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2-Storyline/Plot : Totally loved the story, it was well done plus the events passed by so smoothly without any blanks or slow moments.
The start was really awesome,I really enjoyed the hilarious moments at the beginning. The rest was good too although I still prefer the beginning of the drama.
3-Acting/Cast : Lee Da Hae has done her role in a perfect way; I haven't noticed any mistakes in her performance although her character fell into the usual dumb lead Korean female in some point but I really liked the way she lied; it was very believable and super hilarious.
Lee Dong Wook and Lee Jun Ki were my special eye candy in this drama, I am really sorry for saying this but when I see them on screen all I was thinking about were shallow feelings for those two actors looks so I really can't talk about their acting skills but I can say that they had usual characters as a lead male and a second lead male.
Other cast weren't that bad but they weren't that great either. However, I will say this: Park Si Yeon was really annoying as a character and as an actress.
4-Music : It was the same song played all along the drama but it was good enough to hear over and over again.
5-Rewatch value : I don't think that it could be fully rewatched but there's some moments that deserves repeating them.
6-The ending : A nice cute ending not that special but I totally loved the two guests who showed up in the last episode.
7-Overall : This is the type of drama that's highly recommended to romantic comedies lovers.
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Witty, Humorous, Philosophical, Fluffy Romance
For me, dining together with loved ones at home is my most enjoyable time of the day. This drama, Dine with Love, conveys the message that I most value. Home cooked meals need not be elaborate; a simple dish such as a tomato omelet, is suffice to whet appetite and satiate hungry stomachs. This drama emphasizes on the importance of sharing time as a family. What is better than sharing a meal?Chinese people like to ask each other casually when they meet, “Have you eaten?” That’s because meals are so important, particularly in the Chinese culture. Sharing a meal, one can discover the background of new friends, and have better understanding of the people around us. Like music and visual arts, culinary art is a means of communication of love and happiness.
With only 16 episodes, this drama is easy to watch. The plot is straight forward: girl meets nasty boss and falls in love with him. Nasty boss gets attracted to girl because of her talents and wisdom. Both characters have flaws and they grow together to become better persons.
Yu Hao (Gao Hanyu) is an entrepreneur and a slave driver. He is a workaholic and to him, every minute is precious, and he would not waste time doing unproductive things including cooking a meal, so he thinks. He is aloof, unfriendly and fires anyone outright who doesn’t meet up to his standard. Everyone is frightened of him and calls him a demon head. Comes Su Kelan (Jade Cheng) who is one of the workers in public relation. She uses her wit and plays along with Yu Hao’s logic and feeds him his own poison. After spending some time with him, Su Kelan realizes Yu Hao is actually a very sweet and kind person; just that he doesn’t know how to communicate without hurting people. She falls in love with him. And with Su Kelan, Yu Hao is amazed by her wisdom and talents and soon falls for her too.
This is a great story writing. The author explains how one can convey a different concept to someone who normally doesn’t see or accept the view because no one has ever convinced him/her. Time and time again, the author uses the analogy of a bitter gourd, which can be so bitter that not many people appreciate its value. However, with imagination, a good cook can turn the bitter gourds into various delicious and nutritious dishes. I love how Su Kelan gently nudges Yu Hao along and uses his logic in a different scenario to help him see the picture. The interaction is hilarious and adorable, and Yu Hao is sold every time; the bitter gourd in him slowly becomes less bitter and more tasty.
The first time I watched Gao Hanyu was in Love is Sweet. I found him more charismatic than the main lead, Luo Yunxi (sorry fans), in that drama. Gao Hanyu has a face that makes him look cold, serious and mean, fitting the Yu Hao character perfectly. Therefore, having such a face, it is difficult for viewers to associate him with blunders, and when it (blunder) happens, it makes him so adorable as he stumbles time and time again. Gao Hanyu’s acting is amazing and very believable. I cannot have enough of him on screen. Jade Cheng is soft and beautiful, and her acting is convincing as the gentle Su Kelan. She has incredible CP chemistry with Gao Hanyu.
There are two gorgeous side couples. One pair tries to get Su Kelan and Yu Hao together, and the other pair tries to split them up as they each has love interest with our main couple. The outcome is hilarious.
My Verdict
Watching this drama is like seeping a cup of hot afternoon tea, soothing and enjoyable. The story hits a note with me because it shares a very simple principle - life philosophy through food. What seemingly a very simple dish such as the tomato omelet, is also a dish that can help the dinners bring back memories of home and warmth. There is no one right way in making the omelet, but each recipe brings back the memories of belonging as taste is the unforgettable memory. Mealtime can help reconcile relationships, putting down the past and bringing forth the future. It is the most important time of the day when family members and friends get together after a whole day of work and school, and enjoy their food.
Apart from the food philosophy, this drama also tries to convey the message of different point of views. When a value seems insignificant to one person, it can be of utmost important to another, and vice versa. Yu Hao feels it is important for him to be successful in his business so that he can take care of his family. He finds it hard to understand why Su Kelan thinks differently. He finally realizes why his father had worked so hard and neglected him and his mother when he was little, and the tragedy. He doesn’t want to make the same mistake as his father did. Su Kelan thinks she has to be perfect and to shoulder all the burdens. She learns that shouldering all the burdens herself is not what people want of her; people want to share her burden and it’s fine if she’s not perfect.
Rewatch? Absolutely! There's a lot of simple recipes for ordinary home cooked meals. This time round (rewatching), I would note down all the recipes and their simple steps, together with the philosophy behind each dish. I want to be able to use the author’s words to explain to my family so that they would appreciate the food on the table.
A reword of Hippocrates’s words: "Let food be thy happy memories and happy memories be thy food"
A great watch! Don’t miss it!
Spoiler: For romance buff, the main couple does separate for about 2 years before they come back together again.
