Reviews

The ship has sunk...

Be Mine Superstar or where the two leads are actually the two bickering managers who are having a senseless feud.
In between childish scheming, we got a side actor moonlighting as a stalker who tries hard to get a doctor dude in bed and keeps roughly fucking him whenever he gets the chance. It is important to note that said doctor doesn't want him and drew a line in the sand, but oh well what are boundaries for in dramas?
Now when it comes to the leads, we got some very awkward and cringe-worthy puppy love that is more creepy than cute... when I thought that no one could top Toh from Secret Crush on You. Well, think again because Punn has outdone himself!
I should not forget the gigolo henchman whose abs I have seen way too often. Ken, I chose to remember you as Tum from Lovely Writer because this Bank character... they did you dirty.
I will continue to watch this as I can't seem to look away from this car crash. I thought no one could do worse than La Cuisine or Unforgotten Night, but I guess someone decided to outdo themselves.
If you haven't started this, save yourself the trouble. I know that 2023 hasn't been generous in good BLs but they're still better than this.

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별-똥-별 - quite a fitting description of the quality of this show.

Fun, entertaining, sometimes clever elements, with a crappy core.

What’s good? What are the reasons I somehow finished watching it? Everything except for the love story of Han Byul and Tae Sung, and both plot lines surrounding male lead. None of these 3 things work well - poorly written, with ridiculous resolution and out of the blue miracle ways out of the problems.

The convoluted way they tried to tell us the story of Han Byul and Tae Sung was some next level of bad presentation. Rom-coms are not thrillers, you do not need 10 different plot twists to make it exciting. The worst part of it was the fact, this type of non-linear storytelling made it close to impossible to understand the characters at the beginning, which led to me simply not caring about them at all.

The three semi-mystery plot lines, with two being part of a larger picture? Extremely unnecessary. The setting was all that needed to happen for the show to be interesting. Everyone wants to know what the behind the scenes looks like. What type of problems the actors face. How much of that glamorous life is try? What about the ugly side? The “mundane” celebrities life is interesting enough, no need to add over the top plotlines.

Not to mention, they were simply not well integrated in the story. Instead of showing bits and pieces of it throughout the show, they dropped larger portions here and there and it messed up the pacing. I don’t even want to talk about that Disney resolution, or lack of any closure for some.

That said, I did enjoy the main couple when they interacted with other characters. Han Byul and her gossip time with Ho Yeong and Gi Peum? Fun. Her friendship and working relationship with Yoo Sung? Interesting. Tae Sung with his manager? Adorable. Him bickering with Soo Hyuk? Some of the best comedy bits of the show. It amazes me how well these two worked with everyone except each other.

I just feel like their relationship was too juvenile. They presented some middle school type of behavior I just did not connect with. And it’s not like it’s impossible to show a sweet, cute romance - they did it with the side couple. Yes, it was over the top cute, but that’s who the characters were from the start - adorable, so it fitted the overall picture.

They also showed a more mature and chill approach with another side couple - a lot better paced even though they had 1/10th of the screen time compared to the mains. All the supporting plots showed me there is a skill and good writing hidden in the show, but somehow they failed to use it for the most important aspects.

I definitely enjoyed the few small commentary bits on the entertainment industry. Some were presented in a more serious manner, some leaned towards comedy. Sh**ting Stars has also one of the best “breaking the 4th wall” scenes I have seen in dramas for ages. I replied that one scene many times - perfectly executed if you ask me.

Performance wise, it varies depending on the actor. Probably one of the worst performances in Lee Sung Kyung’s career. She delivered close to nothing. The lines felt flat, the crying scenes evoke zero emotions. She presented little to no variety in her facial expression. And I know for a fact she can do better, she did in her other dramas. She is not an amazing actress, but should be capable of leading a rom-com.

Kim Young Dae did fine. I enjoyed his more emotional scenes, he did a good job portraying the vulnerability of Tae Sung. At the same time Tae Sung was just a poorly written character, so it’s not easy to judge the performance of the actor.

Most characters did not have enough depth for the cast to truly showcase the skills they might have. Yes, Yoon Jong Hoon delivered the sweet hard working senior, Kim Yoon Hye was the cute and innocent junior, Park So Jin did an amazing job as a journalist with some internal conflicts and Lee Jung Shin was able to make the arrogant and distant lawyer more approachable and fun. But that’s it. The characters don’t really serve more than these short descriptions.

