Reviews

A MUST WATCH IT!

This has turned to be one of my favorite drama! The characters are amazing and adorable, starting from Sang Zhi, Duan Jiaxu, Sang Yan, her close friends and his close coworker, even her parents! It’s my first time seeing the leads, both being so independent and mature in the relationship and their own. I cried really hard seeing Duan Jiaxu cry and seeing what he said. It touched me. The way he cherishes and takes care of Sang Zhi is so heartwarming, he has always attentive to her whether it being his little sister or his girlfriend. The age gap was little bit weird, but the relationship was built with a healthy connection between the two, both are loved and supported. She studied hard to go to Yihe to meet him and he left Yihe early to work hard back at Nanwu, just for her to come back to a stable environment and home. Every character and storyline was so amazing. The OSTs are amazing, i’m listening to them as i try to get over them. The outfits were so PRETTY, i fell for Sang Zhi and Duan Jiaxu so FAST! Praises to everyone that worked hard for Hidden Love. Please give this drama a try, it’s a heartfelt and exciting drama!

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Fluffy but shallow, has a lot of cute moments

This series got off to a strong start, with an age difference plot where a 17-year old (almost 18) aggressively pursues a man 10 years older. At first it's charming and fun, as Akira, the 27-ish owner of a local laundramat, is a bit scandalized that a high school kid is after him. The dialog and interplay between Akira's discomfort with the situation and Shin's cocky confidence that he was going to get his man was entertaining and cute.

But instead of dwelling more on what I would think would be the central conflict (the age difference), the plot devolves into an endless loop of both characters drawing back from each other - Akira because he's afraid that if Shin spends so much time with him his schoolwork will suffer and he won't get into a good school, and Shin because he doesn't want Akira to blame himself if Shin can't get into a good school.

The thing is, it's not zero-sum. Being with someone you love is energizing and their support can help you get through difficulty, so it just feels like the story is just forcing the characters into a holding pattern until Shin is 18 and graduated.

In addition, Akira has been harboring an old crush on his high school teacher, Sakuma, who is an interesting character - a bit hapless but mature and a real gentleman, an ably acted. The storyline was too long and dragged-out, however, like much of this series.

The other problem for me is that Akira is so immature and devoid of any impulse toward self-examination that there is no character progression - just a passive 2D character that things happen to.

The series really has nothing to say and follows a fairly conventional course, which is a shame given it's "forbidden relationship" elements. It's a fluff piece, with a lot of cute moments, but by the end the characters have been running in circles so long that I stopped caring what happened to them.

The ending is quite lovely and doesn't follow the usual fomula, which made it a delight because I wasn't correctly anticipating every line of dialog like I usually can in series like this.

If you like cute and fluffy, you may enjoy this. I don't mind recommending it - but you may want to give in to the urge to fast-forward though tiresome parts - you won't miss anything and it may make the show more enjoyable for you.

This would have benefitted from being about a third shorter - then the thin plot would have marched foward without repeating the same pattersn over and over, and the ending would be more anticipated.

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This movie isn't bad: it's scandalous.
I am currently punishing myself for having surrendered to curiosity and approached it in a moment of bad impulse. It doesn't help that I had nothing better to do, because it managed to turn me from lazily content to furious.

The plot is a butchery of the original story. What they have done is take a very uncommon, extra-ordinary, even controversial plot and randomly cut it like Edward Scissorhands gone completely mad.
Let's have a look at who those characters should be - in the mind of the Japanese author: Sumire is a cold, measured, prim career woman who's incapable of opening to anyone. Her loneliness is so much a choice as it is her condemnation. Momo is a young man with talent who stopped loving himself, all instinct and childlike/petlike sweetness. The encounter of these two world-apart people is indeed that of an owner and her pet, while the epilogue is the growth of both as people. Kimi Wa Petto explained why and how Momo is the only one capable of drawing out Sumire's need to give love and why Sumire's the perfect choice to make him finally reconcile with who he is.

