Male character isnt a typical tsundere. He doesnt mingle much but isnt a complete recluse. He has his principles in life and is focused and perhaps a little rigid at first. Yet when taught and exposed to things he is perceptive and willing to learn and see things in different perspective. Even as it dawns to him Bei Er Duo draws him in and first time in his life another human being's emotions coiud affect his, hes mature in dealing with his burgeoning feelings. That's such a breath of fresh air in a male lead character..who is perceptive, observant, and helps out the female lead in meaningful ways.
Bei Er Duo is equally well written because they dont dump down her character. She may hav financial difficulties or difficult mother but she doesnt whine, begrudge ohers or dwell on the negatives. Instead shes hardworking and persistently strives to fulfil her dream. Her mostly cheerful demeanor puts you in good spirits everytime shes on screen.
Although the intial set up was typical.. the subsequent interactions felt very natural. The pace and flow was nice and did not felt forced. The leads communication and sharing of thoughts and dreams were also highlights that i enjoy.
Although im not that critical of my rom coms..i want to state that theres alot out there full of fluff, sometimes too cheesy or not believable. This drama was sweet in a palatable and soothing way. Even the second leads were good.
I felt this drama warrants more viewers. Do give it a try
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a must watch series
Overall: this series is unique and beautiful and I hope to see the leads again soon. 10 episodes about 35 minutes each, aired on Viki (cut movie was in theaters in South Korea)Content Warnings: see my comment with a spoiler
What I Liked
- chemistry and tension
- sweet moments
- how Ji Hyun is inexperienced/timid but goes after what he wants/takes risks/stands up for himself
- supportive people: Ji Hyun's roommate (who is oddly not listed on the MDL page), Ae Ri, the restaurant owner, Yoon Won & the therapist
- production style/value
- that we actually see therapy (gone to voluntarily) and medication however, it still felt like a fictional "love cures all" by the end
- characters discussing how respect is earned not deserved due to age (which is only 3 years difference anyway...)
- that the co-writers/co-directors were trying to solve copyright issues with social media posts promoting the series
Room For Improvement
- I wish they had lit the actors' faces a little bit more during the night scenes, sometimes it was so dark that I couldn't see what was happening
- I believe they purposefully went for a choppy vibe but it came across as jarring instead of artistic, one example is the beginning of episode 3 did not pick up where episode 2 left off, they should have re-shown a few seconds of episode 2's ending and then gone from there
- unless it was a translation error misleading the audience for half of episode 7 was not needed and felt like a betrayal instead of a neat plot twist
- Eun Ji was a cliched evil ex character who was not needed at all, they could have cut that character and that other dude and then spent more screentime in other areas
- not everyone deserved a character redemption, sometimes a person does something so bad that no apology can absolve them and they lose friends, two characters should have had this happen to them instead of the happy/ish endings they received
- we actually never got the entire story with Jae Won
- odd things, a bar owner can't speak Korean in Seoul? there wasn't a swim test? odd conversation in ep 3 about kissing and consent (you don't have to ask but it's nice/a good idea to get verbal or non-verbal consent), Ji Hyun says he'll stop prying or leave Jae Won alone but then doesn't do that, the joke about Halloween/Itaewon was in poor taste as was people laughing at the guy cross dressing
- that the production crew still does not have an official release for SE Asia 3 weeks, and that those in South Korea only had access to an apparently a very choppy movie
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While the story of the show is nothing out of the ordinary, it turned out to be a lot different from what I expected. I thought it would turn out to be predictable and cliche from start to end, but it left me pleasantly surprised at a lot of places. There were certain twists that I had thought would happen but they were pretty different from what I was anticipating. Also, the ending was also contrary to what was expected. It was not at all obvious. I would have liked to make a lot of changes to it, but the current one makes great sense.
While the characters weren't extraordinary, their traits were very relatable. I only found Nobuka's character to be having very unbelievable and fictional traits. I don't know why there is a trend of certain dark and depressed females in Japanese dramas. These depressed females all have the same of look of the ghost from Ring movie. But I suppose it adds to the fun part. But really, I have neither seen nor heard about people like her so I can't say if it was based on fact or entirely imaginary.
I didn't like Shuji that much for the majority of the show because there seemed to be no character development at all till the last three episodes or so. Even Nobuka's character hardly grew. That was very unsatisfactory. Also, the most ridiculous thing was that while almost all situations were being dealt practically, why couldn't just Nobuka just go to a therapist to cure her mental issues? That part was very absurd. In spite of these shortcomings, Maki Horikita played the role excellently. She was very cute the way she kept nodding in a typical way. And the way she kept walking with her head hung low was very cute. The funniest scenes were the 'Nobuta Power Enter' ones. I can still laugh at that because it was done so well. Maki really proved to be a versatile actress and she has anyway done a lot of great shows.
