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Male character isnt a typical tsundere. He doesnt mingle much but isnt a complete recluse. He has his principles in life and is focused and perhaps a little rigid at first. Yet when taught and exposed to things he is perceptive and willing to learn and see things in different perspective. Even as it dawns to him Bei Er Duo draws him in and first time in his life another human being's emotions coiud affect his, hes mature in dealing with his burgeoning feelings. That's such a breath of fresh air in a male lead character..who is perceptive, observant, and helps out the female lead in meaningful ways.
Bei Er Duo is equally well written because they dont dump down her character. She may hav financial difficulties or difficult mother but she doesnt whine, begrudge ohers or dwell on the negatives. Instead shes hardworking and persistently strives to fulfil her dream. Her mostly cheerful demeanor puts you in good spirits everytime shes on screen.
Although the intial set up was typical.. the subsequent interactions felt very natural. The pace and flow was nice and did not felt forced. The leads communication and sharing of thoughts and dreams were also highlights that i enjoy.
Although im not that critical of my rom coms..i want to state that theres alot out there full of fluff, sometimes too cheesy or not believable. This drama was sweet in a palatable and soothing way. Even the second leads were good.
I felt this drama warrants more viewers. Do give it a try
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Karma is a Court Lady.
Billed as a love story between a reformed rake Sheng Chumu and a court lady Fu Rou, this is really an opulent tragicomedy about the succession turmoil that plagued the latter years of Li Shimin/Tang Taizong's reign. It is a surprisingly empathetic and riveting portrayal of the greatest Tang emperor's disappointing and much reviled crown prince Li Chengqian. It strikes me that his story is what the writer really set out to tell; all the other parallel sub-plots are much more indifferently written.The way the drama is promoted as Fu Rou and Sheng Chumu's love story is misleading and misinforms audience expectations. Yes, I know how adorable they look together but their story is rather pedestrian and is not the main meal so they end up spending an incredible amount of time apart. Neither character has free will and their romance does not drive the narrative; it is in fact subordinated to and frustrated by the main succession plot. That is necessary as these two main parallel, interlocking plots are related primarily from Fu Rou's perspective as a court lady or official 女官 with close access to the workings of the inner palace and the imperial family's private moments.
Although Fu Rou is the eponymous character with the most screen time, this is a cardboard character that is made worse by Li Yitong's anodyne, colourless portrayal. Fu Rou is pretty much superwoman - an incredibly talented, resourceful and daring fixer who finds herself in the middle of every palace conflict large and small. She comes to the aid of anyone that appeals to her bleeding heart, taking on matters well above her pay grade. She has the temerity to lecture and chastise anyone and everyone from lowly palace servants to the emperor himself! I would have loved this character to death if she had a bit of a dark side, an odd hobby or even some tiny flaw like picking her nose in public or something, anything. But no, Fu Rou is a suffocating paragon of virtue, moral rectitude and forgiveness; who genuinely believes that good deeds begets positive karma that pays off in the long run. But if karma is a bitch, then her title is court lady because there are heinous, irreversible and tragic unintended consequences to Fu Rou's meddling and her indiscriminate assistance to wicked people. Due to editing/censorship issues, we never get see Fu Rou reflect upon the folly and irony of her interventions or experience any sense of remorse or regret. Thus there is no character development and by the end Fu Rou to me is just a vapid, righteous prig of a character that I most resent - poor Chumu is so much better off remaining Changán's most notorious playboy.
In sharp contrast, Xu Kai's Chumu is a much more engaging, funny, relatable and outside of a lapse in the middle; a smart character that undergoes tremendous growth. It is a pity he gets so little screen time because he has a wonderful ability to just casually infuse a moment with comic relief. The comical antics of the gruffly hilarious Sheng Xianjing, Chumu, Chuling (shout out to the very funny Kris Fan), the gamine Princess Xinnan and Prince Han go a long way toward diffusing the dark undertones to the drama. Nothing made me laugh harder than Princess Xinnan balancing those dastardly bowls. Unfortunately the denizens of the inner palace and especially Fu Rou and Prince Zhou are humorlessly written and portrayed, resulting in some stifling and overly angsty inner palace arcs and a notable darkening of the overall mood in the second half.
With five or six couples, there is at surface a lot of romance in this drama but they are mostly flawed, complex and maddening relationships. This is due to the surfeit of unsavory, corrupt and chauvinistic male characters, from stalkers to lechers and murderers who simply cannot take no for an answer and lame brained female characters willing to indulge their flaws. As a result, most of the ships are leaky and not seaworthy enough to survive stormy seas. These messy, disturbing love-hate relationships are not consistently well written and there are arguably too many of them. That said, these characterizations are compatible with the times and the illogical pairings seem to curiously "work". They are certainly far more interesting than the usual lighthearted and fluffy standard fare of secondary romances.
The main appeal of this drama for me is Li Shimin, Tang Taizong's succession story, which I feel is what this drama is really about and it is compellingly portrayed. For a fictionalized account that takes a fair amount of literary license, it captures the essence of the main historical figures and remains astonishingly true to the important events of the day. The one dark stain in Li Shimin's history was the Xuanwu Gate Incident, where he personally killed both his brothers from the same mother and forced his father to abdicate in his favor. He went on to be a benevolent and revered emperor, one of the greatest in history. This drama is set in his twilight years as history appears to be on the brink of repeating itself. It is an intimate, at times a scathing expose on the insufferable privilege of imperialism and at times a compassionate account of how impotent, conflicted and utterly terrified this emperor and his beloved empress must have felt as they watch their sons at each others throats. In all the moments that count within this main arc, the writing holds up although towards the end when everything comes together, it is quite obvious that some scenes were lost to censorship.
