Reviews

Lost in a long long story..

A good script excellent screenplay and a talented cast that's capable of giving you memorable performances on any given day.. But honestly the cast deserved so much better.. The biggest flaw was the overstretched length.. 40 episodes were simply an overkill.. The story felt dragged..

You had Luo Yun Xi and Song Yi as the main leads.. Two phenomenal actors with undeniable talent and yet couldnt deliver a truly memorable drama?? That's failure on the biggest level..

If I were to write down everything I feel about this drama it would probably turn into a 10 page letter.. So I am going to focus on the last phase of the story instead which I really didnt like.. The last 10 episodes were probably the biggest reason why I think the drama underperformed.. There were a lot of unnecessary story directions towards the end with the rival store being one of them.. Was that even necessary?? Couldn't they have tied up the loose ends without introducing that subplot??

Then this drama too like many other dramas introduces that character who is after a married woman.. Trying to make her his.. But what's truly baffling is how in one episode he tries to sexually assault the FL and the next moment they are somehow friends?? Then he joins them in the fight?? And after that he gifts her something and she accepts it in front of her husband?? In just a few episodes this bad guy is reformed and asking for another chance.. So she gives him a job at her shop and keeps him close?? What was going on here?? Meanwhile LYX gets another FL who is perfectly fine cozying up to another guy...

Overall.. Watch it for the cast and some comic moments but dont expect anything too grand.. Its just an alright one time watch..

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A Heartfelt and Painful Masterpiece

The story is deeply painful and emotionally intense. For someone who has experienced mental trauma, it’s incredibly difficult to forget what happens in the end. Yet, despite the sorrow, the drama delivers a powerful message to the world about war, mental health, and true love. Trauma isn’t limited to war—many painful experiences in life can be hard to overcome. Only the right person can truly help you heal and find a way forward to execute. That’s why I believe this is a truly remarkable story.

The acting and cast are on another level. Chen Zheyuan and Liang Jie deliver outstanding performances, making every emotion feel raw and deeply moving. Their portrayal brings the story to life in a way that lingers in the heart long after watching. Thank you for creating a drama that leaves such a profound impact.

The music is exceptional. I can’t stop listening to the TWOT playlist—it resonates with the emotions of the story and helps me process the pain it left behind.

The rewatch value, for me, is low—not because it isn’t amazing, but because the emotions are too heavy to endure repeatedly. It’s the kind of story that stays with you, making it difficult to go through the heartbreak again and again.

Overall, my rating is excellent. The way this drama portrays the suffering caused by mental trauma is both powerful and rare. Not every drama can deliver such a meaningful and unforgettable message.

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My love for Ji Chang Wook is no secret. Whenever he comes on-screen I have an almost physical reaction to him.

Really, you should watch me watch him.

I have a huge school-girl crush-y grin on my face, my heart starts palpitating and all the Aaahs and Ooohs on the spectrum emit from my mouth.

However, my personal bias aside, there is no denying that he is an excellent actor. No matter what role he's given, he puts in his 11O% and owns it. Unsurprisingly, he does the same in Suspicious Partner. I spent all my time swooning at his adorable actions, fawning at his beautiful face and admiring the way he is able to smoothly deliver so many expressions all at once.

My obsession with him is exactly the reason why I hate giving any drama JCW stars in, a rating less than 8. It makes me feel all sorts of 'disloyal', but unfortunately sometimes you just gotta tell it how it is.

And the 'it' here is the fact that aside from Ji Chang Wook, this show has little to nothing going on for it.

Suspicious Partner starts as a strong, romantic suspense drama but somewhere in between it loses its identity. So much so, that when we're done with it, it fails to properly execute either of the genres.

I want to give credit to the female lead, for she does try and do her best to be quirky but unfortunately, I don't feel much for her. She feels like a support role, at best. There's also the fact that I had to put a lot of effort in getting over her role as the annoying kid Queen Seon Duk, which was a feat in it self 'cause ten years later, her mannerisms are exactly the same as before.

While there is a good dynamic between Ji Wook's Law Team and some hilarious moments between them, nothing really stands out. The sisterhood and bromance has so much potential to be a golden point of the show but unfortunately, it is left untapped.

There is some majorly good acting put out by the antagonist but the show does not develop his character as much as it deserves to be.

