Reviews

Nice guy in a not very nice drama

I believe the reason i didn't really like this drama is because it promises something and gave us another thing, or at least that's not what I expected before starting it.

It's a romance, family, drama, but all we got were gangs war.
Romance was very little to none in the beginning, it's all about the two gang leaders and the animosity between them, of course Seok Cheol is caught in the crossfire.
The family parts is only about the mess the older sister made and the hopeless dating case of the younger, Seok Cheol had little influence on both, he's just there trying to pick up the broken pieces.

I saw someone comparing this drama to "call it love" because it has the same vibes and I agree, it has the same atmosphere but heavily focused on other things aside from the romance.

I believe if they just cut the romance and advertise it as a gangster drama it would have been much better.

Another thing is the slow boring pace, and I mean in general, it's not a calm healing drama, though it has all the aspects of being so, it is about struggling with things you have no influence on, which makes your heart heavy unnecessarily, I'm of course talking about Seok Cheol in this case and I can't not focus on him because he is the ML.

The FL is lovely and adorable but I don't know what they wanted her character to be, in the very beginning we meet this introverted character with a traumatic past that made her life miserable and had a hard time maintaining a job related to her passion for music, she feels better performing in front of a camera than a few people (her words not mine) then suddenly she is performing on the streets, in bars and in front of the whole republic of Korea.

I think the drama is generally good it's just need some polishing here and there, so if you like family dramas and gangs this one is for you, if you are watching for the romance drama part, I don't think you will be satisfied much ~

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It is a very good drama, but by faaaaar not one of the best.
(Truthfully speaking, lately folks on MDL just throw around the 10s, it is totally misleading.)

The best about this drama, is by a long shot, the ACTING. Superb. The male lead and the second female lead were the outstanding stars for me - you could feel their sorrow and mood and they did not overact. And the male lead had a tough part to act, because...

...the freakin' age gap! It made me cringe sometimes. I just couldn't overlook it, no matter how hard I tried. Sure, 19 and around 39 (or: 939) is not a total disaster, but it does come close to being inappropriate, especially since the female lead is written to be extremely teenagery, showing lots of little-girl-aspects.

Although the kissing scenes were really great and believable in themselves, the issue with the age just made it awkward to watch.

Anyways. The plot, not to forget, was okay, sometimes even really nice. The ending is really emotional and I liked it, because I did not expect it. (It squeezed even two tears out of me, and I am one of those viewers that never cry). The issue here is, that there were sometimes weird jumps between very, very serious topics and total slapstick. It was rather unusual and it made it sometimes difficult to follow the mood. The other thing was that in each episode there were several times that I was outright bored.
If you look at it from afar, there was not much plot going on besides the two lead couples circling around each other.

Is it a good drama? Yes. Is it a great drama? No.

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To me, this was one of those dramas I'd like to watch while sipping on a cup of hot cocoa late at night, all cuddled up in bed. There were no evil Moms, nor were there any rich, chaebol ahjussis taking over the whole plot, making it a very light and fluffy drama. Although, there were misunderstandings ( what drama doesn't have those? ) It didn't feel that aggravating to watch. At the beginning, i wasn't that enthusiastic to start this drama, but it left me quite surprised that i barely found it draggy. It was really entertaining.

One thing that caught my attention was Seo Joon's acting in certain scenes, which i thought he did a wonderful job with. On the other hand, Hwang Jung Eum, and Siwon. Usually in dramas when they try to act funny, it just doesn't work, but here, i think these two did amazing, because i actually found myself laughing at them occasionally.

All in all, if you're looking for a drama that's light to watch, has those funny side characters that make you laugh with them, and a pleasant atmosphere, this would be it!

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What does it feel to fall in love? Cuddle up and savor the moments of AASOL!