The production value was nice. Quite a number of scenes had an aesthetic appeal that supported whatever was happening on screen. Talking about the production, we cannot ignore the initial wave of criticism surrounding the uneducated and ignorant depiction of Africa. I still believe this just shows how lazy the writers are (honestly, the same problem happens in all countries, and is not limited to Korea). 15 minutes of google search is too much work for them. Finding a more appropriate way to present a specific plot line? Why waste time, when you can apologize later if it gathers some bad press.

Overall, it was painfully mediocre. I enjoyed following some side relationships (be it romantic or platonic) and plot lines, but close to nothing concerning the main two characters was good. They just put random events and ideas together, and did not spend enough time to figure out how to present them in a cohesive way. The show just did not flow well.

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The juice wasn't worth the squeeze

This show infuriated me by the end. Snowdrop came in with a bunch of promise halted by waves of controversy — if you avoided this show because of that, congrats, nothing about it should tempt you to watch it after all.

To be honest, this show started with a bunch of potential. I loved the nostalgic vibes and shiny wide-eyed jaunt towards first love. Snowdrop started to lose momentum once they got into the hostage situation. It dragged on way too long. I understood the point it was trying to make about politics and corruption, but we got the point after just a couple episodes. Someone joked that they blew their whole production budget on the dorm, and honestly, that sounds like the most plausible answer (considering they had to pay an all-star cast too... but we'll get to that in a second). Moreover, the last couple episodes were tropey and infuriating beyond belief. I didn't care enough about the romance to feel anything for Youngro or Sooho; the show didn't do enough early on to make us cheer for them. And then before we knew it, we were being bombarded by noble idiocy and regular idiocy galore. So many situations toward the end could've EASILY been preventable. Trust these competent agents; don't insert yourself into situations unnecessarily (this is directed at BOTH of our leads).

Jisoo especially frustrated me. All of the actors were incredible EXCEPT for her. And I swear, I enjoy Blackpink music! But she was so clearly out-acted throughout the whole show. She was tolerable for a couple of episodes, but once the hostage situation kicked in, she was clearly out of her depth. She gasped so much throughout the rest of the drama that I'm surprised she didn't pass out from the hyperventilation. She was the most useless person in the whole drama — you could arguably consider her a "candy" (not in the classic kdrama definition of the trope, but by effectively serving as bait for the ANSP and Sooho). Worse than a candy girl though, I'd argue that she was a straight-up liability. She was unwilling to compromise or sacrifice anything for the greater good of others. This was exemplified in a situation at the end that involved saving a random side character and harming four other main characters in the process (even leading to the demise of the one she cared about the most!). She blindly ran into situations without a plan and without being equipped to do anything, thus putting other people at even greater risk as they sought to protect her and achieve whatever random agenda she cooked up. I hate that she faced no consequences for this behaviour either; it wasn't even acknowledged as problematic. Jisoo's acting was awful too — I always knew I was watching JISOO, not some character named Youngro. This character could've had so much nuance and depth: idealistic, innocent, and in love, sure, but she could've also been defiant, emboldened, and thoughtful. If her actions were clearly borne of some strategic thought, I would've sympathized with Youngro. Instead, she was stubborn without seemingly any rationale, which made all her actions seem rash and ultimately stupid.

Then let's talk about the romance: it was cute at first, but based on where the story went, it really should've been relegated to a side-plot that took up less air time. Leave it as "Not meant to be" and move on. We lost so much closure and momentum towards the end of the drama by unnecessarily focusing on the romance. Think of all the moments Sooho and Youngro spend gripping each other, asking the other to go, and staring into each others' eyes without any interruption. You know what they could've done in that time? THEY COULD'VE ESCAPED INTO SAFETY TOGETHER. Of course, the more realistic situation would've been if there were constant pressure and action instead, with no time to shoehorn their longing for one another. Because of those moments, especially towards the end, it made their entire tragic situation seem completely avoidable. I found myself shouting at the TV during each of these moments, yelling at them to just GO already instead of standing there (in the basement).

