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This TV show is real tear jerker. Hats off to Writers, Actors, Director, Music-composer, Editor. I fell in love with the characters, beautifully portrayed by all actors especially the 3 brothers [main leads]. They have done justice to the plot with their great acting skills. I fell in love with director's cinematography & eye for nice shots, I fell in love with background music that correctly fits every scene & moves your heart accordingly so that you can feel the character's emotions well. I loved how they carefully edited every scene and how smoothly & beautifully whole plot unfolds. 26 episodes seem like a lot but I promise you that you wont be bored, In fact you'll wish that this drama never ended.
I gotta say Kim Jae Joong is an wonderful actor, who is HIGHLY underrated... Everyone notices how good looking he is, how great his skin is etc etc etc but honestly I admired his acting skills a lot. He is PURELY TALENTED & GIFTED, of course blessed with great looks as well :) I wish more producers/directors can notice this fact about him being talented, gifted actor & cast him more in upcoming dramas. I wanna watch more of his acting.
Anyone who is contemplating whether to watch this drama or not, Just go for it & give it a shot, I bet you'll fall in love with it & enjoy it as much as I did :)
UPDATE: Kim Jae Joong won "TOP EXCELLENCE ACTOR" Award for his role in Triangle at Korea Drama Awards, 2014. Congratulations JaeJoong !!!
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Push and pull
Jin young as the male lead was a good choice. His acting was great. Female lead, so-so. There were scenes where you dont feel any emotion from her at all. I hate the character basically. I dont see the sense of second male and female leads also. It felt like their role was there as needed. Doesn’t jive with the storyline. I ended up fast forwarding most of the episodes as I really find it boring. Good thing it is only 10 episodes and I waited for the series to finish before watching it. 😩Was this review helpful to you?
This review may contain spoilers
Personal Review (No Major Spoilers)
I found Flying Up Without Disturb to be a wonderfully rare and enjoyable discovery. I started the drama because of curiosity, stayed because of its charm, and finished it with a heart full of emotions that lingered long after the final episode. For me, it’s a solid 10/10, and I genuinely think it has the potential to move you just as powerfully. What makes this series shine is not simply the romance or the fantasy elements, but the way everything comes together with sincerity, intention, and beautiful storytelling.What impressed me the most is that the drama is not just about love, but about identity, growth, healing, acceptance, and the quiet bravery that comes from choosing your path even when everything around you feels uncertain. Rather than following the typical fantasy romance formula, the show allows its characters to breathe, to fail, to rise, and to let their emotions mature over time. It respects the viewer enough to give space for reflection instead of forcing constant twists. By the end, the emotional investment pays off in the most rewarding way.
Let me start with my absolute highlight: Li Hong Yi as Zhong Xi / Huan Zong. His performance carries the entire emotional weight of the series. He delivers a layered portrayal that makes his character feel both ethereal and grounded, powerful yet vulnerable. From the first episode, there is this quiet, commanding presence in his acting. He doesn’t rely on exaggerated expressions. Instead, the emotions slip through in subtle gestures, the tightening of his jaw, the way his eyes soften when he looks at Kong Hou, or the controlled tone when he’s trying to hide the pain he refuses to name. Everything feels intentional, lived in, and deeply consistent.
What makes Zhong Xi unforgettable is how he balances two identities. There is a gentle tension running through his performance, like he is constantly negotiating with the weight of his responsibilities, the burdens he carries, the secrets he protects, and the longing he tries so hard to suppress. Even when he doesn’t speak, the screen feels full because his emotions are always present. Li Hong Yi is a master of controlled expression, and this role truly showcases how skilled he is at making silence speak.
In contrast, Lu Ting Yu as Kong Hou brings a warm, bright, grounded energy that complements him perfectly. Her performance is graceful yet spirited, full of sincerity and a quiet kind of strength. Kong Hou isn’t just a love interest. She is the emotional pulse of the story. She is compassionate without being naive, brave without needing to be loud, and loyal without losing her individuality. One thing I love about her portrayal is that she grows gradually. Her character moves through innocence, discovery, heartbreak, and eventually profound understanding. But she does it in a way that feels natural, not forced for dramatic effect.
