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When Love in the Moonlight first hit my drama radar, everything about it put me off. The promo posters just radiated cheesiness, so much so that I’m pretty sure I internally gagged. Not to mention, everything about its premise was overdone and oftentimes badly so. The crossdressing girl, the handsome prince, the political intrigue mixed somewhere in there...Was it worth the risk of watching and likely being disappointed?
The thing about Love in the Moonlight is that it is definitely a good show. Well, partially. It suffers from what I like to call “K-drama syndrome,” where it starts off at its peak and then plunges down into its inevitable doom, where the plot and characters deteriorate in a cesspool of their previously glorious existences. It's exactly as revolting to us viewers as it sounds.
The storyline of Love in the Moonlight is incredibly unoriginal. Its desire to take on the tropes of a crossdressing female who falls in love with a higher-class man was quite impressive, and for a good half of the drama, the execution was phenomenal. I found myself practically twitching while I waited to watch the next episode upon release.
There’s something about cliches done well that’s just as appealing as a never-before-seen storyline, and that’s what Love in the Moonlight accomplished. Its cheesy romance was bolstered by a talented leading couple, and its political aspect was intelligent, yet not overly difficult to follow. Not to mention, the characters were all lovable, each with their defining characteristics that made you love to see them. I admired the drama's ability to make the usually predictable storyline both unpredictable and addicting, and making me take back all my doubts from the beginning. Touche, writers; but that victory only lasts for a little while.
The problem with Love in the Moonlight is that as time goes on, you begin to see the infection of K-drama syndrome more and more. I'll admit, the writers keep you on your toes enough so that you barely even notice the problems unless you take a glance backward. But holy cheese, did this show throw away its potential at being perfect.
The romance is great, that much I will stand by. However, I attribute that much more to the capabilities of the leading actors than the characters themselves. I adored the Crown Prince at the beginning, and I likewise appreciated Ra On’s quirkiness. But over time, the writers lost sight of what made these characters unique and reduced them down to “male lead” and “female lead.” I don't even want to talk about the atrocities of the side characters, particularly Ha Yeon, who faded further and further into the background. It got to the point where she would come on screen and my reaction would be, "who is dis," because she had become that irrelevant. I’ve seen static characters, but I was puzzled with how the ones in Love in the Moonlight somehow managed to all move backward in development - their quirks disappeared. To me, there was nothing sadder than the moment I admitted to myself that the only reason I still liked the Crown Prince was because of Park Bo Gum.
Additionally, I have to say that the writers really lost themselves nearing the end of this show. It was cliche in the beginning, but at least they carried it out well. By the end, they were throwing so many tropes in your face that it almost bruised me. Most of which, I didn’t appreciate at all. There’s a difference between using previously-seen plot elements to better a show, and using them just because there is a need to. By resorting to the latter, the writers failed what could have been an absolute gorgeous ending.
For me, the one trump card of this drama was the cast, and this is the one basis I will recommend this drama off of. I sat down in front of the first episode knowing no one out of the main cast aside from Kim Yoo Jung, who I sneered at for being far too young for her role. By the end, I was impressed with everyone’s ability to portray their respective roles.
Park Bo Gum is phenomenal. He’s obviously goodlooking (those puppy-dog eyes though hehehehe), but the level of emotion he puts into every line and movement is awe-inspiring. Everything about his acting feels real, from the look in his eyes and - I swear - each shift of his facial muscles. He brings the Crown Prince to life in a way that I’ve honestly never seen another actor do with their character. And now I have posters of him on my walls. I wish this were a joke, but I guess I’m prouder to say that it’s not - he was just that good.
Yoo Jung is where I’m split. There’s no doubt she’s talented, but I’ll still enforce the idea that she was too young for the lead role in a romance drama. If you’re going to forget how weird it is morally that 23-year-old Bo Gum is interacting romantically with a minor, just know that her acting was far better in scenes where there wasn’t any handholding and whatnot. I’ll give it to her that she tried, and did well alongside Bo Gum, but she still needs more experience to pair with that acting talent. Soon enough, she’ll have a scary level of skill.