I am trying to get my thoughts together to express how much this drama took over my heart. I did not want it to end. I even went for a walk before I watched the last two episodes. And now that it is done, I am so sad because I will miss seeing Lin Yi Yang and Yin Guo. I also loved Meng Xiao Dong, the FL's big brother (cousin actually). Then there are the other characters with their own unique personalities and all adorable in their own way. This cast was amazingly put together. Before I write a review, I will list all the things I loved about this drama because my head will not get it together to write anything coherent. I blame Wu Lei in his role as Lin Yi Yang. He is sexy and seductive, I literally swooned through each episode. Well let me start the list:

1. Lin Yi Yang played by Leo Wu(Wu Lei) His eyes are expressive and seductive and will melt you when you see him gaze at Yin Guo. But not only his looks will make you swoon. He is the best in his field of sport and will knock your socks off the way he plays a perfect game of snooker. He is also intelligent and scholarly. And he is a businessman.

2. Yin Guo, the FL , seems shy when she is with the ML, but she is a fearless 9 ball competitor/sportswoman. Zhoa Yin Mai plays her part with natural ease. She makes the romance believable in a way that reminds me of one of my favorite actresses, Zhang Jing Yi from Lighter and Princess in that she is also a natural actress who makes the romance scenes believable because of her connection with the ML. You will feel her love for him. She delivers her lines perfectly and knows just how to use her voice and tone to portray the scenes in a way you will feel connected.

3. Love at first sight is one I find relatable. The way the ML fell in love and pursued the FL might not be for everyone but for me, it totally captivated me to the point I watched the scenes over and over again while I waited for the next episodes.

This is a simple romance of love at first sight done right. Wu Lei and Jin Mai's chemistry makes it perfect! It is well worth the watch!

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Shallow angst masquerading as, well, something.

Drama and people crying seem to be often taken for quality of storytelling and acting. It can be, for sure. But not here.

This is also a story that could have been told and been successful. Also not here.

The problem is that this is a sequel, with established characters, and the behavior of one of them is so at odds with who he was in the original that it doesn't make any emotional or narrative sense.

So we have a grumpy chef who's a bit of a old man trapped in a young man's body. He has no patience for celebrity, but ironically has to live with the biggest and most narcissistic celebrity in Korea. Naturally they fall in love, opposites attract and all that - both of them have big hearts and are beautiful people underneath the pride and narcissm, and they live happily ever after.

Then comes S2, and we discover that rather than being happy, Ji Woo was seething with resentment, crippling low self-esteem, and crushing loneliness. Forget that this is the opposite of who he appears to be and that we got not the slightest hint that any of this was going on inside him, or that this is incompatible with the character as already drawn.

So suddenly, one day, Seo Joon comes home to find Ji Woo has left, dumping him with a post-it note, and has disappeared completely. A year later So Joon finds him in the greyest and most depressing seaside village imaginable - in the depth of winter, of course, because winter is grey and the previous series was during summer. Clever subtle contrast, right? And then Ji Woo proceeds to treat So Jeon like absolute shit, with the typical "I never loved you" and even "you never loved me either, it was an illusion."

Bleak and grey covers the first 8 episodes - a campaign of sledgehammer lack of subtlety and depth of any kind in favor of shallow drama and shallow and inauthentic "exploration" of... something, I guess. I'd say inner emotional life and the tensions in a relationship, but there are no tensions - it just snaps in half and is replaced by cruelty and hatefulness.

Then it just... resolves, and they go back to Happily(er) Ever After, with no real discussion or processing - a light switch is flipped, and we resume the story of S1 just where it left off. A man leaves his bf with a short note, disappears for an entire year with no communication whatsover, then treats him like shit when he finally tracks him down. Here's the reconcilliation.

"I'm sorry. I won't do it again. Give me a hug."

"Ok."

I'm not joking, that's it. The director thought everyone would forget the first 8 miserable episodes if she dumped a pile of fluff on us for the ending.

She was right, judging by the glowing reviews.

I would skip this, so it doesn't ruin your happy memories of S1. Or just start with Ep 9, and pretend they had a minor fight (which you'll easily be able to do), and then enjoy the cute frolicking, and Ji Woo's really lovely white overshirt, which I want.

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TWISTED PRINCE TRYING TO USE THE FEMALE LEAD..

