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an incredibly great series at the beginning of this lackadaisical year.
04. 03. 21.A Tale of Thousand Stars is not just about the romance between two boys, it also represents the voices of those people who are forced to be silent; the people who chose to be quiet because of their trepidation, toxic positivity, and/or poor mindset. The issues they presented in this series are still happening today, or to be bamboozled by those who are more privileged than you. It's just sad how some people seem to forget about these kinds of circumstances, reminding us once again that we are living in this unfair world.
After watching the whole series, it made me think about my entire existence and wondered why didn't I realize the things I know now sooner? They were there, giving all their best to fight for what was right and to know that life wasn't just about staying in the shades of yellow. Honestly, there are a lot of things I learned, while also enjoying the gratifying chemistry of the two main characters of the show. It is just incredibly great to watch a series like this at the beginning of this lackadaisical year—not just about a typical sugary boys' love story, but also the untold stories of the people who are unheard.
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There were subtle doses of humor sprinkled throughout. From the cliche situational comedy with our leads, to the caring but disgruntled "forever-alone" best friend who was stuck in an ongoing cycle of on-again, off-again with his off-screen boyfriend.
The kiss scenes were built up to pretty well, but generally lacked in the proportional execution for the build-up. I enjoyed it nonetheless though.
What I did not enjoy is how poorly constructed and inconsistent the plot was, even for a character-driven drama. It seemed to want to be a food drama, but lacked the proper attention and care for the food aspect to really warrant the title.
Even with Korean alcohol culture in mind, Jiyu could be interpreted as at least on the cusp of alcoholism for the majority of the drama (before someone comes at me with the most common rebuttal: it's been over half a year since the break up). Meanwhile, Kihoon's reason for not liking alcohol, that we seemed to have been building up tension to for so long, was too flatly delivered to have impact. Not to mention, the pacing from him being angry about the prospect of being around alcohol to selling it to openly drinking it with the rest of the characters was enough to give whiplash. Not to mention the fact that this same man who passed out after one shot is now able to drink multiple glasses with ease in the span of MAYBE a few months...
And then there were other areas of tension that were introduced and resolved too quickly. Or even an area of tension that was consistently put into subtext from beginning to end, but never resolved (the fact that Jiyu's superiors all seem to think poorly of him, resulting in a palpable lack of confidence in their presence).
I liked the ending messages though:
-The prospect of everyone liking the same dish, but liking it prepared in different ways. This same message isn't exactly uncommon with food dramas, and even dramas that only have minor focus on food (Moonlight Chicken for example).
-Food and drinks are best enjoyed in the presence of friendly company and tastes best when celebrating.
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An ELECTRICFYING THRILLER WITH STUNNING STYLISH ACTION ! SOLID and GRIPPING ! Need Season 2
Season 2 confirmed - Guns Gadgets Gangs Bombs Foes Alliance !!" A Shop for Killers" is a stylish new wave action kdrama about the survival of his nephew "Jian," who was targeted by suspicious killers after her uncle's death " Jin Man " .
This was a really excellent action thriller with amazing fight choreography, suspense, and action sequences. Each episode that is DARK, violent, psychotic, and wants to kill everyone, survival. The cast gives outstanding performances, and the plot is gripping and interesting overall. Each actor gives excellent performances as their respective characters.
LET'S SEE WHAT MADE THIS DRAMA IS AN UNIQUE ACTION DRAMA STANDOUT MODERN CLASSIC ACTION THRILLER --- 9.5/10
Modern style explosive action sequences :-
Unlike other classic K Action dramas using feasts in high-voltage action, I'm sure this drama standout as a modern classic action drama with complete new Action sequence adaptation like Modern age guns, Drones, Robots, and other modern fire arms. Kdramas are well known for best filming locations that we explore new places in S Korea through the kdramas freely, but in this drama the most important point out aspect is " Singular location story telling " this makes A Shop for Killers as an unique action thriller in classic K Actions.
Director completely adopted modern machine attacking style ( drone bombs, automatic machine guns carried by drones and ' DRONE GUN TACTICAL ' realistically advanced and exaggerated cinematic scene featuring bombs, drones, and a highly skilled Sniper attacks on Jin-man's home that whole scene is really terrific, warehouse underground technology. Close combat action scenes just wow !!
SUSPENSE DEVELOPMENT/BUILD-UP :-
the first four episodes focus on introducing the viewers to the characters, setting up bonding between uncle Jin-man and Ji-an, and establishing the relationships between other supporting characters and Ji An. This drama takes its time with its delivery of story progression, so it allows us to get to know Ji An's life with her uncle, her childhood and build the mystery surrounding Jin Man.
SINGULAR LOCATION STORY TELLING :-
It is rare to see simply because being in a singular location is not exactly a cinematic experience (to some watchers) and it can be extremely challenging to tell an entertaining story from primarily one place. But, when it is done right, and a director nails the blocking, and shot design, and there is a compelling narrative, it can create some of the best cinematic experience out there, so just trust the director work here before dropping the drama. Also for me this is the first time I'm watching a singular location story telling in K drama ( watched in movies ), For me the director and cinematographer succeeded in this aspect providing a gripping story telling with quality camera work and good colour grinding.
WRITING & DIRECTION :-
Directing writing is error-free - Though it's an eight-episode drama, some characters aren't given enough screen time. Overall, however, the drama's creators did an impressive work of presenting it, keeping the action and suspense at the same level from start to finish. In Singular location story telling Cinematography plays a crucial part ' Quality work of Cinematography and Camera work shines in every scene. And the director writer's excellent effort Brightens in every episode, amazing story telling with flashback connects to present story, outstanding screenplay that helps to understand the story progression easier.
CHARACTERS/ACTORS :-
Lee Dong-wook as Uncle Jeong Jin Man who played perfectly as an elite mercenary and an uncle who hides secrets throughout the eight episodes. Unlike the soft and witty appearance he showed in his previous works, Lee Dong-wook gave freshness with a normal but mysterious and sometimes grim face.
After watching Kingdom, Connect, it's normal to anticipate same level of quality acting from Kim Hye-joon and she delivered exactly what I expected perfectly, outstanding performance. The relationship between uncle and niece was attractive, fun and emotional. She gave an excellent performance in both action-packed scenes and deeply emotional ones.