This movie takes out every trace of insightful characterization and leaves us with a badly edited huge fluff. It makes those who have seen the drama - like me - bitterly disappointed and those who haven't puzzled, when not disturbed by the concept of a barfing man.
The cast does not save the day. I wonder if they have taken the time to read the manga, or watch the drama to at least understand who these characters are. Perhaps it isn't fair to ascribe this to the actors, but I couldn't help comparing the sober elegance of Koyuki with the frilly style - so out of character - of Kim Ha Neul. And while Matsujun was a very convincing pet, Jang Geun Suk is an embarrassing pantomime of one. The dance is the icing on the cake: the beautiful, well danced modern ballet in KWP morphed here into a crazy grass-hopping. Humph.

In conclusion, I recommend this movie to nobody.

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They should all be single

If you won't bother updating a story to present day standards, why bother making it?

This was like watching a kdrama from 15 yrs ago. The levels of stoicism, toxicity and overal domestic violence are so disturbing. I thought we had evolved from that. Apparently, there are many people who still want this type of revivalism. I say just watch older kdramas. We don't need younger generations learning to love from these type of stories. We break generational trauma.

The story was clear, simple and predictable but that was expected and there's nothing wrong with that.

What's wrong with this story is passing the idea that people have to assume a stoic posture whenever they're facing hardships and can't lean on their loved ones to not be a burden. That's very bad because it goes hand in hand with the huge mental health problem they have in South Korean. It's time we show people better coping mechanisms.
This also disregards the age of technology. They have video chat, texts all at the reach of a finger. This "he'll disappear for countless days" doesn't seem plausible anymore, unless he's a player.

It also doesn't seem plausible to simply disregard all the harm people have done to you just because some time has passed by or because they used to have a relationship. It doesn't make sense?! That's just foolish and disregards all instincts of self-preservation.

Both the main and the second lead couples have so many red flags. The possessiveness, the control, the violence! There's another review on here that goes into that in depth, so please read it. It's very accurate.

Don't let anyone tell you this is what love is supposed to be. Love also isn't letting go of your dreams and opportunities because of your partner. He has money to pay for a carer.

The acting was ok. There was some cuteness but that seemed lacking. The male lead was too cute and soft for this role, he didn't have the presence that I feel the role demanded.

I hope that if they pick up older stories they take the time to update them.

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In contrast to all the off the charts reviews out there, I will attempt to offer a more critical review of Black. Though this drama offers a fairly twisty mystery that is well thought out and intriguing, its failure in execution, story telling, pacing and acting talent greatly limits the appeal.

Right out of the gate, this drama was pretty ambitious as a gritty fantasy crime drama. The lead protagonist ends up being the reluctant grim reaper 444. This drama pummels its audience with questions that will go completely unanswered and/or forgotten until the eleventh hour.  

Revealing secrets and twists is an art form in timing and pacing. Black does not do this well. Rather than strategically presenting big reveals throughout, this writing team chose to keep all of these abreast until the last fourth of the drama. By then, most of my interest in finishing had greatly dwindled to nothingness. Some may appreciate this approach, I personally need more of a bone to keep me interested.

The delivery of this drama is extremely uneven. I faintly recall there being some moments that made my heart race, but most of this drama is watching 444 run around aimlessly trying to figure out his feelings and his past. Again and again, he gets diverted and waylaid. His experience is much like Black’s viewers. It gets quite tiring. Even the episodes that ended with an amazing cliffhanger would resolve in a disappointing opening in the next.

The biggest disappointment of this drama was its characters. Both 444 and Ha Ram were so flat.  Ideally this drama is supposed to detail 444’s internal battle with his empathy for mankind. Yet portrayal was ineffective at keeping my interest. I was taken aback by how little screen-time 444 and Ha Ram shared. For the majority of the show, they are on their own separate journeys. This may have impacted the implausibly of their budding relationship and the lack of chemistry I felt for this duo.  This drama was lost when I no longer cared about the characters.

All of the above doesn’t even touch on the gaping plot holes, the completely untapped supplementary characters and the problematic ending that negated everything that this drama was attempting to accomplish. This drama is being praised for its mystery, but for me that can’t make up for all the other drawbacks. If mystery is upmost in your book and you can overlook everything else, then maybe give it a try ... Otherwise, I would recommend giving this one a hard pass.

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Too much talk and not enough plot.