Aside from Jisoo and the romance, the other actors did a wonderful job. I never cared for the moms' machinations (although I suppose they added some levity) or the political squabbles (how silly they turned out to be, although perhaps that was the point?), and I felt too many people were overly motivated by love (Jang Hanna, Kang Cheong Ya, and Lim Sooho especially), but some of the acting was truly superb. To me, there were four standouts: Jung Hae-In excellently blew past his archetype as only playing the boy-next-door in noona dramas. Kim Hye Yoon (Bun Ok), you somehow make me sympathetic towards you while truly giving us the least to cheer for. My only qualm was your choice to help Youngro save Ms. Oh towards the end — how was that choice in any way aligned with Bun Ok's motivations to SAVE HER OWN HIDE above all else? Yoon Se Ah (Ms Pi), I CANNOT believe you are the same person that portrayed Noh Seung Hye in SKY Castle — un-freaking-BELIEVABLE how incredibly she embodied that role as the headmistress. I would seriously watch a movie based on Ms. Pi's life alone. Yoo In Na (Kang Cheong Ya), who knew you had this role in you? I honestly wished Sooho spared her a single glance (or even wound up escaping with her as a way to avoid putting Youngro in harm's way). The rest of the cast did their job too; shout-out to students like Jung Shin Hye (who I liked to think of as "Madonna" for her stylish 80s fashion) and Kim Mi Soo, may she rest in peace.

This drama got my blood pressure up from the suspense; very much shades of SKY Castle. Unfortunately, it didn't critique current issues or hit the zeitgeist the way SKY Castle did, and it also didn't have the cathartic payoff due to its lacklustre, romance-oriented finale. Save yourself the pain of finishing this one!

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Seeds of Plot that Never Sprouted

As a personal creed, I never drop any drama as soon as I start to watch it. And so with at that in mind, I was not ready for what awaited me as I started watching Snowdrop. With each passing episode, it became clear to me that the writer had watched every hostage and spy movie produced in the 90's as her source of "Inspiration", only weakly tagging Romeo and Juliet later as her literary source. If Shakespeare had seen what is being considered adaptations of his best work, he would sooner rise from the grave and pelt us with Wilt's and Thou's. In fact, until now, many literary scholars and professors would debate the merits, messages and hidden meaning of Shakespeare's best work. These days, the only scholars and professors who pay attention to Yoo Hyun Mi's Snowdrop, are the ones looking to cancel it.

First off, before we can discuss Snowdrop the drama, we need to quickly touch on the OST. Initially, when I first watched the drama, I found the OST/Music quite distracting as there are so many jarring tonal and musical shifts in the first few episodes that essentially ushers you from one emotion to another, without a second thought to the emotional whiplash you may feel from such jarring tonal shift. From suspense, satire, romance, and slice of life, the music of the first few episodes felt so intrusive, that there was a fierce disconnect between the scenes being portrayed and the music being played. Thankfully the music/OST eventually finds the sweet spot in the back half of the episodes, where the beautiful music intensified what would normally be dull scenes of poor plotting and acting. In the back half, the music/OST are almost powerful enough to save the production. The beautiful tone of the music has a choir like quality which has an uplifting effect, much needed in the drama. But what I found weird was that, although there were a few scenes which seemed to have Christian undertones, the plot did nothing with it, other than to use it as a symbolism of blind faith. A symbolism that isn't presented often enough or given enough credence that the scenes of praying, feel very out of place. This is one of those scenes though, which needs further research to understand. You see, the original name of Snowdrop was supposed to be Ehwa University, a South Korean university that was started by a Boston Missionary Sister. And you know what? The plot does nothing with this information, it becomes just another unnecessary plot that does nothing for the story, but provide them a place to sit down and kneel.

Given the backdrop of 1988, I was half-expecting some amount of nostalgia to permeate its script to allow viewers to allow a reprieve on the dark tone the script intended to take, and appreciate some of the beauty and simplicity the historical refences would have. But instead, the whole drama is so stuck on the message it wanted to force, that there was nary a time to enjoy anything beautiful in the drama, which ironically included the romance between Young Ro and Soo Ho. And with little time given to enjoy anything in the dire situation they are in, the viewership started drowning in the watery plot, started getting lost in the labyrinth of plot holes, as the badly colorized plot started to mesh together, and started blurring lines, that were timid to begin with. In fact, without the buoyant properties of the stellar acting cast, the drama could easily have drowned in all the ludicrousness the plot was touting as realism.

Seeing as each episode boasted a staggering 90 minutes of drama, I patiently waited to see how the plot would grow as each episode passed. After the last minute of the 1,400 minute run time ticked, I was left with an empty feeling. The potentially beautiful garden that the writer had started was left in disarray as seeds of plot were left unwatered, many of the seeds the writer had sowed in the earlier episodes where neglected the necessary sustenance needed for development and thus withered away. Each episode, I waited to see the seedlings grow into the titular Snowdrop, and every episode, I am left disappointed to see the seedlings bereft of even the simplest of courtesies. The garden was riddled with potholes, partially created by the aggressively shouting dinosaurs that decried their existence with wails or shouts.

