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1Opposites Attract: Finally, a BL Where the Main Characters Actually Love BL!
This is the first time I’ve had more than 10+ Japanese BLs airing at the same time in one week, even more than Thai BLs, and honestly, I’m loving it. We’ve had quite a few high school BLs, but this one feels unique and has already become something special for me.Opposites really do attract! Suzuki is a loner with no friends, but what sets him apart from the usual introverted male lead is that he a huge BL fan. His room is filled with BL books and figurines, and he even writes BL novels himself. This is honestly so refreshing. We’ve watched countless BLs where the male leads start off as supposedly straight and eventually fall for each other, so having a character who already loves BL from the beginning feels so different and relatable. Suzuki is literally one of us!
Then we have the stunning Serizawa, who is the complete opposite. He is popular, tall, handsome, cheerful and surrounded by friends. Ryoto, who plays Serizawa, is absolutely gorgeous and his visuals are just beautiful. I cannot take my eyes of his stunning face!
His friend group also reminds me so much of one of my favourite BLs from 2025, School Trip: Joined a Group I’m Not Close To.
The setup might sound like another typical youth and high school romance, but the characters are what make this one stand out. Serizawa may be the popular guy, but he is surprisingly humble and kind. He carried Suzuki on his back without being embarrassed about it, and when he discovered that Suzuki had written a BL novel using him as inspiration, he didn’t mock or get angry with him. Instead, he actually praised the novel and revealed that he is a BL fan too!
I really love this aspect of his character. Usually, the popular male lead is written as arrogant, cocky or too cool for everyone, but Serizawa is completely different. He is warm, approachable and genuinely interested in Suzuki. Their opposites attract dynamic is adorable, and I love watching the extroverted and popular Serizawa slowly pull the introverted loner Suzuki out of his shell.
Another thing I really appreciate is how honest both characters are about liking BL. Normally, male characters try to hide that they watch or enjoy BL, but here we have two boys who are completely comfortable admitting it. As someone who loves BL, that makes this feel even more special and realistic.
The visuals are stunning, the music is beautiful, and I especially love the OST moments where the whole group sings together. There is such a warm and youthful atmosphere throughout the show that makes the friendship, classmates' relationship and school setting just as enjoyable as the romance.
And can we PLEASE talk about Episode 3?! It is officially my favourite episode so far! I am absolutely obsessed. When Suzuki’s ex friends from freshman year started bullying him and saying nasty things, they told him that Serizawa’s group of friends were not serious about him and were just messing with him. They also mocked him for liking BL.
Then Serizawa came out and said, “Hey, what’s wrong with that? I love BL too. What’s so weird about it? You guys are pathetic. Just because you don’t understand it, don’t trash what other people care about!”
That was honestly so satisfying to watch. Go, Serizawa! You scared those bullies away. 😂
Then Suzuki explained that he started watching BL back in high school and became completely hooked. This is literally all of us. I still remember when I started watching BL with Addicted back in 2016. I was so hooked that I read the novel five times. Now, almost 10 years later and after watching more than 500 BL series, I’m still completely hooked.
But this series also taught such an important and sad lesson. Don’t mock people for the things they love, because your words can seriously damage someone’s self esteem. Suzuki was mocked for liking BL during his freshman year, so he eventually learned to keep that part of himself hidden. He wouldn’t even sing at karaoke because he felt like he couldn’t truly be himself around others.
Then he met Serizawa’s group of friends, and everything changed. They listened to him talk about BL, never mocked him, and even encouraged him to keep watching and writing if that was what he enjoyed. That is what true friends should be like. They make you feel safe enough to be yourself instead of making you feel ashamed of who you are.
My favourite part was seeing Suzuki slowly regain his confidence and finally sing in front of them. It was such a small moment, but it meant so much. After being made to feel ashamed of himself for so long, he finally felt comfortable enough to be himself again.
This series really made me emotional because bullying can leave scars that people cannot see. Sometimes, something that seems like a harmless joke to one person can stay with someone for years and completely change how they see themselves.
Overall, I love this series so much. It isn’t just giving us a beautiful love story, but also so many meaningful life lessons throughout the series. 💔
If you love opposites attract, high school romance, friendship with supporting friends, introverted and extroverted male leads, popular and outcast characters, this cute and adorable Japanese BL should definitely be on your watch list.
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Very average at best
The show overall is very average at best. The acting is by far the best part and is a sign of the quality of the actors because all characters were entirely one-dimensional. Their motivations were severely underexplained and multiple characters appeared without any kind of sense or impact, almost as if to pad the rumtime. Due to that the villains often felt like they were bumbling around, just waiting for the plot to happen instead of being part of the plot.The fighting choreography was okay, but severely hindered by the directing and editing reducing the tension and not really enhancing the movements.
They had an interesting theme going in the middle with vigilantism vs. law vs. the media, but it became muddled in the last 2 episodes with the main point of impact being that systematic corruption exists.
Lee Joon Hyuk as the crazy fan copycat is a delight, though as all characters one-dimensional and almost a deus-ex-machina. But his scenes were the most fun.
Also a special shoutout to the pig scene. That was a thing I did not expect, and one of the few times I thought that the villains were actually threatening.
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One of the best Chinese movies of the year but....(Spoiler Alert!!!)
I watch all 30 episodes today from Wetv App. (By buy extra. Fast tract ep.21-30)From the first ep. 1-20 everything almost reasonable, the chemistry of fengwu and Jin linyuan are perfect, the character of friends are great, funny,love, happy soap opera
So i am really like this fantastic series so much, the main role couple was cute and romantic and the bad friend that turn out to be best friends Limingyue i like this guys on the good thing he chose opposite to his dad. I love place of Jwin wu study place, there are huge and very beautiful and powerful place and they want us to see.
but there are some part that i don't understand and want to know the answer,
Some part that no reasonable in my opinions are list here
1. Why the movies dont show how real fengwu identity from past era (medical studant) transfer to chinese ancient high goddress? This is too fast to people to understand without imaging more. ( i heard that Chinese band jump to the past movies scene)
2. How her shifu(teacher)Mujiujow turn to sleep, powerless after they show us Mujiujow met New Feng wu, and then the stories cut.
3. Her another teacher (Wuxiaotao) ,he is good man for whole ep, but why in the last he killed another teacher with out mercy about one women, so sudden that they dont emphasizes reason properly and then died easily.
4.Second lead couple (Xwien Ei, Jaoke) died or not, why they just burst out and not died in the end, why Jaoke have sacrificed herself seem usedless, amd i still dont believe in this couple at all, how could Xwien Ei ok to died with her.?] dont like Fengwu and Jinlinyuan that they seemed love so much to can died for another.