I expected "Doom at Your Service" to easily become a new drama favorite of mine. It stars
Seo In Guk as an attractive and mysterious male lead, which is his specialty and almost a guarantee that I'll get hooked, but his storyline is hijacked by a mediocre love triangle/fractured bromance that made me lose any interest I had. Instead of getting a fully fleshed-out-fantasy- romance about Doom itself going against character and falling in love with a depressed woman, I got a boring office drama about writers and editors with way too much dialogue and not enough plot. This is also meant to be a tear-jerker yet my eyes remained dry the entire time. This drama went from addictive to barely watchable fast. I almost dropped it in the last episodes because it dragged so much. Maybe a more dynamic female lead could have kept me interested longer. Even though Park Bo Young may be cute, and even likable, she annoyed me as the Tak Dong Kyung.

Dong Kyung as a character starts off amazing. She does the unexpected, she appears brave and considerate and clever, but as the story loses direction so does the character. There were too many Park Bo Young scenes with her crying/whining before I had a chance to fully connect with the character's situation. I also felt declining chemistry between her and Seo In Guk as Doom/Sa Ram. What started with an interesting connection turned into long conversations and repetitive fantasy sequences but not a love story I could connect with. I'm just gonna say it, Seo In Guk is much better at passionate scenes and showing depth (like in "The Smile Has Left Your Eyes"), and he tried to carry many of their scenes with subtle choices I loved, but having Park Bo Young play so innocent, almost childish, missed the mark for me. She also seemed too indifferent about literally dying for too long. The denial in the beginning aside, which worked well, as episodes evolved I just didn't believe she was a woman making life or death choices which stopped me from caring enough to cry or just fall in love with the story. I can't say she was bad in the role, she just wasn't good enough to make me buy into this unusual plot. Big Park Bo Young fans may feel differently and be more forgiving, which would make a huge difference in whether you like this drama or not. She is in 2 unique concept dramas that I loved "Strong Woman Do Bong Soon" and "Oh My Ghostess", where being cute worked much better, but not this time. I was unimpressed.

The next problematic character for me is Jeong Ji So as "God". I didn't mind the whole Dora The Explorer Diety Gardner thing, or her performance, but her esoteric unclear presence in the story was more frustrating than interesting. Mainly, again, because she talked too much and showed too little (besides random plants). Maybe some things were lost in translation, but her long conversations and observations may be good in a novel, or a webtoon, but on screen, it just drags and bored me almost to sleep at times. I'm wondering if the dialogue sounds so "beautiful" in Korean that the writer fell too in love with their own words to cut any of it down and remember that showing is more compelling than telling on screen. Yes, there were a few well-done visual scenes but they were still mostly overwhelmed by talking. Too many scenes of the leads just staring at each other in bed (together and apart) was a huge romantic disappointment too. They were damn near platonic for such an epic fated love story, with too much narration. It lacked enough passion to sustain the story to the end and by the time things resolved I barely cared.

Oh, and about that extra love triangle, usually even a cliché love triangle has exciting scenes and chemistry but nope... these 3 characters also just have lots of conversations about the past, about each other, about what they may want to do or should have done, with very little actual progress. I think Lee Soo Hyuk as blunt and straight-faced Cha Joo Ik was supposed to be funny, but I found those banter scenes to be flat. I'm sure much of that intended dry humor was lost on me as well. For me, just having two attractive men isn't enough to fuel a love triangle romance plot. It also has nothing to do with the Doom plot, which makes it seem like unnecessary filler or a different drama.

I did like her brother's character, mainly for cute comic relief, but most of the other characters are just ok, and pretty forgettable (Shout out to poor Kevin who didn't even make the cast list lol).

Would I watch this again? I wouldn't torture myself like that. I'm sure a lot of these actors will go on to better dramas that I'll watch and I will probably forget this drama even exists after a while.

The OST is also forgettable but oh how I love Seo In Guk's voice. Rather, I just love him and his beautiful voice is a bonus. I didn't fall in love with any songs though... or his hair color.