The second guy, Akira was probably my favorite in it. I was so taken in by his character and loved him entirely till episode 6 or 7 because he seemed to be developing in the best way. Also, the actor Yamapi (who plays Akira) was simply brilliant throughout. During the last few episodes, the character of Akira stopped growing and became a victim of bad writing and inconsistency, hence reducing his charm. But it had nothing to do with the acting. Still, I cared more about him than other characters on the show.
And I was so impressed by Erika Toda. She's stunning and acts really well. I can't wait to watch her in Liar Game! I was so happy to find out she is the lead star of that show! I was worried during this show's progress that she would turn out to be the antagonist and thankfully that didn't happen, so I was happy in that aspect. She played a sweet girl and came off as very likable. Shuji was an idiot for not falling for her.
And I have to mention the character of the vice principle. Her character was pure genius. All the best scenes and dialogues went in her basket. She is the perfect kind of teacher that students can have. I would love to meet such a person in real life. It really was one of the best characters of the show with the best characterization, hands down.
Apart from all this, the sub plots were all excellent. Most of all this show portrays friendship very beautifully. Also subjects like teen depression, bullying and peer pressure are raised splendidly. Most of all, they provide with lessons to be learnt in the end. And the fact that life has to move on in spite of everything, and one should treasure the best memories of youth seem to be the core messages of the show. And of course, it tells us to live life fully and appreciate the life we have and the people we have around us.
The writing deteriorated in the last two episodes but it didn't go beyond a certain level of unreasonable. Plus, nobody overacted in this drama so I am thankful for that. It gets dragged a but but it is well within the limit of bearable. And for the rewatch value- it was enjoyable the first time so I am sure it can be watched again (even if I won't).
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1
1Who will spy on the spies?
The Wind Blows from Longxi is an intricate ancient spy thriller that is not for instant gratification audiences. Its biggest hurdle are the first three or four episodes that are weighed down by the introduction of too many bearded and murky characters on both sides of the Shu-Wei conflict. Clearly even Lu Yang couldn't resist romance of the Three Kingdoms lore and goes down the rabbit hole of lingering on defining events and larger than life figures of the day that are peripheral to the otherwise tight plot. Past that, the storytelling simply immerses you in the lonely, tangled, nail biting, heartbreaking, cruel and utterly thankless world of ordinary spies, ants who put themselves in harms way to pave the way for great men to be glorified by history.Recent adaptations of Mo Boyang's works have been orgies of high speed chases and thrilling action scenes that fall short on suspense and in delivering satisfying and convincing motives and twists. This is very much the opposite. The production values are movie like in quality but due to the shadowy palette, this is best enjoyed on a big screen. The camera is often very still and at times comes at avant-garde angles in low light that accentuates the clandestine nature of the interactions, of opaque motives and conveys a omnipresent sense of alone-ness, tension, ambiguity and danger. The action scenes are signature Lu Yang - impressively choreographed, blood thirsty, vicious and up close and personal in the critical moments.
This drama is set during Zhuge Liang's Northern Expeditions, a period of stalemate between Shu and Wei where neither side had a clear advantage or scored decisive victories. It is an apt setting for this kind of story because when the margins are narrow, intelligence and counter intelligence can tip the scales in either direction. The drama opens with Zhuge Liang's first (of five) Northern Expeditions, which was unsuccessful. This led to General Ma Su's decapitation for his failure to hold Jieting and Zhuge Liang's demotion. It allowed his political rival General Li Yan who advocated a Southern campaign against Wu instead of Zhuge Liang's Northern Expeditions against Wei, to gain power and influence. The Northern Expeditions took place in rather complex geographic terrain, where the timely delivery of military food provisions was challenging and made the difference between victory and defeat. That is broadly most of the historical background that is needed to understand this story. Of course Three Kingdoms buffs will be thrilled by the "drive-by" of many legendary figures on both sides of the conflict but the important characters in Ma Boyong's stories are always the little people or the ants.
The lines between fact and fiction blur as Siwencao, Shu's intelligence agency, suspects that compromised military intelligence had led to their defeat at Jieting. Siwencao hastily concludes that Chen Gong (Chen Kun), a Shu spy code name Baidi (White Emperor) under deep cover at Tianshui (a Wei stronghold) must have defected and sends Xun Xu (Bai Yu), Deputy Chief of Internal Affairs to deal with him. But Xun Xu is not convinced of Chen Gong's culpability; they are intimate friends, related by marriage. Together, they discover that the highest echelons of Siwencao has been infiltrated by Zhulong (Wax Dragon), a Wei spy. They can trust no one and go rogue with a bold ploy to lure Zhulong out into the open with Shu's crossbow design, long coveted by Wei. They are forced down separate paths that are fraught with danger, under resourced and alone with nothing but their absolute trust in and knowledge of each other. But nothing ever goes completely to plan and everyone has secrets. When the rubber meets the road, will they still have each others' back? How well can one really know someone? This also applies to Chen Gong's relationships with both Mi Chong and Guo Gang, which are as riveting and illuminating has his relationship with Xun Xu. After all, this is about two states at war with each other, there is really no good or bad or right or wrong side. All of the characters on both sides are patriots to their own cause; fascinating, layered, suspicious and disingenuous characters practiced in the art of deception. Were it not for an accident of birth, Guo Gang could well have been a Xun Xu to Chen Gong.
