A Hidden Gem!
TLDR: Insomnia was a breath of fresh air, consistent with its storyline and gripping for all 13 eps. I can't exactly put into words how absorbed I was into the story.❛ Story ❜
I love plot above all and the plot of this drama is indeed quite amazing, everything is foreshadowed well and it stays interesting till the very end. When I started it, I wasn't expecting it to be THAT good and even managing to grab my attention with just the first episode.
It's really not what it may seem at first; what appears to be somewhat typical mystery drama about a mundane island in the beginning changes into something unexpected and dark. This is the first drama in which I couldn’t afford to fast forward any scenes because each episode of it kept me on edge of my seat and I loved every second of it.
To some, maybe the plot might be a bit predictable, but it doesn't lowers the enjoyment, it only proves that the plot-twists were believable enough for the viewers to catch and not get confused. Because plot-twists aren't supposed to be confusing, they're supposed to either caught you off-guard or make the story more interesting and complicated as new developments take place (at least that's what I believe, since I've watched my fair share of 'mystery' dramas that are a complete mystery for me to understand...)
❛ Characters ❜
The MC is the best thing about this drama. She's smart, strong, and capable without being unrealistically 'superior' (as in intelligence or other aspects) to other characters. She's exactly what we mean when we ask for a 'strong female lead' - someone who's not necessarily fearless or reckless, but brave enough to face her own fears and do the right thing.
As for others, they were great too! The side characters, whether they're likable or despicable, are really well-written and I love how they're written like actual characters rather than just some stepping stones for the MC. The whole cast also did a great job with their performances.
All in all, I'd really recommend everyone to give it a try! don't let the few amount of recognition it got discourage you because as I said before, it's a lot better than it might seem at a first glance.
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Quiet resistance becomes power—ordinary lives spark change in this gripping historical drama
South Korea, 1987: a country under the control of an authoritarian regime, where freedom of expression is suppressed and political activists are brutally persecuted. Amidst this repressive atmosphere unfolds the KMovie “1987: When the Day Comes”—a political thriller that not only illuminates the events surrounding the death of student activist Park Jong-chul, but also showcases the collective power of a society rising up against injustice.Director Jang Joon-hwan weaves a dense web of dramatic force, historical accuracy, and emotional depth—creating far more than just a political drama. He delivers a silent outcry for democracy, civic courage, and collective remembrance. The story is staged like a relay race: the narrative jumps between journalists, prosecutors, students, and prison guards, showing how many small steps ultimately lead to a great change. The film for me is not only a cinematic masterpiece but also an emotional appeal to conscience.
Rather than following a classic hero, the film presents a mosaic of individuals who make great change possible through small decisions. Camera work and editing are precise, almost documentary-like, yet never lose sight of emotional resonance. Especially impressive is how the screenplay transforms seemingly incidental encounters—such as between a prison guard and his niece—into milestones of a historic awakening.
Instead of drawing a clear moral line, the film presents ambivalence: journalists who walk a tightrope; a prison guard yielding to his conscience; a student who moves from cautious skepticism to resolute conviction; an official who refuses to look away at a decisive moment. Their actions are subtle, their words sometimes hesitant—and it is precisely this that creates a realism far beyond mere dramatic staging. It is the “little” people—the inconspicuous, sometimes nameless figures—who give the film its depth and authenticity.
These figures serve as moral compasses in a system that punishes any deviation. Their choices are not loud heroic deeds, but quiet acts of resistance that pave the way for change. While the great battles move the audience, it is these moments that linger—because they show how democracy begins in everyday life: through the courage to embrace humanity.
In this, “1987” achieves something rare: the film not only celebrates the victors of history, but honors those who stood in the shadows—without whose actions no light would have illuminated the dark corridors of the past.
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SIDENOTE:
THE FRAGILE SEEDLING OF ‘DEMOCRACY’ and SOUTH KOREA IN 1987
South Korea in 1987 stood at a crossroads: The military leadership under Chun Doo-hwan clung to power, while the populace—above all, students and intellectuals—had been rising up with growing courage for years. The brutal torture and murder of student Park Jong-chul became a turning point. The subsequent response, the June Uprising, initiated the transition to democracy.
