The music was fabulous as well; especially their singing. The main two have such nice and lovely voices!
I don't personally like how a lot of things were cut from the drama and things got confusing here and there; especially when an episode ended in one place and the next one started in a different place and I'm sitting here watching it like, "What?!?! How did that even happened?? Or how did that even worked?" (I understand that some scenes were deliberately cut due to China's sensory issue, but at least make the continuity understandable.)
Overall, the web series is great and lovely even with a mere 15 episodes that were 20-25 minutes long each. I definitely recommend watching this web series because once you do, you will want more of the characters, lol. I will definitely re-watch this web series when I have nothing else to watch!
(I will be waiting for season 2!)
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As much as I love my usual rom-coms, Misaeng completely took me by surprise and gave me thrills and heart wrenching moments in every single episode. Some people find the pace slow, but it worked for me. I was engrossed with each and every character and every single plot. I laughed and cried with the trio from Sales Team #3 and its group of supporting casts. It has unexpected moments and original story telling that is rarely seen. I absolutely loved it!
Give it a try. If nothing else, you will walk away with a few valuable life lessons.
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Acting/Cast: Mostly new faces but boy did they acted well! Kudos to the female lead and male leads of this drama, including the supporting characters of female servants, eunuchs and princes. They can act serious at one point and turn to quirky and funny at another then to a touching and tear-inducing, heart-jerking scenes the next! Amazing! I hope they will all go on to bigger and better roles! And the costumes were scandalous to say the least! Scandalous and unthinkable for the period in question but they added to the fun of the drama! Big pat on the back to everyone- from cast to production and directing teams! A job well done!
Music: Love the haunting OSTs and how it's played throughout in 3 different variations depending on the mood of the drama. I am looking around to download it now.
Rewatch vaue: High rewatch value. I do not mind rewatching this drama again very soon. Each episode's only 30 minutes since it's made for web viewing. I enjoyed all of the weird antics and the more serious parts of this drama. Very entertaining!
Overall: Highly recommended! You'll laugh, fall in love and cry. This is chinese quirky humor mixed with romance in the ancient times at its best!
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1Checkmate, I Win
Stand By Me began airing exactly 12 months after Love and Redemption was released last year, much to the happiness and joy of Cheng Yi fans all around the world (myself included). L&R was the drama that propelled him to stardom, and this production reaffirmed his status as one of the most anticipated drama actors in the C-historical genre. Starring numerous colleagues from his agency, H&R Century Pictures, we get a L&R reunion of sorts. This includes his “sister-in-law” Zhang Yu Xi who plays his significant other this time around.Production details that may interest you
Originally titled Dream Awakening Chang’an, the title was changed to Stand by Me along with the setting of the story as a result of the censorship requirements imposed by China’s NRTA. Initially planned as a romanticised retelling of the Tang Dynasty Emperor Li Yan aka Wuzong’s reign, the script was changed to a fictional tale of an alternate version of Tang, the Xing Dynasty’s Emperor Qi Yan. That said, the historical account of actual happenings and real life figures such as the Grand Eunuch Qiu Shiliang and Sweet Dew or Morning Dew (Ganlu) incident in the 9th century remain present in the story. The social as well as court conventions are very much Tang in appearance, most obviously the attire being worn by the various characters.
Stand by Me is both a TV drama and a web series, being simultaneously released on Hunan Satellite TV’s Golden Eagle Private Theatre and Mango TV. Filmed entirely at Hengdian, the drama is directed by Liu Guo Nan who helmed the Glory of Tang anthology, and assisted by Zhao Li Jun, who helmed Deep Lurk, another Cheng Yi drama slated for release some time later. The award-winning Shao Chang Yong serves as art director, which adds a touch of class and credibility to the production design.
The screenplay is written by Shi Si Que (十四阙), who is the current editor-in-chief of China’s Dongxi Animation Club. He has written numerous novels and short stories, while this drama represents his first foray into screenwriting.
The Production Values
The overall quality of the production is reasonably high, as can be seen from the art direction and set designs. For the most part, the technical execution is decent in terms of the direction and cinematography. During the first few episodes, there are a few noticeable editing and dubbing issues which I attribute to the change in settings from Tang to Xing Dynasty. The subtitles are generally correct but for those who understand Mandarin, the name “Great Tang” is mentioned in lieu of Great Xing on a few occasions. The buildup of the backstory in the first episode does feel somewhat rushed with the frenetic scene transitions but things begin to settle down not long afterwards.
