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I like the way the script tells the story, nothing very fancy but it is presented as it is. God knows I hate stories that try too hard to move the audiences to the desired emotions. In Amachan, (almost) all happens as it is natural. It portrays everyone's tendency to change minds, as what Amano Aki does in the story. At first, she wants to be an ama diver, then a deep-sea diver to an idol and finally saving her hometown. But wait, don't we do change minds as much as hers? Yes, she is determined and passionate but she is by no means regular asadora heroines, who are all focused in one aspect of life or dreams. The character, as well as others in the show, is multidimensional and more intricate compared to most dramas.
The cast is very strong, from the veterans to character actors (surely the arsenal of character actors in this drama is extravagant) to the youngsters. Even the cameos are fascinating. As the lead, Rena Nonsense...errr... I mean Rena Nounen (lol I find it's very funny that her name rhymes that way) does a superb portrayal of Amano Aki. Her range of emotions are awesome and she plays her role with heart that is rare trait for a teenage kid like her. She reminds me of young Ueno Juri a lot and I bet she is the next big thing in Japanese TV and movie scene.
Music-wise, it has a plethora of nice background music. But it is the opening soundtrack that stands out of the rest. I'd dare to say that theme song is one of the best opening theme ever made in any TV shows. Props to the composer who has done a great job.
The ending is a bit unsatisfying, somewhat rushed and a bit too optimistic, the last story arch needs at least 40 episodes to complete while in fact there are only 20 or so. That's why I settled with overall point of 9, it could be another 10 if the ending is good. I hope they have a plan to make a special episode to rectify the "fault", but in my scoring algorithm, 9 is enough to warrant a "must watch" label.
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1This review may contain spoilers
Epos, drama & national frustration with impact – about the birthing era of Korean nationalism
"Bridal Mask" is a South Korean variety of Zorro - in this case hiding behind a historical Hahoetal ceremonial mask used in Korean tradition for satirical theater and shamanistic rites. The avenger of Japanese oppression hides behind the classic mask 'Gaksital', which symbolizes an innocent bride.This brings us to the central theme around which the dramaturgical web was spun: Korea's time under Japanese protectorate (1905-1910) and the annexation as a Japanese colony that followed a few years later (1910-1945). In this context, this KDrama has a lot to do with national self-image of the Korean people, which is still formative today. (If you are interested: See Side Note below.)
Accordingly, "Bridal Mask" was very successful as a KDrama and was extended by 4 episodes due to its success.
"Bridal Mask" is about the desperate attempt of the oppressed population to counteract the notorious oppression of the Japanese tormentors. As the story progresses, the rather inexcusably conformist anti-hero becomes the avenger of the downtrodden, whereas the once benevolent, noble, antirassist teacher becomes the unscrupulous avenging angel. The daughter of a Korean resistance fighter provides explosive fuel, turning best friends into bitter opponents and rivals for the heart of their beloved. Everything becomes dramatic in the highest degree - the romance, the bromance, as well as the resistance struggle against brutal oppressors, with or without bridal mask.
'Gaksital' squeaks into the most diverse excesses of Japanese tyranny, above all: torture as a common method of interrogation. The hero also thwarts the insidious with false promises recruited young women as sex slaves or comfort women for the Japanese soldiers. Finally, by his activities his compatriots are also encouraged to engage in civil disobedience.
The tyrannical, ruthless attacks of the colonial masters are historically documented. Active resistance from the population as well. However, the actual plot of the KDrama is completely fictitious: A Zorro-like swordsman behind a traditional bridal mask is not known. Also, at the time of the Japanese invasion, Joseon was already severely weakened politically. In this case, the assassination of the head of state is poetic liberty. (At the time of the emperor´s actual death in 1919, the country had already been a colony for 4 years.) Finally, the secret organization of the ´Kishokai´ and their vision for a greater Japanese empire are fictitious. This Kishokai did not exist. However, there is a kernel of truth in it, because ultra-nationalist secret societies, especially those associated with Japanese military, apparently existed actually.
Overall, the K-Drama brings a black chapter of painful Korean history with epic impact and highly dramatic emotional entanglements back to life. Eventually, the memory is perhaps still so painful, because it wasn't all that long ago. To date, there has been no reparation, remorse, or at least acknowledgment from the Japanese side for the suffering inflicted.
Japanese colonial rule is inseparably interwoven with the very special Korean national pride, because this period marks the birth of Korean nationalism in the first place. And the KDrama builds on that. "Bridal Mask" in that sense is first and foremost a highly Korean production for a Korean audience. (Nevertheless it is obviously gripping for an audience with other national backgrounds, too.)
By the way, it may also be no coincidence that the series aired on TV in 2012, when the Korean government first formally asked Japanese Emperor Akihito for an apology...