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This review may contain spoilers
Now, I know that right after the airing of the last 2 episodes (19 and 20; or just 10th) most people are not happy with how the series ended and I could agree on it for sure.STORY (?):
I'm one of those people who doesn't mind a sad ending if it fits the storyline (i.e. Trapped or Call me By Your Name) and it is a good ending even if sad. But my problem with MODC is that the ending just seems absurd and rushed like they wanted to make it different from other HIStories, in the end fucking up the whole ending. This story, in my opinion, really DID deserve a much happier ending than this one (perhaps that why at the start it was called "Miracle" could have been a happy one).
Yes I cried my eyes out and was so sad that I was not even able to enjoy Zhi Gang and Bo Xiang's happy ending. So it's a big minus :( I have the so called "second lead syndrome" and it did play a part here too but it was a rare case where I REALLY liked the main couple as well so how they ended their story really did sadden me.
Don't get me wrong though, as you can see, I have given this series a 10 in all categories because everything really was great except the ending. BUT BUT BUT!!!!! But even with an ending like this, there's still a lesson to learn and it explains the title too. We have to make every day count because we may never know what little thing may change our lives forever. We shouldn't waste time on arguing or being stubborn, we should just DO IT because what if there won't be an other chance later and we are just wasting the time that would could have had? This is what I actually do like about the ending and to give a 10 was my first instinct right after watching. I started to doubt it only after reading what other people have to say.
A lot of people are saying that they watch these type of dramas to escape the reality and there's nothing wrong with it but I just hate it when they use it as an excuse to hate on the show. I, on the other hand, try to find shows that DO represent reality cause it feels more believable and it doesn't give false hope for the future. There are 2 good sayings: " "Мечтать не вредно" (dreaming isn't unhealthy) and "Cerība ir muļķa pēdējais mierinājums" (hope is the idiots last solace). I stand by these 2 and that's why I like it when there is some reality( and the harsher one) in the series. Also the fact that there are so many people who just read the comments and automatically say that they won't be watching the ending is just sad. Who knows, maybe you'll like t in the end.
EDIT: After writing this review I found out that the story might be a plagiarism of an older BL Japanese manga series so I really don't know what to say about why the scriptwriter chose to do something like that without mentioning it.
CAST:
I can only say way too many things about the cast so I'm not gonna rant. They all are great. The chemistry is magnificent. Overall a great cast.
MUSIC:
Now I have some good damn songs added to my playlist. As well as there was a sneaky appearance of a sad song from Trapped at the very end. Hit me pretty hard cause I just love that song.
RV:
I probably would but after some time. I would love to pay more attention to those "making it count" moments and not just the lust. But I do need some time to calm down after the ending though.
OVERALL: As always, HIStory is just great and even here I 100% enjoyed 90% of the whole show so I can't say that it's shit just because the ending was not what I wanted. This is more of a realistic one so be prepared.
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However, even though the story was good and very impressive, the drama had a slow start. It felt like it was dragging on for the first half. In the second half, fortunately, it picked up. The action scenes were more plenty and the plot thickened. Kudos for the ending as well, as it was bold to conclude things like this.
Moreover, the performances were excellent from all the actors and they were many many characters in this drama, so it was harder to pull off concistant performances from all of them. One thing that bothered me though, was the constant changing of the language of the dialogues throughout the drama. But that might not bother everyone.
Finally, the costumes and settings were really good and felt original and well made. Though the soundtrack wasn't that impressive, it suited the drama's mood well enough.
So, overall, 7 out of 10.
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1Office Romance 101, 404 Not Found
For seven years, Cha Ji Yun has been the kind of employee every company wishes they had. She is competent, dependable, and blessed with instincts that make even the toughest tasks look effortless. Yet beneath that polished image, both her career and love life have quietly reached a dead end. Forced to choose the lesser of two evils, she reluctantly joins forces with her notoriously prickly boss, Kang Shi Woo, a man who has the looks, discipline, and competence that anyone could admire, but unfortunately lacks the personality to match. What begins as an uneasy professional partnership slowly turns into something neither of them expects, proving that sometimes the person who gets under your skin is also the one who understands your heart the most.See You at Work Tomorrow feels like Office Romance 101. It introduces a familiar corporate setting where a hardworking employee crosses paths with an equally hardworking but intimidating manager, then lets their relationship develop from there. What immediately pulled me in was how relatable the workplace itself felt. As someone who also works in a corporate environment, I found myself laughing because I have lived through so many of the situations the drama portrays. Meeting irritating people before even reaching the office, dragging yourself to work while sick, watching your ideas get claimed by someone higher up, and countless other everyday frustrations all found their way into the story. It almost felt like the writers turned the shared suffering of corporate slave into comedy.
To my surprise, Shi Woo also felt strangely familiar. This may sound like an exaggeration, but he reminded me so much of my very first boss. His appearance, the way he carried himself, his encouragement, even the way he dressed all brought back memories. The only major differences were his height and the fact that my relationship with my boss was more like siblings or a mentor and mentee rather than anything remotely romantic. That personal familiarity made Shi Woo much easier for me to understand from the very beginning.
The first half does a solid job building their professional relationship. Ji Yun initially sees Shi Woo exactly as everyone else does, a difficult boss who demands too much. Naturally, she hesitates when he repeatedly tries to recruit her to his task force. Leaving the comfort of her current position is not an easy decision, but Shi Woo refuses to give up, and eventually she realises that their values and vision align. Taking that leap of faith becomes one of the stronger parts of the story. Once they begin working together, Ji Yun slowly discovers that Shi Woo is not the office devil people make him out to be. He is simply misunderstood. From there, the drama explores that familiar office romance progression where admiration quietly turns into curiosity, curiosity turns into denial, and denial eventually turns into something impossible to ignore. Both of them try to understand their own feelings while making sure those emotions never interfere with their work.