The action sequences, particularly the synchronised swordplay formations and sword fights in general appear to be reasonably well choreographed. I like that there is no excessive use of fast cuts, slow-motion and close-ups, which makes the flow of the action less contrived. The villainous character of Qiu Shiliang employing the use of the traditional Taoist “horse-tail whisk” (拂尘), typically used in Wudang martial arts, adds a nice touch to the depiction.
The Narrative
Stand By Me is adapted from the novel Sword Weapon (Jian Qi Hang 剑器行) by the writer Feihua (飞花), a talented novelist who had won the Top Ten Novel Award of the Second Online Literature Competition in 1999.
The drama follows the journey of two sisters, descendants of a noble family that have fallen from grace as a result of political machinations and treachery. Due to the tragic events that followed, both sisters went their separate ways only to reunite at the very place that caused the downfall of their family - the royal palace. At either end of the continuing political tug-of-war is the noble Emperor and the wily chief eunuch who seeks to undermine the authority of the throne. Amidst this tumultuous backdrop, somehow the sisters end up on opposing sides in this court intrigue.
Palace politics with all its clever schemes and nefarious plots are heavily featured, in addition to themes of romance and love, as well as betrayal and revenge. This is one of the most riveting, thrilling, and suspenseful palace dramas of the year. Unpredictable twists and turns, shocking revelations, and countless exchanges between “multiple sides” merge beautifully into an exciting historical extravaganza. The storytelling is fast paced and action-packed, involving various perspectives and hidden agendas by multiple POV characters. The momentum never lets up and is sustained until the very end. All of this culminates in a profound conclusion that promises to leave a lasting impression on viewers.
It’s worth mentioning that there is more than a subtle hint of Chinese Chess (Xiangqi 象棋) being referenced throughout. Usually Go (Weiqi 围棋) is showcased in historicals as the boardgame of choice for aristocrats but it’s a nice change to see another ancient game being featured. Aside from the Purple Robed Bureau (subtitled as Violet Bureau), a fictional organisation that bears close relation to Xiangqi is the Chess of Generals Bureau, whose members represent the chess pieces such as Left and Right Advisors, Chariots, Ministers and the Chess Overseer. Fascinating stuff indeed.
The Cast Performance
Cheng Yi headlines this drama by portraying the role of Emperor Qi Yan. There isn’t much left to be said about this magnificent actor who brings his A-game every time he puts on a show for us viewers. As in L&R and also The Promise of Chang’an, it’s hard to see other actors surpassing Cheng Yi’s supreme mastery of poignant and emotional scenes of great torment and suffering, including his now trademark “poetically beautiful blood-spitting” moments. Truly the best of the best. In Stand by Me, Cheng Yi provides us with further glimpses of his versatility and range with a vastly different and never-seen-before side to his very multifaceted portrayal - the cold, ruthless and sensual Emperor. Seeing is believing and I truly do believe there is much more to this man than meets the eye that, hopefully, will be showcased in his future projects.
Zhang Yu Xi, who had previously played Chu Ling Long in L&R, appears as the female lead and primary love interest this time, Cheng Ruo Yu. A promising actress who possesses much depth in her moving portrayal of emotional pain and suffering. As it was in L&R when her character had suffered PTSD, the conviction of her expressions certainly reflects her growing maturity in tackling complex characterizations, which is the case in this drama. She manages to infuse her character here with a fusion of kindness and righteousness that are borne of purity, as well as a developing sense of awareness and pragmatism. These are qualities that reflect the tremendous growth her character experiences through the course of the story.
Deserving of equal billing as part of the three leads, the ever charming and elegant Xuan Lu graces this drama with her appearance as one of the estranged sisters. She had previously caught the eye with her memorable depiction of the delicate and kind Jiang Yan Li in The Untamed. This time, she brings an air of sophistication to the cool and calculated character that is perpetually shrouded in mystery, Qiu Yan Zhi. I honestly feel that there are moments where she manages to steal the limelight from Cheng Yi and Zhang Yu Xi, for she has such a presence that lights up the screen whenever she appears.