The whole crime mystery is dead and very predictable. The second lead romance falls flat and more often than not, the drama stumbles into the realm of utter boredom.

There are some good OST songs here and there but again, there's nothing I would lose sleep over. A lot of questions are given unsatisfactory answers, plot-holes are abundant and so are convenient plot-devices.

The story-line is mediocre, if we're being kind. They use so many ideas from Ji Chang Wook's other shows. Some scenes are copy pasted from The K2, a whole plot-line regarding the heroine's father is taken from Healer and it is all just more of the same ol' same ol' bs.

If it wasn't for JCW, I'm sure I'd rate it even less. And even though I am an eternal fangirl; I love him to the moon and back and I think he is as perfect as always in this show, I will still say that I didn't see him go the extra mile here. This role couldn't have been a challenge for him and because I know that he's an incredibly versatile actor; I'm so ready for him to bring us something phenomenal and better than this.

So over-all I guess it's a good time-pass.
Not too bad, not too good but extremely forgettable.

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Chicago Typewriter has a really promising and interesting story premise but unfortunately it was not executed very well.

The beginning is really good and you get hooked because you want to know what happened in the past. It is really lighthearted with a few good comedy scenes and the small dramatic scenes that are dropped in between prevent it from being boring.

But the series drops in quality after the exposition. It seems as if the creators had a really good idea but didn't expand it enough. After you have seen the idea the series has nothing more to offer. The whole middle of the series feels really stretched and filled with useless scenes that don't advance the story nor the characters very much. I have the feeling that the romance aspect of the show was supposed to be subtle and in the background but because the actual story wasn't really fleshed out they had to fill in the blanks with romance. This is not bad per se, but the relationship between the couple doesn't go anywhere. Their relationship doesn't get deeper and most of the time don't even feel like a couple.

The characters are not bad, but their characterisation is not very stable. When the creators of the show didn't know what to do, they just let characters act dumb and against their initial character traits just to advance the story and make it more dramatic. However this has the opposite effect and keeps you from being immersed in the story and empathizing with the characters.

For example, it is established that the characters in the present have the same traits as their past life counterparts. So Han Se Joo should be very clever because in his past life he was the head of the resistence, made perfect plans and was always cautious of the enemy. But when Baek Tae Min calls him and wants to trick him, he plays dumb goes to the place and then acts as if he knew that he was tricked all along. Then why go there in the first place and not call the police or something? That is just one example of accute dumbness.

Then it seems the writers just threw in things that don't make sense at all. When Se Joo falls down the roof the ghost Yoo Jin Oh possesses him, which isn't the problem, but why can he make Se Joo float and cushion his fall? Yoo Jin Oh can't even float by himself, so why can he float when inside another body? I hope you see what I mean.

And sometimes there are flashbacks, which are repeated throughout the series to waste time. All in all what I want to say is that the pacing of the series is really bad and you can clearly see where the writers put in extra stuff to stretch the runtime of the show. They should have made a mini series or fleshed out the story more, but in this state it feels like an unfinished prototype of a good show.

I really liked the part where they are sent back in the past by the ghost and explore the past. They should have told more of the past in this way or let the characters remember parts of their past after experiencing something emotional that triggers their memory. Instead almost all of the past story is told in episode 14 or 15 in one piece.

I really can't understand why it has such a high score here. I was really interested in this show after reading the summary and seeing that so many people liked it but unfortunately it really isn't all that great.

