description sounds fun in itself, and I can't help but watch it. The several challenges/activities that the people go through are also ingenious. During the whole drama, I felt stupid whenever I couldn't figure out one of the puzzles. The puzzles take brain work to solve and it was extremely fun following along. Seeing the results was interesting. Because Liar Game was full of so many great and original ideas (completely steers away from all drama-centered stereotypes), I thoroughly enjoyed it. Sometimes, Nao's naivete seems annoying, but you get over it.
And, as a random ending note, Fukunaga is hilarious. Maybe it's because of bad acting, maybe it's not, but Fukunaga is awesome and I find his evil laugh amusing.
I put a rewatch value of 7 because, although rewatching Liar Game /can/ be fun, I lose my excitement the second time around since I already know the results and can't relive the enjoyment of trying to figure out all of the puzzles and stuff. :(
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1Baiting a neck bite should be illegal…
Truth to be told, the whole story was only baiting a vampire plot line - it barely existed in any meaningful way. You could change the set up to rich and poor lead, mafia, soldier and civilian, undercover agents and almost nothing would change. Almost all scenes with the “we can’t be together/we can’t get closer” were not vampire specific and that’s a bummer.I think I would enjoy the drama far more if it was not set up initially as this “forbidden romance”. Rather than staying away because it’s wrong to be together, it’s dangerous, it was just “it’s too much unnecessary drama, so I’m giving you a cold shoulder”. But it felt like the mix of two so it was neither this lighthearted supernatural romance, nor this angsty thrilling love story.
All that said, I did have fun watching. I found all the characters extremely charming with unique personalities that did not feel like AI generated prompts based on stock material. Dong Ha was adorable, but he was not a pushover. Ju Won was stoic, but not emotionless. Seon Jae was cheeky, but not cheap. Gyu Min and Eun Ho, while being this comedic duo, also brought some nice more serious moments between them. All the characters also had great chemistry - be it romance, friendship or rivalry driven.
The production value clearly keeps increasing in the Korean BL industry. I liked the set designs, I thought the styling of all the characters matched their personalities and behaviors. There were a number of pretty shots worth screenshotting too.
Overall, it was fun, but it could have been so much more…
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I like that it didn't focus on the romance between characters, rather it focused on the love between family members. This is a feel good drama for those who would like to see good looking guys going crazy over their child.
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This review may contain spoilers
Before getting into the review, I would first like to commend Kim Taeri's acting. She is simply phenomenal in portraying essentially 2 different characters. This is my first time watching her (have been meaning to get around to watching The handmaiden...) and I'm simply blown away. Now on to the plot, I would say it's pretty innovative of the writer to craft a horror story based on traditional Korean folklore. I'm not Korean, and I found it quite educational to learn about the different traditions and how they compare with the traditions from my culture. With that being said, I'm not quite a fan of how plot-driven this show is - it resulted in a lack of character development for everyone except the FL and ML. This series is only 12 episodes; 4 less than the usual length of a standard Kdrama but the showrunners still decided to be ambitious and squeezed in other minor sub plots in the first few episodes. Some of them ended up being rushed through and inadequately explained (the case involving parents abusing and keeping the existence of their daughter for no reason). it also resulted in the minor characters being severely under-developed. For instance, it was never explained why haesang's grandma was so obsessed with becoming rich. She was never shown using her money and spent her days reading books. And godd, don't get me started on Hongsae. He had a RBF throughout the show and an attitude worse than a teenager going through puberty. I would have rather he died instead of Munchun. Oh, and Sanyeong's mother as well. I guessed she was supposed to be portrayed as a weakling so the audience would feel more for Sanyeong's suffering but lord it was overdone. I ended up hoping she would just kick the bucket because she was not helping at all. It was never really explained why she ended up the way she is - only briefly implied that she might have been traumatised from having a miscarriage and then finding out her mother died right after. But I wished she would have been written in a more sympathetic way.