The role of such a cunning, duplicitous and morally ambivalent character such as Chen Gong must have been written with Chen Kun in mind. He dominates the screen in every scene and had my heart in my throat at his ability to turn around dire situations and the glimpses of his ferocious, raw pain and rage that is quickly disguised by indifference or conviviality. The wildness and the violence of his emotions when he takes revenge, where his veins literally popped out of his forehead is frighteningly intense and breathtaking. Bai Yu's Xun Xu is Chen Gong's conscience, a sincere and persistent truth seeker whose bottom line is not flexible. Xun Xu's most consequential mis-calculations are with those he loves best and his regret and unspeakable guilt and sorrow are among the most moving performances I have seen from Bai Yu. While Chen Gong and Xun Xu don't actually get that much screen time together, their screen chemistry is tangible and conveys a bond that transcends dialogue with undercurrents from their body language and their unguarded manner with one another. When Chen Gong starts to play a lone hand, Xun Xu senses it and their dynamics shift and become subtly more stilted, again showcasing the sheer virtuosity of their performances.
The most outstanding aspect of Longxi's storytelling is how masterfully the narrative builds up to the plot twists and the reveals. It is so insidious that by the time the reveals happen it is already sitting on the edges of my mind and thus seems to be organic. This is very compelling because I feel that I am part of the process, and underneath all the surrounding complexity the solutions are rather straightforward and should have been obvious. The characters are so fully actualised that their decisions are characteristic and the outcomes are inexorable. Unlike many other conspiracy heavy plots, this does not succumb to too many twists with overly convoluted or illogical outcomes.
The ending is gut wrenching and yet oddly triumphant and fitting. What is clear from the get go is that Chen Gong and Xun Xu are just expendable pawns caught in a high stakes game where they are besieged by both the enemy within and the enemy outside. As a result of serendipity and his own deviousness, Chen Gong is able for a moment, to seize control of the chess board. He plays the White Emperor's gambit, trading one life for three, empowers a righteous man and writes his own ticket home. His decisions are completely in character and in doing so, he finally articulates his own bottom line. But I won't lie, my first reaction to the ending was ".And that is why those dumb f*cks lost the war!" Because I am not sure the greater good was served. While one traitor is felled, the other villain with equally dishonourable tactics gets off largely unscathed and Siwencao remains a weapon that can be both used and abused. The age old question - "Who will spy on the spies?" remains.
While the start is dense and lacks finesse and the dialogue is on the heavy side, this is a drama that rewards the patient viewer. It is not a masterpiece, indeed many of the criticisms about accessibility and the dialogue that is heavily littered with modern phrases are more than fair. Yet I find the immersive storytelling, the suspenseful plot, the stellar acting and the unconventional camerawork immensely enjoyable. This is not something likely to enjoy mass appeal but for me, I would be surprised if I watch a better drama in 2022. I can happily give this a 9.5/10.
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its my first review writing!! so please ignore my mistakes
okay ! HUA JAI SILA OR HEART OF STONE is my second Thai drama as I prefer action , suspense over a typical romance and torture that can be often seen in THAI DRAMA , but you know this made 'an exception' for me [even with presence of slap and kiss] because of following reasons-1. ACTING- wow bang !!! everyone did a great job especially Thanapob Leeluttanakajorn (P'TOR) and his step mother , Ann Siriam Pakdeedumrongri . At least i feel so.
2. SUSPENSE- you won't believe me every episode feel like a new world with new suspense. Each episode makes you carve for another episode.
3. ROMANCE- its sad to know that at least till 16th episode you will find less scenes of MIN and SILA/P'TOR . Its surprising to know that in between [from 1st to 16th] i found minimum 20 scenes of them together . I CAN't tell for further episode as while i'm writing the review , drama is still airing
*EDIT-IN FURTHER EPISODES YOU GUYS WILL EXPERIENCE MORE SCENES OF THEM TOGETHER*
ROMANCE BETWEEN THEM IS SO SWEET!! good chemistry between actors !
