Reviews

BEST 2024 costume drama!

So Satisfying all the way through!!!!

Li Yun Rui & Meng Zi Yi Underrated for YEARS finally gets their big break!

Li Yun Rui - Always the supporting role. He was ML3 in Love like Galaxy. Supporting characters in many.
Meng Zi Yi - I always thought she looks goddess like and can act well enough for idol dramas, yet she never gets roles like Dilraba.
The pairing imo is fantastic. Both tall and beautiful, chemistry brewing.

The plot is NOTHING special as it's about 2nd chance in life trying to change fate. But unlike the ###s drams before, this is done right with a powerful 1st episode. On a cold snowy night, enters ML w/ silver hair saving the FL from a crashing carriage. Their eyes meet and the scene gives off that that same "A Familiar Stranger" vibe. (Same Director). Ep ends with them falling through the shattered glass into the abyss. Then time freezes as she slowly floats back up passing ML signals the reverse in timeline. The visuals are incredible, the best 1st episode ever! Can other directors just learn from this one?

The next 5 episodes ML/FL hardly have any interactions as they are building up the storyline. Ep 8 on the chemistry is on fire! Of course, if you are impatient and just want the leads face smooching then stick with your short dramas. This is a beautifully paced slow burn romance properly done (IMO) and I am loving every episode w/o skipping any scenes.

The not so perfect:
1. Blossom .... Y Y Y Y Blossom? Why can't they translate the title closer to the Chinese title?
2. ML, bad (General's) hair. umm his face is long, and you just up dewed another 3" of extra dry fake hair
3. Typical one-dimensional bad stepmother, bad uncle, bad dad, supporting actors but MOST of them had a glimpse of turnaround.
4. Insta fall from ep 1. ML/FL needed a bit more scenes ep 2-6.

For the first time 34 episodes felt so short.
All Top notch:
1. Director
2. Story telling
3. Visuals, creativity - Best 1st episode ever!
4. CPs! "Grape staring at raisin" FL big eyes staring at small eyes
5. Perfecting Casting - big or small roles
6. Characters. There are several characters switch between good and evil & the actors pulled it off!
7. Satisfying Ending. No botched up ending with quick killing of the entire cast. No ending ending. No Rushed Ending.
8. Script - Beautiful (level up Chinese.... Yeah my 3rd grade Chinese had issues understanding but I know it's well written
9. Music - elevating scenes

Emotional Hits:
1. Every ML FL scenes
2. Emperor, ML scene Ep 14
3. Yuan Tong realizing he really loves FL
4. Parting scene Wu Shan, FL scene
5. Ep 1 Death of emperor scene
6. Dou Ming .... tragic ending scene

LOVE LOVE LOVE I shall rewatch whenever there's a C-drama dry spell. (This year was a long dry spell)

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It was fine but the feels isn't the same

It was really difficult to talk about this season because isn't bad. What I thought abt this S2 is that the same things that was good was bad for me as well. The good things: we could see a development of Nanno's personality and the gore and cinematography in some episodes were better than S1. Yuri's connection with Nanno gave a "fresh air" to the series too because we never thought abt the legacy of Nanno's power and the possibiliy with someone replacing her in the future. But this good things also have a bad side for me as well and I'll explain more abt it below.

What I liked abt Girl From Nowhere was how Nanno was unique and powerful, her character was the ONLY ONE like that in the season. The messages behind each episode were really good too and I remember finishing an episode with a "OMG THAT WAS AMAZING" feeling but this season I didn't have the same feeling. The stories in each episode here wasn't that strong as S1 and I think it's due to as the writers wanted to introduce a new character, the purpose of S2 wasn't passing messages throught the episodes, it was only about schoking visually more the viewers and introducing the new character. It was like a "bridge" season to connect what we already saw from Nanno in S1 with a new "nanno" in S2 that may follow her footsteps and replace her. This new perspective can be good as I said up there but the problem is in Yuri's character. Her story with Nanno is what it is interesting, not her character. For me, besides having different thoughts abt revenge her character is really boring and it's like a worse version of Nanno. I understand the perspective of wanting to create a "nanno sequence" and create more people to "continue her journey" but as Yuri isn't an interesting character I ended up not enjoying her introduction that much. I think I would prefer they working together than being enemies. The thought of having a new season focused on Yuri really worries me too lol

As the writers choose to focus more on this "new nannos" this season can also be less impacting for u If u expected something more similar to S1 (like I did) of If u wanted episodes with good messages behind. Ofc we had some good episodes in S2 but the stories in each episode wasnt strong as S1 and the messages in some episodes seemed similar to S1 as well. Because of that, we already know more or less what to expect and this give a "well it was fine i guess" feeling. We had some good episodes with some plot twists too but in general, the portray of the messages wasn't that great as S1 so this can be a disappointing thing for you, keep that in mind.