Seo Hyun Woo ( Flower of Evil ) heated screen with his dark role, this is my first to see him in dark roles, never expected from him, i think he's perfectly fit to dark roles, i want to see him again as a Antagonist.
Such cool acting. Park Ji Bin watched his previous Drama ' Blind ', he got same type of role here but well performance by him as Jung Min.
Geum Hae-na as So Min-hye is a top-tier assassin with stunning action sequences created a great impression on her character role, she impressed me more after Jin Man.
Jo Han Sun as Bale as psychopath mercenary, He got less screen time but whenever he appears on screen it's just a firing moment, especially his eyes are really scary.
Child actor Ahn Se Bin impressed me more, she perfectly captured micro emotions of her character and same perfectly conveyed them.
FINALLY :-
As an action fanatic, I relished each and every action scene, delivering the ultimate action dramatic experience. In addition to having an action plot, it also shows a strong emotional connection between every character, which captures our interest in drama.
I enjoyed 8 eps, the plot not only focuses on the Ji-An survival and on her uncle Shop as primary story ( black market selling weapons and arms) but also drama runs with revenge plot in secondary story.
The eight episodes were masterfully directed, providing a compelling story. The plot and how it develops are what matter most, considering all the thrilling and suspenseful aspects of A Shop for Killers make you the best dramatic experience.
Just go watch and enjoy the drama.
If you are looking for fast paced action thriller you will binge to watch this drama !!
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ENDING + SEASON 2 CHANCES
Where is Jinman vs Bale story ?
In the meantime, Jeong Jin-man's biggest enemy, Bale, has yet to make any moves to carry out his threat to murder Jeong Jin-man's relatives and friends.
Yes, there is no specific ending of Bale like Seong Jo. Now everyone's question is Where is Bale? What happened to Babylon ? He's the main guy for the whole consequences, but the drama ended without his ending, so they will cover these questions in season 2 ? although ending is just perfect for every character who died and who is alive.
It's also unclear what made Jin-Man to supposedly die and then reappear, where he's hiding till to end ? So many unsolved questions left in 8 eps. These all led to the possibility of a potential season 2 with big story like Babylon, Bale and new enemies, I hope makers will plan to bring after they left us in a middle of puzzlement.
(Personal review) - Shinnosuke_Lee
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This was so good!
Wow, I can’t believe I already finished this drama! I loved it so much and genuinely enjoyed every part of it. Honestly, when I first started watching, I kinda regretted picking it up while it was airing because waiting every week for a new episode was actual torture.I loved how the story developed, the romance, and OMG—the chemistry between the actors was insane. I would’ve loved an extra episode just focused on their dating era, but I’m still pretty satisfied with what we got in the finale. I adored their moments together and how slowly and naturally they fell in love—especially the ML. And the kisses?! (//ω//) There were only two scenes, but they were absolutely unforgettable, lol.
The romance was very soft and subtle, built through quiet moments, shared silences, and emotional safety rather than big dramatic declarations. It’s in the small, everyday interactions where their bond really shines—lingering looks, gentle teasing, and the way they slowly learn to trust each other. So when we finally get a confession, a kiss, and a compliment, it actually feels earned. Their relationship works because it grows with healing, not despite past trauma, making it feel genuine, comforting, and emotionally satisfying. ♥
I also loved the OST—especially It’s Me by Kim Jae Young. I’ve been playing it nonstop because it’s just so beautiful. And his voice?! Gorgeous. I had no idea he could sing that well. It’s also kind of wild that he’s friends with Byeon Woo Seok and that both of them sing and have dramas where they play idols.
I also enjoyed the mystery surrounding the bandmate’s murder. We were all out here making theories, and in the end, it was such a twist! (At least for me) I did suspect the real culprit for a second, but then everyone (myself included) got distracted by the manager and the CEO. So yeah, I liked the twist—even if the mystery side was a bit weak, as a romance? I’m fully sold.
Overall, I loved this drama. It might not be a masterpiece or the greatest thing ever, but within its genre, it really stands out. I’d 100% recommend it, and I’ll definitely be rewatching it in the future! (･ω･ﾉﾉﾞ
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1Heavenly potential, demonic execution
The novel “Chong Zi”, penned over 10 years ago, features a once popular, now outdated premise — master-disciple relationship. To adapt such an old novel in 2023 is a risky move; not only has the audience already seen similar works that they would naturally draw comparison to (e.g. Journey of Flower), but even the official “synopsis” gives the entire plot away. There is not much room left to tell a compelling story, let alone something new and refreshing. This drama ended up having a very mixed reception and for good reasons. Here I will try to review this drama honestly by listing out why it is good and why it is bad.【Why is it good?】
— Interesting male lead —
One would think all this drama could offer is an old-fashioned story absent of any surprises. But behind the datedness, there lies an innovative gem. The highlight of the show, and a huge reason why people are enjoying it, is the male lead Luo Yin Fan’s intriguing characterization (and Jeremy Tsui’s perfect portrayal of him). Luo Yin Fan starts off being quite the typical gentle, warm and caring male lead, but behind that exterior lies something darker waiting to be manifested. While most anti-heroes eventually achieve greatness, Luo Yin Fan slowly descends into madness for love. If you’re interested in fifty shades of morally grey leads, then you’re in for a treat. This is as much a story about Chong Zi becoming a demon as it is about Luo Yin Fan going bonkers. They are like the mirror image of each other, or the yin yang couple — one has light under their darkness, and the other has darkness under their light. One is an immortal with a demon skin, the other a demon with an immortal skin. They complete each other like the Taichi symbol. This goes to show that there is no pure good and evil, a human is an embodiment of both.
— Thought-provoking message —
The side characters also illustrate this message — seemingly rightous immortals commit the most heinous of crimes, and inside their hearts live demons that are far worst than any physical demon in the story. The message is powerful and well presented. As a fan of the original novel, I came into this drama with very specific expectations — to see in action one of the most interesting male leads ever written, and to witness the beautiful symbolisms and character nuances from the original work. In these regards, the drama did a passing job at delivering. However, certain pivotal scenes from the source material (that were meant to tie into the core theme) were butchered by nonsensical changes in the story due to censorship and bad writing.
