Reviews

underrated drama, though there was a hype about this drama in taiwan.

i didn't want to watch at first because the main lead is old and i didn't really like ethan. but after watching the first episode i couldn't stop watching it. the story is not boring at all and focuses not just on the happenings but also on the people's feelings. i can finally enjoy watching the main role - as a reporter - trying to get the truth from famous people and confront them - as a strong-willed and fair woman. ethan is just like her back-up and i really liked it. the characters flew with the story instead of the story going with the characters. i hate it when a drama contains a actually nice plot but it ended up focusing on the characters and not on the interesting story anymore. i laughed, smiled and cried while watching the whole drama.
and the OST is jus perfect.

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Tsuki No Koibito is the perfect example of a stellar cast totally wasted on a non-existent plot.
I watched it as soon as it finished airing, attracted by one of the best actors assembly I had come across in a long time. And true to their skills, they do an amazing job, given the luke-warm, inconsistent, shallow story they had to work with.
I understood none of the characters. Are they ambitious, serious, romantic, evil, malicious? No idea. They are all a mixture of those. Yes, in real life people are never clear-cut, but instead of coming out as imperfect human beings one can identify with, these characters appear like badly assembled patchwork quilts, behaving in a way one episode, the opposite way in the next.
The only character with a little consistency is Maemi, played by an impeccable Shinohara Ryoko.

Without spoiling the ending of the drama, suffice to know that it was so out of the blue, I could do nothing better than scratch my head in puzzlement.
What happened to that character? Why did that one act the way he did? What are they trying to say? What's the answer to that 4-coins quiz repeated to exhaustion?
All questions I found no answers to.

I can't remember the music. In these cases, I always end up giving it a non-committal 7. It certainly didn't blow me away.

What a pity.

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Girl Power – Delightful and Inspiring

Despite being set with a background of a royal harem in a fictional world, this drama exudes positive aura throughout, without the typical and tiring hair-pulling cat fights commonly seen in historical palace dramas. “New Life Begins” describes a utopia where girls band together to help each other, freeing themselves and achieving their goals, realizing the adage “unite is power”. Most of the characters are lovable, albeit with flaws, and their growth is distinct, from being weak and helpless to being strong and courageous. The story is inspiring and comforting.

Centers around Xin Chuan, one of the nine kingdoms, and its sixth Prince, Yin Zheng (Bai Jingting)’s household, the story contrasts each kingdom which has its individual unique characteristics, features and cultures, with Xin Chuan being the leader of the pact. To build cordial relationships with all the other kingdoms, the King of Xin Chuan wants his sons to marry noble girls from the various kingdoms. He calls for the kingdoms to send their best eligible girls. Li Wei (Tian Xiwei) is selected and sent to Xin Chuan; she is reluctant, for Li Wei doesn’t want to marry a man she doesn’t love, and she wants a one-man-one-woman marriage with equal rights practiced by her home kingdom whereas Xin Chuan still follows the traditional polygamous system.

Among all the noble girls, Li Wei seems to be the least favorable for she tries to wriggle out of the wife selection process. Despite that, she is chosen by Yin Zheng the 6th Prince as a “side” wife, for Yin Zheng wants to maintain his low profile by marrying a girl nobody wants. Yin Zheng looks sickly and to survive in the back-stabbing treacherous palatial world, he blends himself into the background that nobody takes notice of. What seemingly an unlikely relationship, Yin Zheng and Li Wei fall in love with each other.

Li Wei is intelligent, compassionate, and down to earth. She provides Yin Zheng with practical ideas and helps him maneuver and eventually get noticed by his father, the King. How she makes friends with Yin Zheng’s “proper” wife and the wives of his brothers, all of whom later become her business partners and they help each other to become independent, is very inspiring. Tian Xiwei’s Li Wei is natural and believable. She has given a wonderful performance here.