As the episodes rolled by, I wondered why the writer kept needlessly adding new plot points which she will have to cover up later. The quick answer is, that she didn't bother covering up the plot holes, or she hastily glossed them over in lieu of more new tragic plot points. In fact, after a certain point, it doesn't become a question of HOW the writer will make the FL/ML for tragic, but rather WHEN. As I kept writing theories, and kept predicting how the writer could write herself out of her predicament, the writer would surprise me, by denying these lifelines, and opting instead to martyr her plots over and over again, until there is nothing left but chaos and discontentment. Whenever I feel the writer had an opportunity to add complexity and creativity to her writing, she instead re-iterated some of the same old tired jokes she used earlier. She overused some plot lines and jokes so much, that seeing them rear their repetitive head over and over again worked against the writer as these jokes, which were not funny to begin with, became distractions. Much like the boy who cried wolf, after the 2nd or 3rd time, people will stop caring about these plot devices.

It's not like I don't believe in love at first sight. But you see that isn't the direction the plot took. Young Ro, you see, is just a poorly disguised Deus Ex Machina, that existed solely to keep the Male Lead company during his eventual redemption arc. The writer was so focused on making sure that the Male Lead had a coherent characterization that she neglected to focus any effort on making the female lead's character relevant or real enough on her own merit. And even though the FL is seen as the sole reason for the ML's existence, we are given to many HOWs and never really any WHYs. In fact, it is not just the FL, a lot of the female characters in Snowdrop do not past the Bechdel test as most if not all of them let their lives revolve around the men in their lives. One of the characters in particular literally throws caution in the wind for her "Man", while obviously that man is shown to be cool as a cucumber throughout the show. In fact, ironically, the only women in the plot who has shown a certain duality in her character is also the most reviled one in the drama.

No review of Snowdrop is complete without at least quickly touching on the controversy that mired Snowdrop in lower than expected domestic ratings. After seeing Snowdrop to fruition, I can't help but ask myself the question of WHY? Why did the writer feel she needed to tell this story using this particular historical backdrop, especially if she is picking and choosing what she wanted to be a fiction and non-fiction anyway. When I first read the synopsis of the drama, I had assumed that the writer intended to tell a love story that grew in the tall weeds of political chaos. But instead, what we get is a drama that ironically felt more like a subliminal left wing propaganda ad that reared its ugly head at several times in the drama in obvious and distracting way. The only clear message that the Drama made sure not to miscommunicate to the audiences is how evil and corrupt the ANSP was. But unfortunately the writer wasn't nuanced enough, and instead of allowing the ANSP atrocities to exist as a backdrop for the story, it allowed the backdrop to become a distracting flower bush that continually blocked the intended story from being seen. In fact, as soon as you felt, you would catch a glimpse of the story, the drama would feel the need to remind you of the ineptness and corruption of the ANSP.

Very early on in the drama, it becomes painfully clear to me that the idea of cause and effect were being thrown out the window. The plot doesn't pay much attention to consequences and ramifications, and instead focused on shock tactics that loses its novelty the less tense the situation becomes. As the characters pointed phallic symbols at each other over and over again, the lack of anyone getting shot, made me wonder whether these weapons of non-destruction were nothing more than military grade paperweight. In fact, I should put the word thriller in air quotes, because I was severely bothered by the lack of it. By episode 5, after a lackluster first 4 episodes, it appeared that finally, the plot remembered it's base genre. But after an interesting Ep. 5 though, the plot decides to languish back in it staid writing as if by clockwork. Every supposedly tense situation is diffused by illogical reasoning, and nobody really is punished. The writing, and the plotting had so neutered the spy scenes, that the whole hostage situation felt more like breakfast club, rather than a hostage crisis. People inside the dorm are wondering more whether they would still be able to voted prom queen and king rather than walk the line between life and death.

Of course, if you dig deep enough you will eventually find the depth and complexity of what Yoon Hyun MI is trying to portray, but depending on where you live, you are more likely to hit water and drown in the innate stupidity than find any complex meaning in the writing. When reading Shakespeare's Romeo and Juliet, finding the depth and complexity isn't too difficult, and the emotions, although shrouded in Shakespeare own unique language, is relatable to us; the characters, minus all the killings, feel real. To fully enjoy Snowdrop, you really need to turn off certain parts of your mind as it is a struggle to find the realism in such cartoonish characters, whose portrayed more closely belong to a museum of stereotypical acting, than a supposedly complex plot.