Like I said, everything in this season have two sides, it will depends on you If u like this two parts or not, it's really about what you want as a viewer. Therefore, I think that If u liked S1 and If u like Nanno you should watch S2. Just don't expect too much If u liked S1 because it can't be a little dissapointed for you like it was for me. Or not.

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I have to start by saying that this is a good drama that is worth watching. However, only a couple of things prevented it from being "great".

First problem, and I think many who have watched it will agree, that Wild Romance seemed to have lacked a little in the romance department let alone anything "wild". I WISH WISH WISH, there was more romance between the main characters, because I absolutely adored them! Lee Dong Wook and Li Si Young did an AWESOME job in their roles and I have become a fan of both of them because of this drama! :D This is actually rare for me to say but...I WANTED MORE LOVEY DOVEY SCENES BETWEEN THEM! Haha. But I did enjoy the few cute scenes they did share. LDW and LSY are what drove me to finish this drama and they never failed to make me laugh with their silliness. :DDD

Second problem, and I think I will gain a few haters by saying this, but the amount of air-time they gave Jessica (from SNSD) was just...too much. I mean c'mon... side characters are just...SIDE CHARACTERS! It really frustrated me on how much of the drama was focused on her. I have nothing against Jessica of course...I think she's a very cute girl. But like I said, it was just too much for me. But to those of you who are huge Jessica fans, BY ALL MEANS this is the drama for you! :P

As for the story, I thought it was exciting,suspenseful and mysterious and the plot was very good for a such a short drama and I did enjoy some of the songs in it as well.

Overall I think this drama is very underrated and deserves much more praise than it seems to be getting. :)))

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The beginning of the drama really ticked me off, because the characters were really jerks. I didn't know what to think when even the characters that I thought of as "good" guys were totally horrible to Park Shi On. However, that is what makes this drama great in the end. The character development is worth all the pain at the beginning. As the story progresses, there are reasons behind the characters actions. I'm not much for medical dramas, but this is so much more that. I didn't really think of it as just a medical drama. I thought it touched on something that is really important being the way people treat people with disabilities. Sometimes I think we forget that they are people with emotions just like everyone else. I have friends with children that are autistic and I hate the way some people treat them. I also love how Park Shi On helped the other characters heal and become better people.

Joo Won is a great actor. His portrayal of genius, autistic Park Shi On is really well done. I don't think that is an easy part for anyone. I have seen almost all of Moon Chae Won's dramas and I find her acting to be believable. She didn't fail to be believable as Dr. Cha. I was really ticked at her at some points in this drama and I think that is due to her great acting abilities. The other actors were also good in this including Joo Sang Wook and Kim Young Kang. I adore Ko Chang Seok as an actor. He is really good in all the dramas that I have seen him in. It was cute to see a cameo of Park Ki Woong in the last episode. Joo Won and he must be really good friends. Too cute.

The music is good and appropriate.

I might rewatch this in the future.

If you like an underdog story, then you can't beat this drama. I highly recommend it to everyone.

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don't blink

This screenplay has to have the most diverse story line I have ever watched in an Asian drama. The story twists and turns from present to past to present and has strong story lines for supporting characters in addition to the the two main leads, who are actually four different people themselves (two each). This drama is only on episode 8 but is revealing some pretty heavy secrets already. The writer wittingly keeps us guessing the true identity of the two leads, especially the male. They both have a pseudo identity who is a mix of past and present identities. There are many deep topics covered in the drama such as same sex attraction, suicide and murder. The murder has not happened in real time as of yet and the culprit has not been truly revealed only suggested. There is innuendo at every turn but I have learned not to take anything for granted. If you like mystery, romance, time travel, teen love, and a complicated plot, you will enjoy this one. I am so in love with the main OST as well. The song Last Dance by China Blue is the vehicle that spurs the time travel by the way, but this is not realized until episode 8 by the actors. Alice Ke and Greg Han are both adorable in this at times. I have to say that although it is deep frequently, do not give up on it after a couple of episodes. It gets better and better. As you can see I am totally enjoying this drama so far. I do have a bit of trepidation of how it is going to end though. Of course, I always hope for a happy ending. But, no mater I am loyal until the end! I am watching it on Viki

