Reviews

Relationships Don't End at the Credits

Story: 9.0
I was a bit apprehensive about starting this drama because of how low the rating was when I first realized it was airing, but I forgot how harsh DramaList reviews tend to be for some reason~ I think the story is interesting, and there's some foreshadowing of Zo's reaction to Joke's plan, which made it a bit more suspenseful, but, overall, the story is a cute, straightforward tale with sprinkles of little issues here and there that the characters have faced and will have to face. It has a very big "Don't Judge What You Don't Know" vibe for several characters, specifically Nita, and there hasn't been any toxic women in this drama, so we automatically get an extra star for that lmao There are cute details in it (like Joke confessing his feelings to Zo in the SECOND episode in Chinese lol) that make it cute, but I don't think it's the most ground-breaking in terms of creativity, though I could definitely see this drama being a comfort show for many people. I will say that the second couple feels a lot like an after thought, so much so that I actually forgot to put them in this review at first, which is why I knocked a half star. They're cute, and they're relevant in certain parts, and I even love how they develop, but they still feel a bit more like background characters instead of a full blown main couple~ BONUS: most of the issues are solved in ONE EPISODE. Like, the characters TALK TO EACH OTHER. I fucking LOVE that shit lmaoo We stan healthy communication in this house~

EDIT AS OF 12th EPISODE: I will say that that final episode was a bit more rushed than I would've liked, and the problem in it involving Zo feels a bit thrown in, so I knocked another half star for that. It doesn't necessarily effect my overall feeling of the story, but it does feel like something worth mentioning here nonetheless~

WE INTERRUPT THIS REVIEW FOR A TANGENT: I'm not sure why most of the reviews are talking negatively about how "the show should've ended when they got together; I'm bored!" and "who cares about family issues!?" I want to just quickly throw in here that relationships don't end at the credits. Real relationships continue far past initially getting together, and I think that struggle isn't shown as much in BLs through Thailand as it should be (unless it's one of the main plot points). Of course, one reason could be the short episode count, but I love that about shows, so I'm not gonna complain too much~

This show, though, has managed to give us all of that without rushing, and too many people are too upset with it because they almost fetishize these relationships, and it's mildly infuriating to see such venom about such a cute show. Yes, there are problems, but aren't there always?

Anyway~

Acting/Cast: 10
This was my introduction to Joong (Joke) with someone other than Nine (Kitkat from 2Moons2), and the roll he plays here is such a stark difference from his role in 2Moons2 that I'm so impressed with him??? I knew he'd expand and do great things as an actor, but I think he might be one of my new favorites, and I love Ohm (Pat from Bad Buddy) and Nanon (Pran from Bad Buddy) so much that THAT in of itself should convince you to watch this~ I hadn't seen anything with Dunk (Zo) before, and he's also joining my boys up on the top. I mean, he does such a great job of playing a realistically insecure guy -- he's not over-the-top with it; just overthinks things a bit too much because he doesn't have confidence. Does he have Nanon's expressive eyes? Well, not entirely, but he's relatively new and does a great job for what this character needs. I've seen both JoongDunk dramas at this point, and I'm thoroughly in love with both of them~

The side characters are also great! They're actually relevant to the plotline instead of being simple comic relief, which is refreshing and nice and I love them, so be nice to them~

Music: 8.5
A bit harsh, but I've been so spoiled by Bad Buddy and 2together and even Not Me that I can't help itttt~ I base it purely on whether I add any songs to my playlist, and I haven't done that here yet~ I will say that the background music for the scenes of the show are well-done, though, and I didn't feel like it took me out of the storyline~

Rewatch Value: 10
Like I said, I think this show has the potential to be a comfort show to some people, myself included~ The problems are solved in a relatively healthy manner, the actors have great chemistry, and the storyline is linear without confusing detours.

Fun fact: I did, in fact, end up watching this cute little show several thousand times when I got sick lol

Overall: 9.5
This series is as straightforward as the synopsis says. It's got great actors, good chemistry, and a cute, easy plotline that might give you cavities in the same episode that it pinched your heart. JoongDunk are a relatively new couple in BL, but I hope they get as popular as OffGun or MaxTul or any of the OGs because they're so good, and they can only get better, you know? The side characters are nothing to scoff at. I've seen Louis (Pat, Zo's friend) and AJ (Kot, Zo's more reasonable friend lmao) in a few other dramas, and I love them to bits~

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The Most Dangerous Man at Court Was the One Who Never Wanted the Throne

For a drama titled Sparrow Bone (雀骨), there were an alarming number of people determined to break their own backs carrying the realm.