I would also like to comment on the music, most of which I loved. They chose a good collection of strong singers for it, and the instrumentals were beautiful (I listen to some of them when I work now because they’re that entrancing). I am going to go out on a limb here though, and say that the song they gave to Park Bo Gum was subpar. I know he’s capable of better music, and I just wish that they provided him the chance to blind us even more with his unlimited talent.
I’d say that Love in the Moonlight is worth the watch, if only to see how the actors are able to bring quality to a usually mundane plot. Despite the bits of disappointment I felt at the ending, I am still glad that I watched the whole thing through and I can say that I enjoyed myself for the most part.
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Best xuanhuan of 2026
My experience with "Love Beyond The Grave" feels a bit personal, mainly because I went into it as someone who had already read the novel. That always comes with expectations—sometimes unfair ones—but this time, I was genuinely impressed. The drama stays surprisingly faithful to the source material, making only small changes while preserving the emotional core of the story. As a reader, that meant a lot.What really elevates this drama, though, is the acting. Dilraba as He Simu was nothing short of captivating. There’s a quiet strength and depth to her performance that makes the character linger long after the episodes end. After being a little disappointed with her previous work, I was hoping she’d get a role that truly lets her shine—and she absolutely does here.
Chen Feiyu also deserves credit. His portrayal of Duan Xu might not fit the typical image of a hardened general, but that’s precisely why it works. Duan Xu isn’t supposed to be some untouchable war hero—he’s young, impulsive, and full of life. Chen Feiyu leans into that, and it pays off, especially in moments like the North Cheong camp infiltration. And together? Their chemistry feels effortless. You don’t just watch them—you *feel* with them. I found myself laughing one moment and completely wrecked the next.
The supporting cast adds even more flavor. I genuinely couldn’t stand Yan Ke—and I mean that in the best way possible. Miles Wei did such a good job that my frustration with the character was even stronger than when I read the novel. Zhang Li as Jiang Ai was equally memorable, perfectly embodying that polished, “wrapped in luxury” presence without ever feeling flat.
That said, the drama isn’t without flaws. The middle portion does drag a bit, just like in the novel, and I had quietly hoped the adaptation would tighten that up. Instead, some choices—like changing the Duan Jingyuan discovery scene—left me slightly disappointed. The original version had a charm and humor that the drama couldn’t quite replicate. And I’ll admit, I really wish they had included the extra chapters from the novel. A more concrete happy ending would have made the whole journey feel even more complete.
One thing I can’t overlook is the music. The OSTs are beautiful in that understated way—they don’t just accompany the story, they stay with you afterward, almost like echoes of the emotions you felt while watching.
At the end of the day, this is a story that grows on you. It’s not perfect, but it’s sincere. It makes you care—about the characters, their choices, and everything they lose and hold onto along the way.
If you’re in the mood for something emotional, character-driven, and quietly intense, this is absolutely worth your time.
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It was a crazy series that I watched????????
This is a crazy movie that I watched. It was insane, Dunk Natachai, thank you for killing all people watching you with your flirting and beauty🙏The plot, the production, the cast, the acting, the lighting, love scenes, crazy scenes, ost, it was all insane!❤️🔥❤️🔥Putting those scenes on this series is like pouring oil on an already blazing fire. After watching love scenes from here you realize how perfect two males together are, the chemistry and power dictated by the universe❤️🔥😍🔥🫶🌟🌹I will rewatch this hot series for many times and will come back hereWas this review helpful to you?
Sibtit (Push) trying to woo Prikkang (esther) with his possessive bad boy ways which I found very cute, the lead was always horny trying to steal kisses from the female lead which I liked. This drama was quite unsettling for me because from what I have read comments and watched lakorns, suppressing women sexually is portrayed as if it is a normal element. After a few episodes of him wooing her and finally winning her heart (after forcing himself upon her), the lakorn goes downhill with more "what the hell is happening" situation which questions us whether he is supposed to be the romantic male lead or the one who is evil and trying to break apart the couple. Push's snd esther's sanity in this lakorn is questionable, although the drama ends on a happy note.