----------------- SIDENOTE: --- Romantic Korean nationalism ---
Whether Goryeo or Joseon, since the tribes of the peninsula were united under one ruling dynasty, the people lived largely introverted and rather isolated from the rest of the world until the late 19th century. Here and there the borders have always had to be defended against invaders or retaken, but the people on the peninsula had nevertheless remained adamant and had not actually actively mixed with others. Today, there is often talk of 'pure ethnic blood', which provides the breeding ground for a more romantically (vs. civic) tinged national identity: A Korean usually feels descended directly from the original ancestors. Consequently, a Korean will typically identify first with his/her ethnic roots and only then, at some point, as a citizen of the Republic of Korea.
This very special national identity was directly born out of the developments associated with the opening of the country and an increasing international presence at the end of the 19th century. On the one hand there was hope for flourishing trade and technical innovation, on the other hand suddenly the USA, along with China, Japan and Russia, also wanted a piece of the pie and - more or less aggressively and consistently - took advantage of the opportunity and sometimes also inexperienced naivety of Joseon. As a result, resistance formed and the nationalist struggle for independence was born. It was necessary to use all conceivable means to preserve the nation´s autonomy and to protect the heart of Korean culture from invasions and encroachments by foreign nations. Particularly, resistance was directed against Japan's ruthless interventions in robbing the Korean people of their language, their own names, their religion and their dignity. Japan's declared goal was to discriminate against the Korean people and to assimilate them by any means (... and Japan wasn´t even squeamish with its own civilian population, being known for its brutality...).
At that time, Japan had deployed an omnipresent, almost overwhelming military and police presence that can hardly be compared with European imperialism as we (i.e. Europeans, as I am) know it. Hardly a day went by when the invaders did not have direct, mostly deliberately humiliating contact with the civilian population. So 4 traumatic decades can become a very long time...
This national frustration, pain and anger is still formative in the collective emotional memory. With "Bridal Mask",this receives a contemporary emotional safety valve in KDrama guise.
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Upon looking at the promotional posters and trailers, I instantly thought this would be the sex comedies that I had come to expect from some gay Thai dramas. After watching the first episode, I was pleasantly surprised.
The story is simple but unique in its premise. The characters are all so different and have their own flaws that the series doesn't feel ashamed to make fun of and exploit.
Under the sexual humor, there is a very serious message. It explores homophobia, infidelity, sexually transmitted diseases, and complicated love.
If you want something different from your dramas, I recommend this drama. Diary of Tootsies makes you laugh, cry, and cringe.
It's absolutely amazing.
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The show gives us a peek into the lives of 5 friends, all college students on the cusp of becoming contributing citizens to society. Some have dreams they want to pursue, some have dreams they've had to let go and some are still trying to figure out what next. Their stories are all relatable and poignantly human. Inevitably you'll find yourself reevaluating your own life and wondering if you're on the path you set out for yourself.
Orange Days is also a sweet love story. About a beautiful, talented girl who lost the thing she loved the most, who was without hope and angry at the world because of her misfortune, and the boy who healed her soul with his kindness, his patience, his gentleness, his understanding, and most of all, his unconditional love. Kai, our hero, has got to be one of the most compassionate heroes I've ever come across. Massive kudos to the actor for bringing him so impressively to life!
Kai manages to be both masculine and incredibly sweet and sensitive at the same time and let me tell you it was pretty darn sexy to watch. Sae is one very lucky girl. All the while I kept thinking, where the heck was my Kai when I was in college? LOL I enjoyed every minute of watching these two on their journey to find themselves and each other.
Both leads were standouts, but the supporting cast did a fairly good job too. I was drawn to Shohei who projected an air of infallibility, but was really just a lost kid searching for the love he never got from the most important woman in his life. I really liked him and wished his story had more development. He had a weird sense of fashion, though. I don't think young men wore such ugly-ass clothes, even in 2003/2004. LOL
Orange Days did not avoid the usual Asian drama clichés -- the ever present love triangle, the mandatory separation and what have you, but somehow it wasn't over played to the point where it got annoying (as is the tendency in a lot of other -- for eg Korean -- dramas). Issues were resolved quickly so that the characters' growth as people remained the focus.
All in all, what made this show an absolute joy to watch is that it's a great slice of life drama about overcoming grief and savouring the precious moments we have with the people we love. But it isn't pessimistic in its message. There's an undercurrent of hope that permeates the stories of each character. You get a nice dose of reality but not so much that you're unable or unwilling to escape into their world. It also reaffirms the fact that no matter where we're from, no matter our gender or our ethnicity the only race that really exists on earth is the human race, and we all share the same hopes, dreams and fears about finding our way in this life.
I don’t usually take notice of music, but I remember the music in this drama because it was so simple and yet so effective. Unlike the theme song in Autumn's Concerto (Taiwanese drama) that literally almost drove me mad, the music here served its purpose of evoking all the right emotions at the right time. Even though the same instrumentals were repeated throughout the drama, it didn't feel repetitive because it wasn't overdone to the point where it grated on the nerves.
I think anyone who watches Orange Days will come away with a joyous feeling of having just watched something great. And like me you'll probably be sad that it's over.