Some inherited power. Some inherited disgrace. Others inherited grudges so old that nobody seemed entirely certain who had started them anymore. Xiao Wuyi inherited all three and somehow remained the least interested person in becoming emperor.

That contradiction sits at the heart of a drama where almost everyone is burdened by an inheritance, but very few get to decide what to do with it.

On the surface, this is a compact costume drama about a politically inconvenient general and a clever young woman in a contractual marriage. Underneath, it explores inherited violence, institutional power, and the difference between being capable of ruling and wanting to rule.

It packs an ambitious amount into twenty-eight episodes: concealed identities, military reform, court factions, old family crimes, mechanical inventions, succession disputes, and approximately one new political agenda every time somebody enters a room.

That ambition has its trade-offs. The pacing can be dizzying. Some supporting characters make important decisions before those moments have enough room to settle, and a few developments are explained when I would rather have watched them unfold. Another two or three episodes might have helped certain relationships and political turns breathe.

But rushed storytelling is not the same as incoherent storytelling.

Most revelations belong to the same narrative structure. Earlier choices return, alliances have identifiable motives, and the central figures rarely feel rewritten simply to serve the next twist.

Considering the sheer number of twists involved, that feels less like faint praise and more like a minor administrative miracle.

Thankfully, the politics remain politics instead of becoming decorative obstacles delaying the romance. The conflict between entrenched families and those excluded from power, the question of who may serve the state, and attempts to reform institutions all affect the characters personally. Love, loyalty, ambition, and public duty continually complicate one another.

The bond between Xiao Wuyi and Xie Jiayu grows out of that world rather than interrupting it. In a court where nearly every relationship is transactional, trust becomes the rarest form of political currency. They begin as reluctant partners cautiously assessing one another after a politically arranged marriage and gradually become the one person each can trust when almost everyone else is negotiating, concealing something, or preparing an assassination.

I normally advocate for kissing wherever dramatically appropriate. Somehow this drama convinced me to file an exception.

Apparently, hands may still be held without a camera orbiting the couple for four minutes. Good directors did not die out after all.

The drama understands that intimacy can exist long before physical consummation.

Aimi makes Jiayu easy to root for. She is intelligent and capable without being written as infallible, and her mechanical knowledge remains part of her identity rather than disappearing whenever the male lead enters the scene. The script never asks her to become less herself in order to make him look more impressive. She remains compassionate without becoming passive and determined without sacrificing her warmth.

Hou Minghao gives his strongest performance to date. Xiao Wuyi could easily have become another cold, vaguely dangerous nobleman whose personality consists mainly of excellent posture. Instead, Hou Minghao gives him exhaustion, suppressed anger, tenderness, and a kind of watchful restraint. Much of the character exists in the pause before he speaks.

The supporting cast is generally strong, although not every character receives equal depth. Li Mao should have been one of the drama's most compelling characters, yet I never felt the writing, or Riley Wang's performance, fully connected his emotional shifts. Too often, the story seemed to arrive at his next emotional state before it had fully earned it, making him feel less layered than inconsistent.

The drama also uses a few conveniences I could have done without. The amnesia section adds less than it interrupts, certain deaths arrive with suspicious narrative efficiency, and some emotional consequences pass more quickly than the events themselves deserve.

Still, the story never lost me.

Victory here is not simply defeating the villain or placing the correct man on the throne. It is refusing to reproduce the choices that created the conflict in the first place. Some characters inherit old conflicts and choose to perpetuate them. Others try to break the cycle instead. Xiao Wuyi's final triumph is not that he proves himself worthy of power, but that he remains capable of imagining a life beyond it.

The person who rules is not necessarily the one who wins.

Perhaps that is the drama's sharpest idea.

Key to the Phoenix Heart is not as airtight as its most enthusiastic admirers claim, nor nearly as illogical as its harshest reviews suggest. It is fast, occasionally overstuffed, and uneven around the edges. It is also sincere, confidently directed, emotionally persuasive, and more interested in choices and consequences than many dramas in the same genre.

For twenty-eight episodes, it gave me political intrigue that respected its own politics, a romance built on earned trust, women with ambitions unrelated to defeating one another, and a hero whose greatest victory was knowing when to walk away from power.

I will take it.

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100% RECOMMENDED HP CASTS, DIRECTOR, WRITER, AND STAFFS U DA BOMB

Everything in this drama is just so perfect. It gives you the warm feeling while watching it. It made me smile, laugh, cry, and get hungry the whole season. As a med student myself, this drama is very realistic and it really tackles about what people go through within the walls of a hospital. I'M SURE ALL OF YOU WILL LOVE IT!