4.REVENGE- way of revenge will be the main attraction of this drama. I literally jumped many times on my sofa when p'tor took revenge from his step relatives [mom n brother]
5. MALE LEAD- yes you read correctly! actually i became so much attracted by Thanapob's [ P,'TOR] sarcastic smile. Well i know it won't be a reason to watch for almost everyone but if you are looking a drama with an actor having great personality and acting skills , you should prefer this.
6. THRILL-omg I just can't explain this point .This one you will find in later episodes but it would compensate for earlier ones.
7. RE-WATCH VALUE- its 10 on 10 from my side (*_*)
8. Music- OPENING SONG (ost) is very nice..
9. ENDING-its most important thing for some people (for me too)...its of course a happy ending we all expect for [marriage n all] but the main thing is it will taught u A GREAT LESSON ABOUT LIFE. I'M REALLY INSPIRED WITH 3-4 LINES SAID BY ML ....[U SHOULD CHECK OUT IT ON UR OWN]
At first i had also prefered a TYPICAL ROMANCE BUT NOW I PREFER ACTION MORE AND THE MOST IMPORTANT THING IF YOU ARE LOOKING FOR A TYPICAL ROMANCE OR FANTASIES THEN DON'T GO FOR THIS , I REPEAT DON'T WATCH THIS .
By typical romance i mean- a genius boy or rich boy with clingy or naive or poor girl
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Horribly xenophobic and manipulative...
Oh god, where do I even begin???Girls Planet started off very strong. My friend convinced me to watch this show and I immediately fell in love with all the girls and their talents (Hikaru in particular ♡). The performances began like any normal show, but this time with the unique premise of cells. One Korean girl, one Japanese girl, and one Chinese girl in each. Seeing them work together with their cultural differences in how they were raised and trained was a joy to watch...at first.
See, the thing about Korean shows is well...they're Korean. That's mainly where the problem stems from. As the episodes progress, you begin to get the feeling that something feels a bit off. That's because the show is wildly xenophobic. Once you reach a certain point in the show you'll begin noticing some key patterns within each group: the Japanese member is obsolete. Who even is that??? The Chinese girl is terrible. She has an absolutely AWFUL attitude or she's so overwhelmingly unskilled and selfish. And the Korean girl is AMAZING!!! She's so talented, she's final-group-ready. She is even skilled enough to help the Chinese and Japanese members, how kind of her!!! This is an ongoing "storyline" in each group. It's not even something that happens once or twice, it's ALL THE TIME. Not even exaggerating. I think it was the same exact thing for two entire episodes.
In that xenophobia lies another problem: voting manipulation. You may be wondering "how could they possibly have voting manipulation when they were caught from the Produce series???" and you're right. They probably didn't have direct manipulation, but oh man did they have MANIPULATION. Take the above scenario as an example. You now have a Japanese girl you don't know, a Chinese girl you hate, and a Korean girl who performed perfectly. Who are you going to vote for? Not only do you have that form of indirect manipulation, you also have screen time. Whenever I voted, I swear to you I recognized ALL the Korean girls and maybe 3-5 from Japanese and Chinese. It was no coincidence. Every scene, every praise, every moment was Korean! Korean! Korean! Don't even get me started on how the final votes were 50% KOREA, 50% THE REST OF THE FREAKING WORLD. YEAH, IT REALLY WAS. It's almost unbelievable how much they were able to get away with. It's actually offensive tbh.
So what about other aspects of the show besides the xenophobia? The mentors (or "masters" as they like to call it). Useless tbh, besides the dance instructors. However, other than choreographing for some songs (that they could've done without mentoring), none of them ever did anything except sit there and critique them. How come they never got up and gave them pointers??? How come the dance instructors never showed them how to perfect a move??? How come the vocal coaches never showed them how to sing properly??? Instead, you get a girl who practices to the point of straining her voice and the vocal coaches complain about her not being able to hit a high note :/// Sunmi and Tiffany were also just as useless. I enjoyed Tiffany's critiques, yet she barely got any screen time for some reason. Yeo Jingoo was the saving grace of this adult side of the cast. He did well as the MC and oftentimes made jokes with the girls, trying his best to genuinely bond with them. Even if the masters and the trainees bonded off-screen, how come they never give us a tiny glimpse of that?
Okay so xenophobia, useless mentors, what else? One of the most important parts of a survival show: personality. Yeah...little to none. They barely have any games, bonding exercises, or activities. There are a few more later on with less girls, but still the bare minimum. I could not tell you what most of the personalities on this show are like. Unless they're very expressive, like Wen Zhe or Hikaru, it's next to impossible to really know. You barely even know which members are close friends unless you stalk social media feeds. You should NOT need an outside source to be able to recognize friends in a survival show. One of the absolute worst offenses they committed on this show was not showing any of the eliminated girls. They never asked about their thoughts, showed the girls crying or hugging, or showed their wishes for the future. As sad as it is to see girls go, I usually enjoy getting to see their emotional final moments with their friends. It's touching to see them loving and supporting one another until they later show up in the finale. In this, I legit had to look online to see which girls got eliminated because they didn't give any of them screen time whatsoever. That's insane.
