Reviews

Jyoou no Kyoushitsu is a drama which is intense,significant,educative and addictive.
The main attraction of this drama is that it is an exception to the typical school dramas. All Japanese classroom dramas so far have been about the teacher saving the students from their own folly.On the other hand, Akutsu Maya-sensei is the teacher no one ever wants to have.She's Brilliant, manipulative, obsessive, and dead set on making sure that the students fall in line with her rules.

Another good point is unpredictability. The Queen's Classroom breaks from traditional drama with an apparently evil teacher who is out to prove that the world is a harsh place, and so is her classroom.She's a cunning and calculative teacher and systematically removes the parental and academic protection the children had enjoyed, and forces them to deal with their problems themselves.

The Queen's Classroom" is an astonishingly well elaborated and smart drama series, which points at the bad condition at Japanese schools or certain deficiencies in Japanese society in general, and does so in a very entertaining way. The show isn't just thought-provoking;it is also very touching, appealing and persuasive concerning its message.

Last but not least is the outstanding cast. Amami Yuki, the actress who plays Akutsu Maya, did exceptionally well in portraying such a devilish teacher. I think it's because She did so well that for the end credits of each episode, they decided to show her after a take and smiling, a facial expression only used when she does something particularly "evil "!!
Shida Mirai did an excellent job as the innocent-minded child. she's incredibly adorable and became my favorite teenage Japanese actress after this drama.
The two specials were indeed very special and did an awesome job in explaining the reasons why the characters acted the way they did.They reveal all they mysteries,answer all the questions and justify all the actions.

I can write so many things in praise of this drama!! But it’s very hard to continue without giving spoilers.

This is a drama which everybody should watch.If you believe that this is a show solely for teenagers or even children, only because almost all of the main actors aren't older than twelve and drop it half way then you are mistaken. It’s only if u watch it till the end then you would realize how ‘not-childish’ this drama is! This series suffers from minor defects in the story line but nothing is perfect and please don't give unnecessary importance to these occasional faults and belittle this great drama.
Although the atmosphere throughout the series is quite dark, Queen's Classroom is actually one hell of an entertaining show!Hope you'll enjoy this wonderful 'monogatari' as much as I did.

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The reality of broken families and the impact on mental health.

An incredible representation of how a family environment can impact a child’s mental health. Perhaps it was because I could relate so well to this drama that made me love it so much. My first review ever because of this 11/10 show. Warning: long & a lot of spoilers.

Main Characters:

It’s without a doubt that each family will go through their own troubles. Let’s talk about Ling Xiao first. The entire time I was just hoping that he truly receives proper therapy and releases his repressed feelings that he’s been harbouring since childhood. Firstly, he had to live through the trauma of seeing his younger sister die. Then he was blamed for it by his mother. (God, seeing how much blame he put on himself for his sister’s death…heartbreaking. You see it in his eyes. And she also throws out all of their photos together… I wonder if he still remembers how his little sister looks like.. ) Then he had to witness his parents go through a terrible relationship following it…. and then HE GETS ABANDONED BY HIS MOTHER.

You would think that’s all he would go through. His heart and emotional stability gets stomped on again when the mother comes back, then is injured and he is expected to take care of her… and then suddenly he is needed again. And then she hates the people who truly gave him the love that he so desperately needed to fill the gap of being abandoned.

Although calling Xian Xian his “heart medicine” demonstrates some unhealthy reliance for someone to “fix him”, putting a lot of pressure on her, anyone can understand that. She was the positive light in his life ever since he met her. Her and Li father gave him so much warmth from the get-go, knowing that his family was broken. She accepted him at all costs, irregardless of his stoic and reserved attitude.

Jian jian and her father’s healthy relationship is truly the backbone of this entire drama. Time after time, you see the dependence on Jian jian from her friends and from her brothers for that love, positivity, and support. Same goes for the father - people go back to that restaurant and that home again and again to feel that love, to feel that care that he so generously gives. These two were the epitome of genuine, healthy, healing from their trauma.

Moving forward to Zi Qiu.. my baby. Oh, my sweet baby. The number of times I cried because of him. You can see that he takes a different approach to his anger - he regularly releases it, does things impulsively, and voices when he’s in pain. Tbh, I appreciated this a bit more.. I just wanted to hold him tight and close whenever I witnessed his breakdown. I knew from the beginning that his mother would never just leave without a proper reason.. and when the truth was revealed. Wow. Damn. I just wish she knew that her son would have forgiven her. How could he blame her? What could she have done? She did the right thing back then, but I wish Zi Qiu had known the truth. I believe that Zi Qiu would have a healthy recovery and that he would truly live life to the fullest again.

I also had a huge liking for the side characters, especially Jian jian’s besties. Ming Yue’s mother is that “tiger mom” that all us asians know of. The need to control her daughter’s life, “for her benefit” - man, we’d be dead drunk if we took a shot every time we heard “wei ta hao!”. Although they ended up with a warmer relationship at the end, I still don’t know if Ming Yue’s mother learned from the divorce and saw how much she put Ming Yue through. I think the releasing of the fishies in the trapped little tank had something to do with Ming Yue’s freedom though.