Bai Jingting’s Yin Zheng is equally great. The actor is very pale and slim and does look sickly, which is perfect for the Yin Zheng character. Under that weakling skin, Yin Zheng is intelligent, well-read and a competent fighter that no one is aware of. Despite he has two wives initially, he is devoted to Li Wei only; his relationship with his “proper” wife is cordial and platonic. Bai Jingting has been one of my favorite actors. His acting range is very wide, from a ping pong champion in Ping Pong Life, to a special taskforce police officer in You are My Hero, to a silly and humble character in Octogenarian and the 90s, and to a historical prince in New Life Begins. He immerses himself completely into all his characters, giving viewers very convincing and lovely performance in each. He is always subtly funny.

Each prince has his story with his wife/wives. Most of their stories are hilarious and relatable. For example, the fifth Prince loves his wife and is helpful, but he can’t get a thing right; the third Prince has multiple wives but can never get their names straight. All the other characters are lovable, even the antagonists are pitiful, and the whole cast is very believable. Though despicable, the second Prince who is groomed to succeed the throne, and the fourth Prince, extract sympathy from the viewers when they get into trouble.

My Verdict

This is a heart-warming drama with girls helping girls, and trying to change the male-centered system. All the girls are intelligent, courageous, and independent. Despite their unfavorable environment, they don’t self-pity nor fight among themselves but help and take care of each other. This eventually makes the group strong and enables them to be financially independent, maintain their dignity and eventually change the society to a fairy one. This may sound very feminist to many viewers, nonetheless, it's one of those easy and delightful story that can cheer viewers' mood.

Romance wise, the chemistry between Bai Jingting and Tian Xiwei is pretty good and sweet. There is also a very lovely second couple here with a very funny relationship.

The message: No matter where one comes from, be it Iran, Afghanistan, Pakistan, China, or even the open west where girls are being suppressed and their rights infringed, only when girls unite and work together, great things can be achieved, and dignity maintained.

Easy watching and entertaining. Recommended!

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Interesting 2nd life (redemption arc) but unsatisfying romance

“Scent of Time” does not seem to be a very popular drama and the main reason is due to its unavailability. I believe Youku did not have the drama available for their international audience. But HBO seems to be picking that up! The synopsis of the drama on MDL is also incorrect as this is not a drama about transmigration (since it’s a censored topic in China). The novel is about transmigration, but not the drama.

I don’t have much expectations, but because I liked Zhou Ye very much in “Back from the Brink”, I want to check this out for her. And, she did not disappoint. Her acting was a standout among all the younger actors and she carries the show on her back. Her character, Hua Qian, is very easy to root for. She's smart, observant, and courageous. She was given a second chance to correct her past mistakes so that there’s a better outcome for her and her family in this second life. The redemption arc is a highlight of the show and I think it’s pretty well-written. There are plot twists I did not expect and the story is very engaging throughout the 30 episodes. I just wish the ending was a little better and longer.

Before I watched the show, I thought the romance plot with 3 male leads would be the highlight for me. You would think a reverse-harem would be a focus. Not quite what I expected. This story is about Hua Qian’s growth as a person. The men in her life are just a part of her character development.

Zhong Ye Lan was the first man in her life. One she was obsessed with in her past life and tries to undo all of that. Zhou Ye Lan has a lot of screen time in the first half of the drama. Though I like parts of their story, I do find Peng Chu Yue’s acting a little lacking, especially when compared to Zhou Ye. His character is more muted, and more quiet. Thus, it requires good acting to not appear bland and wooden.

Zhong Xi Wu as the Lord is an interesting character. He has a unique relationship with Hua Qian and has much better chemistry with her than the other two male leads. I just wish we got more screen time of the two together. Their romance is quite subtle on Hua Qian’s part. It was hard to see whether she had feelings for him, except for that one item (which I shall not spoil) and was shown in the later part of the drama. It’s also interesting to see Zhong Xi Wu lose his cool when it comes to Hua Qian. He actually lost his cool a little too fast and uncharacter-like for a lord.

