this is a drama with a story that i doubt i will ever find it again, i love it as much as i hate it, and i have this kind of mixed up feeling while watching it, what they did is really bad and wrong but i really want them to be together and happy bcuz they suffered enough for their whole life and their relationship is really beautiful (exclude the crime).
i will recommend it to everyone who wants something different and unpredictable, it's dark and heavy though but it's a great drama, the music is good too, overall i love it, but i won't rewatch it, i don't want to endure the same torture i had while watching it. you will understand what i'm talking about if you watch it.. enjoy.. :D
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A highlight in KDrama history in terms of the processing of women´s beauty-dilemma
Admittedly, "My Name is Kim Sam-soon" is comparatively old. Here you can experience Hyun Bin very young, almost boyish in his early 20s. Nevertheless, I consider this series to be a highlight in KDrama history in terms of the thematic processing of its content. Yes, there's a lot of nagging going on in Korean style. But the arguments and what is being carried out, it has it all.It's about women's beauty ideals, especially about being slim. About last-minute panic among women over 30. About romantic ideals and the reality of relationships. About professionally successful women (and those who want to become or thus have big dreams) - not only the protagonist, but also her mother, her potential mother-in-law and the male protagonist's restaurant manager and ultimately also the male protagonist's ex.
The underlying question is whether a woman, who does not define herself by her slimness and beauty, has a chance of 'getting' a handsome, nice man. Is she even perceived as a woman? Taken seriously? From what else can a woman draw her self-esteem beyond 'beauty' to find her place in life - self-confident and happy. Is that even possible? Is attractiveness in the sense of the ideal of beauty a prerequisite for marriage, family and/or for success at work? And is all this the prerequisite for a happy life? Or maybe the question is completely wrong? Shouldn´t it not be a happy, healthy life at the beginning and then you see what else might be added to it? ...love and self-love - the thing with the chicken and the egg...
"My Name is Kim Sam-soon" tells the story about the female flaw without miraculous transformation. At the beginning (and at the end!) there is a self-confident young woman who is overweight (I would say ´normal´ (vs ´ideal´) weight, but obviously not by Korean standards). She has quirks and doubts, talents and visions, hopes and charm. She doesn't let the adverse winds in her life get her down. Her courage sometimes fails her, but she knows exactly what she wants and even better, what she doesn't want. Although her body dimensions do not meet the standards of the fashion industry - she is painfully aware of this, because that is what those around her tirelessly mirror - she does not question herself. As best as she can, she stands by herself and what she thinks is right.
Kim Sun-ah has won multiple awards for her portrayal of Kim Sam-soon. I have the greatest respect for her, because she lives her role to the fullest, just as if she were Sam-soon for real. In a world dominated by the eyes of men, she convincingly fights on behalf of several generations of women for gender-independent self-confidence, for quick-wittedness and for unconditional self love. She had put on quite a few kilos for this role in order to get away from the usual ideal of beauty. So she wins tons of hearts of women (from all over the world), for whom she carries out her inner and outer struggles on their behalf. In 2004, ratings at times reached almost 50 percent. ...The topicality of the subject has not diminished around 20 years later (one could say: "unfortunately").
The original title is: 'My name is Kim Sam-soon'. Internationally, the KDrama is marketed with the title "My Lovely Sam-soon". That's actually an insult (in my opinion). Didn't the 'decision makers' (they must have been men) actually see the series? Why do they focus the narrative perspective on the male protagonist and also emphasize his possessiveness with this possessive pronoun? And why do they only reduce Sam-soon to her appearance again? I do not get it. I assume that these ´decision makers´ probably didn´t understand anything. Even if it's possibly meant to be ironic, I consider that impossible... In any case, I choose the appropriate international title "My Name is Kim Sam-soon".
By the way, "Sam-soon" is an old-fashioned name for the third-born. It has a certain charm that this 'old-fashioned' birth name represents a bigger self-esteem problem for the female protagonist than her looks...
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Ok, let's talk a little bit about the story:
It mainly focuses on the relationship of nine students from the fictional Nadao Bangkok high school where they course 11th grade.
The drama tells us several stories step by step, focusing the attention on every character and not giving too much importance or relevance to an specific one.