With such a long run time, it would have made more sense for the writer to flesh out backgrounds of the main characters, or flesh out the characterization of the different characters. But as if she has an obsession's with huge ensemble cast, Snowdrop instead contained a huge cast of characters, who in the end didn't amount to much, except as weak plot devices to keep the plot plodding along. That is not to say there are no good moments in Snowdrop, there are a few moments that are worth watching, but you would need to slog through at least 10 episodes before you reach them, and by that time, if you are binge watching, your mind might already be turned to mush, and your emotions already numbed enough that when the impactful scenes may not be good enough to shake yo from your reverie. The truth of the matter is that proper world building would have made many things in the drama, including the tragic experience and romance shine much more.

Now for the good things. I already mentioned that I felt the OST/Music was vital in making the drama watchable, but the writer/director also lucked out with the casting. Quite a few of the actors I believe put in the performance of their lives, and their acting prowess acted as buoys to keep the drama floating. The power of emotion of Jung Hae In in particular was strong enough to uplift Jisoo's acting as well. And although, I don't think Jisoo's acting was that great, as a rookie actress, I cut her some slack, and she did what I expected a rookie to do; a lot of this also maybe because her character wasn't written that well. Kim Hye Yoon as well deserves a shout out, because at only 25 years old, she is proving to be one of the best actress in the Kdrama industry.

What may be the ultimately infuriating thing about the drama is that although most of the episodes were dull and lifeless, the last 4 episodes were actually written quite well. The writer's vision finally came to fruition in those last few episodes, in those episodes we finally see what the writer was intending in her drama. But unfortunately for me, it was too late, there was too many flaws in the first 10 episodes that became hard to overcome by a few good episodes. If the writer had kept the same tone, style, and plotting in the first 10 episodes, I may give Snowdrop a substantially higher rating. It seemed to be that the writer did not have many ideas to put on paper, and she kept her best plot points for the last 4 episodes, whilst keeping the first 10 episodes for repetitive filler scenes.

P.S.

Below is an excerpt from a deep dive analysis I made on Boon Ok's character, I hope for people to give the character a chance, and sympathize with her the way I did. The whole analysis can be found in the discussion portion of Snowdrop entitled "The Tragedy of Boon Ok".

"To further talk about Boon Ok, we need to quickly touch on the characterization of Young Ro. Are we surprised Disney is behind Snowdrop? Young Ro’s characterization literally screams Disney Princess. The romanticized fantasies, the prince charming, the evil stepmother, the heroic tendencies and the overly optimistic persona are all qualities most modern Disney princess encapsulates. But you know what? Disney princess are called that for a reason, most of the time, they are gilded in fantasy, they don’t often represent realistic portrayal of life. In many ways Young Ro represents the best side of humanity, the side is always optimistic, the hero in all of us. It’s the goodness in humanity we don’t see often. She’s the perfect Kdrama Mary Sue, the heroine, she allows us to stay entrenched in the escapism Kdrama offers."

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A captivating tale of love, adventure, and self-discovery.

The Legend of ShenLi is a delightful and captivating series that takes you on an unforgettable journey through ancient Chinese mythology. With its rich world-building, engaging characters, and thrilling plot, it's a must-watch for fans of the fantasy genre.

What sets this show apart is its strong and dynamic female lead, Shen Li, who defies stereotypes and stands out as a powerful and capable heroine. The chemistry between Shen Li and the male lead, Xing Yun, is both heartwarming and humorous, making their interactions a highlight of the series.

The stunning visuals and epic fight scenes are a feast for the eyes, while the emotional depth of the story will keep you invested in the characters' fates. Overall, The Legend of ShenLi is a captivating tale of love, adventure, and self-discovery that will leave you wanting more.

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How to Wreck a Popular Franchise—Trigger Warning Edition

Trashing Consent in Sexual Relations and a Respected Franchise—all in one toxic package!

VERDICT

HIStory 4: Close to You has no redeeming qualities. I’d like to believe its lazy storyline, fetishization of gay relationships, and disregard for the virtue of seeking consent before pursuing sex will remain unsurpassed as a nadir for the genre. Given the warmth a substantial section of BL fandom has bestowed upon this toxic swill, however, I fear that filmmakers in the future may continue to believe that audiences will overlook the absence of consent as long as they cast handsome men in lead roles and contrive plot lines that lead those men to bat eyelashes at one another, smile warmly, and then kiss. It’s true, I think, that BL audiences like those things. Like them a lot. But it’s absolutely possible to create those moments without resorting to sexual assaults as technique for courtship. A writer need only put some effort into depicting wooing and warmth. Way more satisfying to observe than the rape of an unconscious victim. Any potential viewer who wishes to avoid the promotion of rape culture, ought to pass this series by without bothering to sample it.