THIS DRAMA HAD SO MUCH POTENTIAL AND FELL SHORT SO BADLY! Romance I give it a 10/10 , but the storyline and development is like a 5/10. The first half is pretty good but then it starts too get repetitive and the last few episodes got me super confused and puzzles. They try to fit too much stuff into the last three ep, not sure if it was an editing mistake but I couldnt follow with the flow of the drama.

Female lead is the evil prince's subordinate and does things for him. The male lead is the subordinate of the King and his parents were frame for something they didnt do resulting in them being killed. The evil prince hates the male lead and wants to do everything in this power to weaken his forces and at the same time try to prove himself to his emperor daddy.

The evil prince is just to0 abusive and let him have too much of the limelight, to a point where it didnt really make sense.

The female has this sickness that only the evil prince can provide the medicine for.

To be honest only watched it for the steamy kissing scenes but beside those this drama is skip worthy, really thought it was going to be good... so sad it turned out like this.

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Women should not rule the world.

The Legend of Zhuohua is another in a string of recent female empowerment themed historical romantic dramas. The production is upfront that this drama is a work of pure fiction. It is impossible for women to exercise the kind of influence and authority portrayed in this story in ancient Chinese patriachical society. The attitudes and values articulated are also incredibly modern and unsurprisingly, resonate with current audiences. It should be enjoyed at face value accepting that many aspects of it are sheer fantasy.

Titular character Ma Zhuohua flees an arranged marriage to the capital; where she must pass the imperial exams to fulfill her ambition to be a female official. Quick witted and resourceful, she saves Lord Ding, a decorated war hero, when he is wouded in the middle of a clandestine operation. Their fates intertwine as he is the strongest advocate of opening up scholarship and official positions to women. As they collaborate on official assignments and work toward their shared vision of the country, they fall in love. Can their relationship navigate a feudal system that requires women officials to choose between marriage and their career?

The most enjoyable arcs of this drama are the early courtship ones. This is the first time I have enjoyed Jing Tian's playing such a clever, demurely mischevious and independent character. Despite a ghastly white color filter and not the best dubbing, the strong chemistry between Jing Tian and Feng Shaofeng is unmistakable. It is so refreshing and very hot to see such a candid, lively and purely adult relationship dynanic laced with flirtatiously racey dialogue. The humor is very well written and so cheekily portrayed that I laughed uproariously many times, and especially at the dirty jokes. The political commentary and philosophical debates are surprisingly well written, with a sophistication beyond what I would expect of a light romantic comedy like this.

Outside the empowerment theme, the sub-plots are not special but this top notch veteran cast is very charismatic and executes so well it makes up for some of the lack of originality. Both Shi Yueling and Wang Likun in particular deliver formidable, almost terrifying performances as Empress Dowager Zhou and Princess Roujia. I also found Roujia's complicated relationship with Shen Jinghong very interesting. Unfortunately just after the mid-way point, the narrative rehashes tired plotlines including noble idiocy, murder most foul and high treason. In quite a similar vein to Destined, it nose dives into a poorly designed political melodrama and predictible twists. Even incredible acting cannot paper over that this is yet another delusional ends justifies the means antagonist with an unconvincing villain origin backstory.

This would have made a much better 20 episode drama that ended on the intended message that women should seize their dreams. The writers took it one step further into women can also seize the world. And then left us with an unambiguous message that women should not rule the world. The first few arcs of this are worth about an 8.0 but the latter arcs are just 6.0/6.5. I can only give this a 7.0. Its still a quality production with some good laughs to pass some time but it won't rock your world.

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The Hand that Sunk a Thousand Ships

First off, I would like to thank the community that formed over the weeks of the live airing. The resiliency and maturity that these men and women showed in the face of such great adversity is enough to make one ignore the stifling heat of burning ships, the blaring horns of hypocrisy, and the sharp needles of mediocrity.

Sorry in advance this is a long read...