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A song to life and love

I have doubts about the strength of my arguments to convince someone that this is a great series, but I have plenty of reasons to, again and again, watch it with pleasure, to tell why that feeling of harmony and hope that 'Gray Shelter' provokes me and, of course, I am also completely convinced that it should be recommended. Attentive to the small and the biggest, the tight heart, the explosion of emotions and the confusion, this South Korean romantic drama will whisper in our ears about certain things that happen to people when they discover their inner self.
Cha Soo-hyuk (Jang Woo Young) is a boring adult whose only goal is to live without worrying about everything and everyone. While working as an external engineer at a cleaning company, he meets up again with Lee Yoon Dae (Lee Jae Bin), with whom he was very close in the past. Yoon Dae lived with his girlfriend, but now he has nowhere to go..., and they end up living together. The two remember domestic violence, running away from home and the days when they consoled each other by saying that they were not like each other's parents.
Korean director Lee Son Eum (이손음) signs with 'Gray Shelter' (회색기류 / Hoesaekgiryu) a significant work of contemporary relationships in his portrait of a same-sex couple, delicately addressing a theme common to all such as love , but here presented in unforeseen and difficult circumstances with a language that involves the viewer in the intimacy, complicity and fears of what is told: the story of two young people united by a past of brotherhood, whose brotherly affection evolves into a warm and deep love with the passing of the years.
Based on Son Eum's own script, the series, consisting of 5 20-minute episodes, explores the awakening of desire, passion and love of a boy for another man. It is, simply, a demonstration that feelings do not know gender. It is love without borders in search of happiness without labels visually narrated in a very lyrical way and assumed naturally.
The deep friendship and love of two men who meet again and begin to live together under the same roof. A journey that turns the viewer into a witness of the internal struggle, the confrontation and the love that they experience. Exterior landscapes of the environment that surrounds them and interior landscapes of the characters written in an agile and lyrical way. History, society, love, defiance of life's obstacles.
A broken family, a heterosexual courtship, a breakup, a friend from the past, almost a brother, a little older, and, suddenly, when everything seemed stable, in perfect balance, the heartbeat, the discovery, the awakening of desire , the feeling, the obsession, burst in with the same force as the denial, the non-acceptance; aggression, which can be both internal and external, and breaks what is established...
They both fall in love. They both see their lives turned upside down. Both are reunited with an unknown self that makes them happy, that gives them pleasure, that fills them with unmanageable pain and uncertainty, but also with love and passion. It is the happy encounter with their own natures.
Can the two young people together travel the roads of South Korea in search of an El Dorado where love, purified of all prejudice, is possible?
How can I describe what is happening before my eyes? Drama and reflection, as intelligent with its images as with its dialogues, turn 'Gray Shelter' into a hymn to life and love, above all, due to the way it approaches a theme, such as homosexuality, which, even when it has been portrayed on numerous occasions over the years in South Korean cinema and television, is still very scarce compared to what is produced in other latitudes or on other topics in the same country, since the taboo component for a A significant part of the population is still present, despite being civilly legal.
From the Heavenly network, this romantic drama that feels like an old movie in terms of color tone and harsh composition, returns Lee Jae Bin to the screen after his successful performance in 'Choco Milk Shake'. At his side is an actor who has also shown his incredible artistic talent in the films 'Phantom' and 'Baseball Girl'. A couple that shows a vibrant chemistry in a drama that excites and moves as it manipulates as only initiatory stories, owners and lords of an absolutely individualistic narrative voice, can manipulate.
Jang Woo Young and Lee Jae Bin bring two very different characters to the scene, but two who not only have a strong connection and chemistry, but also relate perfectly to each other's struggle. There is a healthy and affectionate love between them, it is also romantic, with great generosity, nobility and compassion at play. The sadness and melancholy that both bring is not the kind that makes viewers cry, but rather hits deeper, to the very core. It is not a typical anguish, but heartbreaking.
If at any point I might have thought that Lee Jae Bin would be pigeonholed into comedy, I must confess: I was wrong. If in 'Choco Milk Shake' he achieved a genuine naturalness in his performance, even in those most dramatic parts, which could suggest this would be the right genre for him, in 'Gray Shelter' the young and talented actor shows his versatility and possessing the gift of standing out for his ability and skill when it comes to embodying totally opposite characters.
I liked how he made it clear that he is an actor of race, of vocation, one of those who dares with comedy and drama, and puts himself at the service of the role in question with body, mind and soul. You have to follow his steps.
For his part, thanks to Jang Woo Young, Cha Soo-hyuk is a completely plausible, convincing and even beautiful character, in the sense of being absolutely different from those played by the same actor in his previous works. Everyday life has such a forceful beauty that when an artist is able to see and represent it, he achieves works that are not only solid, but also shocking.
With an acidically caustic tone, raw and direct, highly intelligent and subtle, and always based on the dialogue and organic behaviors of two characters with few filters, 'Gray Shelter' becomes a sophisticated story of a homosexual relationship. The narrative simplicity of the series is reflected in the filming style and is offset by the complexity of the relationship.
Although at times it crosses the border of frivolity, it is possibly one of the most elegant translations of contemporary South Korean dramatization of a story about homosexual men, which is nothing other than a great love story.
'Gray Shelter' is, in short, one of those gems that presents a world so wonderful that you feel sad when you reach the end credits. In short, a drama that captivates the viewer, in addition to the story and the way it is told, due to its attractive visual effects and its visual chemistry.
The drama turns out to be, then, a delicate story of everyday situations, especially those essentially linked to providing inclusive views to the debate on diverse identities and sexualities, while diluting the binary and sexual identity boundaries (man-woman). But, in addition, it recreates, with proverbial skill, especially in the dialogues, and also in the situations, a romance that is not just one more of those that South Korean audiovisuals have contributed since 'The King and the Clown' (Lee Joon-ik, 2005), 'A Frozen Flower' (Yoo Ha, 2008), 'Man on High Heels' (Jang Jin, 2014), to name just a few, but one current, daring, pure, in a series all time attentive to those shudders that perhaps strengthen our expectations of finding what we are looking for.
Lee Yoon Dae's confessions, the evocation of the past that unites them, the way in which the two men approach each other and establish a unique, explosive, fiery intimacy, make total sense through a delicate photography, capable of converting each shot of night exteriors in acts of love in the light of the sunniest day, in addition to managing the expressiveness of the composition and the framing placed even in a symbolic function (Cha Soo-hyuk healing Lee Yoon Dae's wounded face is filmed in a way that implicitly alludes to the major issues involved here); or music that is barely noticeable, and the composers of the songs know that this is a compliment when talking about musical soundtracks in film or television.
The cinematography is moving, with great use of color, particularly a dark, natural palette.
In addition to everything said, I also loved the tenderly filmed scenes of intimacy and sexual complicity. As for the general assessment, it must be said: Lee Son Eum pleasantly surprises us with a seemingly simple series, but which is ultimately a treatise on losses and breakups, on the one hand, and encounters, reunions and discoveries on the other hand, about the gone and the lost, about the found and the unexpected, about the search and finding of love and happiness, the clinging to illusions, to certain affections and feelings, by human beings so complex as well as sincere, animated by the real idea that perhaps they will find, very close to themselves, in their shared past and present, what they have always sought.
And if it all seemed like a lot to me, I am surprised by the beautiful animation by Jeon Seon Myeon that serves as the opening title. The animation shows the two main characters, Yoon Dae and Soo Hyuk, walking alone in the snow before ending up under a streetlight. Yoon Dae spreads out his scarf and wraps it around Soo Hyuk. The light turns on, illuminating their gray world, and they embrace as Ode's "Sleepless" plays in the background.
Few South Korean series have left me, at their end, with such an inexplicable feeling of melancholy and complete satisfaction. And that's why I decided to enthusiastically recommend it.
YA