Story - 10/10
You would think that the story might be boring at first since they really need to introduce a big cast, but if you continue, you'll realize how good the plot and progression of the story goes. This slice of life drama really lets people realize how important friendship is. They have their own lives and their problems but they were always there for each other. The cases of the patient were also realistic and we can see here that the story was not exaggerated. Just like the other works of Shin PD, we really can't predict anything.

THEY ALSO HAVE THE BEST SEASON FINALE! I wasn't disappointed with how the story went. The finale was really worth the wait, I wanna cry I'm so happy. Shin PD and Writer Lee, good job!!

Acting/Cast - 10/10
The cast is perfect. I love all of them. They acted so sincerely and we can really see how much effort they put into their roles. They trained very hard for this. Every emotion shown here will really make the viewers feel like they're in the same shoes. Whether you are in the field of medicine or not, you'll feel their struggles. We all experience these things one way or another. Even the kids in these drama acted so well. Shout out to U-ju, gyeopta!

Music - 10/10
The title says it all! I love their band and their songs so much. It really feels good to listen to their songs especially the covers they make. I saw how much effort they put into practicing the songs which makes it feel more special.

Rewatch Value - 10/10
Most people say that the rewatch value is low BUT IT'S ALSO A 10/10 FOR ME! Just the fact that there are meanings in the small details in the drama makes me want to rewatch everything. The cliffhangers and the clues given also make my mind go crazy. I also love rewatching their band practices. Season 2 will air on 2021 so we have a year to rewatch the episodes, the interviews and the relay cams. I'll rewatch their scenes whenever I'll miss them. Ugh I can't wait for the next season!!

Watch this!! 100% recommended <3

Shout out to Yoo Yeon Seok!!! I love you oppa! I hope more people will come to appreciate you.

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It just OKAY

Excellent acting,well written plot. The show creates too much question to make the audience keep watching. The whole questions got answered only on the final episodes. Everything fall into place. And you begin to "...oh thats whyyy."

To be honest i enjoy the early episodes more. Its thrilling but in the midst its draggy and quite boring. Mouse is just okay for me. I like it but not that much. Imagine spend around 40+ hours for a drama and the final episode got nearly 2 hours? I feel i aged 20 years by watching it. The romance between Ba Reum and Bong Yi like nah????? Idk.

Would i rewatch or recommend? Absolutely NO.

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I'll put this out there - this drama had SO much potential.

I started off on this one a little skeptical, because fantasy elements in Korean dramas always tend to be a little corny. I held that skepticism until about midway into the first episode, when the plot started to reveal itself, and things actually started to get really interesting.

While the genre of VR gaming has already been vastly explored, this was probably the first high production AR drama to hit the scene. Augmented Reality (AR), for those who are unfamiliar, is a technology which shows computer generated images projected into the real world. Think Pokemon GO. As you can imagine, this sets up some rather amusing scenarios where a person swings around randomly and everyone else gives you weird looks as they can't see what you're seeing. This drama starts off as just that - a rather light hearted take on VR, which not only tries to be funny, but looks silly in the process. As a result, I could not take the first episode seriously and almost dropped it as soon as I began, but things take a turn for the serious rather quickly.

And this is where the problems started arising. The drama, while it made some very interesting plot twists and smart little ideas, seemed like it had no direction. The plot twists, and smart ideas almost felt like the end goal of the writer, only put in there to entertain for the shock factor, just for the sake of it. There was no balance of light-heartedness and seriousness. This then gave rise to a bevy of problems including some major plot holes, pacing issues, and lack of character development - not to mention some ridiculous technologically impossible feats.

All in all, the plot started out a little silly, got really interesting, and ended up really silly because they couldn't fix their mess.

Don't want to talk too much about the other topics really - the actors are top grade, and the musical variety, while small, did the job. The production quality/value was superb - the fact that this was partly shot in Granada speaks volumes.

It's just a shame the plot completely lost itself. If it weren't for the rest of the factors, this would definitely have gotten a much lower score in my books.

I would say that if you like the genre to definitely give it a try as it still invokes interesting thoughts, but all in all it was a little disappointing.