South Korea's path to democracy is remarkable for its dynamism and symbolic power – especially in the pivotal role played by ordinary people. While other countries liberalized slowly, the Korean people fought for their freedoms against a heavily armed and determined regime. The role of students, church networks, and the media was central—an example of how civil society can become the driving force for change.
The film does not depict these developments as a triumphant victory march, but as a difficult, fragile path on which many risked their safety, freedom, and even their lives. This realism makes the story tangible—and relevant.
What makes “1987” so explosive, too, is its current relevance. The film is not a nostalgic project—it flickers as a warning signal in times when democracies around the world are under pressure. Even today, we witness how the erosion of democratic institutions often happens gradually: through indifference, disinformation, and complacency.
How easily we forget that democracy is not a given—that it must be actively lived and defended. “1987” reminds us that you don’t need a “big moment” to take a stand—it is everyday courage that counts.
“1987: When the Day Comes” thus for me is more than a moving film—it is an invitation not only to discover South Korea’s past, but also to question our own present. What are we doing today?
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This review may contain spoilers
Miyazawa Hio is GORGEOUS XD sigh. Now then. Sometimes you just need a soft baby girl to remind you, that the things that 'sound ugly ' or 'strange' are just in our heads. When people look at gay people as though they're 'ugly' its just their own ugliness they reveal.And how the biggest problem we all have is that when we lie to others, we're really just lying to ourselves. I'm not gay. I dont love you. Every time we do this, we're just making things worse. Because no lie stays hidden forever and no closet is comfortable enough to hide your gay ass for the rest of your life.
That cheating double life will destroy you and everyone around you.
And I just love how fresh that little girl's perspective was, it was like fudge, why didn't I think of that lol I missed her when the movie ended.
But so why not a full ten stars?
Here's the reason.
There was just way too much of courtroom drama, it just didn't suit the tone of the movie that they set. I would have been fine if it was just a few scenes, instead of being the entire second half of the film! It kills the closeness they were showing in the first half, I don't know it just felt wrong. Felt like that lack of bonding in the second half just didn't work.
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team Yuri ??
I like the story and I really love ashthin and andres pair and team work but I love Yuri aka Rabin look at him who says he is main villian i really attached with this caste and specially ci–n and Jayjay bond and others starting to ending this story is full of amazing suspense between them i really miss all the carecters i am very excited for session 2Was this review helpful to you?
4 Cs in a suit - Cringe Confusing Cute Casual
Almost dropped it because I thought it was another series taking toxicity too easily, but I was wrong. It´s just a bit cringe. :DGlad I gave the dropping a second thought because even though there might be better LGBTQI+ Series out there, The Tuxedo still deserves some acknowledgement with the budget and behind the scenes work considered.
Production / Music 7.0 >> 6.5
This series has some awesome shots and moments, which, like the music, fit the overall mood and vibes of Tuxedo - that already makes me feel like it´s worth watching because they kind of make the rather casual plot more exciting. The music (+BGM) was well chosen and composed but still had a rather low impact on me/ was not that memorable.
Plot / Story 7.5 >> 6.5 >> 6.0
This is where it gets tricky and where the opinions divide the most. I agree that the story is kind of predictable and has a low pull-in effect on the viewer, however, the cliché overload and all the cringe scenes are still cute to me. Normally I´d heavily judge those stories if they were JUST based on certain clichés and I don´t think that this is the case here.
Acting/ Cast 8.5 >> 7.5
This is something that truly surprised me, Chap´s (Nawee) acting got so much better towards the end! His eyes started to become in charge of the mood-setting and even though he is not a perfect S tier actor, he still nailed the improvement, and I am here to acknowledge it, giving them the highest rating on this one. Green´s (Aiaoon) acting stayed solid and so did the rest of the cast.
Rewatch Value 6.0 >> 5.5 >> 4.5
I am glad for the effort of this series, but I am still a picky "rewatcher". HOWEVER, I´d still recommend it for a comfy series marathon during which you can cringe a lot. ((:
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Before watching this, I totally thought it would just be a high school fluffy drama but the story here is presented so well.
Everybody lived their part well, Keigo & Sora both possess a beautiful heart & Manaha is strong & cheerful.
