Reviews

5 brilliant episodes

The good:

-this is a drama with an important topic and for about 5 episodes it was more than brilliant. Lee You-mi's performance alone was so outstanding as victim of heavy domestic abuse, I really hope she gets every award possible for the role.

-for the first half, the drama managed to capture the fear and emotional extreme situation of victims of domestic violence - and for a change (which was good!) it showed that domestic violence is not only happening in low income, low background areas (how it is depicted most often) but also in high society, where abusers use their power and money to cover up their crimes easily.

-some things were shown very realistically- for example that Cho Eun-su, herself traumatised by a violent father figure in her childhood, could do any sort of artificial self-defence training as much as she wants, when the actual real danger situation occurs with a very violent real attacker, who is much stronger than her, she has no chance to fight him for many reasons. That's an important lesson for women if you want to learn how you might really have a chance defending yourself against a real attack - and it's none of the artificial fight sport trainings, as they are that - artificial, with opponents who only do a certain set of artificial attacks and moves, and stop when it starts hurting.


the bad:

- from episode 5 on many things didn't make any logical sense anymore and logic was thrown out the window for the sake of creating cliffhanger situations and thriller elements by the writers.

-it didn't make any sense that Jang Gang looked exactly ( as in more a clone than a twin) like No Jin Pyo - and on top, he is in the very same area of Seoul AND for a very strange resaon to start with Cho Eun-Su sees this very identical person while trying to retrieve a stolen luxury watch. Propabilities for this are simply zero. As for the character of Jang Gang, they could at least have worked with small prostetics, like changing his (veeeery distinctive!) ear shape and giving him false teeth. A character like Jang Gang with his background does certainly NOT have super white, straight perfect clean Hollywood teeth. As he is shown as a heavy smoker and with a criminal street past, he would not have these perfect teeth at this age in any universe.

-While, as always, Jang Seung-jo delivered an excellent performance in both roles, the figure of Jang Gang didn't make any realistic sense to me. The switch from being a submissive, quiet, stuttering low job worker to full blown, crazy laughing psycho? (And this crazy laughter was stolen from 'my name' genius psycho role Do Kang-jae by the way) Nah, sorry. If that guy had been that kind of uncontrolled psychopath, he wouldn't have worked for a long time for Jin So-beak before and he wouldn't have stayed hidden and low profile in general. Also he really did have a family (wife and child) in Shanghai as can be seen in the airport footage shown, so he comes back to threaten Hui-su and his whole demeanor changed? Nah, someone like that, if he would go back to blackmail her for more money, he would act at least normal to stay low and get the money - like he did before. To act out like a crazy person in the middle of the city doesn't make sense and was just written like that to create a fear and danger situation for the two women.

-Also factual mistakes began to show - when Jang-Gang comes back to threaten Hui-su, while he does have the dead man's phone, why would he suddenly have the door passcode to the appartment? If so, he would also have the pass code to the safe. So again, this situation of Hui-su hearing the beeping code of the door and a man just entering her place was just written to create horror and fear, but without brain, as the guy wouldn't have had the pass code.

-While Jin So-beak was a fantastic character for himself, his connection and will to risk his own life, business, everything for the two women didn't make sense either? Why would he do that? Was he attracted to Eun-su from the start? Well, after a while, honestly, nothing came of it, so in reality, a guy like him would simply have lost interest in her and her situation. The drama never explains his motivation to any degree that would make sense of his actions. The fact that 20 years ago he lost his son (something he and Hui-su have kind of in common but he finds out very late anyways) was not a motivation for all he did then.

-the police sister of the villain - didn't make sense in many situations either. So what position did she actually have as an officer? How is it possible she can spend almost all her work time alone (and not with at least one colleague) doing all the things she does? That wasn't realistic at all.

- my biggest problem comes in the end: so, to give this ( as it is a Netflix production after all) a forced moral message, they ruined the end for me. Both women admit to their crime, give apologetic and 'wise' statements in court - and don't even tell the truth? The truth was, yes, they had PLANNED to kill a man, but, (which was realistic) he found out about that plan, and what actually happened was that HE attacked both women brutally and was about to actually kill Eun-su, when Hui-su, in actual SELF-DEFENSE! - killed him to prevent him from killing her friend. In every normal universe, a defense lawyer would have brought this up and followed on it to reach a not guilty-verdict - and it would have been the truth! Instead they create this Kindergarten-morality, and Hui-su saying she killed her husband?

-And it gets worse! Eun-so has her turn too to tell the jury how 'guilty' she is - and says something I find highly problematic. She actually blames herself in retrospective, as in when she was a very small child and had to endure her violent father beating and abusing her mother- and she says and implies that little children are at fault for reacting with ignoring such situations when they are over? NO! Little children NEVER have ANY fault in howEVER they react to such super traumatic situations! It is a very wrong, and dangerous message to tell any victim of also former domestic abuse, that it was in any way their fault when they were just small children.



Result:

Stellar acting performances, especially by Lee-You-mi, a good start of a storyline with a very important topic.
Sadly for the sake of creating thriller and tension elements, the writers threw logic out of the window in many scenes from episode 5 on.
While this would have had great potential for important messaging to try to enable and encourage victims of domestic abuse to at least try and get help, they ruin this message in the end by letting the two women repent like sinners and give off messaging that is the opposite of encouragement.