— Nice symbolism —
The Taichi symbol appears in the drama poster. It is also in the black-white necklace Chong Zi gifts to Luo Yin Fan. The costumes are simple but have symbolic meaning In them as well. Kind-hearted demons wear costumes that are mainly black but have white fringes, while evil immortals/fairies wear costumes that are white but have dark accent colors. The male lead, Luo Yin Fan’s costumes were mainly white at first, but gradually turned purple the more he fell for Chong Zi (“Zi” means purple in Chinese). I found that to be very cute. The OSTs of this drama were also very well crafted, with beautiful melodies and lyrics that were themed around each of the main characters.
All in all, stellar work from the cast, costume designers, music producers and the source novel author.
We then shriek in agony as we witness this hard work go down the drain... due to the points below.
【Why is it bad?】
— Sloppy directing, writing and editing —
For starters, the director does a poor job grasping what the audience wants to see and what they don’t. Often times, people would wait for a certain scene in anticipation, excitedly picturing it in their heads, only to end up with a choppy, censored, and emotionally underwhelming rendition of what they were expecting. Meanwhile, uninteresting parts of the plot would take up more time than it should. Scenes that were meant to elicit emotions from the audience felt flat, and just like another commenter has said, "the angst is not angsting".
Behind-the-scenes clips would reveal that many scenes did not make it into the final release. This is due to censorship - protagonists cannot do anything borderline evil, master & disciple cannot be intimate with each other, everything that's core to the story is lost. Certain scenes do not transition well due to cut scenes. Each episode also does not start from the end of the previous episode and feels disjointed.
— Changing the novel in a bad way —
Certain parts of the plot were changed to make the male lead more likable and forgivable, which is understandable because the male lead in the novel does not deserve the female lead. But not all changes were good changes. Around 60% of the story and dialogue comes from the novel, and that 60% lives up to standards because they stem from the original author’s consistent understanding of the source material. But the remaining 40% that was added by the screenwriter, not so much. Dialogue was occasionally cringey and showed a general lack of logical thinking from characters. The forbidden aspect of the master-disciple romance was also removed, thereby causing certain character decisions and dialogue to not make much sense as they were originally written under the premise that master-disciple relationship was taboo. The screenwriter tried to come up with other reasons for the characters to do or say those things, but the reasoning was weak. (e.g. Ep.23-26). Many unnecessary misunderstandings were added just to drag the plot along. It’s fine to deviate from the novel and tell a different story, but have it make sense and do it only if it enhances the work.
— Poorly written side characters —
While the characters all serve a central theme or message, the characterizations of most of the characters are lacking. Often more than not, characters feel like tools to move the plot forward and do not resemble real-life people. Several evil female supporting roles have shallow character motivations and all serve the same purpose, and most male supporting roles are merely love interests (5 of them!) of the female lead but without solid chemistry. Reverse harem was probably meant to be a gimmick that sadly did not work out. Not only do those love interests lack screen time to properly flesh out their relationship with the female lead, they also fall in love with her for no reason. (Ironically, the one character who has the most chemistry with the female lead is not even a love interest.) Luckily, the main couple has decent chemistry to offer. The romance is a slowburn and the leads start off as more like teacher and student due to female lead’s childish personality at first, but this grows into something fiery and passionate later on when the female lead gets character development. However, it takes time for the ship to sail and some may find the chemistry lacking early on.
— Childish female lead —
A lot of people cannot get through the first arc of the story, mostly due to their distaste for the female lead’s childish, bratty and trouble-making personality. The female lead goes through a three-stage character development. She starts off like a kid — naive, impulsive, overly sheltered and spoiled, but has a kind heart that would help anyone in need. She is showered with love but caged like a bird. In her second life, she becomes more calm and composed, but also more possessive and insecure, like a young maiden in puberty. And by the end, she becomes more independent and free, takes justice in her own hands. Since she does not mature quick enough to satisfy certain audiences, if you hate childish female leads, this is probably not the drama for you.
— Costumes/Makeup/Props —
The costumes are the typical “funeral” style you’d see in other xianxia dramas — white, white, and shades of white. There are quite an amount of details they tried to add to the costumes, but the overly bright and smooth filter effects managed to undo all the hard work the textile team put in. The makeup was a hot mess. Handsome men looked less handsome with overdone eyeshadow. Close-up shots would reveal unblended powder and face-neck skin tone differences. As for the sets and props, they would’ve looked better with less CGI applied, since the CGI looks quite subpar for an S tier drama.
【Conclusion】
It may sound as though I hate this drama, but as a novel fan, this is the only adaptation I could root for, and I wished for nothing but the best to happen to this drama. Sadly, it didn't deliver to even half of its potential. I suggest the director and writer to either quit the industry, or stop working on this genre. There might not be a clear distinction between right and wrong, good and evil, but there definitely is a clear cut between good and bad storytelling, and sadly this drama falls into the bad side. For those who are interested in the premise, I recommend you to read the original novel instead.
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This review may contain spoilers
Ruyi's Royal Love In The Palace's not about fighting in the harem, not about being on the top, having powers. It's about Ruyi's and Hong Li's love. From flames to dust, from a beautiful rose to that of a withered one. People might not get why wouldn't Ruyi fight and kill all of those who have done her wrong. It's not because she couldn't but she doesn't want to. She, from the start of the drama until the end, her heart and endurance are all because of her most beloved Hong Li (Emperor Qian Long).
Hong Li said that she's the one who changed after she cut off a strand of her hair. But no, Ruyi has never changed. Right from the beginning until her very last breath, she's still being that Ruyi who loves Hong Li wholeheartedly.
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The fragrant Agarwood already turned into Crumbs. Sacrifices were all for naught.
"In a lonely and empty courtyard, there’s a burning agarwood like crumbs. A blind man stood there, raising his head slightly so that the sweet smell gently brushed his cheeks. Immediately, the corners of his lips lifted into a smile. —: The man casually asked, “What did you light up?"
: “It’s … just normal agarwood.”