When a show leaves itself vulnerable to multiple strong fan made theories and analysis. This means only one of two things: Either the show was written really smartly, and the writer in effect, created a world filled with multiple exciting possibilities. OR, lazy, lukewarm, and predictable writing has left so many large plot holes filled with nonsensical plot points, and poor characterization, that fans are forced to shore up the shows many weakness with well constructed fan theories and analysis to plug up the holes. After episode 6, it is clear that the latter happened.

The show does a great job of producing and writing the first few episodes, to the point where a majority of the audience set their emotional expectation high for what is to come. Unfortunately, all these first few episodes manages to accomplish is to set the bar so high, that the remaining episodes look so poor in comparison, and make the fall much farther and more painful for the audience. As viewers continue to watch the show, they journey through a harsh and arid desert, where they will continuously see mirages of depth and complexity that never materializes as anything more than repetitive clichés and negative stereotypes devoid of any creativity.

Prior to watching this show, I have never heard of these actors or actresses, nor have I seen any shows made by this particular writer. At the beginning, a lot of hype followed the drama, with two A-Listers, an apparently popular writer, and an interesting synopsis. With these things in mind, I sailed my tiny vessel past the gilded French doors into what I hope would be a smooth maiden voyage for my first foray into watching a Park Hye Run drama. Little did I know that what awaited me past these gilded doors, would be a tiring journey full of infinite frustrations. As my boat continually capsized in the weak waters of Park Hye Run's writing, what kept me going was the shining light of Han Ji Pyeong's character, which the writer gifted to us in the first episode.

What kept me going was HJP's shining white light, illuminating a drab, boring, and colorless plot. Wherever he shone his light, the plot sparkled, whichever character he shared the light with gained color and depth. But the minute his light left, we are reminded of how dull and boring the world Park Hye Run created really was. Under HJP's warm light, metaphors started to grow, towers of theories began to rise, and the flowers of hope started to bloom. The writer may have known this, and used HJP's light selfishly to extend a love triangle way past its expiry date, in hopes of reeling in hopeless romantics who believe being a "Good Boy" deserves a happy ending. With each passing episode though, the metaphors started to lose meaning, the towers of theories began to crumble, and the flowers of hope began to wither.

In Kdrama, the characterization of second leads tends to be selfless, self sacrificing, and overall a good guy. So to prevent strong SLS in the Kdrama, they normally present a slightly weaker ML (or sometimes someone equally strong) who may start at a lower position initially compared to the second lead, but through PROPER character growth, is able to eventually take residence in the FL's heart. PHR did not get this memo. What we get instead is a severely weak characterization of the ML who takes almost the entire 16 episodes run to exhibit any character growth, that by the time the audience realizes he has grown, it is already too late, and no amount of force feeding by the plot is enough for the audience to accept the ML for anything more than a privileged and spoiled person.

The writer falls into the trap of making the ML too powerful, too quick, robbing audience of the satisfaction of the journey. When the ML first encounters an issue, we feel the suspense and nervousness of what may lie ahead. But after he effortlessly navigates each and every one of these hurdles, the excited and nervous emotions start fading away. So when the next hurdle comes, and we see the SST boys panic like headless chickens, all the audience can do is roll their eyes as the ML comes to save the day, and effortlessly surpass another hurdle. I feel disappointed that Kdrama writers continually makes their ML's too perfect. The flaws that the ML is suppose to have, is noticed by none of the cast, as his flaws are either ignored, or only show up when no one is around.

The FL, who is initially shown to have such depth and complexity through the letters that she writes, eventually succumbs to the "Damsel in Distress" disease of which has plagued Kdrama for years. The cure for weak FL's (Independence) have been available to Kdrama writers for years now, and yet some archaic writers refuses to give their FL this medicine. So it's no surprise, after such a strong start for the FL, she eventually succumbs to this disease. Her new persona, which is as shallow as a puddle, fastidiously focuses on "Big Hands" as the source of her emotional growth. Although "Big Hands" is meant to have some deeper meaning (which the show does a poor job showing!), the ridiculousness of how something intangible like love and emotions, can be measured so easily by comparing hand sizes, makes one laugh out of pity.