The most phenomenal, multi-faceted and evocative performance that stands out among an absolutely fabulous cast is Li Zefeng's portrayal of the crown prince. I find it unfathomable that I have not noticed this actor before. He starts out as the highly regarded crown prince, showing so much promise and closely allied with his brother Prince Han. But he is slowly cracking under the immense pressure of being crown prince under the exacting eye of his father and the court and constantly measured up against his other talented brothers. The acting was so good I could understand why he sought refuge in frivolous pursuits and why he needed Chenji. I was surprised by how openly and sympathetically their taboo relationship is explored. It is the relationship that moved me the most, I grieved with him when it ended and I could see how he unraveled and gave in to his worst instincts. Prince Han is the other well written and well acted role. It is tragically comical how their sibling rivalry blew them up and I love how their bond is depicted with a multitude of emotions and a good dose of irony and humor.
I enjoyed this gorgeous and expensive production quite a bit although the story is quite dark and there are too many distracting sub plots and frustrating characters. Although the writing is at times lazy, fantastic acting by the veteran cast more than makes up for it. But it is definitely not the kind of story most viewers thought they would be watching when they picked this up and it definitely will not appeal to everyone. I enjoyed it enough to give it an 8.0 and would probably rate it quite a bit higher if they had diminished Fu Rou's role.
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This review may contain spoilers
A heartfelt study of sex, love, and relationships
Don’t mistake this for a sex comedy, and please ignore the inadequate plot description above.With full-bodied characters that move beyond cliches, this Taiwanese drama is a bold study of what makes our relationships intimate and meaningful. It’s beautifully made, with an excellent script and cast.
The story is told through one family. Two parents, three children.
The mother and father have allowed resentment to build up in their marriage for reasons that become clear later in the drama. The eldest son, Yu Sen, is a card shark in an unsatisfying open relationship with his boyfriend. The eldest daughter, Chu Wei, yearns for a deeper emotional and sexual connection with her distracted professor husband. And the youngest daughter, Chu Ai, is a wax technician and an influencer. She runs a YouTube channel that offers frank discussions about sex, while maintaining her key argument that love and sex are two separate things.
There’s another main character—the youngest daughter’s regular hookup and friend, Ping Ke, who is wrestling with hangups about dating culture based on his unconventional family history. The actor, Kai Ko, brings this character to life in a way that only he can. He carries the character’s emotional weight with his whole being and you truly feel for him.
Well, what happens?
A heartfelt and unexpected romance unfolds between the son and an uncouth gangster. For BL fans, this part of the story is for you. The eldest daughter and her husband rediscover each other after a challenge to their relationship. And the youngest daughter confronts a past experience that has influenced her opinion of romantic relationships. All of the characters grow.
A central message in the story is that it is harmful to repress our true feelings—whether about our intimate desires and needs or even our anger toward the people closest to us. The message is that our relationships become healthier when we share our inner thoughts.
The script dares to approach so many relevant issues that aren't always talked about; like choosing not to have children, despite pressure from parents; or sexual compatibility issues in gay relationships; or treating STIs without shame. These are just a few. The drama is clever in discussing these issues without being didactic.
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its my first review writing!! so please ignore my mistakes
okay ! HUA JAI SILA OR HEART OF STONE is my second Thai drama as I prefer action , suspense over a typical romance and torture that can be often seen in THAI DRAMA , but you know this made 'an exception' for me [even with presence of slap and kiss] because of following reasons-1. ACTING- wow bang !!! everyone did a great job especially Thanapob Leeluttanakajorn (P'TOR) and his step mother , Ann Siriam Pakdeedumrongri . At least i feel so.
2. SUSPENSE- you won't believe me every episode feel like a new world with new suspense. Each episode makes you carve for another episode.
3. ROMANCE- its sad to know that at least till 16th episode you will find less scenes of MIN and SILA/P'TOR . Its surprising to know that in between [from 1st to 16th] i found minimum 20 scenes of them together . I CAN't tell for further episode as while i'm writing the review , drama is still airing
*EDIT-IN FURTHER EPISODES YOU GUYS WILL EXPERIENCE MORE SCENES OF THEM TOGETHER*
ROMANCE BETWEEN THEM IS SO SWEET!! good chemistry between actors !
4.REVENGE- way of revenge will be the main attraction of this drama. I literally jumped many times on my sofa when p'tor took revenge from his step relatives [mom n brother]
5. MALE LEAD- yes you read correctly! actually i became so much attracted by Thanapob's [ P,'TOR] sarcastic smile. Well i know it won't be a reason to watch for almost everyone but if you are looking a drama with an actor having great personality and acting skills , you should prefer this.
6. THRILL-omg I just can't explain this point .This one you will find in later episodes but it would compensate for earlier ones.
7. RE-WATCH VALUE- its 10 on 10 from my side (*_*)
8. Music- OPENING SONG (ost) is very nice..
9. ENDING-its most important thing for some people (for me too)...its of course a happy ending we all expect for [marriage n all] but the main thing is it will taught u A GREAT LESSON ABOUT LIFE. I'M REALLY INSPIRED WITH 3-4 LINES SAID BY ML ....[U SHOULD CHECK OUT IT ON UR OWN]
At first i had also prefered a TYPICAL ROMANCE BUT NOW I PREFER ACTION MORE AND THE MOST IMPORTANT THING IF YOU ARE LOOKING FOR A TYPICAL ROMANCE OR FANTASIES THEN DON'T GO FOR THIS , I REPEAT DON'T WATCH THIS .