5. Last 5 mins(last ep.ep.30) is disappointment for me, no reasonable, if Fengwu’s teacher ,Mujiujow. If he dont let her to marry Jinlinyuan, why dont told her before the marry was set, and how hurtful dont let Fengwu and Jinlinyuan marry and happy together in this era, because the Real fengwu can’t comeback anyway, why dont let fengwu happily together with jinlinyuan, they destroy the whole reasons that make fns want to watch thus movies in the last 5 min of the last episode 30.
About the music is not touch my ears,un like the other series like, the dreaming back to qing dynasty (Meng ta and another women song is so great), bubujingxing, eternal love musics are better than this series
I’ve just finished watch today and still pissed off.
But almost i love this movies so much , give 7/10 points
So you must must need to watch it. And come discuss ing with me.
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An Golden Retriever Boyfriend & Cold Boyfriend Trope?!
this is the first time ive ever watched a bl that started like this, its so entertaining, makes me laugh, makes me giggling and kicking my feet lolol. and you're telling me that THIS is the first episode??? i just know that this bl series will be GOOD AS HELLL and will be my FAVORITE BL OF ALL TIMEE. at first, u can see how CUTE & funny Duang's trio is!! they're so supportive to Duang, its so cutee. if i was Duang, i would be like him lol, cause DAMNN Qin is so cutee and hotttt. the way Duang is chasing after Qin is so cutee, reading tarots, listing the stuff Qin uses, and even stalks Qin's insta lol (he is so mee). and the way Qin is playing hard to get?!?!. actually his way of chasing Qin is so embarrassing lmao, but anywayyy they're sooo cutee. and the sound effect "duang!!""qin!!" is so cutee omgg aaaa. overall this series is definitely going to be good until the end, cant waitt for the next episode! saturday 22.30 at iqiyi!! :)))on eps 6 now.. damn i cant get enough of them.. THEYRE SO FREAKING CUTEE. Qin is melting the ice on him, and became flirty with Duangg.. literally so cute. and James, Phupha, Pete & Fifa's cameo is perfect. i didnt expect them to appear omg. this eps is so peakk. cant wait for the other episodes!!
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1This review may contain spoilers
Love Song In Winter Indeed..
"If you want rainbow.. You have to deal with the rain.."- Augustus
This quote came to mind as I finished the drama.. The ML and FL are each other's rainbow.. And Wen Peng is undoubtedly the rain they must endure.. The first 10 episodes were top notch.. We even got the first kiss in ep 2.. Unlike many dramas this one avoided the usual angst and misunderstandings we often have to endure in the first half.. And the ML?? He crushed the SML every chance he got.. Firmly put him in his place with such nonchalance that it made it even more satisfying.. Little did I know though that this was nothing compared to what was about to unfold.. Compared to the first 10 episodes the next 10 were just good and nothing great.. Once the killings and investigations kicked in the plot began to lag.. The investigation plot initially was poorly crafted.. And the cops they were made to look completely ineffective.. They were literally overpowered by a girl half their size and not just once..
We got a proper villain in LSIW.. WTC was truly outstanding in his role.. I dont know if the villain was overpowered and too smart or if the others were just naive.. He outsmarted them at every turn.. He was a psychopath, A maniac, A madman, Callous and Machiavellian.. I liked how they revealed that the SML could be the villain.. He was initially portrayed as this perfect guy with a troubled childhood but slowly his dangerous side was revealed.. By the end of episode 21 it was clear he was the antagonist.. There were hints from the beginning like the butterfly and other subtle hints..
The FL treated the ML coldly after her friend's death?? Well.. Yes she did.. I felt sorry for him but I dont blame her.. Her behavior might seem immature but it was as mature as it could be.. Both in the past and in the present.. Even the ML realizes this and tells her "Now I understand why you had to do that 8 years ago".. And I honestly think the FLs from both Cdramas and Kdramas could learn a lot from the FL here on how to draw a clear line with the SML.. There are very few characters like her..
That devil of an SML made the FLs life miserable.. He killed two of her friends.. She had to break up with her love.. He tried to kill her mother and soon her boyfriend also almost got killed.. Even amidst all that she stood strong.. Her mental resilience is truly commendable..
Wen Pang’s mother’s identity was a real surprise.. I wasnt expecting that.. Or did I miss the hints?? I liked the mother's character in the first half but by the end she became someone I really disliked..
There is a scene in ep 32 where the ML breaks down.. It felt like a genuine emotional breakdown.. Natural not overdramatic and it fit perfectly within the sequence of events..
" Jiang Chengyi.. Don't get hurt again.. I can't live without you.. "
Everything about the couple felt special..
Read a few comments asking why the villain didnt propose to her in those 8 years.. I think the answer is simple.. He knew she would never love anyone else and that she was waiting for the ML to come back because she believed he would.. Or perhaps because she never truly let him go.. So he had to make her come to him on her own..
The last 6 episodes were good but they were way too slow... Though I didnt mind.. By the end Wen Peng had completely lost touch with reality.. Consumed by his own delusions and obsessions.. He literally killed and hurt everyone close to her and still had the audacity to say "No one will ever love you the way I do"
The interaction between the ML and the antagonist in the last episode didnt make sense.. Was that really necessary after everything he did?? He is being treated as a human being?? And then the ML asks him to meet their mother?? How could he even think about letting her see a psychotic psychopath who manipulates and gaslights people so easily?? As for the mother’s character.. I dont even know what to say.. It felt completely illogical.. Yes she loved her son.. But her psychopath son tried to kill her stepson and Kidnapped his girlfriend.. Killed two of their friends, murdered several others.. And tried to kill at least three cops.. And she keeps saying its her fault?? While her love for her son is clear her willingness to overlook his crimes makes her actions seem more baffling than emotional.. This choice by the writers underplays the cruelties of the SML.. I really wish they hadnt included that scene.. It felt totally unnecessary and probably hurt the show’s ratings..
While the final episode had some unnecessary scenes, it was really good overall.. I mean an entire episode of them being happy after overcoming all their problems?? Kdrama writers, take notes..
Overall.. Despite some slow moments and unnecessary lengthy scenes the drama really pulled me in.. The performances were solid and the chemistry between the leads was undeniable.. The FL was such a standout character and the villain?? He was terrifying.. The ending had its flaws.. Sure but it still gave them the happy ending they deserved.. Is the drama perfect?? No.. Flaws?? Plenty.. But its definitely worth the time and its one i will not easily forget.. Be sure to watch the bts scenes as well.. They were fun..
P.S.. The subtitles are never getting better are they??