Overall this drama is a huge miss. Maybe it's good if you want to hear more Korean dialogue than usual as language practice (it's A LOT y'all) but I can't call this drama good. It is an ambitious and pretty original idea but that's not enough to make this drama work as a whole. Characters saying how they feel instead of showing it for me felt like a romance buzz kill and lazy. If this drama had no Doom character I would have dropped it almost immediately. I also expected tears, since sadly cancer scenarios are too familiar in my real life, but my eyes remained dry the entire time. And what's worse than abusing flashbacks... describing flashbacks as you abuse and overuse them. I looked up the last drama written by this writer and it was "The Beauty Inside", another drama with all concept and zero plot. Another movie plot idea stretched beyond its means. Another missed opportunity to create a really interesting love story. Maybe I should have double-checked who the writer was before I decided not to drop this. Sadly, those who don't learn which drama writers create shows they should have dropped are doomed to repeat it.

I guess Seo In Guk was too good at his Doom role because he doomed me to complete this.

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It simply doesn't make a lot of sense

My rating might be a bit harsh but this was honestly difficult for me to sit through. I watched A Tale of a Thousand Stars when it aired and got used to curling up on a Friday evening and just enjoying the episodes as they aired each week. To be honest my entire reason for watching this series, along with the fact that I liked the trailer, was that its airtime was the same and, although I doubted I would enjoy it as much as AToaTS, I kind of wanted to keep the routine.

But, well, it was a struggle.

Let's start with the story. It's not good. At first I liked the story of an insecure, unpopular kid who doesn't trust easily being liked by a popular guy who also happens to be his crush's best friend. I liked that there wasn't a love triangle but Pi believed there was. I really did like the set-up of Mork liking Pi when Pi didn't like himself and assumed this was a universal reality, no one would ever like him. But why does Mork like Pi? Like why? I enjoyed their online friendship for a while until I realised that Pi is just depending on Mork, it is not two-sided. Ultimately throughout the whole series Pi is never there for Mork really and Mork is constantly there for Pi. It is an unequal relationship, not because of appearance or popularity, but because Mork is in love with an insecure and (more to the point) extremely selfish character. It doesn't make sense. Everything in their development happens suddenly and coincidentally. There is no evolution, neither character comes to realisations about themselves or each other that would make their relationship reasonable. Mork never shows any vulnerability to Pi, Pi shows too much and relies too heavily on Mork without good reason. It is not a believable relationship progression and their attraction is not developed in the script. Why? Do? They? Like? Each? Other? It does not make sense.

As for the second-lead couple the progression was better. They grew on each other and it made sense that they were getting to know each other and were feeling attraction or crushes or whatever. But god it was juevenile. It was trying so hard to be funny with them, especially Duean. I don't know if this is just a cultural difference but I have seen a lot of Thai content and while some of the humour goes over my head sometimes this is just a lot to take. Although the majority of the age demographic of BL fans may be young, the character himself was in his twenties and he was behaving like a pre-teen which was so annoying. The characters themselves matched okay I guess, I have some complaints but whatever. But it was so juevenile which did get seriously irritating.

The acting was variable. Because I didn't like most of the script I will say the acting may have been better with a better script but here we go. Pond (Mork) and Louis (Meen) had believable acting. Their acting was fine. They did a good enough job with characters that were written to be pretty one dimensional. Phuwin (Pi) is not made for acting insecure in my opinion tbh. He kept overacting the insecurities and shyness. Now, I am a naturally shy person and was incredibly insecure as a teen so there was some relatability for me honestly. But when you are shy and insecure, you hide. You try to take up as little space as possible. He sort of had the shy persona down sometimes but other times it was just overdone. I could tell he was acting. And in some intimate scenes between Mork and Pi both actors were awkward which added to the already mediocre script in terms of being unbelievable. As for Neo (Duean) it was overacting 101. I don't know if this was due to his acting, the script, the directing or whatever but it was too much. Just way too much. It was a character you would never meet in real life. So yeah.

I don't love that a makeover happened, but I do like the fact that Mork liked Pi before. Wasn't like he had some dumb realisation later or anything.

I wish I enjoyed this. It really could have been good. But it was too nonsensical to be funny and too soulless to be romantic. The characters were largely too one dimensional to be believable and everything fell apart after that really. The plot wasn't character driven it just sort of happened because someone said it should, which is not good writing.

One other (relatively small) pet peeve is the fact that three brothers from one family are all gay. Like, why? C'mon now people. Not saying it's impossible but it's just a little hard to believe. Especially when added to the fact that the two younger brothers both have love interests who are themselves brothers with each other. Okay, whatever.