And yes, I get it, they can't end such a story on the note that the women get away completely unbothered because they would probably get legal trouble concering encouraging people to kill their violent spouses.
But they would have had a chance to show that even IF the women get to court, they CAN get a good defense lawyer who, in such crass cases of abuse and a killing in self-defense, (maybe even adding temporary insanity due to not only her own life being in acute danger, but also her having to watch her abuser killing her best friend and life anchor) could have reached an acquittal instead of a prison sentence.

Acting and idea 10 - storyline decline and very questionable messaging 3. - I'd still give it a 6 because of the partly very good acting performances.

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It gets to a point

I want to start this rant review by saying that, if A Dream Within a Dream (or alternatively, Everyone Hates Nan Heng) was trying to rage-bait me, then it has successfully completed its task, because I haven’t written a drama review in almost a year, but this one made me do it.

The premise is interesting: Song Xiaoyu, an unsuccessful actress, gets a leading role next to an A-List celebrity (Nan Feng), but her character is only a pawn to the male lead in a terrible script. She then gets sucked into the story and decides to be as far away as possible from the “God of War” male lead. Though it doesn’t sound too ground breaking, the first episode and its satirical tone of the chinese drama industry immediately caught my attention. The first few episodes were good (although a bit too corny for my taste), but it didn’t take too long for it to go downhill, and fast.

Which brings me to the first (of many) fatal flaw, the female lead of this story. I absolutely despised Song Yimeng’s character. She is supposed to be the only “real” person in a world full of fictional characters, yet somehow acts the most caricature-like absurdly of them all. Her behavior is erratic to the point of being nonsensical. She is terrified of Nan Heng one minute, pitying him the next, overconfident in between, then suddenly in love with him (?). There is no arc here, just emotional whiplash.

Also, how do you go from repeatedly dying in a scripted world without fear to suddenly being terrified of death after your situation changes slightly? The fear itself makes sense, you could argue that, since the situation has changed, she can’t be completely certain a new death scene will result in her restarting the story, but she never has a thought process that leads to this conclusion and explains her fears. And never, not once does she seriously think about going back to her real life? She’s constantly stressed and in danger, yet seems perfectly content to remain in this fictional world just because she has money and a fake family.

Speaking of which, her family dynamics? Barely explored. She immediately latches onto her fictional family without any organic development. Why not let us see those bonds form over time, rather than expecting us to care just because you told us to?

The drama tries to critique the tropes of male-centric stories where female leads exist only to further the male protagonist’s journey. But then it... becomes that exact thing. Nan Heng and Li Shiliu dominate the screen. SYM might be the protagonist, but she spends most of the drama reacting, acting ridiculously, or even, especially during the middle part of the story, off-screen. She doesn’t grow. Even by episode 27, she’s still stuck on the idea that the script is unchangeable. No progress. No inner transformation. Just a tragic family backstory shoved in way too late in a failed attempt at emotional depth and a sense of clarity that comes out of nowhere towards the end of the story that can only be described as reaching Nirvana because she saw Nan Heng mounted on a fake pegasus and dressed in white.

And then, of course, the plot holes. So many. It genuinely feels like they filmed the first draft of the script with no revisions. Characters reach conclusions instantly, they contradict themselves within minutes. Basic logic? Missing. I could list a dozen examples, but here’s the one that broke me: when Song Yimeng, Chu Guihong, and Li Shiliu are “working together”, Nan Heng (disguised as LSL) denies any alliance with the Seventh Prince and even joins a plot to assassinate himself (which, honestly, I found pretty funny). But just a few episodes later, he’s throwing a banquet at Waning River Crescent as Nan Heng, casually walking around with Shangguan He. Subtlety? Never heard of it. And naturally, no one notices, because everyone in this drama is, tragically, an idiot.

As for overall character development. There was close to none. SYM, as mentioned previously, had no character development arc, NH was perfect from the beginning (the viewer just didn’t know about it), the emperor turned a switch and went from hating his son to loving him. As for Chu Guihong, I, innocently, thought that he would have the most interesting character arc, becoming a villain and all, but it just ends up being so incredibly exaggerated and nonsensical, I can't even say I liked that.

Then there's Song Yiting. At first I disliked her because she was annoying (which, fair, so am I), but this woman is vile. She's a predator who attempts to s*x**lly assault Li Shiliu under the pretense of wanting to “ruin her marriage prospects”. There is no gray area here. She drugs a man to force him into s*x and the show barely blinks. I could talk a lot more about this, but choose not to in order to protect my own sanity.

And if all of thatr wasn’t already enough, here enters the Scriptwriter character, who shows up, becomes a moustache-twirling-top-hat-wearing cartoon villain and then ends up helping the protagonists. Just like SYM, no real person attributes, just absolute idiocracy.

I know I have done nothing but complain, but (shockingly) there were things I liked.

The soundtrack, for one, is mostly great. Unfortunately, most of the good tracks are tied to Li Shiliu, and once he’s gone, so is the music. But during his scenes, the audio experience was really good.

The drama was indeed funny. There were many moments in which I caught myself actually laughing out loud at scenes, so I have to give credit where it’s due.