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From Rock, Paper, Scissors to a Love Without Secrets - The Best Taiwanese BL of 2025
I’ve watched every Taiwanese BL released this year, and without a doubt Secret Lover is the best of 2025. It is not the usual formula. Instead, it is fast paced, emotionally rich, and captivating from start to finish. Not once did it leave me bored.From the very beginning, I was drawn to both leads. Tuo is obsessive and intense, while JunXi is sweet, gentle, and adorable. Their bond, rooted in childhood, grows naturally into something deeper, and watching them fall into love felt organic and inevitable. The NC scenes were tender yet romantic, their kisses full of sincerity, and the playful “rock, paper, scissors” moment to decide who tops or bottoms was cheeky, lighthearted, and unforgettable.
What makes this story shine is the shift in their dynamic. For once, it was JunXi who chased after Tuo, who kissed him first, who showed boldness where there was once only hesitation. Usually, Tuo takes the lead, so JunXi’s affection was refreshing and heartfelt. Their communication was equally moving. When Tuo admitted he had only dated girls to hide his true feelings for JunXi, his honesty was raw and deeply touching. His apology lifted a weight from them both, and in that moment, his growth was undeniable.
The smallest details melted my heart, cuddles, forehead kisses, waking up together, and most of all JunXi’s quiet back hug after Tuo’s fight with his father. Without a single word, that embrace carried the message: I am here. You are not alone.
Even Tuo’s father was written with nuance. A single parent abandoned by his wife, he worked tirelessly to raise his son, though his strictness strained their bond. I sympathized with his burdens, but it made me appreciate JunXi even more. He gave Tuo the love and reassurance his father could not, validating every piece of who Tuo was.
Many judged Tuo early on, calling him selfish or forceful. But episode nine revealed the truth. Tuo never left JunXi because he loved him less. He left because he loved him too much. He could not bear to see JunXi hide forever or carry the weight of secrecy. That is why the series carries the title Secret Lover. Tuo’s love was not possession but protection.
And then came JunXi’s powerful declaration: Even if my parents are against it, I still want to be with Tuo. I didn’t realize I loved him this much. At the park scene, it was JunXi who kissed first, who confessed first, who chose reconciliation. This was not weakness but extraordinary courage, especially in a culture where tradition and family reputation hold such power. I admired him deeply, because I know I could not be as brave.
Love often needs distance to return stronger. You do not realize the depth of your love until you almost lose it. This series captured that truth with aching precision, showing that Tuo was never the villain but always the protector of the one he loved most.
When JunXi finally cried, his tears were not born of sadness but of joy. They carried the weight of years of silence, and with them, the heavy stone pressing on his heart was finally lifted. For so long he had hidden his love, afraid of disappointing his parents in a culture bound by tradition and generational values. Yet as his hand clasped Tuo’s, he was no longer alone. Their love was no longer a secret in the dark but a truth they carried into the light.
The most moving moment of all was the parents’ reaction. They had always known. When the truth was spoken, they embraced their sons with warmth, kindness, and joy. Their smiles shone brighter than words, their love wrapped around the boys like a blessing. This is what every parent should give, the assurance that love is love, no matter gender, no matter expectation, and happiness is the only thing that matters.
As the story closed, it became clear this was not just another BL. It was the best Taiwanese BL of the year for me. No dragging storylines, no unnecessary jealousy, no forced third wheel. Every kiss, every touch, every NC scene was alive with passion, intimacy, and vulnerability. Their chemistry was breathtaking, transcending the screen itself.
It did not feel like acting. It felt like watching two souls discover one another. The glances, the touches, the comfort in each other’s presence, it was impossible to believe it was fiction. Even behind the scenes, in playful moments and tender gestures, they radiated a closeness too real to ignore. Perhaps this was more than a story, perhaps it was something lasting even beyond the cameras.
Now it has ended, and their absence lingers like a quiet ache. Secret Lover was not simply entertainment. It was a memory carved deep into the heart, a love story that breathed, that lived, and that will be missed long after the credits fade.
💯 Secret Lover is pure perfection. Romantic, emotional, meaningful, and bold, it is everything I could ever want in a BL. Without question, it is the best Taiwanese BL of 2025.
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What Did I Just Watch...?
I feel like the last two days that I've been watching this show didn't happen. I feel like I lived in a simulation in which I thought I was watching this, but I would just end up waking up to it being all a dream. But nope, I really watched this. I heard nothing but amazing news about this series -- "It's perfect", "It's the best BL in a long time". I genuinely think we were all watching something different. No, I'm convinced there is another My Beautiful Man out there that is what everyone was talking about because this can seriously not be it. Utsukushii Kare is a perfect setting with the absolute worst story possible.Let's Dive In.
The basics of this story is that Hira is a nobody and everyone treats him like trash, even including the guy he deems the beautiful-est human ever, Kiyoi, who is the high school's most handsome, and treated like a god among the others. A great premise, and sure, we've heard similar ones, but Japan has a way of telling a story that you can just never get bored with it, and I think this really could've been a good series -- heck, a great series. However, it crumbles under its own hold by having terrible characters, a god-awful plot twist, and a lackluster ending.
Let's start with what I liked: I liked Koyama more than anything else. He falls under the Second Lead Syndrome for sure. He was the definition of the perfect boyfriend: cute, funny, charismatic, thoughtful, caring, there to help Hira with his stutter, there to be his friend, someone he could talk to -- and Hira can't seem to see any of that..? It's okay, Hira doesn't deserve a Koyama, I do. I will take Koyama, because, who wouldn't?
Again, I think production was nice. The bike scenes were really nicely shot. I liked the sceneries and the lighting the most. There is a way Japanese series are shot that I just fall in love instantly, so this was a big bonus of watching.
The acting was really good, especially Hagiwara. Even if they really did his character wrong, he still played it to the best of his ability, and it comes off really nice. The rest of the cast did an excellent job too, even the bullies were good.
Alright, now into the terrible: Both Hira and Kiyoi were just horribly-written. Hira can't seem to stand on his own two legs, which is fine, some people are super shy, and stuttering's not even the problem -- it's the fact that he let everyone walk all over him, including the guy he liked. He would automatically do anything they asked, without hesitation, and it made me sick to my stomach. It was so hard watching him on the screen, I just couldn't stand him in any way. And Kiyoi was just the worst. I was thinking at some point, Kiyoi was going to be like, "Ha! I was only being mean to you so that you could finally grow some balls and stand your ground," nope, instead, he bosses Hira around like the rest, calls him disgusting, gross, a stalker, kicks him, pushes him down, and Hira still manages to fall for him for god-knows-what reason. Looks can only get a person so far. Instead, Kiyoi's big plot twist is that he also liked Hira, he just didn't know how to tell him. This plot twist is just pitiful. Why harm Hira then? Why call him names, have him do things for you? Nope, it still doesn't make up the fact that in the entire series, Hira is bullied to death by his own love interest. There's no turn in Kioyi's behavior until the very last episode. It's disgusting. And what makes it worst is that the ending is so lackluster. How could I care about them after all this time? I sat and watched Hira be used like a ragdoll, and you want me to sing Kumbaya..? No, just no. I think this behavior is dangerous in a BL, especially with me seeing so many people praising their relationship, and for what?