Something that I really loved about this drama is the pace it follows. It is divided into 13 episodes but each episode tells a different story focusing in one or two and sometimes 3 characters per episode and their individual stories. Of course it also follows a main-central story but what makes this drama so good is each character and what they have to face, we'll encounter several teenage problems like sexual orientation, confusion, sex, pregnancy, first love, alcohol, parties, school, stress, family, future, friendship, love and first times... For example the first time going to a concert or joining a band or the first time having sex or falling in love, the first time cheating on a test and so... And, who didn't have a “first time”? We all had a first time doing whatever, so we'll be able to relate with the characters.
The reason why I loved this story so much and the reason why you'll probably love it too, is that we can identify with the characters. When I was watching the drama I was all the time like “omg I already lived this”, “I did this too when I was at school” or -I also was in a band-....This drama manages to connect with the viewers because of that.
Hormones undoubtedly took me 4 years back in time, the time when I was still 16 years old and was at my last grade at school and everything was new to me... *sigh* My teenage days...
This show put a smile on my face all the time, and sometimes it almost led me to the tears, I remembered my first time going to a concert with friends, or my first time falling in love, and the exciting feeling of experiencing something new, the feeling of growing up and the feeling of getting mature and independent and also the pain of that process... This drama made me realize how beautiful my teenage years were and how much I enjoyed them, and I’m sure it will cause the same effect on you.
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This review may contain spoilers
Lazy ending
This is usually my favorite kind of plot: a female lead transported into a novel or the past, so I was genuinely excited, especially since the male lead is quite talented. Unfortunately, while the story had potential, it was painfully slow. I kept watching, hoping it would pick up, but it never did. Nothing about the drama felt exciting, which is disappointing because this type of plot has huge potential to be genuinely funny...and it wasn’t.The ending didn’t help either. I could predict it from miles away, since this isn’t the first Chinese drama to use the “writing the story” loophole to get around the transmigration ban ( wink a dream within a dream which did this way better ). The conclusion felt extremely lazy : “how he comes into her world is a story for another time” just sounds like the writers didn’t know how to end their own script.
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Beautiful Fantasy Romcom -A tale entangled with music, love and fate ❣️
**May contain spoilers*"The Theme is unique, Sets and Costumes are beautiful, Plot is smooth and Acting skills are excellent. Each character has his/her own connotations and thoughts and storyline.
The highlight for me is the music and the musical performances 👌❤️
I already enjoy Chinese music a lot but there is a bonanza of musical instruments that accompany here which is a treat to watch for viewers with musical interest! The actors are so good with the instruments that it gives us a very natural , relaxed feel while we watch them play! All songs are beautiful ❤️
ML, YunMu, Young Master and the only Son and potential heir of the ruler of Dongsheng, pretends to be playful on the surface and keeps a low key but is actually quite resourceful, strong in martial arts and has amazing musical knowledge and is extremely handsome! But he has to put up that act due to an undisclosed secret! Only his closest aide Xiaoqi knows this. Miles Wei with his amazing looks, talents (sings, dances, musical instruments, martial arts!!!) and excellent acting skills fits the bill perfectly! He has sung the song "Acquiescence" which is beautiful. It is just that much more impactful when the actors sing the tracks!
FL, Su RuoFei, is an exceptional talent in music and looks forward to establishing her Green Flash Music Workshop and help talented fellow musicians. She is fated (through the green light/Jade) with the ability to help YunMu with his secret and through some comic situations ends up being his private entertainer! Kiki Xu, plays her character well. She has strong dancing ability and I am so looking forward for the "Highlight Clip" of her "dancing on the drums"! She has sung the OST "Living up to the encounter " which is amazing! She probably knows how to play musical instruments too.
Su Ruoshan, FL's sister, owner of Melody Musical workshop, is power hungry to become the Music Minister and uses every means possible to achieve this! Zhang Yue's acting is very good as the evil sister! This actress is so easy on the Harp that it makes me wonder if she can actually play it irl!
Then there is an Uncle, Yun Shang (His Majesty's brother) who eyes the throne and had schemed against his nephew previously. His love interest is the sister of FL.
SML, Jin Shangyu played by Caesar Wu, is a childhood friend of FL and another musical genius! He is hot and amazing as always! He is the calmer and the sensible one of the lot and he is in love with our FL.