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Extraordinary Story & Characters - Finished Ordinarily

One of the most anticipated and talked about drama of mid-2022 which started on a high - with heartwarming story and characters, while showing the harsh reality of society but ended a bit-weakly. Overall, an enjoyable ride and it will definitely remain an iconic drama and in must-watch lists for time to come. Sharing my short & detailed reviews below:

✧❅✦ QUICK REVIEW ✦❅✧

Why You Should Watch It:
♥ Refreshing concept - great portrayal of person suffering from ASD
♥ Superb Acting by ALL characters
♥ Cute main-lead love story - will induce giddiness, make you curl your toes and smile ear-to-ear!
♥ Loveable and Hate-worthy Side Characters (the latter, cause we need a reminder that all in not rosy even in dramas)
♥ Good Reflection of society's good, bad and the in-between
♥ Beautiful, Addicting Soundtrack
♥ Funny and comedic relief to break-through the seriousness in storyline

What Might Bother You:
✘ No hard-core, well explained baddie/villain
✘ Some side-characters have weak character development
✘ Law cases are not as gritty and thrilling
✘ Ending is rushed (can be managed, but might leave some frustrated)

Summary:
This drama is for you if you are looking for a cute romance story, set in the backdrop of attorneys navigating their way in the society - shown through the eyes of a genius woman suffering from ASD. You get preview of her friendships and family, initial inhibition of people on accepting people with ASD, how they try to understand and sympathize, while others choose not to - and both sides are valid and real.

Watch it for - Woo Young Woo's acting, Jeon-Ho's charms, cute moments, some brilliantly executed cases, comedy from our loveable side characters and portrayal of those who suffer from ASD - so that we can learn and be kind in our real life!

........................................ || not spoiler, but some hints are there at storyline - read with caution || ..............................................

✧❅✦ DETAILED REVIEW ✦❅✧

❤ Lesson From This Drama: Celebrate the Extra-Ordinary in all of us! ❤

--------------------------------------------------------- ✧✦ What Works ✦✧ ----------------------------------------------------------

✦ The Concept:
Refreshing story of how a genius young woman suffering from Autism deals with her work, friends, work and other social interaction. We get to see from her lenses - the good, bad and the in-between we deal with in society. Somethings that might just seem natural to us in our every-day life, might be a task for people suffering from ASD. While the cases and characters propel how our main lead actress navigates through it all, my takeaway from it is that we need to more observant, understanding, sympathetic to people and our surroundings, cause not everyone is same, we are all different and that is okay and something to be celebrate!

✦ The Acting:
While our main lead actress is phenomenon and it is what draws audience to start watching this drama, stay and fall in love with her - it is also the other characters around her. How they in their respective roles are either supportive, begin to understand her, or are completely against her. Which is a good and solid representation in real life - some will hate thee, some will love thee. Right from characters shown in the positive or negative role - I believe if a character makes you love them or hate them, that is a job and portrayal well done. So kudos to the entire star cast, minus the glitch in certain character development, with the limelight on this show, everyone stayed true to their acting!

✦ The Cases (some of them - at the start)
This is not a courtroom drama, but more of how it is approached by a person suffering from ASD. What maybe missed by the ordinary attorneys is captured beautifully by our Extraordinary Attorney Woo. The cases in the first half are somewhat thought-provoking, nothing that that will give you sleepless nights or keep you guessing till the end, but more on the lines of breaking it to the audience that society evils persist and sometimes our perception creates or manifests evil or wrong. But seen from the lens of the innocent (like Attorney Woo) you can see past the pre-conceived notions/prejudice and see a person or situation for what it really is and make a judgement or form opinions accordingly.

This was a double-edged sword - some cases worked while some did not. But in all cased - we see our lead making some good/bad and confusing decisions in her own battle to love the law and abide by it.

-------------------------------------------------- ✧✦ What Could Be Better ✦✧ ---------------------------------------------------

✦ The love-story (or stories)
Now in a great romance - you have a build-up, the cute moments, a tragedy or hurdle that tests them and then happily-ever-after, right?

I personally fawned, curled my toes in the romantic scenes, cause it was cute, mushy and our lead pair were devastatingly good looking and convincing. But I was saddened by how the writers wrote their hurdles and ending phrase. The relationship graph went super high only to nose-dive in the end. Though some would like it and appreciate how it was tied up, but I would have preferred more explanation or some romantic/dramatic declaration of love - because we are focusing on a character who is socially meek, so more words were needed to explain those emotions.

Another weak area - the love stories of the side-characters was just done for namesake, only cause they are on screen so let's show a backstory or put 1+1 characters just cause side characters also need some love - did not work for me, sadly. Had they omitted the love angle and shown it more as a supportive friendship or hinted at a camaraderie, would make more sense.