I was very disappointed with Push's role in this lakorn (which is very much likely the same role as roy leh sane rai) but because I like him and also because of his cute possessive nature as well, I completed the drama. This drama isn't for everyone because it can get WTFable later on, but for PUSHSTANS you can watch it easily.
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Thank the heavens it's over.... but
The series was good enough albeit very confusing with the erratic jumping in and out of the time lines. Though some acts felt circulatory rather than progression. The length did nothing to enhance the story as some of the actors needed an early exit. Mainly, Ken. The father, proving to be the biggest moron, as he kept relying on the village idiot. The erratic pointless behaviors of others would see me using the 2X just to get through it. I like the premise of the plot but it lacked conviction. The hair brain plans, and gratuitous performances left the script badly wanting direction and weight. This leads to the elephant in the room.The elephant: Fort and Peat. The sex.
The director knows their strengths. They look good together. They blend well in most of their responses to each other, verbally and physically. What he can't erase is the obvious. Their acting.
Fort has grown a little. Peat has not. What I would like to see is Fort have more presence on screen rather than relying on his gorgeousness. Let’s be real, he is. Sometimes his movements say I'm waiting on the next line to react. There is a bit of a pause in the fluidity. The body was made for suits but the smile can only go so far.
Peat is still in the bedroom in college in LITA. His mannerisms bring nothing new. He plays broken characters as if that’s all he knows without adding layers or nuances. Ep 9 when speaking to the doctor emphasized this. He is childlike in most.
The sex. Too practiced. Too rehearsed. Always too important to their scripts that beg for better telling. Are they bad? No. This should be an evolution not an insertion to keep viewers.
The ending did not have the effect on me as was expected. Between eyes rolls and a heavy dose of laughter at the declaration scene, I didn’t like it much. Vier closing his eyes, waiting on the final moment just sent me over. Though it is here Peat actually showed the right restraint. Vier forgiving in the name of love, unbelievable. He carved his forehead in his insanity. But hey, if Vier can forgive, we have to also. Just make sure he's on some kind of meds.
It's watchable, take with a large grain of salt and lower expectation.
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In this drama there were so many big shot actors all in one for which impacted the many watching audiences:
Cha Eun Sang (Park Shin Hye)
As much as I love Park Shin Hye as an actor I found her character very annoying. This is because of her constantly crying whenever she faces a problem in her life, or just crying after see Kim Tan (Lee Min Ho). But if she was aiming for that type of character I applaud her for that.
Kim Tan (Lee Min Ho)
Lee Min Ho playing Kim Tan was pretty good because of how he would always want to stick to his brother, having no clue of what's going on within the business because of his young age. However, he kept cockblocking the relationship between Cha Eun Sang and Choi Young Do for which I would like to see further develop.
Choi Young Do (Kim Woo Bin)
Oh gosh, did I love Kim Woo Bin's character in this drama. The different emotions he used to express each and everything showed perfectly well on his face. However, I feel as though if the relationship between Choi Young Do and Cha Eun Sang were to further develop it would add some extra excitement.
Lee Bo Na (Krsytal) & Yoon Chan Young (Kang Min Hyuk)
This is one of my favourite couples the were so cute and funny.
Lee Hyo Shin (Kang Ha Neul)
He acted out his character extremely well with the different emotions shown in this drama from: Mysterious -> dorky -> angry -> jealousy there were so many emotions he displayed wonderfully.
Kim Won (Choi Jin Hyuk)
He played the role of an elder brother, step in company owner and a lover extremely well. I loved how he could show different personalities to his character.