Honestly, I would have given this series a 9 if not for the ending. The acting is great all around (even for the poorly developed side characters, their actors did all they could) and the cinematography, directing and sound design were great. But the ending... to me it came on too strongly as some anti-suicide PSA peppered with cliches of how important it is to love yourself. With the context of Korea's high suicide rate, I guess this makes sense but I can't help but feel like korean audiences would see through the hypocrisy. The only reason why Sanyeong was able to "love herself" and "want to live" was because she was finally free of her capitalistic burdens. With her huge inheritance from her dead grandma and father, she was free to finally do whatever she wanted to do in life. And all of this would not have been possible without the help of the ghost, who gave her the riches through exploiting her weakness and killing those she hated. Without the ghost, she would have still been stuck doing manual labour part time jobs! In fact, she would be blind, poor, and stuck with her lousy-ass mother. Hell, without the ghost, she would not even have known of the existence of her father and grandmother, and criminals such as Haesang's grandma and the voice phishing guys would still be alive. So that whole spiel about preventing the ghost from exploiting her weakness seems through loving herself more while trying to kill the very thing that enabled you to remove the weakness from your life seems very ungrateful and hypocritical.
The other reviews for this show are quite positive and I think I'm the only who gets the "ick" from the cheery ass ending. Oh well, but its on par of the course for kdramas which usually start off strong but end poorly. I do still think this is worth a watch though, especially if you're a Kim Taeri fan.
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I found FB to be more romantic, which is one of the reasons I love Asian Dramas.
Jiro Wang nailed the part!! But perhaps I am biased becuae I liked him in "It started with a kiss." Here I saw a more mature, manly and serious version of him and I totally loved him!
We can clearly see how he slowly develops feeling for Gao Mei Nam.
He is not so childish as Tae Kyung and more jealous! Always a plus for me!
Lee HongKi will always be my Jeremy , but Evan Yo is adorable!
Hwang In Deok was good, but he did not stand out like the other characters or like Jung Yong-hwa did in YAB.
The main actress was so cute! Even though it was obvious she is still new at acting. But overall I found her adorable!
What I also liked was the way they were dressed, because the clothes they wore in YAB, in my humble opinion were over the top.
The music was ok, but the songs did not move me the way the YAB OST did.
All in all, a great drama! I highly recommend it!
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Of course, that isn't to say some of the offense is incomprehensible. To the Japanese, image means a lot. It’s also impossible to control how viewers digest what they've seen on television. "Will they take it all as fact?" With Ashita, typically fantastical and almost always exaggerated, that would be worrisome indeed. But as previously mentioned, best to take it as the last shadows of a child’s dream, a bittersweet fable. Does Ashita seek to impart a worthwhile message? Certainly, and it succeeds; after all, fairy tales were born from the desire to impart morals, and dreams often contain some kernel of truth. But though we can learn from them, we know they don't fully reflect reality.
This drama rolls along a simple format, one often seen in Japanese titles. In the first half, each episode focuses on a different child and their “trials” with foster homes. This structure allows the viewer to uncover character history individually, learning about everyone at Kogamo no Ie (roughly "House of Ducklings") bit by bit. Viewers will encounter a heavy tone, with certain scenes sporting almost horror film-esque attributes. Oddly enough, the home/orphanage itself wasn't depicted as shockingly as one might assume; it was rather the potential adoptive parents themselves.
Each plot thread shares airtime in the second half, building upon and resolving what we've learned until that point. My issues with the drama began at the juncture between these two halves. If changes were indeed made by the network to sooth public tension, I've been told it would have occurred here. The story lightens, allowing for its natural humor to come out much more. Yet I found Ashita crumbling in places, culminating in at least two subplots without satisfactory resolution. There was eventually dialogue that broke my immersion, lines which felt like sermons. Despite these problems, the emotional aspect of the drama works consistently well throughout its duration. Overall an involving watch, to say the least.