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Great but never dares to go all the way
Okay so it leans into emotional realism more than flashy romance, centering on the quiet exhaustion that comes from work, expectations, and unresolved feelings.The series does a solid job portraying burnout not as a dramatic breakdown, but as a slow, heavy fatigue that affects relationships and self-worth, which makes the characters feel painfully relatable. While the pacing can feel slow at times, it fits the story’s reflective tone and allows the emotional moments to breathe. The chemistry is subtle rather than explosive, relying more on shared silences and small gestures than grand romantic scenes.
One thing that I don't get it like it wants to be brave. The show hints at bold ideas about modern labor, automation, and emotional detachment through tech, but it never really digs deep into the ethical or social weight of AI... it mostly stays symbolic rather than critical.. The show plays it safe by softening the consequences and resolving conflicts too neatly, which undercuts the rawness it’s aiming for. So while it looks courageous on the surface for tackling burnout and vulnerability, it doesn’t quite push far enough to be truly uncomfortable or transformative. It ends up feeling cautious rather than bold—well-intentioned, sincere, but ultimately not as daring as it pretends to be.
Anyway it is a thoughtful, mature show that may not be for viewers looking for high drama, but it resonates deeply if you appreciate introspective storytelling and emotionally grounded narratives.
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The devil is in the details
The Devil Judge is conceptual, surreal, provocative and very much character-driven by one man, Ji Sung as Kang Yo Han, the eponymous main character of this drama.Based on only the second screenplay ever written thus far by Moon Yoo Seok, a former judge himself, who created the well-received Miss Hammurabi in 2018. This time he presents viewers with an imagined version of the judiciary operating within a dystopian setting. In particular, the concept of a “live court” where trials are streamed in real-time and the verdicts are decided by the general public via online voting. This premise revolves around the titular devil judge who presides over this unconventional justice system.
What I enjoyed about this drama
The technical execution is top notch. Direction, editing, cinematography, cinematic visuals and special effects are all very good. The absence of awkward scene transitions or inconsistent camerawork and sound mixing throughout makes for very pleasant viewing indeed, from an audiovisual standpoint.
The high production values reflected in the overall production quality, set designs, shooting locales and costuming are very impressive. From the grandeur of high society events and soirées, the opulent mansions, luxury cars to the uniquely futuristic setting of the supreme court, along with its distinctively cultish ceremonial attires.
The tale of one man’s vengeance by taking the road less travelled that reads like a contemporary and twisted version of the Count of Monte Cristo. The approach falls into the category of cutting-edge dramas that pushes the boundaries of conventional storytelling. Or at least it makes a decent attempt to do so. It is a fusion of psychological thriller, legal drama and mystery that are interwoven with themes of revenge, love and betrayal, as well as elements of politics and corruption. For the most part, the combination of the myriad aspects has been seamlessly integrated into the narrative which induces considerable thought-provoking debates, certainly among viewers, on matters pertaining to morality and justice.
Most of the main and supporting characters are intriguingly written and superbly rendered. No one is purely black or white, and almost everyone is shrouded in grey mist. Where allegiances lie and what motives prevail are constantly being second guessed. Over the course of the entire drama, viewers slowly peel layers upon layers of these multi-dimensional and sometimes larger than life personas.
This is very much the case with Kang Yo Han, the titular character and main protagonist... or is it antagonist? Perhaps somewhere in between, no one can really say for sure because this is one personality that’s open to diverse interpretations, depending on where your moral compass’ true north is set. In a recent interview, Moon Yoo Seok had intimated that having written a good and just main character in Miss Hammurabi, he was inclined to explore a character that is the total opposite and who operates within a contrasting environment, in this case a failed state and corrupted judiciary.
This in-depth character study into the so-called devil judge, is made even more compelling by the excellent portrayal. I’m well aware of Ji Sung’s talents and accolades in the industry, there’s no question what an experienced and fantastic actor he is. But still I was taken aback. His embodiment of the role is utterly immersive, inspiring and captivating, for he truly possesses the gravitas, screen presence and versatility to succeed in this powerful characterization.
Aside from KYH, Jung Sun Ah is a character that mystifies the most alongside a complex story arc of her own that is no less fascinating. She comes across as charming, disturbing, manipulative and opportunistic. In reality, she is a psychopathic and surrealistic dominatrix as well as a complete femme fatale. Played by the prolific Kim Min Jung who injects, in no small measure, a nuanced passive-aggressive vibe into the profile. Some may argue that the character is one-dimensional with ambiguous motivations, but it’s quite fitting that she and KYH share a kind of dysfunctional chemistry and power dynamics that make them the perfect adversarial / love-hate pairing from hell.