Tang Can’s mother was a bit like that too, but not so bad I would say. I liked that the primary focus for this character was her genuine, hardworking, and relentless desire to pursue her dream. She knew exactly what she wanted for herself, and struggled for so long to convince her mother (and all her friends) that this was what she was always meant to do. What she needed was that push. That trust and belief in her dream - and I am so glad that Zhuang Bei discovered how her eyes simply lit up as she talked about acting, and took that extra step to help her fulfill her dream. Incredible. I was rooting for her like crazy and was SO sad when she took up that museum job :(.

Another one I truly felt for was Little Orange. Xiao cheng zi, gah. She’s definitely lived through some brutal trauma... having her father die and then witnessing her mother’s crippling mental health, constant suicide attempts, and seeing how badly she treated her older brother. I genuinely hope she finds her way back to this loving bunch, and lives off their love. I could tell that she really enjoyed her time with them, and that she found a sense of security. I can also tell that she built a genuine relationship with Ling Xiao, despite all of the hurt that he was going through. During their time in Singapore and the reality of their mother’s situation… they needed one another.

I am so thankful for Li Ba. Tbh, Ling Ba was aight - I felt that there could have been more appearances of him in this drama or that he showed a bit more warmth. He always seem to appear ‘from work’. Towards the end he definitely showed more care towards Ling Xiao, but I think he just didn’t believe in himself as a father. Cue the self-deprecating comparisons to Li Ba and how he just isn’t the best father to talk to. Well… if you say it so candidly like that, then you simply won’t be the best father to talk to. I wish the conversation that they had in the last episode was like that for all of their previous conversations. But, I guess it shows how much character development Ling Ba went through and his epiphanies of how much damage the relationship he had with Ling Xiao’s mother caused Ling Xiao.

OK real talk though wow Chen Ting was so messed. She needed serious help. Her manipulation tactics were seriously on point. Threatening suicide and constantly flipping into victim mentality to get her son to stay. Yes, it is evident that she was suicidal and had little hope for life. But it’s one thing to get help and ask for support.. but it’s a whole different story if you are using it to blackmail someone to stay. Her loss of her child and her husband - she really did blame herself. But she took it out on others. I wish that she could have forgiven herself. I’m so glad that her final attempt didn’t go through. I know that she will eventually be okay.

Oh my. The amount of tears I shed in this drama. The chemistry between the characters, the love in these families, wow. I kinda was hoping for a wedding, but I guess the little family portrait was good too. Perfectly wrapped up.

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If you are looking for a comedic story that doesn't take itself seriously, then I think you would enjoy Bitter Blood {Partners by Blood}.

I enjoyed it for the fact that the two lead males on screen chemistry with each other as father and son was comfortable and effortless. They just seem to ALWAYS be in sync with each other regardless if it was for comedic timing or emotional timing. Takeru Sato and Atsuro Watabe were great. Their acting never seemed over the top and you felt like this was just normal everyday interaction between them in every episode.

The supporting cast's acting was well done but at some times it was a bit over the top but with the atmosphere of the drama. I didn't mind because it added to the fun and craziness of the episodes. Not too many dramas can be emotional and silly at the same time so I commend the cast for an enjoyable show.

The episodes are a give and take when it comes to story lines. Some episodes that featured the story line for certain supporting characters were well written and the others were worth a side glance of " Really???" but again , I have to say the acting of all those involved made you forgive those episodes and look past the faults.

The main theme song is very catchy. Now that can be a good or bad thing. I do believe if this drama was any longer, it would become like that song from Boys Over Flowers, Almost Paradise. ANNOYING. That's how catchy it is..lol You will like it until you hate it. So far I still like it:)

It's a good possibility that I will rewatch this at some time considering that I rarely rewatch shows. Also I am under the impression that this drama may have a part 2 because at the end of the finale episode in small red writing, it said "to be continued".. Hmmmmm I hope it does.

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This drama really should be called by it's alternate name: Kimchi Family. The word 'fermentation' doesn't quite encompass what this story is truly about.

Kimchi Family is a real family drama with an extremely well written mystery and lovely little romance wrapped up inside. Every episode highlights a recipe for a type of Kimchi or on some occasions, a traditional Korean dish. Every type of kimchi and how it is prepared is mixed with a lesson about family, forgiveness, friendship, love, trust and on and on. The writing and acting are extremely well done. The way the plot advances and moves toward its conclusion is not rushed and no story line is left hanging. The pacing is perfect. This is a rare thing, even for the best Kdrama.

The thing that struck me about this drama is it's mix of corny and wise, silly and serious, tender and real. The well played out mysteries are what ended up surprising me. There were actually two! Ki Ho Tae and his search for his roots and another, slightly darker mystery that I won't spoil here. The great thing about how they were written is the subtlety and rationale of the characters. Each actors' dialog and reactions weren't over melodramatic and maudlin and yet still emotional and moving. I was excited to see how they would be solved.

I also loved how every episode was all about food, it's preparation, it's healing qualities for body and soul and it's ability to bring family together; both blood family and the family you choose with your heart.

Song Il Gook and Park Jin Hee were great. Their romance was sweet and their chemistry was lovely. Every actor did a great job. I have not one complaint.

The cinematography and lighting, the set designs were all so well done. I'm almost sad it's over now because I'm going to miss Earth and Man Restaurant.