The other female characters which started out as interesting, complex, and powerful in the beginning never reach their potential. Instead they are treated as fashion accessories to make the dull Male lead's lackluster characterization pop out more. In fact the whole show felt much like the Male leads personal cheering squad. And yet, with the tsunami of support from both the other characters and the writer, the Male lead fails to take advantage of any of it, instead wallowing in the insecurities that has seeped from the writer's pen.

It was hard to feel the chemistry from both FL and ML, as the FL shared the same doe-eyed Bambi look whenever she saw the ML or the SL. The ML on the other hand felt like he was trying too hard to nail the look of an angsty, cool, and tough teenage who can cry at the drop of the hat. In most Kdrama I always place an emphasis on micro-expressions as the high production values, and numerous close up shots gives the actors/actresses the perfect platform to convey so much emotions with simple subtle twitches of their faces. Thus I was quite disappointed to see the main couple not take advantage of this, and instead produce misplaced or invisible micro-expressions that failed to convey the gravity of the situation, and missed the harmonic emotions the amazing OST produced.

The gap of acting between the "adults" in the show versus the "kids" was huge, to the point where the reduced screen time of the better actors and actress are felt strongly and visibly dropped the quality of certain episodes. And in the acting, the insecurity of the writing once again rears its ugly head, as the show tried it's best to throw in every single Kdrama romantic trope in the book to justify the non-existent chemistry of Suzy and NJH. The show was so insecure of the growing SLS among viewers, that they limited HJP any happiness, as if they felt that any ounce of happiness on HJP's side would overshadow the weak main couple. As if every HJP smile, would make an already lackluster main couple, even more dull in comparison. Such was the insecurity of the showrunners.

The writer ATTEMPTS to craft a story about a young group of underdogs who start from the bottom and work their way to the top thru hard work and determination. What we get instead are people, who have the deck stacked FOR them, who bemoan how tough life is. Not only does this not illicit the intended reaction from the mature and smart audiences, but the preposterousness of seeing people who have it all, complain about not having it all, induced many doctors visit among audiences who could not stop rolling their eyes. Nay, instead of getting a story about loveable underdogs like "Dodgeball", what we get instead is the Korean version of the Breakfast Club, where YOU WANT the kids to stay in detention for the rest of the show. These characters, once they achieve their success never exhibit the humility that comes from self-directed success, but rather the arrogance and superiority complex that come from people who did not properly earn their prestige.

The show missed the great opportunity to show a true or semi-true depiction of startups in the tech world. In fact, what could have potentially been a great medium to showcase Korea's burgeoning position in the tech world, instead decided to focus 70% of the plot on a love triangle that went longer than it needed to. And the foundation of the love triangle is a dangerous moral lesson. The lesson being that dreaming without a plan is the way to achieve success, and only when you throw caution to the wind, and don't bother with the technicalities of reaching your dream will you achieve success. It's a very naïve and narrow view of a world where the sharks outweigh the sheep. The little bit of business aspect that the show provides, can be replicated by reading the first paragraph of what a start up is on Wikipedia. The shows attempt to sound smart about it's poorly researched show, just gets a incredulous reactions from people who are actually in the industry.

If you start watching the show expecting a mature story showing realistic situations, this is not that show. Instead we are "treated" to a show about kids vs adults, and the cool kids versus the squares. Where we, mature audiences, are expected to root for the clueless kids who are basically attacking principles that we adults hold dear. In fact the central theme of the show is about how experience and wisdom is no match for the power of hopes and dreams. How being a dreamer is always better than being a pragmatist. How being safe, having a back plan, and being patient are for failures. All dangerous imagery for anyone knowledgeable about business. In fact the show is so in love with their own hubris, that they make this message a one sided one, where the adults are not only humbled by the children, but humiliated. There is too much romanticization for an industry and process that at times cause people to hurt themselves.

Some of the characters who started as adults in the show, quickly lose their maturity card, as they begin to exhibit symptoms of early childhood. The short attention span, the incessant crying, and terrible tantrums. In fact a good portion of the episodes felt like adults babysitting the children until they can learn to walk. And once the children learn to walk, they ignore the adults who helped them.