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I lost my soul to this drama ?

There is no couple in the whole c drama world that is more made for each other than CWN-MR. They met from the start, they were the reason for each other to survive the whole catastrophe, they were each other’s reason to live.
MR, our puppy, and CWN, our cold cat, they both have stolen our soul and from now on, we will be forever soulless clowns…we will be traumatic against the word ‘stairs’…we will be giggling when eating ‘dumpling’…we will be blushing when seeing a husky and a cat…we will be abnormal basically.
I am glad with the happy ending, uncensored scenes, all the butterflies and sweets…amazing!

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I know my review won't be received well by other viewers, but I have to be honest. My sister says I'm never happy with a melodrama unless everyone dies at the end. That isn't all together true. I like happily ever afters if they make since with the story. I guess I just don't understand dramas that have 14 episodes of lead up to a tragedy, then everything changes.

I also dislike a story when the writers have the characters do something that is totally out of character. I felt like in episode 15 and 16 that the writers did that with Young and Jin Sung. Honestly, after episode 15 I could care less what happened to Young. I hate wishy washy characters...Is she strong? Is she weak? The writers should have just picked something. It is like they thought they needed to add something to make it more interesting. I felt more deeply for Moo Cheol than Young and that is sad considering I saw a heck of a lot less of him in this drama than her. Beyond that, I think most of this drama is well paced and the cinematography is out of this world. I enjoy the basic story line. There are just so many things that I would change. I just felt disappointment as I ended this drama.