The music was great! There is one song in particular that I absolutely loved. I don't know the name but it was a mix of traditional Korean, modern pop and rap! It was so catchy that I was actually bummed when an episode passed and it wasn't played.

I gave the re-watch value a 10 because even though I might not watch this again, it certainly is as far from a 1 (pathetic) as you could get.

I recommend this highly for anyone who is looking for an original (yes, original!) story and one that is maturely written and very well told.

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Better than I expected

It is probably the most satisfying liveaction I’ve ever watched. I usually avoid Liveactions as 9 out of 10 LA are so poorly done, and cringey. Part of the reason why I enjoyed this chinese adaption is bc I didn’t read the original manga, but still as a normal sports drama, it exceeded my expectations.

STORY
Brilliant!
Previously I watched Chinese adaptation of Prince of Tennis, which was just so-so imo, so I didn’t have high expectations for Hikaru, either. Besides, when I saw posters of Hikaru, they were like some trashy posters for typical bad dramas..
But then I saw so many positive reviews on Douban and here on MDL, so I gave it a try... I am surprised and got hooked. I went into this totally blind so everything was a surprise. I laughed watching those funny moments, and cried so hard while watching sad scenes.

ACTING
Splendid!
Most of them are new faces, I have seen ML in NiF 2 but I haven’t seen other main actors. Some supporting characters are from My Huckleberry Friends, so I am quite familiar with them.
All of them are brilliant. From main character like Shi Guang to minor character like Wu Di, all of them impressed me.
Director’s cameo as Lazy Monk was a pleasant surprise as well.

BROMANCE/FRIENDSHIP
Do you know what’s the best thing about this drama?
Of course, it is bromance and friendship.Friends motivating each other, helping each other out, and the best thing is bringing them out of their darkest moments.
Bromance? This is the best part of drama..
My favorite two characters are Chu Ying and Hong He. Ofc I loved Shi Guang.

MUSIC
I noticed that some songs are quite good, but I haven’t fully listened to them. But ending song was nice.

So here are some SPOILERS...( If you haven’t watched, pls don’t read)


I have some small complaints;
1.Hong He quitting Go?
It is a little disappointing, with many obstacles he has gone through to become a professional player. He just quitted like that? And from his dad’s expressions, I can tell that his dad wants him to continue playing..
It is quite a relief that Shi Guang said he will continue persuading Hong He
So the drama should have given a proper solution to Hong He’s problem before ending

2.Episode 34
I have already cried my eyes out in Ep 32 and 33, but Ep 34 was super hard to watch. Shi Guang was like I’ll forget everything about Go bc Chu Ying left.
I expected this but this arc was longer than I expected.

These problems are very small... so small that these didn’t change my opinion about this drama.
I would say it deserves high ratings and it is definitely worth watching.

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Only enjoyable if you feel a connect with any of the characters

Definitely not a romantic comedy as marketed, this show is more like a Romantic Office melodrama with interesting side storylines that capture different types of relationships. The first 3 episodes will not convince you to watch it, so give it time till episode 5. After that you’ll be more invested in what goes on.

The main couple‘s romance takes time to develop, but once they do it is endearing to see them develop together. The ML’s 2 sisters however have much more interesting storylines- I would look forward to seeing their scenes more than the main couple’s after a point. I also thought the SML and SFL did not get enough screen time and I wished we saw more of them to understand and empathise with them better.

It had its flaws, but the show managed to capture maturity in most relationships (particularly the side ones) and also managed to give all the side plots satisfactory endings. As for the main couple, I would have preferred a different or an open ending rather than the one given, but I’m definitely not unhappy with how the show wrapped.

If you don’t feel connected to any character until 5 episodes you might not enjoy the show as a whole. However if you wish to continue, give it time as it’s a slow ride which might take you by surprise.

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"Grooming" has never been more romantic.

Do not take the title of the review seriously - taking it at face value would be as misleading as the premise of the show, that sounds so wrong, but the drama itself feels so right. I truly hope people won’t get discouraged by the student/teacher relationship and give it a chance, because this is so much more than just romance. It’s a weirdly heartwarming story of two people healing, learning about each other, but also exploring their own thoughts, feelings and ideas they hold.

What truly makes it work is how self-aware the writing is. For every flirting attempt and stalker behavior, we get a witted call out. All presented in the best dry humor I have seen in dramas for ages. Many scenes that would give you butterflies in your stomach end on a joke and it works so well. I’ve got a sense of: we know it’s wrong, we trust the audience knows it's wrong, but just watch and enjoy how cute they are. And I’m totally fine with it.

As I said though, this drama is more than just a romance. Every scene is drenched in hard hitting topic - suicide. Personally, I think the writing around this issue was done masterfully. Heavy issue presented in such a light manner. Quirky humor that made it more approachable, but never felt disrespectful. For someone who at some point in their life struggled with suicidal thoughts, many of the jokes felt just right. Not once have I thought they are not taking the subject seriously or just using it to make the romance more “angsty” (as many other rom-coms do). The story kept the heart and sincere tone, while also giving me some laughs . It felt refreshing.