Among the supporting characters, Heo Jung Se, the President, catches the eye as the most OTT yet amusingly so at the same time. Baek Hyun Jin is essentially reprising his performance in Taxi Driver with the exact same portrayal. Ahn Nae Sang has been seen in many dramas of late and here he plays the Chief Justice, Min Jung Ho. It is a measure of his experience that he manages to infuse the character with sufficient misplaced idealism and self-righteousness that infuriates most, if not all, viewers. Deftly portrayed with understated conviction and believability indeed. Jang Young Nam as the stoic Minister of Justice, Cha Kyung Hee delivers a commendable depiction where she projects the aura of an iron lady to perfection. The wheelchair-bound Kang Elijah, portrayed by Jeon Chae Eun, is another that's deserving of praise. For someone so young, she showcases such range beyond her years, especially in the last two episodes.
There are a total of 4 OSTs in the soundtrack, of which two resonate with me the most. The poignant classical instrumental piece, Enemy of Truth, and Tempest, the alluringly intoxicating pop-rock fusion. If ever there was a song that fully encapsulates the characteristics of the devil judge himself, it would be this track along with its distinctive guitar riffs and accompanying MV. Additionally the BGM, comprising delicate piano pieces, further elevates introspective moments throughout. Credit must go to the music director, Jung Se Rin for the impressive original score.
허클베리핀 Huckleberry Finn – Tempest
정세린 Jung Se Rin - Enemy Of Truth (진실의 적)
Sondia – Nightmare (악몽)
Zeenan – What You Gonna Do
What I didn't enjoy as much
Issues with the plot development. Despite a really promising start along with numerous twists and turns as well as cliffhanger endings in almost every episode, somewhere towards the tail end of the second half, the story begins to feel repetitive and static. It was a case of one step forward and two steps backwards in a kind of time loop where certain characters repeatedly play out the same scenes time and again. I’m really referring to Kim Ga On and Yoon Soo Hyun here. Overdosed with a crisis of conscience, these two are either constantly disputing KYH or doubting themselves and even each other. The initial intrigue from their mind games and relationship dynamics eventually devolves into a rather superfluous recurring pattern. The presence of a considerably pivotal event in a later episode renders a particular character as nothing more than a mere plot device for the final arc.
If I’m being totally honest, the characters Kim Ga On and Yoon Soo Hyun do feel quite inconsistently written. The lack of profound evolution or at least palpable growth in either character who continuously exasperates with their appalling nonsensical decision making that contributes absolutely nothing tangible or substantial to the overall storyline, other than to recycle dramatic angst that detract from the more compelling direction of the drama. Park Jin Young, who plays Kim Ga On, isn’t the most convincing supreme court judge. He looks fresh out of college and somewhat lacking in life experience. Perhaps his role was intentionally written to be such, to instigate an emotional reaction from viewers and to set up the climactic end, which he does so competently. He does possess much potential, if only his character had been written with more depth.
Likewise Park Gyu Young, who elicits a similar response to her interpretation of police detective Yoon Soo Hyun. She spends most of the time pointing her service revolver at nearly everyone and jumping head on into situations that are beyond her control, oftentimes irrationally and without adhering to procedural protocols i.e. calling for back-up. I do think she’s a promising actress, having previously seen her in Sweet Home. Perhaps she would fare better with a more suitably written role in the future.
Although the nature of dystopia being depicted is supposedly totalitarian instead of post-apocalyptic, scenes of great injustice or suffering aren’t particularly apparent and not in abundance anyway. Apart from an isolated slum neighbourhood in the outskirts where small scale skirmishes break out and montages of public protests interspersed among certain episodes, the atmosphere very much looks like present-day Seoul. This gives rise to a feeling of disconnect between the purported setting and the featured visuals.
Final thoughts
All things considered, despite the misgivings that I have, The Devil Judge remains a compelling production worthy of viewing for its innovative concept, truly exceptional performances by its main leads and no holds barred storytelling. The final point worth mentioning is that the drama does eventually make good on most of the issues I have to redeem itself and ultimately end on a hugely satisfying note.
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This review may contain spoilers
My favourite BL of this year
When the series has yet to come to an end, I said it's my favourite BL of 2021, and now that it's actually ended, I'm STILL saying that 'We Best Love: No.1 For You' is my all-time NUMBER ONE BL of 2021! I don't think I can move on from this series anytime soon...STORY
The two main leads, Shu Yi and Shi De, are in an unrequited love - SY is in love with one of his close lady friend who's in love with one of SY's close guy friend... and SD is in love with SY. Talk about tragic love. SY and SD knew each other for over 10 years since they were kids, but they aren't friends, oh no no, god forbid they become friends. They are rivals. Competitive rivals, at least according to SY. SD, on the other hand, does not really care. The only reason he competes is just so he could get SY's attention. Cliché af, but cute af. SY is frustrated and upset that he's always No.2 to SD. He never gets to win over SD. The only reason SD tried as hard to be No.1 is cause he wants all of SY's focus on him, even if it makes SY angry. Unrequited love is tough, ok? SD's gotta do what he gotta do with what he's got. So of course, when SD finds the opportunity to keep him close, he goes and makes SY his page-boy, in exchange for keeping SY's secret. At first, SY hates it, but as the episodes progress, SY begins to soften to SD. He even calls SD his friend!! At some point in time, over the 10+ years that SD has loved SY, SD thought that if he couldn't get SY to love him back, at the very least, he wanted SY to be his friend. And it was heart-breaking, to watch SD try to hide and bottle his feelings just so they can be friends... It's just, man, SD is so selfless with his love for SY. He only gives and doesn't ask for anything in return except, well, only for that they could become friends until graduation. Which is in itself bringing me to tears!!!