Notable mentions for other major characters go to Han Dong who plays Prince Guang, and He Cheng Ming as the chief eunuch Qiu Shiliang. Han Dong is an exceptional actor who has appeared in many historicals so there are no surprises to the dimensions he imbues the characters he portrays. His nuanced microexpressions are always expertly delivered and a joy to behold. He Cheng Ming, who previously played Si Feng’s father and Master of Li Ze Palace in L&R, is another experienced hand with a wide repertoire of works in many varied roles. This time around, he is perhaps more subdued and less OTT, but still retains that aura of an expert performer who immerses into the character with such consummate ease. In short, he always looks like he’s having fun and he carries the role with glee. I have to admit, the mannerisms in his depiction remind me at times of Sun Wukong the Monkey King.
Among the familiar faces in supporting roles, look out for Xi Xue (Under the Power, Lin Ling), who has a significant arc as Cheng Xi, Yang Xi Zi (L&R, Xiao Yin Hua) as Princess Misha, He Zhong Hua (L&R, Xuan Ji’s father) as Li Deyun, Li Jun Yi (L&R, Zhong Min Yan) as Yan Xiu, Ethan Yao (L&R, Ting Nu) as Han Yue, Fu Fang Jun (L&R, Wu Zhi Qi) as Han Ding, and of course, the unforgettable Bai Shu (L&R, Tengshe) as Prince An.
The Music
No C-historical would be complete without epic songs from the likes of Zhou Shen and Liu Yuning. Cheng Yi also contributes to the soundtrack with his beautiful rendition of Shou Shou, which is my favourite track of this drama. Along with the BGM, there are a total of 7 tracks:
Yu Yan Shuo 鱼雁说 by Audio Monster/Silver Lin (音频怪物 / 银临)
Chang'an 长安 by Liu Yuning 刘宇宁
In Through Dream若梦 by Zhou Shen 周深
Small Dust 小尘 by Shuang Sheng 双生
High Above in the Sky 当空 by Nana 许艺娜
Shou Shou 相守 by Cheng Yi 成毅
Worrying about the Sky 杞人忧天 by Allen Su Xing 苏醒
Overall
Stand by Me is a drama I had been anticipating from Cheng Yi since last year, and I’m pleased to say I haven’t been disappointed with the plot and overall technical execution of the production as well as the performance of the cast. It is not flawless by any means but I appreciate the nature of the storytelling that eventually culminates in a rather conceptual ending, which somehow seems to be the standard for C-historicals these days. In any case, the entertainment value is high and I have thoroughly enjoyed the intrigue as well as unexpected plot points throughout the 49 episodes of its run.
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This review may contain spoilers
Without spoilers, this is going to be a hard review to write, but I figured since no other reviews were written for it, I would give it a try. I used to not be a fan of sageuks, but recently I have been proven wrong, and this is one of those that did it. In terms if writing, the story was well written. I kind of kept you guessing, and the cliffhangers were killers. The way the characters were written was brilliant, as well as the way history and fiction were mixed. It kept you coming back for more. Granted there was your typical backstabbing and plot making, but it fit in with the story, so it didn't seem out of place or to be to much.
In terms of acting, brilliant. Each actor portrayed their characters to the point you actually believed they were the character, not an actor playing someone. I have to say I was very impressed by Jang Hyuk, yet again, and after seeing two sageuks of his, I have a hard time picturing him playing any other type of role.
The music, I would have liked to have heard more traditional instruments, but all in all it wasn't bad.
I will definitely be watching this again. I was thinking that with 24 episodes that it would get boring, but never once was I bored. Give it a try.
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- the male lead is NOT portrayed as a wealthy powerful man with whole of the universe revolving around him
- he is NOT someone who is chased by dozens of girls for his popularity
- the female lead is not negative minded and is really a positive minded person
- no character is obsessive or obusive
- NO CHARACTER is hatable.. i mean, eventhough u are annoyed the second male lead and the director for some eps, once u get to know them more, u will not hate them..
- no crazy annoying love triangle
-the second lead girl is NOT evil at all.. rather she is likable as episodes progress..
- Everyone has their own problems. They deal it in their own way..
- daebak chemistry between main couple
- not only the chemistry, gang doo's relation with his granny, noona, little sister, sangman etc were amazingly portrayed..
- the love story between the webtoon writer&artist, director&noona, they were well written..
- the ending concentrated on all characters life that was amazing..
- TOTALLY THIS DRAMA WAS PORTRAYED IN A REALISTIC MANNER.. it takes through many emotions..