✦ The Negative Characters' Development
Everyone loves a good villain - you may love, admire or hate them but you just cannot ignore them.
In Woo Young Woo's life too, we see such characters pop-in but with not much preamble as to why the dislike our main lead, what is their backstory and main motive to cause disruption. It is all too mellow and not sharp, vengeful or even justified. They are just there - and you would expect that the next episode would drop some insight, but are just left waiting. Talent, in this case, got wasted as well as the story arch.

--------------------------------------------------------- ✧✦ Summary ✦✧ --------------------------------------------------------

It definitely is a tale that is worth-a-watch only for the portrayal of ASD, some great acting and beautiful soundtrack.
But like me, many could be saddened at how it all tied up in the end. Because the drama was so highly anticipated and the first half really sets the bar high, to have such a mellow ending was not expected.

Usually I give a drama a rating of 10, deducting 0.5 or 1 as story progresses and characters develop. Therefore, I gave this drama a 9 at the start only to bring it down to 8 now, which can possibly share some perspective to whoever is reading this.

It is a cinematic treat - the acting, scenes and music make it easy on the eyes and ears and the story is a heartwarming tale that is worth taking a note of, at least once.

-------------------------------------------------------------- ✧✦ ✦✧ ------------------------------------------------------------

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Artistically stunning with hidden meanings :)

I don’t write many reviews. I’ve only ever written one before and it was for The Glory. But this stunning drama deserves one, especially as I am upset at some of the comments and reviews made so far.

I am in England, and currently we are having a pretty intense storm so I am home and had free reign over the tv. I had saw this on my Netflix recommendations, so decided given its nine episodes that this would be my treat for the day (alongside wine and chocolate obviously ;)

This drama is stunning. Visually, directionally and its gorgeous writing. The main characters are endearing and free spirited. I resonated to Doona through mental struggles and her cold approach to relationships.

Key to the series here is that Doona is outwardly cold, but inwards she is warm hearted and yearns for love and approval. This needs to be remembered as you go through the series, every decision she makes you need to remember that inwardly she feels so much profound pain. She also loves Wonjun more than anything in the world. But she needs approval, and her career is the only thing that can satiate that need.

Your twenties is a period of change and growth. Ebbs and flows are normal - reviews upset about the ending are not looking deep enough.

Here’s something you may not of noticed. In the last few episodes - After the opening credits, at the beginning. There is a clip, which is very interesting in response to the ‘open’ ending. In the last episode, the clip is Doona and Wonjun meeting in a field of flowers. *look* at the outfits! Wonjun is wearing the suit and coat that he is wearing in the last scenes. When he is smiling at cake, glances at jewellery. Before walking in the hotel, and Doona turns round. Clearly she calls for him, or they are already in some kind of situationship.

The opening credit scene shows after this ‘open’ ending, they do meet and I believe the intention is to be together and make it work.

Because all these years later they are ready for eachother. They have the approval they needed from the world all those years ago. Now they are ready for it from eachother. Early on in the series, Doona says that her personal life and career would calm down after a few years. In 2027, that has happened and she can love freely the person she loves.

Gorgeous hidden meanings and direction. The director is a genius, look at CLOY. People shouldn’t write this drama off, be upset if you were initially- go back and re watch looking at the depth and meaning of words.

It’s beautiful and has enriched me for the better.

I hope it enriches you as well.

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A fun, light-hearted watch for the rom-com lovers

As a die-hard fan of the webtoon, I was over the moon to see the drama adaption finally coming out!

It's the contract dating / marriage trope that fakes it till you make it once again. Cliché and exaggerated at times, but still extremely entertaining. In fact, rather than being pure cringey, I love how the screenwriters just absorb the clichés like a sponge and turn them into A+ grade comedy. It's a fluffy rom-com that hit all the right spots, making you laugh and swoon like there's no tomorrow. And the editing is just spot on with the fun and comic-like transitions.

We have an interesting cast here. It's a little scary how much Ahn Hyo Seop fits right into the ML's role with that side-parted hair and dashing suit, like he just steps out of a webtoon. The way he slicks his hair back gives me major What's Wrong With Secretary Kim vibes (I can almost hear Park Se Joon yelling "Aura" in the background). I like Kim Se Jeong's singing but I have yet to see her in a drama. Oh my goodness, she got me doubling over from laughing so hard when she called Ahn Hyo Seop an Archaeopteryx. And don't even get me started on who's Samantha and Rachel. Their blind dates are absurdly hilarious and you'll wheeze in laughter before you know it. It's a bit different from how I envisioned Shin Ha Ri would be, but definitely a refreshing twist for the webtoon fans.