Unrequited love is a theme that's really popular in any love story, but in 'WBL: No.1 For You', it's just so captivating, to watch these two men side-by-side as one watches the other with love-sick expressions while the other figures out his emotions and come to terms with his newfound feelings. You cannot ever forget the way they bared their hearts and souls to each at that bridge... I've never seen anything so beautiful and heart-wrenching. You can say, even though SD loved SY longer, I feel like SY is the one that loves harder. Nobody can stop him now!
Also, the fact that we got an underwater kiss in the first episode itself, not to say in the first minute of the series... oof bravo! And that kisses in the last two eps omg people, it was everything I could've ever asked for and more!
CAST/ACTORS
The chemistry between SY and SD is hot and boiling, but at the same time, soft and sweet. I could watch them all day even if they were to do nothing but sleep. Their good looks are enough of an eye-candy to last me a good few months. Before officially watching this series, I looked up the actors that played SY and SD. The chemistry between Sam Lin and Yu is also as heated as SY and SD. The two actors looked so comfortable with each other, it all seemed so natural. I've watched their IG lives too, and they're always in their own little world, being so flirty and giggly all the time. According to Evan, who acts in this series as Bing Wei, he said the following to express how much Sam and Yu are always acting like they're the only ones in the room, "We're just air in the room. Don't mind us." Agreed. I feel like a third-wheel whenever I watch them.
Yu is actually half-Japanese and half-Taiwanese, and if you watch the series, you'll notice how SY incorporates Japanese words here and there, and I absolutely LOVE it! It's just so adorable. Also, it's supposedly Yu's first time acting, which blew my mind cause he acts so well in the series I couldn't tell he was a rookie. And then we have Sam, the man with the sexiest voice. I absolutely fell in love with his voice. The dynamic between these two is out of this world, you wouldn't have known that this series was the first time they've met. They behave like freaking long-lost soulmates omg. The 'WBL: No.1 For You' team couldn't have done a better job casting them to play the main lead roles. Forever grateful to the staffs responsible for bringing them into the world of 'WBL: No.1 For You', and making us fall in love with them.
MUSIC
The OSTs in the series are beautiful and I love them all~ I hope they keep giving us their music.
Kelly Cheng - 《Will You Be My Love》
YU - 《Aqua Blue》
Alex Chou - 《Hard To Let Go》
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Watch it, guys. To those who still haven't, I don't know what you're doing, but you're missing on a real treasure. Every part of this drama was everything I hoped for and more! We got a simple yet interesting plot, an amazing cast, mind-blowing chemistry with jaw-dropping kisses, and would you look at that, we're even having a second season! What's not to love?
Season 1 ended with a happy-ending (i love it here), but to those who haven't watched last ep to the end, hot dang, would never have expected that post-credit scene ;-; but all the same, here's hoping for a better Season 2!! I'm mad excited about it, and I just love seeing Sam and Yu acting together~ There's something about the both of them....
Fighting to WBL all the casts, staffs and fans! Let's cheer for an amazing Season 2!
FYI, WBL reached a new record on MDL scoring a whooping rating of 67. 1! Never happened before and I was proud of WBL for breaking MDL~
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Possibly the worst... anything that I've seen.
You know how when you pass a huge accident on the road you can't help but look? Well, at least in that case something interesting has happened. This more like passing a cactus and staring at it until it does something.I gave it a '1' for story, because there's no "0". That sounds harsh, but there's actually no plot. There are times you may think there's one, but it's a trick. This series is so random that I almost always had to go back and check that I didn't skip an episode because the current one never really had a connection to any of the past episodes. There are so many random things thrown into this that it's bewildering. There's even an entire new character with apparently nefarious intent (judging by the ominous music cues whenever he appears) thrown into the very last episode that is totally unconnected with anything else and you have no idea (and never find out) what he wants or intends. That happens a lot. This really feels like there was a pile of 30 BL scripts on a desk and someone accidentally knocked them into a shredder and this is what they came up with by randomly taping scraps together. That sounds exaggerated, but it's not.
Let me give you an example: It's hinted that one of the characters has done something wrong. Barely hinted. Then at the end of an episode, everyone's phones start dinging - they all glance at their phones, then turn to stare at the character. And that's it. We never find out what the text said, or what the character in question did, nor does this have any meaningful effect on the story.
Another example: Milk and Pun suddenly have a kid. He's 5 years old as there has been a time jump. There are scenes of Pun being a cute dad. Then the mother shows up and says - "Thanks guys, I'm talking him back." I guess she realized he's old enough to vacuum her house now or something. To be fair, Pun is depressed, but as is standard for a BL, a damp towel wipedown cures him of that.