Hua Rong Zhou is the trusted guard who vows to protect Hua Qian with his life. This character appears too perfect and boring. He’s also bland in the beginning and Zhang Yi Jie’s acting is a little wooden. He was much better when he wasn’t a lovesick puppy following Hua Qian around. I like that when he’s talking back and being a little bossy. Other than that, Hua rong Zhou is not charismatic enough to be a male lead.

The rest of the supporting cast isn’t bad, except for Mu Yao, played by Zhao Qing. Her acting is the worst of the bunch for me. She has that one bland look and dead eyes on her face all the time. The veteran cast (Elder Princess and FL’s parents) obviously did a much better job than the younger cast.

The production quality is pretty good. I like the hairdos, accessories and the costumes of the female cast, and the sets and props look decent. “Scent of Time” only has 3 songs in its OST but they are lovely, just a little overplayed. I am however disappointed with the dubbing. I wish the main cast had used their own voice.

Overall, I had a great time watching this drama. It has its fault, but as a whole, I like the pacing, the redemption and character growth, and I am really becoming a fan of Zhou Ye.


Completed: 11/9/2023 - Review #375

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The rare sequel to surpass the original...but is it still BL?

Sequels in any genre seldom please fans at the same level as the original. BL sequels enjoy no immunity from this spotty track record. Usually, a lack of freshness accounts for a sequel’s dimmer reception. Something in their formula goes stale. To My Star 2 avoids the staleness trap because TMS2 abandons the original recipe that made the first season a winner. First, by opening the series with the Kang Seo Joon and Han Ji Woo having broken up, the latter now living in a rural village hours from Seoul. Then, in case this off-screen break-up failed to alienate loyal viewers enough, TMS2 also abandons the genre formula of what makes BL BL. Viewers with the patience to stick around despite these disappointed expectations will be rewarded with a series that works on its own terms. To My Star 2 is a well-acted, well-written character study about two people who must reckon with the legacy of emotional trauma in their past to move forward with their present love.

The BL genre’s signature qualities include depicting two men falling in love with another, sticking to fairly standard rom-com tropes, and understanding what the core audience for the genre wants to see. A typical BL series wraps those elements into a fluffy storyline geared to elevate the viewer’s serotonin levels. The first season checked all three boxes and charmed in the process. To My Star 2 strays from that tried-and-true formula. Rather than light-hearted rom-com, the series delivers angsty drama. Rather than depict two men further the romance established in season 1, season 2 opens several months after the couple de-coupled. In early episodes, they scarcely interact. By departing so markedly from the original’s feel-good mood the creative team behind TMS2 boldly carves out a new formula for success.

If TMS2 does not clearly read as BL, it also cannot easily be classified as LGBTQ+. None of the drama or emotional angst revolves around anyone’s sexual identity. If the script swapped out the same-sex couple for an opposite-sex couple, no modifications to the storyline would be required. Neither the past emotional trouble nor the reasons presented for the premature end of the pair’s relationship depends on internal or external homophobia or on sexual identity. In true BL fashion, these two guys just like each other without worrying about the pesky ramifications of being gay that distinguish LGBTQ+ fare. What remains, then, is a study in the fragility of human emotion, and a story with universal overtones. Pegging any series’ entire story arc to emotional traumas that took place in the distant past is a risky endeavor, and one might fairly complain that the writers fell short of concocting a story that fully explains the behavior and reactions of either Seo Joon or Ji Woo. Nevertheless, TMS2 delivers a compelling story about two people in pain. One because he considers himself unworthy of receiving love from his partner; the other because he cannot let his partner go.