On the other hand, Kim Min Gue is the ideal secretary sidekick for the ML. This is the bromance I was most excited about, snarky but sweet. Seol In Ah plays the free-spirited bestie for the FL, one that you always wish for yet never have. Together, they make up one of the most iconic second couples I've ever seen. They're so scandalously cute in their own way. It's great that not only each couple has its own arch but we also have so much bromance and sismance energy here. The grandfather is so loveable with his outrageous marriage "project", a quest to find blind dates for his workaholic grandson. It's a bit hard to believe this was also the mad king we saw in The Red Sleeve. And that makjang he's watching really hits home for me, it's like they're watching their own drama unfolding.

The OSTs are also overwhelmingly sweet, almost to a diabetes level. My absolute favourites would be Love Maybe by MeloMance, You Are Mine by VICTON and Spring Breeze by New (The Boyz). All in all, it was an extremely witty script with as many unexpected turns as there are clichés. If you're a fluffy rom-com lover and don't mind a bit of silliness to de-stress, then here's the perfect pick for you!

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Erika Toda Eats Worms and Builds an Empire in Straight to Hell

This show is unwell, and I mean that as a compliment. This show looked at stability, peace, emotional balance, and said no thanks, we’re going to follow one woman who eats worms and then builds a media empire out of pure spite.

And at the center of this chaos tornado is Erika Toda, who is out here playing Kazuko Hosoki from 17 to 66 like she signed a contract with God and refused to lose. Five decades, five personalities, zero weakness. It is honestly offensive how good she is. I felt judged watching her. Like girl, relax, some of us are barely playing one version of ourselves correctly.

We start in 2005. Kazuko is rich, famous, dripping in power, and surrounded by rumors like flies on expensive fruit. Fraud, yakuza, sketchy vibes. The kind of success where people smile at you and then immediately Google “is she a criminal.” So she decides to tell her life story to this struggling writer Minori, played by Sairi Ito. And you think oh, nice, healing moment. No. This is not healing. This is PR with trauma seasoning.

Then the show punches you in the throat with her childhood. Post-war Japan said “good luck” and left her to starve. This woman ate an earthworm to survive. An earthworm! I complain when my food delivery is ten minutes late, and she is out here doing Fear Factor just to stay alive. That kind of origin story does not give you soft eyes and a gentle heart, that gives you laser focus and trust issues so deep they need their own postal code.

By 17 she is lying about her age and working as a hostess, climbing fast because she can read men like cheap subtitles. Of course some trash boss tries to ruin her. Of course. Men stay predictable. But instead of collapsing, she goes full villain origin. She learns one rule and carves it into her soul. Never depend on anyone. Not your boss. Not your man. Not your horoscope. Nobody.

So what does she do? Opens her own nightclub in Ginza. Like a psychopath. Brings her younger brother along. Builds it into a success because apparently survival was just her warm-up round. Meanwhile her love life is a flaming garbage fire. Rich men proposing, promises flying, stability nowhere to be found. And then she gets involved with the underworld because why not add organized crime to the emotional damage cocktail.| Toma Ikuta shows up as a yakuza boss boyfriend and you just sit there thinking yes, this tracks, nothing about this woman screams “safe choices.”

Every time life hits her, she does not break. She upgrades. Betrayal? New skill unlocked. Failure? Character expansion pack. So when she becomes a fortune teller, it feels obvious. Of course she can predict people. She has been reverse-engineering human behavior since she was eating worms in a ditch.

And the show looks amazing while all this insanity is happening. The wardrobe evolves like a glow-up montage on steroids. The makeup ages her so well it is almost disrespectful. And somehow Erika Toda is still dominating scenes she is not even in. That is witchcraft. I am convinced.

The supporting cast is great but they know they are living in her world. Toko Miura brings emotional depth as Chiyoko Shimakura, but nobody is hijacking this train. This is Kazuko’s rollercoaster and everyone else is just strapped in, screaming.

The timeline keeps flipping between past and present, and you start realizing something important. Kazuko’s version of events are suspiciously polished. Meanwhile Minori is digging around like “hmm, this smells like selective memory.” So now it is not just a life story. It is a psychological chess match about who controls the narrative.

Kazuko is not a good person in the clean, Instagram-quote way. She is ruthless, messy, morally chaotic. A walking red flag with perfect lipstick. And yet you cannot look away. Because Erika Toda does not ask you to like her, but dares you to understand her.

Take her out and this show collapses instantly. Leave her in and it feels like you are watching someone set fire to the world and then sell tickets to the show.