The fans were annoying and overacted. They were not funny. They were toxic but there was no analysis of why they are being toxic and there was no arc where that behaviour changes (which it should and would have been satisfying to watch).

At the end of the day I would not recommend this series to be very frank. There are far better series out there. This one is an acceptable idea with poor execution.

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Why did I watch this? I do not know...

This drama has some good moments, and times that kept me interested, especially the historical versions of the leads who at first offered great balancce between the old and the new until the villain started getting exposed and it pretty much went down hill from there... as the drama goes a bit like this:

Bam a lot going on Meeh... confusion flashback... sloow....confusion m nothing to see here cliffhanger... meeh... flasback to cliffhanger... meeh cliffhanger... flashback... cliffhanger... wtf... meh oh come on... cliffhanger... confusion , oh well... so you are going with that trope... flashbak meh... cliffhanger...flashbak confusion.

Our male lead has several interesting personalities but is mostly a look I can say a lot of words with a tone of old autoraty meets wimpey,..

our female lead has 0 self esteem and has more changes of heart than a top thorax surgeon in a transplant centre preforms...

At times I wonder if the actors smiles are acting or if they are smiles of shame... the type born out of the feeling of "do I really have to say these cringy lines"

The kisses and chemestry between the leads are as explosive as a matchbox cought in the rain.

Her friend is annoying as ***** *** ****

But the ex girlfriend has some kind of crazy charm I guess.

The villain has this horrible supposed to be creepy voice that is just ridiculous in every single way possible... But I made it all the way through this. And for that I deserve a badge, pat on the back or an intervention telling me to drop stuff more frequently.

The high score is for the past and the slightly interesting story... that could have been good if only they made the characters more interesting.. and cut out a bunch of stuff... Also these actors can do better, I have seen them do a lot better!

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Not awful, but a disappointment.

On the positive side, the cast is really good, especially the side characters, but Prem is surprising at times and can be really affecting. I guess it's not really surprising given how much presence he had in My Only 12%. Tae Weerapat is both adorable and sexy as the bumbling Bee, Yacht and O are a great pairing, and I even like Manow's romance.

But there are two central issues. The main one is that they've taken a side couple that had 20 minutes total screentime in a previous series and stretched it out to twelve episodes, and for that to work, you have to add plot and character elements to the central pair, or you end up with a dull, repetitive, boring mess. How many times do we have to watch the flashback of Team's friend drowning? For that matter, do we need two flashbacks of every scene? If it's about something that happened at least an episode ago, fine - but sometimes it's the previous scene. If the actors can't convey to us what they're feeling about the previous scene without a flashback, you either need better actors or to trust the actors you have (it's the latter in this case).

And this problem intensifies the other one: Win & Team's relationship is icky. They don't interact as boyfriends, they interact as parent and child. Team is infantilized to the point that it's hard to see him as a man, or even an older boy - he's a small child, who needs protection from everything and constant guidance from his "dad". A power imbalance in a relationship is fine, but this is way too extreme, and not sexy, it's just creepy. The power imbalance is hot when it's physical/sexual. When it's emotional to this degree, it's disturbing.

And as if Team isn't infantilized enough, he actually sleeps between his parents in their bed. I half-expected him to breast-feed, especially as there had been a lot of cow/calf comparisons in their scenes.

I come away from it feeling like Team needs serious psychiatric help. He has two kind and loving parents, but still seeks a parental figure in a lover - he behaves like a sexually abused child. His dad seems sweet, but I'm keeping my eye on him.

There's a scene (which was one of the best in the series) where Team and the mother of his dead friend are processing their grief at a grave, and Prem plays this perfectly, showing just the right amount of grief - tears without wailing, like an adult. But then this is destroyed by him calling Win for help, wailing like a child, and he sits in the rain at a gravesite for TWO HOURS waiting for Win to come rescue him, when his actual parents are a few blocks away. This is supposed to be romantic, but it makes my skin crawl. His friend died over ten years ago when he was 8. Come on. You can still feel grief and guilt, but if you're that incapacitated you need mental health treatment.