I slogged through this because the main character, Milk, is so cute that puppies are goblin sharks in comparison (don't google that before bedtime). And Dr. Pun looks extremely good when he steps out of the shower. And I hoped they would get together in some beautiful and romantic way. In the end it seemed like neither of them had anything better to do.
This series is so dreary that when their relationship is formalized everyone is sitting on one side of a table in what I would have thought was a conscious imitation of The Last Supper, but it can't be because there's a story behind the Last Supper and that would mean that whoever wrote this is aware of the idea of a story.
There are BLs where there is no kissing. That's OK in many cases, because they're set in high school and the characters have never dated or kissed anyone before. This series ends with the characters in their 30s, and Milk still acts like the creature from Alien is unhinging its jaw next to him whenever he's in danger of being kissed by Pun. There is a 5-year time jump, during which time they've been togther - and living together, sleeping in the same bed, and they still have never kissed, let alone had sex. Even when Pun proposes marriage, all he gets is a grunt and a peck on the cheek. The lack of intimacy in this is so severe that I don't know what else to call it but homophobia. They don't even directly refer to relationships - it's easy to miss because everyone speaks of them in oblique terms. They could be talking about working together, accidentally bumping into each other in an elevator, running over someone with their car, or being in an LTR - it's hard to tell.
This is full of people pontificating about life and happiness with the profundity of a greeting card you pick up at the supermarket because you forgot your nephew's birthday. There are very, very long monologues about this at random times when it has no relevance to anything else that's going on.
This diretor/screenwriter also did Love Sick 2 and Friend Forever, and after those two valiant attempts has finally succeeded in making the most boring and miserable series possible.
The technical qualities of this are OK, but not ever exceptional. There are a few funny mistakes, like a big red 'X' taped to a bench to indicate where an actor should sit. (To be fair, he sat on it, so it worked.)
Acting: 5. I don't think anyone's actually acting, so it's not any more terrible than people standing around talking, but nobody every really does anything involving more skill than people standing around talking. Son Ravisut makes an impression as Milk, and Petch Jakkaphet makes an impression with his exposed glistening torso, but both of those are shallow qualities. There are occassional glimpses of ability in Son, but I can't be sure given the material. And other than cuteness, there's not really much to recommend him. If you refuse to engage in m/m intimacy, then don't accept a role in a BL.
Music: 1. There are three snippets of stock music the editor downloaded. One is that standard bassoon melody for light moments, then there is something bland for normal stuff, and an ominous track for when something dark is happening. Dark is too strong - more like a tiny diminution of light like when a moth is flying a meter or so from a lamp. That's about as much as the tone of the series ever changes.
Rewatch value: 2 - there is one scene I've rewatched. Dr. Pun takes a shower and stands around for a minute or so glistening and wearing only a towel around his waist.
Overall: 2.5 - This is truly terrible and a complete waste of time. It's absolutely incomprehensible that this could ever have been made.
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This review may contain spoilers
The story being told in an unagitated & well-rounded way unfolds its unique (I´d say: high) quality
"Divorce Attorney Shin" is actually based on the webtoon of the same name by Kang Tae-kyung. The KDrama comes with the handwriting of the same screenwriter as i.e. "Thirty Nine", "Always" and "Encounter" – Yoo Young-ah. In the case of "Divorce Attorney Shin" once again shows off her strengths: drawing true-to-life, sensitive portraits of friendship and relationship dynamics with plenty of ordinary life of ordinary people. In "Divorce Attorney Shin" you get (also thanks to marvelous actors/actresses!!) authentic, lifelike characters and circumstances. In this case with sometimes maybe a bit weird, but loving details. With characterful esprit. Unagitated. At times a joy to the heart. Almost soul food."Divorce Attorney Shin" tells stories from the red-hot everyday life of many people in South Korea, which is increasingly about divorce. The number of divorces in the country is currently going through the roof. The topic becomes almost normal madness. KDrama understands this just as such. Divorce is normal. Not nice. Not desirable. Not originally intended. But often unavoidable as the next step. And sometimes maybe...
(A bit tongue-in-cheek: the title. Attorney Shin's name "Shin Seong-han" literally means "sacred" in Korean. Thus, his name tag "Shin Seong-han, Divorce" becomes a provocative play on words. Attorney Shin is also the man for the cases when the ´holy state of marriage´ has faltered...)
There are many reasons and circumstances behind such a momentous decision as divorce ( ... and it may always accompanied by a bit of shame and feeling of failure, which needs to be digested emotionally). Some of them come along enrobed in different cases. They are weaving their way around the frame of the story, the main focus of which are three old friends – above all, however, divorce lawyer Shin Sung-han. One of the recurring scenes is the small but finely drawn retro lawyer's office with a wooden sliding door that sometimes gets stuck, which you quickly grow fond of. Also, Shin's apartment with retro-style hi-fi, where he spends his evenings listening to loud Trot music, preferably singing and drinking soju from a wine glass. And then the cozy Ramyeon restaurant around the corner from the office. Added to this is the special relationship between Shin and a client who ultimately joins the team and another young lawyer, who somehow stumbles over Shins piano skills into the office. And then there's his own past as a gifted pianist and the reason why he's no longer one.