What truly took my heart is the way Li Hong Yi and Lu Ting Yu interact. Their chemistry is not loud. It’s not about flashy tension or dramatic declarations. Instead, their connection grows from small moments. A glance held slightly too long. A soft exchange that carries more meaning than the words being spoken. A hesitation before a touch. This drama understands that romance does not always need explosion. Sometimes the most powerful love stories are the ones told quietly. Their bond feels like two souls slowly learning to trust each other in a world where trust can be the most dangerous thing.
The relationship between Zhong Xi and Kong Hou is a slow burn, but not the frustrating kind. Instead, it is the kind that rewards viewers for patience. Every interaction builds upon the last. Every shared moment adds depth to the connection. Even the challenges they face, including those rooted in secrecy and identity, feel like natural extensions of who they are. Light spoiler: there are scenes where their emotions come to the surface in ways that feel almost poetic. A single sentence, a touch, or even a moment of silence becomes charged because the characters have grown enough to let vulnerability show. Those scenes are crafted with tenderness and respect, and I treasure every one of them.
Another strength of the drama is its atmosphere. The world feels alive without overwhelming the viewer with unnecessary explanations. The fantasy elements are woven smoothly into the narrative. They support the story instead of overshadowing it. The cinematography is beautiful in a simple, non-overproduced way. There are sweeping shots that capture the vastness of their world and quiet, intimate frames that draw the viewer closer to the characters’ emotions. Nothing feels wasted. Nothing feels out of place.
The soundtrack deserves praise as well. There are scenes where the music elevates everything happening on screen. Sometimes it’s melancholic. Sometimes it’s gentle. Sometimes it’s hopeful. But it always fits the atmosphere of the moment. There is a particular melody that repeats during emotional turning points, and by the final episode, just hearing it again made my chest tighten. Music becomes an emotional echo in this drama.
Now let’s talk pacing. For me, the pacing is one of the strongest elements. It never drags, even though the story takes time to unfold. It doesn’t rush to deliver answers or emotions. The pace allows you to sit with the characters, understand their struggles, and connect with their journey. The story trusts the audience to follow emotional logic instead of constantly relying on dramatic twists. The ending is satisfying but also slightly bittersweet. Not tragic, but shaped by the sacrifices the characters make along the way. And that makes it feel earned. It’s a conclusion made meaningful by everything that happened before it.
As for light spoilers, I’ll keep them gentle, but I want to highlight a few emotional beats that stood out without giving away the major storyline. There are moments where Zhong Xi must hide his true identity, and the way he navigates those situations adds incredible emotional depth. There are scenes where Kong Hou confronts her own fears and insecurities, and her growth feels powerful and real. Their relationship faces moments of distance, moments of misunderstanding, and moments where the truth threatens to break them apart. But instead of using these moments for shock value, the drama uses them to deepen the emotional resonance. Nothing feels cheap or manipulative.
One of my favorite scenes shows how Zhong Xi’s feelings spill through even though he tries to hide them. Another scene shows Kong Hou making a choice that proves her love is not fragile. These moments are full of tension and tenderness, and they stay with you. By the time the final episode arrives, everything feels complete. The emotional payoff is strong without relying on dramatic chaos. The show respects its characters too much for that.
Now let me shift to a more personal perspective. Watching this drama reminded me why I love immersive storytelling. It made me feel deeply connected to the characters. It made me reflect on themes like inner conflict, emotional honesty, and the courage it takes to choose love even when the world seems to be working against you. I found myself rooting for both leads not just as a couple but as individuals trying to navigate complicated lives. They earn their journey. They earn their love. They earn their ending.
What makes this series special is the sincerity behind its storytelling. Every episode feels like a piece of a puzzle. Every moment feels like it has purpose. The drama has a soft, elegant beauty that stays with you. There’s no unnecessary drama. No pointless arguments. No exaggerated villains. Instead, the conflicts arise naturally from character choices and emotional truths. It’s the kind of story where the real enemies are fear, doubt, destiny, and the secrets we keep. And watching the characters confront those things creates a compelling emotional arc.