As far as the acting is concerned, it is excellent. Jo In Sung as Oh Soo is by far the best acting that I have seen in a long time. His facial expressions, the use of his hands, and the way he speaks just brings the character to life and I feel deeply for Oh Soo. Song Hye Kyo does an excellent job playing a blind person. I have seen her in other dramas and I think her acting improves with each role that she takes. If I didn't know better, then I would have thought she was blind. Of course, it is good to see Kim Bum again and I hope he gets a main lead soon so I can see more of him. I loved Kim Tae Woo as Moo Cheul and his character is by far one of my favorites in the drama.

I think the music was beautiful.

I won't rewatch this.

If you like melodrama, then this is one you should watch. Most people like it, so don't make a decision to watch it or not based on my review.

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could have been a masterpiece

Overall: I rated the beginning episodes 9.5 with the amazing production value and acting; however, I was extremely disappointed with how they portrayed something as well as the final episode. 7 episodes about 24 minutes each. Aired on GagaOOLala https://www.gagaoolala.com/en/videos/5039/when-it-rains-it-pours-2025-e01 ; re-aired on Viki April 2025 https://www.viki.com/tv/41013c-when-it-rains-it-pours

Watch Suggestions (to skip the parts that derailed it for me)
- watch episodes 1-5
- episode 6 watch 17:15-end
- episode 7 watch 21:30-end

Content Warnings: past death, off screen *rape (yes it happened, it was in the source material - see below for more info), **abuse

What I Liked
- acting
- awesome dream
- the conversation with pushback on gender stereotypes
- good consent between 2 characters in episode 5
- production value (beautiful cinematography, art in the museum was a visual feast)

Room For Improvement
- *the writers reinforced the myth that people during sexual assault either fight or flee, Sei's reaction and misplaced remorse (it was zero his fault) are common in reality; however, no character actually called a spade a spade leaving room for interpretation (in comments/online I've seen people who didn't think it was rape or that Sei was also toxic instead of an abuse victim/survivor), this was a major writing misstep
- **Fujisawa had a failed redemption arc, he was a rapist and an abuser (he isolated Sei which was emotional abuse and even admitted he was happy isolating Sei)
- too much told in internal monologue
- way too much time in episode 7 spent on Fujisawa and the other friend (the leads had 2 minutes together!)
- I have zero faith the main couple will stay together, they didn't have good communication and we didn't get screentime to see character growth

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" Hospital Playlist " is one of the hyped dramas of 2020 and you are going to like it if you loved dramas like Reply 1988. However, even though there are not many reviews that are not praising this drama, Hospital Playlist is not for everyone.

The drama keeps a slow tempo, with the story being spread throughout the drama, probably so it can serve the next two seasons coming up next. Maybe that's when the drama picks up. And yes, this is a slice of life, but, at times, it felt like there was nothing to look forward to in the next episode. Also, there were moments when the drama got boring too.

That said, they did handle the romance masterfully, as to not overshadow the friendship and so that it didn't become the main focus of the drama. They did a good job with the blend of music and story too, as well as with the flashbacks of their old days.

Finally, when it comes to performances, the drama of course had excellent ones, as the cast was consisted by the best of the best.

So, overall, six and a half out of ten, because there were some nice moments to the drama, but it felt like there was no story to it.

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Rich, atmospheric and utterly entrancing, Blood River is all those things and more.. It’s a fantastic concept that kept me enthralled till the last episode.. Blood River is an adventure in all the best ways.. The characters are interesting, memorable and have quirks and distinct personalities that make them feel vividly alive.. For me, this drama shines.. It’s a world filled with assassins and clans whose loyalties are written in water, where every character seems to whisper an unfinished feud.. It’s a place where righteousness is fragile, trust is a rare currency and the river runs dark with history and betrayal.. The action begins right from the first scene and never really lets up.. There’s no onerous worldbuilding, no tedious introductions, Blood River gets to the good part immediately..

Blood River has beautiful visuals and some breathtaking sequences, along with masterfully crafted fight sequences.. All wrapped in that dark, moody vibe, it was pure bliss.. And in that same vein, this drama introduces a whole lineup of compelling side characters.. While the main characters are good, the side characters are all really interesting too.. None of them are particularly well developed, but there are intriguing dynamics at play..