By typical romance i mean- a genius boy or rich boy with clingy or naive or poor girl
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Likes:
1. CSW's perfect delivery of lines
2. Funny acts
3. OSTs (totally love Du Geun2x)
4. the potato
5. Dingdong kid
6. CSW's extremely HOOOOOOT body!
7. plot
8. ending message of CSW (my first time to watch a drama with an ending msg from one of the characters)
9. sneakers
10. their love for each other
Dislikes:
NONE!!!!!!!!!
SCORE: 10/10
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I guess I just couldn't drop it. This is the most beautifully shot drama at Netflix this year (and I watched "The end of the fucking World"). The color palette is lovely, and there are some truly inspiring scenes. All of them related to the sea, some of them part of a mini film inputted in the drama. Besides, a 12 episodes drama with ~25min each seems like a pretty tight story - and it was!
The story flows in unexpected ways, and it carries you seamlessly. There are many things going on with this drama, and not superficially. You will wonder how it was able to show so much, to affect so much, and be so short.
It's less than 6hours in total, but I couldn't binge watch it because I kept stopping to ~think~ about what was happening. It's not tragic, it's not violent (in the strict sense of the word), but it is a very ~heavy~ drama that makes you question your morals, society, pressure in women in particular, infidelity, and also how naive teenagers really are. Not light themes, eh?
Although the drama doesn't shy of showing the main character sexual relationship, never for once the drama will try to normalize it. Sometimes it can even be uncomfortable. And not only between her and the teenager but between her and the man as well.
In the end, I felt like I was following the life of a lost woman, a naive woman, maybe a good woman (?), who is passing through the single most important months of her life. Independent of agreeing or not with her, everything will be affected by the choices that she makes here - and she has just started to realize that. You don't find much stuff as interesting as it is going on here.
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An Underrated Gem Destined To Become a Comedy Classic
[Originally written in May 2022]WHY I LOVED IT . . .
Crazy Love is so unique and unpredictable and LOL crazy yet at the same time, unexpectedly moving, it’s really a shame it’s not getting more attention. While it does get off to a bit of a slow start—which is often the case with early ep exposition and all the players being introduced—each ep is better than the last and this trend continues even after the halfway point.
One minute you’ll be laughing so hard your stomach's sore, amazed at how truly batsh!t crazy Kim Jae-uck and Krystal are acting on your screen, the next you’ll be hurting so badly for them as you learn their backstories, especially that of Noh Go-jin (Kim Jae-uck).
The character development is so compelling and believable and well-acted, you can’t help but root for the OTP couple, despite the fact that the ML starts off as an arrogant, insufferable jerk and he and the FL really, really hate each other’s guts when the story opens. And when he does finally start to realize the error of his ways, it’s not solely the result of his falling head over heels for the FL.
Crazy Love’s got a bit of everything—enemies to lovers, a fake engagement, a sweet romance, swoony kisses, hilarious knock-down-drag-out fights, intrigue, tons of unexpected LOL moments, and a FL who gives as good as she gets, if not moreso, when pushed hard enough.
We also have a lead couple who, much like the OTP in Her Private Life (which pairs Kim Jae-uck with Park Min-young), actually communicates openly with each other and works together to resolve issues and potential misunderstandings—once they’ve stopped hating each other, of course. Sure we’ve got a few tropes but the show revels in its tropiness, subverting them in fun and surprising ways, and doesn’t take itself too seriously.
Kudos to Kim Jae-uck for throwing his sexy, cool image right out the window. (Although he's still plenty sexy as Noh Go-jin, despite the less-than-flattering CEO hairstyle, and the man knows his way around a kiss.) This is a great role for him as it’s really given him an opportunity to flex his formidable acting chops, tugging at our heartstrings with his beautifully nuanced emotional scenes and tickling our funny bones with his physical comedy skills. And despite what happens in Crazy Love, Kim Jae-uck can actually carry a tune. He majored in music in college and is the lead vocalist, guitarist, and composer for his indie rock band Walrus, named for The Beatles song “I Am the Walrus.”
It’s been a revelation watching him and Krystal really let loose as I never imagined they could be so funny and they are clearly having a blast. I was not a fan of Krystal’s before, having only seen her in Sweet & Sour, but I like her portrayal of Lee Shin-ah and their chemistry is surprisingly good. The show’s at its best when they’re the focus so I did sometimes find myself wishing it spent less time on the supporting characters, but I guess that’s true of many dramas with an appealing OTP.
ABOUT THOSE RATINGS . . .
Crazy Love’s Nielsen ratings in South Korea started out at 3.4% and spent much of its run at 2.5 - 2.6%, but the show finally broke into the 4s with Ep 11, building to a series high of 4.6% for the Ep 16 finale.
When Crazy Love premiered in March, Business Proposal, 2521, and Military Prosecutor Doberman had already caught fire with audiences, and while those shows received global marketing support from Netflix/Viki, Crazy Love was released with negligible promotional support from Disney+ which didn’t seem to know or care what the heck it was doing with its K-Dramas back then.
And for some inexplicable reason, D+ has only released Crazy Love in nine APAC countries: Australia, Hong Kong, Indonesia, Japan, Malaysia, Singapore, South Korea, Taiwan, and Thailand; hopefully, D+ will make the show available to the rest of the world ASAP now that it’s ended its run in SK. (Shows like Grid and Soundtrack #1 are in the same D+ limbo as Crazy Love.)