The last thing I wanted to talk about were the songs. This is one of the best parts of the show. They had quite good song selections (besides the sexual ones they made minors sing) and their original songs were pretty good. Snake was a real banger. The uniforms were super pretty as well, along with the sets and stages. Overall, the performances were really really good. Some are super memorable like Yes or Yes 1, Snake, Ice Cream, etc. Basically, anything with the girls themselves was fantastic. Everything else was big yikes.
And I am not blaming any of the girls at all for how poor this show is. All of them are extremely talented, hard-working, skilled, loving, sweet, gorgeous individuals that deserve to debut somewhere or some time. MNET just needs to stop. Someone please stop them for the sake of all Chinese girls who have a dream ://
In conclusion: save your precious freaking time.
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I guess I just couldn't drop it. This is the most beautifully shot drama at Netflix this year (and I watched "The end of the fucking World"). The color palette is lovely, and there are some truly inspiring scenes. All of them related to the sea, some of them part of a mini film inputted in the drama. Besides, a 12 episodes drama with ~25min each seems like a pretty tight story - and it was!
The story flows in unexpected ways, and it carries you seamlessly. There are many things going on with this drama, and not superficially. You will wonder how it was able to show so much, to affect so much, and be so short.
It's less than 6hours in total, but I couldn't binge watch it because I kept stopping to ~think~ about what was happening. It's not tragic, it's not violent (in the strict sense of the word), but it is a very ~heavy~ drama that makes you question your morals, society, pressure in women in particular, infidelity, and also how naive teenagers really are. Not light themes, eh?
Although the drama doesn't shy of showing the main character sexual relationship, never for once the drama will try to normalize it. Sometimes it can even be uncomfortable. And not only between her and the teenager but between her and the man as well.
In the end, I felt like I was following the life of a lost woman, a naive woman, maybe a good woman (?), who is passing through the single most important months of her life. Independent of agreeing or not with her, everything will be affected by the choices that she makes here - and she has just started to realize that. You don't find much stuff as interesting as it is going on here.
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the BEST costumed BL from China ( THIS IS A BIASED REVIEW, SEE RATING FOR BETTER ASSESSMENT)
Does it really deserve 9.5, no; in a critical sense. But I can't be unbiased in this, because this drama has made me laugh out loud and cry like a baby.For a drama that is known to have a low budget and with two leads having not much a fan support before this drama, this drama has achieved way more than what other big budget production has not. I do think as fans of BL, especially from China with it's censorship, we need to reward productions who do not skew from the original story, who do non add random female characters, who do focus on story telling with intentions and a POV.
The story is adapted to television and flows through quickly and is evenly paced, the actors brings the life and blood to their characters (leads and side characters), For any viewers with keen sense, this is not a BL adaptation, it's BL. The chemistry between the two MLs are palpable in every scene, as they play back and forth with their words, their gazes, and their body language. They are playful and true to their characters, and I cannot praise enough of Gong Jun's acting in this. At first, I was hesitant to receive his "overt" "eye" acting, but it just conveys so much of his character as being the naive "cat" without it being overacting or farcical. He handles it just right. And ZZH is so good playing the reluctant role of the "mouse" with such subtlety and finesse, that you will find new hints of his intentions at every rewatch. Not to mention all the dynamic supporting roles, written with back stories and characteristic intent that supports this Wuxia JiangHu.
All in all, the script writer deserves the most praise, because for once it's handled by one lady Xiao Chu, who is a Wuxia fan and a fan of Priest. Her love and understanding of the Wuxia genre and the original text really shows how she organically expanded a what is considered a short story in Priest's world. Her adept handling of the subject and the challenges the topic of BL in her homeland is just so perfect, not to mention her knowledge of Chinese literary culture and history brings so much more to artistry to a laymen's entertainment such as tv drama.
After finishing the drama, I can say this drama has brought the standards of not just BL dramas, but all recent Chinese Wuxia drama standards, up, in terms of story telling. This production has told us you do not need big budget, main leads with rabid fans, all you need is good acting, good direction, and good script to capture the audiences' hearts.
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CAUTION: WATCH AT YOUR OWN RISK!
Don't watch this show while you're eating, because you'll be laughing so much that chances of choking and dying are a lot.Don't watch this show if you don't want to fall in love with a team of characters that are badass, adorable, witty and will forge a bond with you to the point you'll never want to let go.