Unfortunately, this is also where my biggest issue with the romance lies. Ji Yun's emotional journey feels complete because the narrative consistently lets us see things from her perspective. We understand her past relationship, her disappointments, and every little step that gradually changes her feelings toward Shi Woo. Shi Woo, on the other hand, remains an enigma for far too long. We know he notices Ji Yun's capabilities. We know he finds her adorable. We know she makes him smile. That is practically the entire foundation of his side of the romance. The problem is that those pieces never quite answer the biggest question. Is this simply admiration for a capable employee, or is it something deeper? The story expects us to accept that he has fallen in love, but without showing enough of his own struggles, thoughts, or emotional growth, that confession never carries the weight it should have. Saying "she makes me smile" may be enough for some people, but it simply was not convincing enough for me because the drama spends too little time showing us who Shi Woo really is beyond his work persona.
The drama also leans heavily into classic romance clichés. If you enjoy those familiar moments that once made teenage hearts flutter, there is plenty to like here. Unfortunately, my current self no longer falls for them as easily. Because the office setting feels surprisingly grounded, every overly dramatic romantic moment made me question its realism instead of swooning. They were undeniably cute, but most of them only earned a lowercase "aw" rather than genuine butterflies.
Ironically, the person who made me swoon the most was not Shi Woo himself but Seo In Guk. The man has the abs, the fit physique, the broad arms, and enough natural charisma to make almost anything work. More importantly, I loved how he delivered those subtle lines that quietly hinted at Shi Woo's growing feelings. Those understated moments landed far better than the bigger romantic scenes. In fact, I genuinely think one of the biggest reasons I accepted Shi Woo as a romantic lead was because Seo In Guk played him. He has always been good at portraying cool, emotionally reserved characters, and his restrained expressions fit Shi Woo's personality well. The idea that someone so stoic only smiles because of one person could have been incredibly effective. Sadly, the writing never fully earned that emotional payoff even if Seo In Guk did everything he could with the material. He was already one of my biggest reasons for starting this drama, alongside the office premise, and he remained one of its strongest points until the very end.
Ironically, the moment Ji Yun and Shi Woo officially became a couple was when the drama began losing me. Looking back, I honestly think the story would have worked better as a shorter six episode series. Once the dating phase began, everything suddenly felt flatter. Shi Woo simply became more affectionate and smiled more, while Ji Yun's behaviour started feeling strangely forced. Before they got together, I genuinely enjoyed Park Ji Hyun's performance because Ji Yun felt natural and believable. Afterwards, however, her delivery came across as awkward and almost performative. I understand that Ji Yun was probably excited to experience love again after everything that happened with Cho Ga Eul, but the execution left me cringing more often than smiling. Park Ji Hyun is undoubtedly a capable actress, so I am inclined to think this was more of a writing issue than a performance issue. Either way, once they started dating, their chemistry lost the spark that had carried the earlier episodes.
The second half then shifts toward navigating office romance alongside how Ji Yun navigates through Shi Woo's past with his ex wife. Unfortunately, this part became painfully predictable. Every conflict, whether personal or professional, seemed to resolve itself far too conveniently, removing much of the tension. I eventually found myself watching the remaining episodes at double speed simply to reach the ending. When it finally arrived, I felt almost nothing. If anything, I was left wondering what Shi Woo's future even looked like because the drama never really gave me a satisfying answer.
The supporting cast also delivers mixed results. Most of them remain exactly what they are introduced as, supporting characters. Ironically, Cho Ga Eul's storyline ended up having more emotional depth than the central romance itself. Choi Kyung Hoon clearly benefited from having stronger material because his acting still feels like a work in progress. Yun No A and Lee Jae In's storyline never quite found its footing either. Kang Min Ah carried much of that pairing, while Won Gyu Bin still has room to grow as an actor. Meanwhile, Kang Gi Doong unexpectedly left the biggest impression on me despite having a supporting role. As Jeon Gi Tae, he consistently stood out whenever he appeared.
From a production standpoint, everything is simply... fine. The cinematography is pleasant enough without ever becoming visually striking. The OST serves its purpose by supporting the emotional beats but never leaves a lasting impression after the episodes end. My biggest complaint would be some of the scene treatments, particularly the flying sequence in the earlier episodes, which felt unnecessarily awkward. The CGI also falls somewhere in the middle. Not terrible, but certainly not memorable either.
In the end, See You at Work Tomorrow really does feel like a beginner's guide to office romance. The workplace humour, relatable corporate struggles, familiar clichés, and Seo In Guk's impressive arms carried me comfortably through the first half. Unfortunately, the second half loses its momentum with a romance that never fully convinces and a story that becomes increasingly predictable. By the time the credits rolled, I was not emotional, heartbroken, or even particularly satisfied. I was simply relieved that the workday was finally over.
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This review may contain spoilers
Realistic Portrayal of Anti-Trafficking Cases; No Sugar-Coating. Good Drama with a Shoddy Ending.
Originally wanted to watch for Reba stepping out of her comfort zone of pretty and taking a gritty role and it paid off. Also knew the ML and several supporting characters. This series was a heavy one but it was a very real portrayal of anti-trafficking cases, zilch sugarcoating. A good drama but sadly with a shoddy ending.Pros: For the first time in a long time it was the storyline and plots that took center stage not the actors themselves. Yes, they were important but they took a more sideline role here. The families, victims, the stories or abduction, captivity, abuse, sometimes torture, sometimes being sold more than once, release and reunion with family, which many a time took decades as the victims they focused on were children and women. You saw the absolute destruction of families when it happened, how they treated the anti-trafficking cops with panic and then rage which was very sad to see but understandable on both sides; families were frantic while the cops could only work when and if they got clues. Those didn't magically fall from the sky.