I especially appreciate how the show portrays emotional maturity. Zhong Xi’s growth is subtle but meaningful. Kong Hou’s strength is gentle but undeniable. Their relationship evolves through communication, trust, shared pain, and shared hope. Even the supporting characters add value without taking the spotlight away. The show knows what story it wants to tell and stays committed to it from beginning to end.
By the time I reached the final episode, I felt a sense of completion mixed with affection and gratitude. It’s rare to find a drama that is consistent, emotionally rich, beautifully acted, and visually stunning, all while staying grounded in sincerity. This one achieves it. It’s the kind of series you hold onto after finishing. The kind you think about again days later. The kind you might rewatch just to experience certain scenes again. For me, it’s easily a perfect ten.
If you love emotional depth, slow burn romance, magical atmosphere, and characters who grow through vulnerability, this drama will probably become a favorite for you too. It’s a journey worth taking, and Li Hong Yi and Lu Ting Yu give performances that elevate every moment. The show is quiet in its approach yet confident in its delivery. It understands that love, identity, and connection don’t need to shout to be powerful. They just need to be true.
In a world full of noisy dramas chasing attention through constant twists, Flying Up Without Disturb dares to be calm, heartfelt, and deeply human. And that is why it stands out.
If you felt what I felt watching it, then you know. And if you haven’t watched it yet, there’s something beautiful waiting for you.
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Not the best, not the worst
The setting was what drew me in, i'll always love the seaside small village stories and this one was no different. Story was okayish, MLs story was bit over dramatic probably to play up the tension in the short episode count, FLs story was pretty much the same as every other story like this, ie. need to get away from everything. Nothing groundbreaking and it doesn't have to be, it works just fine and i enjoyed the story for what it was.Visually this surprised me the most, this has great visuals which are usually absent in short dramas due to lower budgets. You could've told me that it was full drama on this aspect and i would've believed you.
Acting all over the board was kinda meh, but that's expected in short dramas at this point. Sometimes it feels like actors are just here for pay check and here is no different expect the village singer girl was the worst actor i've seen, she was pretty jarring. So acting left a lot to be desired.
Whole skin tone speak left me kinda disappointed how it is still a thing in 2026, FL is kinda racist, lol
Ending was meh, good conclusion for our characters but bit silly how we got to it. The ''villain'' of this drama was bit laughable.
Conclusion
Decent short drama, if you like the setting this isn't the worst 3 hours of your life but you aren't missing anything by skipping this though acting might be bit tough if you aren't use to short dramas, visually great. I'll give it 5/10.
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The swift pacing does present some issues though. I know that adapting a well-loved, lengthy novel to the screen is challenging, but either pruning some of the more esoteric subplots or giving them additional screen time would have made the story easier to follow. It took a good 20 episodes to figure out the major character relationships, and some elements remained hazy up until the end. While I generally don’t advocate for extended flashbacks or childhood sequences, this is one case where showing rather than telling about past events would have been helpful. While I could intellectually understand the characters’ grief and their desire to right past wrongs, it was hard to emotionally engage with people and situations only encountered in the briefest of flashbacks. Like Mei Chang-su, the show is precise, intelligent and lovely. It’s also a bit cold. I would have liked more fire in the midst of all the snow.
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The story of a woman who makes ink.
It was a good series for me. Another success story about a woman. I watched many such stories in Chinese dramas in 2025 and 2026. Success stories attract my attention and I enjoy watching them. This was one of those stories. It's a story about ink. I especially found Yang Zi very successful. The story was built around her. I can say the male lead was just a supporting character. But they were still compatible. I liked both of them. Apart from that, the excessive talking and advice, and many details about ink making, made the series stagnant and boring. It wasn't a series that progressed at a consistent level. Sometimes it rose, sometimes it fell. The quality wasn't maintained. The occasional competitions and fights added color to the series, but otherwise, stagnation prevailed. There was no real romance. There was no real drama either. Everything was left open, as if only the focus was on ink making. I think this bored the viewers. In the rest of the series, especially the family relationships, their loyalty, respect, love, customs and traditions were beautifully portrayed. The spirit of unity and togetherness was beautifully portrayed. There was also revenge and intrigue. The series could have been even better if these elements had been distributed more carefully.I especially recommend it to those who enjoy stories about female success.