Unlike other high school drama, I loved the fact that both ML are beautiful inside and out, no one is aggressive & pushy but they consider FL's feelings as a priority.
There is no charm equal to tenderness of heart. "Beauty is in the eye of the beholder" Indeed.
I'm glad, I watched "Black Cinderella".
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i didn't want to watch at first because the main lead is old and i didn't really like ethan. but after watching the first episode i couldn't stop watching it. the story is not boring at all and focuses not just on the happenings but also on the people's feelings. i can finally enjoy watching the main role - as a reporter - trying to get the truth from famous people and confront them - as a strong-willed and fair woman. ethan is just like her back-up and i really liked it. the characters flew with the story instead of the story going with the characters. i hate it when a drama contains a actually nice plot but it ended up focusing on the characters and not on the interesting story anymore. i laughed, smiled and cried while watching the whole drama.
and the OST is jus perfect.
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At first i wasn't really sure if i should watch it cause the title ''Let's Eat'' wasn't very appealing to me to be honest. But i was hooked by the first episode! Lee So Kyung is soo loveable. There was nobody on the show that i disliked. Everyone was so adorable! It's a really light drama but not boring at all! I really liked the romance too. So much chemestry! *__* I'm really gonna miss all the characters.... :(
the ending was just perfect... it even made me tear up a little :')
What i learned from this drama ?
If worrying could make worrying go away, then we would have no worries... so let's eat :)
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And once again she did an amazing job in portraying the character of a tormented soul and a girl with many scars who commit some crime and in a facility for juveniles she then meets a warden and simply fall in love. Well, who wouldn't fall for the brilliant Mikami Hiroshi?, who was equally incredible in portraying the character of a unrecognized artist with secrets and who also slowly, through many conversations fall in love with her. It was so delightful to watch the two of them , how they talk, how they always use imagination and metaphor for their topics and how they gradually started to develop feeling for each other. I was honestly so hypnotized by the uniqueness of the scenario and the story, I liked very much how they in almost every episode mentioned some famous writer, painter, artist who was important for society, I liked how she had so vividly strong imagination and talked about difference between LOVE and ETERNITY, I remembered this sentence:" You have two buses. One is for Love and everybody is inside, talking, holding hands and smiling, but in some next stop they had to get off, the bus moves on. Everyone can see that bus. The other one is for Eternity, it's empty and the bus doesn't stop. Do you see it? Eternity is more important then love, it gives you freedom. "- something like that, maybe I didn't wrote exactly the same, but the point is there. Whole scenario was simply beautiful, I don't know which episode I liked more and which sentence was more perfectly said. With their chemistry which was so patiently built they made it to pull you in and become fascinated by them. So for the acting I give a ten. Not to mention Kubozuka Yosuke who is a pure genius and of the most outstanding actors ever, I adore him in every role, whether it's a drama or a movie. And in this one he was of course amazing, so twisted, dark and one truly lonely soul, he was a great addition to the whole drama.
Music was appealing quite fine, intro song was really good. As for the rewatching, I thiink that I could watch it again in some distant future because it's a really good drama.
Definitely one thing is sure and that is that NO DOUBT J-dramas from the '90s are the best from every angle and that more people should be aware of that and make time to watch more of these kind of dramas, it's such a pity for them not to be seen and to be forgotten by the rest of the people. I can easily say that I always enjoy more in watching older dramas because of their emotional, mature, deep, natural and realistic content unlike now days shows. This one will for sure stay in your mind.
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Interesting 2nd life (redemption arc) but unsatisfying romance
“Scent of Time” does not seem to be a very popular drama and the main reason is due to its unavailability. I believe Youku did not have the drama available for their international audience. But HBO seems to be picking that up! The synopsis of the drama on MDL is also incorrect as this is not a drama about transmigration (since it’s a censored topic in China). The novel is about transmigration, but not the drama.I don’t have much expectations, but because I liked Zhou Ye very much in “Back from the Brink”, I want to check this out for her. And, she did not disappoint. Her acting was a standout among all the younger actors and she carries the show on her back. Her character, Hua Qian, is very easy to root for. She's smart, observant, and courageous. She was given a second chance to correct her past mistakes so that there’s a better outcome for her and her family in this second life. The redemption arc is a highlight of the show and I think it’s pretty well-written. There are plot twists I did not expect and the story is very engaging throughout the 30 episodes. I just wish the ending was a little better and longer.