Jo Myung-soo (Park Hyung Shik)
asdfghjkl;' He was too adorable in this drama I could see the many bromances forming with him. ><
Han Ki-Ae (Kim Sung-Ryoung)& Park Hee-Nam (Kim Mi-Kyung)
OMFG these mothers were one of my favourites! They were humorous, cute and dorky. I also applaud Kim Mi-Kyung for not speaking throughout this whole drama, other than narrating :L
Rachel Yoo (Kim Ji Won)
She did amazingly well! Playing the antagonist in this drama simply brilliant.
As or music wise, it did sound really nice at the beginning but they just kept replaying the tracks over and over again when there was any chance possible. Which made it especially cheesy.
I'm sorry but I wouldn't watch this again, it was very confusing and lacked finesse therefore I would give it an overall score of 6.
Sorry if I did offend anyone with my review but as mentioned before I had my expectations up really high. Also is it just me or did Cha Eun Sang cry in at lest 18 of the 20 episodes?
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Not my cup of tea
This show did not work for me. First off, the mother, Young Soon is abusive. She was abusive when Kang Ho was a child and she was abusive after he became a disabled adult. The show puts in a lot of work to get you to sympathize with Young Soon. They even pull the terminal illness card to gain extra sympathy. Which was unnecessary in my mind. They show us why Young Soon was the way she was and the way she acts towards Kang Ho is understandable but just because I understand the why, it doesn't make her abuse okay. At some point she realizes she was a bad mother to Kang Ho and yet she continues to abuse him at every chance. Kang Ho becomes paralyzed and she abuses him multiple times over to get him to speed up his rehabilitation. She repeatedly abuses him and the show makes it seem like all this abuse is okay because Kang Ho needs to recover quickly so he can be okay on his own. So she abuses him out of desperation but again that doesn't make it okay. What about taking accountability? What about the Young Soon owning up to being abusive? What about the her using othe methods that don't involve abuse? Young Soon abuses Kang Ho at every opportunity but I guess it's okay because the end justifies the means. After all her abusive tactics have gotten her son to become a prosecutor and they've gotten him a speedy recovery, and he's not traumatized any of it. I have no problem with Young Soon being redeemed I just felt like she never did any of the heavy lifting it would take to realistically repair the mother-son relationship.On top of that, and these are just my own personal feelings but the show felt very ablelist to me. Lots of characters went around calling Kang Ho a fool and an idiot. Young Soon acted like Kang Ho needed to learn how to walk right now, right this instant because how could he live if he stayed in his chair and she wasn't around? There were several implications that Kang Ho being disabled was the mom's punishment. The harmfulness to imply that someone who was once able bodied becoming disabled was a punishment for someone else's behavior, or punishment at all for that matter was not it for me.
I skipped over the villagers because I didn't find them funny or useful, though admittedly they were kind of funny in the last two eps.
Despite the amount of things I didn't like, the show was okay. I can understand why others enjoyed it. I personally continued to watch to for the acting and some of the interactions. I enjoyed Mi Joo as a character and I enjoyed her and Kang Ho's relationship. I also loved the twins. They were so adorable and I love their scenes with Kang Ho. I was just disappointed that what I thought would have been a pivotal moment happened offscreen.
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1Your Inner Beauty Speaks to Me
Face swap. Murder investigations. Blossoming romance. Gothic cinematography. These are the four ingredients that create this stunning drama. The story is about the female lead who has a scar on her face. On her wedding day, a beautiful and obsessed woman swaps her face with the female lead, in order to marry her husband (the male lead). But ends up being killed the same day. With a new face and body, the female lead begins to investigate her death in the sinful city, alongside her husband who doesn’t know her true identity.It’s important to mention that the first two episodes are unusual as they give all the screen time to the guest actress who portrays the original body of the female lead (scar face). This is a great exposition in establishing the relationship between the main leads and enhancing their love story. However, the drawback is that when the main actress shows up at episode three, it feels a little off and it takes a few episodes to get used to seeing the same character portrayed by someone else. (I discuss more about this below).