As for Nan Heng, shockingly, I enjoyed his character, for the most part. He carried more emotional nuance than expected and managed to steal the spotlight from the actual female lead, Song Yimeng, in what is supposedly her breaking-the-cycle-of-female-lead-being-a-device-to-the-male-lead story. Ironically, a drama that seems to critique the sidelining of female leads ends up doing exactly that, SYM becomes more of a supporting character halfway through the show.

Well, in conclusion, powering through this drama was like when you drive past a car crash. Horrifying, and yet somehow impossible to look away from precisely because it is so terrible.

Come to think of it, the acting, costumes, setting, and soundtrack all range from at least average to genuinely great. Production value isn’t the issue, the script is, and unfortunately, without solid writing, even the most stunning production falls flat.

A Dream Within a Dream starts off promising, dynamic, and almost clever. But it quickly devolves into a bloated mess of half-baked character arcs and lazy plotting (it seems that the writers wanted things to happen and characters to develop thoughts, but were too lazy to do the DEVELOPING part, and just threw the action into the screen). The very clichés it claims to satirize, it ends up indulging in.

If the goal was to criticize bad storytelling, maybe they should’ve tried writing a good one first.

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The Inferno ran out of fuel

This season of Single's Inferno was a whole mess, and if I had to sum it up in eight words, it'd be: Tarzan & Jane: A Dumpster Fire in Hell. The show's attempts at forcing drama and romance were cringeworthy, and the cast was just...meh. The whole thing was a skippable snooze-fest and that’s putting it lightly. Netflix has officially driven Single’s Inferno into the ground, and Season 4 is the flaming wreckage. What started as a mildly entertaining dating show has devolved into a predictable, lazy mess where one contestant hoards all the attention while everyone else fades into irrelevance.

This season’s culprit? Sian, the show’s leading lady, who spent ten episodes collecting male validation like Infinity Stones, culminating in a finale where three men lined up to get their hearts stomped on for the privilege of losing to Junseo—the human embodiment of the Cart Titan.

Let’s talk about Junseo. Every interaction was a performance, from the unnecessary back-and-forth with Minseol (as if he’d ever pick her) to the grand finale where he slung Sian over his shoulder like he was Tarzan reclaiming Jane. His entire existence was exhausting, yet somehow, Sian was enthralled. She didn’t want stability, sincerity, or basic respect…. hell no, she wanted someone who’d play mind games with her for ten episodes straight. And she got exactly that.

Meanwhile, the actual interesting contestants: You Jin, Hae Lin, and Min Seol barely got any fucking screen time because the producers were too busy shoving ‘the Sian show’ down our throats. The editing was trash, the pacing was horrific, and it was obvious Netflix has no idea what the hell they were doing. Instead of genuine connections, we got the same old and haggard love triangle formula dragged out like a bad K-drama. The way they were expected to choose people based on looks alone and like a 5 minute conversation pissed me off.

The best part of S4 was Theo, the greenest flag of all the guys and You Jin, the most bubby down to earth girl from the women. They are the reason why I’m giving this show 2 stars because they at least gave me something to look forward to and had me rooting for them even though both were so overlooked.

Lowkey, this season's panel was better than the others, but Dex needed to ditch them and get back to the inferno immediately! Ji Yeon deserved better than what she got like it was so obvious her and Tae Hwan were not compatible. I honestly would’ve liked it more if she turned him down at the end. And, tbh, the wild card men should've all stayed - what was the point of that whole thing, anyway? Jonghoon was hella bland and much too relaxed for my liking. Bro was just there for free vacation like Habin from season 3. He literally put in zero effort, and that "relationship" with Hyejin? Forced, fake, and chemless. Same energy with Jiyeon and Taehwan - I called it from day one, they had zero sparks.

This season was TRASH, and the fact they're making a S5?! HELL NO!!!! WE DO NOT WANT IT!!!!

At this point, it’s clear the show is beyond saving unless they bring in regular people instead of these performative plastic diva’s and lazy ass men. Bro the way they need men who actually try instead of them sitting around waiting for women to chase them. Like, I could try to understand if these men thought they were some prize or were super fine, but that wasn’t the case this season. They were all so unbelievably MID. The most decent looking guy to me was honestly Theo or Dongho. Every single one of them was mid compared to the Season 1 and Season 2 cast. It’s safe to say Single’s Inferno’s flame has officially burnt out.

This franchise needs to die expeditiously!

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Why did I even bother?

Usually hate-watching means the show is so bad it’s actually entertaining. Here, it’s just bad, with the characters so annoying it’s hard to find someone to root for. Truth to be told, if I knew the ending before I started the show, I would not bother with watching at all. I was intrigued by the interesting beginning, and not smart enough to leave when I saw the first red flags warning me, this leads to nothing good. One could say I’m Na Bi, and this show was Jae Eon - leaving me angry, annoyed, frustrated and exhausted.

What seemed like a promising portrayal of a toxic relationship, ended as nothing more than another angsty young adult love story, that is even more pretentious than I could ever expect it to be. When in fact, it’s just fancy trash with pretty actors in it.

The main plot is the relationship between Na Bi and Jae Eon. Here’s the thing though - the relationship makes no sense. At first it’s presented as a strong sexual attraction, but it never really moves to anything more. Whenever the writer tried to incorporate any strong feelings from either female or male lead, it made no sense. What are these feelings even based on? By episode 4, the main romance became extremely repetitive and boring. How many times can we see Na Bi cry and Jae Eon be a jerk?