With 10 episodes approaching 30 minutes each, TMS2 has a total running time nearly double the original’s. The writers invested the extra time into world building. Support characters are more fleshed out than is possible during the curtailed runtime of the mini-BLs Korea is famous for. As with the original, the president of Kang Seo Joon’s talent agency plays an outsize role, both in his star actor’s messy personal life as well the messy professional life. With many episodes set in the rural village to which Han Ji Woo has retreated, various neighbors and villagers turn up to influence events. When Ji Woo rebuffs Seo Joon’s overtures for reconciliation, a subplot about a reality series that showcases struggling rural restaurants provides a convenient device by which the writers can inflict Seo Joon’s presence on the reticent restauranteur. To My Star 2 will never be confused with arthouse fare, but rather than simply trot out a fluffy story guaranteed to please BL fans who look for that, the creators instead developed a serious drama that allowed the two leads to become more than stock characters. The gamble was rewarded with a compelling piece of television drama.

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The king maker is king of kings.

Note: There are some statements of well known. historical facts in this review. They are by definition not spoilers but be warned in case you are unfamiliar with the history of this period.

Sima Yi, courtesy name Zhongda. History's most cunning grifter, a man who stole a throne and an empire more than once! I always enjoy dramas like this because they bring larger than life historical characters to life and deflate them into close to normal human beings. I never imagined Sima Yi would be portrayed as such a timid, groveling, deceptively harmless and well, just ordinary fellow. Or that he would be so terrified of his wife. That just cracked me up. Audacious.... sacrilegious even.... love it!

The drama opens with Zhongda, a brilliant scholar and tactician, welcoming his firstborn son Sima Shi into the world. His father Sima Fang is a shrewd and influential minister of the Han Imperial Court. By then, warlord Cao Cao had already openly seized power and repeatedly bullies the Han Emperor into a sniveling, terrified puppet. Zhongda unwittingly catches the eye of Cao Cao as he deftly extricates his father from a dire situation. He goes to extreme lengths to avoid serving Cao Cao who is both keen to make use of his talent and wary of it at the same time. Recognizing his innate cunning and ambition, Cao Cao regards him suspiciously as a double edged sword and comes close to killing him dead many times.

Initially I was surprised and a little bit underwhelmed to see such a timid and groveling Sima Yi. But the layers peel away very satisfactorily to reveal his hidden ruthless nature, his scheming and bold ambition. He is a king maker, someone capable of securing the throne for Cao Pi, the less favored son against Cao Cao's own wishes. He then proceeds to steal an empire for Cao Pi but this part seems whitewashed. I doubt Liu Xie was really that eager to so simply hand over the throne. Not surprisingly, he also intervenes in Cao Pi's succession plans. At that point, it is clear that Sima Yi the king maker is king of kings; that three generations of Cao rulers' succession is determined by this man. Notwithstanding his many contributions, Sima Yi is portrayed as a selfish and cunning character who parleys his own interests ruthlessly. He manipulates two revered ministers into sacrificing themselves to ensure Cao Pi's ascension, but it is clear his primary motive is to save his brother's life.

Sima Yi's great rivalry with Yang Xiu is rivetingly played out in the bitter succession battle between Cao Pi the worthy son and Cao Zhi the favored son. Both are ambitious and brilliant tacticians but they couldn't be more different in nature. Yang Xiu is arrogant, outspoken and extremely intuitive. He cannot help showing off, often over estimating himself and underestimating his enemies. This cost him his life and Cao Zhi the throne his father so badly wanted to give him. In sharp contrast, Sima Yi avoids attention and while he is is often underestimated, he has a healthy respect for his enemies capabilities. His final conversation with Yang Xiu, someone he empathized with, respected and learned from as a worthy opponent illuminates how Sima Yi managed to hang on to his head through many dangers. I have not watched Wu Xiubo before and I was hesitant about him as he is not the image that jumps to mind when I imagine Sima Yi. My concerns faded almost immediately and I cannot think of a better actor to play the role of Sima Yi as characterised by this production.