: “What kind of agarwood?”, he added.
: “It wilts as it provides Fragrance and New agarwood will sprout as it dies.” The woman replied, and now, without a single bit of hesitancy.
The serialization of Immortal Samsara initially called “Agarwood Like Crumbs”, not only pulled in Novel readers and Xian Xia genre fans alike. It also attracted loyal fans of Director Guo Hu whose recognized for directing some of the legendary dramas we all know, “One and Only (2021)”, “Love and Destiny (2019)” and “TMOPB(2017). Intense discussions skyrocketed even more after, Cheng Yi & the Yang Zi were paired in one drama. And In no time, the news raised the spirits and expectations of each and every fans.
However, the ride was all but smooth sailing. Some rumors appeared, heated debates circulated and, even fan wars on social media sites spread like wildfire. Many fans, including me thought that this may also turn the tables for the worse for the drama.
Yet, Immortal Samsara astoundingly flourished like a lotus in mud. Despite the setbacks, there still remained fans who patiently followed its arduous journey from the promotions, filming, trailers, wrapping up, and even till the licensing. And at last after great efforts, fans finally witnessed the long awaited surprise— the release of the first episode at the peak of July 2022. It was a really vigorous almost 20 Months of a roller coaster waiting ride.
Story:
The story itself is independent if we compare it on the main leads and ending of its Parent Novel "Agarwood Like Crumbs" (沉香如屑) Authored by Su Mo (苏寞) . The main focus of Immortal Samsara, which translates to "Cycles of Death & Rebirth" is the agonising love story between the burden-ridden Ying Yuan, a Supreme Lord of the Nine Heavens and, an eloquent and witty Four-Leaf Ancient Lotus, Yan Dan. Sandwiched by a Realm that forbids the birth of feelings, the two will experience the struggles of avoiding the distraction of Love. But side by side, they’ll embark on the journey not just to discover secrets but also to fix the broken, and finally mend the scars. It do sound cliche but, this couple is truly worthy of the attention it is getting.
With Yan Dan always writing stories on her book, the viewers are hinted to ponder, “Will the main couple also have their very own page of a happy ending written in that book?” .
Main Characters:
Yan Dan, an independent writer and a loyal companion, was perfectly portrayed by Yang Zi. Yan Dan is a faulty-selfless person but she is definitely someone that stands out from the crowd. All throughout, Yan Dan stayed true to her own beliefs, never feared to love confidently, and embraced responsibilities like its her own life. And like Yang Zi, Yan Dan will always surprise you with her great acting and humor. Yang Zi did really well in portraying Yan Dan’s character development especially when she gradually prioritized self-care at the course of the drama. With Ying Yuan's (handsomeness joke) thoughtfulness, she fell first and loved him with all her heart. But Yan Dan isnt entirely just a simp for the guy. You will also see her having this innate talent in speaking and intelligence (which I love), since it is what makes her really cool. Her talent, also made her ascend from being a witty attendant into a famous playwright slash company of the bully and vile, Ying Yuan. I found no single flaw or plot hole seeing how the character develops and I appreciated this fact so you’ll really have fun watching Yan Dan through Yang Zi.
Then there's Ying Yuan, someone with a very high position whose obsession in life is Wei Qi or "the Go/encircling game" apart from his goal of ultimately maintaining peace to his jurisdiction, the Nine Heavens. While carrying this role, he was then burdened by an overthinking personality, scheming tendencies, and a boring slash busy schedule. I think I can compare Ying Yuan more with Emperor Qi Yan from “Stand By Me (2021)” who is always harsh towards himself. Ying Yuan is literally like a robot who does things with no flaw all because he thinks it is his obligation to be different from his parents. But his miserable life with only Wei Qi as a hobby only lasted until, he found Yan Dan who switched all of his perceptions in life and made him happier. With Ying Yuan being represented by Cheng Yi, he also got cursed with blood spitting moments. What made his character so interesting, was that he is not entirely harsh and cold hearted. He cares not only for his beloved but also for every single one of his people, his soldiers, and his best friends. His flaw stems in the fact that he always remained firm in being responsible (especially in his job) so he totally refused distractions (like love). But despite his imperfections & jerk-like-boyfriend choices, his love remained unchanged.
Next, Ray Chang as Yu Mo, was the love interest of Yan Dan in the novel. Here, he’s now the second male lead whose main conflict is his one-sided love for Yan Dan & his obsession to her egg scrambles…lol. Yu Mo, was introduced as an heir to the Nine-Fins Clan, The Four Seas, and Yelan Mountain and as someone who only longs for a peaceful and carefree life. However, as you can see, he also holds big responsibilities but sadly, he couldn’t compare to the person holding Yan Dan’s heart. He then only ended as the best friend that stayed in life but never in the heart. Yu Mo is honestly a refreshing take to the stereotypes of overly crazy and ruthless second male leads of Xian Xia. And although not entirely a scene-stealer, Yu Mo successfully captured the hearts of fans through his loyalty and pure love.
The trio throughout their journey, will be susceptible to face never-ending sacrifices, challenges, and heavy secrets independently. But during this chaos, there are also parts that will be your comfort place. Like the cute pairing of Zi Lin, a silly Celestial Turtle and the shy Lin Lang, a Three-tailed Snow Fox. And together with the bickering couple, Taoist Tang Zhou and Beautiful Bai, you’ll also be fed with what seems to be never-ending servings of candies and laughter. They’ll eventually become you’re source of therapy session amidst the angsts. ♡
Music:
I was ecstatic when I heard both Cheng Yi and Yang Zi covered and blessed us fans with their voices here. And as always, I am in love with their songs and played them in loop daily. I hold on very high regard the soundtracks from Xian Xia Dramas ‘cause they always have those touching and beautiful expressions in their lyrics which in turn, helps watchers like me connect easily to the characters of the drama even more. Immortal Samsara OSTs are one of those I sincerely am thankful for. Luckily, we can listen to these OSTs on Youtube!