The FL or DY has childhood trauma of her own as she watched her best friend get kidnapped when she was no more than 8 years old. 24 some odd years later she still hasn't been found. That was why she joined the police force and eventually after getting successfully kidnapped on purpose and rescued, she was promoted to director of the anti-trafficking division. She also reconnected successfully with the mom of her kidnapped best friend who ran a simple noodle shop that doubled as a place where people with missing loved ones could come, pin their photos and write loving messages on the walls, they were also a community that held meetings where they branched out new ideas. As each case came along both sets joined in sorrow and gave the division something to work with. Turned out that they were essentially taking down a massive trafficking organization from the runner ants to finally the big boss (Cripple) himself at the end. It was he that kidnapped LR or DY's best friend and he had done it himself as his first time doing this.
Many were rescued or saved throughout but not without misery and sorrow. You really sometimes cried for these victims. Some were saved quickly, others not until decades later, and some were brought back no longer living but their families were still able to say their proper goodbyes. ML was a very enigmatic character who I'll speak more about in the cons but he did have his unfortunate realization that he lost his father who drowned saving a young boy who grew up to work as one of the middlemen for this trafficking organization. It took him a while but he finally was able to come to terms with it and decide that he in fact belonged following in his father's footsteps as a cop in this particular department. Sadly, we lost one officer and an elder on duty and that was a heavy hit for the department and viewers.
DY definitely was the brains but the team came together as a whole. There wasn't a time where they just sat there twirling their thumbs. Meanwhile the focus on the families was the most important and how they coped or didn't; divorce and even suicide was attempted, thankfully thwarted. Mom of LR was such an important part of the story and really the first case; she was the rallying force behind all families in the show. And her case was the last one solved. Every family and character, protagonist or antagonist were well portrayed; I can't think of one that was extra or unnecessary. The stories varied and many things felt unreal like even deaf and mute women were not off the table or because in poorer villages it seemed like they didn't know buying a human being was illegal. OSTs, small amount of makeup on everyone leads included made it more real. The twists in the story sometimes were pretty wild.
Cons: That ending made me pretty unhappy because DY and her friend's mom were the first case of this story and after everything they went through; the pain of 24 years of not knowing and than slowly inching closer, plus with the mom diagnosed with mid-stage Alzheimer's and starting to forget people and how she made her noodles causing one costumer to get sick because she put a cleaning solution in the noodles instead of what she thought was sugar. She even made the decision to go into a nursing home for proper care; so you would think once they found LR working in some field picking onions or greenery in some godforsaken village, they would have this amazing reunion; the three of them? Nope! DY called LR's name or nickname RanRan who picked up her head and smiled as she recognized the name and DY and than the camera panned away to a propaganda meeting where DY's division got an award and she made a speech where flashbacks of all the cases they solved and the families plus the officer they lost and her making some declaration about how they would keep working to bring more families back together. It was so unnecessary and made you feel cheated for the mom, DY, and LR! The entire show, there was barely any propaganda but now when it was the least needed, they packed it on and at the worst possible time. They could have had this wonderful reunion and than ended with a short ceremony in their office like they did the first time they got that award and then end out the show with flashbacks of everyone they saved with an OST. Why not? At least it would have done the three of them justice. This was just sad and inappropriate.
I had a problem with the ML; the man has virtually no expressions. He can be yelling or laughing and his face is frozen though his eyes do run around their sockets a lot. At first I thought when I saw him in Under the Skin that that's just his character but now I've noticed that nothing changes, even in real life when I saw him on an episode of Hi6. My assumption is that he's a high functioning autistic so these are the roles he takes. I do wish they had him practicing with the movement of his face more.
Felt the last few episodes were rushed as they were trying to get the rest of the rats caught in the net especially catching "Cripple" himself and his whole running for the border halfheartedly attempting to kidnap his supposed best friend's (whom he pushed off a building; dude lived, lord knows how) wife as he's obsessed with her, than holding her hostage at knifepoint and getting taken out by a SWAT sniper. Like what even? It was smooth going until those last few episodes, you could tell the pace picked up. It was still good up until this point and that BS ending.
Would I recommend it? Yes I would. Though the subject matter was heavy, it was also very hopeful. I'm proud of Reba here; she really played DY well and showed all of the proper emotions when needed. This was a realistic show and y'all should give it a shot.
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Touching, Humorous, Thought Provoking, Calming. Philosophical, Scenic, Idyllic
The Chinese title for “Meet Yourself” is “Going to a Place Where there is Wind”. Wind is a very important concept in the Chinese culture. It is the source of life, a flow of air and energy; without wind, a place is like a pool of dead water. This story is set in a fictional Shangri-la called Yun Miao Village, a sleepy hamlet. The drama is shot at Feng Yang Yi, an actual village near Dali in Yunan Province where many of the Bai people, one of the many minority ethnic groups, live.To my delight, the drama is directed, and screen written by the same director and screen writers for “Go Ahead” and “Find Yourself”. The first episode makes me cry, empathizing with the characters of their misfortune and loss, but this is not a heart-wrenching story. Indeed, it is a story about normal life of normal people with normal experiences, embellished with humor.
In today’s world, most working people are just like Xu Hongdou (Liu Yifei aka Crystal Liu), mindlessly working like a robot, in pursuit of materialistic rewards. Xu Hongdou wants to buy a car and an apartment in Beijing which is ever so unreachable with her paycheck. Just like most people would, a shattering life event can change the outlook of life for a person, and it does for Xu Hongdou in the untimely death her best friend, Chen Nanxing (Wu Qian aka Janice Wu); she’s abruptly awoken, finding herself lost. She begins to question the meaning of life and what she wants in life herself. She has no answers.