This drama largely sticks to history in terms of the key events and leading characters of the day. Told chronologically, the drama unavoidably peaks with the exit of the veteran actors who also play the most interesting figures of the day. This drama's highlight for me was Xun Yu's (played by none other than the fabulous Wang Jin Song) opposition to Cao Cao's decision to form his own feudal state. Their bittersweet final exchange that touched upon their long friendship, mutual respect and alignment that turned into reproach and disappointment is a powerful, memorable and compellingly acted drama moment that only two actors of such caliber can deliver. I can recommend watching this drama for that scene alone. I feel pity for anyone attempting the role of Cao Cao after Yu Hewei. I almost wept with joy at the perfection of his rendering of Cao Cao in his twilight years; the ambitious warlord stymied by the limits of his own mortality and torn by his succession dilemma between his most worthy son and his most loved son. Needless to say he is as bad a dad as he was as good a warlord and statesman. Ironically, Cao Cao sows the seeds of the downfall of his own empire as Cao Pi is also a terrible father who also messes up his own heir. Whereas the Sima family in sharp contrast are paragons of Confucian family virtue, the foundation of a moral society.

When it comes to the inner palace and familial relationships, the storytelling embellishes wild history and heavily fictionalizes the historically insignificant aspects. I was sad but unsurprised to see Cao Pi's deep friendship with Zhongda become distrustful and utilitarian after he becomes emperor. While I understand the audience appeal, it is well known that Zhongda's relationship with his wife was much less cordial but I love Liu Tao and was happy to buy into this Disney version. However the whole song and dance with Lady Bai and how Zhongda was "forced" to accept her went too far and just made me roll my eyes. I expect a man of that status in those times to have concubines I don't see the need to waste so much time suggesting he meant to be monogamous when he definitely was not. I also was not compelled by the chemistry between Cao Pi and Lady Guo but at least they didn't try to suggest he didn't have a harem. Lady Zhen's story could well just be speculative history but she is the character I felt the most sorry for in this drama.

The Advisors Alliance is the first instalment of Sima Yi's story and ends with Sima Yi retiring from active duty under Cao Pi. By then, Sima Yi and his proteges had succeeded in pushing through agricultural and structural reforms that made Cao Wei great and restrained the power of the Cao clan warlords. It is a fascinating account of how an understated and often under estimated Sima Yi was ruler in deed if not in name. His machinations paved the way for the Sima clan's rise in influence which eventually led to the founding of the Jin dynasty, which many still argue was not a legitimate state. I enjoyed this enough to rate it an 8.5 and will probably go on to watch the second season Growling Tiger, Roaring Dragon which focuses on his rivalry with Zhuge Liang.

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Be 100% you, wherever you are

The Makanai is a delightful and heartwarming coming of age drama about two teenagers who travel to Kyoto to train to become Maiko. The friendships and supportive atmosphere of the yakata will welcome you in and delight you with beauty and delicious food.

Close friends Kiyo and Sumire enter the world of the maiko at the age of sixteen. Sumire is a natural but Kiyo is not and is expelled. Fate as it does, plays a hand when the older cook of the house hurts her back and Kiyo steps in with her lovingly prepared meals and becomes the new makanai, fixing all the meals for the women. That is pretty much the whole plot, the story follows the two over the next year as they blossom and find their way in the world all while maintaining their friendship.

The drama does cover the lives of the “Mothers” who run the yakata and also the star geiko, Momoko. The women are supportive of each other as they face life choices, some choosing to stay and others to go. Answers to conflicts arrive as easily and gently as on a breeze. There is no hazing or jealousy, only a little friendly competitiveness and teasing. This is a glimpse behind the scenes and into the world of the maiko and those training to be one. Because one cannot be a married maiko or geiko, as the young women age, they are faced with leaving their art if they choose to marry.