Although I love all soundtracks, I am more bias towards “Never Forget” Wú Wàng 无忘 by 张磊 “Zhang Lei” . It’s the only OST I downloaded on my phone haha. Here’s my favourite quote from this song:
“ I wasted thousands of years, how can I solve my thousand thoughts about love? ”
“ Forget the time limit, and only then, can love be fulfilled. ”
Overall: ♡
I can see how dramas in which the main characters suffer and make sacrifices for love may really be seen as repetitive. Especially since angsts, misunderstandings, villainous side characters and the betrayal tropes are still present BUT, these are literally part of Xian Xia slash Romance genre that creates the foundation for beautiful love stories like this to be adapted. Immortal Samsara stand out so much for me because of the mature relationship that the main couple have. Other than the interesting fact that Yan Dan and Ying Yuan almost have the same hobbies and personality, both also have fully integrated personalities and separate life dreams & goals. Yet, they still continued to grow and be prosperous when engaging or communicating with each other, even while bickering. And nomatter where they both are, they're literally still both awe-inspiring in their careers and are still ‘The Best’ companions of each other. I am also truly glad that it was mainly thanks to their already compatible personalities and like-mindedness, and not just fate, that made them always successfully attracted to one another. I’m truly a sucker for this kind of relationship and so I just had to see for myself how their relationship will conclude . ♡
Oh yes, before I forget, let me also give a thousand praises to the production team. The camera works, the film sights, creation of the venues, the costumes ( especially Cheng Yi’s wardrobe and wigs…!), and CGI were SO BREATHTAKING! The production team for this drama were really meticulous in designing every corridor , every pathways, the rooftops, the rocks, the courtyards, and the big and beautiful trees!! Even the petals falling were apple to my eyes, lmao. I especially love the Night Forgetting River and The Land of the Horizon venues. Literally, even the screen wall where Ying Yuan and Yan Dan placed their lips on one scene, were sewed with a Lotus design! It indirectly told us viewers that Ying Yuan hypothetically, ‘physically kissed’ Yan Dan ‘cause in literal, Yan Dan is a lotus! I sometimes even ignore Chang Yi and Yan Dan’s visuals just to appreciate these beautiful details! Everything about Immortal Samsara is so phenomenal. For me, its really a drama worth checking out. ♡
I hope that you all had fun reading! I’m so sorry that I’m bad at english and that this was too long. Thank you so much for visiting this review!
Like what a wise Yan Dan said, “The censer has finished burning but there’s still lingering warmth. So once the fire burns again, we shall meet!” See you all on Part 2, my fellow Gou Dan babies! ♡
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I want to start this off saying that the undeniable stars of this drama are the leads, played by Kwak Dong-Yeon and Park Se-Wan. Those two have some of the best chemistry together and they were the reason I started watching this drama in the first place.
That being said, while they were the reason I started, they weren't the only reason why I kept watching. There are two families at the center of this drama's plot. The first isn't a biological family unit, but one of circumstance. Several different individuals wind up staying at the Nakwon Inn (or Paradise Inn as it's translated to) and develop a tight-knit family of their own. The second, the Na family. They're a chaebol family consisted of some (mostly) egocentric individuals, and Hae Jun (he's the only one that doesn't suck royally, in fact, he's pretty cool). Both families filled me with a different set of emotions. The found family was beautiful, the love and support that they provided for each other is enough to give you the warm fuzzies. I was particularly a huge fan of the brother-sister relationship between Woo Jae and Bak Ha. The chaebol family, as expected, pissed me off quite frequently. What I wasn't expecting was to find all of them (well, almost all of them) to have charming aspects to themselves. This doesn't typically happen when I watch a chaebol family in a drama, so it was quite refreshing.
Now, let's talk romance. The central romance was definitely my favorite, but all (but one, Woo Jae and Hae Ri are my ultimate NOTP) of the other romances were also interesting to watch. They had so much chemistry and it was fun to watch their relationships gradually develop. For sure one of my favorite parts.
One of the cool things about this drama is that all of the characters' stories are linked. In the beginning most of the central characters were at the area where the prime conflict (the death of Bak Ha's husband) took place. What's also interesting is that each member of the Nakwon Inn family has some sort of bone to pick with members of the Na family.
Last, and not least, we have the other star of this show, an adorable baby named Yeol Mu. Yeol Mu manages to make everyone love and take care of him. He has an incredible charm that will make your heart melt.
Overall, it's a great drama filled with family, love, and growth. If you're good with longer format shows, it's worth giving a shot.
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This review may contain spoilers
It´s comparably less makjang, but more morals – and Schubert's Serenade, again and again
"Summer Scent" is one of those early classical KDramas, marking the emergence of the South Korean TVdrama genre as an export hit with all its quality features. In the early 2000s the Hallyu, the Korean Wave started creating a stir, first in Asia and at last throughout the rest of the world.Typically, the narration is so richly peppered with sometimes malicious, sometimes tragic twists - ´makjang´ at its best - that for some the emotionalism might be almost unbearable, if you are not ready open up for the deepest dramas of heart and soul. KDrama is in that context also a master of nasty, often enough quite malicious twists and turns. However, "Summer Scent" is comparably less makjang, but more morals. Nevertheless, with their decisions the protagonists truely can put a strain on your nerves. You should to be prepared to sympathy, suffering and compassion - even if you might struggle at times. This KDrama, too, with its twists and turns rocks the boat until the very end...
The plot juggles a heart transplant with the idea of cell memory. The whole story is poetically told, memorably filmed in front of a summery backdrop and played with a lot of heart. On top of that, the soundtrack eats its way mercilessly into the hearts of the audience: Schubert's Serenade, sometimes in German, sometimes in Korean, sometimes instrumental, but: the serenade again and again...
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Let me begin that what I really like about this series is that it is fantasy, science fiction based story that didn't used Computer Generated Images or Computer graphics with blue/green screen behind. They utilizes editing, lighting and cinematography that can rival any sci-fi/fantasy series/movies out there. Even with a better with some movies/series in the same category.
What I also like about this is that the series was able to showcase a student's potential dedicating an episode for each, except of course ... I don't want to spoil, and culminates towards the end of the series. It gave depth and richness to each and every character.