Don't watch this show if you like strong badass female characters that kick ass, dominate the screen when they come and have amazing hair to match their amazing intelligence.
Don't watch this if you want to die due to the shortness of breath the titular character Kim Hae Il will cause you by being one of the most iconic characters in K-drama history.
Don't watch it if you can't stand the brilliance that is Kim Nam Gil's acting that gave birth to the baddie of the baddies: a fiery priest who is more like a grim reaper/ death angel 'cause when he comes to you, honey it's judgement day.
Don't watch it if you're someone who gets jealous of the extreme chemistry between all the the characters, don't like bromances, sismances and hilarious antagonists 'cause this show has an abundance of that.
Don't watch it, if you don't want to be addicted to the perfect OST of this show even when it's finished.
Don't watch it if you want to be proved wrong when you said that K-Dramas are just not well- written anymore.
Only watch it, if you are strong enough to take the wholesome awesomeness this megabrilliant masterpiece of a show offers and still remain standing by the end.
You have been warned.
Take care.
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both main characters were so smart, levelheaded, understanding, sweet, vulnerable, and yet they were so confident and they never put the other's needs before themselves.. love is great, but self love is important? love doesn't mean "devote your whole existence to the other party"?
I'm worried I'll never watch another "similar" romcom again ;) this is not "original", but it's literally the only acceptable way to deal with cliches... a character driven story...
I'll just describe the characters a little more.... ryan... he's confident, maybe even arrogant and cold, but I love that he shows duk mi his "vulnerable" side.. and he doesn't "push her around".. he asks, he doesn't demand.. he apologizes when he's wrong, and he's not "above making a mistake"... and you can tell that he still wonders "am I asking too much", but she doesn't say no because he isn't asking for something grand, and she's just so precious and I LOVE a confident female lead... strong doesn't equal to mean or a bully, and sweet doesn't equal to a pushover who cries while apologizing for nothing...
also, his goofy playful side... I LOVE that side~ unlike dominic, he only wants "duk mi" to see that side ;)
ps, my rewatch value is just a 1 or a 10, so for this, I'll definitely rewatch it one day. just not the last 2 eps ;)
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This review may contain spoilers
MY STORY RELATING TO SKY CASTLE:This drama made me cry. I mean, ugly cry because a lot of the moments I watched throughout this drama related so much to many, if not all, moments in my own life.
I'm Korean but American-born. Though I wasn't reared in Korean society, my parents were still very much Korean traditional. It doesn't really matter where you grow up because your parents are the biggest influence you will ever encounter and will dictate a lot of what happens to you. I related really closely with Se-Ri though. Her story was basically my story. I'm an only child, no brothers or sisters. Me and my parents are the only ones in the States we can call family. I had a tough dad that always pushed me to think about the future. There were many many many times that he would force me to sit down at the kitchen table to lecture me hours on end past midnight about life lessons, how important getting an education is, and how hard and cruel life can be if I don't get it. I was only in middle school and he would go on to do this until I graduated high school. My mom was not a strong-willed person and often bent at the strong-arming of my dad.
I also lied for a time in my life about basically the same thing Seri because I feared disappointing my parents. The only difference is it wasn't Harvard but I did get accepted into a good university. I did OK during my first year, but because of certain reasons my grades started to slip and I eventually got expelled. I was no longer a student but I I couldn't bear to disappoint my parents and tell them that their daughter failed out of university and got expelled. I was also afraid of what my dad would do if he ever found out, just like how Se-Ri was fearful of what her father would do. So, instead of telling them the truth, I continued to pretend that I was going to school. I moved in with my friend after moving my stuff out of my dorm to continue the charade that I was still a student to my parents. My parents didn't know how to work social media and didn't really know their way around the internet but I would call them every now and then and tell them about my classes and friends on campus.
But eventually all lies surface in the end. They found out about my expulsion. I pretty much reacted the same way Seri did towards her parents. Of course I felt truly awful lying to them and knowing the kind of grief, sadness, and disappointment they would feel after finding out. But I was also at MY limit. I tried just as much as Seri did in her life to live up to the ridiculously high expectations her parents had for her. I remember a lot of moments in my life where it was suffocating living with my parents because there was no air to breath. But it was heart-breaking knowing that my parents probably didn't love who I was as a person, but loved me for being the kind of daughter who got good grades and did well in school. Anything less than an A was disappointing to them. Even when I got a B, they would always say "You could've gotten an A if you tried a little harder". What broke my heart even more though is that my parents probably couldn't tell me what my favorite color was, or what kind of music I listen to. They probably couldn't tell me what I liked and disliked. Because they never asked and probably didn't care if they knew or not. All they would ask me is "How was school?" or "Did you do good today?".