update! I just finished episode 13 without subtitles and let us just say, I didn't see that coming. I am so in love with this couple and their romance! They left it open ended so that there could be a season two which would be a dream come true. Pun intended! Wow! I just finished watching this drama and I feel no written review can do it justice, simply because the level of writing in this drama is the best I have ever seen. It can not compare with my little review. The plot is so in depth. It has so many layers that twist and turn and often overlap that it is difficult at times to sort it all out! But you do in the end! The plot revolves around the two main characters, which actually are four (two each) as well as a well developed second layer of active characters whose roles are recurring. The four main characters are played by Greg Han and Alice Ke, each playing double roles. The romance factor is a 10 and the mystery/suspense factor is also a 10. I guarantee once you begin watching, you will not be able to stop until the end so plan accordingly! This no light drama. The plot includes murder, suicides, a love triangle and even a wonderful second lead. The music became my favorite song as well. There are some sexual undertones so this is not recommended for younger viewers. A 10 overall. I will not give away the ending! But, lets just say, I didn't see that one coming! This is a hidden jewel! I can see it becoming a cult classic in the future!

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STORY: This is such a funny show. The loser tries to get back at his ex-girlfriend by getting her new boyfriend to fall in love with him but oops, he also falls in love with the boyfriend he's trying to seduce! A ton of comedy ensues. I'm always annoyed by the strong seme/uke dynamic even though the uke isn't a total pushover in this.

Total run-time: 2 hours 34 minutes over 8 episodes, so each episode is around 20 minutes long. Get this, the intro is 1m 45s, and the credits are 2m 30s! Each episode has more than 4 minutes of bloated credits! Cut that out and the whole show is probably only 2 hours long!

ACTING/CAST: The cast are all very attractive, and play their parts well. I totally loved the part played by the doctor.

MUSIC: Standard drama music. Nothing stood out for me.

REWATCH VALUE: Yes, this is a neat series. Gonna watch with a friend.

OVERALL: Fun series, with cute guys and it's also short. Binge on!

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Start for the comedy, stay for the drama and end with frustration

So back in 2018, there was a tv show called "Legend of Fu Yao". And it was pretty great. Good story, interesting storylines and characters. Good acting. It had it all going for it. It got a little messy with some side stories, but the main plot was worth it so I watched that show for 60+episodes. And I got rewarded with the final episode wrapping up the final plot leaving behind gaping plot holes, in a weak conclusion that took 10 mins and a 45 second shot of the "Happy Ending for the heroine and hero". I was so angry. And now, whenever a promising show with everything going for it, pulls a "quick, conclusion without a satisfying ending", I call that "Pulling a Fu Yao". And that's exactly what this show did.

They pulled a Fu Yao. The first 21 episodes are worth it. They've got good pacing, a reasonable plot and the actors are interesting to watch. I don't even mind that (SPOILER ALERT), they don't end up together, something that is actually foreshadowed in episode 15 when Wang'er shows Shiyi the last episode of his play "The Heiress" and his female protagonist doesn't end up with her Prince. But Shiyi and Yanyi's split happens ridiculously quickly with very little build-up, and Wang'er's contribution to it seems stupid considering that he fesses up to it as she's leaving, but by then she's had enough.
The final scene of them ALMOST meeting and missing each other is just CRUEL to the viewer.

I don't think I'd watch all of it again, but I'd watch certain scenes that I really enjoyed. And the only reason I'm not more annoyed at this drama is that I only had to sit through 24 episodes to get a dissatisfying ending, and not Fu Yao's 60+

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Be careful what you wish for...

...because it might just come true. The Witch’s Diner is an urban fantasy that revolves around the arcane ways of contemporary witchcraft. It combines the supernatural with slice of life, and includes elements of a mystery as well as romance. In addition to the dark arts, the culinary arts are featured prominently through the variety of delectable gourmet dishes which are central to the core narrative.

The concept is straightforward - customers make a wish at the eponymous restaurant, and the resident witch-cum-masterchef will magically prepare a unique dish accordingly. Eating the dish will grant the wish but not without a price in return.