Not surprisingly, most members of the Ashita, Mama Ga Inai cast are children. Ashida Mana towers above the rest with a precocious talent, her turn as Post incredible. She begins by acting like a cynical delinquent writ small, yet develops slowly into a “little mother,” to the other children; this is a child too mature for her age, yet still a child nonetheless, and Mana owns the role from top to bottom. Suzuki Rio is another powerful, budding talent, a young lady who excels at the natural expression of a normal child. Her Donki could have been written better, but she does well with what she’s given. The other kids were often hit or miss, sometimes exaggerated to a cartoonish point (Bombi, sometimes Piami), though somber scenes brought out the absolute best in them.
From the adult half of the stage, we’ve scene-stealer Mikami Hiroshi as the darkly handsome yet gruff director Sasaki Tomonori-san (better known to his charges as “Maou/Devil King”). Thundering about on a limp leg, aided by a heavy cane, this is a mysterious character whose almost esoteric motivations lend much to the thought of Ashita as a fairy tale. Is this character a wicked devil or an unexpected angel? Either way, he's wildly interesting... and that "Tch?" Unforgettable.
Like the presence of “Maou,” music bolsters the fairy tale approach of this drama. Most tracks introduce a very emotional tone to scenes, with many sounding very light or magical, often in a melancholy way. For example, the theme “Dare Ka Watashi Wo,” (Kotoringo) sounds just like a lonely lullaby.
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The acting was amazing! Especially on Ming Dao's part. He played both Junhao and Da ou so completely well that it actually made you believe they could be different people. The female lead... made me want to throw my laptop out the window and never turn on this drama again. HOWEVER, when i did warm up to her after a few episodes she became one of my favorite characters and most of the reason i continued to watch.
The music was not the best but it fit the mood. I think they had like two tracks, one sad and one happy where they would play each episode at their respected parts. I found this amusing more then anything else. reminded me of bof and 'almost paradise'.. XD
Despite there being 30 episodes to this drama, I enjoyed every single one of them. At episode 15, i remember thinking what could they possibly add to this story to fill 15 more episodes? But they somehow magically did! watching the last few episodes I felt so sad knowing it was ending and wishes there could be 15 more.
I would definitely watch this drama again. I'm not the hugest fan of Taiwanese dramas either because I don't know the language as well as Korean and Japanese but this one surprised me :) I would definitely recommend it ^^
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However, the drama didn’t have any of the clichés I had expected. From the first episode I felt something new and refreshing about this drama, and I liked it immediately. What I enjoyed the most is that the characters, their circonstances, jobs or family backgrounds seemed REAL.
I really liked how the main couples didn’t have the monopole of the storyline as the two side couples were as entertaining as the main. Each story was unique and interesting. I was really curious about the development of their relationship as I could identify myself with the characters even though they are so different from each other.
What I enjoyed the most is that apart of just being a romantic drama, it mentioned some real and important issues as inequalities between man and women in their workplace, women’s sexual harassment, the financial problems to acquire a property in South Korea or the exagerated costs of a marriage.
Finally I think that the cast was just perfect, the acting was on point, not only for the main characters but all the others as well. Lee Min Ki was my personal fave, I found him so convincing and really enjoyed the fact that he was not the usual annoying rich mama boy who bullies the main female. His character was rational and pleasant to watch. I really look forward to see him in more dramas. Lee Som was also one of my fave, not only is she freaking beautiful, her character is the ultimate female bad ass working girl goal. All the actors did such a great job.
I tried to find some flaws because I’m usually really peaky but really, couldn’t find any. This drama is a precious gem. I would definitely recommend it to anyone if you wish to see a quality rom-com drama that is light and funny but also treats of serious issues, portrayed by amazing actors with an original plot.
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Story: About a man called Frost who due to an accident when young lost most of his emotions and had his hair turned white. He and his team of "buddies" solve cases dealing with psychology. Every episode deals with a different case - but there is one underlying case involving Frost that starts showing itself mid-way.