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Pure Entertainment!!

I am not usually a wuxia fan and have not many shows so the entire review is from my personal enjoyment of the show. No major spoilers as such but may have some minor ones. My motivation to start this was pure Lee Jae Wook tbh. I had seen him in WWW and the moment he came to the screen I was drawn to him the entire time.

Watching the initial episodes, I was half heartedly expecting this show to be a political scheming war between a destined king (Jang Uk) Vs Wannabe King (CP) Vs Actual king who is soon dying, with some magical elements. Yeah I had my biases going in but I was wrong. The setup was beautiful and I was actually drawn to the story for about 4-5 episodes. The show had some cool cliffhangers which make me crave for the next episode. The CGI elements were dope and whenever Naksu drew her sword made me major goosebumps.

That's where my complaint started. It had an interesting setup, Jang Uk born under King's Star and destined for greater things and on the other side deadly assassin Naksu soul swapped as Mu Deok. Their journey to start from scratch to finding about their truths was an intriguing plot for me which despite not being an unique one however if done right makes it interesting. After a point it became a battle of mere words. The storylines being reiterated for God knows how many times. One by one each character got to know the secrets and repeating the same thing made me scream like dude we got the story now move on. The whole Ep 19 was a summary of the story line for the nth time, no kidding.

My highest disappointment with the show is how they underplayed Naksu. They gave us a badass heroine who eventually became nothing but a maid. I get the motive behind it as they wanted to come up with the whole arc of hers but they did a major injustice. Not only hers, infact so many other characters who were supposed to be this great mages protecting the Capital and what not became a meek observer of the plot. They bought 0 contribution to the story which makes you question their purpose. During emergent situation the mages like Yul, Park Jin and even the Crown Prince did nothing making me scream like aren't you suppose to be powerful? Now for the king, I mean they take the most competitive "admission test" to appoint a servant seriously but chose the most stupid person as the king who was the last to find out what was going on. I know they added all this for drama purpose but I can't help laughing at this absurdity.

The cast did justice to their roles and no complaints on the acting front. For the romance aspect honestly I was not interested and majorly skipped all the scenes except the ones with the main couple. It was unnecessary and cringey to some extent. Action scenes were cool but were limited like Jang Uk and Naksu using one only Tansu move whenever they fight. Maybe we will see more in S2 as the setup is different here.

Overall the story was repetitive and was cliched down a lot to attract the crowd however it was still an entertaining watch for me. I am up for S2 and not taking the loopholes of the story tooo seriously.

*Ending Spoiler here*
I wonder how will they bring up Naksu's body which was burnt earlier. I suppose it was Jin's family who saved Mu Deok at the end as the mother was giving instruction to bring her alive, so I think maybe one of them saved her body or something. And Jang Uk rising from the ashes was my favorite scene of the show. Ahh LJW eyes!

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The masterpiece that failed to stick the landing.

I feel like I can speak for many people when I say that after the last half hour or so of the last episode, this drama went from a 10 to an 8 to me. The ending is going to be what makes or breaks the drama for a lot of people, so that's my focus with this review.

Before that, I want to take a moment to commend the show on everything that it did right. The first 19 episodes were fresh, new and exciting, with an amazing supporting cast and one of the best FL I've ever seen in a k-drama. Of course, the FL was playing a male character, at least partially, so that perhaps could have influenced the writing for the character to be different from the average FL. There's a lot of messy business in there that I don't think I'm qualified to talk about, so I'll just say that the actress did a phenomenal job playing BH's character and I enjoyed her performance immensely. The leads had great chemistry, the humour was on point, and for those first 19 episodes, the only thing that didn't quite keep my attention was the politics which, unlike the fresh take on everything else that the drama had going for it, remained as stale and predictable as any other Joseon drama.

Then the ending happened. Then BH returned to the present, SY seamlessly took his place as queen, and they made an attempt at happily ever after. And that's where the drama lost its spark for me. There are a lot of nuances in the relationship between SY and BH, and sorting through it makes the ending really difficult to argue with. It's made clear that BH is being influenced by SY's feelings for CJ. It's SY's love for the king that causes BH to be drawn to him, so using that logic, it makes perfect sense that SY would stay with the king in the end. Even knowing that I'm left unsatisfied. Over 19 hours of this drama were spent watching BH and CJ interact and a lot of the interactions that stand out most to me were conversations they had that SY never could have had - their constant back-and-forth over BH's slang terminology and the moral conduct that he carried out while in SY's place are some of the best examples. BH's cooking knowledge, as well, is what helped the king get through the festival. SY would not have been able to do so because she lacks BH's experience. And that's just it--the king was charmed by him, by BH's quirks and strange behaviour. Without BH carrying their relationship on his back, SY would not have gotten her happy ending even if it was her who woke up after falling into the lake.