Another issue may have been that dark, edgy comedies like Crazy Love don’t tend to appeal to older women, who are the primary viewers of dramas during their initial television broadcast. (This older audience is why the longer “family” K-Dramas with 50+ eps often achieve ratings of 20% and even higher.) Younger viewers who are more likely to like this genre often watch online and on DVRs but these views are not reflected in the ratings. (In the U.S., most networks use Nielsen's Live Plus service which does track these delayed views.)
IN CONCLUSION . . .
Kim Jae-uck said he chose to do Crazy Love after his three-year hiatus because he wanted to make people laugh and help relieve some of the stress brought on by the pandemic. If the 6,200+ comments here and its 8.3 rating (as of the 4/26 finale) are anything to go by, he and Krystal and the rest of the cast succeeded.
Please give Crazy Love a try! It’s a lot of fun and keeps getting better and better—although the last few eps focus less on romance and more on figuring out who-dun-it—culminating in a satisfying ending that manages to give closure to not just the main characters, but the supporting ones as well. The show is not perfect by any means but I tend to judge entertainment based on whether it delivers more than the sum of its parts—and the way it makes me feel and think—and Crazy Love comes through on all counts with plenty of feels and food for thought along with the laughs.
(Full disclosure: I’m a big fan of Kim Jae-uck but most of his dramas and movies have landed in the 8s and 7s for me rating-wise. Even gave one drama a 6.0.)
[1/14/23 Update: D+ U.S. has made some of its K-Content available on Hulu, including Big Mouth, Grid, May It Please the Court, Connect, Kiss Sixth Sense, etc. Sadly, Crazy Love is still not available outside of Asia/Oceania.]
[5/24/23 Update: As of today, more than a year after it first aired in South Korea, Crazy Love is finally available on Hulu in the U.S., Disney+ in Canada, the UK, and Europe, and Star+ in Latin America. Unfortunately, there has been zero promotion in the U.S. The only reason U.S. fans knew it was even a possibility was because Disney+ Latin America announced it was releasing there.]
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Honey as Lube, GO WATCH IT
THIS IS SO GOOD. Like actually GOOD good, not “I watch for the pretty faces” good (although yes, the faces are stunning). But I mean well-written, emotionally intelligent, gorgeously acted good. The chemistry between the leads is off the charts and Im pretty sure they are not acting, they are in a whole relationship and forgot to tell us. (I am in fact delulu)Anyway the chemistry between jin and akin is ridiculous. These two accidentally invented a new form of communication via eye contact because GOD DAMN, the way they orbit each other?? the tension?? the softness?? it’s so natural it makes other shows look like staged table reads. (Ya I am shading some bl's so what) THE POINT IS...it’s warm. it’s intense. it’s addictive.
The writing is tight, thoughtful and they actually use the characters' personalities and histories to drive the story, not just to sprinkle in backstory when it's convenient. everything connects.
Ok now let’s get into why boom and smart are actual sorcerers.
Boom’s physical acting is a whole experience. like, the man acts from his spine, from his kneecaps, you can tell what his character is feeling from the way he slumps his shoulders or tightens his hands. He uses his body language so so well.
And Smart’s vocal acting is unreal. the way he shifts tone depending on who he’s talking to, what he wants, what he’s scared of...ugh it’s so precise and layered. Sometimes he says something soft and i’m like “oh no... oh NO he means that.” his voice will crack just a little and suddenly I am spiraling.
And their scenes together?? good god, all of it is magnetic. I was locked in. The range is INSANE. like one minute I was laughing because akin is being a lovable menace and the next I am pausing the show to just BREATHE.
And YES. yes. there is a certain infamous scene involving HONEY (I know ya'll came in here for that trending honey scene) which sounds unhinged (because it is) but it’s also deeply emotional and a whole metaphor for love and indulgence and knowing someone so well you can give them exactly what they crave. It’s symbolic and it’s sweet and yes jin knows what akin likes and wants to give him everything and that is beautiful. I was deeply moved and deeply stressed. Peak television. okay, I want to frame it and then power wash it.
I hope boom and smart get everything after this. I hope they win awards. I hope they get roles that challenge them and let them show all the layers they have clearly got stored up. And I hope everyone watches this show so they can scream about it with me.
WATCH IT, fall in love. and text your friends “YOU NEED TO WATCH THIS” every 5 minutes. (Because mine screamed at me after saying I will drop it at episode 1, I picked it up and I love it so give it more than one chance please)
You’re welcome.
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1A light entertainment meant to be enjoyed without heavy emotional demands
By the time Duang With You reaches its finale, what initially presents itself as a simple, chaotic university romcom reveals a surprising emotional core beneath its bright and playful surface. The early episodes establish a tone that feels intentionally exaggerated, full of awkward encounters, comedic timing, and almost cartoonish reactions, but as the story unfolds, that lightness becomes the foundation for something more grounded. The series never abandons its cheerful identity, but it gradually allows quieter, more vulnerable moments to take space, creating a balance between humor and emotional sincerity that feels earned rather than forced.Much of the show’s charm comes from Duang, a protagonist whose expansive personality drives much of the story. Optimistic, impulsive, and completely transparent about his feelings, he turns his pursuit of Qin into a constant stream of awkward yet surprisingly endearing moments. Qin, in contrast, serves as the perfect counterbalance. More reserved and seemingly cold at first, he occasionally lets small reactions slip through, hinting that there is far more going on beneath his composed exterior. The contrast between them creates a romantic dynamic that is simple but effective, keeping the story engaging even when it follows familiar paths.