The symbolism in each character's background and potential that you can relate to real life situation. Like Wave, being smart doesn't always make you to be on the top. One way or the other, you will need someone's help. Namtarn, no matter how hard to try to forget something in your past, there will still be a way to catch up with you in the present. Ohm, when the world seems to be against you, it doesn't hurt so smile and be happy. Punn, there's a demon in every one of us that we battle every day to keep it at bay and the strive to be the best in whatever field we want to. Claire, that we can not please everyone and people will drag you down on your way to the top. Korn, for some, it can be consider a gift but for others, a curse; and the risk of trusting someone too much that that person could actually hurt in you the most unimaginable ways. Mon, sacrifices are need to be made for other's sake.
It makes you wonder, given a potential, what are you going to do with it? Will you use it to better the system, the society? Or make use of it for your own gains and advantage. I will end this part for I will borrow Spiderman's line, "With great powers, come with great responsibility."
ACTING/CAST
I will review them on how they progress/mature by giving what series I HAVE WATCHED before and how did they do in this series.
Sing (Ohm) - Love Sick, Slam Dance, My Dear Loser.
For me is the most versatile actor among the cast but under-rated. I saw him in Love Sick how he potrayed a confused boy, unsure of himself. In Slam Dance, he is more of a serious, headstorng character. In My Dear Loser, showed his jovial, goofy and happy-go-lucky side. In this series, he took his acting on a different and upgraded level in the episode where his potential was focused. Still the joyful, happy-go-lucky, serious, angry and cried. His character in this series is not stereotype of being goofy, which by the way I like about him, but showed a serious side too.
Fiat (Korn) - Slam Dance, SOTUS S.
It feels like that he is being stereotype as being a longer, anti-social character as evident in the previous 2 series that I watched and as well as in this. But no way that he is less effective in portraying that character.
Chimon (Wave) - My Dear Loser.
One of the versatile actor of the series. In My Dear Loser, he was able to show how docile, vulnerable and gentle he can be. But in this series, his played a character that is way different. A laser focused, goal-oriented and confident character. And given these two series, I am definitely looking forward as he renew his role as Sun.
Jane (Claire) - My Dear Loser.
As I watched My Dear Loser, right there and then I knew that I can see her in a queen bee role. Admire by many, envy by many too. And I was not disappointed with her acting in this series as it confirms my suspicion.
Plumek (Mon) - My Dear Loser, SOTUS.
In her role as Ainam in My Dear Loser and in SOTUS are can be easily forgotten, perhaps she was not given enough airtime to showcase her acting skill. What I like her about in this series is how she looks. A boyish type of girl especially in her action and looks. After all, given the club she is in, it is a must. She was able to give justice with her role.
Victor (Pom) - Water Boyy the series.
When he appeared in the very first episode, I was really surprised and made me excited. Comparing his role as Min in Water Boyy where his role appears to be just chasing after girls. He was able to showcase a more matured role and was able to live up to it. Guiding the Gifted students to be the best in what they can be.
Lilly (Namtarn) - None.
I haven't seen any series she appeared before so I can only based her acting in this series alone. She played the role of Namtarn pretty darn good. A nerd, weak girl that is loyal to her friends that is willing to do antying for them.
Nanon (Pang) - My Dear Loser.
In his role as the dorky Oh that has the potential to be cool, ravishing and handsome guy in My Dear Loser. I am not surprise that he was able to carry the lead of the series. Charming, adorable and serious type of role suits his face and acting too. And his cry is credible enough for me to believe that he is actually hurting. An acting that "acts" like a glue for the Gifted class and that of a true leader.
What I am really looking for acting is not just how they deliver their own lines, but with the corresponding facial expression that gives you what their are really feeling that time. And every one of the cast was able to send those emotions across.
Lastly, all of them brought their acting skill in a new, higher and better level.
MUSIC
The opening score will definitely set your mood into something that you need to focus on. Every detail, every line they speak. I get this vibe that this is about mystery and not so much of suspense. The sound effects too is spot on, especially when Wave is using his potential.
REWATCH VALUE
Unfortunately, once you gone through the series, from start to finish, there is really little need to rewatch it, not unless you know that there will be a season 2 for this. Since by the end, you know all of the gifted's potential, and you can already anticipate the "surprise".
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This movie has a nice solid plot and story trajectory all the way through. It's real charm for me lay in all the atypical things about it. It is not standard rom/com fare. There is a serious and slightly gray quality to it that I actually found refreshing. This gray cast was in the set direction and writing but it was more to shape their circumstances. Let me assure you this is not a darkly written movie in a dramatic or depressing sense.
There were lots of moments I laughed out loud. Especially at some of the antics of Ji Woong. The scenes between Hong Sil and Ji Woong aren't overly cutesy but they are interesting and they make a great team as, unbeknownst to both of them, their feelings start to grow. Both actors sold their characters for me. Their chemistry together was good. The payoff at the end for both characters was worth 2 hours of my time.
Song Joong Ki is a 'characters' actor. Even if he has the looks to play a leading man, I hope he chooses wisely in the future because he's better playing a part with quirks and charisma. He has excellent comedic timing and a face made for acting through expression.
Han Ye Seul sells serious characters to me more than comedy so this part was perfect for her. I felt her emotion and I connected with the reasons why she was cut off emotionally and relied so completely on monetary security rather than the human kind.
I liked this movie. I would re-watch it again and I recommend watching if you are hesitating.
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This review may contain spoilers
Showing simple normalcy for generations of SK women being gagged&bound by society's endemic sexism
"Kim Ji-young: Born 1982" puts every die-hard Korea fan through their paces: how far does the love for country and culture actually go? The KMovie also does away with any illusion surrounding romanticized and socially idealized yearnings that revolve around the concept of 'in love-engaged-married-happy family'."Kim Ji-young: Born 1982" broke the 2 million mark worldwide as a bestseller (by author Cho Nam-joo). It is also considered the most borrowed book in two consecutive years after publication. The KMovie was also extremely successful. In South Korea, between October 2019 and November 2020 around 3.6 million people went to the movies to watch. In addition, numerous prizes were awarded throughout Asia.