Huang Ying, daughter of SML's teacher, whom he cares for (and doesn't love!) only because her parents die in floods, is pursuing him against all odds! Her character is like an obsessed stalker at the beginning but it develops into a nice kind helpful one in the later episodes!
Will these characters come together and become a couple? How will their characters develop? Will Su RuoFei help YunMu with his secret? Will YunMu become the Royal Advisor and successor to the throne? Who becomes the Music Minister? Will there be a redemption arc for the villains?? The rest of the story seems to be about all this!
It's only 24 episodes and nicely paced. The first 14 episodes are light-hearted and entertaining. There is some angst from episode 14-19 as the FL gets framed! There is a bounce back from 19 onwards with some real musical performance challenges, martial arts, romance and enjoyable friendships!
Considering that it's a low budget production, the sets, costumes, music , cast, visual effects are all great!! Remember this was filmed in 2021 and C drama has evolved since and so have the actors!
Overall it's a well made, light-hearted , thoroughly entertaining and enjoyable drama!!
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Should We Kiss First?
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1This review may contain spoilers
A three-dimensional, grown-up love story, sensitively told and spiritedly acted
When people have lived for more than four decades, they are usually disillusioned in many ways. Hope for romance and love has given way to various, quite specific experiences... and these are inevitably paved with disappointment and suffering, too. However, it´s not necessarily too late for a new love. It might be different, though. More grounded. Honest. Upright. Less games. Sincere closeness and warmth become more important than romantic squabble. The time ahead is finite. And you no longer expect a fairy tale full of magic, but rather wish for true moments, a safe place to catch your breath and recharge your batteries. Reliability. Trust and emotional intimacy.The protagonists in "Should we Kiss First" have all been through life for some time. The two main characters have had children and lost them again, have been married and divorced, lived more or less honest but empty lives. SHE has been a stewardess for 20 years and suffers from insomnia. HE is a co-founder of an advertising agency and has cancer. Neither of them want to be alone. Neither of them want a relationship. Hm. Difficult. Their best friends each want to pair them off ... and at last are successful. However - being in makjang KDrama Land - the past of the protagonists gets involved in the present and triggers a lot of turbulence.
"Should we Kiss First" focuses on two adults who (re)experience love in a way they never expected. Love is not primarily supple, sexy and redeeming, but presents itself as irrational, brittle, stubborn and complex. As such, it demands one thing unconditionally: complete surrender to this feeling, which remains in spite of adversities, yet does not solve any problems. However gives the necessary strength to face them.
Does this power come from the love you experience from someone? Or from the love that you give yourself? The beauty of this KDrama is placing the emphasis on the fact that it is your own radiance which makes a difference. The love we open up to and give in to makes the difference how we experience life, or what options we recognize and choose... It's about giving in to your feelings, letting them be (even if you rather not put up with it) and trusting them.
The story is told in different nuances - sometimes humorous, sometimes profound, sometimes tender, sometimes playful, sometimes harsh, even fists are flying at times. Enjoying the moment to the fullest and the pure love of life have just as much space as the desolate moments of emptiness, embarrassment, destructive anger and listless lethargy. The dialogues are carefully chosen down to the last detail. And then there are the subplots, that round the story off.
A three-dimensional, grown-up love story. Yes, once again a story about love, but not cheesy. Instead, the story is sensitively told, spiritedly acted and filled with a love for detail. On top of that, a story full of sometimes subtle, sometimes explicit wisdom. A KDrama that doesn't sugarcoat anything, yet feeds you with a satisfying sigh.
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In the first half, the KMovie is actually a one-man show. And that, I think, is the strongest part
"#Alive" is a variety on hip zombie stories. First things first: it doesn't have much new to offer in this respect - zombies as a plague that spreads fear and terror, a horde that you want to shake off or destroy, like disgusting, annoying vermin. Well, that's not why I would recommend this KMovie.I also don't think that you have to overstrain the reference to the Covid pandemic and the sometimes grueling current lockdown experiences that come with it.
Even fans of the horror genre won't be really happy with "#Alive", because "horrifying" can surely be done even better.
So why am I mentioning the KMovie here? The script revolves around surviving in an almost hopeless situation. However, the focus is not mainly on the action, but rather on the quiet moments in which the protagonist is ruthlessly thrown back on himself. There he is alone with himself and his inability, facing his insufficient survival skills, his loneliness and hopelessness ... and finally the desire to leave this world.