Xu Hongdou quits her job and leaves Beijing. She flies all the way to a tranquil and idyllic village in Yunan and rents a room for several months in a cozy cottage. There, she meets a struggling web novel writer, a failed entrepreneur, a fallen livestream singer and a down-and-out musician. All these people have come here to lick their wounds, to reflect and to recharge; each has a story. They become good friends, help, learn from each other and grow. But most of all, Xu Hongdou meets the man of her life, a successful investor who has returned to his village with a vision and a noble mission.
Almost all 40 episodes of the story have taken place in the little Yun Miao village and its surroundings such as the ancient old city and Erhai (a giant lake that is called a sea). Some impatient viewers may find it slow and boring, but the overall plot is about life, and how to look at life philosophically, and how our characters grow against all odds. It is more like a travel journal, documenting all the people Xu Hongdou meets, all the things she eats, does and sees, including the birth of a colt from start to finish. It focuses on the village, the inhabitants’ traditions, culture, and family relationships. Most of the elderly women don in traditional costumes, some sell their handicrafts and food products in the marketplace.
The romance is mature and slow burning, not unlike how real people would have experienced. Xie Zhiyao (Li Xian) doesn’t confess his love for Xu Hongdou until Episode 26 and tells her to go have a life she is searching for by letting her return to Beijing. That confession is moving. Their official romance starts only in Episode 31 when they kiss, and for the rest of the drama, they are like bee and honey, sweet and lovely. The director and screenwriters have given the romance buffs some very heartwarming loving scenes of the lovebirds till the end - almost 9 episodes of solid sweet romance.
Liu Yifei is amazing as Xu Hongdou. She is beautiful, elegant and natural with no visible makeup. She speaks softly, gently and poetically. Li Xian’s performance is just as good as the handsome, affable and warmhearted Xie Zhiyao. The whole cast is wonderful with very convincing performances by the older actors as grannies, and the juvenile actors as village kids. Like Wu Qian, Zeng Shunxi’s appearance as a lowkey bookstore investor/strategist is very brief. There are no nasty characters, no ex-boyfriends nor ex-girlfriends, and no love triangles. The settings are idyllic and comforting, rich with heritage and culture of a minority group. The efforts to bring prosperity to the village and at the same time, balancing conservation and preservation of the traditional way of life of the inhabitants, are challenging and inspiring.
The official soundtracks are lovely, consisting of several English songs, most accompanied by acoustic instruments. A few of the songs used are from the previous drama Go Ahead. I particularly love the lullaby which is repeatedly played and sung throughout the drama; it is endearing and gives a sense of nostalgia and homeliness.
My Verdict
If you love China and its beautiful people, you'll love this drama. If you love travel and to live an idyllic lifestyle, you will love this drama. If you have fallen and are hurting, you would love this rejuvenating story and its background setting. If you're an urbanite and would like to get away from your dreary life as an armchair traveler, this is your drama. If you're a dreamer and love a layback lifestyle that allows you to dream your dreams away, you’ll find inspirations here. If you're none of the above, simply just want an authentic beautiful drama to watch, you'd love this drama.
Some critics find this drama a promotional tourism project. Indeed, after the airing of the drama, tourism picks up by almost 2,000% in the once sleepy Shangri-la. Visitors jam the few cafes and restaurants, and walk the historical Tea Horse Ancient Path (茶马古道). Many take pictures with the cottage Xu Hongdou once stayed. That said, I have enjoyed the great breath-taking views and the message of the drama.
As it goes, “Time never stops, happiness is never limited. Sometimes there are dark clouds, but there is always wind.”
Realistic! Beautiful. Great watch! Highly recommended!
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1This review may contain spoilers
It's fun, but it's not much better than the typical mediocre cdrama romcom.
The Good⌲ The bickering in the early episodes
⌲ The fluff
⌲ The mom
⌲ Shen Yue's still awesome.
⌲ The basic fantasy story is just nice, especially before Mao Xiaojun's plot is explained in detail.
⌲ No lasting love triangles (second FL dates some rando for a couple of early episodes)
⌲ The "real" ending felt rather satisfying.
⌲ Dazzling smiles everywhere. (and of course, everyone is stunningly beautiful, more so than normal)
The Average
⌲ The comedy (there is very little of it in the last 8 episodes)
⌲ The main romance (questionable chemistry with a very shallow portrayal of romance)
⌲ The second lead couple (I liked their matching misfits vibe, but their plot could not have been any draggier)
⌲ The magic/daoist powers were somewhat underutilized. (Let's look at how nice the summoning thing was in Goblin)
⌲ The workplace felt a bit immersion breaking due to a multitude of reasons. (For example FL's immediate colleges were not really believable human beings, not even for a fantasy romcom and I'm not saying this lightly)
The Bad
⌲ The usual censored "it's just a novel" crap happening after the "real" ending. (it's the last 7 minutes)
⌲ Mao Xiaojun (I feel his story is just a needless complication that's been immersion breaking for me)
⌲ The last 7~ episodes are straight up boring. (I can totally appreciate endless fluff & sugar, but this was too lifeless for me)
⌲ Second ML's dad. (god, that conversation mini flashback during ep23 was just horrible)
---
I don't regret watching this, but this is the kind of drama that I'll probably never think about again.
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kbl is back!
After some months of not watching kbl shows, I finally got the same feeling as I started watching kbls. Its actualy improving and I hope we can see more of this.I admit that there are some lapses but I really enjoyed this. Its like a breath of fresh air to have this kind of plot that we only see on mainstream media. I think its good to have this too though some may not like or fond of it but there are really many stories to show and their definition of love. For this we are aware that this kind of story and many more, are existing in this world. And its up to us on how we will dwell it, hoping in the right way.