Before I watched the show, I thought the romance plot with 3 male leads would be the highlight for me. You would think a reverse-harem would be a focus. Not quite what I expected. This story is about Hua Qian’s growth as a person. The men in her life are just a part of her character development.
Zhong Ye Lan was the first man in her life. One she was obsessed with in her past life and tries to undo all of that. Zhou Ye Lan has a lot of screen time in the first half of the drama. Though I like parts of their story, I do find Peng Chu Yue’s acting a little lacking, especially when compared to Zhou Ye. His character is more muted, and more quiet. Thus, it requires good acting to not appear bland and wooden.
Zhong Xi Wu as the Lord is an interesting character. He has a unique relationship with Hua Qian and has much better chemistry with her than the other two male leads. I just wish we got more screen time of the two together. Their romance is quite subtle on Hua Qian’s part. It was hard to see whether she had feelings for him, except for that one item (which I shall not spoil) and was shown in the later part of the drama. It’s also interesting to see Zhong Xi Wu lose his cool when it comes to Hua Qian. He actually lost his cool a little too fast and uncharacter-like for a lord.
Hua Rong Zhou is the trusted guard who vows to protect Hua Qian with his life. This character appears too perfect and boring. He’s also bland in the beginning and Zhang Yi Jie’s acting is a little wooden. He was much better when he wasn’t a lovesick puppy following Hua Qian around. I like that when he’s talking back and being a little bossy. Other than that, Hua rong Zhou is not charismatic enough to be a male lead.
The rest of the supporting cast isn’t bad, except for Mu Yao, played by Zhao Qing. Her acting is the worst of the bunch for me. She has that one bland look and dead eyes on her face all the time. The veteran cast (Elder Princess and FL’s parents) obviously did a much better job than the younger cast.
The production quality is pretty good. I like the hairdos, accessories and the costumes of the female cast, and the sets and props look decent. “Scent of Time” only has 3 songs in its OST but they are lovely, just a little overplayed. I am however disappointed with the dubbing. I wish the main cast had used their own voice.
Overall, I had a great time watching this drama. It has its fault, but as a whole, I like the pacing, the redemption and character growth, and I am really becoming a fan of Zhou Ye.
Completed: 11/9/2023 - Review #375
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May scratch your guilty-pleasure itch for trope-filled, angsty dog's blood drama
Okay, let's first be very clear, the ML is a serious, problematic P.o.S. for the first half dozen episodes or so, and their "explanation" (that he is bi-polar and was "cured"?) is just as problematic. This is a terrible portrayal of mental illness and using it as a throw-away story-telling device (it doesn't really get mentioned again for the rest of the drama) does such a huge disservice to an important issue. (C-dramas in general have a long way to go still when it comes to attitudes towards mental illness -- even in serious, high brow, well-scripted costume dramas, it's still common to see the villain "go crazy" at the end.)This is otherwise, your classic, trope-filled, angsty dog's blood low-budget soap; this should be very obvious from the get-go. So if you are looking for a high-quality modern romance grounded in reality, you can safely skip this with zero regrets. But if you're looking for a relatively short melodrama fix (20 episodes, 30 minutes each) with low expectations, this might satisfy that guilty-pleasure itch -- you have tortured break-ups, revenge, family drama, backstabbing, people who do terrible things for unrequited love, disapproving in-laws, an ML who really suffers and is put through the wringer when the FL finally leaves him, and an ML who changes for the better and is willing to give up everything for the FL. The only trope missing, as commenters joked, are twins. Don't expect a well-crafted script that offers character development that makes sense -- this is low-budget dramaland at its soapiest, so leave the over-thinking and expectations at the door, make a lot of assumptions, and fill in the blanks yourself. Do all that and you might find yourself not minding this ridiculous ride! And to be perfectly fair, when it comes to plot holes and making sense, there are many, many worse offenders out there.