More than focusing exclusively on the maiko tradition, the friendship is the heart of the drama. Kiyo and Sumire have a sismance that will inspire you. The young women are always happy, never depressed or sad living away from home. Everyone does their chores and lessons with a joyful attitude. It may not be entirely realistic but it does make for soothing viewing. The cooking and food prep is tantalizingly shot with great care. Be advised you may not want to watch this on an empty stomach as Kiyo’s dishes do look delicious!

Though the action is languorous, the scenes tend to be vibrant with conversations going on in both the fore and background. Laughter often fills the air in the cozy house. The acting is natural and approachable. This slice of life is an example of life being lived in the details.

With the exception of a boisterous and attention seeking geiko who returns after a failed marriage I found most of the main characters charming. The other exception to my enjoyment of this drama was a mai developed on Night of the Living Dead for a festival. But that’s my personal issue-I’m terrified of zombies even when portrayed by stunning maiko!

In a world that can be cold, this drama wraps you in its warm embrace and feeds you comfort food, giving you hope that your dreams can come true and that friendship can be for a lifetime.

1/14/23

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Seeing the end of this movie, I've increased my rating. It seems initially just a gentle-paced, interesting story of some male hustlers. However the seemingly bizarre ending is a very clever twist indeed, making the lead character (Tatsuru) confront his own character and the life he's leading, which is based on suppressing his real feelings. There's also an interesting twist before that involving one of his former "clients". I can't say more or I'll give the plot away. But I will say that this movie will repay careful watching and thought. It's more than just a pleasant amusement with some pleasant faced actors. I have to disagree with the other reviewer. I think the slow pace and the talking are all part of the build up to what is a thought-provoking ending. I hope I'm right in thinking that it's a good ending in the sense that people can only grow when they get insight into themselves and how true to themselves they are being in the life they are leading. For me that's a good ending and a meaningful movie.

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Before writing a review for this drama, I needed time to cool down a little. Not only I am a fan of dark detective stories, I also love Takeuchi Yuko to pieces. Both premises may have biased my judgment of the show itself.

This drama starts in the very middle of things. Unless you have watched the 2010 special - which I haven't yet - you won't see any introductions, neither of the characters, nor of the setting. You are thrust into the first crime and given brief flashes of the characters' past, pieces of a puzzle you'll only complete by the end, and not in full. It's realistic, harsh and frustrating, but it worms its way into the viewer's interest in a very subtle, gradual way, until you come to the end and wish there were another entire season to watch at once.
The cases brought me more than once to the brink of tears. They are desperate and intense, involving such human characters I couldn't remain detached even if I wanted to.

The cast is downright brilliant. My favourite Takeuchi did not disappoint me. Her character's very complex, with a perpetually seething anger as palpable and incomprehensible at the beginning as it is understandable once her past is slowly revealed. I have a weakness for characters who are incapable of expressing their feelings, because when they finally let the slightest glimpse of vulnerability surface it's so much more intense and heart wrenching.
Which inevitably leads me to her loyal subordinate Kikuta, portrayed by an impeccable Nishijima Hidetoshi. He reads her without fail, and I love that his evident attraction to her originates from his admiration for her skills rather than a simple man/woman dynamic.
Some of the characters are downright irritating. The police director - whose role is quite a mystery to me - is so obtuse the sole purpose of his existence seems to be to provoke his detectives' reaction. While it works on a dramatic level, I hope such individuals do not exist in real police departments, or I'd give up on the Japanese justice entirely, mostly if he's paired with the older corrupt detective whom I wanted to punch in the face.
Good or bad, none of these characters left me unmoved, proof of their outstanding job here.

I loved the music: well chosen, well used, well balanced.

Re-watch value is very high, because at first viewing I found some details hard to follow, mainly because of the fast delivered lines and the unusual way the crimes unfold. Most of all, though, I am experiencing withdrawal symptoms regarding the characters and am looking forward to a continuation. I'd vote for a second season in no time.

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Avoid this truckload of bullsh!t

A dating B who is connected to C who dates D who is the ex of A who reconnects with D who disappears and E dates H and marries with I the father of B who likes and hate C who cares for J the son of E who is D who used to cheat with A ...