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Spectacular dresses and world-building but falls short on screenwriting
Sadly, Hotel del Luna's fanciness couldn't make up for the story's lack of coherence and sincerity.The extravagant hotel for the ghosts and the splendid clothes of its owner didn't quite impress me. Each episode has the same dreary pattern of spirits struggling and protagonists babbling at the end. After the first half of the show, I found myself neither interested nor thrilled.
The answers were already laid out so I didn't get the point of dragging out the story. The antagonists which I once thought of as formidable opponents were easily gulled and defeated. Indeed, there is a fine line between a show with a high-caliber script and one with a mere show-off wardrobe.
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Sweet and comfortable teenage drama that brings you back to high school days!
This drama really improve the impression I had of teenage/youth dramas as the characters and plot are interesting, well paced and not too dragging. The drama do not have unnecessary misunderstandings that other teenage/youth dramas have as well and the friendships are genuine even among competitors. The main female character is quite mature and understanding as compared to most of the female character in teenage/youth dramas, although she does get jealous at times. The main male character is really sweet and protective, I love how they bring in a character with physical disability and family issues, it really allows people to understand more on the difficulties that people face in their daily lives and be more accepting. This is recommended for those who want to watch a light-hearted yet sweet and comfortable teenage drama without romantic scenes and yet able to evoke your emotions. Would love to see a season 2 with the development of the relationship between the supporting characters and also, the main characters' life as they enter into this next stage together.Was this review helpful to you?
The storyline was pretty simple
Love triangle, best friends liking the same guy.
Their scenes are funny and adorable. It was a sweet teen romance until the ending. I mean why they decide to end it that way?
The acting was great. The cinematography is really beautiful. The music fits the mood.
But because of the ending i probably would not rewatch it ㅠㅠ
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First off, i like Lay and i watch this because of him. Of course the summary sounds interesting and i like fantasy genre so i started to watch this. No matter how much i like Lay i got to comment on his acting here. His character is those type that are suppose to be cool, calm and usually doesn't talk much unless when solving various problems and stuff. This side of him is fine and i enjoy the eye candy but whenever he is acting angry or "sick" or sad i get really cringy. I totally can't feel him being angry except his face being "i am angry!" (breathing heavily) or "i am so sick i am going to faint" (then proceed to drop on the floor). Partly i guess is because of the storyline but i get really irritated on the number of times he is so weak during the whole drama but of course somehow still solve all the problems and becomes the hero. The female lead too makes me frustrated with her acting and character (this i won't blame her since it is the writer's fault) but still her acting is not any better than Lay. Other characters acting are just so-so. Their acting are so awkward that it make some parts really cringy for me to watch and i can't focus on the story at all.Moving on to the story. I will try not to spoil too much. The story started off predictable and nothing much capture your attention. Most of the characters make you feel exasperating. (I will start using their character's name now). MFF character is awkward in the beginning and by the end of the show her character doesn't seems to progress much either. She is suppose to be a clever policewoman but ends up just relying on ZR all the time. As for ZR, he is the Main character of the whole show but i don't feel for him at all when he is sad or angry or whatever which is bad. It means that i am just not into the show. Half is because of his acting and half is the character problem i guess. He is so overly nice to everyone, always forgiving and you know those kind that get betray often and etc that it is kinda boring. He is smart and clever but sometimes it doesn't makes sense how he knows all the answers to whatever problems they are facing but anyhow this is a drama so let's just skip that. HFY/XY the best friend is totally annoying. He likes to butt into everything even when he knows nothing. However i like his character as the story progress, for the very least his character bring some joy and funny moments. At the end of the show i do like him and the way he always say "we as rich guys... " QXB is consider the most believable character and quite okay as the antagonist but the acting part is still awkward especially when she is suppose to be hurt or grieving. It will be too long to comment on each character so i will just stop at these main ones. Btw, if you are looking for romance then look away because this has like 10% only. I can't really feel the chemistry between the two main lead and their progress is so slow. I was like waiting for at least something romantic happen but nothing at all which i kinda feel disappointed as a viewer. Anoher thing i really dislike are the flashbacks. My gosh, these flashbacks take like half of the episodes and worst these are repetitive flashbacks! I watch the same flashbacks over and over again for so many times. I just skip through it and i don't even care if i skip the present part anymore. As the story goes on, it gets a bit interesting in the middle but very soon it gets boring again because of the repetitive pattern. Always on an adventure to search for something but bad guys are always following then they will get caught almost each and everytime then on repeat. In between the different arc of the story, the way the character act sometimes or how the story progress is so illogical that i am just speechless.