The performances were what built the drama though. Hashimoto Ryo perfectly captured the idea of those who smile the brightest are the saddest - no matter how happy-go-lucky Haiba Jin might have felt, you could always sense the hesitation, unsureness and not yet completely healed pain. Takaishi Akari was able to somehow mix innocence with a strong personality and it created a cohesive persona that was Ochiai Mikoto. Both extremely loveable characters portrayed in a perfect manner.

Overall, surprising on so many levels. Completely flipped my expectations of what I’m about to watch and made me fall in love with the characters. Not only the drama is worth a watch, but also a rewatch once in a while.

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GREAT DRAMA , HIGHLY RECOMMENDED.ALLEN REN & SEVEN TAN DID BEAUTIFUL IN THIS DRAMA

i just finished this drama two days ago, and this drama really gave me a very deep impression. AN AMAZING AND VERY BEAUTIFUL AND DEEP DRAMA FOR A LOVE STORY BETWEEN LUYI AND JINXIA. The perfect storytelling has brought this drama to be so exciting to watch and I spent it in just over a week.

This drama has a very good story development from action, stories about how they work together to solve cases that have involved one of the sons of royal officials, to the deep feelings of love that are built between the Luyi royal guard and Jinxia as an assistant to the Liushanmen government office. Their struggles touched my heart and I cried very sadly in the episode towards the end, and I was very satisfied and happy that they were finally able to meet again and have a happy ending, even though I actually wanted the director to add a little more to the end by letting the enthusiastic audience like I can see that finally Luyi and Jinxia can get married and have children ... but well I am quite satisfied with the end of the story ....This drama has a lot of spices from sweet, funny, action, mystery case solving and there is also a very sad side that can make you cry deeply when enjoying this drama.

and ... of course this perfect drama does not escape the good acting of our main cast "ALLEN REN and SEVEN TAN" who brought their characters as "LUYI and JINXIA".
this was the first time I watched a drama that Allen Ren played, and to be honest the first time I was a little hesitant to watch it, but luckily I started, otherwise I would be very sorry for having missed such a good drama, and I have to admit Allen Ren is an actor who has very good acting skills, he portrays the figure of luyi very perfectly.
I was not a fan of Allen Ren at first but after this drama ... I really liked him, and became one of his big fans ..

I decided to start this drama because of Seven Tan at first, because I really like this actress, she is very clever, sweet and always successful in bringing her character very well in every drama that she carries. I also really like her acting which is very natural in every drama that she brings ... she is a very funny, cheerful and sweet artist.

Allen Ren as Luyi looks very handsome and dignified in this drama .. I am really fascinated and captivated by his character who is very cool here. especially when he wore his royal guard uniform, really very dignified and handsome ..

Besides that, the chant that is inserted into this drama is also very beautiful. I almost like the whole soundtrack in this drama, especially the one entitled "wish / yuan" the lyrics and rhythm of the song are very touching and it seems that it fits perfectly with the scene at that time. The soundtrack by Allen Ren "Heart Wall" is also very good.

the whole of this drama is very perfect and beautiful, and of course for the rewatch value and overall I also give 10/10 points.

for those who are about to start or are thinking about starting this drama .. I HIGHLY RECOMMEND THIS DRAMA ..

At the end of the review I would like to thank all the producers, directors, writers, actors and actresses who have perfected this drama, and of course the crew too ....

excited for Allen Ren and Seven Tan, hope to see them play another drama. because their chemistry is very good and strong in this drama ...

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BEST TIME TRAVEL THRILLER EVER!!!

The storyline and plot is PERFECT for a time travel concept UNLIKE ALICE cough* cough* . The main characters are actually SMART and they actually come up with realistic good plans to try and solve the mystery. The antagonist are all so intelligent that they use MANIPULATION rather than brute force to get what they want. SIGNAL + WORLD OF THE MARRIED = KAIROS

The present and the past are easily distinguished and they put DATE LABELS ON EVERY TRANSITION that makes it easier for the viewers to differenciate. It has ALMOST 0 PLOT HOLES and every change in the past perfectly resembles the change in the future flawlessly. The story IS NOT DRAGGY and every episode ends on a cliff hanger making you want more.

Recommended to VETERAN KDRAMA VIEWERS who can appreciate MYSTERY THRILLERS with NO ROMANCE

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Behind every great man is a woman rolling her eyes.

New Life Begins is a fun and funny satire that mocks ancient Chinese feudal society. It is set in the fictional kingdom of Xinchuan, which presides over eight other provinces or chuans. Xinchuan is the poster child for every deplorable aspect of the feudal patriarchal society that prevailed over most of China's 5000 years of recorded history. Every three years as tribute, eligible young beauties from the provinces are sent for selection as wives or concubines of the Xinchuan princes. As these poor unsuspecting scions pore gleefully over bride portraits, little do they know that the very foundation of their kingdom and beliefs are about to be rocked to its chauvanist core.