Ratings:
Story: 5 - How could I give two craps about the story when for the entire series is was Hira being picked on? I'll give it 5 stars for Koyama, and Koyama only.
Acting: 9 - I think the acting was the only good thing about this series.
Music: 5.5 - I don't remember it, meaning it wasn't a distraction. Great.
Retwtch Value: 1 - No.
Overall, this is one of the worst, if not the worst, series I've seen in a while. I can't comprehend what people like about this, and quite honestly, I don't care to know. It's sick. A BL like this is dangerous, it shows that a toxic relationship like their's is revivable, that it's okay when it's absolutely not! If this were real life, Kiyoi would've been cut off immediately, or he would've put a restraining order on Hira, cause I know I would. Not recommended in the slightest.
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LIGHTS CAMERA ACTION
Why is nobody ready to be chaotic? why are we so tame? whats going on? Why is everyone so concerned about the others feelings?Only Friends: Dream On was the long-awaited sequel to Only Friends, and I was extremely excited for it. It was one of my most anticipated dramas of the year, but ultimately, I feel it wasn't as good as it could have been.
The Actors vibes and setting where all there for a messy season but somehow the writers downplayed everything.Don’t get me wrong,I enjoyed the show. The drama on and off the set, the lying, and the catfights were all very entertaining, but it still felt like something was missing. While this acts as a standalone sequel rather than a direct continuation, it is set in the same universe, so I can't help but compare it to the original. Personally, I think the first series was much better. In Dream On, I felt like everyone was trying too hard to be a "good person," which misses the point of the Only Friends brand. Nobody seemed to want to be a chaotic force of evil.
The show was far too tame until about Episode 7. It might sound crazy, but it wasn't nearly as toxic as it needed to be. Everyone kept trying to do the right thing, which honestly bored me. Even when they introduced Boston to the mix, I thought, "Yes! Finally, the drama has arrived!" only for everyone to reject his advances. Then, when someone finally gave in, Boston suddenly decided to grow a conscience?
This isn't supposed to be a heartfelt drama; it’s Only Friends. We are here to see a mess! When Dean and Arnold went into that forest, I nearly threw my phone in excitement because I expected cheating and characters with zero moral codes. Instead, the writers chose loyalty. In any other show, I’d applaud that, but here? We want horrible people making bad choices. Think back to Top and Boston in Season 1 they didn't just cross the line they obliterated it. That’s what kept us on the edge of our seats.
The Couples
Despite my gripes with the plot, the couples were solid. Here is how I ranked them:
1. Jack and Dean: They take the cake for me. They were the epitome of ex-lovers, second chances, and messy mistakes. There is something captivating about their dynamic.
2. Arnold and Tua: They were sweet and heartwarming. Falling in love with your best friend can be the best or worst mistake of your life, and they definitely made the best of it.
3. Rome and Raffy: The definition of hot and cold. While I didn’t love their relationship as much as the others, their physical chemistry was easily the best in the show.
For the side charcters Timmy was my absolute favorite. He showed up for everyone, took his job seriously, and never missed a beat. Even though he wasn't involved in the drama, he always ended up being the one to break up the catfights.
Then there was Pete he was adorable, but I couldn't take his "schemes" seriously because he looks like Theodore from Alvin and the Chimmunks. He definitely needs help, tho
The cameos also made my heart melt. Seeing Top and Mew, and Ray and Sand was amazing.
Final Thoughts
Overall, I liked the show. It has an active plot and a sensational storyline, but it felt too safe for the level of "crazy" I expected. I wanted hardcore backstabbing and deeper drama and more meaningful intimate scenes. The drama was good, but it didn't quite live up to the expectations set by the trailer. It’s still a good watch and a must try show, but I just wish it stayed a little messier.
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The Real Villain of Honour Isn’t Violence. It’s Cheating.
Welcome to MDL comment section where infidelity outranks abuse in the hierarchy of outrage. Where people are united to criticise hypocrisy of women in this drama while silently accepting the existence and actions of pedoflies. I am not here to discuss whether cheating and sexual violence belong in the same moral category. I’m pointing out the public reaction to them. It is telling that the priority of some people lie in the judgment of a "messy" cheating woman over the systemic reality of assault. Honour drama matters because it refuses to give us "perfect" victims and some people seem more disturbed by that imperfection than by the violence itself.—-
SELECTIVE MORAL OUTRAGE VS. STRUCTURAL VIOLENCE.
My question is does a character’s moral failure invalidate a story’s thematic argument?
Reducing a drama about trauma, coercion, sexual violence against women and minors, pedophilia, and female solidarity to “she cheated, therefore the show is trash” is intellectually lazy and critically shallow. Cheating is being treated as the central moral failure of the drama and SA is being sidelined in discussion. Honour isn’t a tale about infidelity, it’s a story about how past abuse shapes lives, how women navigate power and vulnerability, and how solidarity and resilience become survival tools.
To focus solely on Hyeonjin’s affair is to ignore the narrative’s core. The hypocrisy is the point. These women are legal warriors for justice who are simultaneously messy, dishonest, and compromised. This isn’t a narrative flaw… it’s realism. Trauma doesn’t produce moral saints, it produces survivors navigating shame and survival. That does not diminish the responsibility for their actions. The cheating storyline is ethically messy. Hyeonjin is not written as triumphant or empowered in her betrayal, she is destabilised. The encounter itself is narratively uncomfortable: she says no, attempts to leave, and is kissed again before ultimately giving in. That sequence introduces ambiguity around agency, coercion, emotional vulnerability, and unresolved attachment.
They are not romanticising cheating. It reads as a moment of weakness entangled with power dynamics and unresolved past trauma. The subsequent lies, the hidden earring, the possibility of pregnancy… these are not celebratory plot devices. They are destabilisers. The drama does not present adultery as liberation. They are not offering her a "get out of jail free" card, she is clearly driving toward a cliff of social and personal consequences. Presence of moral failure among the protagonists complicates the message, it does not ERASE it. The story depicts a survivor who is a brilliant advocate for others but a fragmented, self sabotaging disaster in her private life. To demand she be a "moral saint" to be a worthy protagonist is to demand a fiction that doesn't exist in the real world of trauma. We can hold her accountable for the betrayal of her marriage while simultaneously recognising that her personal failures do not justify or diminish the systemic violence she fights against.