The biggest highlight for me is the wonderful writing of the male lead who truly makes us all believe that he falls in love with the female lead’s personality and that no matter what face or body she possesses, he will always choose her and love her unconditionally. I loved seeing their blossoming romance, which was kind of slow burn but more like steadily built up in a realistic and mature way.
What truly surprised me in this drama is the intricate murder investigation cases which felt real, raw and well developed. They had the right amount of mystery and cool twists to keep the audience engaged. They never felt like filler scenes as they always connected to the main conflict of the plot. The fact is that I absolutely loved the cases despite being someone who rarely watches investigation dramas or even likes them.
MAIN CHARACTERS/ACTORS:
- Pan Yue (male lead) is written to perfection. You cannot not fall in love with him. He puts personality above looks. He is a great fighter, great poet and probably great lover (hello kiss scenes). The actor Liu Xue Yi has such a strong on-screen presence, he is smoking hot and totally underrated. His character felt well developed especially in showing how he falls in love with the female lead. Perhaps his only flaw is that he might be too perfect but I ain’t complaining.
- Yang Cai Wei / Shangguan Zhi (female lead) is shown as strong-willed, brave, intelligent with a unique forensic skill. My only issue with the way the character is written is the slight inconsistency of her personality after her face is swapped (I’ll discuss in more detail the negative points below). The main actress Ju Jing Yi was fantastic in her role and especially her acting impressed me massively when she portrayed the villain in the first two episodes. I feel she did really well in playing two distinctly different characters and I was easily convinced of the face swap.
POSITIVE:
- Blossoming romance that’s built well and steadily (like a mature and realistic relationship).
- Devilishly handsome male lead with strong on-screen presence.
- Dark and mysterious murder cases that are well written and show the brutality of humanity.
- Male lead falls in love with the female lead’s personality, not her physical looks.
- Smart female lead with unique forensic skills.
- Hot shirtless scenes (yes I said it).
- Hot kiss scene (one but worth the watch).
- Perfect balance between the romance story and the investigation plot. I never felt one overpowered the other.
- Gothic and sexy cinematography.
- Liu Xue Yi (male lead) brilliant acting in every possible way. The way he speaks, the way he moves, the way he walks. He is simply captivating to watch.
- Ju Jing Yi (female lead) portrays two characters beautifully. Her villainous role, although short, is a total scene stealer.
- Engaging and well executed plot.
- Beautiful OST.
- Great support cast and guest actors that stand out with their acting.
- Nice push and pull dynamic between the leads (at the start).
NEGATIVE:
!!! No drama is without flaws and although there are negative points here, none of them took away from my enjoyment. The main issue I had was how the face swap was handled at the beginning of the drama.
- The drama gives all the screen time in the first two episodes to the guest actress (who portrays the original female lead) which creates an awkward emotional bond with the audience when she is suddenly replaced by the main lead at episode three (after the face swap). In terms of the love story, this is great as it emphasised the male lead’s love for the female lead and clearly showed the audience that he did not fall in love with her because she suddenly had a nice face and body. However I feel the actual female lead JJY suffered since the audience had to get used to seeing the same character as her. What would have made it better is, if they had started the drama with JJY (as the villain) and given her more screen time to establish her as the main lead.
- The actual face swap remained a mystery in the whole drama. It was never explained how it was done. In fact it felt very unrealistic that the characters kept referring to it as a face swap when it is very clear that the two actresses have different body types, weight and skin tone. I feel it would have been better if they had chosen an actress similar to JJY or just called it a body/soul swap.
- Personality switch. The original YCW (main character) is shown as mature, calm and level-headed but after the face swap she oddly becomes extremely carefree as SZ. We are told that the character is trying to pretend to be SZ but even when she is alone, we don’t really see her as the original YCW from the first two episodes. Having said that, in the later episodes and especially when her identity is revealed, her personality does appear very similar to the original YCW. So I do blame the writers for this inconsistency. I believe the reason they made her carefree after the switch was to give us light-hearted scenes (especially with the male lead) which meant they sacrificed logic for cuteness.