So what we're left with is a main character who does all of the work and gets booted back to his time so that the girl whose body he's been possessing takes all the credit. And I know I should have expected as much - I DID expect as much, right from the moment the drama started - but that doesn't make it any less sour. We've seen this done before, and despite a few years having passed since the last one that I recall, having two male characters in love on a major network, even when one has practically fused with the queen, isn't going to slide. I get it, I understand.

What really got me, though, was how little BH seemed to matter after returning to his time. Despite being the entire focus of the last 19 episodes, when he returns to his body he's only given a few brief scenes that serve entirely to explain the plot that's going on in Joseon. The characters of the past got some fluff scenes, some cute, happy moments, but his screen time was just: wake up-->run away-->find out what happened to CJ-->find out he's in the clear now-->smile while talking about his newfound morality. On the surface, it seems fine. But the more I think about it, the more it doesn't sit well. He spent months with those characters and whether influenced by SY or not, he fell for the king. Then, instead of showing any bittersweet emotions, he just moves on. At least it looks like he moves on. We aren't really given any time to see him process it all. This is the character we followed from the start but he became a side piece in his own story in the last episode, and that's sad to me.

I did like the ending. Well, the other aspects of it. I like the punishment for the antagonists, I like the happy little moments with the side characters and, as always, Court Lady Choi is a blessing. So really, I don't think it's bad writing that left me feeling this way but bad choices. So while I wanted to give it a 7.5 because of how disappointed I was, I did take a moment to look back at the other 19 episodes and all the joy they brought me. Even if the destination is less than desired, the journey was a breath of fresh air for historical dramas. It was like nothing before it and every moment until now was funny and exciting with amazing actors and a music score that perfectly suited the mood. I can't deny that, and I'm still happy to have watched it. I won't punish the whole show for one episode.

But to me, this ending is bittersweet. Seeing BH smile and cry while looking at the king's portrait and knowing that the king feels that something is missing after BH's disappearance, never knowing who BH was or where he really came from and never fully believing the stories that he heard, it's sad. If not to the writers then at least to me, they were in love and this was their story. And I wouldn't have it any other way.

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The kind that nibbles at your heart until theres nothing left

Reality is sometimes far from ideal. It can be sad. Disappointing. Frustrating. Daunting. Painful. I found all these in Si Yu, Zi Zi and Xiao Ling's life as depicted here.

We saw the rosy moments. The happy and content times, often fleeting or even underappreciated. But often they had to face so much struggles that life throws at them. In this aspect, the writer does not shy off from showing us the ugly.

The issue in SY and YM's relationship or the cracks in ZZ's marriage. They were very real. Sometimes its not cookie cutter clear who is in the wrong. The relationship stalled at this point from the contribution of both parties. In SY and YM's aspects, they werent on the same page at that time in their lives. I found this to be all the more painful because they love each other but not enough to stay together and be happy.

Often i get upset when watching so i caution those with a feeble heart. But yet 41episodes watch and cried, I'm still here eagerly waiting everyday for new episodes to watch my very flawed male and female leads. As much as it pains me to see them falter, and grope in the dark as they refind themselves. I want to cheer for them. For ZZ to gain independence and confidence. For SY to understand what truly matters and stand back on her feet. I want to witness when they would find back their true selves, and their way to happiness.

The acting here is amazing. The leads are so flawed and imperfect, sometimes weak and sometimes they frustrate the hell out of me, but i cant hate them, i pity them and still want to root for them. Zhu Yi Long (this guy's eye acting and micro expressions are so on point), Liu Si Si and Han Zing Zhi all had their shining moments. Lastly i love the girls' friendship, they are there and supportive but never stiffling or condescending even though they all are so different and have different ambition and dreams.

* I have amended by rating and review upon finishing. This is the first time there's a huge discrepancy during "currently watching" to "completed". The conclusion continues its sarcastically cold reality- except the plot outcome for some of the characters to deliver the ultimatum ended up unrealistic in my opinion. We are suppose to receive the climax and send off our characters but the writing didn't deliver. After diligently shouldering the frustration and watch the humbling problems the girls faced for so long, you asked for a little reward and felt cheated. Watch something else unless you don't mind cruel reality and unfulfilled epilogue.

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