Na Bi was just painful to watch. By the end of the show I felt like she literally learned nothing. There was no development and no progress. The moment I saw some change, she took a U-turn into a crying mess.

Jae Eon was one dimensional and an empty shell. Don’t know what the writer was thinking, but you cannot develop something that does not exist. Giving him a last minute character development, when from the start he had no character or personality was a miracle in itself.

Bit Na and Gyu Hyun were more fun to watch, since both characters were stronger and had more of prominent personalities, but even they ended up on the rather shallow note. While they could have addressed some more interesting ideas about relationships and be a good mirror to Na Bi and Jae Eon’s relationship, the writer left me with little discussion and no real conclusion.

The only couple I truly did enjoy watching was Min Young and Kyung Jun. They were funny, sweet and relatable in all the best and heartwarming ways.

Except for them, there are exactly two things that Nevertheless, did well - LGBT representation and the amazing soundtrack.

While we’ve gotten more and more gay relationships in k-dramas lately, rarely ever we see lesbians presented in any way. At best it’s vaguely suggested or mentioned as a “personality trait”. It’s good to see a side story that truly explores the romance between two girls, and how they both deal with growing feelings. Sadly for me, I could not enjoy their ploy, since I could not stand Ji Wan as a character.

No matter how much I might dislike Nevertheless, the soundtrack is full of amazing bops. I listen to Butterfly and Love Me Like That daily - some of my favorite songs from 2021.

Overall, I could easily write a whole essay on why this show was basically a writing failure, but I honestly do not want to waste any more precious minutes of my life on this title. Let it die on my completed list, never to be visited again.

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It's cute but repetitive

When this started, I loved it - the characters are interesting, with Aoki having cute freakouts and Ida being this sexy clueless overserious guy, and a series of misunderstandings cause them to accidentally draw together, and not the usual way where one trips and the other catches him and they stare at each other until they turn gay.

But then it bogs down into an endless cycle of very similar breakdowns in communication that reduces the story to running in circles to prevent the couple from getting together. The problem is that the crises are all so similar that I lost all sympathy for Aoki and wanted Ida to find someone less mentally unstable, and frankly stopped caring about whether or not they'd end up together. Either way would have been equally fine to me. I was actually more invested in the straight couple, which at least had a progression in their relationship.

TBH, the avoidance of affection starts to feel homophobic - I realize this is aimed at younger audiences, but similar stories with a straight pair don't have the same pathological aversion to depicting romantic interaction.

The quality of the production is high, the dialogue is cute, the acting is excellent, and the music is fine, if not particularly notable. I can't imagine rewatching any of it, since it already feels like I watched the same episode ten times. I'd recommend it if you like cuteness, but not if you think romance should be more than holding hands for about 10 seconds.

Story: 6 - too repetitive, although the starting premise is clever and the first few episodes are really engaging.
Acting: 9 - very good all around.
Music: 7 - it's appropriate and never annoying, but there's nothing extraordinary about it.
Rewatch: 5 - I doubt I'd rewatch it, although I might want to go back and stare at Ida and listen to him speak.
Overall: 7.5 - the "suggested" rating is lower, but I don't think it deserves less than a "C". It was cute and well-done, but it's just not memorable and I'll likely forget about it fairly quickly.

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How's the story: does it exist? I don't think so,

Jung Jin Soo is creepy, monsters are funny (literally), Min Hye Jin is reckless but cool (But what's the use?), Kyung Hoon is... wait what's his role? lol. My brother is annoying, Oops sorry this is unrelated. Well, so is the show apparently.

"When one person suffers from delusions, we call it a mental illness. When the society suffers from them, we call it being normal." -Anonymous

One of the few things done right is the portrayal of society and its mindset lol... I'd rather won't comment on how religious things are shown... but the whole setup of how people (normal people not the crazy dudes) think... was relatable.

For 50×6=300min (approx), I was staring at my laptop screen, was legit for nothing coz this drama is just so random. Some random characters with some random backstories, with their random purpose put together and bunch of super annoying characters are thrown...wait, that explains poster well. Drama ends up being a hot mess that doesn't serve justice to anything, anyone... characters, actors-their acting.

I'm curious what's the writer trying to show actually...Story is like some scattered pieces joined together without giving proper time to explore any character well. I didn't the webtoon to I've no idea abt the background story.. but just judging from the drama. It lacks in many ways, it's confusing, writing just sucks, editing is choppy, the whole cult thing is crazy, why some characters exist... then they just vanish in a thin air. Other than Jung Jin Soo's purpose everything has loose ends, should I call it a Netflix thing so they can create seasons per season.

I do not have a problem with bad CGI even though it made me laugh at the monsters... they legit look funny, or even cinematography. They can have a small budget it's understandable... but what's wrong with lighting? Okay, I get that Netflix is been trying this for a while now... making dark lighting and cinematography to suit the theme of thrillers, but that doesn't mean it should be this bad that I had to check the brightness of my device two times. With bad color grading, it's weirdly dark.

The acting is spot on. Yoo Ah In legit gave me chills... but he doesn't look himself and if he's the sole reason if you want to watch the whole thing, you'll be disappointed he's dangling carrot. I appreciate Kim Hyun Joo's performance too. Park Jung Min and Woo Jin Ah slayed in a very small amount of screen time given.