Criticise Hyeonjin. Dislike her. Hold her accountable for the betrayal of her marriage, the narrative certainly does. But to let her infidelity become the only takeaway from a story about the industrial scale violation of women and minors is fundamentally dishonest. In dramas like Penthouse/ Love in the Moonlight/ Shine/ Eve, the infidelity outrage is the point of the exercise. For this drama to be discredited, it would need to trivialise sexual violence, glamorise coercion, or selectively condemn certain moral failures while excusing others without consequence. The cheating arc generates tension, fallout, and instability rather than reward. It complicates the characters’ credibility but does not erase the seriousness of the issues they confront in court.
We should be capable of holding a character’s personal failure in one hand and the world’s systemic cruelty in the other without dropping the latter because the former makes us uncomfortable.
—-
PERFECT VICTIM
Focusing on SA victims in this drama, I want to make one thing clear: abuse is defined by the actions of the abuser, not the personality of the abused. Must a victim be perfect to deserve sympathy? Does a woman’s imperfection erase the harm done to her? If she isn’t universally likable, are her bruises, fear, and trauma any less real?
Societies often measure women against an “perfect victim” standard: she must be passive, gentle, sexually restrained but not prudish, emotional but not hysterical, composed but not cold; she must have no prior mistakes, no anger, no contradictions, no complex history. People subconsciously look for reasons to distance themselves from discomfort by asking, “What did she do?” rather than “What was done to her?” suggesting if the woman harmed is even worthy of belief. Sympathy is granted most easily to those who fit a narrow image of innocence. The myth of the perfect victim allows people to believe that violence only happens to the exceptionally innocent, and therefore can be avoided by behaving correctly.
People find it hard to believe victims because believing them is uncomfortable. It forces people to accept that harm can come from ordinary people and that it could happen to anyone, including themselves. Doubting the victim feels safer and easier, and blaming them gives people a sense of control, as if bad things only happen when someone “does something wrong.” Many also misunderstand how trauma works, mistaking confusion, fear, or emotional reactions for lying /exaggeration /weakness. Public cases involving women such as Tara Reade, Amber Heard, Angelina Jolie, Christine Blasey Ford, Chanel Miller, and Anita Hill reveal how credibility is filtered through race, sexuality, likability, timing, demeanor, and presumed motive. Credibility cannot be based on how likeable someone is. Imperfection becomes evidence, anger becomes instability, sexual history becomes motive, delay becomes fabrication, survival strategies become aggression. The demand for “purity” is less about truth and more about preserving social comfort.
“If the victim is flawed, the world feels orderly. If she is difficult, perhaps he isn’t so bad.”
A woman can be brash, ambitious, selfish, queer, contradictory, difficult and still be abused. Suggesting otherwise shifts responsibility from the abuser to the abused, inflicting a secondary violence by silencing survivors who fear disbelief and internalise blame because they don’t fit the archetype they were taught. A victim deserves sympathy not because she is pure, but because she is human and her flaws, whatever they are, do not retroactively justify someone abusing her.
Showing empathy to victims doesn’t mean ignoring fairness, it means remembering that real people are carrying real trauma. We should be more outraged by acts of violence than by the imperfections of those who survive them. Sexual violence is a choice made by the perpetrator, not a mistake or weakness of the survivor. Instead of questioning what the victim did or didn’t do, we need to ask why someone thought it was okay to violate another person. It’s time to assign the blame where it belongs… on the perpetrators and not the survivors. Holding perpetrators accountable, rather than scrutinising survivors, is how we show true justice and compassion.
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MAGNITUDE OF SA
“He was my friend/ relative/ father/ brother/ colleague.” ONE IN THREE women can say this. Violence at that scale is not an anomaly, not a “few bad men”, not a misfortune. It’s a pattern and patterns are built and tolerated by societies.
While you are reading this, 8 more crimes against women will be recorded in my country. Every 16 minutes, a man in my country makes a decision to violate a woman. 86 new victims every single day. We panic over rare dangers, redesign airports after one incident. If 86 bridges collapsed in one day, we would call it a national emergency. But 86 women being assaulted? It has become a statistic and routine news cycle. Just a number we learn to live with. For every case you hear about, there are many you don’t. Silence is not absence. People think of SA as isolated incidents, but for many women it functions like an atmosphere, shaping daily calculations about what to wear, how to walk, who to call, and when to share their location. It is not just something that happens occasionally; it quietly structures ordinary behavior, from gripping keys between fingers to texting, “I got home.”
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MEN’S BRIGHT FUTURE
Are women’s lives and suffering expendable when weighed against a man’s “bright future”?
As someone who listens to true crime all the time, it’s impossible not to notice how often phrases like “boys will be boys”or “but he has a bright future” are used to excuse harm. They frame cruelty as immaturity, entitlement as potential, and accountability as something unfair or excessive. By doing this, people protect the idea of who the man could be rather than what he actually did.
What’s disturbing is that these excuses almost always come at the victim’s expense. No one asks about their bright future, their lost sense of safety, or the life altered by someone else’s actions. Instead, the narrative centers on preserving male promise and comfort. Society is often quicker to mourn a perpetrator’s consequences than to acknowledge a victim’s suffering. Her losses are emotionalised and minimised and his losses are treated as tragic and unjust.
This is because systems of power have been built to protect men’s futures over women’s safety. When accountability is seen as cruelty and harm is seen as collateral damage, it decides whose life is worth defending. Until harm to women is treated as more serious than discomfort to men, the message remains the same: women are expected to pay the price so men can keep theirs intact.
Men especially those with status, authority, talent, or social connections are seen as more valuable to protect than to hold accountable. Admitting harm would mean questioning respected institutions, friendships, families, or one’s own judgment, so people minimise, excuse, or deny the behavior instead. There’s also a long standing culture that normalised male aggression and entitlement while doubting or silencing those who speak up, especially when it would “ruin a good man’s life.”
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GLAMORISATION AND DESENSITISATION OF SA IN FILM.
There is long tradition in television where sexual violence appears less as a lived trauma and more as narrative currency. Violation often functions as ignition and what lingers is not the wound, but the spectacle that follows it. When violation repeatedly serves as character development, as motivation, as spectacle, people expect it as part of storytelling grammar. The trope embeds itself quietly, shaping cultural assumptions about whose pain advances the plot and whose pain is secondary to it.