Calmly, unagitatedly and almost objectively distant, the camera focuses on the ordinary life of a typical South Korean woman, wife and mother in her 30s. Actually, she doing quite well. We accompany her in her everyday life between laundry and kindergarten, with her (actually quite attentive, loving) husband, with her in-laws, with her family of origin, with friends, with flashbacks of her childhood and at work, and finally with the therapist. This could all be any live of many a South Korean woman. That's not special at all. It's so cruelly normal that it even hurts. By showing simple normalcy, the story also becomes an outcry for several generations of women gagged and bound by society's endemic sexism.
Gagged and tied up by such a conservative, rigid, discriminatory socialization that is literally burned into flesh, so hardly anybody even considers alternative role models and self-images. There is a lack of role models that give women something like self-love and self-confidence that go beyond identifying with role expectations by family and society. Women somehow grow up as prisoners of those restrictive expectations - in a prison with doors, that technically are not closed, yet in practice barricaded by the mercilessly experienced sexism since early childhood. Accordingly, there is a lack of awareness of human dignity beyond gender roles. For women and men alike. And as we all know, such awareness would be the first path to any change...
In this respect, "Kim Ji-young: Born in 1982" holds up a merciless mirror in a calm, objective and non-judgmental manner, which focuses on the great evil that everyone simply takes for granted. Apparently, around 68 percent of cinemagoers were women. At least, the other 32 percent were men, supposedly.
In one of the last scenes, (which, like all the others in the film, gains its power from the simple, unquestioned und yet unbelievable normality) the underlying emotional muteness is finally allowed to speak up - not loudly and rudely though, but objectively subjectively and, despite all the justified anger, consistently in all modesty calmly, too.
In the face of the spilled coffee, instead of accepting the comments and accusations of her social environment with shame, concern and apologetic words, the FL has her outspoken objections. She eventually stands up for herself... actually, you should think, quite simply, as if it were a matter of course. And yet: downright unheard of. Because: Shameless in the best sense of the word... she no longer lets others shame her for what and who she is. She is slowly but surely developing a somewhat healthy approach to her own self-confidence as a person with self-worth and self-love beyond gender - a person who cannot be reduced by tradition to just a family concerned role concept within a hierarchical society. From this, the FL nurtures a new attitude towards those who traditionally believe they have more value in the social ranking.
Just a comparatively small, handy book; just a two hour movie. The story of Kim Ji-young, born in 1982, has sparked a lot of discussion throughout South Korea. The common, everyday (South Korean) madness shown knows how to touch and quietly infuriate. For me in faraway Germany, too, the KMovie wasn't boring for a minute.
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--- Outlook ---
'If everyone would act up like that... where would we end up?' - In this sense, the book and the film also led to a horrified outcry within conservative circles in the country. The main actors in the KMovie, for example, had to endure hateful comments for even taking part in it. Just this factual inventory of normal madness of just about every woman in the supposedly modern, innovative South Korea got conservative minds going...
...on the other hand, women affected finally received the balm of cross-class compassion, which for a moment opened up the space for solidary, cross-generational sisterhood. As insignificantly common and simple as Kim Ji-young, born in 1982, may be, the social impact was equally great - the consistently overlooked, completely disregarded reality that has been systematically carried out for countless generations out of principle and tradition, discrimination against (in this specific case) South Korean women.
South Korean society is already shrinking. Earlier than expected. And much faster than expected. No wonder.
Women born in the 1980s by now increasingly began to feel painful about their corsets. A milestone!
Those who were born in the 1990s and 2000s, some among them started to increasingly openly dare to actively shake up the social corset - simply by no longer accepting their 'certain' female role. Another milestone!
However, there is still a long way between shaking up and breaking out or even redefining. Eventually, women can only take this step together with men, who also urgently need to work on their role models, their attitude towards women and a new social self-image. Only then can the shrinking of South Korean society be stopped - a shrinking that, in my eyes, is an expression of a massive imbalance between innovative, turbo-capitalist high-speed in the global fast lane on the one hand, and an ignorant, sexist conservatism on the other, which acts like a lead foot screwed onto the brakes. Nevertheless, growing forces are apparently pushing for an urgently needed, integral, truly progressive transformation of existing values.
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Yes, it is sentimental. Yes, it is emotionally intense. Yes it is a Love Story - KDrama style.
"Sad Love Story" marks the beginning of the wave of success that over the past two decades has carried KDrama far across the South Korean peninsula. It has mastered the art of telling drama in a way that grips the heart and doesn't let go until the end - even if some aspects are predictable and there are clichés: the journey is the goal. One is always close to the emotions of the protagonists and they move unrestrainedly up and down. More drama is always possible. Yes, it is sentimental. Yes, it intends to be emotionally intense. Yes it is a Love Story - KDrama style.Actually, "Sad Love Story" is a love story through and through. Touching in all possible directions. Obviously 'sad' too. The story navigates between 'blissful' and 'desperate' within a fascinating field of tension and relentlessly takes the audience along. At the same time, "Sad Love Story" is a study of how often supposedly small interventions (actually more like assaults) - sometimes nasty and selfishly motivated, sometimes noble and well-meaning - can mercilessly plunge one (or more) lives into misfortune. The level of pain and suffering people can endure is amazing (and encouraging). This story is fictional, but reality is full of it in all sorts of variations.
Among other things, in this KDrama one is confronted with the USA - from a South Korean perspective. That's quite interesting, too. "Sad Love Story" thus points towards a reality that people in the 21st century might be happy to forget. South Koreans and Germans probably have this in common: the presence of foreign military forces. Since the Korean War of 1950-1953, the USA, as an ally, has operated various military bases in South Korea to help defend the country in the event of a military threat from North Korea. After Japan and Germany, the United States is showing its strongest military presence with its troops stationed in South Korea. Camp Humphreys south of Seoul is the largest unit with US military personnel stationed overseas. There are several more, i.e. including Army Garrison Yongsan in Seoul, Camp Walker in Daegu, United States Navy Fleet Activities Chinhae near Busan, and two Air Force stations in Osan and Gunsan south of Seoul.