I think the main problem with it is they just tried to do many things together is a small amount of time. Trying to put many characters... many things happening at the same time. But this season is just meant for the introduction and things are explained in later seasons... I may ignore it but right now I'm just thinking of it as an individual drama.

It doesn't have many surprising, thrilling, action factors. I didn't find it the least bit scary nor any jump-scaring moments. It's gory, disturbing at times...you might get disgusted on many occasions but I won't call it a good horror.

It doesn't bother to explain anything, just wreck your brain on your own. Nothing is impressive... nothing. I admit it's different but not in an extraordinary way. It's just normal... might be good as time pass, as I'm the least bit entertained and thrilled. I just hope the second season (if it's gonna happen) will prove me wrong and this is just a build-up for it.

Am I being harsh? yes. I should be.

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Plot who? We don't know her!

I waited impatiently for months for the series only for my excitement to be replaced with disappointment as each episode aired...

The Good:

Acting.
For a majority of these actors, this was their first ever series. Despite this, I felt that overall, the acting was extremely solid and great! Biggest props and kudos to Bible, who in my opinion was definitely the scene stealer of the show. Also BibleBuild as a pair, despite the plot line that their characters had, blew me away with the amazing chemistry and tension that they have every time they are onscreen throughout the series.

Cinematography.
This is no Korean Drama, but for a Thai BL, the cinematography is pretty great. Though towards the end of the series the quality of this did start to drop... BUT then again, the cinematography of Thai BL's in general this year have improved significantly... so having good cinematography is honestly nothing special anymore...

The Bad:

Poor Writing. Plot who? We don't know her!
I didn't know that you could take garbage (the novel) and make it even worse (the series)... but they managed to do it! LOL
I can't even begin to count the number of plot holes and "oh how convenient" moments there are throughout this series... The pacing of each episode and of the series in general is extremely off. If you really think about it (which I unfortunately did...), the story makes NO sense. ZERO. NONE. There were a lot of unnecessary scenes and things that did not need to happen and that they could have cut out of the show, but if they did that the episodes would end up being 10 minutes long LMAO

I don't understand the point of having an ensemble of 16 when you can take more than half of the characters away and there would be absolutely zero difference or change to the story/plot. Most of the characters ended up being extremely flat, 2 dimensional and have no real substance or development to them. Macau for example, who could've been used to show more of Vegas's soft/human side in the beginning, was completely disregarded. Half of Ta's screen time was him literally sleeping...

I refuse to go into an in-depth review of the couples because i'm way too sober for that right now but just know that I bought none of the relationships. And not just the romantic ones... even the sibling relationships were barely touched on or utilised to their fullest potential. It honestly upset me that the one and only scene we got of Kinn, Khun and Kim in the same frame together was in the LAST episode... and that was it... just one scene...

What is this? A comedy? A dark and toxic mafia story? Because it missed the mark on BOTH of those. Most of the jokes were super cringy, childish and did not land well at all... If you want to be dark and toxic, then BE DARK AND TOXIC. Them refusing to commit to the dark and toxic theme just made these characters feel super OOC at times.

If anything, this series just proved to me that all you need for a successful BL series is hot men who can act, good cinematography and a whole lot of unnecessary sex scenes. A good script and plot that makes sense is not needed.

In conclusion, I think that KinnPorsche is still watchable as long as you don't expect anything from the storyline/plot.

Also (very) unpopular opinion but I hope that they will just let the KinnPorsche franchise die after this because I really truly want to see these amazing actors acting in stories that are actually worthy of their talent.

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Interesting but Unmemorable

Let me start with some disclaimers because, as you'll find out, my rating for this mini-series is much lower than the majority of other reviewers/raters. Suffice it to say I have always struggled with Japanese Dramas.

I think their stories are interesting -- especially those that delve into the dark psychological aspects of human nature. However, almost all, without exception, have failed to elicit any emotion from me. For whatever reason, I often find that characters in J-Dramas fall flat. Alice in Borderland, unfortunately, is no exception.

Another important thing of note is that this review pertains only to this drama. I'm aware the story is based on a manga that I have not read, and the truth is told, I don't plan to check out. So keep in mind that I jumped into this series without knowing anything about it.

PLOT: Interesting, albeit left mostly unexplored
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The world (aka country/reality) in which this drama takes place is hands down the most interesting aspect of this series. So much so, that wanting to know more about the world and explore it through the "escape rooms" game-dynamic kept me engaged enough to finish this one in three days.

Sadly, the series had to juggle too many characters, so the world itself was left vastly unexplored. Of course, this is only the beginning and I've heard rumors of a second season, so they may simply want to keep some mysteries to resolve in the sequel. If so, I'll probably watch it in hopes of getting some answers to my numerous questions, though I won't really be holding my breath for it.

CHARACTERS: Flat and forgettable
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Rather than talk about each of the main characters, I'll talk about them as a whole, since they all share the same problem and that is... none of them are really fleshed out.

You could blame the length of the drama, certainly. But that would be a cheap excuse. These characters lack complexity and it was that alone that made me feel nothing for them. They could've all died by the end and I wouldn't have shed a single tear.

Now, there was an attempt at building emotion. But it felt superficial, rushed, and "formulaic". I knew when a character was going to be axed because we got to hear their sob story through a quick dialogue with another character.