- Although the drama wraps up well and resolves the main conflict related to the leads, it still leaves it open for a second season. But we all know chinese dramas rarely do second seasons so I kind of wish the last 10 seconds of the drama were cut.
OVERALL:
This is the Best 2024 Historical drama for me so far. Even better, it’s the best 2024 drama for Youku so far too. It has gathered millions of views with a 10,000 heat index by day three of its release. In fact, it became such a huge success that Youku upgraded it to S+ treatment (promotion and live events). I’m very much impressed by what the production has done with an A level (low budget) drama.
If you are looking for a drama with blossoming romance, murder investigations, beautiful gothic cinematography with smart and skillful main leads + a male lead who falls for the female lead’s personality not her looks, watch this drama now.
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Sometimes even Domundi BLs can surprise us in a good way...
Disclaimer: This review is only valid for the UNCUT version of this show. Avoid the cut version like the plague, because as always, the cut off a lot of story. This is especially true for episode 8 which has a runtime of 1:56:51. I would not have minded to cut a lot off the finale because the end was draggy. So consider the uncut version as a 13 episodes series with some bonus content.P'Aof said in the making of TNP he could not do any better, but he clearly lied, because we saw, he could do better. When you do not make a show just to cater to the fangirls and the actors, to no surprise to anyone, you are successful. This was filmed before TNP and it seems, this is the series where all the energy got into the script.
While the story is elaborate it's still straightforward and easy to understand. There is a lot of darkness in it, a lot of pain, but also a lot of growing and commitment for each other. For me it was perfect for episodes 1 to 10, ep 11 and 12 did not keep up the high standards established before. Especially the "bonus" bits felt a bit draggy and also the production quality was subpar because the cuts where a bit eratic, they could not keep a rocket in focus (who wants to watch just the smoke?) and the happy family time felt unnecessary for me because it did not fit the vibe of the show. Most of the finale would have been better served as an special episode detatched from the main story.
I guess the star of this show is the soundtrack which was really exceptionell and of course the "intro" which did not spoil any story elements at all. Kudos for that! Acting was very good especially considering the filming must be especially hard without any climatized rooms for most of the time. Of course this plays out in a rural area, so we got also a lot of nature and traditional housing. Cinematography with the 2:1 aspect ratio was most of the time stunning, the special effects were better than in any other thai BL and of course they had lot's of work with makeup and costumes.
Overall, this is the first series, where a big budget meets or exceeds it's expectations and after the fiasco (in my view) of TNP Domundi/Mandee redeemed itself as being able to tell a story first and have romances second. They even went the extra mile to put their ads as subtle as possible.
This was most defenitively not a waste of my time and it will not be a waste of your time either.
Update: Thanks for all the upvotes but thanks also for nearly the same amount of downvotes. If I sometimes agree with the masses they downvote and when I write harsh reviews disagreeing with them, I get the same. It's really amusing how much hate people have in them.
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This drama needed a soul......it was so lifeless and cringey
The minute you label the genre as romantic comedy, then a thousand expectations are dropped but yet only a handful remain.And if you can't even met those then the drama needs to be trashed.
ML : basically the only person/object/character worth watching. He is the only reason I endured 16 hours of cringey material.
FL : goddess of goodness. I wish more girls like this existed - but they don't because her character was fake and so was her smile. Outrageously created do-gooder, star winner......just nauseating.
Main Couple : I couldn't find the chemistry within 16 hours of torture. Romance is tepid, no sizzle, no heart fluttering scenes. Please don't call it a romance if you cannot make our hearts flutter. It's the only request we have for you.
The friendship between 3 females : they should really edit out all the scenes with the 3 friends because it is an embarrassment to young women. Who behaves so idiotically? Are these stolen clips from a 70's drama?
Bad coworkers : Yea,right
Trip to Thailand: ridiculous joke
Arab Prince: The comment and review sections are filled with this so go figure.
This drama had a hope, some good bones. Unfortunately they wanted a quick fix so the whole thing came crumbling down.