This drama has many amazing quotes too.. Most lovable drama and i am sure u will fall in love with junhoo at end..
Finally the drama is daebak and it breaks off all cliches of kdramas..
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3
1Being a single mother in South Korea can be quite hopeless, that´s where this story is coming from
Yes, you should watch it.As the title suggests, "Mother" deals with the archetypal theme of 'motherhood'. When is a mother a (good) mother? Once a mother = always a mother? Who can become a mother? Who has to be, no matter what? ... So far "Mother" isn't necessarily specific to Korea in terms of its story. (Actually the original is Japanese). But "Mother" is also (and most importantly) about the stigma of single mothers - and for South Korea that is outstandingly detrimental. From this point of view, this KDrama becomes immediately socially critical: if the position of the single mother in South Korea weren't so hopeless, then the whole story wouldn't have developed the emotional drive that it has.
In this context, "Mother" also confronts the viewers with two other socially sensitive issues in their manifold entanglements: child abuse and vigilantism. It is a dramatic fact around the world on the subject of child abuse that dealing with domestic violence is legally difficult. If you go the official route, you can only intervene when it is already too late. In the case of "Mother", essentially almost all mothers featured are to some extend criminals before the law (of one kind or another).
The hearty fare in terms of its sensitive content is, however, in a digestible way illuminated with all the proven stylistic devices of KDrama. The subject is dark and exhausting, but there is still room for light, color, joy and heartwarming in the presentation. Despite all the traumatization, the abused child is primarily a ray of hope (isn´t poetic freedom just wonderful!). It's no surprise that up-and-coming actress Heo Yool was named "Best New Actress" at the 2018 BaekSang Arts Awards... Her play ist simply amazing! (And not just hers...)
"Mother" aired on South Korean television during weekdays at 9:30 p.m. Regarding the scenes about child abuse, the age rating here has been set at 16, as opposed to the more usual 13 years. The KDrama "Mother" was released in 2018. It may be simple coincidence or even correlation: the KDrama just happened to present a burning topic of society at the time: In 2019 there was a change in law, which means that at least abortion now is legally possible for all women in the first 14 weeks without punishment.
-------------------- Side note: --- Orphanage and Single Motherhood in South Korea ---
If you are unmarried and happen to get pregnant, in South Korea you will have a hard time, still today. Exclusion, hostility, mobbing, unemployment, pressure from all sides are not uncommon.
If you are the child of a single mother, trauma of some sort is almost certain - mobbing, devaluation, child abuse, orphanage and/or adoption, you name it.
Noticeably, the 'orphanage' often plays a role for one of the protagonists in KDrama. That's not because it's such a stirring story hook, but because it's a current influence in the lives of many children (and now adults) of South Korean descent. Since the 1950s, the number of officially and unofficially adopted South Korean children, mainly from abroad, is estimated at 150,000 to 200,000. Another global leading position for South Korea... At first there were many war-orphans among them, otherwise there were also children from poor families. But since the 1980s, the main causes have been that the mothers are single parents. Desperate women - for whatever reason single with a child - often have no choice (to give themselves and the child a promising chance in life) than to give the child away - thus giving them a new chance with the option of being adopted to a solid family sooner or later...
For the children in the orphanage, the parents are not necessarily dead. However, their mothers gave up their parenthood at the door for a good reason: because society with its traditional value system does not accept a concept beyond ´traditional´ family. Single parents are not welcome. However, since abortions were also undesirable - i.e. forbidden for ages, unmarried pregnant women always found themselves in great distress... It was only in 2019 that the ban on abortions - that had been in force up to that point - was declared unconstitutional, so that pregnant women are now at least up to the 14th week without specifying abortion without punishment, in the case of rape up to the 24th week.
--------------------
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Cheesy? Damn right.
Shameless bromance? Hell yes! I wouldn't miss a single moment of it.
This is one of those brainless, binge worthy dramas. It doesn't take itself too seriously and makes the most of its cheesiness. The many ways the hero tried to ingratiate himself with the dark lord had me rolling my eyes while laughing like a hyena. I love all the characters: From the dark lord's venomous foster brother to the hero's slightly dense senior brothers. From the sassy servant girl to the foxy courtesan. They are a hoot to watch in action.
Their hilarious absurdity aside. The drama pleasantly surprised me with its fighting scenes. They are pretty decent and I can honestly say this is a wuxia drama (comedy) and not a wuxia wannabe.