To be frank, if you like being engaged by the characters this Drama may fall short for you. But if you don't mind simple characters we don't really "get to know", so long as the world they inhabit is interesting, then this will make a decent watch.

MALE VS FEMALE CHARACTERS: Problematic
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I want to take a moment to express a problem I have with Japanese Dramas. Mind you, I haven't tried that many... but my avoidance of them has to do precisely with the reasons I'm about to briefly delve into.

This Drama is male-centric. Meaning, male characters tend to be given more depth than female characters. As such, the drama gave almost every male character some kind of motivation which explained why they made each of their decisions.

Unfortunately, female characters were left unexplored and at times, downright untouched. Even Usagi (the FL) was stripped from giving her depth by focusing her flashbacks on her father, rather than on her own life/aspirations. There's only one female character (a transgender gal) who was given a brief but beautiful story. Her aside, though, female characters were depicted as disposable, selfish, useless, and/or simple eye-candy.

Unlike female characters, male characters were usually portrayed in a nobler way. Even minor male characters were shown willing to sacrifice themselves for other men/friends. While female characters were killed off for reasons verging on the absurd (like showing the audience the dangers of a room, for example). I don't want to add spoilers here, but if you're interested to know more, add a comment and I'll explain using the spoiler tags.

FRAMING: toxic male gaze
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The above points lead me to talk about how the Drama was directed because it's one of the most problematic areas and maybe the aspect that spoiled my enjoyment the most.

Many of the decisions here were taken with the idea that "sex sales" and, of course, most times that means female bodies will be exploited. So as the series crossed into the last quarter (when they reach the beach), a rule was set that everyone should walk around in a bathing suit to ensure "no one can hide any weapons".

The result was having most female characters walk around in small bikinis while male characters got to wear baggy trunks and shirts. The fact that they didn't march around shirtless nullified the supposed "purpose/logic" of the rule. To the point where we even see a few of these male characters taking out weapons from the back of their swimming trunks...

But perhaps more intolerable than this was a scene that involved what would've been a gang-rape had the scene not been interrupted. Luckily, the director decided not to undress the character who gets kidnapped and almost assaulted (which I believe is supposed to be an underage girl).

Yet, the entire scene still felt crass because the camera hovered over the assailant's shoulder, making the audience complicit by showing the scene from his POV instead of the victim's. The result is that sexual assault ends up portrayed as something quasi-erotic, rather than as something horrific that is happening to the victim. This didn't settle well with me, as this has been a technique I thought we'd move past with the rise of the #metoo movement...

OVERALL: On the fence
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To be honest, this one is a tough one to recommend without putting on the table all the additional notes/flaws I've pointed out in this review. I think the world is interesting enough to make this drama watchable --binge-watchable even!-- and the "escape room" games were hands-down the best part.

However, the characters are not memorable or even original. They felt cartoonish to me and ultimately unengaging. I also hated the directing and the constant "butt framing". The disparity in how the genders were handled was especially jarring, so I wouldn't recommend this one if you care about that at all.

I also think this show calls for some trigger warnings because we see: attempted gang rape, executions, and a number of shootouts that may hit close to home to someone living in the USA; as it is reminiscent of many real schools shootouts in the way they were portrayed. So keep all that in mind if you decide to watch. If any of these things trigger you, I'll recommend staying away from this one.

If, on the other hand, you don't care about these things and like watching psychological mysteries (which are constructed like anime), then you'll probably really enjoy this one.

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How to be a people pleasear | lack of romance

So sad to watch another drama where the FL is an example how to be a boxing bag, how to be a victim, how to not trust yourself at all, to be a people pleasear... the toxic life of koreans.... to be abused but to continue the contact, working with abusers. I dont understand how can be an example for young girls that whatch this kdrama.

How can you have, treat with kindness, even visit a frind that always wanted nothing for you. Bullying is a thing that koreans like so much... it become a normality to entrain.

I would have loved to see how she fights for her, how to gain self-confidence, to be in her own power, how to stand for yourself, how to speak for yourself.

The romance is absent completely.

There are some beautiful stories also and for this I give it a 5 but I don't recommend.

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Holy smokes! My mind is blown in millions of pieces.

Someone please hand Jung Kyung Ho an Oscar. It's such a shame that I never knew this actor existed. His acting messes with your mind and emotions because the way he portrays "Doc Son" no one else could have. He adds his own element of mysteriousness.

When gruesome fights and drug deals can excite you to this extent you know you got yourself something special. The action is ecstasy. When the fights start it's like you're watching something blissful.

I think the greatest thing about this show is it's realistic factor. I see realism within the characters and their pasts. There is so much complications and emotions going on that you go on the journey along with them.

Less the complications the better? Not in this case. You just want more and more of each thing whether it be complicated or messed up because it still delivers and grabs a hold of your attention.

Our OTP. Action and romance together it has the tendency to get mushy and "throw it all away for the woman." BUT not in this case. Our main lead knows the difference between professionalism and personal business. They're such a pleasure to watch because they compliment each other very well. They add heat. They add comfort. They add soul. This couple is a package between amazing chemistry and realistic expectations.

This show will never stop surprising you. Every cliffhangers has left an emotional scar. When you watch this show you'll be glued to your seat and you'll be literally in the face of the screen because you don't want to miss a single aspect of this drama.