The end result is that I end up hitting the +10 seconds button repeatedly through their scenes (you only need one second in ten to grasp it all. Actually you need 0 seconds in ten because all their scenes are the same) to get to the other much more interesting relationships.

This series is a real disappointment - I remember how much I liked them and what a refreshing respite they were in Cry Babies and Their Talking Mannequins (Sorry. I was that one guy who didn't like UWMA.)

A highlight for me was Tul & Wan, who for me stole every scene they were in - both of them were able to create fully realized and consistent characters with very little screentime, and their conclusion, which was quite sudden, worked. Because we'd seen Wan's desperate loneliness and frustration & repression throughout the series, when Tul came on to him, you could see his natural defenses try to fall into place, until a lifetime of pent-up need blasted them like the walls of Jericho. He still did the planking-sex, but at least there was some real heat between them.

Minor points: It was nice to see Fluke's hair non-mutilated by whatever sadist was styling it in Sunshine Night. Someone spiked Santa's Refreshing Tea Drink with cocaine - but it worked and I enjoyed him. Art is so beautiful it hurts to look at him and it's a crime only Aam uses him as a leading man. I love that Tae has a "dad bod" instead of the usual seme's chisled abs and pecs - he's not pefect but very sexy. Boun's hair isn't long enough to tie up and I don't like it. He looks so good when it's down.

Why do Thais allow anyone anywhere near a swimming pool? We already know water in Thailand is deadly since your chances of getting a debilitating fever if rain touches you is 100%. Your chances of drowning are 90%. That's one of the reasons why Team's past didn't really move me. If you drown within 30 seconds of entering a pool, maybe you're not supposed to live.

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In spite of all the horror and struggle for survival, there is still room for the heart note

"All of Us Are Dead" isn't specific to South Korean culture, but it's not surprising that the story was born on South Korean soil... The story picks up on the sheer horror that South Korean youth are exposed to in the face of their brutal educational system. There, the enormous pressure to perform is higher than almost anywhere else in the world. For some, bullying is one way to reduce stress. The bullied, in turn, are doubly stressed. Other options include withdrawal, drugs, or suicide. South Korean society is largely blind and/or helpless in the face of this. The pressure to perform and, in this context, the psychological suffering of young people seems to be without alternative in view of the nationwide (and worldwide, economic) competition - a price that society has to pay in view of the greater good. And with that, the youngsters are left alone to somehow survive in this merciless world. However, this applies (perhaps not so blatantly) in a similar way to young people in many countries around the world.

This is where "All of Us Are Dead" comes in its impressive and striking way.

The original title is something like "Currently at our school", so the focus is actually on the school and their students. In fact, the horror of everyday school life, which is more existential for some and less existential for others, mutates into a horror for everyone. A troubled father wants to create a way for his suicidal son to finally stand up to his bullies. The experiment goes astray. The vicious, zombie-like virus is sweeping the entire city and beyond. Disaster control, state of emergency, martial law - the whole program is needed to get the situation under control. And here, again, the young people are left alone in their existential need.

The story telling and expression of various group and relationship dynamics between the young people represent high-end KDrama quality - intense, powerful, sensitive, excellent. Almost everything is on the table. For me, this is the strength of this KDrama and the reason why worth watching.

Besides the problems, dynamics and approaches of trying to 'master' the threatening epidemic somehow sums up what we have had to go through worldwide in the past 2 years marked by Covid. When the rules are overridden, individuals (those who happen to have something to say) rule against the backdrop of their (helpless) personalities - arbitrary or scientifically based, rational or irrational, mostly driven by fear and from a safe distance and/or on the (argumentatively) safe side. Then real quick nobody takes side of individuals anymore, the big picture being more important...

Seen in this way, "All of Us Are Dead" is a qualitatively demanding KDrama in several respects. In spite of all the horror and struggle for survival, there is still room for the heart note.

However, I would like to emphasize that the virus is turning people into flesh-eating zombies. So the abundance of screaming, rattling, biting, blood-smeared zombie scenes, which simply lack any aesthetics for the eye and ear, is part of the story, too. In general this drama is brutal. This is obviously very popular in the international zeitgeist and thus (being published on the international netflix platform) stagily staged. I would say, brutal details and zombie-screentime could definitely have been less prevailing (in order to still tell the story).