Last but not least, be prepare for the ending.
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ive watched over 50 dramas, SOKP tops the list
i wanna keep it short and simple but i can't, my love for this drama is literally through the roof.STORY - most revenge plots lack good pacing, meaning a wonderful original novel could be ruined and not truly appreciated. sokp political plot was intriguing, the villains weren't written as filler characters; they had depth. romance wise i love how the second and third male leads have chemistry with the FL and get screentime together, sometimes it's conflicting to choose who to root for. i like how none of the relationships are overly toxic, they all have each other's best interests in mind. also it's amazing when FL and ML are both smart, there's always tension in the air romantic or not <3
ACTING - lord this cast is insane, i can't find a single pet peeve about the cast. the entire supporting cast did phenomenal, especially loved xueshu and luxian's portrayal. also chemistry is THERE, not a single moment do i look away or feel bored. i literally wanna jump through my phone screen and yell at the characters to get together. morally gray characters are also made interesting SOKP, bailu and zhanglinghe both made great efforts to understand their characters, and showed thanks to director zhu as well!
MUSIC - when i found out the ost was on spotify i was losing my sht, ive studied for 5 hours with it on shuffle. listening to the tracks make me reminisce my joy of watching the show, it's heavenly music.
REWATCH VALUE - this is always based on personal preference, but for me it's a 10. while waiting for new episodes i would endlessly rewatch even if i what events would occur. wonderful acting always keeps you on the edge of your seat, if i like a drama i seriously wont stop rewatching. it's a complex plot but somehow conveyed well enough for an unobvservant person like me to pick up on the little details.
I LOVE THIS SHOW IN IT'S ENTIRETY, ONE OF THE FEW DRAMAS THAT CAN BE TRULY CONSIDERED A 10/10 IN MY OPINION! also this show is like crazily popular in china compared to internationally, hope it receives more love
- don't hesitate "what if i get bored?" you won't "i don't like love rivalry" you will after this show "i'm planning on watching it later" never delay your own happiness, achieve it now!
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“Surely Tomorrow… But Not Today”
I had high expectations for *Surely Tomorrow*, especially with Park Seo Joon returning in a more emotional role. Unfortunately, this drama turned out to be a real disappointment for me. Despite a polished atmosphere and a promising cast, I never managed to emotionally invest in the story.The relationship between Lee Gyeong-do (Park Seo Joon) and Seo Ji-woo (Won Ji-an) is supposed to be the heart of the narrative, but it left me indifferent. Their breakup, built on unspoken words and differing life choices, lacks real impact. Everything feels too smooth, too restrained, as if the drama deliberately refused to confront its emotions. Conflicts are never fully addressed, making their separation frustrating rather than moving.
Park Seo Joon does what he can with the material given to him. His performance is fine, sometimes subtle, but his character keeps going in circles. His struggles become repetitive and eventually tiresome. As for Seo Ji-woo, she could have been a strong character, but the story reduces her too often to her past romance, without giving her any meaningful personal development.
Their reunion, which I had been looking forward to, ended up being one of the drama’s biggest weaknesses for me. It lacks tension, confrontation, and, above all, emotional sincerity. Important discussions are avoided, wounds are barely explored, and the final decisions fail to generate any strong emotion or satisfaction.
The slow and sometimes empty pacing doesn’t help either. Many scenes drag unnecessarily, giving the impression that the drama is trying to fill time rather than tell something meaningful. In the end, I felt no deep attachment to the characters and no genuine emotion.
In summary, *Surely Tomorrow* is a drama I did not enjoy. It’s not disastrous, but it’s bland, predictable, and too cautious to leave a lasting impression. Even Park Seo Joon’s presence wasn’t enough to save a story that sorely lacked audacity and emotional depth.