Kudos to the layered nuances that paint the complex environment in which divorce tends to be embedded. No divorce is like the other. But most of the time, divorce hurts or hurt started before and therefore led to it. "Divorce Attorney Shin" touches on a multifaceted assortment of backgrounds and triggers over the course of 12 episodes short-term critical circumstances and long-term effects, emotional suffering and opportunities, economic chains and hopes, social stigmas and societal prejudices, and then, too, self-doubt, as well as collateral damage and sacrifice. It's not always just 'the others' who are affected, but the controversial issue of divorce is getting very close to almost all of the protagonists. JTBC attacks a hot social topic with the KDrama.
"Divorce Attorney Shin" offers all this embedded in a variation of slice-of-life. Leisurely, cozy and enjoyable – and therefore digestible. But it's not at all harmless. There is plenty of law-and-order with a comprehensive arc of suspense. On the one hand, this is the professional talent of our protagonist – although not his only one. On the other hand, there is his own family history, marked by the pain of separation and divorce, which is unexpectedly stimulated anew. The dramaturgical dynamic of the story is increasingly gaining momentum and ultimately steers inevitably towards Shin's very personal showdown, where justice is fought – not with firearms or fists, but according to the law, with evidence and with a sense of proportion, heart and mind.
In my opinion, the story finds an extremely fine nuance on all levels, which shows an ever deeper effect over time. Subtle but lasting. I would associate (not timbal, but) Koshi chimes – depending on topic and episode, sometimes more in the timbre of Aqua, sometimes more in the timbre of Aria, sometimes more in the timbre of Ignis, and sometimes more in the timbre of Terra... The story being told in a coherent and well-rounded way unfolds its very unique (I´d say: high) quality.
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SIDE NOTE: --- Trot ---
KPop is a 2000ff phenomenon in Korean music history and by now even most non-KDrama fans are familiar with it. ´Trot´ however probably is less known. But beware: maybe in the not too distant future there will also be a KTrot, who knows...
'Trot' dominated the Korean music scene – as the earliest form of popular music in the peninsula. Trot is less well known to the rest of the world, but has experienced an enormous revival in its own country in recent years, which is now taking the genre even beyond national borders, too. "Divorce Attorney Shin" presents one of the hits, which was released brand new in 2020 on the CD "9 Stories" by Trot old master Na Hoon-a. The 72-year-old landed a megahit, with its YouTube video being viewed 25 million times and thus temporarily relegating the superstars BTS and Blackprint to their places. Korean cultural export strategists are smart and quick. The song promptly finds its well-staged place in the appropriate KDrama with "Divorce Attorney Shin", which also takes the direct route to the international audience via the Netflix streaming platform…
'Trot' grew on Korean soil and is quite retro in its foxtrot and slowtrot beat derived from standard dance. 'Trot' goes back to the time during the Japanese colonial period and the import of the 'enka', mixed at that time with the folksy, epic pansori lamentations (at least for me often reminiscent of flamenco), as well as the traditional aesthetically harmonious, lyric poem form Siga. However, due to its entangled roots with the Japanese 'enka', 'Trot' fell under censorship from the 1960s onward and only resurfaced in the 1980s. However there was also J-pop , hip hop and rap allowed to reach the masses and with that influence the then upcoming new and hip KPop pushed 'Trot' into the background.
Only now, when KPop is firmly established, does interest and space for something 'new', identity-establishing traditional obviously open up again. There may be something old-fashioned about ´Trot´, since young people are more familiar with it via their grandparents generation. However, the music triggers a nationally rooted, melodramatic emotionality... It's quite possible that a contemporary, new variation of internationally hip KTrot will develop over the course of the next few years. At least the trot is rediscovered – not first – but also by "Divorce Attorney Shin"...
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This review may contain spoilers
Crisp and tasty KDrama - revolving around some hot topics that one might rather want to call sci-fi
Intelligent, sharp, with strong characters. A crisp and tasty KDrama. “Blood Free” got me immediately - with an original hook, set within a gripping milieu, topped by thoughtful demeanor of interestingly authentic protagonists and splendid casting.Of course, the interfering natural interest of those in power (who obviously can never keep their hands off) is not at all surprising. Yet, the processing of some rather hot contemporary issues was presented in a refreshingly concise manner. Including topics that one might call a dream of the future... A bit far-fetched here and there? Perhaps. Nevertheless, often enough well grounded in common sense.
I assume there could as well be a second season... because the end doesn´t necessarily have to be the end, does it?