As fate would decree, subversive elements infiltrate that year's bride candidates. These elements are woefully untaught and unteachable in the Rules of Reverent Submission for Women. The kind of marriage envisioned by the Xinchaun royalty could not be further from their minds. The ringleader is Li Wei, a deceptively harmless foodie from Jichuan, an inconsequential province where men and women are equal and monogamous. She finds kindred souls in the scheming Hao Jia, the fierce Shangguan Jing and the savvy and ambitious Yuan Ying. Together, they prevail against the suffocating, often life threatening strictures of the Xinchuan inner palace to carve out an existence with some free will. Their brave and hilarious exploits resonate with the oppressed and fuels a fire across the inner palace and then, the capital. As it turns out, behind every great man in Xinchuan is a woman rolling her eyes. Despite the period setting, the ideals in this drama are very modern. It is a very fantastical utopian depiction of the kind of power women can unleash by simply working together instead of turning on one another.

This is not to say that all ten of the Xinchuan princes are bad fellows even though most of them make exceedingly bad husbands. With some, it is simply a matter of training while others need to be kicked to the furthest corners of the empire. The commercially savvy playboy Prince An who thinks he is the sun that the solar system revolves around when he is really the moon is the caricature that made me laugh hardest. That said, the entire ensemble cast delivers rib-tickling and lively comedic sketches that poke fun at the mundane. In a mostly lighthearted and positive but rather cursory manner, the drama evokes many women's themes. Hua Jia's arc is the darkest and most complex one and sounds a dire warning about disgruntled female employees. The sub-plots are short and even though the villains made my blood boil, they are not that smart or complex. That is because the true villain is the tyranny of the patriarchal feudal system and they are all victims of its shortcomings.

All of the sub-plots unfold around the evolution of the relationship between Li Wei and Yin Zheng, the unfavored sixth prince. Hilarity ensues when this woman who lives to eat finds herself shackled to a man who eats to live! With the help of MVP Butler Su, she attempts to tease out the inner fat dude just waiting to burst out of Yin Zheng. In fact, food is her secret weapon; she worms her way into practically everyone's hearts through their stomachs. Both Bai Jingting and Tian Xiwei have good comedic expression and they are fantastic at seamlessly turning funny moments into heart stopping passionate ones. While theirs is a fun, wholesome story, it is too much of a fairy tale. Neither of them have serious flaws and every cloud has a silver lining. In fact Li Wei's perpetual chirpiness grated on me at times. While Yuan Ying is a fabulous and formidable character and I get that one woman's treasure is another's trash, that entire situation is just too good to be true. I also didn't like how their relationship jumps from courtship to the comfortable rhythm of a long married couple, deferring the best romance part till the end. It breaks the natural momentum of a relationship and distracts audience attention from the other arcs. In truth, this drama is a lot more about sisterhood and women's themes than it is about romance. The production should be more confident that these well written, funny, and touching arcs can engage on their own without dragging out the romance to keep viewers invested.

This is one of the rare times that it is the second couple, Shangguan and Yin Qi that stole my heart. I have a weakness for flawed, colorful and unconventional characters like these. Yin Qi's plight is far worst than Yin Zheng's - he is just as unloved and he is no great talent to boot. In the bride lottery, he finds himself sacrificed to the fierce Shangguan, a princess from the powerful and matrilocal Danchuan. But he has a giant heart to go with his big goofy happy-go-lucky smile that makes the fiery Shangguan forgive him for always saying wrong things. Their clashes and banter made my shoulders quiver with laughter as they humorously navigate true challenges and hardships together. Even though they are not perfect and don't have everything, I somehow get the feeling they couldn't be happier.

Overall this is a gorgeous, lighthearted and highly enjoyable story about women's struggles and sisterhood with some romance thrown in. It lacks depth, is slow in places and is far from a masterpiece but the humour is very well done and has mass appeal. A highly recommended watch that I rate 8.5/10.0.

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Bite Me? Save yourself and just dont.

The trailer is captivating, the shots are fantastic, the food is mouthwatering, and that OST is just lovely - however, the story and its script are both so bland it failed to pull it all together.

Good things. The cinematography (and the sets) is amazing. The focus on Thai food is exceptional although I would have wanted even more. Also, I enjoyed seeing Mark in some of his older series, and yes, here he has proven that he is indeed one of the few who can act. Zung was also very good as Chef Aue, and they jive well when they are together. Between the two of them (and I love Aek's mother) I would have given them at least a 9 for acting.

There were lots of things to potentially make this great that's why I am so frustrated with the half-baked story. First - I don't understand why Aek's mother would be against him becoming a chef - after all, cooking was clearly his passion and talent. Being a chef is a lucrative profession and they already own a restaurant so capitalizing on that talent should be a no-brainer, so why the hesitation mama?

Then, there were the confusing eighth and ninth episodes. It was obvious from the start that Aue liked Aek, so why did Aek act all surprised (and rude) when Aue confessed his feelings for him. What is with that unnecessary overreaction of running in the rain? Was Aek in denial? Was Aek disgusted for he is the straightest guy on earth and how dare this older guy try to kiss him so he decided to run in the rain crying to wash away the muck and because he is so straight and macho, he fell and broke his arms, again while crying in the rain (and with the accompanying thunder effect)? Then, lo and behold, the strange guy appeared and he came with him, and it's okay because this guy is obviously not a predator. Does he not have any other friends?

Okay, okay let's pretend we get that logic. So, he later came home to his mama, and to nobody's surprise, his mama ain't even angry that his son is you know, not gay, but probably likes men. And then next thing we knew Aek showed up in Aue's restaurant like nothing happened and he just opened his arms and they embraced, and everythings is rainbow and unicorns again.