A viewing I will have no trouble forgetting.
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A Love so Fluffy and Beautiful
This show is not to be taken seriously. The softest adaptation I have ever watched. Watch it with an open and fresh mind. Where it is like looking at a scrapbook of their love blooming over the years.I have watched the original Chinese version of this drama four to five years ago. And for sure, this is toned down in a lot of ways. Too many scenes not putted into to this version for it is shorter, and made for Korean viewers. And at times, it felt like a lot is missing, as well as confusing. Not too much unnecessary drama, and the characters actually seemed more close compared to the original. Everyone was just happy with no sort of problems in the world, no conflict, sugar-coated if you might add, and not many may like this sort of drama, but I do. Although the casting choice when it comes to the main couple seems off, I did used to think it would not work, but they pulled it off with their smiles in my opinion. And I can't stop smiling along with them.
Jiang Chen (chinese version) is more stoic, and may seem a bit arrogant. But he is an awkward snowflake we know and love.
Cha Heon, (korean version) smiles a lot more. He shows it, although he's shy about it. We can see that he's struggling between his choice of words when speaking to Sol-i. His friendship with Jinhwan is adorable, and he found a mutual understanding with Dae Sung.
Xiao Xi (chinese version) is a bit more clingy. And like a child, prioritizes her feelings a bit more than others. But, with her positivity, she can conquer anything. Including his love.
Sol-i (korean version) is a toned down of the original, but her cuteness is bubbling within her smiles. She seemed calm and never gets really angry. She never plants any negative emotions on others.
Others may say that this is the disappointing adaptation, but for me, when you say disappointing, I think of Nodame Cantabile's, Naeil's Cantabile. Because although the cast looks the same as the original, and funny, it's kind of disappointing in a lot of levels. Especially, putting Park Bo Gum as a poor second lead that will eventually break your heart. And there's a reason why the original is successful and has a special episodes and two movies, is because it was light, beautiful, and informative. Not too much unnecessary drama.
Or The Liar and His Lover. Joy was beautiful, and Lee Hyun Woo was stunning. But the female lead's character is in a lot of ways annoying. She may not know it, but she's leading at least two or three guys on. When in the Japanese movie, she's calm, understanding, and loved the main guy wholeheartedly from the way he writes his songs.
That are just two examples. Yet everyone has their own opinion when it comes to what's good and what's bad, so go figure.
I guess I'm just really tired of any unnecessary drama and the female lead thinking she has the upper hand of the relationship when in reality, you should just think about it and/or talk it out. So if you want a toned down, short, fluffy, and light drama, then you can watch this with your hearts desire. It cheered me up, them being cute and all making me feel really single. It's a lovely drama and I think Yo Han did a very good job despite it being his first acting experience.
So if you think this drama is too light, then this is not a show for you. Don't write hate comments just because you didn't like it, it's just not really your cup of tea. Drop this cup, despite it being short, don't waste your time. and watch a really complicated drama where all of the main leads suffer. No hate, just love.
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I watched the drama in one sitting with a confused face the whole time because DEAR GOD WHAT DOES SHE SEE IN HIM. If I ever met a man like him I would run so fast. I'm not sure if he's sexist or what, but almost every time he opened his mouth it was either controlling or insulting.
Honestly he reminds me of Christian Grey minus the BDSM abuse with the way he treats the girl he is supposedly "in love" with. That scene with the contract in this drama? He called himself the ALPHA in the relationship and she was the OMEGA that had to listen to everything he said. WHATTT!?!?!
Just...no.
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Like Sitting In Front Of a Yule Log
This is like watching a Yule log in the fireplace burn. It is a slow, crackling, source of heat, warming the front side of you while the back side of you is frigid. In this case, the back side of you is euphemistically your brain. While it does at times give you a warm feeling of comfort and entertainment, it also dulls and numbs your brain with its slowness, cheesiness, and emotional torture. I could never figure out why anyone loves to watch series where the major focus is on one protagonist playing ‘hard-to-get’ to the point it is almost emotional abuse. I just do not get it.You can read the rest of my review of this series at BLBiss.com.
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