If you have a couple hours to kill and just want a lighthearted drama that gives you good belly laughs now and then, this is the drama to watch.
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script sat in the sun too long
Overall: The number of times I screamed "what is going on?" might have been a record. I was both bored and confused. Beautiful location and great actors were wasted with this nonsense plot. Watched on iQIYI.Content Warnings: suicidal ideation played as comedy, dub con kissing, held against will, manipulation, slap, drugging
What I Liked
- beautiful ocean side location/beach town
- cute intro but on the long side (3 minutes)
- Boun & Prem!!! It was fun to see actors from several different BL series together in this series
- the end of the boxing match was bizarre but cute
- the dads discussing love is love
- the outro with the behind the scenes footage
Room For Improvement
- too many couples, there were (I think) 4 and maybe one or two love triangles. This was just too many for six episodes.
- boring, 1/3 of episode 3 was getting down from a mountain, 5 full minutes of cleaning in episode 4
- confusing, there were several times where I just did not understand what on earth was going on, things just happened and we didn't get enough explanation. The most clear plot was the two boxers and they had about a minute per episode of screen time.
- nonsense things i.e. what was the dad's "plan"?, who leaves their (expensive) adult stuff lying all over a bedroom?, Arthid's elaborate plan instead of just...talking to him?
- some choppiness
- the comedy fell flat for me, the comedy sound effects didn't help
- that suicidal ideation was played as comedy
- the two trans/effeminate male characters played as slapstick comedy characters
- the red/orange hair and glasses weren't my favorite style (would have preferred tattoos/lip ring/etc) but I didn't take off points for it
- subtitle errors, but I didn't deduct points for them
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However, despite being known as an excellent kid explorer, Dora wasn’t the brightest bulb in the closet. Every episode went something quite like this; Dora would stand in front of, say, an apple tree and the treasure that she sought after would be an apple. So in order to find that apple, Dora would first cluelessly look to one side then the other, then she’d look all over all the while conveniently missing the tree located right behind her. After a good ten minutes of looking, when Dora still wouldn’t find the darned apple, the creators of the show would decide to give her a hint.
The hint went something like this: “Dora, if you look exactly behind yourself, you’ll find something. Now, we are not telling what it is, since this is only a hint but I think you should look behind you and see what you find.” For further help, a huge green arrow would point towards the apple on the tree. That was when Dora would finally have a light bulb moment and discover the goal of her expedition. Feeling mighty proud of her feat, she would then ask the viewers whether they too were able to find the apple or not.
Even as a child, I was about ready to combust at this point, for I had found the mighty apple the moment the tree came into the view. However, despite all its flaws it was still one of my favorite cartoons because it made me feel so clever. I was smarter than Dora. The world was a good place. What could possibly go wrong?
Except, when the same Dora-style execution is done in Contemporary Crime Shows, things do actually go wrong. This is exactly one of the reasons why people love “Stranger” so much. Stranger doesn’t come with the usual BS. It doesn’t assume that its viewers are mentally impaired baboons who can’t put two and two together. It actually respects the audience by considering them smart enough to follow the plot. There is no spoon feeding here, nor does a big ass green arrow point towards every idiotic discovery ever made. Instead, it’s a drama with an intelligent script that demands your full attention.
Every scene and every character has a reason for existing. With brilliant direction and almost no plot-holes the drama not only succeeds in captivating the audience, rather it also gives them space to really think about all that is happening.
For a lot of actors a “cold and emotionless” role is the gateway for slacking. They leave all their acting skills in the backseat and decide that posing like a cringey af model throughout the show is the way to go. Jo Seung Woo with his “Prosecutor Hwang Shi Mwok” explains that kids, it is indeed not the way to go.
For a character that is supposed to be expressionless and indifferent to everything and anything, Seung Woo sure did put out the acting of the century. While his face remains carefully blank at all times, there are slight nuances in his expression that highlight the emotional development Shi Mwok experiences throughout the episodes. A slight twitch of the brow to show frustration, relaxation of the facial muscles to show ease and the gorgeous, beautiful and rare smile to show happiness. Simply put, Shi Mwok is a delight to watch. Without showing, he still shows so much that by the first half of the drama, the viewers have already formed a deep connection with him.