Since most of the people watching this show are over the age of 20, seeing a group of "struggling" characters succeed beyond a doubt without any regards for both an exit plan or a plan B, and throw tantrums and cry when they reach artificial, invisible impasses, felt very contrived and laughable. In fact, just like children, they expect the adults to take care of the invisible impasses for them, and to make the scary monsters go away. Because of all these immature themes within the main group of characters in SST it becomes hard to relate to any of these character who are not experiencing any real difficulties. And it becomes increasingly frustrating that none of these mistakes are properly punished but instead weirdly rewarded. As mature audience, we find it difficult to mirror anything happening in the show. What is supposed to be thematically realistic, often comes out as fantasy instead. Although Kdrama is meant as escapism, there is a limit to how much fantasy the audience can tolerate; Start Up's motto of "Sailing Without A Map", went so far pass the audiences' limit of fantasy, that it became hard for audience to relate, revel, and enjoy SST's many successes.

The writer, in her hubris, has taken the audience for granted. She continually mocks and ridicules the tenets that a mature audience holds dear. In her imaginations, the audience are but sheep who will accept whatever swill she decides to feed us. But due to the many negative feedback, I am happy to see that the Kdrama audience have matured pass the cages that these arrogant writers choose to impose on us. And as the criticism mount, so does the insecurity of the show.

There is a disconnect between the show and the audiences. Because just like the audience in a theatrical play, only we are privy to the actual good and bad acts the various characters do. And just like in a play the other character are oblivious to the manipulations and ulterior motives of the supposedly pure white characters. The frustrations mount when the showboating, privileged main characters expect a parade for every good deed he does, while the silently helpful supporting characters are unsung heroes. If fact the endless praise seeking of the main characters can be distilled into the narcissistic line "What do you like about me?".

During the latter half of the show, you might as well have started a new Kdrama, as the characterizations of the different characters are destroyed, then reconstructed without proper instructions; and the show basically erases all the plot points of the previous episodes. As the show trudges along a predictable and boring road, the audience keeps hoping that somehow the writing will get smarter, but instead the audience are indurated by stupidity after stupidity. And in the world of Start Up, stupidity is equated to intelligence.

Lastly, one of my biggest gripe with the show, has been it's portrayal of parents as ATM machines, and as disposable diapers. The unhealthy relationship of the ML and his parents is very conflicting towards Asian societies and the parenting that comes from it. In fact, what is normally seen as normal in current society is vilified in the show. But instead of addressing any of the inconsistencies in the family dynamic, the show instead decides to sweep all the issues under the rug, almost like slapping a tiny band-aid on a festering wound. The show chooses to focus on what mistake the parents to do the children, but never on the mistakes the children did to their parents. As someone who values family, I was a little disappointed that Start Up chose to romanticize and normalize this type of family relationship. The closest thing to a healthy family relationship on the show actually comes from the two people who are not related by blood, HJP and Halmoni. A lovely relationship that took it's bruises and scars from the writers incessant insecurities over her ML cloying need to be loved by everyone.

I would say, one of the best thing to come out from this show has been the amazing OST. I absolutely loved the music of the show, and already have them on repeat on my playlist. Also, the saving glory of this has been the presence of KSH. I won't talk too much about this, as others have written a lot about him already :)

All in all, a below average Kdrama that isn't worth watching. But I implore you to find a supercut or montage of all of HJP and Grandma's scene if you want to experience a good cry!

Hopefully everyone enjoyed reading this as I did writing it! >.<

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First tkme writing a review but this drama is definitely worth a watch.

I admit it might but slightly slow at the start especially the first episode when introducing JinMi, but the story is full of creativity and new ideas each episode onwards.

I find it very interesting especially at the beginning of the episode (at start of OP), they used different colours to represent each main leads’ nature, (spoilers!) for example, JinMi is pink; XuFeng became the Demon God in the end, he is black; LiuYing is the princess of the Demon World, she has purple; RunYu is Night God from Heaven World, theres bit of black mixed with his white colour; SuiHe is the princess of the Bird Kingdom, he colour is red with bit of yellow.