And let's also talk about this - the series was painfully too slow. For most of the first 7 episodes, people were just looking at each other, speaking so slowly with awkward pauses in between. And no, I disagree that this is artistic liberty, if it was, then it obviously didn't work. I came to the point I was suspecting the producers have forced the director and writers to extend each episode to fill the required time so they ended up playing what they shot in 0.8 speed. Try watching the series at 1.25 speed and you'd still feel that it is slow.

And what's with all the gazillion unimportant characters - Chef Eve, Chef Mu, Chef Wiphob - they gave them little backstory but it never really contributed to the overall story, at least not in the way they intended. Even Prem and Vich who were supposed to be the breath of fresh air left a sour note instead because of their amateur acting and that weird way they speak.

Let's avoid the finale episode cause that was just rough.

In conclusion, I think what this series need is a little bit more time in the editing room. Cut chunks and pieces, focus on the main actors, and add more food and cooking. Sprinkle it with more cuteness, and top it with a pinch of adult lovemaking (or for the sake of my sanity just a little bit of adult kissing, they're not kids, after all, you titled the show friggin BITE ME, so where is the biting?). This series could have been great, but sadly it's one you can just ignore and pass. I've watched it so you don't have to waste your time. At least, they got an amazing soundtrack.

PS. I feel bad about giving it a 6, cause I've given other series more stars, which are actually way worse than this. So from now on, I promise to give my reviews a more thorough thought and go back to those old reviews and update their ratings. I encourage other reviewers to slap a higher standard when it comes to this genre so the producers can give us better series and not more of the same. 2021 has been good for BL and has provided us with quite a lot of content, unfortunately, a lot of them are lackluster and I think its because we let them get away with good ratings even if the show is garbage.

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A true enrichment for the KDrama Orbit.

"Recipe for Farewell" is about food for body and soul. About the health-promoting function of food. A meal prepared with care and love may have this function - even in the paradoxical situation where eating is actually no longer possible: in the final stage of cancer in the gastrointestinal tract.

As the story is also about cancer, surprising enough this KDrama is not primarily about dramatically approaching the inevitable death. Eventually, sorrow, fear and decay are not neglected, yet the focus is on joy and pleasure in sensual enjoyment of a freshly and carefully prepared meal. It is about the time you share over a meal. About this deliberately sensory, genuine here and now time together. A good, unforgettable time.

In this KDrama two quite opposing moods harmoniously go hand in hand. Death, pain and farewell may hang about. However, life and the joy of it are not overshadowed by impending death. In fact, "Recipe for Farewell" is not gloomy or heavy. Rather, it emits somehow velvety-silky, comfortably warm rays of light whenever it threatens to get dark and in spite of sadness.

In KDrama there is always eating and drinking at some point. Now that's not special. But in "Recipe for Farewell" everything to do with (Korean) food is intelligently, sensitively, carefully, sensually and lovingly mixed in a stylish way. Eating becomes an explicit topic - from the carefully chosen recipe, mindful purchase and loving preparation to conscious consumption. Each episode is named after a Korean dish. You can learn a lot if you like. In any case it is enjoyable to watch - aesthetic, stimulating, inspiring.

Apart from recipes and the preparation of the dishes, the story draws attention to the essence of food: to the radiance that passes from food to soul. To the joy of being alive. To the gift of being part of this eternal process of transformation that is life: From seed to flower, fruit, leaf, root, color, smell, touch, taste, temperature, liquefaction, finally compost, gases... and dissolved into air.

The story is based on an autobiography of the same name. In it, author Kang Chang-Rae describes how by cooking for his terminally ill wife he actually started cooking from scratch. And that triggered quite a bit - within himself and people around him, too. "Recipe for Farewell" doesn´t aim for your heart. It goes even deeper and reaches out to your gut. This is about ´true and sound´. The characteristic gaze of the protagonist, who is deliberately focused on his job as a chef in the home kitchen, is rather simple and objective. Eventually, by unpretentiously doing his job, their flows dynamic new life within the relationships with his ex-wife and his son, too.

Eating together - the meal - becomes the symbol of the truce of all worldly disturbing topics and opens the way to community -> connection -> bonding -> closeness ... by sharing space, time and the (eating) joy, to be alive (= to be able to see, smell, taste and digest).
The original idea is based on an impulse, that came from his ex-wife, when she actively asked him to cook for her during this last few months - and thus be and remain there for their son (who lives with her) when she can no longer. She wishes for peace between father and son, at the latest when she is gone.

Such a final farewell process may be painful for everyone. The disease itself may be painful. This is acknowledged by this KDrama. Yet, the focus is rather on the shared time together when the mother, father and son feel GOOD with one another. "Recipe for Farewell" truly presents a wonderful recipe for saying goodbye - loving, calm, grounded, with simple, three-dimensional sincerity and warmth. Leaving father, son and audience - although sad as it may be at times - with a positive, thankful outlook on life.

"Recipe for Farewell" runs on the South Korean streaming provider Watcha and is very popular there. The series may even trump the acclaimed production "Semantic Error". In any case, the number of paying subscribers noticeably increased during first week of broadcasting... And in the Watchapedia app, the KDrama is ranked 1st among 190 series from 2022 with 4.5 out of 5 possible points in the viewer rating. I agree. Pretty much everything is done right here. The actors are doing a fantastic job, too!