A lot of people thought that the whole “brain surgery” plot-line was unnecessary, however, I think it was wholly essential in order for Shi Mwok to become who he was. He was a prosecutor who was able to observe every crime scene with a cold detachment that is unachievable for a normal person. And the show facilitated the fact by backing it up with a genuine reason instead of feeding the viewers some bogus and over-dramatic crap.For all those people who have seen God’s Gift, I know that Seung Woo shocked your pants off. The utter versatility of the actor cannot be described in words. He was a completely different person in this show, simply unrecognizable and for that, he has all of my respect.
I think one of the most endearing characters in the show was our female lead Han Yeo Jin. Bae Do Na held her own in terms of acting and the amount of chill that her character had was unlimited. She was such a genuinely cool person. Relentless, strong and quirky. Even though she won against bad people numerous of times, there was never any pomposity in her, for to her, even the wins felt like failures because they were against her own people. You can see how her heart hurt at the name of injustice and how fully determined she was to stand against it. No matter the consequences. She was the kind of fearless cop that is every ordinary citizen’s dream and every corrupt person in power’s nightmare.
So considering how exquisite these two were individually, it’s no surprise that they were unbeatable together. Lieutenant Han and Prosecutor Hwang: The ultimate dynamic duo that made the baddies shiver in their boots. The chemistry between them was excellent; easily topping many romances. They were the kind of comrades that can lean on each other in time of need, rely on the other in time of action and above all, understand each other all the time. As weird Shi Mwok was, Lieutenant Han just seemed to get him and he in turn respected and shared his secrets with her.
With best friends like these, who needs romance?
All of the other side characters came with their own quirks. They had their own story, their own motives behind actions that appeared to be ruthless and their own flaws and weaknesses. Nobody was completely good or completely bad; rather they were all wholly mortal.
Like other crime shows, the show did not make use of convenient plot-lines or shock value. There weren’t any WTF moments or nerve-wracking cliff hangers, rather there was a constant under-current of gravity that kept the viewers rooted to their spot.
This is the kind of drama that will warm your heart, fill you with sadness at the world’s corruption and leave you with the sweet hope that not all people are wicked, that there is still some good left and that little bit of goodness might just be able to overcome the evil.
I know that I should just end this review here but I need to be completely honest. As as you can clearly see, I have nothing but good things to say about this show. However, it doesn't mean that I am going to give it a perfect rating like many others because despite all of its beauty there were times where I wanted something more. I wanted to know why Mwok Shi was so relentless on eradicating all corruption. If he couldn't feel anything, where did all his righteousness sprout from? I wanted to know more about Lieutenant Han's background. Why was she always so alone?
Even though the whole drama came with a certain amount of simplicity and subtle intelligence, the last few episodes did at moments take on a fairy-tale touch. The conclusion was everything that you could've wanted, it was the perfect ending. However, considering the somber tone of the show, personally I expected something more gritty and raw.
So while this was one of the more amazing shows I have watched, I will not claim that "This was the best Korean drama ever made".
That being said, with some of the best dialogues and a spot-less execution, this drama is definitely not one to be missed. Which is why I wholeheartedly recommend it to every crime/thriller fan out there.Enjoy!
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This review may contain spoilers
Absorbing & intense 500 minute road movie. A taxi ride to a soul´s nowhere. Brilliant from A-Z.
For me, “A Bloody Lucky Day” is one of the KDrama highlights of 2023.It is a psychological thriller. Without makeup. Set in a fairly grounded, solid, authentic everyday world, which gets challenged by a maniac´s incredible psychological logic. Stirring. Brilliant from A-Z.
However, everything revolves around the abysmal work of a psychopath. Accordingly, things get mercilessly brutal at times. The cumbersome police don't come off so well. Common sense, on the other hand, does... when it is in fact emotionally cornered to the extreme, so that it can no longer help but function at full speed, without distraction whatsoever.
One-pointed concentration, already having lost too much, getting your teeth into it and being ready to go to extremes – could that be the recipe to counteract the psychopathic 'monster'? Could... Maybe... Or not... Or is it?
“A Bloody Lucky Day” could be considered an absorbing ca. 500 minutes long road movie - a taxi ride to a soul´s nowhere. For the poor taxi driver a rather involuntary participant observation study on a psychopathic killer...
Emotionally highly explosive. Intense. Acting is first league. As a I mentioned earlier, a brilliant production from A to Z.