Total ridiculous shitty crap. The story is basically piling some of the dumbest tropes in lakorns. These are sent into the face of the viewers the most ridiculous way to just outrage them and bait them into watching the next episode. Because viewers think they are going to be relieved of their frustration by one nice cute entertaining development which just never happens. This drama is just baiting and baiting and baiting until the viewers have swallowed all the bs but never had an entertaining and fun story to enjoy.

The plot is centered around the evil character who is the pivotal point of the story and all other characters evolve around that person and the bullshit that character is doing episode after episode. The two leads become frustrating and not endearing and accessory characters that I finally did not care to see together or not.

This has to be one of the worst lakorn I have seen and if I inflicted this to myself I surely do not wish anyone to do the same for himself. Stay away from this torture which will never give you any moment of joy or any real satisfaction of being entertained. Even if the performance of the lead actors is commendable I will give this 1/10 because I really lost my time on this crappy lakorn.

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This drama is definitely underrated! I started watching it because, well, my screen name is Crazy4you and the name of this drama is "Crazy For You" haha. I realized later that Yoon Kye Sang was also in it, and I was happy to see him in a main role after seeing him in The Greatest Love. The story isn't anything over-the-top. I was curious to see how it'd turn out, what were they going to do after they realized that the person that Chae Joon had killed was Jin Young's fiance? (Not a spoiler, it's in the synopsis and you see it happen in the very beginning of the drama)



The acting was pretty good. Again, I've seen Yoon Kye Sang in The Greatest Love and seeing him go from his adorable role as Yoon Pil Joo-ssi to a more serious one makes him a versatile actor. Although his character was adorable at times as well! I want to see more with him in it, he's a great actor (: And this was my first drama with Lee Min Yeon but I felt she did a really good job as Jin Young and really pulled off her emotions. Also the halmoni is the same one that was in Coffee Prince - I knew I saw her before but didn't realize until now that that was the drama I'd seen her in. The rest of the cast was great as well (:



I loved the music! I was surprised at hearing such a nice soundtrack to this drama. "Saranghe Michida" (Crazy For You/Crazy For Love) by Lee Soo Young is a really pretty song. I also loved the song "Never" by Yoon Yeo Min! And "Crazy For You" by Mr. Mimi (the artist's name makes me laugh haha).



I can see myself possibly rewatching this drama again, although not anytime soon that's for sure (look at my plan to watch list!)



Overall - I think it's worth giving a try! It's not overly serious, there are some light moments, but there is a good bit of drama. It may not be the best drama out there, but it's still a nice drama! So if you think it sounds like something you would like, add it (:

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Romance has never been my favorite genre. While I always welcome a good love story, I prefer them interspersed between other elements. Should I be caught with a rom-com, it’s usually safe to bet I’m watching with a friend—or the cast drew my attention. In the case of “Can We Love?” both eventualities came to pass. However, unexpectedly, this drama became a weekly pleasure; I even felt compelled to share it with others via an article. What about “Can We Love?” sparked this romance madness in me? Well, let’s see….

Though Jung Wan (Eugene) might be considered a traditional heroine, there are actually three leading ladies. Each woman has her own fully realized plot, with journeys so unique from the others (yet still connected!) that they could stand as three separate dramas. Does this result in a disjointed feeling? Not at all! The writers have a talent for seamless transitions, balancing characters and their evolving circumstances from episode to episode. Instead of being drawn out forever, even conflicts were frequently solved within an episode or two (crazy, I know).

This isn't true of the entire drama unfortunately; I could practically feel the steam seep out around near in late episodes. While not nearly enough to derail the entire experience, some cliches and melodramatics slithered in, while other bits were managed a little awkwardly.