Oh Joon-woo isn't a born hero - perhaps he was trying to be in the day-long, night-long computer games, with his joystick in hand. But then the Internet connection is gone, no water supply, no food, no one can be reached. The self-chosen isolation in his room with his virtual game world, which has shaped him to this day, is one thing. Real isolation with real threats and no virtual team is something completely different. It's about that juxtaposition and the painful process of waking up to a NOW that's so different from the gaming world. Ultimately, the impulse comes from outside, which helps him to venture out of his safe cocoon into the real and thus truely threatening world.
However, the movie isn´t anti-technology. On the contrary, in playful creativity technical gimmicks, old and new, give the story new impetus again and again.
In the first half, the KMovie is actually a one-man show. And that, I think, is the strongest part. It's never boring. Actor Yoo Ah-in once again uses the chance to show what he's made of. In this way, the viewers accompany him through his very personal Hall of Pain, and there he hardly omits any physical form of expression. For this he has meanwhile been awarded the Cine 21 Award for best actor. After almost half the distance he gets support from Park Shin-hye, who embodies a character who pursues a completely different survival strategy - namely, she has one, even if she also reaches her limits with it. As is well known, more than one person form a group and a group develops its own dynamics, which can do more than each individual on their own. Here too. Both of them grow together. Heroes are rarely born as such...
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The story was just ok, im just glad they didnt drag the Pha&Yo getting to know stage and just summarised it in the first few episodes. Its good that they gave the other 2 team enough time to shine too. I especially ship Forth & Beam cause that guy Forth is the goddess gift to mankind :). I could watch a whole series with Forth and Beam just being cute together.
All other stuff are just your yada yada usual trope. Yes, after watching my fair share of BL, this one doesnt offer anything new.
What i probably hate most is the cliffhanger. They were slowly building up to an ending and then suddenly new conflicts are introduced at the very last episode only to not reach a climax/closure. Thats a bit lame and a bit of an insult to fans especially if the sequel is just being planned.
Rewatch just to ogle at the cute guys. Is it enough to watch the whole series? No, not really.
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"Sometimes, it's better to choose your own family."
(I deleted my previous review because it was too verbose)Understated yet touching, fantastic performances especially in the last half hour, perfect casting, great direction, a close look at economic disparity within a modern and developed nation, doesn't glamorise poverty, balances both hope and bleakness, fully deserving of Palme D'Or IMO. A testament to love transcending biological relations, proof that a complete puzzle of family can be formed out of leftover pieces.
You should watch this one twice.
10/10
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Definitely recommended!
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This review may contain spoilers
The smoothest series, watchable- not bad but not exactly amazing.First a quick recap. The cutest motorcycle driver (Mork) was dumped by his girlfriend for being poor. The (probably rich) doctor (Tawan) was heartbroken by a cheating lover. Together, they formed a friendship, and becasue the doctor, who brings his own protection(i mean the helmet), keeps riding the cute guy, I mean getting his services, I mean as a driver (SPOILER ALERT) they fell in love. And lived happily ever after. The end.
But seriously, who wouldnt fall for those dimples. Those sweet smile can make one wet and flood the dryest of the Saharan desert. The real question is why it took Tawan approximately 9 episodes to finally admit his feelings for Mork, still puzzles me.
There are so many things to love about the series. First, its a breath of fresh air that the series is not school or university themed, because god knows we have way too much of that already. Second, the main couple, their chemistry is not exactly electric but its hard to hate them. Did i mention how cute Fluke is? Everytime i think the show is too boring, this guy hooks me back in. Third, i love Mork's uncles specially since it is rare to see long-term same sex couple in a series. Fourth, the motorcycle ride in episode 7, when Tawan fell asleep behind Mork is BL gold.
On the other hand, these are some of the things they could have improved. First, Mork's friends were ok, but the riot act during the festival was totally unbelievable and could have been played better. Next, the second couple Toy and Boss. I loved seeing Yoon but Best could use some acting workshop, i just cant believe their chemistry. Third, I also hate to say this but Nadia and Mayom couple didnt make much impact, if only they gave them better arc. Fourth, and i dont know why, has something to do with the pacing, sometimes, it can feel a little too boring.