So much to talk about, but I enjoyed it, liked it and thats it.
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This drama was filmed in the wrong era
If this drama was out at the same time as Boys Over Flowers or Secret Garden or something, I would be more understanding. But this drama felt like they were just following the Book of K-Drama Cliches. I have watched cliche dramas before that work just fine, but this was just straight up boring and outdated. Everything was predictable, from the dialogue to the tropes. There was barely anything to the plot to keep the drama moving. I felt like I was watching filler ep after filler. No wonder there's only 12 eps.I thought we have moved past the I-will-bother-you-till-you-like-me-Sehoon-Lee Min Ho-like romance. The main couple barely shared any connection and had no chemistry. The second couple was slightly better, but they also didn't match in compatibility.
The only unique factor was the English speaking cousin.
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A lunar apocalypse.
Silence is not empty, it's full of answers. It's upon us to find them out and unless there is an effort, it remains in nothingness. The sea that is full of beings, has the capability to engulf the entire world in it's womb, yet it knows it's limits. But what about the sea that's sleeping silently somewhere out there in the universe and knows no way of self-control? That's what we are here to discover.THE SILENT SEA (고요의 바다) is a mixture of sci-fi, thriller and apocalypse; it has no romance elements and unlike most Netflix Korea shows, it's not gore and creepy, which means even for a thriller, it's not a heavy watch. The story is presumably an adaptation of "The Sea of Tranquility (2014), created by the director of this show. The drama is set up in far future (probably 100 years ahead). The world has changed a lot and the climate change has brought forward severe issues. Simultaneously, the development in case of aeroscience has sky-rocketed, resulting in easier travel to different planets and facile communication with earth.
A team of 11 has been formed to recover important samples from the moon, before they could shut down a station that faced a tragic accident 5 years ago, killing all the inmates. The team travels their on the spaceship 'Nuri 11' and sets out to 'Balhae Space Station' located on the lunar land. On their mission of retrieving the sample, they discover unusual activities and come to find out mysterious facts about the station that had happened 5 years back.
Song Ji An (Bae Doo Na) is a scientist who previously served as an astrobiologist but had to switch after a tragic incident to her sister. She was convinced to go on the mission. Han Yoon Jae (Gong Yoo) is a soldier for the space agency, who joins the team as it's captain. Dr. Jian's knowledge and Capt. Yoon Jae's leadership, are what drives the entire show.
Dr. Hong (Kim Sun Young) is a doctor who joined the team to provide medical assistance. Chief. Gong Soo Hyuk (Lee Moo Saeng) is also a space soldier who joins the team along with his space engineer brother Gong Soo Chan (Jung Soon Won). Lieutenant Ryu Tae Suk (Lee Joon), Chief Kim Jae Sun (Heo Sung Tae) are some other major characters.
The plot development is nice. The first 2 episodes that were expected to lay an introductory foundation, did a good job in establishing a good impression, except that they were slow paced. The space scenarios and the lunar premise were pretty intriguing to witness, for it also created a good amount of curiosity about what is next. I can't say that the entire story is immensely intriguing, because it had problems with pacing and storytelling. I expected some more back stories and for all of the characters, but it's understandable given the limited runtime. The gradual unfolding of mysterious facts and intentionally hidden secrets, were indeed intriguing. The ending, ummm, not something fabulous, that I was expecting but I liked how simple and meaningful it was.
Netflix Korea seems to be giving chances to previously failed or lesser experienced directors, writers and makers but it must try providing them with resources to nurture their skills. Just like Squid Game's, the director of this drama lacks profundity, though the show is not mediocre like SG. The pacing is inconsistent, not slow or rushed constantly that makes it boring or uninteresting of some sort, but a little noticeable.
The sound production is apt bcs it's Netflix, haha. The screen-editing is quite good; the connecting plots, revelations of elements and the suspense build up is up to par. CGI, well, Netflix is surely trying to improve thia area after serious criticisms; it was visible through this show. Even so, the CGI was actually poor in first 2 episodes, I can't lie about it though it improved with episode.
Writer Park Eun Kyo is an underutilized talent. She might seem a rookie to the audience, but she's the co-writer of the critically acclaimed Bong Joon Ho directed movie, "Mother (2009)". The basic concept of this show, though taken from another movie, had to rely on a well-written script, as the short movie was turned into a 360 minutes webseries. In that regard, jakka-nim has done a pretty good job. The overal story and screenwriting might not be something amazing, but overally as a show, it's a nice piece. Few things about the spaceship that went wary in the first episode could have been easily avoided but duh..
The drama addresses future world problems that we now only assume and predict with theoretical studies. The world has undergone enormous transformation due to severe climatic changes over years. Because of desertification, there is a scarcity of water as the water bodies including the sea dries down. All these are the concerns of future societies. The drama also narrates the possibilities that the future beholds in the area of space and planetary researches.
The pseudo-science created for the drama is compelling for sure. It is less of space science and more of a creative or fictional astro-biology. The lunar premise and the technological advancements are what we are gonna see in far future. Space show, in all aspects, is a new premise in the K-drama industry and it's good to see that it didn't entirely go phut. This is to a great extent an experimental drama. Just keep in mind that, the basic idea of the drama relies on astro-biology and not aero or lunar science.
There is a clear message of how greed and over-ambitious anticipations can bring destruction to mankind, even when it gives greater scope of research in science. Regret, responsibility and guilt are some other major elements incorporated in the characters. Good news is that, unlike many other Netflix Korea shows, The Silent Sea doesn't end with a cliffhanger. It didn't leave any single thing open or showcase any possibility of another season.
Overally, "The Silent Sea" is a good and interesting one time watch. The sci-fi elements and the actors are the prior reasons to watch this drama. I wasn't expecting anything excellent outta it since it's after all a Netflix Korea original show which is famous for creating 6/10 stupid shows. But anyways, this was good and moderately likable judging from all the points; be it technical and cinematic aspects or the message it wanted to convey. It's not very nice, still a decent watch, for sure.