It's dark. It's bloody. It's got drug deals. Power. Corruption. Heat. It's got everything. How can you turn yourself away from this.

I feel like I'm not talking about Heartless City/Cruel City If I don't mention that this the best drama of 2013.

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Lackluster planning made it go downhill pretty fast.

Starting with some facts - Sian should have been the wild card catfish and join the cast later instead of Hae Rin. She has more of the presence to stir some "trouble" and her indecisiveness would work better if other contestants had time to get to know each other before she showed up. But with how the casting and editing went - it was Si An as the main characters, and some cast members were not even supporting roles, but rather guests.

The whole two inferos and how some people met first the first time after 2 days on 10 days trip was also weird choice. First impression is important and it was hard to follow who clicked well with whom, when most of them did not even interact at all.

Now that I think about it, the episodes should be split a bit differently. Nothing really that interesting happens in first 1-4 days, put that all in 2 episodes, and with each passing day, make the number of episodes longer. It takes a few days to everyone to create connection,s and that's when the fun starts. That's what most viewers what to see.

At the end of the day, this season was just boring. People were either 100% into one person, or not really interested in anyone. Little to no excitement. Dong Ho and Arin or the win tho. They were two most normal, but also fun to watch people from the whole show.

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My primary issue with this season was the writing and plot. My secondary issue was that the acting & editing were often weird or poorly done; this was most frustrating as it hugely undermined the chemistry between the couples.

Writing: the poor actors were forced to say so many unnatural lines that people just don't say in real life that even if they were extraordinary, they wouldn't be able to believably deliver them. Next, the transition of fixation/anger into attraction was hodge-podged together out of weird, pretty stupid plot contrivances, and no deep thought on the characters' parts was seen to be put into the changing feelings. It just wasn't believable. Separately, the plot wanted so badly to be unpredictable that it relied on the most annoying, forced twists delivered in clumsy revelations whose timing make next to zero sense. Finally, THAT'S NOT HOW POLICE WORK WTFFFFF every time something totally unbelievable happened with regards to the police work, I was wrenched entirely out of the story. This is why I say it was a failure of ambition: they wanted to do something other than school setting, which is laudable, but didn't take the time or effort to do it well.

Acting/Editing: I combine these because I wonder if all the peculiar pausing in place was due to editing failures and because I really want to believe the actors had better takes than the ones put into the final product. One particular oddity was that the kisses never developed out of the wooden "one person's eyes stay wide and body stiff in surprise" stage, even after the romance developed to a mutually acknowledged stage. Another instance of bad acting or maybe editing is that in a particularly heated scene I couldn't stop laughing because the main actor looked like he got "petulant child" mixed up with "murderous rage". I'm laughing again as I think of it. The rest of my issues I'm willing to put on the writers hurting the actors with just frankly dumb lines/scenarios.

It would have been cute as a manhua, but the choice to put it to real life actors requires more realism, less lazy writing, and fewer dumb gags.

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that sub plot is most definitely gay

I know that there is a lot of controversy when it comes to North Korean stories being told by South Koreans, but as someone who isn't Korean at all I can't comment on it. With every twist and turn I was able to stay surprised (as long as I was able to hold up my suspension of belief). Like any movie that involves guns there are scenes where people don't shoot when they could've brought someone down, but once you get to the end you sort of understand why. I didn't look at the casting beyond the two leads so I was very surprised with how many well know actors there were. With such a great cast of course the acting was good and I have no complaints. I really enjoyed the soundtrack especially the inclusion of zionT's song. I had not heard it before watching but it was a very impactful addition. I can see myself watching this again once it goes to streaming, but I highly recommend seeing it in theaters if you have the chance. I would recommend seeing this.

When it comes to the *potentially* queer subplot, I don't care what the director says. "The Bastard I Loved" says it all. My thoughts were summed up really well by an article on the IndieWire by David Opie and I recommend giving that a read if you are interested.

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Life, all about choices.

Three cities, Yunpei, Tiandu, and Masui reign over the vast desert. Among the listed cities, Yunpei and Tiandu are the ones with strong armies and massive landscapes. Masui is weaker when compared to the other two cities (Tiandu and Yunpei). Princess Huang Bei Shuang of a fallen clan, beautiful, elegant, yet tactical, and skillful gets entangled with three influential men and in the struggle for power. Huang Bei Shuang decides to go against it all, and set a new record if possible.
In this journey, Huang Bei Shuang meets Huo Qing Yu, they hit it off, and eventually fall in love.

I've got a lot to say about this drama, both the positive sides and the negative sides, but I'll analyze the positive ones first.


POSITIVE
The first episode of Love in the Desert captivated me. Why? There I saw a strong, brave, determined, intelligent, and one of a kind FL. A woman who seeks survival in a cruel world. A woman who wants to make a name for herself in the merciless desert ruled by men. The FL impressed me right from the first episode. After that Huo Qing Yu came into the picture. I saw a kind ML. A man who's willing to feed his horse the water he has left. A man who care for his horse more than he does himself. I said to myself, "a smart and strong FL and a strong and kind ML. Yes, this is the type of the leads I always want to see when watching a drama." These two captivated right from the first two episodes.

A woman can't, shouldn't, and mustn't have aspirations, says who? If a man can do it, why can't a woman? This drama showcase the strong will of Huang Bei Shuang. A woman who wants revenge for the murder of her parents.