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" BELIEVING IS MAGIC "
This is my first time writing a review so i guess it won't be that great .It's impossible to rewatch as you will remember this drama forever . This is the best kdrama of 2022 so farr . I cried in the last episode . This dramatells us about what we need is to believe in ourselves . This drama is taking us 2022 children and adults into consideration . We all must have dreamt of something in our childhood . But do we really complete that dream when we grow up ? Just getting a degree or becoming like your parents is not a qualification or a must . We need to think and see what makes us comfortable and happy and makes us worth living a lifetime . This drama has excellently potrayed everything about our current situations but using magic and how we should move forward by remembering our happiest memories .
" He had no choice " " At some point , the world became a place where people like you ( ) can't live in . because if you don't meet the set standarads , you are treated like a failure . ......................... I think I understand you now . Since when did this world became a place where dreams have to meet a standarad ? What kind of qualifications are needed to become a necessary adult ? I just need to be me . " - Ah yi (ep 6)
I don't have much to write . So i hope you'll watch it . My review won't be that good . This drama amazed me a lott and I have been thinking about this drama since 24 hrs . I loveee thisss
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In the ocean of sugary sweet love stories with clichés like accidental kiss scenes and drunken confessions or over the top makjangs with evil in laws and memory losses, I found a drama that is slow paced, mature and tackles some heavy matters with a very realistic approach. I thought it’s impossible to show the story about two people finding love outside their marriage in the world of a very conservative Korean television, so with every episode I watched, I was growing more and more surprised that the drama didn’t change its tone in any of the typical directions, so either overly melodramatic or exaggerated comedy. It finished just as it started: calmly, simply and without big declarations or unexpected plot twists. I agree that the last two episodes weren’t as well-thought as the first part of the drama, but considering this sudden decision to cut it by 4 episodes, I think they did an exceptional work anyway.
I liked the cast. Even though I think that Kim Ha Neul is not a greatest actress, she played the role of a timid, dependant Choi Soo Ah perfectly. She and a male lead, Lee Sang Yoon, had an amazing chemistry. I don’t know how they did it, but every time they touched or even so much as looked at each other, you could feel intense feelings between them. However their chemistry was very mature and perfectly fit for the flow of the story. The rest of the cast was also very good, I especially connected with Soo Ah’s best friend Mi Jin, who was flawed, but that’s what made her very human and likeable.
To sum it up, I really loved On the Way to the Airport and I wish there were more dramas like that. I loved its simplicity and the courage to set the story around subjects that are more often than not considered forbidden. If you’re looking for a break from typical tropes, you won’t be disappointed.
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The story is pretty standard, but the cast took a predictable scenario and made it fun to watch. There are many KDramas with similar love triangles, but the over the top characters, and humor, kept the episodes fresh. There are quite a few "poop" jokes that remind you not to take this drama too seriously. There are also quite a few rewatchable romantic moments. I found all the episodes so entertaining, that the time always seemed to fly by. The final episode was a bit weird, but I loved that all the great supporting characters got to have a real finale scene.
This really was a great, lighthearted, romantic comedy that I would definitely watch again.
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The acting was amazing. There was so much crying, but each one never lost its value.
It was a btch to get through since most the story was so sad, but I suggest you don't watch it in such a narrow minded view. Put yourself in each characters point of view and try to understand each one because for me that's what made it bearable.
I finished the series in 2 days because I felt so bad for KYJ and I was just eagerly just waiting for her to do her quirky adorable laugh. I really hate sad dramas, but I got a much greater "feel good moment" effect from the little bits and pieces of happiness in this drama then a drama dedicated completely for "feel good moments".
I fell in love with the main couple. Look at my list I usually drop as soon as the main couple gets together but on this one I kept going because I actually wanted them to get closer and closer. To me their love was believable and on episode 15 their was a moment I even cried out of jealously because it is the kind of pure love I truly want.( you will understand when you get there)
What I also liked about this was the deaths weren't just some random conveniently timed events. Each one had a purpose and were connected. We didn't the moments where a character finds something out, and right then they die that usually happens from a out of the blue car accident.. Like that sht makes me go CRAZY!
Re watch value of me was low because I don't think my heart can handle it lol.
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BL Drama no Shuen ni Narimashita: Crank Up Hen
59 people found this review helpful
This is how you do romcom bl
I haven't laughed this much for a series recently. It's not about comedy scenes but they delivered it brilliantly.we can see the helplessness of the main lead (akafuji) to stay calm from his crush.. not just a crush, aoyagi is his everything. They are the perfect one's for this role. Because, not everyone can do the secret romance, tension, jealousy with humour in it, but they done it beautifully. I really loved the hidden aoyagi printed t shirt, the hand kiss, and his faint. omg I was laughing out loud and my parents came to me by asking whether you need to see a therapist or not....
I loved the whole cast. Mainly the dialogues of akafuji, 'today our eyes met for 2.7 seconds, I'm certain.. at that time my heart stopped beating'. Seriously who will count those seconds, he's head over heels for aoyagi.
it's a must watch guys.. but it only has 3 episodes... and that's the only negative here.
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