Experimental evidence suggests that repeated exposure to sexually violent films can dull emotional responses, reduce empathy for victims, and lessen the perceived seriousness of abuse. Sexually degrading portrayals may also shape beliefs about sexual assault, reinforce objectification, and foster harmful attitudes toward women. Research indicates that sexually aggressive media can affect not only men’s attitudes but also women’s psychological responses and self perception. Media can distort understandings of consent and responsibility y normalising gender stereotypes, blaming victims, or presenting male aggression without critique.
I also think romanticisation of SA plays a huge role in desensitisation. 365 days, Ffifty shades of grey, GOT, After and many other films aestheticise dominance, persistence, and forced intimacy as proof of desire. Threat becomes foreplay and control becomes charisma. Resistance is framed as tension and coercion as chemistry. Over time, audiences learn to read violation as romance not because the act changes, but because the framing does.
Desensitisation often looks like reduced shock, reduced empathy, treating it as “just another trope”, but reduced outward reaction doesn’t automatically mean reduced empathy. If you respond emotionally to real world harm but not to dramatised scenes, that’s often media habituation, not moral desensitisation.
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INFIDELITY IN CINEMA.
Imagine looking into the eyes of the person you love, the one you trust without hesitation, the one you depend on, the one you’ve built your life around and not knowing they are choosing again and again, to lie to you. Just to protect the betrayal instead of protecting you. Cheating isn’t just a mistake. It is a form of moral bankruptcy. It shows a complete disregard for the very person you promised to respect and protect. In this drama, what happens cannot simply be dismissed as a “single lapse in judgment.” Even if the physical act happened only once, it did not exist in isolation. There was secrecy, emotional boundary crossing, rationalising the situation, staying despite discomfort, and then continued deception. She lies to her husband even when confronted with evidence. When pregnancy enters the picture, the consequences of those choices become even more devastating. Calling this a momentary mistake is an oversimplification of what cheating really is. It reflects not just one impulsive act, but a series of conscious decisions made when there were multiple chances to stop, to leave, or to tell the truth. It reveals a willingness to betray when the opportunity presented itself. The damage is not measured by how many times it happened. For the person who was betrayed, even once can permanently shatter trust. One breach is enough to change how love feels, how safety feels, and how the entire relationship is understood.
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HOW DESENSITISED ARE WE?
Romanticisation frames cheating as emotionally profound, fated, or spiritually meaningful. Glamorisation emphasises aesthetic appeal (luxury/ sensuality/ thrill/ personal liberation). Both reduce moral weight by reframing cheating as self discovery, emotional authenticity or rebellion against restrictive norms. Because viewers are repeatedly exposed to these portrayals, desensitisation occurs where infidelity begins to feel more normal, less shocking, and more understandable. This opens a possibility where repeated narrative framing can reshape moral perception and relationship expectations.
In recent dramas I have watched (Shine and Love in the moonlight) there was intense romanticisation of cheating. Storytelling is designed to make us deeply identify with the central couple framing their relationship as destined, pure, or emotionally unavoidable. When cheating is presented within that emotional framework, people tend to evaluate it through empathy rather than moral principle, seeing it as tragic or justified instead of wrong. Over time, this emotional alignment can make infidelity seem more acceptable within fictional contexts, even if audience might not support it in real life.
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MY THOUGHTS ON THIS DRAMA
It is not a bad drama people are claiming it to be in the sense of poor craft. It is purposefully provocative, and people mistake their own moral discomfort for a failure in storytelling. When a show refuses to provide a "perfect" protagonist and instead mirrors the messy, compromised reality of survivors, it stops being a comfortable escape and starts being a mirror that many audiences are unwilling to look into.
This drama is challenging the very hierarchy of outrage that allows real world trauma to be sidelined in favor of "safer" scandals. Low ratings suggest a "moral purity gap" where audiences conflate a character’s personal flaws with the show’s overall quality. While viewers frequently tolerate or even celebrate "anti hero" men, a messy, unfaithful female protagonist often triggers a visceral likability tax, leading audiences to "downvote" the show as a form of moral protest rather than focusing on its technical or thematic core messages. People prefer glamorous escapism over the gruelling confrontation.
We must move beyond "likability" to understand that mirroring a messy reality is not an endorsement of it. Rejecting this entire drama because the victim is flawed only upholds the "perfect victim" myth, suggesting that empathy is reserved for the stainless. Don’t fall into the narrative trap of selective empathy. Husband is undeniably a victim of a devastating personal breach. His suffering also does not negate or compete with the systemic violation of women’s bodily autonomy and these are not mutually exclusive tragedies. When we allow a husband’s heartbreak to become the loudest part of the conversation, we are choosing the "safer" anger of a private scandal over the necessary rage required to confront a culture of sexual violence.
(Explicit terms for sexual violence are omitted to prevent this review from being flagged. It is not a self censorship. I know the legal distinction between general SA and more severe violations (r word). My goal here is to address the collective trauma of survivors. I have documented all statistical references used here so feel free to message me for the source link.)
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This review may contain spoilers
Love as vast as the Milky Way
Love Like The Galaxy was one of my most anticipated c-dramas of 2022. Because of China's new rule that dramas cannot exceed 40 episodes, the drama is divided into two parts with 27 and 29 episodes each. I had high hopes for this drama because of its star-studded cast and intriguing storyline, and it did not disappoint!STORY AND CHARACTERS
Love Like The Galaxy is based on the novel 'The Stars are Brilliant, Fortunately Even Wow,' written by an author going by the pen name 'Guan Xin Le Luan,' who also wrote the novel that was adapted into the popular historical C-drama 'The Story of Minglan.'
Love Like The Galaxy is a story about love and its importance in all aspects of life. Insecurity and vulnerability can result from a lack of love. This was the case with Cheng Shao Shang.
Cheng Shao Shang is the daughter of Colonel Cheng Shi and Xiao Yun Xi. Her parents left her behind after her birth to fight in the war. She was raised by her grandmother and her scheming aunt into what was supposedly a good-for-nothing. However, she is not a useless person. She pretended to be ridiculous and absurd but was extra cautious and meticulous to protect herself. The lack of parental love, as well as lack of love from those who raised her, made her think that there were more people who despised her than loved her, and this made her feel unsafe. She does, however, have an amazing brain and enjoys building things. She is not at all ladylike. This adds to the intrigue of her character. She longed for her parents to return from the war so she could live a happy and carefree life, but she had no idea that they would never be a family again because of their estrangement from one another. Despite the fact that her brothers and father immediately loved her, her mother, Xiao Yun Xi, was slightly annoyed by her un-ladylike behaviour and took to regulating her. This did not sit well with Shao Shang. She was obstinate, just like her mother. She despised being regulated or mocked and seeing others bullied. With her amazing wits, she is always ready to fight back against anyone. She is always willing to harm herself in order to help others. She is honest and admits her mistakes, even if it means getting punished. However, this does not mean she did not attempt to avoid punishment. Once, she even ran away from her home to avoid punishment!