So, in overall, would i recommend? Yes, like i said, the dimples alone deserves the screen time. Would i rewatch? Hard to tell, but maybe not anytime soon.
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1This review may contain spoilers
Dramas with a moderately dark, controversial, and intense plots addicts me to it a LOT. And, 'Sachi-iro no One Room' is such a drama. The plot is pretty controversial, as you can see how it romanticized a case of kidnapping. But, if you check out the drama, you'd realize that it isn't exactly a case of kidnapping, as the supposedly stalker male-lead simply saved the female-lead from committing suicide and only asked if she wanted to live with him. She agreed, as she had given up on life. It was nothing serious for her to live with a stalker after getting abused by parents, bullied by classmates, and sexually harassed by her teacher. If you simply look into the drama, you'll find out how the story is interesting and how it would pull you into it- and the doubtful thought you had after seeing the summary would go away from your mind.
The actors are pretty good too and the simple-yet-so-satisfying cinematography would surely make you enjoy this short drama as much as I did. Plus, the OST is absolutely amazing. Recommended indeed!
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Story: [9.5/10] One thing that this drama does well is it takes very common story elements and turn it into something special. Have you ever seen a crime-solving drama? I have seen many myself. None has impressed me as much as this one. This show stands out from other crime-solving shows because it involves two people from different times attempting to work together to solve the same crime. There where a lot of flashbacks and events from the past that were used to help the characters in the present solve the different crimes. I must admit that initially I thought that this was not something that would have worked well with this type of show. However, in the end, the director and writers manage to mesh all of these elements together to create a great show such as Signal.
Although there were several things that kept me from giving the show a 10. One of the reasons that I didn't give the show a 10 has to do with the walkie-talkie. I wanted to know more about the walkie-talkie. I was a little disappointed by the end because I had some questions about the walkie-talkie that were never answered. I don't want to bring up the actual question because it may spoil a little of the show for you if you haven't already seen it. Just know that the walkie-talkie plays a very big part in the show and that I'm annoyed because they didn't answer my question haha.
Perhaps another weakness of the show is that it can be confusing at times. As I mentioned, there are a lot of flashbacks, and moments where we see events from the past. It often got confusing because the show would sometimes jump back and forth between past and present. On the flip side of all this, the show also had its' own strengths when jumping back and forth between the past and present. The writers of Signal did a very good job in setting up the different time jumps. As I would often find myself only confused for about 5-10 seconds before saying oh this is what is going on and I see why there was this flashback/time jump etc. In a way, I was never really confused at all because my confusion went away since the show itself answered most if not all of the questions I may have had about what was going on. This is a good thing because most shows don't do this. Other shows will often just leave you to wonder what the heck is going on the whole time.
Overall this show also kept a very good pace. It never felt like it went to fast or that it was dragging on.for too long. I applaud the director and writers for coming up with such a great story. They did a very great job in turning simple plot elements into a very sophisticated story. They didn't exactly invent a new genre or anything (or did they?). One thing is for sure though. They sure know how to tell a darn good story!
Acting: [10/10] All of the actors and actresses did a very commendable job during this whole drama. There were times where I was completely drawn in by the acting. In fact I cried at least two times during this whole drama. Let me just tell you now. I don't cry very often when watching shows. I rarely ever cry while watching sad dramas, let alone a crime thriller! This can mean one of several things. The first possible meaning is that the actors did a very good job acting. The second is that the story was very well told and that we were meant to cry at that part. I'm inclined to believe that it was a mixture of both. There where also several child actors and actresses in this show as well. Although they were all mostly pretty young, their acting only helped to improve this drama.
Music: [9/10] The music was very well made. If there was a suspenseful moment, suspenseful music that fit the scene came with at the right moment. All in all, the music helped enhance certain moments of the show depending on where it was needed. The OST to this show was nothing to scoff at either. Was it a ground-breaking OST that I will listen to for years to come? No, not really. However, it's definitely something that I will put into my playlist in the future.
Overall I definitely suggest you watch the show if you already haven't. You won't regret it! Objectively I can't give this show all 10s because it definitely wasn't completely perfect. However, subjectively it was one of the most well written Korean drama that I've ever seen.
Thank you for reading my first ever review on MDL! I hope you enjoyed it!
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