P. S. Can't cite it bad just because of the poor CGI and faulty space facts used solely. There are plenty of aspects in a drama to be judged.
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Good :)
What a ride!I must admit I had high expectations for this, and at the end I was a bit disappointed.
The story flows well and the acting is good, but I guess there are some parts that are a bit lacking.
I enjoyed most of the show, but didn't really get attached to TopMew's couple, even though I liked how they ended the story.
Story is obviously filled with toxic characters, but there is a lot of development.
In this sense, I think Khaotung (Ray) has done a tremendous job. If I have to make a note, I think that they skipped a little the mother's complex, in favor of Ray's choice to make everything better for Sand.
I want to be totally honest: I watched the series for Khaotung and First, and for Mark, and I couldn't stop because I wanted to see more of them.
That said, I think that some parts are just not necessary (the whole Boeing's plan and its liaisons with Sand and Top - I just got annoyed although I wanted to watch more of Mond's) and the overall story got a bit slowed down from episode 9 onwards.
I liked a lot the fact that they didn't force BostonNick, and that Nick finally chose to be by himself. It was great to see a happy ending. Nick was my favourite character overall, because he was always so pure and honest, yet caring. He was not trying to change Boston, but realized he was just faking the whole boyfriend thing and "I've changed, now I only see you" thing.
That was my favourite part.
I screamed when I saw Mix at the end, but it was unnecessary to the story xD
At first I thought they would've proposed a new version of Boston, but I'm glad they didn't.
Overall, it's an enjoyable story, "spicier" than usual for GMMTV and I guess a little bit more realistic than the average GMM series.
It's not a masterpiece, but you can watch it without thinking "oh gawd, I wasted a lot of time".
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refreshing slice of life- with some drawbacks
i didnt have any expectations for this drama at all, but it ended up being fantastic (for the most part). it was so authentic and organic, from the friendships to life situations. i found all of the characters to be very human and interesting to follow. this is one of the few kdramas ive seen that depicts humanity so realistically, with their flaws and growing pains.i will mostly be discussing the negatives of this drama, because everything was good besides a few things that i felt prevented this drama from being perfect. ill still mention all of the good things briefly, and in short i recommend you watch this drama (i recommend only watching ep 1- the first ten min of ep 15 and calling it finished)
a slice of life romcom would be a good way to describe the plot. teenagers and adults alike are struggling amidst the imf crisis, and two young athletes struggle at friendship while competing. kim tae ri is endearing as 18 year old heedo, a fencing prodigy that is strong willed, stubborn, kind, and energetic. yurim, a gold medalist fencer, was difficult to like at first but she became a great friend and worthy of praise. nam joohyuk feels grounding as yijin, forced to grow up too quickly but learning to find happiness again with heedo. jiwoong and seung wan started getting more screentime later in the drama which i greatly appreciated as i thought they added a lot to the overall show. i loved discovering the hidden sides of themselves, how their opinions on the world as teens wanting to rebel in their own ways was slowly shown to us. overall i really enjoyed watching them all grow and form bonds with each other, it was truly the definition of youth.
the friendship between heedo and yijin was one of my favorite on screen relationships to date. i thought they would do well whether it was romantic or platonic and the show did a good job at showing why they would work together, but also why they wouldnt have. they started to rely on and support each other, becoming a source of happiness for the other person. but they were also in two different stages of life: yijin had to grow up too quickly and became more mature and grounded while heedo still had a sort of childlike optimism and persistence. these were traits that drew them to each other: what the other was lacking. they needed each other, but they were still growing on their own. regardless of the romance arc this friendship was just so believable, healthy and organic.
the friendship group formed between heedo, yurim, seungwan, and jiwoong was lighthearted and refreshing. what really brought them together was their willfulness and stubbornness, each in their own ways. heedo in fencing, yurims in her love for her family, jiwoong in his interests, seungwan in her morals. the drama touched on a lot of important subjects, especially with the jiwoong/seungwan school punishment arc. yijin also ended up as a part of this group, and i loved the mentor role he took on. he knew what it was like to grow up too fast, so giving heedo and yurim a school trip and reminding them to enjoy their youth was so heartfelt. when he stepped in to save seungwan from the reporter as well, hes using his knowledge to save them from going through troubles. there were a lot of parallels between the characters and the relationships depicted were all complex and realistic.
and of course the cinematography was unique to the show, the soundtrack was nice, and the acting- obviously- top notch. production wise i have no complains. the 90s vibe and aesthetic alone is enough to watch this drama. i compliment the writers for creating such realistic and smooth conversations and such believable characters.
some of my favorite moments:
-heedo telling yijin they should be happy with each other while running around at night.
-the mini school trip where they all sat on the beach watching sunset.
-the friend group watching the fireworks on the rooftop
-them watching heedo and yurims interviews on tv
-when heedo and yurim cheered seungwan on for quitting school
-jiwoong not being able to park the car and them all jumping around in happiness when they lifted it
some things i disliked about the drama that affected my rating:
1. false advertising
it doesnt actually take place when they are 25 and 21. its mostly when heedo is 18 (korean age) and yijin is 22. considering the description says “ Two people first meet when they are 22 and 18 years old and fall in love years later when they turn 25 and 21. “ i was a little confused. so why did they called it 2521 and give a misleading description & title ? probably because they knew the age gap might cause a problem, leading into my next point.