A big pro for “Can We love?” is realism, despite obvious exaggeration here and there for entertainment’s sake. These characters have mundane worries for the most part (such as money trouble, single-parenthood, or romantic uncertainty). They have their foibles and quirks, but even at their worst they’re never the maniacs one often encounters in similar dramas. The second female lead will not be hitting her rival with a car, here, folks. You’ve probably met or heard of people like the “antagonists” in this drama…though in the case of a certain abusive mother-in-law, I hope not.

But for me, honestly, the best part must be the romance. Great kisses abound, with actual moving lips and touching. Because the characters are adults and act as such, they’re not mortified by the prospect of sex (pre-martial or otherwise). Couples communicate, both to solve problems and to build intimacy and knowledge of one another. The "main" pairing even felt like they were actually in love. I admit to giddiness with certain scenes, an uncommon occurrence.

Uhm Tae Woong was a primary source for such giddiness, as fast-talking charmer Oh Kyung Soo. Discard thoughts of him from other dramas, those intense and serious men; this role is completely the opposite. A “world-famous director,” Kyung Soo flirts, teases, and pursues what he wants with sincerity—whether in work or love. You might fall a little in love yourself, however your tastes run; he might be my favorite leading man to date. Leading lady Eugene embodies a gentle presence, easily becoming a sympathetic lead in Jung Wan. Her chemistry with Uhm Tae Woong sparkles, and her mothering scenes are fantastic.

Also notable: Kim Yoo Mi presents a complex and controversial Sun Mi. This actress masterfully handles tough, flawed women with hidden vulnerabilities. Choi Jung Yoon capably maneuvers the emotional tribulation and wide nuances required of Ji Hyun, though the character did not satisfy my interest as much as others. Kim Sung Soo (gentle and mature Do Young) and Park Min Woo (puppy-eyed noona killer Yoon Suk) round out the cast quite well.

What about the music? I found it above average, often memorable and always well-placed. While there isn’t a false note in the bunch, certain songs might wax repetitive for some viewers. The vocals are where the soundtrack really shines: “Everyday” (GGot Jam Project), “I Want to Love Again” (Lunafly), and
“My Hero” (Kim Ji Sook) are all excellent examples. Others include “Softly” (Sum & So Yeon), and a more elusive track, known affectionately to viewers during the drama’s run as the “Hey, Boy” song. You’ll know when you hear it.

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I loved this drama and was excited to watch new episodes every week, it was filled with fun scenes, the romance was cute, the couple looked good together and both actors are really attractive, also I liked the 3 cleaning fairies plus o sol's relationship.

I used to like this drama so much that I was sure I going to rewatch it someday, but that changed because I disliked how the story unfolded.

To me it all went downhill when O sol stopped working in the company and started living in Seon kyeol's house. Sure we were blessed with some great kisses and domestic stuff, but to me that was when the plot started becoming nonsensical.

I didn't like Daniel at all, I found him clingy and annoying as all hell not to mention his stalking behavior. I didn't like O sol's rude brother and his attitudes as well as her father.

I even started disliking O sol and not understanding her decision of breaking up with Seon kyeol (not to mention how unoriginal and boring that ''have the couple breakup in the last few episodes'' kdrama trope is) and her attitude towards him, a person who didn't deserve any of it. To me that was the final nail in this drama's coffin. What his selfish grandfather, who physically attacked him as a kid (I also didn't like how the writer seemed to have forgotten that and gave the grandfather a redeeming scene, expecting us to feel sorry for him) and who caused his misophobia, did, wasn't his fault.

The final episode was painful to watch because of how o sol kept rejecting seon kyeol and how her and her father kept blaming and making him guilty of something that wasn't his fault. I didn't like seeing him acting so pitiful around the father and her.

I'm not sure if I'd recommend it or not, sure the ending was a happy one, there's lots of funny scenes and the couple had good chemistry but there's lots of things that prevent me from doing so. I guess you could give it a try if your a fan of any of the actors because everyone did a great job.

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