No idea why Peng Xiao Ran is listed as second lead or even a main lead.. Her only role seems to be lovesick for a character we are barely invested in.. Honestly, she wouldn’t be missed if she wasn’t in the drama.. She is completely underused and her story arc feels disconnected from the main plot.. The supporting cast had far better storylines to be honest.. There’s nothing else to her outside of being the girl who desperately looks for love, she has no real personality, no aspirations and nothing beyond the basic 'love me, love me, look at me' behavior..

Chang Hua Sen was really good here.. I actually felt he was even better than Gong Jun in terms of screen presence and performance.. Gong Jun’s facial expressions looked odd at times.. Even in the final reunion scene, he looked like he had eaten something bad and was wondering why the camera was still rolling..

If I had to choose a favorite character apart from the two male leads, it would be Bai He Huai.. I loved her mannerisms and her costumes were really beautiful..

Now, the world building here is rich, detailed enough and well thought out.. The plot stays consistent and true to itself.. The pacing fluctuates a bit in the last 18 or so episodes but mostly stays fast paced thanks to the huge number of fight sequences.. And that last fight was really something.. I liked that they didn’t show the main leads as overpowered, we actually got a long, hard fought battle where they had to go all out to take down their foe..

Overall, Blood River has the full spectrum of feelings.. From good to bad, joy to frustration, excitement to depression.. It puts everything together in a well balanced plot with a weave of storytelling that pulls you as far away from reality as you can possibly get.. Blood River might not have been perfect and it definitely stuck to some of the mid cliches I expected but I was pleasantly surprised by how much this story kept me interested.. Even with such a large number of characters, it managed to make me care about their lives and the outcomes of their struggles.. Well, except PXR I guess..

Then why did I rate it only 8.5?? Because the last few minutes of the drama disappointed me.. I watched 38 episodes of their struggle to reach the other shore only for the result of all that hard work to show up as a subtitle.. Like you couldn’t give us a 10 minute sequence?? And what was that whole happy ending after 12 years thing?? Just stupid.. There was absolutely no need for it.. If you are going to give us a last minute reunion, why bother separating them at all?? Was that separation even necessary?? I honestly don’t understand this obsession with time jumps for happy endings..

Well, them getting a bittersweet kind of hope instead of a dramatic ending fits the wuxia tradition, since it rarely gives perfect happy endings.. I guess it works as the completion of Su Mu Yu’s journey, with Bai He Huai returning as the light in his life and it gives an ending that isn’t fully happy or tragic, just human..

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Disappointment

I hate when Kdramas adapt Webtoons and just give a different plot completely. This reminds me of CITT. At least with CITT there was the excuse that the Webtoon wasn’t over. This one had everything fleshed out and a whole ending the go off by. The ratings were already low in SK so they could’ve at least done a decent plot that leaves the people that watch it interested or satisfied. The relationship between the two main characters was toxic from the beginning. Who was more toxic doesn’t matter because they were both trash at certain points. That alone should’ve concluded that they don’t belong together. Jae eon Is a player, he straight up ran with the “I don’t date” premises from their first conversation. How tf did he fall in love with her before that then? I wanted to see how he never changes so she chooses herself. Every single time she did, she went back to him right TILL THE END!!! This should’ve been wrapped up in 6 episodes but over 10 hours in 10 episodes was a waste for an ending as crap as that. Hello Kdramas, friendly reminder that “the power of love” doesn’t exist 99.9% of the time and shitty men won’t change for you. Stop selling this sick fantasy and start properly acknowledging the toxic behavior these MLs have.

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The first season was good, but the second season after all the wait seemed to just rehash pretty much all the old gags and make them less funny. The writer could've come up with new gags but it was written very lazily.

As much as I loved the original cast, having Lee Yi-Kyung or Lee Jun Ki remain as the only person from the original cast and write them off like they were side characters was not pleasant, if anything it was another example of lazy writing. I hated how while they could've used an entirely new cast, they kept him and just copy-pasted the cast into an entire portion of his past and assumed it would be convincing.