A large part of why Duang works so well lies in TeeTee’s performance. Characters this energetic can easily become exhausting, but he gives Duang a charm that keeps the character consistently endearing. His bursts of excitement, exaggerated reactions, and playful high-pitched tones feel natural rather than forced. What stands out most, however, is how smoothly he shifts between moods. When scenes turn serious, his voice lowers and his energy changes, revealing a more grounded side of the character. In emotional moments, that shift becomes even more noticeable, with Duang’s usual brightness giving way to a heavier, more vulnerable presence.
What truly elevates the series, however, is Qin’s development. If the beginning frames him as distant and emotionally guarded, the later episodes carefully peel back those layers, revealing a character shaped by past pain and unresolved trauma. His journey is not rushed; instead, it unfolds through small, meaningful changes, including lingering glances, hesitant honesty, moments of jealousy, and eventually open affection. By the final episodes, Qin is no longer simply reacting to Duang’s presence; he actively chooses him, and that shift carries significant emotional weight. His growth transforms the title itself into something more meaningful, as “with you” becomes less about proximity and more about emotional safety, trust, and the ability to love without fear.
Their relationship benefits greatly from this progression. What starts as one-sided persistence evolves into a partnership where both characters support and heal each other. Duang’s role as a steady, almost unwavering emotional anchor becomes especially important during the series’ more dramatic conflicts. Episodes that introduce misunderstandings or external interference, particularly the arc that places strain on their relationship, push both characters into uncomfortable emotional territory. Duang, usually so bright and confident, is allowed to feel insecure and lost, while Qin is forced to confront his fears of vulnerability and abandonment. These moments, while at times frustrating, ultimately strengthen the narrative by giving the romance real stakes.
The series also deserves credit for how it handles intimacy. Rather than feeling like a superficial addition, the romantic and physical moments between Duang and Qin are carefully built and emotionally grounded. When they finally come together, those scenes carry a mix of tenderness, longing, and vulnerability that reflects how far both characters have come. It is not just about attraction, but about trust and emotional openness, which makes their connection feel believable and rewarding.
Beyond the main couple, the supporting cast continues to play an important role throughout the series. The friends remain active participants in the story, adding humor, warmth, and occasional chaos, while also reinforcing the sense of community within the university setting. Their presence helps maintain the lighter tone even during heavier narrative arcs, preventing the series from becoming overly dramatic.
From a production standpoint, Duang With You remains consistent in its strengths. The soft visual palette, steady direction, and cohesive soundtrack create a comfortable atmosphere that complements both the comedic and emotional beats. While the music may not be particularly experimental, it supports the tone effectively and reinforces the series’ identity. The direction, in particular, deserves recognition for maintaining a clear vision: even when the plot follows familiar tropes, the execution keeps it engaging.
That said, the series is not without flaws. Some comedic elements, especially the exaggerated sound effects, can feel overused, particularly in the earlier episodes. Certain side storylines, such as the exploration of Qin’s family, could have benefited from more depth and nuance. Additionally, one of the mid-series conflicts leans heavily on miscommunication, which may feel frustrating to some viewers. However, these issues rarely overshadow the overall experience, especially as the emotional core of the story becomes more prominent.
By the end, Duang With You proves that it never needed a complex or groundbreaking plot to leave a lasting impression. Its strength lies in execution: in the chemistry between its leads, in the gradual and believable emotional growth, and in the way it balances lighthearted charm with genuine feeling. What begins as a fun, slightly chaotic romcom ultimately becomes a story about healing, emotional courage, and the quiet but powerful act of choosing someone, and being chosen in return.
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Down to earth romance, providing troubling insight on what South Korean women are facing these days
"Something in the Rain" is a love story about an older woman (35) with a younger man (about 27/28). Yet, above all, the KDrama is a critical social study about relationship taboos and parental respect in South Korea as well as sexism in the workplace. Authentic. Bitter. Sweet.The original title of the KDrama "Pretty Nuna, who invites me to dinner" contains the taboo relationship with all its dynamics on which the story is based - the woman is older (´nuna´) than her boy friend (a no-go!)..., and still being a sucessful employee she earns good money instead of being married (another no-go). Actually in South Korea this is a serious problem of a recent generation gap and gender conflict.
Just consider the significance of "Something in the Rain" (as the romance that it is) in such a broader sense. If you are missing a special icing throughout the story, than this is simply what it is. It is supposed to. Overall, I consider "Something in the Rain" a rather up to date, down to earth, authentic romance, providing troubling insight what kind of circumstances South Korean women (and men) are facing these days.
--------------------- SIDE NOTE --- South Korean women and romance in everyday day life
In relation to everyday life in South Korea the focus on romance and true love in KDrama takes on a whole new meaning. Very few people really have time for a relationship during their professional life. The working days are long. In addition, women are discriminated against at work, sexualized and reduced to their gender role. They work harder (and often more efficiently) than their male counterparts, but are paid less and are less likely to be promoted, as they are bound to get pregnant soon. If they really do get pregnant, then that's it for professional life. Child care for 70-80 workhour weeks (with commuting and company dinners) is hardly affordable. Women do not have to hope for flexible working hours from their employer. So women with children inevitably end up at the stove. Women can forget about returning to work.