But anyways, a lot of things happened afterwards. It was a turning point in my life and changed me and how I approached life from then on. What had happened actually broke my family and I ended up moving out but after a year of being apart we were able to reconnect and pick up the pieces again. I think we were quite lucky to have come together because I know that lots of times when families break apart, it's unlikely that they ever have the chance to rebuild it, much less, want to. Me and my parents are together again now but we are still healing from the past and trying to change for the better. It's definitely not been an easy to do, but my parents have gotten much better at being the parents that I always needed them to be in the first place. So, more or less, it's a happy ending. But a bit bittersweet.
FIRST IMPRESSION: I put off watching this drama when it first came out because I judged the drama premise based on it's synopsis. Big mistake. It wasn't until later my curiosity of why everyone was making such a big deal out of this drama that I started watching it a month after it finished airing. This is by far one of the most realistic, gripping, human, relative, and controversial drama I've seen to date. The writing was superbly done with a good steady pace. The plot escalated when it needed to, and declined at the right moments. The cliff-hanger endings of every episode was done flawlessly. The depth of the characters and their development was spot on. The theme of the drama was perfect during these current times. Overall, basically perfect in every way.
STORY: The theme of the overall drama was well suited for how Korea handles the importance of education in their society. Many of the elements and plot points in this drama point to a very controversial yet unspoken side of how Korean citizens treat their children when it comes to rearing them. A lot of the moments told in this dramas related very closely, if not exactly the same, for a lot of children in the real world. Myself included. I got really emotional many times over during the whole span of the drama because a lot of the things that happen to these children, happened to me as well. It made me cry. Truly cry because the drama was not shy to show the rawness of situations like those. It didn't make the issues any more or less than what it really is. The plot itself was very well written.
ACTING/CAST: Honestly, I think this is the first time I'm watching most of these actors/actresses in any drama. There are a few I recognize but most of the main cast I saw for the first time for me. I can't praise enough how extraordinarily talented these actors/actresses were in this drama. It was provoking, touching, heart-wrenching, and amazing. The children cast in this drama also did a fantastic job! But I honestly have to sing gospel praise for Yum Jung-Ah (Han Suh-Jin / Kwak Mi-Hyang) and Lee Hyun-Jin (Coach Kim) for their incredible acting skills. But I have to say that everyone in this drama were just as spectacular with their acting. No matter how small the role, or how little the screen time, every actor/actress made the most of it and displayed their best acting skills forth.
MUSIC: I'm not picky about music and in most of my reviews I don't say more than a few words or a sentence but the music in this drama was well-picked and well composed. Especially the theme song for the drama. It's beautiful, dramatic, and relative to the theme of the drama itself too. The decision and usage of Erlkonig was perfect match to Coach Kim's theme song. The musical choices in this drama definitely sets itself apart from the typical musical choices typical dramas have in their soundtrack. Great job!
OVERALL: This drama was pretty cathartic for me but overall, objectively, I think it was perfect. I really can't poke any holes in it to be honest. Even about the last episode. Some people may have been a bit disgruntled of the lack of going-ons in episode 20 of SKY Castle, but I thought it was a wise decision and a refreshing one to write an easy going episode like that. I especially LOVED the contrast we see from the beginning and ending. This contrast we see from the first episode and the last episode was really beautiful and subtle moment. I appreciate how the writer was able to show us this.
Though the last episode wasn't really eventful it still held a purpose. When a drama ends, I think we can all imagine how everyone exhales after holding their breath for so long, but in most dramas the short sweet happy ending is short-lived and only serves it's purpose of showing smiles and exudes an "all is well" moment and ends the drama. After it's done, sometimes we get a sense of anxiety because after all, we invested 16-20 episodes in watching a situation escalate, then the drama reaches it's peak and drastically cuts down to a happy ending and then THE END. I think episode 20 of SKY Castle served more in the purpose to help the audience take a breather. To better adjust to how things ended. Yea, it's a happy ending but it's also important to know that even after a happy ending, life still goes on and when it does, it's pretty mundane. But usually, mundane moments in life are sometimes the happiest ones.
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What was I expecting? I enjoy a good time travel, especially when it mixes modern and Joseon eras, ala Queen Inhyun's Man. And I'm a sucker for romantic comedies, so I was looking for a light romp and plenty of fish out of water fun stuff etc. Well, I got that and so much more with Live Up To Your Name. Firstly, the story... the plot itself wasn't too complex, a doctor from Joseon who practices traditional oriental medicine more out of greed than empathy, is transported through time to modern day Seoul to meet a cardiothoracic surgeon who see's her patients only as the internal organs she can repair. As they start to learn more about each other and their different methodologies, so do they also begin to learn about themselves. You see, more than anything, this story is a character story, and though it might start off as a story of things and circumstances happening to our characters and making them react, it evolves into a story about choices, self-determination, and ultimately, what it is that defines them as people. They learn and grow together in such an organic way that it is beautiful to watch in action.