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1It showed what is easy, tells the obvious and avoided what could have been great!
The genre listed for this drama is Romance, Wuxia, Drama, and War, which sounds very legendary on paper, except that it managed to dip its toes in all four without actually excelling in any. This is just a guilty pleasure romcom.I came here for some sweeping war chess and tactics, and of course a razor-edged female general we were promised in the trailer and the poster. I kept searching for the "larger than life" hype that I created in my head but sadly I was disappointed.
He Yan, on paper, is everything I expect from a strong female lead. Brave, witty, with a moral backbone and we get to see glimpses of it in the flashbacks. But somehow the balance between "female general" and "romantic lead" was off almost all the time. Here is where the drama falters the most for me.
We were told she fought her way up the ranks disguised as a man, surviving in a brutal, male-dominated world of war and yet in present, that struggle barely showed. She kept acting too cute.
Yes, women are allowed to be warriors and be happy and thriving in love but for it to feel real, the transition needs to carry that weight. I missed the awkwardness, the hesitation or even the tension. I wanted to see push and pull, the conflict between her desires and the hardened exterior that she might have built over the years of disguise. That would have felt earned.
But it looked like the writers got the amnesia trope themselves and forgot all about her past when it came to romance. The aegyo (lack of a better word) like behaviour undermined the whole dark and serious vibe of the drama I was expecting.
Also that whole arc where the FL pretends to be her brother really demands a huge suspension of disbelief. But I feel they did a good job with keeping her makeup to minimal to atleast make it look believable.
Coming to romance, the sparks existed, but again, it was too mild and easy. The angst, the longing, the courtship lacked passion. I wasn't excited for them to get together. I knew they were the leads and things just kept happening. Even the key moments felt dull. It wasn't bad but nothing to run home about.
The drama also wanted to scream women's empowerment, but like everything else, it just tells and does not show for it to actually make an impact. It was just all about the grand speeches. There was one scene where she was supposed to fight to show her talent in front of the army, and I was excited to finally see that fire but they cut it away and came back when it was over. If you want to sell me a hard-earned battle warrior, show her that way. There were other fight scenes too, but none of them left any impression on me.
Also, the focus on side characters who made minimal impact on the overall story was a baffling choice. I feel there was a lot more to explore about the lead characters especially the male lead. But instead I feel I know SML better than him. The SML in my opinion got the most fleshed story. It was unpredictable and he was given so much depth as a character compared to the leads. And the whole princess and master storyline was just not needed. Some deaths felt completely pointless, added neither the shock value or the story value. I was just confused.
And can we please take a second to talk about last 4 episodes. What in the world kept happening. The character arcs were already weak but somehow they manged to destroy that as well. I am still confused about a few things as why we needed that. This includes all fronts from comedy to romance.
Production-wise, this was below average. The overall set design lacked a certain richness. The poster had better colour grading, and the overall colour palette of the drama felt muted. And whoever is in charge of the blood effects should retire immediately. I mean, what were those ruby red lipstick swatches. Nothing disappoints me more than when a tragic moment is happening and fake blood on the actor's cheeks kept distracting me. Also, the dialogues were as lacklustre as the production.
Acting-wise, this is my first time seeing the leads, and I feel this shouldn't be the story I should be judging their acting on. Ryan Cheng served with his visuals, and Zhou Ye was bubbly ( a little too much) but did show us the few glimpses of a strong warrior when the script allowed but I was expecting more. Zhang Kangle, as Chu Zhao, impressed me the most. I liked his portrayal of the antagonist part. He carried that whole cold and cruel aura with justice. The rest of the supporting cast also did fine, but I wasn't too immersed in the story to comment here.
Overall, this was a huge miss in my books. It's wasn't just about one or two incidents that can be overlooked for overall enjoyment, but it's the constant repeated choices to chip away at the integrity and heart of the story, i.e. the journey of the female general. There was nothing legendary or "general" about it. It's frustrating not because it is unwatchable but it constantly kept reminding me what it could have been.