Following the TVING brand revamp in 2020 after the joint venture between JTBC and CJ E&M was finalised (and most recently Naver bought into the venture as well), the streaming service currently provides premium content via paid subscription. Included as part of its original programming for 2021, this drama certainly reflects the production values strived for by the streaming service. The overall quality and technical aspects, including the visual effects, are unquestionably well executed. The art direction and the production design are quite impressive, in particular the diner which has been sumptuously remodelled to induce a palpable gothic atmosphere. I’ve enjoyed the cinematic grading as well as how the colour palettes seamlessly contrast between darker moments and the more lighthearted scenes.

Similar in premise and tone to other stories that deal with paranormal activities, such as Mystic Pop-up Bar and Hotel Del Luna, this drama falls somewhere in the middle in terms of its plotline and themes. It isn’t spine-chillingly frightening or morbidly infused with gore and horror, while at the same time it is slightly melodramatic with a number of poignant moments that may induce a tear or two. The overarching mystery concerns who the witch is, how the “wish-fulfilment” service came about, and how the ML and FL are connected to her. Along the way, we observe mini story-arcs of folks with problems who somehow end up at the diner seeking otherworldly solutions to what ails them.

At a relatively short 8 episodes, the storytelling is compact without the intrusion of unnecessary fillers. It is engagingly paced where the drama takes its time to explore the backstories of the various characters. It’s worth pointing out certain themes that may trigger such as abuse and bullying. The sense of tension and anxiety are sufficiently imbued into the story as it unfolds, and continues to build right to the climactic end.

The performances of the cast certainly deserve praise. I’ve truly enjoyed Chae Jong Hyeop’s emotional depth through his nuanced characterization as the noble and warmhearted Lee Gil Yong. I feel he is more suited to this role than the one in Sisyphus: The Myth. Nam Ji Hyun displays impressive range in her depiction of the conflicted Jung Jin, a character that goes through much adversity. The role of Jo Hee Ra the witch is played by the experienced Song Ji Hyo. Despite looking very much the part, I do feel that the portrayal is rather understated because of how the character was written - unlike other similar dramas, Jo Hee Ra isn’t an outrageous OTT character that’s loud or stands out from the crowd. She’s probably the most down-to-earth witch I’ve ever come across in a drama. I do however admire her avant garde fashion sense and found myself chuckling at her portrayal of a younger self.

Special mentions go to a number of supporting and guest stars who make their appearances in this production. These include So Hee Jung who plays FL's mother with such conviction and relatability. Ahn Eun Jin, the musical actress who delivers a fantastic solo rendition in a stage play, as well as Lee Joo Shil and Im Won Hee who portray mother and son respectively in one of the more heartbreaking scenes in the drama. I was actually taken aback by how good he is in dramatic capacity compared to his somewhat more comical role in Dark Hole.

The soundtrack features a total of four songs that fits the mellow undertone of the drama, with the exception of YESEO’s Fair Dish which provides an interestingly magical and mysterious vibe with a hint of mischief.
1. Se.A – Holding On
2. JUNNY – Alone
3. YESEO – Fair Dish
4. Han Seungwoo (VICTON) – Please

All in all, I would classify The Witch’s Diner as a healing, introspective and evocative drama. It's perfectly understated without all the fanfare and light enough to be enjoyed without heavy exertion. I certainly savoured the experience.

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Thank you writer Noh for making this heart-warming story come to live.
I enjoy this drama so much, always keeps me excited for the weekends.
i laugh hard and i cry even harder till my head and eyes hurt, in almost every episode.

So much feels when I watched this drama, and so much life lesson learned.
Makes you think of future life, what will i be when i get older later and cherish our time even more.
Every time i finished watching each episode, i miss my mom and feel like calling her.
I can say that this drama has taken a special place in my heart.

This drama is beautifully made, i can feel that there's so much heart has been put into it.
Hats off to all senior actors. Everybody did a great job, I can't even find any flaws to be complained about.
Oh so much things to say but i can't put those into words..
I'll be re-watching this soon while waiting for writer Noh's next drama for sure :)

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Captivating. Cinematic. Action-packed, yet offering impressive quiet & heartwarming tuning, too

Gando is the land of the desperate, the realm of the desperados of Joseon. In the 1920s, it was also a territory in which political responsibilities and affiliations were vaguely regulated. Some things may remind you of the Wild West. Yet this Wild North in the Far East is quite different...