A true enrichment for the KDrama Orbit.

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We don't need another hero.

This is a dark, intensely melodramatic classic wuxia about heroes. The Chinese title 说英雄谁是英雄 (Speaking of heroes, who is a hero?) asks the question who is a hero 英雄/yīngxióng? What is distinctive about this story is that there is no main protagonist. It is left to the audience to decide which character(s) are heroes. Although novelist Wen Ruian is not considered to be in the same league as Jin Yong or Gu Long, there is a cynical provocativeness that distinguishes this best work of his. The martial artists or 大侠/dàxià, featured in this are swordsman known for their legendary weapons. Despite 江湖/jiānghú lore about their great feats and relative prowess, 一山还有一山高, there is always a higher mountain so the outcome to any encounter between these fighters is not known until actually put to a test.

Li Muge's brilliant camera work evocatively captures the essence of a wuxia from the wild vastness of the terrain, the spirit of adventure, the air of intrigue to finally, the profound sense of fatalism and impermanence. Yet despite the stunning aesthetics, the fast paced and bloody fight scenes are over choreographed and somewhat lacking. The action scenes mostly comprise of discontinuous slasher heavy shots that are stitched together to end in exaggerated fierce posing by the combatants. There seems to be a lot of slashing around without capturing the flinch inducing violence and intensely muscular swordsmanship seen in shows like Lu Yang's Brotherhood of Blades. The two final fight scenes are powerful and much more satisfyingly executed with the right mix of violence, emotion and intensity.

This drama's ensemble cast delivers nuanced and polished portrayals of memorable characters such as Chen Chuhe's charismatic Su Mengzhen and Meng Ziyi's heart rending Lei Chun. The diversity and eccentricity of jianghu's denizens from the flamboyant Fang Yingkan, the staunch and astute Yang Wuxie, the hilariously coquettish Zhao Xiaoyao , the fanatical Lei Mei , the wily Lei Sun and the enigmatic Di Feijing anchors this wuxia. Naturally the performances of the three young idol actors who represent the next generation of martial artists, suffers by comparison in such formidable company. While both Zeng Shunxi's Wang Xiaoshi and Liu Yuning's Bai Choufei struggle visibly in more complicated scenes, they deliver credible performances overall. Besides, Bai Choufei is a difficult role that would challenge many seasoned actors. As for Yang Chaoyue, her acting mantra must be "when in doubt, just pout" because besides crying, that is what she does best in every scene. Even though Wen Rou is a superfluous and archetypal character, she has many well written comedic moments with the advisor that disappointingly fall flat in execution. I won't lie, the idol actors failed to convince me of any of their relationships or make me care much for them. I find Su Mengzhen's bond with Yang Wuxie far more compelling than Wang Xiaoshi's with Bai Choufei.

The story opens with the young and decent Wang Xiaoshi's first foray into jianghu, tasked by his shifu to deliver a mysterious box to Su Mengzhen, the young master of the House of Golden Wind Drizzle (House Drizzle). Along the way he forms a fast friendship with the deadly and ambitious Bai Choufei and the well-born, pouty and marriage evading Wen Rou. Together, they head to the capital, seeking fame, fortune and adventure. Near the city, Wang Xiaoshi and Bai Choufei save Su Mengzhen from an ambush and the three become sworn brothers. Thus they find themselves allied with House Drizzle and pitted against their arch-rivals, the Six-Half Hall. The high-minded and valiant do-gooders are drawn to House Drizzle while the less scrupulous, commercial and profit minded converge at Six-Half Hall. There are formidable martial artists and yes, heroes at both sects; neither is completely good or bad they simply live by different ideologies.

All too soon, it becomes clear that Bai Choufei's unrestrained ambition and world view is incompatible with that of Su Mengzhen and House Drizzle. This man has a massive chip on his shoulder and his ambition tragically exceeds his ability. Thus his bottom line is flexible and he is willing to get what he wants by fair means or foul making him better suited towards Six-Half Hall. His desire for Lei Chun, a woman who only has eyes for Su Mengzhen, further fans the flames of his resentment. It is inevitable that Bai Choufei succumbs to his worst instincts to become the kind villain I love to hate; one that I can ultimately somewhat empathize with and understand. Sadly, this is where the screenwriter inexplicably decides to whitewash Bai Choufei and rob him of his free will. What follows is one of the worst character assassinations ever. Bai Choufei, a strong minded, unapologetically ambitious and arrogant character is reduced to a mentally unstable puppet of a corrupt government official. He becomes so unhinged, despicable and pathetic that he is little more than a rabid dog that has to be put down. What a waste. None of the other villains really step up; both Thirteen Doom and Fang Yingkan had potential but are too cursorily dealt with at the end and their motives and some of their actions not satisfactorily explained. That said, Thirteen Doom will always be a bit of a hero to me just for gagging Wen Rou.