I watched this primarily because I was curious to see He Riuxian as the FL -- she was stunning in Warm on a Cold Night and her character was pretty kick-ass from what I remember. I also liked Luo Zheng in some of his earlier supporting roles, and -- as my bio notes -- I'm a sucker for angsty journeys that end in happily-ever-afters.
A few good things I wanted to highlight:
-- Asian dramas love their over-the-top public proposals, or proposals that generally put a lot of pressure on the women to say "yes" out of obligation and guilt. So I was pleasantly surprised by a scene that calls out these types of proposals.
-- Modern C-dramas seem to love making their FL's look frumpy -- high-waisted jeans, boxy, unflattering blazers, ugly shirts, bad hairstyles, you name it -- one has to wonder, do the stylists hate them? Here, He Riuxian's character has pretty great style and clothes -- a genuinely rare sight in my viewing experience!
-- The mothers are hilarious near the end. The ML's mom starts off as your typical rich wife/disapproving mother. (It takes a very long time, but she ultimately just wants to see her son happy and comes to accept the FL, recognizing her kindness and formidable strength.) Her encounter with the equally disapproving FL's mother was fairly amusing, but the scene that had me cackling out loud may be when the ML sneaks into the FL's bed to snuggle .... only to stare right into the glaring eyes of the FL's mother, lol. Priceless.
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The king maker is king of kings.
Note: There are some statements of well known. historical facts in this review. They are by definition not spoilers but be warned in case you are unfamiliar with the history of this period.Sima Yi, courtesy name Zhongda. History's most cunning grifter, a man who stole a throne and an empire more than once! I always enjoy dramas like this because they bring larger than life historical characters to life and deflate them into close to normal human beings. I never imagined Sima Yi would be portrayed as such a timid, groveling, deceptively harmless and well, just ordinary fellow. Or that he would be so terrified of his wife. That just cracked me up. Audacious.... sacrilegious even.... love it!
The drama opens with Zhongda, a brilliant scholar and tactician, welcoming his firstborn son Sima Shi into the world. His father Sima Fang is a shrewd and influential minister of the Han Imperial Court. By then, warlord Cao Cao had already openly seized power and repeatedly bullies the Han Emperor into a sniveling, terrified puppet. Zhongda unwittingly catches the eye of Cao Cao as he deftly extricates his father from a dire situation. He goes to extreme lengths to avoid serving Cao Cao who is both keen to make use of his talent and wary of it at the same time. Recognizing his innate cunning and ambition, Cao Cao regards him suspiciously as a double edged sword and comes close to killing him dead many times.
Initially I was surprised and a little bit underwhelmed to see such a timid and groveling Sima Yi. But the layers peel away very satisfactorily to reveal his hidden ruthless nature, his scheming and bold ambition. He is a king maker, someone capable of securing the throne for Cao Pi, the less favored son against Cao Cao's own wishes. He then proceeds to steal an empire for Cao Pi but this part seems whitewashed. I doubt Liu Xie was really that eager to so simply hand over the throne. Not surprisingly, he also intervenes in Cao Pi's succession plans. At that point, it is clear that Sima Yi the king maker is king of kings; that three generations of Cao rulers' succession is determined by this man. Notwithstanding his many contributions, Sima Yi is portrayed as a selfish and cunning character who parleys his own interests ruthlessly. He manipulates two revered ministers into sacrificing themselves to ensure Cao Pi's ascension, but it is clear his primary motive is to save his brother's life.
Sima Yi's great rivalry with Yang Xiu is rivetingly played out in the bitter succession battle between Cao Pi the worthy son and Cao Zhi the favored son. Both are ambitious and brilliant tacticians but they couldn't be more different in nature. Yang Xiu is arrogant, outspoken and extremely intuitive. He cannot help showing off, often over estimating himself and underestimating his enemies. This cost him his life and Cao Zhi the throne his father so badly wanted to give him. In sharp contrast, Sima Yi avoids attention and while he is is often underestimated, he has a healthy respect for his enemies capabilities. His final conversation with Yang Xiu, someone he empathized with, respected and learned from as a worthy opponent illuminates how Sima Yi managed to hang on to his head through many dangers. I have not watched Wu Xiubo before and I was hesitant about him as he is not the image that jumps to mind when I imagine Sima Yi. My concerns faded almost immediately and I cannot think of a better actor to play the role of Sima Yi as characterised by this production.