Cast: Dr.Frost (Song Chang Eui) This is the first drama I am recognizing him in and I think he did a great job, he's attractive even with the 'white' hair ;) His very rational and thought processing mind was very believable. I liked how I could see the puzzle pieces come together in his eyes. I wouldn't mind working for him myself^^. Yoon Seung Ah (Jung Eun Chae) First time I've seen this actress too, I liked her as the novice apprentice who has a totally different character than Frost - they worked well together. Cheon Sang Won (Choi Jung Woo) was great as the head professor. (I always enjoy seeing this actor in dramas). Song Sun (Lee Yoon Ji) at first I didn't like her b/c of her animosity towards Frost but about half-way in the drama, she stopped acting rude and was then pleasant to watch ;) Nam Tae Bong (Sung Ji Ru) I loved him as the Detective - always bringing new cases for Frost to help solve, he made the drama even better by being there. All the supporting and guest characters did a good job.
Music: It was good and suspenseful at times but I don't remember any actual songs.
Re-watch Value: 5.5 - If I get hungry for some psychological stuff again I may re-watch a couple episodes here and there.
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I watched it as soon as it finished airing, attracted by one of the best actors assembly I had come across in a long time. And true to their skills, they do an amazing job, given the luke-warm, inconsistent, shallow story they had to work with.
I understood none of the characters. Are they ambitious, serious, romantic, evil, malicious? No idea. They are all a mixture of those. Yes, in real life people are never clear-cut, but instead of coming out as imperfect human beings one can identify with, these characters appear like badly assembled patchwork quilts, behaving in a way one episode, the opposite way in the next.
The only character with a little consistency is Maemi, played by an impeccable Shinohara Ryoko.
Without spoiling the ending of the drama, suffice to know that it was so out of the blue, I could do nothing better than scratch my head in puzzlement.
What happened to that character? Why did that one act the way he did? What are they trying to say? What's the answer to that 4-coins quiz repeated to exhaustion?
All questions I found no answers to.
I can't remember the music. In these cases, I always end up giving it a non-committal 7. It certainly didn't blow me away.
What a pity.
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This review may contain spoilers
I loved the second couple
Overall: I absolutely adored Ai Di and ended up enjoying their dynamic/story more. Aired 13 episodes about 25 minutes each on iQIYI, GagaOOLala (not in Taiwan, Japan, Korea, or SEA), Viki & WeTV. Later aired on YouTube https://youtube.com/playlist?list=PLk2gvyPpHLRfpyBmdMhePR2ntRNk3GqGs&si=hjJj5M5ZwqmJN7Rm Watch the post credit scene in episode 13.Content Warnings: murder, attempted murder, blood, violence, past parental abuse, trauma, non con kiss, dub con sex*, blackmail, manhandling, held against will, 17 year old/22-25? year old** (also teacher/student), stalking, manipulation
What I Liked
- more unique premise
- clear timeline (first scene starts in the present then the rest is 4 years before)
- sweet/caring moments
- styling, especially Ai Di
- secondary couple's dynamic
- cameos of HIStory actors, Be Loved In House actors and Plus & Minus actors
- Bai Zong Yi's family, and liked how they knew about most things regarding his decision/actions
- intimacy/nsfw
Room For Improvement
- overall it felt rushed, this covered a long time span but didn't feel that long, they could have removed some parts like the cliche wannabe girlfriend and spent that time explaining things more/showing time passing
- the ending felt especially rushed with cliche plot points tossed in and one plot point left open ended
- comedy sound effects in the beginning didn't fit with the very serious scenes/tone
- villain should have been smoking a cigarette not sucking on a lollipop (it's explained in episode 9 which was too late for me)
- evil wannabe girlfriend cliche
- I got pretty lost with the the gang plot stuff but I also fast forwarded a bit
- not a fan of manipulation/stupid "plan" between romantic partners
- *with the main couple, one was super drunk/on sleeping pills but it was the fictional scenario where he was an active participant and then seemed sober
- **I really wanted them to have aged up Bai Zong Yi but it actually was important to the plot that he was 17 and I do think 17 year olds can be mature enough to enter into relationships with those over the age of 18 so in this instance it didn't bother me and I didn't take off points, though they could have removed the teacher/student element
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