“Song of the Bandits” is a brilliant Netflix historical drama about a certain chapter of recent Korean history. Moving. Captivating. Cinematic. It exudes the vibes of an Eastern. The KDrama surely is gory action and turbulence at most times, but offers impressive quiet and heartwarming tuning, too. Action-packed it is, yet humor and romance modestly fit in as well. "Song of the Bandits" is astonishingly well balanced in this respect and for a Netflix production, despite its polished and action-driven choreography for a broad international audience, sticks surprisingly consistently to a more subtle Korean series style. Nicely done at all scales. We get a feeling of the Manchurian landscape with Gando impressions filmed at original locations. This all framed within a consistently beautiful soundtrack. It all lasts for 9 episodes (only! Yet?). In spite the overall ambitious commercial production context, aiming at an international “Squid Game”-like success, “Song of the Bandits” was able to impress me with a historically and emotionally complex story with great mimes - Kim Nam-gil, Yoo Jae-myung, Lee Ho-jung and Lee Hyun-wook in their element. But so is everyone else. This is where KDrama and Netflix perfectly come together...

'Bandit: The Song of the Sword' is the original title. In fact, people don't swing swords so much as they use firearms. The KDrama is epically processed, offers great emotions, while telling about people and the range of motives for which people are prepared to fight. It's about resistance, obedience, venality, oppression, social affiliation, the fight for freedom. There are even some spiritual thoughts attached to it along the way. It is about the Joseon people, some personal fate, as well as 'the' history of Chosen - an emotionally quite ´Korean´ excerpt of modern history. Its thematic historic setting (even if the rest of the world might not care so much about it, as it is not requisite for an entertaining series pleasure) contains a lot of explosive material by Korean standards. Therefore firearms are in several respects quite consistent in this context…

As far as I am concerned, I do care about the historical context. On the contrary, I find it quite intriguing - besides the dramaturgically action-packed and emotionally charged story with its complex, interwoven relationship dynamics and conflicts. As I said, you don't really need to know the background to be enthusiastic about "Song of the Bandits". But if anyone might be interested, see the historical side note about 'Gando', the border region on the north bank of the Tumen river, which today also marks the border between northeast China and North Korea.




PS:
Yep, the ending of the story...
If you like, you can dream of more. It could be possible. Yet, it would still go on and on.
Who knows if there may be a sequel...
Nevertheless, from my perspective the ending is quite fitting. (Whether I like it or not.) In terms of the historical events, things are as they are. We want fiction to write a different ending, but it still wouldn´t be any better, rosier or brighter for hardly any of the various protagonists... Therefore, from a Korean perspective the ending of this story remains true to the spirit of the actual Chosen-history: For Joseon people it is and remains unsatisfactory, unfair and painful. ´We´, as an international audience (temporarily and figuratively with our personal discontent), can/shall/must/may thus empathically share this collective emotion, too.





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SIDE NOTE: --- Gando, also called Jiandao, and today Yanbian ---

Gando historically stands for a specific borderland. To this day it is a region with a high proportion of people of Korean origin.
Gando is a small, perhaps inconspicuous scar in Korean history – yet a scar that is still weeping, sort of...
Gando (and Manchuria in general) is also associated with the regrouping of the Rightous Army and thus with the patriotic pride of resistance against colonial oppression. With "Song of the Bandits", the issue of Gando has now obtained an impressive, international onstage introduction...

This 'Gando', Jiandao or Yanbian was the last nail of hope for an increasing number of desperate people from Joseon (and still is for some North Koreans today) who had nothing to lose and would rather settle for an arduous life and try their luck in this section of Manchuria - a back then relatively undeveloped marshland on the north bank of the Tumen river.
First - in the course of, and especially at the end of, the 19th century - famine and poverty drove poor Joseon people to the far north. Then, at the beginning of the 20th century, it was the hope to escape from Chosen, which was finally officially annexed by the Japanese. The Righteous Army militia was also formed anew in Manchuria at that time.

After the annexation of Joseon, with respect to a relatively large population of Joseon people, the Japanese as part of their aggressive expansion efforts also demanded this coastal territory north of the Tumen from the Chinese. Infiltration was followed by an invasion in 1907, but already by 1909 there was withdrawal again. Officially, as a result of the diplomatic negotiations, the area eventually became Chinese again and Japan received railroad concessions, while the Joseon people remained under Japanese rule due to their Korean descent.
"Song of the Bandits" sets its story in this political quagmire: the decade before the belligerent 1930s, before the Empire of Japan invaded Manchuria, established the puppet state 'Mandschukuo' and used it for its own political and economic purposes. The prerequisite for this was a massive expansion of railway lines - especially the North Chosen Line along the border region between Chosen and Manchuria, that had been built during those previous years, while the Bandits sang their song...