Will I recommend this? No.
Thank you for reading my review! <3 I hope you like the drama more than me. Please take my opinion as one of many if we don't seem to agree :))
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WHY?!?! It could have been better.
I am so annoyed with the ending, I don't understand this. There are SO many loose ends, I would have been okay with them not ending together but the execution and the plot just did not make sense. First of all, why did she have that picture of her that yijin was supposed to have? Why did she marry someone and have a long distance relationship with them when that's the reason she broke up with yijin? They didn't show her happy and have that "It's okay, we don't end up with our first loves as someone else out there is the one for us" ending but was just like "We don't end up with our first loves, whatever."AHHHHH i am infuriated rn, I'm gonna be mad at this for a while
Even scarlet heart was better than this.
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This review may contain spoilers
Well, this is a good comedy drama to pass the time, but I won't say it was impressive, and I probably forget it soon.If you're in for the "summer readings" then give it a try.
I liked that they tried to put more depth to the prosopagnosia trope (now, this desease is a trend in dramaland and it seem to affect a lot of young ceos LOL can you please not be so obvious when you take inspiration?) by comparing Min Ik to her blind brother (even tho it was a very weak and short moment) and describing it as something scary and anxious. I mean you can't recognize people around you, that could be a setback, especially for someone who needs to recognize friends from foes.
I also liked the fact they talked about how some workplaces are a real hell (this thing was also treated in "Jugglers") for employees as maids, secretaries, drivers and so on, and they have a sort of will of change it.
But they kinda didn't handle it very well, the whole plot about the "robin hood secretary fight club" who sell the bribes their boss get from other people and use that money to cover employees issues is a bit boring, moreover because it doesn't concern the two leads or second leads, at least not entirely.
I liked a lot Veronica Park. I was scared when she was introduced because I thought she would be THAT annoying second female lead character, but her being too extra is, in fact, refreshing and amusing. I liked how she was somehow "naive" (not with love relationships LOL) but supporting towards the female protagonist AND her sister.
Well, what I didn't really liked was how much episodes and focus was spent for the whole "I pretend to be someone else" thing, it's something we saw a lot of time, also in western shows and movies, so I don't think it was needed...the show could've take another road without it and it would have been fine.
I find it hard to cheer for the protagonist if she pretend to be someone else, taking advantage of his illness, in order to obtain his love. It's lame and honestly if you think about it, it never ends well. I especially despise her sharade because she knew he had issues with his family and trust issues...she was too greedy, Our fictional characters are lucky their partner are sooo in love and understanding they come to forgive them, but in real life...well suing is the very least imo.
And the plot was pretty much stark...there are some evident plot holes, especially about the disguise and the assault thing that made me wonder if they thought I was too stupid to realize it.
I mean why in the world the driver would change a lightbulb in his boss office at night and why, when Min Ik finds out, he attacks him instead of saying "I'm your driver" . This doesn't make sense at all.
Also I wont' even try to analyse the medical aspect of it: his illness can be "cured" if he has high pressure or if he sees the one he loves....even sticking to it, there were moments were he was supposed to be excited or nervous (like when he confessed to Gal Hee, when they almost made sex and so on) but nothing happened. Conveniently at the end he has a scare in the elevator and his illness just goes away. I'd rather use the fantasy elements than this.
The last thing got me a bit annoyed it's an aspect of their romance. They were cute yes, but a bit too teenage-style to be 30 something. Min Ik hinted he had other relationships in that "stocking moment" (LOL) but they were awkward just by holding their hands or hugging (while in the first episode, when she was just the secretary I thought they were more chill about touching). I'm not saying I wanted hot stuff or whatever, it's just a bit surreal to see them being too much naive for their actual age.
I would rewatch this? I don't know, honestly. I was annoyed at her lies and I don't know if I want to face that again...but overall was cute and not to dramatic, LOL in the first episode Gal Hee's mother death was comic instead of sad.
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