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First, there are SOOOO many unnecessary story arcs that didn’t need to happen. They literally did NOTHING haha Dr. Ruan’s dad dying, for one. Why did he die? Why did they keep that?Another was the story arc with Dr. Ning’s son. All they had to do was just integrate the birth mom into their lives and write her in as just being a part of the new family dynamic. The entire second trip to Africa was utterly a waste of time, memory cards, and money. The story arc between Dr. Cheng and Dr. Ding was fine if they just left it. But no, they had to also be an on again and off again couple. The fact that a REBEL…A WANTED REBEL is openly out and at a candle light vigil at the hospital where there are governmental soldiers present was ridiculous.
The emotional moment of her waking up and discovering he was no where to be found was meant to invoke deep feelings in the viewer but those died long ago in me along with my patience in all the story plot holes, horrible acting, questionable choices, and this weak ass FL character that basically spends her entire adult life following this man like a little puppy. And it NEVER stops. She gives it a try here and there, but it never lasts and is always half hearted.
The drama should have ended with their second walk down the aisle and maybe a glimpse into an overly sweet and completely predictable future of their lives. But no, they dragged this on for another waaay too many episodes.
Twice, they had the doctors perform life and death surgeries on their own loved ones. Is that not allowed??
Why the HECK did the hospital discharge him without notifying his WIFE?! The reason being because she was so exhausted from the stress, surgery, and worry that she finally passed out and slept for three days?! And then for his family to up and disappear with him without so much as a note or ANY communication is sooooo disrespectful and utterly unforgivable. And THEN no one tells her when he wakes up and has amnesia…LOL wtf?! Just because he couldn’t remember her (his WIFE, mind you), they decided to just cut her out of what happened to him?! And her response was “it’s cool. He’s alive, I’m good” LOL no but seriously, THAT’S WHAT HAPPENED. THAT’S WHAT SHE SAID. Yes, I should spoiler that, but I wanted to give you fair warning…THAT is the type of story you are in for if you make poor watching decisions…..like me 😭😆
The constant back and forth flip flop of past and present was hella annoying. They should have just started from the beginning and ONLY gone back with flashbacks on moments where the character finally realized something they weren’t aware of until that moment. Like when she was told about him looking for the necklace.
He forgot how to be a doctor, watched a few surgeries and then remembered, so the hospital was all cool with it and let him perform medical aid?!
I could go on, but most of my frustrations are due to the fact that I didn’t just let it drop LOL. It was bad from the get go, but I wanted to wait and give it a few more episodes. Then before I knew it, it was too late. I kept hoping it would get better, but it never did. In fact, it got worse. It was as though the writers gave up, realized they had all these episodes left and just started throwing story lines on a wall and they just said “what the heck, we will put it all in!”
Or maybe the writers just didn’t know how to end it and basically just kept writing and the Production kept shooting haha
It’s a mess of a drama. The FL never grows a stronger spine and her entire being revolves around this one man - from start to finish. That part never changes. This is not romantic. This is sad and dangerous for younger women who could fall into the trap that this is how you should love a person. What is acceptable in relationships. What is expected. 🤮
4/10. Don’t waste your time or your brain cells. Go rewatch something else that you know you will enjoy. You’ll have spent your time in a much wiser fashion.
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1Must watch film!
"The Paradise of Thorns" is a powerful depiction of Thai society's deep-seated issues, with a particular focus on marriage inequality. The film excels in its storytelling, blending intense drama with cultural commentary. The acting is superb, bringing the characters' struggles and emotions to life in a way that feels both genuine and compelling. Coupled with some of the best cinematography in recent Thai cinema, the film creates a visually stunning yet thought-provoking experience. The film's original soundtrack beautifully complements the emotional depth of the story, enhancing the overall impact of the narrative. It's an exceptional piece of filmmaking that resonates on multiple levels, making it the best Thai film for me.Was this review helpful to you?
When a young trouble maker -whose parents pretty much run away from home because they cannot stand his bad behavior- finds a baby in his basket, he has to face the realities and hardships of becoming a single parent, with no support, while going to school.
This story made me laugh and cry. It's very cute, light, but not TOO fluffy. This was a very enjoyable movie. The baby is absolutely cute. My newly found love for Jan Jeung Suk continues. He is REALLY pretty to look at. I'm not going to tell you that this is the greatest movie out there, but it was extremely enjoyable from beginning to end. I was not bored at any point of the story and was touched by it. Highly recommend.
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