The ending bloodbath between the sworn brothers is predictable and inevitable. At this point, Li Muge gives in to his love for melodrama and sprays dogs blood over everything with wild abandon. I was nonplussed at the tragicomic drawn out twitching after going splat death scene that eventually just made me laugh. I expected Su Mengzhen to play a more active role in the finale but his decision was already foreshadowed. He explains himself with his parting words 独立三边静 轻生一剑知 which Tencent simply translated as "The fearless brings peace for many but dies a death that's lonely." Those are incredibly fitting parting words for Su Mengzhen that those who love him can understand and must accept. It is actually a beautiful, famous ancient Tang poem with deep meaning that I will hide in a spoiler in the comment section of this review. The ending was good albeit overly melodramatic for my taste.

Which comes back to the conversation about heroes or 英雄/yīngxióng. When all is said and done, a hero does not have to fit the conventional wuxia hero in terms of righteousness or chivalry. It is enough that they are true to their own ideals and thus the hero of their own story. For me, Di Feijing is unambiguously the hero of this story. In his own way, he is no less chivalrous than Su Mengzhen and between them, they maintained a stable balance of power in the capital. He is the one character that is consistently true to his ideals and lives to protect those he loves. I find his chemistry with Lei Chun to be the most natural and moving in the drama. He is the only character who truly and only loved Lei Chun. Tragically Su Mengzhen is the only one that Lei Chun loved even though he did not love her quite as intensely or as selflessly as Di Feijing did. They are the three characters I cared the most about in this drama. I still don't forgive Li Muge for short changing me of Di Feijing's and to a lesser extent, Thirteen Doom's ending combat scenes. It is not enough for me to know that justice is served, I wanted to see it happen. As for Wang Xiaoshi, he is at best a work in progress. Even though he did his best to fix things, he also ineptly set in motion many of the events that led to among other things, Lei Sun's downfall which snowballed into this giant, tragic mess. If he is a hero, we don't need another hero. In any case, as Lei Chun discovered, heroes are not there when you most need them. Best be your own hero.

I have very mixed feelings about this drama. I think I am mostly disappointed because it could have been so much more had the scriptwriter and the director stuck with the novel and not succumbed to whitewashing and dogs blood melodrama. Thanks to the substance and depth of the original works however, it still a good watch if for nothing else, the stunning aesthetics. This feels like a 7.5/10 for me but I bumped it up to an 8.0 because Di Feijing (Yang Tong) is such an unforgettable character, he stole the show as far as I am concerned.

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Dramaturgically opaque fabric of a multi-dimensional plot tapestry

At first glance, "Hide" is none of the spectacular KDrama productions, yet on the solid side of KDramas, I consider this production first class.

We get an extremely complex crime thriller in which white-collar crime is intelligently mixed with many other criminal activities as well as incitement to and covering of criminal activities, plus fraud and adultery and even more. It is based on the Welsh television series “Keeping Faith” from 2018. However, the KDrama freely unfolds its own, definitely South Korean-tinged storyline. (There, of course, the Jaebeol shouldn't be missing, ...who, together with their henchmen, are significantly assigned the role which a gangster clan played in the Welsh series...)

“Hide” definitely offers a dramaturgically opaque fabric, where motives and entanglements reach beyond 'today', too. Continuously weaving surprising twists into the multi-dimensional plot tapestry turns out to be the great strength of “Hide”. Thanks to the entire production team in front of and behind the camera the story grippingly enfolds…and enfolds… and enfolds…

And in true KDrama-like style, no character remains one-dimensionally black or white - no matter how questionable or malicious they may act. Likewise, sooner or later we can relate to the motives of the different characters and why they were drawn into dishonest or even criminal actions. (Even if you don't have to approve of the actions, let alone like those characters.)

Complex. Dense. I would recommend this gripping crime thriller to fans of the genre, who like it with a topping of Korean emotionality.

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Surprisingly Good Historical Mini Drama

I am very glad I came across this and decided to give it a try. I didn't have any expectations. After reading the description and summary and some of the discussion postings on mydramalist, the storyline intrigued me enough to give it a go. This is NOT a fluffy youth drama and it seems like there was a decent budget and thought spent on its production for a short web series. Its not a high budget drama like some of the hyped up full fledged CDramas; for a short web series, it was decent and above par compared to its peers. While it is a VERY different drama from Goodbye My Princess, it's similar in the sense its a web series with a unique take and a decent production feel to it that makes it stand out.

The costumes and settings are beautiful and do not look cheap. It is not a fluffy youth drama but it has comedic elements and liked how there really aren't any draggy parts since each episode is pretty compact. I do wish it was made into a full featured drama as there are plenty other CDramas that are bad but given so much more production time than this. I wasn't familiar with any of the actors and actresses which is a bonus since sometimes it gets tiring seeing the same popular actors and actresses over and over again. Glad there are others who are given a chance to provide a refreshing take on characters. I thought the actors and actresses did a pretty good job and they were engaging and believable in their roles. I was skeptical with how they would pull off the love story of the ML and FL characters in the midst of mystery and political intrigue and with each episode being pretty short, they pulled it off.

As a warning, the english subs are limited and aren't great; it was good enough series that I overlooked it and replayed some parts again to get a better understanding.

Whoever penned the web series, original story and the director should be given more projects in the future. Good Job. Its so refreshing to find this after a few disappointing CDramas

Finally finished this, the ending didn't quite hit the mark but overall it is still a very good short web series.

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