And that criticism doesn’t even approach the other potentially toxic issue here, an incestuous affair between stepbrothers. Close to You is not the first BL series with a rape storyline. It’s not the first BL series with a sexual harassment storyline. It’s not the first BL series with a stepbrother incest storyline. But no other example comes to mind where a series is so unapologetic about all of those things. It’s as if the makers said, “Let’s bundle every trope, every plot device that has provoked backlash in the past and stuff them into this story as the main plot. Then, let’s see how far we can push those boundaries before people protest.” Sadly, many people think the fact the raped character accepts his stepbrother’s affections proves that such things are possible. Um, no. It proves that the writers can write any outcome they like, no matter how implausible, and people will think it’s charming. You know, as long as handsome men kiss.

Previous iterations of the HIStory franchise earned a great deal of goodwill in BL fandom. And not just the straight female segment of BL fandom. The earlier incarnations also appealed to gay male audiences who could see aspects of their lives in those stories. As a genre, BL sometimes gets accused of fetishizing gay lives for the entertainment of straight women. For me, the HIStory series largely avoided those pitfalls, as it told thoughtful and provocative stories. The thoughtfulness of those stories is certainly a reason I stuck around for this series long after it raised my hackles. I had faith the makers would somehow redeem themselves. In this instance, that faith went unrewarded. Close to You has sullied the venerable franchise so severely I’m not sure it can recover.

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This is not a romance. This is a missed opportunity of romance.

This drama is not the love story of people who have feelings for each other, love each other and end up living happily ever after. This is a drama about what people can do to people who love them when they do not return their love feelings. So, the characters are most of the time cowardly, manipulative, pathetic, annoying and gesticulating in wrong situations. This happens in real life too as not all relationships are based on true and sincere love. This is what this drama is about. It has a realistic take on adults’ relationships. Adults who do not know their own feelings, ignore them, tone them down or pretend to have feelings… and make choices with their reason that their heart does not agree with.

1/ WHAT I LIKED:

- The story and the trajectory of the 5 main characters. None of them is perfect. They all have qualities and flaws that determine their choices. They are all relatable because they all look like human beings led into wrong choices by their human condition and trying to deal with their wrong choices and not the best way.
- The mature take on sex and love. It is not so common in romance kdramas. This drama is not shy about sex, and it tells that there is a difference between love and sex. Just like in real life.
- The cheating: 30% of women and 40% of men have cheated once in their life. No need to throw an anathema to them and pretend to be so much better. People have their own reasons for doing what they do. I did not want to judge them. I just agreed that in their situation, the cheating would happen, and it did happen like in real life. It was steamy and intense. People who can’t stomach cheating as a human emotional state and possible behavior should stay away from this drama.
- The rather realistic depiction of the workplace and colleagues. The friendly ones and the annoying ones who are always gossiping.
- The ending. There are two endings. One with ep15 with a sad unhappy ending but more consistent and logical with what happened during the whole drama. I have not read the novel but I felt like the ending with ep16 was especially cooked to give everyone a great situation like everything was bad that ends well. The two leads have an open ending with this ep but personally, I prefer the ending with ep15.

2/ WHAT I DID NOT LIKE:

- The early episodes were confusing and exhausting with the ML and FL acting unclear towards each other.
- Some draggy parts with too much gloomy faces and long contemplating moments
- The story between the ML and his mom could have been better. The mom looked a strong character, but she was quite underused for me.

3/ CHARACTERS/ACTORS:

- ML: The only one with real unconditional Love feelings. But he lacked courage and that drowned his chance. He grew into a more assured person and took responsibility of his feelings and his no-feelings in the end. Not very fond of the actor but he did a decent job looking gloomy and contrite and unable to bury his one-sided Love.
- FL: Self centered complicated person with sad circumstances and low self-esteem but she used them as an excuse to not face her own feelings and act upon them. This led her to make a wrong choice that she will try to assume despite obvious signs it is wrong. I liked Moon Ga young in this role. Different from what I used to see from her.
- SML: Student from a poor family who wanted to woo noona but when she chose him out of frustration for his kindness and for comfort, he suddenly had nothing more to offer her and became lousy and bland.
- SFL : Manipulative, possessive, scheming to always have gains from others. But I liked her bright, smart, and outgoing character. She was immature regarding Love and failed to be lovable and to love her partner. But she did not take it too badly. Of course, the ML was just a challenge and a trophy partner for her. Loved the actress who displayed lots of emotions.
- TML: Kyung Pil. This snake was a bad boyfriend, a bad friend and a bad person whispering bad ideas into the ears of the ML, SFL and FL based on his own sorry past that he chose himself. A dislikeable and pitiful person who slightly improved. The actor was great looking cunning, bitter, disillusioned and not proud of himself.