"In the desert and under the sky, people live. What if life is a pain? What if life is vigorous? I pick my own path. Since I choose to be this lady. I have to fulfill my responsibility." (Huang Bei Shuang's words). There and then, I knew this drama is about humans choices, sticking with them and staying true to your choice.

If there's one lesson I learnt from this drama, that'll be, "life is all about choices." Some choose power over love. Some choose love over power. Some decides to stick by their principles even if it means they have to die to stick by them, they do it anyway. While some betray their principles for survival. Some decide to die to save their loved ones, while some would rather sacrificed their loved ones to survive. Different stands, different decisions, and different choices.

In Bei Shuang's case, she chose a new identity, a perilous journey to fulfill her dreams, her aspiration, and to get revenge on the killers of her parents. She could have chosen to be on the run, or a much easier life, but she decided to choose a roughy path, a path where survival is uncertain. A path where most women fails. Yes, that's who our FL is, a woman of aspirations and determinations. I love her strong and resilient character.

Bei Shuang and Qing Yu with the wind, moon, and the universe as their witnesses got married. That's another choice yet again.

Hankiz Omar really did her character justice. I've only watched few of her dramas, but I've never really been so captivated by her acting, until now. Her facial expressions, the way she carries herself, I just love her acting. She's elegant, graceful, talented, and beautiful. She portrayed her role as the decisive, tactical, strong, intelligent, brave, yet kind Huang Bei Shuang excellently. And I'm not exaggerating about how good her acting is, she's really good. She deserves each and every praises I'm giving her. She's indeed a rare talent. A diamond among stones.

Allen Fang. What can I say? I've always been impressed by him since I saw him onscreen. He impressed me in so many dramas. I loved his role in The Long Ballad, and A Journey To Love, but that's just to mention a few. I loved him so many more dramas. I was impressed yet again with his role as Huo Qing Yu in Love in the Desert. One of the main reasons I watched this one in the first place is because of Allen Fang cuz he's one of my favorites. Indeed, I made the right choice of picking this drama up. He slayed his role yet again in this one. He added to the list of his dramas that left an impression on me.

Needless I say, I love the chemistry of our first couple💞. Their chemistry is natural, unique, and amazing. Their interaction and lovely moments are the true description of love. Yes,their path is not all rosy, neither was it smooth either, but they overcomed it together, hand in hand, in harmony. They overcomed many adversities together. They went through life and death together. Such devoted and strong love mustn't go unmentioned. A pure love.

Not to mention, Love in the Desert's beautiful OSTs. I love the OSTs. Here's the lists
1) Desert wind Chant/ Give me God's wings to conquer the distance by Jess Lee
2) Kiss by Zhang Wei
3) Ask by Jess Lee
4) Recall by Zhang Yu
5) Shadow by Allen Fang
Among all the listed OSTs, the one which I loved the most is "Give me God's Wings to Conquer the Distance." Why? Because I also need God's wings to conquer that distance.
I also loved Shadow by Allen Fang. All the OSTs are emotional and beautiful. I loved them!

NEGATIVE

Allen Fang has multiple identities, but his story wasn't explored enough. Where's the backstory? Where's our ML's screentime? His screentime is too little for a ML with multiple identities. How he became Huo Qing Yu from Na Yan Xing, how he became a powerful northern lord, all these weren't explored well enough.

Also, I hate to say this, but the SML got too much screentime than he's supposed to get. EP 21, 23, and 25 were like the SML episodes. In some of the listed episodes I hardly saw the ML appear. That really got on my nerves.

There's also the messy plot. The plot was all over the place in this one. Little backstory, little clarifications. It became frustrating at some points.

Ending explained
Towards the end, Huang Bei Shuang finally got her revenge on her father's killer "Ge'er Jiqin." Two stabs, then finally, a slit to the throat. Wow, how ruthless. Ruo Wen died 💔 Huang Bei and Ge Xin Wei stabbed Na Zhan decisively and brilliantly. Really, I love that scene, he thought he's facing two weak ladies, little did he know he's facing intelligent women. They cut him off guard. Huang Bei Shuang broke her flute into two and stabbed Na Zhan with it, while Ge Xin Wei used Ruo Wen's sword. I really love that scene, Huang Bei Shuang always doing the unthinkable. A woman who accomplished the task of a man. I just can't help but be impressed by her. And for once, I admired Ge Xin Wei. Finally, the desert is at peace with Huo Qing Yu as its ruler. A benevolent and righteous ruler is what a nation needs to prosper, don't you agree? Our main couple lived happily ever after, realizing their dreams, and helping out the weak tribes of the desert. That's a fulfilling life, isn't it? I loved how they accomplished all these hand in hand, it's really great to see.

In conclusion, I enjoyed Love in the Desert thoroughly despite the negatives, I loved it still. I didn't fast forward any part, even though I found the second couple annoying most times, I watch every minute of it and enjoyed it. This drama has its flaws, but it's definitely worthwhile. It's a drama I'd recommend. This is a solid 9/10 for me.
Also, don't let the negative comments sway you from watching this, it's actually a great drama. Love in the Desert delivered in so many aspects. So don't be deceived, this is a worthwhile drama. Hankiz Omar and Allen Fang slayed their roles. Same goes for the second leads, too.

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