This drama largely sticks to history in terms of the key events and leading characters of the day. Told chronologically, the drama unavoidably peaks with the exit of the veteran actors who also play the most interesting figures of the day. This drama's highlight for me was Xun Yu's (played by none other than the fabulous Wang Jin Song) opposition to Cao Cao's decision to form his own feudal state. Their bittersweet final exchange that touched upon their long friendship, mutual respect and alignment that turned into reproach and disappointment is a powerful, memorable and compellingly acted drama moment that only two actors of such caliber can deliver. I can recommend watching this drama for that scene alone. I feel pity for anyone attempting the role of Cao Cao after Yu Hewei. I almost wept with joy at the perfection of his rendering of Cao Cao in his twilight years; the ambitious warlord stymied by the limits of his own mortality and torn by his succession dilemma between his most worthy son and his most loved son. Needless to say he is as bad a dad as he was as good a warlord and statesman. Ironically, Cao Cao sows the seeds of the downfall of his own empire as Cao Pi is also a terrible father who also messes up his own heir. Whereas the Sima family in sharp contrast are paragons of Confucian family virtue, the foundation of a moral society.
When it comes to the inner palace and familial relationships, the storytelling embellishes wild history and heavily fictionalizes the historically insignificant aspects. I was sad but unsurprised to see Cao Pi's deep friendship with Zhongda become distrustful and utilitarian after he becomes emperor. While I understand the audience appeal, it is well known that Zhongda's relationship with his wife was much less cordial but I love Liu Tao and was happy to buy into this Disney version. However the whole song and dance with Lady Bai and how Zhongda was "forced" to accept her went too far and just made me roll my eyes. I expect a man of that status in those times to have concubines I don't see the need to waste so much time suggesting he meant to be monogamous when he definitely was not. I also was not compelled by the chemistry between Cao Pi and Lady Guo but at least they didn't try to suggest he didn't have a harem. Lady Zhen's story could well just be speculative history but she is the character I felt the most sorry for in this drama.
The Advisors Alliance is the first instalment of Sima Yi's story and ends with Sima Yi retiring from active duty under Cao Pi. By then, Sima Yi and his proteges had succeeded in pushing through agricultural and structural reforms that made Cao Wei great and restrained the power of the Cao clan warlords. It is a fascinating account of how an understated and often under estimated Sima Yi was ruler in deed if not in name. His machinations paved the way for the Sima clan's rise in influence which eventually led to the founding of the Jin dynasty, which many still argue was not a legitimate state. I enjoyed this enough to rate it an 8.5 and will probably go on to watch the second season Growling Tiger, Roaring Dragon which focuses on his rivalry with Zhuge Liang.
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Why watch? I confess, I own a bookstore ;) and yes we have all these kinds of characters enter our store&life;.
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This review may contain spoilers
Avoid this truckload of bullsh!t
A dating B who is connected to C who dates D who is the ex of A who reconnects with D who disappears and E dates H and marries with I the father of B who likes and hate C who cares for J the son of E who is D who used to cheat with A ...Total ridiculous shitty crap. The story is basically piling some of the dumbest tropes in lakorns. These are sent into the face of the viewers the most ridiculous way to just outrage them and bait them into watching the next episode. Because viewers think they are going to be relieved of their frustration by one nice cute entertaining development which just never happens. This drama is just baiting and baiting and baiting until the viewers have swallowed all the bs but never had an entertaining and fun story to enjoy.
The plot is centered around the evil character who is the pivotal point of the story and all other characters evolve around that person and the bullshit that character is doing episode after episode. The two leads become frustrating and not endearing and accessory characters that I finally did not care to see together or not.
This has to be one of the worst lakorn I have seen and if I inflicted this to myself I surely do not wish anyone to do the same for himself. Stay away from this torture which will never give you any moment of joy or any real satisfaction of being entertained. Even if the performance of the lead actors is commendable I will give this 1/10 because I really lost my time on this crappy lakorn.
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