3/ OST:
Very good. I liked most of the songs and listened to them apart from the drama.

4/ REWATCHABLE VALUE:
It is slow paced and the story is realistic but sad, so I won’t rewatch it.

5/ OVERALL:

It’s a good drama if you can accept that humans are weak and make wrong choices and do wrong things that do not improve their situation on the contrary. Because they lack courage and confidence in themselves, their choice of reason is undermined by their heart’s choice, and it leads to messy situations. In the end, they still manage to put things in the right order and move on to a happier life after a time jump. Despite the contemplative and slow parts, I enjoyed watching these people I had pity and hopes for. Not so entertaining but a slice of life drama I enjoyed. 8/10.

Lesson of the drama: "If you have feelings for someone, take the courage to face your feelings honestly and act upon them. "

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Read the comment discussion a must - SUPER HORRIBLE writing and NO CHEMISTRY

1.0 is already generous for this Drama and I always question why a member of mydrammalist would give such low rating to
Other dramas. And still finished it..
Now I know.. its like getting into bad relationship..
And you got trapped in the middle, you wanted to go back but then there's this thing call HOPE and you just kept on moving..
So you've been TRICKED, LURED and USED..

The worst written female lead..
Wait, she's not even felt like the lead, her fam members are..

This drama totally shook my belief for kdrama to the core..
Its like eating Raw avocado... do you know how does it taste?
Bitter than medicine..

Read the comments from the drama page, its all there before you invest 16 hours more or less of your time, your thought, your time..

You will be betrayed! Watch something else!

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DISAPPOINTING AT BEST, INSUFFERABLE AT WORST.

***DISCLAIMER: THIS IS JUST MY OPINION. YOU DON'T HAVE TO AGREE AND I'M NOT HERE TO ARGUE WITH ANYONE.***

To sum everything up in simple terms:

- Disappointing storyline, plot and flow of events.
- I lost interest at episode 9 and forced myself to watch the rest.
- Watching became a chore and it felt like the biggest waste of time.
- Female MC was badly written (I hate her character and I wish she died)
- If not for the ML (Jo Jong Suk) most people wouldn’t think of rating this drama kindly.
- This drama totally missed the mark for me and to be honest it was boring.
- I definitely would not recommend, you’re better off watching any other ongoing drama or critically acclaimed historical drama.
- I didn't even find the political schemes interesting because it seemed like child's play and was not very engaging. I felt like they were going around in circles for the entirety of the drama. ML did not have anyone on his side and they were all trying to undermine and sabotage him in some way / shape or form. The worst part is the woman he loved tried to kill him even though he tried being very honest with her.
- The whole narrative of being captivated and how they tied it in was bs. If you watched from the beginning you could easily see see that the FL falling for ML would be her downfall and she was the one who would end up captivated.
- The chemistry between the leads were lacking and their love / kissing scenes sucked. In the last episode especially it was painful to watch them interact because it seemed so forced. Their love was not believable at all and the FL looked very uncomfortable. I wish I could erase their scenes from my mind bc they just gave me the ick.
- The drama pissed me off, especially due to the fact that they were sleeping together and he didn’t even figure out her name or demand to know it until the last episode. They’re just so irksome. FL especially she is so trifling ughhh.
- I believe FL should try another career. She's pretty so she can model or do brand deals instead. I feel like I have given her enough chances to redeem herself but she is still the same as she was in Black Knight. She has the same expression (looking like a damn deer in the headlights) throughout the entire series and was almost always crying.
- If you want to watch this drama for the romance I advise you not to. You will be disappointed. If however you still want to give this drama a chance because you love Jo Jong Suk and political schemes (which imo were cliche) then by all means be my guest. I however, would not put myself through that again because I believe that one person should not be expected to carry the weight of the entire drama on their back.
- With all that said, I give this shit show / mess of a drama a 5/10

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I wasn't sure what I was getting into at first but with the first episode I knew I would like this.

The story is absolutely amazing and you will fall in love with the characters especially Song Sae Byuk's character Kang Pil Sung, who I absolutely adore, and Go Joon Hee's character Hong Seo Jung, who was like a living angel. The chemistry between those two characters will simply make your heart ache and break all at the same time. Song Sae Byuk really caught me of guard, he literally is probably one of my favorite male leads after this, I just can't tell you how much I loved his character. You really felt the love shared by these two characters.