Outlook:
After the end of the Second World War, many Koreans went back to their homeland, but by no means all of them. Around 810,000 people of Korean origin apparently still live in the Yanbian Autonomous District of China's Jilin Province to this day. In 1952, the proportion of the population with a Korean migrant background was around 60 percent. Then, Korean language was official. However, especially since the late 1990s, the Chinese government had specifically tried to force linguistic and cultural assimilation in order to counteract political currents in South Korea and discussions about a possible legitimate Korean claim to 'Gando'. These currents believe that - regarding those dubious events of the early 20th century and Gando Convention between Japan and China becoming obsolete with the ending of the World War II – this Gando territory actually is political void and should now belong to (in this case North?) Korea. Thus, Gando's territorial status for some still is not satisfactorily resolved…
Incidentally, desperate North Korean refugees are continuously trying to get to China via the Tumen river, which is icy during the long, cold winter months. Thus, Gando territory invariably remains a last nail of hope for desperate Koreans even up until today...

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Sweet, Fun, Rom-Com

This is a low budget web drama that hardly has any promotion and goes under many viewers' radar. It is a non-serious romantic comedy, and initially, I thought I wouldn't like it. Somehow, though an easy-to-follow story, there are some twists and turns, mysteries and crimes, and a big overall conspiracy that really got me hooked on.

The acting is more like a high school drama - playful and silly. The names of the characters are hilarious to say the least. The Chinese characters used in Zhao Cuo's name have the homophone with the meaning "wrong anyway", whereas his father's name Zhao Juan Dui literally means, "All correct". The play of words in the dialogues with the names is simply hilarious.

Despite being a very light-hearted cute drama, there are some really wonderful moments, especially between the main leads and the dynamics between Zhao Cuo and his parents. With all the bickering and playfulness, Tian San Qi and Zhao Cuo have good chemistry together. I also love the side couple Bai Yi Fei and He Ruo Yao. Though very good looking, Bai Yi Fei is like a piece of wood and is very cute and funny, and He Ruo Yao has a wonderful female personality that I love.

I love the songs sung during the moments when one thinks or longs for the other. The melodies are contemporary love ballads which are very beautiful. Of all the songs, I fall in love with a nursery rhyme that is repeatedly sung by Tian San Qi and Zhao Cuo for each other; it is one of the most adorable nursery rhymes I've ever loved.

My verdict: If you don't have any other dramas to watch, or waiting in between dramas, "I've Fallen For You" is a pleasant one to watch given its light-heartedness and a short series.

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One More Happy Ending, is your average, cliche, most usual, done and seen-before rom com that has ever been produced. Yet, in its very obvious and cliche nature, it was thoroughly enjoyable, and possibly one of the best rom coms i have watched in kdramaland! The drama will make you laugh, cry and even cringe at its fluffy and (possibly) superficial personality, but that's actually its biggest charm!



STORY

The drama is equivalent to all the dramas that center women, namely Sex and the City, Mistresses, Gossip Girl, Girls, I Need Romance ect. The show revolves around a pack of 4 girlfriends, depicting their lives, the problems, the difficulties and implications of dating and other relationships for people in their 30s. The main premise of the show is that everyone, no matter what has happened in their lives or what mistakes they have done, deserve a happy ending, and if they fight hard enough, they will get it! Secondly, the show presents a very realistic -if you ask me- image of the dating scene nowadays -not only in Korea per se-, how unrealistically high people's standards are, and how picky they are, being materialistic, searching for, money, visuals, other than character in their potential partner.



We get to see the life of each woman, and each story makes a point about relationships. Even if all the characters are in their early/mid 30s, i think it is safe to say that everyone can somehow relate to the problems they depict as they are universal.



Story 1: A divorcee who is afraid that she will end up forever alone, kind of scared to let herself be free and enter a relationship, and deep inside feels she doesn't deserve to be happy because of her divorce. This story is the main story of the drama, like 70% of it. It features a love triagle, that you will hate, believe me, but in the very end, it was the most essential love triangle i have ever watched in a kdrama. It wasn't introduced just for the ships, but it depicted serious realistic facts like love vs friendship, which love is valid and which isn't ect. At the same time this story presents several realistic questions a person in a new relationship may have, they can be stupid like 'why doesn't he/she want to kiss me - Is he/she the right person for me?', or more important like 'does he/she have money issues? Does he/she want to scam me?'.