This drama also shows the importance of expressing our feelings honestly and openly, because you may not get another chance if you don't seize the one you have. This was the case with Ling Bu Yi.
Ling Bu Yi is the emperor's adopted son. Ling Zi Sheng is his courtesy name. He is a General who is attempting to uncover the conspiracy behind what happened in the past. Ling Bu Yi is an efficient officer with a strong sense of duty. He is both passionate and menacing. He also has sharp wits and is not easily fooled. In some ways, the female and male leads are similar: they are both extremely stubborn and witty. He is cold and ruthless, and he rarely smiles. He regretted not expressing his feelings for Shao Shang because of his introverted and commanding personality. He was unable to express his feelings for Shao Shang because of his introverted and imposing personality. He did not seize his opportunity, instead allowed others to do so. Bu he is not like this when it comes to his job. He never leaves a coin unturned and alway seizes all evidences he can get.
CAST AND THEIR CHEMISTRY
This drama reunites Leo Wu and Zhao Lusi, who previously worked together on the drama 'The Long Ballad,' though not as a CP. Zhao Lusi and Leo Wu did an excellent job portraying the characters they were given in this drama. They convey the characters' complex emotions beautifully and sincerely, taking great care not to leave anything out.
It is common knowledge that Zhao Lusi has incredibe chemistry with who ever she is paired with. But, this drama is evidently a slow-burn and therr isn't much progress between Cheng Shao Shang and Ling Bu Yi in this part 1. But, even though they didn't have many interactions in the first few episodes, we can still sense their chemistry. And it grows even more with each episode. Furthermore, their interaction appears to be natural and realistic and the tension between them is interesting to watch.
WHAT I LIKED:
We are promised a very entertaining and enjoyable show from the beginning of the drama. One of its strengths is the occasional comedic scene. At times, it may appear that this show is even more comedic than a true comedy drama!
The drama begins on a lighter note and stays that way until episode 10. This helps the audience in understanding the flow of the story and getting to know the characters well. Unlike in other historical c-dramas, the numerous characters are not introduced right away. On the contrary, this drama introduces the characters at a slow but not too slow pace. As a result, there is little to no chance of the audience becoming confused.
Each role is meticulously portrayed so that the audience can visualise them alive. The characters are three-dimensional and multi-faceted. The screenwriters have done an incredibly good job.
The drama's cinematography and costumes are both fantastic. The colour grading in scenes such as the lantern festival and the aftermath of the battle with the bandits leaves a lasting imprint on the viewers.
The music in this drama is fantastic! The music scoring used corresponds to the situation and atmosphere of the scene in which it is played. The final theme song, 'Splendid Stars,' is very soothing and pleasant. The music and songs help the audience get into the mood and feel of the drama.
WHAT I DISLIKED:
There are not much things I disliked. But, here are the two things that annoys me the most:
The lack of interaction between the main characters and some of the other characters causes the characters to feel distant at times. The main characters require more interaction because that is what we as viewers expect from a drama. Hopefully, we'll see more of it in the 2nd part of the drama. There are another 29 spisodes to quench our thirst!
There are too many irritating characters in this drama, such as Cheng Shao Shang's aunt and grandmother, as well as some other female characters who constantly irritate Shao Shang or who have feelings for Ling Bu Yi. Even though these characters are common in dramas, they are abundant here! Even Cheng Shao Shang's mother can be annoying at times! Thankfully, they only little screen time! However, we are indebted to them in some ways because they were the source of some sweet moments between Shao Shang and Ling Bu Yi that almost made me swoon.
OVERALL
With its occasional comedic scenes and small twists and turns, as well as its star-studded and talented cast, their wonderful chemistry, and amazing cinematography and music, this drama sure can keep you fully immersed in it, making one unable to escape. I can give this drama a strong 9 out of 10, taking everything in accordance. The only reason I knocked off a point from it's rating is indeed because of the lack of interaction between the leads. Hopefully, it get better in the next part!
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1This review may contain spoilers
Pretty People Trying to Fight and Fall in Love, I guess?
Due to the change in the original reincarnation story, they utterly made this non-sensical plot.What exactly was He Yan proving y'all? She was already a General. She didn't have anything to learn, just to get revenge against her idiot family. But y'all, here me out? Like......why not...and i know this sounds crazy....but why not, just go take out that snotty nose GeGe. What her dad going to do y'all? He is gonna be forced to keep her. Also, you could just kill that dude as well. Why not? She is strategic GENERAL, why can't she take what she wants from her useless family?!?! Don't give me the blah blah morals of her character blah blah. I don't want to hear it, this guy tried to assassinated her (was so close) and caused the death of 30,000 soldiers. I think she can take him out easy.
Instead, she "pretends" to be a new solider but legit gets caught within 1 minute of entering the doors. And get this, the guy who runs the show is also her classmate?!
Listen, that man is FINE. Respectfully. BUT HE DID NOT KNOW THIS CHICK WAS HIS CLASSMATES AND SOME HOW BOUGHT THAT THE OTHER GUY (her gege) who is what 6 ft? Wide shoulders? Deep Voice? Lacking moral character? is his classmates?!? Nah, that means he is dumb and shouldn't be running an army.
A freaking dancer who met her ONCE, spotted that she was a chick. AND homey had MONTHS studying with her? Get out of here. Then the kicker, he feels her bound chest against his back and was like, "A woman?!" (insert that clip from Mulan where she is dragged once she is found out).
Now on to the other stuff, the villains were so subpar. The emperor was dumb. And those last couples episodes, why? like why? For who? What a silly mindset? Here me out. EVEN IF, either of them gives up their army authority, did the emperor really think the army is still not going to follow their command?! All you did was piss them off. And that throwaway 2ML, like boy. I was hoping you turn around have some common sense but no, you went stupider and lost the 1 chick who stayed loyal to you. Such nonsense.
And all this, I could forgive a bit (not all, ain't a saint) if the chemistry was FIRE. But no, it was meh. Sorry, it just wasn't fully there for me. But anyway, everyone was pretty to look at.
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I enjoyed watching this drama more times than not. It was relaxing to look at, with the great cinematography and breathtaking sceneries. Music was great and very fitting. The actors were more or less very fitting in their roles and felt natural. The chemistry between the male cast was flawless.
I guess my main and only issue here is the writing. There are two types of supernatural dramas: the one that explores human emotions through the supernatural; and the ones that use it to tell your usual story. I think Goblin was somewhere in between.