As a daughter, women already have a difficult time in the family. If they are married, then first of all they have to relieve the elders - in both families. (If they are not married, they are blamed or rushed oder pushed to quickly do so). Men, on the other hand, are celebrated by families as sons from the start. Accordingly, they present themselves in public with self-confidence and appear more macho. It's not uncommon for them to loudly and rudely gossip about the looks of women in the coffee shop or restaurant or shop or at work or in public. (Actually with the job market being extremely competitive, the appearance of women can not only decide about the partner, but also about the employment).
There are numbers from surveys showing that on average, seven out of ten South Koreans don't have time to date and only about four out of ten are in a committed relationship. The work is more important. Not necessarily because they identify with it so much, but because they don't want to lose it. The pressure to perform is enormous for everyone. As a result, 3/4 of South Korean women between the ages of 25 and 29 are not yet married. Among women between the ages of 30 and 34, more than half are still unmarried. South Korean women also have increasingly modern demands for a self-determined life. They are less and less interested in macho men and suffocating family structures that reduce them to rasing children, representation and the home. This is also due to the fact that normal households can hardly cover their expenses. Family costs money. Divorce rates are rising (South Korea is having one of the highest in the world), yet women are finding it difficult to return to work. There is also a stigma to living as a single parent. (Accordingly, these days not only unmarried couples, but also married couples are less likely to have children.)
Society is in a dilemma. In fact, it can't help but modernize its patriarchal, women-discriminating value systems if it wants to survive. The South Korean population will otherwise shrink under the given circumstances from 2027 onwards. (Update 30.7.22: Statistics Korea reports on 28. July 2022 first time shrinking in 2021 already...)
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A STEP UP TO LOVE
Probably the best Chinese BL Drama adaptation of the year 2023 so far. Addicted Heroine had issues back in 2015 after the NRTA stripped it down from airing before it was even concluded for having way too many bed scenes which was very tragic and since the beginning of the year didn't go well for shows like A League of Nobleman and Justice in the Dark which suddenly stopped airing without any news, Stay With Me has not only taken me by surprise but I'll highlight everything that makes the show splendid.This time round, Stay With Me has a much darker tone attached to it than the original series and not to mention the longer run time gives us a more deeper understanding of the series since a lot of more scenes have been included to make it more interesting.
Secondly, the chemistry of the main leads is second to none and they have a more realistic evolution from enemies to lovers the fact being that each of them is a lonely and broken individual that eventually ends up finding refuge in the other, as the show progresses we can feel there compatibility becoming more and more intense.
Thirdly, boyslove is boyslove and we'll keep it at that, very much like the untamed, despite the fact that the series was deficient in kissing scenes one could literally read the sincere affection of both characters, Su Yu and Wu Bi have delivered it best yet again as I last felt the intensity of such a lovestory back in 2021 with the dramas KILLER AND HEALER and WORD OF HONOUR which I find to be the most appealing construct taking boyslove to a whole new and more humane and meaningful level as something more than casual sex between boys to a development of sincere and intimate feelings.
The wuxia fighting scenes were pretty much unexpected for a modern drama but as it wasn't overdone, I found them slightly more interesting to take in. While the Characters played by Su Yu and Wu Bi are more captivating since aside from being scripted, there is that understanding that can be seen on the screen instantly and felt that the actors opened up more sincerely to themselves and embraced their characters to give them the best reality. This for me is the most intense forbidden true love weathering the storms of life and standing the true test of time.
Finally, besides not being an overdone romantic show, Stay With Me is mature with very many heartwarming scenes, clear character development and growth, unrestrained compassions and bitter moments, feelings of regret and reserve which narrate the common, unseen hardships of life which make it a more realistic coming of age drama as we have gone through most of this in real life and watching the show is like a therapy that enables us best understand the characters played on top of just enjoying them.
Ultimately, Stay with Me has that urge that keeps you wanting more and more of the show, not boring at all but every scene only suspensive will have you on edge worried about what will happen next to keep you fully indulged which makes it so far my favourite Cdrama of the year 2023 having set a milestone in this industry and even perhaps my drama of the year but most importantly because it impressed me in more ways than I could have imagined.
At this rate, nothing can stop me from longing for a second season.
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A Treasure of the Chinese Culture
This is a beautiful but tragic story depicting a rigid, conservative and orthodox society. Adapted from a novel which tells the story of Princess Huirou and her love story, for the drama, the story shifts its focus and chronicles instead the life of the father of Princess Huirou, Song Emperor Renzong who reigned from 1022 – 1063 AD. Accordingly, many developments in the novel are not included in the drama, and Huirou’s love story becomes a side story. As a chronicle which is trying to adhere as closely to the real historical record as possible, there are no "fancy" actions, no "actual" antagonists, no "exciting" plots or extreme palace politics as we see in most other historical palace dramas. The story is just being told as how history was. So if you're a history buff and appreciate historical Chinese culture, you may fall in love with this drama. If you're expecting actions and plots, you may be disappointed. For me, I love this type of dramas which are hard to come by. Sadly, not many people appreciate it, hence probably the low rating which I feel does not do justice to this beautiful drama; this drama definitely deserves a higher rating.Many viewers may find the arguments among the ministers over trivial matters (such as the dowager empress’s attire) mundane, but it is precisely these dialogues that bring out the thinking and philosophy of the society in that era, which I find immensely interesting. Confucian moral such as filial piety, and political principles such as protocol, are utmost important at the time. I find myself listening to every sentence and every choice of words carefully, watching every facial expression and body language closely so that I don’t miss anything conveyed.