Story 2: Forever single. A girl in her mid 30s having been single in like... forever. I believe many people could relate to her, she was introduced as the 'funny' one of the quartet. We get to see all her struggles to find true love, along with several questions (and reminders) that i could sum up in this proverb 'Whatever shines, isn't gold!'- and vice versa.



Story 3: The more serious, borderline melo, sub-story. A married woman who goes through a divorce and faces serious health issues. Her story is touching, and moving and could have been a great stand-along/spin off show. Her story poses ideas like 'Don't give up on yourself, on your marriage and generally on happiness. Problems are there, pain will always be there, but we have people around to rely on, don't give up on them or yourself, pain will pass!'



Story 4: The (Wanna-be) femme fatale of the quartet. She was also supposed to be funny along with story 2. A woman with attachement issues, but what happens when she meets her match? This story was left on the sidelines, but yet it managed to make some worthy points like 'no relationship will work without trust and letting your guard down. You should know which person is worthy for you to do that, and you should take on the responsibility of getting hurt and of hurting that person'. This story had the potential to hit issues like career problems for people in their 30s, but it didn't which was a waste.



I, generally, don't have any drawbacks to point out, other than the fact that the drama spent too much of its time overanalyzing the first story, hence the rest of the stories being somewhat underdeveloped/underapprecciated. It is arguable to say that stories 2-3-4 were more interesting than the main one.



ACTING

Exquisite acting, as expected by such a talented ensemble cast!



Jang Nara was a worthy leading actress, her character was superficial and fluffy, maybe too much at some points. I loved her more emotional scenes and i wished she had more, she has more to offer than this.



Yoo In Na, was lovely and adorable, expressing the mindset complexity of such a person perfectly. Yet she was cute and only a teeny tiny bit stupid and just too good of a person for her own good. Great acting, for a character and a side story that needed more screen time.



Yoo Da In. My personal favourite, as a melo lover, her story moved and touched me. She expressed difficult and unique feelings perfectly, she was luscious and easy to understand and relate even when she didn't have as much screen time as she deserved.



Seo In Young. Her story was pushed to the sidelines, it comes, therefore, as no surpise how her character was kind of forgettable as well. She was good and i have nothing bad to say, other than she was kind of overshadowed by Yoo In Na, as they were both the 'funny' characters.



Kwon Yool, was very good, his acting could be described as emotionless or/and cold, but i do believe it was his character being like that. I cannot say i loved him, but i had no problems with his acting.



Jung Kyung Ho. And we finally get to the king of the show. You know what is amazing? How he managed, in a show that focuses on women, and had 4(!) female leads, to rise above everyone and have the most important, interesting, touching, funny and adorable character of everyone. His acting could have been as forgettable as KY's but he managed to own the show! True king!



RECOMMEND/REWATCH

Many people argued how this was boring, i disagree, this actually had so much more to offer than other soulless rom coms, it actually had something to say other than just cheesy romance or insignificant comedy. However, this is not a show for everyone. People who know and like the shows that i mentioned above, or/and like rom coms in general, will, probably, like this one. Other people don't spend your time meaninglessly, move on. As for me, someone who generally dislikes rom coms, i loved this one, i don't know if this says something about me or the show...

I loved it, but would i rewatch it? Not really, it was great for the 16 hours i spent on this, and i will savour it for what it was.

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Fresh twists on old cliches.

At first glance, Autumn Ballad looks like just another light historical romance featuring a strong, independent heroine with 21st-century attitudes and aspirations. Yet with a chock full of fresh twists on old cliches, this manages to surprise and delight with an all too familiar tale of a lowly illegitimate daughter who finds love most unexpectedly on her quest for self-determination. This well-told story with an authentic voice is carried by Xu Zhengxi and Qiao Xin's heartfelt performances which make me invested in their characters before I even like them.

What I like most about Qiu Yan is that she is really not that nice or always that smart. Phew, what a welcome relief from the all too common suffocatingly flawless heroines. This is where notably Yu Zheng's recent, much higher budget projects fall way short by comparison despite big-name actresses. Trapped and exploited by her low birth status, Qiu Yan is the anti-Cinderella - her stepmother is her fairy godmother; she gives as good as she gets to her step-sisters and her mysterious prince leaves her a fan at the stroke of midnight. She tries for the best hand from the cards she is dealt and if she has to use a few people or step on toes along the way, so be it. She can be as harsh, selfish, and unforgiving as she is brave, capable, and loyal. She schemes, miscalculates, and makes mistakes with real consequences for herself and for others. I don't always like or agree with her but can understand her desperation and humanity.