I still appreciate some points of the writing. What I dislike is the plot as a whole. I liked the overall idea but not the execution. I like the idea of supernatural and powerful beings, like ghosts, goblins, grim reapers and gods, are living normally among humans without being noticed. I liked the story of the little boy we meet early in the drama to see his fate and effect on the Goblin (and vice versa). I loved the heartfelt story of Eun Tak's ghost friend, and enjoyed the company of the group of Ahjuma ghosts.
What I greatly disliked is the way the main story arc was handled. At first it felt overly dramatic, but later it felt so underwhelming that it removes and intensity felt before. When it ended the way it did, I felt there was no point to the whole story. Essentially were back to point zero.
I think the writer has some original ideas, but no guts to go deeper. As a result interesting topics were touched lightly, but never went beyond, hence felt shallow. I wish more time was spend in exploring the world, getting more concrete information on how demons are created and how to deal with them. Instead you just follow the characters' daily life of not doing much, and supernatural elements were just used as a convenience.
When it comes to romance, I didn't care much about the age difference due to the supernatural part of it, but I just didn't enjoy it, I didn't feel it. I don't know when it happened. Also Goblin was beyond childish. He was too moody and unbearable at times. While I was more invested into the secondary couple, I still felt the same, as in a missing episode of them going out and truly falling in love with each other was missing. I didn't like the way both couples went.
The non-romance relationships were great. The bromance, there was more than plenty. It was perfect. The focus and the growing relationship felt authentic and real. I also loved the relationship between Grim Reaper and Eun Tak. I did enjoy Deok Hwa's presence, but man was he so underused!
Other things that bothered me but not necessarily cause any deduction to the rating is over the top product placement. At one point it looked like subway was about to save the world, one sandwich at a time. And the wardrobe of poor little female lead, I just wonder how she manages to fit all those clothes in such little luggages and how she can afford them. I love how they presented Quebec at first, but I got mad that they didn't try to be accurate as to how the city looked at this time of the year. Worst of all is the episode length. It was needlessly long.
I don't regret watching this drama. I still had a great time watching. Although the last three episodes felt too draggy and less enjoyable, but it still had some good moments. Well all moments with GR for me are great lol. Enjoy! And don't hate me too much for the rating :P
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Love between Fairy and Devil
77 people found this review helpful
I'm not even trying to be reasonable about this.
This is the kind of show you get so addicted to you don't even realize hours have passed since you first hit play. While some of these types of dramas leave me feeling sticky like I just indulged on too much sugar, this is one of the few cases I did not regret a minute of the rush. While the romance is captivating, this show doesn't sacrifice its main storyline or logic to keep the tension. Instead, we got a well established conflict that's in line with the characters personalities as well as the world building. At every moment of this show, I understood the motivations of each character and could sympathize with them. Never did it feel like they were stalling or creating unnecessary drama to fill the episodes.Even though the story is your classic forbidden love tail, the way it was presented and how it incorporated its fantasy elements made it feel fresh and engaging. The world building is one of the things I really enjoyed about this show. Often Xianxias can feel overwhelming and incoherent since they just randomly dump information on you and don't even bother to explain the key points of the world they're set in. While it may not dive too deep into it's setting, it does utilize beautiful and detailed sets as well as costumes to highlight differences between the three realms and its respective residents. It creates an immersive experience which made it feel like these places were more than just pretty backdrops. Apart from the sets, I actually thought the visual effects were surprisingly good, resulting in exciting and impressive fight scenes. I've to quickly mention the OST at this point, which is hauntingly beautiful and still gives me goosebumps when I listen to it after finishing the drama.
Overall I enjoyed the performances of the cast and quite a few side characters won me over. They got developed enough to make me care about them, but I would not have minded if we got more of their stories as well. Fleshing out the other stories might have helped with some pacing issues and added more layers to the romance focused show. The selling point of this drama, though, are our two leads and their relationship. So let me highlight why I loved these two and what made their relationship so special for me.
"I'm a beautiful fairy with a good heart."
Well, if that isn't the most accurate self-description I've heard in a while. Orchid has to be one of my favorite female leads in recent Chinese dramas. She starts off as a bubbly and adorable fairy that is rather naive and timid. However, throughout the story she develops into a brave and determined person that never loses the essence of her character, which is her compassionate and selfless heart. She brings out the best in people with her unrelenting belief in them. I truly adored her, and Yu Shu Xin is one of those actresses that has something so likable about her, which was really fitting for this character. I know that some viewers were bothered by her voice, I was not one of them. In fact, she did a great job with the transition of her voice as the story progressed. At the begging of the story it's pretty high-pitched and childlike, which indicates Orchids innocence, however as she matures throughout the story her voice also changes and it was so nice to witness this change in her. She also uses a different voice during the body swap scenes, adding another layer to her performance. One of the things I loved the most about her journey was how she starts off seeing the world in black and white, but after meeting different people, she realizes the fairy realm might not be as perfect as it seems. She also learns there are more layers to a person than what you can see on the surface.
"No one ever taught me how to get close to others." This was my first Wang He Di drama, so I don't have anything to compare it to, however he embodied Dong Fang Qing Cang in a way that you can't even imagine anyone else playing this character. I was impressed by his nuanced portrayal, and I believed every gesture and every word he said. He was fierce and domineering as the Moon Supreme, while also showing subtle emotions and changes throughout the story without losing his personality in the process. His transformation felt authentic and genuine, and I especially enjoyed his performance in the more emotional later episodes. Moreover, he sold that body swap to me, which isn't something a lot of body swap shows manage to do. The way he adapted Yu Shu Xin´s body language and mannerism made me believe I was watching Orchid struggle in Dong Fang Qing Cang's body, which was amusing to watch. I also have to mention the voice actor here, because he was amazing and really helped bring this character to life. While watching Dong Fang Qing Cang slowly change and grow, you honestly can't help fall in love with him alongside Orchid. Wang He Di really went the extra mile in this one.
I often have this issue with romance dramas nowadays that I can't get invested in them because I feel somewhat disconnected to the characters and their relationship. This is mostly due to the fact that shows don't take their time establishing those first before they move on to the emotional scenes. Love Between Fairy and Devil does not have this issue. It managed to convincingly tell a romance where both parties felt equally strong about each other. This relationship evolved over time and helped both of them grow as characters. I truly appreciated that this show took the time to establish them individually while also developing their relationship before we got to the angst, since the emotional scenes had way more impact this way.
This show might not be for everyone, however I had a wonderful time watching it. The balance between romance, captivating story and fantastical elements just worked for me and had me hooked until the very last episode. It's one of those shows I'll get back to again and again.
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