I’ve also watched a few videos about their production, I respect this dramas a lot because they literally built the scenes out in the tents, also mention that it was summer when they filmed this, and the temperature inside the tents could be up to 60 degrees, it is definitely hard work!

A word from the director: he wanted to present the same feeling and emotions from the original novel, to have that “torturing romance” as the main element. He aims to let the audience sense the feel of getting their hearts broken and twisted.

The animation is also top rated, especially the pet deer, they captured the very detail of its facial expressions, giving it life in the screen.

I understand that most people don’t like watching dramas with so many episodes, same with me tbh, but I reckon this one is a dramas that brings Historical Fantasy Romance dramas into another era, hard to say any of the dramas I’ve watched could top this in terms of story, cast, animation, and music.

Lastly, if anyone wants to talk about the drama with me, don’t hesitate! ^_^

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Refreshing take on a modern romance

Such a lovely story of a young crush turning into more in adulthood. There is nothing remotely sinister in the childhood portion, as seen from the perspective of a young girl, with the object of her attention having no idea, but just being kind and helpful to her. No ulterior motives by DJX. The adulthood portion is wonderful as feelings start to develop and will ring a bell with so many people when falling in love.
This is a very realistic story about romance, helped by the amazing chemistry between Zhao Lusi and Chen Zheyuan! The smiles, sparkling eyes looking at ech other, they are so beautiful together. Lusi again does that youngster to grown up seamlessly, not just in the way she speaks but in all the physical attributes she brings to playing a youngster. Chen Zheyuan has never looked so attractive as the sly, sexy, foxy DJX, trying to woo SZ when she is grown up and he has fallen for her. Brings alot of emotion to the character as well. Her brother is amazing as well, as is all the other cast. A supportive loving couple ,it is a delight to watch and wish it had gone on longer!

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Saved from a summer slump

Good enough series, saved by the story, its strong supporting cast ( mother, teacher and friends) and slice of life setting.
Not everyone can make a good modern drama, very weak acting wise ( ml was exceptional in Blossom so I guess that mysterious cold look works better for him). Personally not a great fan of one problem after another kind of trope and typical cliched cp, repeating issues etc without any character growth and story progression.
However, an easy going light watch, run in the background kind of acceptable production, saved from a summer drama slump.

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A show nobody needed....

With WeTV nowadays you have a chance to get a gem or in this case step into a big pile of crap.

I have no idea what the writers/director/producer smoked to put a) so many clichés b) so many couples c) rape into such a short story. Especially c) is repulsive because it does not have any consequences and the character who got raped acts like as nothing ever happend. WTF?

It's a waste to write anything more about this pile of crap. I'm really sorry for the actors who had to act out this shit. But at least it did not drag for twelve episodes 🤣. The money could have been used for other things!

Verdict: Avoid it like the pest, it matched the absolute low like "Flirt Milk", both shows are equally terrible.

Edit; Meanwhile the actors are suing the production company for not paying them the agreed sum which is paltry in comparision to other productions. So now we know where the money went... not into this productions, not to the actors.

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Beware of false prophets.

Ever Night is an epic fantasy adventure hit set in a mystical, ancient world where the balance of power between rival kingdoms is maintained with the aid of powerful warlords and cultivator sects. The vivid stunning palette is infused with an ominous sense of dark prophecy. The soothsayers warn that the child of darkness will bring an ice age or ever night and chaos to the world.

The main protagonist Ning Que makes an thrilling debut as a lethal, almost ferally vicious warrior in a ferocious, spectacular desert ambush. This opening sets the tone for some of the most exhilarating and well choreographed fight scenes that Chinese drama has to offer. The drama is visually spectacular and delivers on the hype on many fronts, especially in terms of its movie quality production values. The sweeping breadth of the story can be overwhelming in the sheer number of characters representing different kingdoms and sects that makes the story appear more complicated than it really is. This is really the story of Ning Que (and by extension Sang Sang's) quest for revenge that sets him on an epic journey to become one of the strongest cultivators in Haotian.