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The second instalment of HIStory3 for this year is a regressive detour into fan service that has neither the coherence nor the charm of previous storylines.

One thing I usually say about the HIStory series is that it does good queer stories even if it doesn't do other things right. But Make Our Days Count is not working for me at all. Which is a shame because I was looking forward to it a great deal. However nothing can hide the fact the show is badly written, poorly characterised and has nothing to say.

This story about popular and oblivious Xiang Hao Ting who falls for the studious and impoverished highschool student, Yu Xi Gu, (whom he used to bully) seems regressive - annoyingly so. HIStory1 was little but cliched Fujoshi baiting and I have been enjoying how the series has been maturing and evolving through HIStory2 and then HIStory3: Trapped, which for all its many many many many flaws was ambitious storytelling with mature leads.

Not that my issue is with the highschool setting itself but with the awful seme-uke "gay for you" nature of the main relationship and its associated stalking, harassment and abuse. I felt like the first few episodes were basically a relationship post on the "Am I The Asshole" reddit (with the overwhelming responses agreeing that yes, you are the asshole).

I feel so sorry for Xi Gu who just wants to work and study and has this succession of classmates harass, bully, assault, stalk, abuse and finally sexually harass him. Also I have no idea when or why our male lead suddenly decided he liked him; the switch happened suddenly and without much preamble. The romance essentially came out of nowhere and, while I could believe that Meng Shao Fei's pursuit of Tang Yi could easily become a romantic pursuit, a bully swapping relentless harassment for wooing does not work as well. It's no surprise that Xi Gu assumes that the sudden sexual element to the harassment is merely a new ploy by the boy who has been torturing him.

Of course the other relationship is just as bad, with an older man, Lu Zhi Gang, dating a highschool student, Sun Bo Xiang . One particularly revealing (and slightly gross conversation) involves the older man denying he has a romantic interest in Xi Gu because he's far far too young - despite him being the exact age as his boyfriend. No one - even the writers who put that dialogue on the page - seem to have noticed the problem here. Bo Xiang (played with a great deal of charm and nuance by Wilson Lui, who impresses me weekly) is a physical and emotional child, treated frequently like a toddler by his so-called boyfriend . To make the whole thing worse, the writers inserted an unnecessarily graphic sex scene (unprotected sex, even!) between the two of them that, again, felt like fan service rather than a genuine narrative development.

I could argue that the relationship in HIStory2: Right or Wrong was equally as disturbing but there I felt like the show was saying something and had put some thought into the characters and the relationship. The whole thing was both wrong but also quite romantic and it was up to the audience to work out where the line was and whether they were fine with it or not.

I honestly feel like this iteration of HIStory3 was written to a formula containing things people liked about previous HIStory stories and BL generally. They don't have anything to say, they just pulled elements together as fan service. There is nothing that subtle or interesting about it. It's a copy and paste job that celebrates the worst of BL while romanticising harassment.

Worse than that, "gay for you" as a plot device has a tendency to whitewash homosexuality out of the picture, something that's both ironic and frustrating in a series that's supposed to be dedicated to queer romance stories. Writing gay love stories without the gay may be a standard element of Yaoi but that doesn't mean we're not supposed to be evolving past that. And this is where I see this series as mere Fujoshi baiting. And that is a depressingly regressive move from these particular writers.

The ending

This review has been updated following the final episode to make a spoiler-free comment about the ending. It kind of goes like this: OMFG!! No, just no. Watching this show is like watching someone dig a hole and every time you think it's as deep as it can go it turns out it can plumb new depths. Even people who liked this terrible drama hated this ending. Ponder that one for a moment.

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I am hooked

Another new concept ✨️, I am so happy that I am starting my new year with an amazing drama.

This is the story of two parallel worlds, both of them were a couple but for some reason they were separated and forgot each others memories. But one day the ML ( Played by Boss ) suddenly recalled some nostalgic memories about him and the MC ( Played by Noeul ) and was trying to fix everything.

This drama is going to be a masterpiece definitely, their acting skills are improving day by day , most healthiest part is the supportive friends of both ML & MC , they are like " I can do anything for my friend " . Cinematography is chef's kiss 💋, the way they are portraying their characters, is definitely outstanding 👌

No more talking, just try one episode, you will understand.