2. the age gap.
ive seen some people defending it, 18 and 22 is not that far off after all. id love to say “this is just a work of fiction, lets just enjoy this wholesomeness!” but i just cant. especially because it IS a work of fiction and the writers couldve done this differently.
a four year age gap isnt a big deal between two adults at the very least in the same stage of life. if this romance actually happened when they were 21 and 25 i wouldnt be writing all of this right now. thats what the description states after all, and yet the romance happened prior. but heedo was a highschooler, an immature one at that- remember how she dated and broke up with a guy just to see what its like? she thought you have to wash lettuce with soap. when yijin and heedo were out together, it was so uncomfortable seeing her in a school uniform and him in a suit. yijin, despite being a good man, was an adult. not even a college student, but an adult living alone with a job out in the real world. luckily, they started dating when she was old enough to drink alcohol, so i suppose thats adult enough.
but i think the problem lies within his confession to her. we know they like each other, it wouldve been better build up and more comfortable for the general audience had the writers waited for them to both be full grown adults (or at least for heedo to graduate highschool) to have them confess. this is made worse by the fact that ALL of his friends highschoolers. i do understand that this is a small neighborhood in the 90s and it was all by circumstance- yurim due to family, heedo by accident, seungwan as the neighbor etc etc. but he rarely hung out with adults his age outside of work, that’s what makes this whole situation weird to me. and its not just yijin: in ep 10 seungwan tells yijins 15 yr old brother “ 4 more years? ill wait for you”. gross. what is with this show and its love for inappropriate 4 yr age gaps? overall im blaming the writers for not being a little more nuanced about a potentially inappropriate relationship. i dont think this is enough to write off the drama, but this is important to note:
this is the most avoidable problem in the whole drama, especially when since the beginning yijin has said “adults should only date other adults” and “highschool drama is for highschoolers, im an adult” and has brought up how young they all were and how different their lives were. the writers know this isnt okay and made a point to comment on it- but did it anyway.
i dont care if this age gap doesnt matter to you, i dont care if you think this specific situation is okay or if “the 90s were a different time!” or if “theyre both technically adults!” this drama has a responsibility to portray this relationship with a certain sensitivity. a few simple changes couldve been made to make it a little more acceptable to the general public, but like i said i dont think this is enough to swear off watching it.
2. yurims arc
the writers really pushed yurim as a bully from the beginning. she was cruel to heedo, belittled her, affected her personal and school life. she often played the victim despite constantly being supported by everyone around her. being poor and scared of losing was the excuse they gave her, it caused an inferiority complex. i didnt think this was strong enough to combat heedos problems, although i suppose theyre meant to be equal. yurim is poor and loved, while heedo is rich with a dead father and an absent mother. i understood what the writers were trying to do here. but the actual switch, the injeolmi reveal, was a weak turning point. if you watch the episodes one after the other, it makes it obvious how jarring and simple yurims personality shift was. pre ep 8, she caused the whole nation to hate heedo on her behalf and constantly belittles her. none of this matters until yurim sees that she was her internet friend. only this sparks her apology, which means if they hadnt been internet friends she would be forever cruel and unapologetic. this makes yurim seem continuously self centered and flimsy as a character. after ep 8 heedo and yurim are awkwardly kind to each other and start building a friendship. yurim kind of explains herself in the later half but i just thought they built the mean yurim up too well, or at least didnt put enough care into her arc. i am glad yurim retains some of those feelings (ep 11 she says she is still scared of heedo) so it isnt like she woke up a different person.
i guess your opinion on this depends on which you empathize more with, but i always felt more on heedos side. we saw her walk home alone after matches, advocate for herself, practice until she couldnt stand, be bullied by someone she admired, win a gold medal with no support from her coach or mother. im sure yurim went through difficulties, but it was heedos that were shown on screen, so i resonated more with her. all i wanted was the best for her, especially in terms of her and yurims relationship. and when heedo forgave yurim, their scenes were very cute and heartwarming and i did grow to love her and i enjoyed all of their scenes together. but i cant just pretend she wasnt a horrible person for half of the drama. heedo is clearly more forgiving than i am.
i did end up having to just let my feelings on this go in order to enjoy the drama, but i wanted to mention this.
3. the present time
this drama wouldve done well just focusing on the past. it felt unbalanced, we start off in the present and heedos daughter is sort of a narrator, but then we exist in the past uninterrupted for periods of time. i guess 2521 was going for a reply series kind of thing, but i would’ve preferred it to just take place in the past. the story of the friend group, the romance, the sports, the imf crisis, it was all enough to keep us going for the entire duration of the show. the present time brought down the whole mood of the drama and made it dip more into melodrama territory. i didnt want to worry about if someone was going to die or get amnesia. i didnt want angst, i wanted to watch what seemed like a lighthearted slice of life character based romcom as promised. like id be watching the characters laughing and having fun and bam- heedos daughter is on screen killing my vibe. or we are having a cute moment and we have a flash forward sequence that makes us question who breaks up with who. i dont think this drama needed extra mystery or suspense, it already had a sort of darker tone with the imf crisis (which was all but forgotten in favor of other side plots). yijins family troubles were as much sadness as i needed and like i mentioned before, there was plenty of side plots to keep this drama going. i guess some people didnt mind, but i definitely noticed much of the audience speculating on the ending constantly instead of just enjoying the show, which is major buzzkill for anyone wanting to watch and hoping to just enjoy it. perhaps this is just a personal preference but i strongly think this couldve been more powerful as just a slice of life. those are hard to pull off, and they were so close. i ended up not watching the future scenes as they ruined the vibe for me.
4. the ending
just trust me on this, dont bother with the last two episodes. the characters were completely different people, too much angst and a lot of decisions made by the end were so distasteful. the writers just stopped caring by the end. it just goes to show the drama was written to be anticipated for weekly ratings and not just to be enjoyed.
and thats the end of my review. i know it was mainly negative, but again- everything besides these points was top notch. id still recommend this drama to anyone.
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