Liang Yi is a pretty gray character which makes him my kind of male lead. Beneath his icy, civilized veneer he is a calculating, manipulative, ends-justify-the-means kind of guy with an agenda and he plays a long game. His path crosses with Qiu Yan repeatedly over the course of his investigations as head of the powerful Firewood Bureau. From the get-go, Liang Yi sees through Qiu Yan's machinations with contempt and tries to frustrate her designs on Qin Xuan. But he stops short of throwing her under the bus, perhaps in silent acknowledgment of his own utilitarian nature. When their interest align they agree to collaborate and are unflinchingly honest with each other about what's in it for them. In doing so, they also reveal the better sides of their nature and as they grow on each other, I fall for them. Qiu Yan is no damsel in distress in need of rescuing and Liang Yi can be as much cad as a knight in shining armor. They are kindred spirits and when they join forces, the sum of the parts is greater than the whole. It is inevitable that conflict and antagonism spark mutual awareness and passion. Their repartee is witty and the dialogue humorously highlights universal truths about human nature and the role of women in society. Is it too contemporary to be realistic? Probably but who cares?

This drama ought to be the gold standard for how realistic, believable relationships should be developed and portrayed. Xu Zhengxi really captures the essence of how Liang Yi's feelings for Qiu Yan evolve from dislike and distrust to grudging respect and consternation when it dawns upon him that he added to her burdens. His ironic, disbelieving expression as he comes to terms with his feelings for her kills me every time. This is by far the best-acted, anchor performance in the drama, elevated by the OTP's undeniable screen chemistry. While Qiao Xin stages a convincing, empathetic complimentary act, she falls short in her crying scenes.

The supporting characters are also mostly well-written and I particularly appreciate the balanced point of view with respect to the sibling rivalry between Qiu Min and Qiu Yan. Both Qiu Min and Qin Xuan are less thoughtfully written but despite their character flaws, they both get a pretty raw deal. The writers seem to know how to design layered and interesting characters but don't know how to finish their stories. Too many characters get outcomes (good and bad) that are underserved. There are so many gratuitous deaths I wonder whether they were running out of money.

Though far from a masterpiece of suspense and intrigue, the overarching conspiracy that loosely connects the cases moves at a fast pace and is quite well conceived and not just contrived to allow the couple to discover each other. It is a story that has enough momentum and characters with agency that the ending should write itself. Instead, with about 6 episodes to go, the writing inexplicably deviates into flashbacks, forced angst, melodrama, and excessive plot twists that culminate in a just barely satisfactory ending. If not for the sag towards the end, I would rate this production that shines in spite of its modest budget better than a very enjoyable 8/10.

This is not a fairytale but that is what makes it so much fun. It is well worth watching for the fascinating and hilarious relationship dynamics alone.

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you will fall for Shin Hye Sun,,,,,,,,,,,,,,,,,,, very less spoilers

STORY IS PERFECT
ACTING IS PERFECT
OMG CASTING IS AMAZING
EVERY CHARACTER AND THEIR STORY IS RELEVENT TO THE THE MAIN STORY AND ITS IMPROVE THE MAIN LEADS CHARACTERS
I HAVE WATCH ALMOST 9 TIMES
COMEDY IS ALSO SO FRESH
YOU WILL NOT FEEL BL SERIES VIBES BECAUSE ITS CLEARLY EXPLAIN THAT QUEEN LOVES KING NOT MALE SOUL WHO INSIDE THE QUEEN MALE SOUL ENHANCE THE QUEEN CHARACTER YOU WILL WATCH IN QUEEN THE BAMBOO FOREST THAT KING FALL FOR QUEEN IN FIRST SIGHT BUT KNOWING THAT HE BELONGS TO HIS ENEMY'S FAMILY HE STARTS HATING HER BUT MALE SOUL WHICH INSIDE THE QUEEN HELPS TO PROVE THAT QUEEN IS NOT LIKE THAT AS KING THOUGHT AND THERE IS ALSO A OLD CONNECTION B/W KING AND QUEEN THATS A INTRESTING PART
OMG ACTINGS ARE AMAZING SHIN HYE SUN IS DAM GOOD SHE MAKES YOU BELIEVE THAT SHE IS NOT MISS QUEEN INSTEAD OF MR QUEEN
COMEDY B/W QUEEN AND COOK WAS ALSO AMAZING
AND THERE IS HAPPY ENDING

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