What I love is how the writer had such a delicate touch when dealing with heavier topics. It could have gone the route of being preachy, but I don't believe it ever veered there, and even the characters who made wrong choices were also humanized in a way that didn't make you absolutely hate them. The romance, of course, was pure gold. Whoever cast Kim Nam Gil as Heo Im and Kim Ah Joong as Choi Ahn Kyung together as the leads deserves a medal. Not only was their chemistry off the charts, but it was so natural and realistic, that I almost felt voyeuristic in some scenes and all they had to do was look at each other. Kim Nam Gil was simply amazing start to finish and has the ability to be goofy and bumbling but also serious and intense all within the span of seconds. Kim Ah Joong took me a while to warm up to, but I think part of that was due to her character's thawing out with each episodes, and by the end, I was definitely mesmerized by her skill. I'm not seen anything else with either of them in, so I'll definitely have to look out for them both.
I can't comment too much on the OST only to say that it suited the themes, wasn't overbearing, and highlighted the poignancy of the show. I'm sure I'll pay more attention on re-watch, which I most certainly plan on doing.
I also want to mention a little something about the medical aspects of this drama. Yes, it is about medicine, both modern and traditional, and yes, it does glamorize medicine in ways that aren't necessarily realistic sometimes, but I can forgive because it is a fantasy (time travel, hello?). But, if you're not into medical dramas, this might not be your thing, however, let me just say that the medicine is just a vehicle to drive the show, it's not really what this show is about. If you are a sucker for character driven stories, then give this one a try. Just close your eyes every time someone sticks a scalpel or a needle into someone else.
And lastly, the method of time travel aka the gimmick that brings Heo Im from past to future, is one of the most unique ones I've seen, and not one I would voluntarily choose. Yikes!
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The story was the typical rich handsome boss and normal/poor girl story, despite it being quite cliche it still had its own cheerful vibe to it which made it seem more unique and special. Being a romantic comedy of course there has to be a love triangle and thus there's the appearance of the 2nd female lead who you would hate but in the end grow to like. The nice thing about this drama is that you would love not only the mains but also the side characters of the drama as they bring alot of joy along with the mains. There isn't much business problems or family issues as I mentioned above as it's a drama focused on the relationship of the boss and the girl.
Acting/Cast I'll be honest a part of the reason why I started this is because of the main leads. I've seen alot of dramas acted by both leads and always ended up enjoying their works so seeing them together in this new drama was a nice surprise for me.
ZhaoLiYing is such an adorable actress and I've became a solid fan of her after the 'Legend of Luzhen'
ZhangHan is also one of my favourite actors, needless to say because of his good looks but also I've seen many of his works including the Queen of SOP.
I also thoroughly support the rest of the cast as they brought so much extra joy to this drama.
The soundtrack nice and enjoyable as I loved hearing the opening and endings, however I haven't been that intrigued to download any of it yet.
This was such a cute and enjoyable drama that I would definitely rewatch in the future. Being 33 episodes I might just skip through once in a while.
Overall this is one of the best modern romantic dramas of China, as I usually just watch chinese historical dramas however this one is defs an exception. It was well made with a great cast that complemented the whole story.
So I recommend this to someone who is looking for some happy sweet and light-hearted as a break from a sad heavy plotted drama.
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!!!!! Wow
Story: AMAZING. There were so many twists and turns in the storyline that just came out of nowhere (in a good way) I was constantly on my toes and never knew who was good or bad and who was in the right or wrong. Are they on the good team? Have they now switched to the bad team or were they there all along? Who knows. (Well me, because I’ve seen it ;) )It made me feel ALL the emotions, even the ones I didn’t want to feel, I was on edge one minute, then swooning at Joon Hwi the next and then crying about something afterwards.
Acting/Cast: For me, the acting never felt stiff or forced, obviously I can’t speak for others. Everyone played their role well and I think the perfect people were cast for each role. I loved that we got backstories and plots for a lot of the characters as well, it helped immerse me in the story because I felt like I knew everyone I was seeing on screen, I could understand their actions and motives better.
Music: Gosh that one song was catchy “it’s pulling me undeeeerrrrr, it’s driving me CRAAAAZYYYY”. The music was dark and sinister when it needed to be which made me feel in danger at the right moments and help keep the pacing of the show.
I would definitely watch again, if not for Ye Seul’s storyline and Joon Hwi’s heart eyes then for the rush I felt during the high intensity scenes.
If you like investigation/law (kind of detectivy I guess) dramas, then this is a good watch for you. Enjoy!
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