It's a comedy so lets focus on that: watch 2 episodes and you've essentially watched them all. Just a bunch of running gags overused to the point of not even being funny anymore. Lee Yi-Kyung's role was an over-the-top kind of role in the first season, but it wasn't so bad because there were characters to balance it out. But here, it's the focus of the show, the characters were dull and the acting was stiff or unnatural.

Cinematography was good, and whoever wrote the script, planned to just make a few easy bucks by capitalizing on the nostalgia of the first season -- had pretty much everyone hooked just by reminding them it was Welcome to Waikiki.

Overall, not really funny and too predictable. It was just something to watch for closure after the first season or if you just need help moving on from it. The conclusion was good though, I liked how they wrapped it up.

Hopefully they don't make another season.

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What does it feel to fall in love? Cuddle up and savor the moments of AASOL!

I am trying to get my thoughts together to express how much this drama took over my heart. I did not want it to end. I even went for a walk before I watched the last two episodes. And now that it is done, I am so sad because I will miss seeing Lin Yi Yang and Yin Guo. I also loved Meng Xiao Dong, the FL's big brother (cousin actually). Then there are the other characters with their own unique personalities and all adorable in their own way. This cast was amazingly put together. Before I write a review, I will list all the things I loved about this drama because my head will not get it together to write anything coherent. I blame Wu Lei in his role as Lin Yi Yang. He is sexy and seductive, I literally swooned through each episode. Well let me start the list:

1. Lin Yi Yang played by Leo Wu(Wu Lei) His eyes are expressive and seductive and will melt you when you see him gaze at Yin Guo. But not only his looks will make you swoon. He is the best in his field of sport and will knock your socks off the way he plays a perfect game of snooker. He is also intelligent and scholarly. And he is a businessman.

2. Yin Guo, the FL , seems shy when she is with the ML, but she is a fearless 9 ball competitor/sportswoman. Zhoa Yin Mai plays her part with natural ease. She makes the romance believable in a way that reminds me of one of my favorite actresses, Zhang Jing Yi from Lighter and Princess in that she is also a natural actress who makes the romance scenes believable because of her connection with the ML. You will feel her love for him. She delivers her lines perfectly and knows just how to use her voice and tone to portray the scenes in a way you will feel connected.

3. Love at first sight is one I find relatable. The way the ML fell in love and pursued the FL might not be for everyone but for me, it totally captivated me to the point I watched the scenes over and over again while I waited for the next episodes.

This is a simple romance of love at first sight done right. Wu Lei and Jin Mai's chemistry makes it perfect! It is well worth the watch!

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The gossip wasn’t worth it

When the stars gossip do not, I repeat DO NOT stay to listen, just walk away. The gossip is not worth listening to! Go do literally anything else, it’ll be much more worth your time than this pro-life propaganda drama.

I honestly am embarrassed to say that I watched this in it’s entirety because there was so many times I could’ve dropped it and I just didn’t. Why? I have no idea! Please learn from me and my regret and don’t even press play. You won’t see anything but ridiculous antics and pro-life rhetoric. And they spent 50 billion won on producing this by the way. This drama is prove that quality will always override quantity.

PS: My true rating is a 0/10 but mdl made me rate it at least 1/10 to post this so don’t be fooled, this drama has absolutely no redeeming qualities and is genuinely the worst kdrama I’ve ever watched to completion.

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Oh, the Boredom!



This was a very popular drama at the time of its airing. The cast is top-notch, the plot has all the premises for a funny, romantic and passionate love story.

Unfortunately though, the viewer is forced to an extremely long wait for something that never happens, or happens on a very low scale in the last 5 minutes of the show.



The rest of it is a sequel of silly quarrels, food preparing and cleaning. I'd say the cleaning is the main character of the show, to the point you start looking around your house thinking that dusting once a week cannot possibly be enough. Yes, because these two, in turn, dust the huge house once a day, and the director saw it fit to show it to the viewer every single time, just in case one might forget how it is done.



The chemistry between the 2 leads is there, and it's powerful. Ironically though, this alchemy becomes the biggest flaw of the show, because it's like a big amount of electricity never conveyed into anything. One waits... and waits... and waits.



Since watching Full House I'm invariably sceptical about any drama portraying two lovers forced in the confines of a house.

Yawn.

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