The other characters were fantastic as well, you really became attached to them which made later episodes pretty painful. Even the evil bastard character Hwang Dae Doo was good in the fact that you really really really hate him.

I will give fair warning when watching this, the last four episodes are very painful to watch, I basically just wanted to cry most of the time. With that being said I don't think the ending was a bad one, in fact I really found some hope in it.

I would definitely recommend this drama. The story, characters, production, music, acting, just about everything was top notch! Still fresh off the last episode and really still feeling my heart breaking a bit and I'm sure the characters will be on my mind and in my heart for a while.

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TharnType comes back to annoy us all for a very special episode of ignoring all its real issues.

Our main couple declare their undying love for each other over and over again in what is nothing but embarrassing fan service while making sure to emphasise that Type is Definitely Not Gay (while everybody else around them is).

Type's big moments of coming out to his friends, family and Kom happen either offscreen, for laughs or in rushed broad strokes with all the emotions stripped from them. I should probably just be happy the writers dealt with those issues at all. They certainly didn't mention Type's trauma, apart from an impetus to his - apparently ongoing - hatred of Bad Gays.

Speaking of Bad Gays, Lhong wanders through to be forgiven by Tharn's brother in a truly disgusting scene that reminds us that Thorn is fine with San being in his brother's life too and therefore clearly doesn't actually care about him. He may as well hang a shingle on his door saying, "All Tharn's abusers are welcome here".

Essentially this "special" consists of random scenes with no real narrative thread or thematic underpinnings. It's basically "stuff fans might like to see" and I'm sure a lot of fans loved it. Even the weird cat/dog scene I'm scrubbing from my mind as we speak.

I guess if you sat through the first 12 episodes you may as well watch it. It changes nothing and adds nothing, except to my annoyance.

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Lackluster planning made it go downhill pretty fast.

Starting with some facts - Sian should have been the wild card catfish and join the cast later instead of Hae Rin. She has more of the presence to stir some "trouble" and her indecisiveness would work better if other contestants had time to get to know each other before she showed up. But with how the casting and editing went - it was Si An as the main characters, and some cast members were not even supporting roles, but rather guests.

The whole two inferos and how some people met first the first time after 2 days on 10 days trip was also weird choice. First impression is important and it was hard to follow who clicked well with whom, when most of them did not even interact at all.

Now that I think about it, the episodes should be split a bit differently. Nothing really that interesting happens in first 1-4 days, put that all in 2 episodes, and with each passing day, make the number of episodes longer. It takes a few days to everyone to create connection,s and that's when the fun starts. That's what most viewers what to see.

At the end of the day, this season was just boring. People were either 100% into one person, or not really interested in anyone. Little to no excitement. Dong Ho and Arin or the win tho. They were two most normal, but also fun to watch people from the whole show.

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My primary issue with this season was the writing and plot. My secondary issue was that the acting & editing were often weird or poorly done; this was most frustrating as it hugely undermined the chemistry between the couples.

Writing: the poor actors were forced to say so many unnatural lines that people just don't say in real life that even if they were extraordinary, they wouldn't be able to believably deliver them. Next, the transition of fixation/anger into attraction was hodge-podged together out of weird, pretty stupid plot contrivances, and no deep thought on the characters' parts was seen to be put into the changing feelings. It just wasn't believable. Separately, the plot wanted so badly to be unpredictable that it relied on the most annoying, forced twists delivered in clumsy revelations whose timing make next to zero sense. Finally, THAT'S NOT HOW POLICE WORK WTFFFFF every time something totally unbelievable happened with regards to the police work, I was wrenched entirely out of the story. This is why I say it was a failure of ambition: they wanted to do something other than school setting, which is laudable, but didn't take the time or effort to do it well.

Acting/Editing: I combine these because I wonder if all the peculiar pausing in place was due to editing failures and because I really want to believe the actors had better takes than the ones put into the final product. One particular oddity was that the kisses never developed out of the wooden "one person's eyes stay wide and body stiff in surprise" stage, even after the romance developed to a mutually acknowledged stage. Another instance of bad acting or maybe editing is that in a particularly heated scene I couldn't stop laughing because the main actor looked like he got "petulant child" mixed up with "murderous rage". I'm laughing again as I think of it. The rest of my issues I'm willing to put on the writers hurting the actors with just frankly dumb lines/scenarios.

It would have been cute as a manhua, but the choice to put it to real life actors requires more realism, less lazy writing, and fewer dumb gags.

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