Many important historical figures are portrayed here, acted beautifully and faithfully by the various cast members. My knowledge is very limited on Chinese history and its great writers, poets, calligraphers and scholars, however upon research, I was thrilled to find them on screen and the important roles they play in history, and eventually how they shape the country. Just like the western Renaissance in the 15th century when we see the births of many great artisans, during Emperor Renzong's reign, the culture of Song Dynasty, especially literature, began to flourish. Many famous litterateurs and poets in Chinese history lived or started their creative careers during his reign, including Fan Zhongyan, Ouyang Xiu and later Su Shi, Su Zhe, among others. They became the most important litterateurs in Chinese history and also began a new era of Chinese literature.
I’m so intrigued by their etiquettes and mannerism; almost everyone speaks with so much class, self-control, poise, and they all speak rhythmically. Often, it’s like a game of reading in between the lines. Everyone is articulate. Every message is subtle and intelligent without antagonizing the other party. Each exercises the highest degree of restraint and courtesy, and yet palace politics are unavoidable as the Emperor also promotes different point of views from different factions, just like modern day politics in many democratic countries. Getting one's points across without direct confrontation is perhaps the most tactful strategy and is considered a virtue. I wish we have such virtue in today's politics. Perhaps, we'd have fewer wars and happier people. I’m so impressed to see how much value the society places on meritocracy, something that is not seen in any other countries in the era. The scholars have already understood that only with meritocracy would a country flourish. I’m also surprised to see despite an authoritarian monarchy, Emperor Renzong’s court is very democratic with checks and balances.
Wang Kai’s Emperor Renzong is brilliant, from when the Emperor was a young adult to his death at 53. Wang Kai’s acting is immaculate. He has that regal look and charisma, and yet his face radiates benevolent consistently. It's so entertaining to watch those ministers arguing over trivial matters, and the suppressed amused look on the Emperor's face, and how articulately he defuses the situations without antagonizing any parties. Wang Kai’s Renzong is a perfect emperor. Despite the glory we always associate with figures of power, Emperor Renzong’s life was filled with tragedies, regrets and resignation. As a humble and frugal emperor, we also get to see his simple and subdue outfits and unflattering palace fixtures - very different scenes from the elaborate jeweled costumes and palace grandiose that we have accustomed with. Watching the whole lives of important figures passing before our eyes, I can’t help but feel the melancholy of ancient life. Wang Kai goes from a youth to become a sickly wasted man ravaged by poor health. The beautiful verses (ci) composed by Fan Zhongyan and Yan Shu, and later sung in tenor accompanied by a flute or guqin is the most beautiful song, capturing the melancholy, fitting the mood of the drama perfectly.
One of my favorite characters is Empress Cao (Maggie Jiang). Seeing her change from a fearless young lass who disguises as a boy to attend class with fellow male students, to a scrupulous regal lady when she becomes the Empress respected by all including her enemies, is the most fascinating watch. She is the one who always makes the most articulate decisions and resolves all issues which everyone submits to. Maggie Jiang’s empress is beautiful and elegant. Highly intelligent not second to the Emperor, the Empress unfortunately lives a very resigned life. I cry in my heart for her in every episode. Her longing for the Emperor is not being reciprocated openly though he has strongly wanted to, but each time, the turn of events just prevents them showing their love and admiration for each other. That’s perhaps the most frustrating part for me, seeing both love but missing the chance to show their affection time and time again.
But my favorite character of all is Huirou the Princess, although in the drama, she's only a side character. Many viewers feel she's spoiled and has behaved badly. To me, she's ahead of her time. Had she been born in today's world 1,000 years later, she would have been a world leader loved and respected by all. She is very filial pious and kind. She loves her people. Never once has she thrown a tantrum towards her palace maids nor hurt anyone, unlike the other spoiled princesses we're so accustomed to. However, she's the type who can't stand bullies and stands up against them, either for herself or for others, and that's unacceptable in that society when the bullies are the elders (in status or age). Unlike girls in those days, she has her own mind and doesn't want her life to be arranged and controlled like a puppet. Unfortunately, being a princess, she doesn't have the luxury to do what she wants; she's a state own property. And that's a disaster for a character such as hers. Had she been a man, she would have been revered for her courage and upstandingness, but for a girl in a male chauvinistic society, poor Huirou is called spoiled, selfish, stupid, and uncouth. In the later episodes, every time when she comes on screen, I can feel her screaming silently, "Live free or die". My heart aches for her. Nobody but Liang Huaiji understands her and knows she's suffocating under the system. That's why she has such a strong bond with him. As what Huaiji has said, he's her "floating timber" [in the ocean].
I’m so amazed by the acting of all the child actors. They are adorable and very good with their respective roles. I’m most impressed by Bian Cheng who portrays the Liang Huaiji character. Extremely good looking at 15, Bian Cheng’s acting is one of the best, and he has a promising acting career ahead of him. I’m eagerly waiting for his next drama playing a main role.
Eunuchs are normally loathed characters and I’m usually weary of them, but this drama produces 2 well loved eunuchs in Zhang Maoze (Ye Zuxin) and Liang Huaiji (Bian Cheng). I even secretly wish they were not in those positions so that they can love and find happiness in marriages.
Seeing a moral standard the historical figures have set for themselves, I often wonder if our modern day’s standard even comes anywhere matches that of the ancient time. While the western nations were still groping in the Dark Ages, China was already so advance in art, science and technology. It's a nice surprise to realize that golf, among many other sports, was an ancient game played by the Chinese.