Ning Que is an anti-hero. He is ruthless, cunning, manipulative and can be quite dishonourable. While at at times Chen Feiyu's acting could do with some polishing, he is superbly cast as Ning Que. He emanates that simmering resentment and burning thirst for vengeance that propels Ning Que to prevail against overwhelming odds and superior foes. With his lithe powerful build, his combat scenes are bloodthirsty and violent and his facial expressions are vicious, almost feral. Ning Que's arch-rival the glorious Prince Longqing is an interesting mirror character on a parallel path that makes different choices at important milestones along the way. What is quite remarkable about this story is there are no outright villains. The world they exist in is cruel and fraught with peril and conflict among competing interests. Thus both the antagonists and protagonists have to do ruthless, even terrible things to survive.

Unlike others, I am not troubled by the relationship between Sang Sang and Ning Que. They have no blood ties, they are simply found family and have a complex and multi-layered relationship that is likely predestined. In fact, I think it is inevitable where the relationship must go. As much as I enjoy their undeniable chemistry and clear bond immensely, to me the real issue is that Chen Feiyu and Song Yiren should never be cast together in a romantic capacity. Chen Feiyu is exceptionally tall and Song Yiren is exceptionally petite. Her youthful features and small size makes her look like a child next to him. This visual imprint is so strong it is practically impossible to imagine them as a couple. Their relationship in Season 1 remains platonic and is not troubling but it is a good thing that Wang Hedi replaces Chen Feiyu as Ning Que for Season 2.

In terms of storytelling, there are issues with pacing and the breadth and depth of the character and world building is perhaps overly ambitious in scale. Even though I love how there are different schools of cultivation and cultivators are able to gain immense power via different theologies and practices, I find the excessive pontification and philosophical discourses mind numbingly boring. That said, I appreciate the ultimate irony of how many powerful cultivators are ruled by superstition and fear of ever night or the child of darkness. While the worthy ruler and the true wise men know to beware of false prophets. The political arcs are not that interesting and Princess Li Yu and her brother don't add to the plot. They just take up space and despite all the screen time, this and several other sub plots like the inner politics of the West Shrine and Yan State go absolutely nowhere. Obviously this lays the back story for multiple (?) seasons but unfortunately none of these sub plots and characters are interesting enough to make me want know what happens to them.

Despite the digressions and morass in the middle, the drama builds towards a very strong ending. I was truly moved by Ning Que's speech when he finally confronts his family's killer and I was really impressed by Chen Yufei's acting in that moment. "Why does it always have to be a prince?" is one of the best, most memorable lines from this show. The build up in tension, that sense of dread and hope into the ending confrontation is superb. The final fight scene is epic, full of surprises, utterly savage, desperate, exhilarating. It was everything I didn't even know I was craving for. Even the CGI is amazing.

I thoroughly enjoyed many aspects of this heroic saga and I am happy to recommend this as a not to be missed drama for action and adventure buffs. But unfortunately there are many parts of it that I did not enjoy and I feel strongly that the production over indulged in laying the backstory for many subplots that only play out in subsequent seasons. I am going to go with an 8.5 because the production values and fight scenes are exceptional. Going purely on storytelling alone however, this is at best an 8.0.

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Hi
I have been watching k Drama's for long time, mostly in the genre's of action and romance, but I have to tell you this is a must watch drama. honestly I don;t know why people have been saying so bad about it or why it is rated so low but i felt so excited through the drama. Out of the many drama's i watched so far whether it was Korean Japanese or Taiwanese, this was the 14th drama that got me so excited. It might be true that the plot could have been better but where do you see a good plot, compared to the other drama's the plot in this one was very good. I think the actor's were born to act in this drama, they brought out a perfect acting, weather it was in the romance or the action. The music was so well made the music was a main part of the drama, it totally brought out the image it needed to bring out to create the mood the drama it needed out of the audience. I hope people will see this drama, cause they will regret it if they didn't.

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