------------------ SIDE NOTE: --- "American Towns" ---
"Sad Love Story" puts the "America Town" (or "A-Town") of Gunsan in the focus of the story. The Air Force Station on the west coast is rather small, but the stationing of the US soldiers ensured that an entertainment culture geared to their specific needs was established. "American Town" in Gunsan is not the only one of its kind. They have thrived around all of these US bases since the 1950s. For example, today's hip Itaewon with its famous red-light district "Hooker Hill" in Seoul dates back to this "A-Town" culture, which specialized in entertaining the American GIs. Bars, restaurants, shops, services. Particularly lucrative: brothels... The KDrama also makes reference to the GI entertainment culture in the larger cities as it progresses. And finally also to the somewhat 'other' reality behind the dazzling GI heroes in uniform, which sometimes appears quite sobering when back 'at home' in the USA...
The "A-Town" was designated as an independent area with special "tourist facilities". It is a contractually regulated fringe zone, coordinated between the USA and South Korea - an intermediate world with its own laws. In spatial terms, too, it is located between the actual residential area (e.g. the city of Gunsan) and the air base. It consists of a cluster of bars, shops, restaurants and a few hundred small apartment buildings, each consisting of one room, kitchenette and toilet. Here lived the prostitutes, barmaids, singers...
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In "Sad Love Story", the protagonist's mother runs a bar in "American Town", that optionally offers additional comforting services, while the protagonist's aunt is a singer in this bar. Together with other employees, they live in the immediate vicinity of each other and form a kind of community, so to speak. The "A-Town" forms the setting in which most of the characters in this KDrama grow up or live. It's a world of its own. It is at the same time an existential basis, a shackle, a flaw and the driving force to wanting to break out. It is also the place of greatest happiness and source of inspiration for the two protagonists.
Anyone watching this series should have a handkerchief or two handy. The Wheel of Fortune challengingly turns for two souls who are deeply connected in love and who mutually encourage each other to actually be true to who they are. Mercilessly the wheel turns and turns and turns... To a certain extent, actor Kwon Sang-woo ties directly into his role in "Stairway to Heaven", while actress Kim Hee-sun shines as a stoically frugal blind person who due to her disability is often helplessly at the mercy of her environment.
I admint, I forgot quite a few KDramas relatively quickly after watching. However, there are some, that due to their emotional intensity, today are still as present as if I had just seen them. These KDramas create a state of being that one doesn't really want to leave - also (or precisely because) it consistently remains in this characteristic conflict between weal and woe. And I am sure, "Sad Love Story" will also be one of those memorable ones. The soundtrack skillfully catches this situation and never tires of throwing in its leitmotifs as a pacemaker. "Sad Love Story" may be 'old', also outdated in format and style, but at the same time the series is timeless. In its mercilessly stirring mixture of love story and makjang it´s one of several masterpieces of the early 2000s that offer Love-Story-telling in its unique KDrama way. It is not about ´watching´ a story from the outside, but letting it in and empathizing. However, you have to like this style. Also the repeated holding on to the emotional key scenes. E.g. the topic itself has long since been told, but so that it also emotionally reaches the audience, the shot stays a little longer...
It should also be noted that the mixing with the US military and the scenes in the USA required a comparatively active participation of ´American´ actors. Those who also speak Korean (for an uncomplicated, smooth organization on the set) are probably rather rare. The talented ones among those obviously even more so. In this respect, the production inevitably breaks down a bit in terms of its acting quality.
And last but not least: In general, the early KWave productions are still more soap-like-style and not comparable to those Netflix (co-)productions over the past 6 years. Being spoiled by recent production quality, one can certainly linger on one or the other detail, as well as on the abundance of episodes (i.e. more and more and even more maybe unnecessary emotional loopings for the actual story to be told). If you have a problem with that, I would not recommend this KDrama.
"Sad Love Story" is for lovers of mercilessly intense emotional, slow-paced Makjang Love-Stories with plenty of heartache and a clenched fist in the pocket (and sometimes in the face).
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This review may contain spoilers
Please bear with me as this is the first review that I have ever written. I usually see no need to let my personal thoughts on a series be known to the public, but this show was just exceptional.THE STORY
I binged the first 4 episodes with english subtitles, and by that point I was completely captivated by the story that I spent days searching for the rest of the show. The story explored issues in a way that I have never encountered before, and I found the drama and character settings to be awfully real. I fell in love with Mr Fahrenheit, I smiled every time I saw Ryouhei, and I really felt for Jun. I cried my eyes out at the end of the 4th episode. I cried for a second time when I rewatched it.
The first 4 episodes in itself got me dying to watch more, and once I finally watched the rest, it gave me a rollercoaster of emotions. I loved how everything felt genuine, and real. There were no stupid misunderstandings because of miscommunication. There were no convenient coincidences to move the story forward. There were no glitter and fluff to cover up the harsh nature of our world. Like this could be happening to someone right now.
The story made sure to explore everything in detail. There were no half-assed plot points that were thrown in and forgotten about. Jun and Makoto-san's relationship, the story of Mr Fahrenheit, Jun's mother, Ryouhei and Jun's backstory, and Miura-san, all were explored deeply, dynamically, and tied up neatly at the end. Even the smaller characters went through noticeable developments.
I felt very satisfied at the end of the show. I felt that everything was cleared up, and no questions went unanswered. Although, that abrupt ending made me want to punch the screen just a little bit.
ACTING/CAST
I found the acting to be really good. I'm not very good at telling apart good and bad acting, but I find a lot of Japanese acting to be cringey, but this definitely wasn't.
MUSIC
How could I not give this a 10? It was bloody QUEEN! The way that the show incorporated the queen songs and titles were so creative, and it really hit the mood of the scene perfectly every time. I didn't really notice the other music until I went back to search specifically for the music, and I guess that's a good sign, as the music didn't distract from the scenes, and instead enhanced the intended emotions.
REWATCH VALUE
I already rewatched the first 4 episodes while looking for the rest of the series, and I would definitely rewatch the entire thing again. Knowing the outcome of the story doesn't change the emotions it can make me feel. Oh god, I cried an unhealthy amount watching this (It's a happy ending tho, if that matters).
OVERALL
I loved this series so much, and I'm so glad I went back and found the un-subbed videos. It may be tough waiting for the english subtitles to come out, but I assure you, it will be worth the wait. Just make sure to see it through to the end, and you will not be disappointed.
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