If you want a heart-wrenching love story, wuxia actions, scheming palace politics, or bitching harem, no, this drama doesn't have these. But if you love authentic Chinese history and like close to real life historical experiences, this one is a very great watch. Having said that, Huirou's and Huaiji's love story is heart-wrenching, albeit just for a few episodes towards the end.
TWO THUMBS UP!
For viewers who understand Mandarin, these videos provide valuable information on the drama and its real historical characters:
https://www.youtube.com/playlist?list=PL1OYepyRtv6CTutyZDa7SGhqESI4pWITB
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Empress Ki, I must say, is a very compelling, powerful and controversial historical drama. I am always deeply enthralled with every scene that leaves you in awe and keeps you wanting for more. I suggest you (future watchers) dramathon it and don't skip a single episode nor a single scene.
Story - I love how the story of EK started and ended. Not the usual save-all-the-main-characters-protagonists kind of plot. I love killings, and I think these killings were the most highlighted parts of the drama aside from the intriguing plot. If you know what I mean. I was overwhelmed by it to the extent that I didn't look for any flaw. And mind you, when I'm really enjoying a particular drama, I become LESS OBJECTIVE. (You might disagree with me on this, but it's actually true.) It only means that I am satisfied about it. But, nevertheless, it was an EXCEPTIONAL sageuk. One thing that I loved as well was the turn of events. They were really unpredictable. I like unpredictable things.
Acting/ Cast: Every actor in this drama did a stellar job in portraying each character. I have not seen any actor acting with an expressionless face nor overrated acting. Again, if you know what I mean. Ha Ji Won's acting here was outstanding. She has that MAJESTIC BEAUTY. Joo Jin Mo did great as well. Just like how much he was great in A Frozen Flower. I mean, his acting. LOL
Special Mentions:
Ji Chang Wook - My first time seeing him in a drama. He did a great job in acting esp in crying scenes. He was the best. Actually voted for him in the MDL 2014 poll for best actor.
Baek Jin Hee - portrayed the Tanasiri character very convincingly. I hold her dearly to my heart. *whispers* I have a girl-crush on her. Hihihi ^^
Jin Yi Han / Tal Tal is a bonus here.
Lee Mun Shik / Bang - ahjussi, I will never forget how well you played in Iljimae and also here in EK. For the comedic parts, I salute you.
Jun Gook Hwan / El Temur - I never hated him even though how ruthless he was.
I loved all the villains in this sageuk except for one. His name is Yom. Yom the Scum.
Music - OST overall is pretty brilliant. Gosh, the feels... I especially liked Xia's I Love You.
Given the chance that I'd want to watch this again, I WOULD.
And finally, watching EK is an adventure which will be with me forever. It felt surreal when I finished it. I can't even start a new drama after watching it. No drama can surpass the roller coaster ride of emotions I felt in this drama.
P.S: Don't get surprised by its long episodes, it's totally worth watching!
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What was I expecting? I enjoy a good time travel, especially when it mixes modern and Joseon eras, ala Queen Inhyun's Man. And I'm a sucker for romantic comedies, so I was looking for a light romp and plenty of fish out of water fun stuff etc. Well, I got that and so much more with Live Up To Your Name. Firstly, the story... the plot itself wasn't too complex, a doctor from Joseon who practices traditional oriental medicine more out of greed than empathy, is transported through time to modern day Seoul to meet a cardiothoracic surgeon who see's her patients only as the internal organs she can repair. As they start to learn more about each other and their different methodologies, so do they also begin to learn about themselves. You see, more than anything, this story is a character story, and though it might start off as a story of things and circumstances happening to our characters and making them react, it evolves into a story about choices, self-determination, and ultimately, what it is that defines them as people. They learn and grow together in such an organic way that it is beautiful to watch in action.
What I love is how the writer had such a delicate touch when dealing with heavier topics. It could have gone the route of being preachy, but I don't believe it ever veered there, and even the characters who made wrong choices were also humanized in a way that didn't make you absolutely hate them. The romance, of course, was pure gold. Whoever cast Kim Nam Gil as Heo Im and Kim Ah Joong as Choi Ahn Kyung together as the leads deserves a medal. Not only was their chemistry off the charts, but it was so natural and realistic, that I almost felt voyeuristic in some scenes and all they had to do was look at each other. Kim Nam Gil was simply amazing start to finish and has the ability to be goofy and bumbling but also serious and intense all within the span of seconds. Kim Ah Joong took me a while to warm up to, but I think part of that was due to her character's thawing out with each episodes, and by the end, I was definitely mesmerized by her skill. I'm not seen anything else with either of them in, so I'll definitely have to look out for them both.
I can't comment too much on the OST only to say that it suited the themes, wasn't overbearing, and highlighted the poignancy of the show. I'm sure I'll pay more attention on re-watch, which I most certainly plan on doing.
I also want to mention a little something about the medical aspects of this drama. Yes, it is about medicine, both modern and traditional, and yes, it does glamorize medicine in ways that aren't necessarily realistic sometimes, but I can forgive because it is a fantasy (time travel, hello?). But, if you're not into medical dramas, this might not be your thing, however, let me just say that the medicine is just a vehicle to drive the show, it's not really what this show is about. If you are a sucker for character driven stories, then give this one a try. Just close your eyes every time someone sticks a scalpel or a needle into someone else.
And lastly, the method of time travel aka the gimmick that brings Heo Im from past to future, is one of the most unique ones I've seen, and not one I would voluntarily choose. Yikes!
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