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I really thought Idol Romance finally made a good show

After the first two episodes, I thought this show was going to be good. I thought "Wow, Idol Romance finally learned from their mistakes", but immediately after episodes 3 and 4, I realized that they hadn't. The only thing I liked about this show was Eun Gyu, but more on that later.

The story was just boring. Nothing happened. In the span of 8 episodes, not a single thing happened. The whole show can be boiled down to this: a new guy joins a restaurant and creates an overly dramatic love triangle that would never happen in real life. I don't understand who green-lit this script. It could've had the potential with a different storyline than just another love triangle. I do admit, Hae Won and Eun Gyu did have decent chemistry. The actors did their scenes nicely. But what was seriously lacking was some development in that relationship. And the fact that Ji Soo and Eun Gyu got into such a dramatic argument about a guy they'd known for a month, despite their 15 years of friendship, seriously annoyed me as a viewer. There was so much backstory between those two friends that never got unpacked, other than maybe 5 minutes across all episodes that just dropped bombshells of information on us.

Along with the story, the characters just bothered me in so many ways. All of them. They were all poorly written. This is no hatred towards the actors, by the way. But I don't get why all the characters were so childish when they were all at least in their twenties. Why did they all start acting so fussy just because of some new handsome guy joining? Ji Soo was just a very uncomfortable character in the weird way he forced himself upon Hae Won, but Hae Won was also annoyingly naive. And I didn't understand what the real function of Ha Jin and Joo Seo Hyuk was. They were just kind of there.

I hate critiquing acting because I know I'll never be able to perform the same way, but the acting in this show was not that great. The only actor whom I genuinely thought was good was the actor playing Eun Gyu. The guy playing Ji Soo was also good at times, but it was Eun Gyu who carried the show acting-wise. I hope to see him act in other shows after this because he really has talent.

Overall, no, I did not like the show. And I honestly don't recommend it to anyone. I think you'll only like this show if you swallow *anything* related to BL. But this show was just not good. I would've dropped this show if it weren't for being so short.

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Multi-layered plot, strong acting & perfectly tailored with minimalist aesthetic, up to the OST

Complete memory gap after too much alcohol - a wonderfully promising step stone for a gripping, solid, emotionally complex (psychological) crime thriller in the high-end segment. "Black Out - Snow White Must Die" is the multi-layered dramaturgical documentation of the protagonist's desperate urge to remember that particular night, that he´s bond to since then.

Life with such a drastic memory gap may be difficult enough, yet even more difficult to digest could become what emerges while looking behind shiny facades. "Black Out" is, so to speak, a study about human chasm that lurk and seduce even behind the cleanest of vestments. And then it is also a solid, multi-layered, gripping crime thriller in KDrama format. Just great.

It is based on the 4th volume of the Bodenstein-Kirchhoff series by the German writer Nele Neuhaus from 2010: “Snow White Must Die”. The setting is not the Taunus, but an inconspicuous town in the wider area around Seoul. The scenario works just as well there.

Strong acting and perfectly tailored with minimalist aesthetic, right up to the OST.

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Average drama with an unlikely premise and a dumbfounding conclusion.

This drama had a lot going for it--strong cast, good production values, "romance" in the title--except a script. FL Son Na Eun with her glorious scowl/RBF and mom Kim Jee Soo were the most engaging characters, but they didn't have much to work with.

Most of the other (negative) reviews focus on the absurd premise of a hapless father abandoning his wife and two small children after going bankrupt and leaving them destitute, only to return 10 years (or more?) later with a pile of sketchy money and a not very well thought out plan to win their hearts back. But as bad as that is, it isn't even the worst aspect of the plot, which is the almost stupifying "I don't need no man to make me happy" conclusion. But who could blame them? In the almost complete absence of any redeemable male characters in the whole drama, the two principal female characters decide that they are better off/happy living alone. The icing on the cake comes when the young FL asserts she is happy continuing to live her celibate lifestyle and has absolutely no intention of ever getting married--despite her supposedly wonderful relationship with her nice guy boyfriend. (I wonder if she consulted him about this...) The writer even had the temerity to throw in a reference to South Korea's lowest in the world .78 birth rate in the same scene. And this was a "romance"? Mind blown.

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