This is possibly the weirdest and most surprising dorama I've ever come across. Nothing is what is expected, or what it seems.
It's just as hard to define its genre, because while it could be listed as a science fiction drama, the fantasy part is just a device to make a very human, touching and very present message come across: are we really capable of cherishing our lives? Do we truly appreciate all the little and big things thrown onto our path or do we give them for granted?
Were I to base the overall rating only on how much I liked it, I would give it a 10. But it's undeniable that it doesn't deserve it on the cinematographic level: the shooting quality is average at best, it reminded me of those catastrophe movies from the 70ies, like Poseidon, or Empire of the Ants, often naive, with some ludicrous special effects. And it certainly does not shine for its photography.
The music goes from ordinary to completely random.
But characterization, dialogues and acting make up in heaps for whatever flaw. If you have read The Lord of The Flies by William Golding, this drama may remind you of it. Mix it with the most classical concept of Carpe Diem - seize the day - and you have Long Love Letter.
Kubozuka Yousuke is adorable here, at times childishly clumsy, at others emotionally intense. But it's Takako Tokiwa who really steals the screen, her character being the epitome of strength of will, sweetness and courage.
In fact, this drama is acutely feminine, like mother Earth herself.
The kids play their part very well, one ends up liking a quite stony Yamashita Tomohisa too.
I adored the ending. It makes this into one of those dramas one is emotionally compelled to talk about with someone, share opinions and questions. Like it or not, it doesn't leave you untouched.
So, by now you have 2 choices: decide that both the drama and the reviewer are deranged and leave it be, or watch it.
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An inverse function... Consider the journey the reward. Truly captivating.
Two core components of KDrama characterize the recipe of "Secret": Firstly, the rich and powerful can obviously get away with anything. Secondly, a secret not only changes those who know about it, but eventually comes to light. Yet the brilliant mixture of this pastry makes the difference: the fatal initial constellation of the relationship dynamics is so cleverly shifted, twisted and tricky in several emotional loopings that the emotional world is completely turned upside down - an inverse function...For quite some time I avoided this KDrama, because (from the description) I thought I already knew how the story was going to go. ...Quite familiar, already seen many times... However, at some point I just wanted to have a glimpse (probably because of Ji Sung). What a surprise: it was truly captivating...
Moments of foreboding and predictability, yes, there are. But believe me, that doesn't stop you from wanting to see HOW things in their complicated entanglement can still turn out for the best. On the contrary, you CAN´T WAIT to experience that! The destination may be known, however, consider the journey the reward.
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Political thriller, eloquently dealing with SK´s struggle for true democracy. Inspired. Profound.
Election campaign is a fight. But what rules should be applied? Do you inevitably have to hand in your ideals and ethics at the entrance as price for political success?Critical processing of South Korea's recent past - the democracy movement - is still in its infancy, because the dictatorship just finished a few decades ago and its proven structures within conservative circles are still resonating today. Increasingly, however, this topic is also taking up its media space. The political thriller "Kingmaker" sets a bold milestone by taking on a dazzling, comparatively upright, almost exemplary political personality, who for a long time seemed to have no chance in his sincere, ambitious fight for real democracy: Kim Dae-jung. He was the first opposition candidate to be elected President of the Republic. He is also the only South Korean to ever receive a Nobel Prize for his work on democracy and human rights. Some call him the Nelson Mandela of Asia...
In particular "Kingmaker" tells (in the plot prepared with some poetic freedom) about the early years of his political struggle and the arduous path that ultimately led him to the Blue House. The focus is less on his biography and more on what he still stands for in the eyes of most South Koreans today: real democracy. Or rather, against what he wanted to compete: the conservative, elitist, political cronies who stand in the way of progress and justice, if it is not in their own interest.
In the service of the electoral success, Kim (like so many politicians on this planet) was probably tried more than once to sanctify the 'good' purpose in the sights of many a morally questionable means. This difficult balancing act between an upright political attitude and one's own venality in a pact with a promising "devil" is illuminated and processed here in an impressive way. The temptation of a promising shortcut to success usually comes with a price that has to be paid sooner or later. (The internal struggle of 'for' versus 'against' shapes the decision-makers in South Korea with their well-established, conservative, shadowy networks to this day. This is actually writing daily history. And the TV and movie productions are full of it, too.)
The status quo - submission to the apparently influential 'more powerful' - is contrasted with a historically real personality. In order to convey the emotional dilemma in a dramaturgically clear way, Kim's campaign strategist of the first hours, Eom Chang-rok, was stylized as the main character and staged fictionally. In fact, little is known about him other than that he is said to have been brilliant and downright genius.
The story is about Eom Chang-rok's intelligent crisis interventions, solution approaches and election campaign strategies, some of which are in stark contrast to Kim's idealistic democratic values, that are always geared towards serving the people. The audience is confronted more than once with the question of whether the end might justify the means. Isn't the power of the people just a well-meant illusion after all? Wouldn't it be more efficient for the state leadership if a few (more or less) smart people decided for the many others in a short decision-making process? "Kingmaker" touches the foundations of political morality and ideology.
However, the KMovie also touches on very human weaknesses: the need for approval and the temptation to be seduced. These weaknesses are truly human and have to be dealt with by everybody - somehow, someday.
"Kingmaker" is a moving political thriller set in recent South Korean contemporary history about the stumbling blocks and challenges of true democracy. A democracy, that requires responsible, mature and accountable citizens. A democracy, that will always be challenged by the forces and networks operating in the shadows, whose goal is to incapacitate the citizens and instead rule for their own personal benefits.
An unpleasant subject, indeed. Yet the KMovie is eloquently dealing with this crucial issue for any democratic society.
A brilliant approach to this topic as well as to a younger chapter of South Korea´s history.
Inspired storytelling.
A profound production.
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1That was a big waste of time
(6/10) Story: Maybe this story wouldn’t have fit into a typical 90–120-minute film; however, 46 episodes were completely unnecessary. There was excessive screen time for side characters, especially the second female lead, who sometimes took up 90% of an episode. I’m all for developing characters beyond the leads, but in most cases, there was no real development. And when there was development, another misunderstanding or miscommunication would undo any progress.I think this could have been a 16-episode drama. I’d compare it to My Sunshine (2015), which had an extremely similar storyline but managed to tell it in 32 episodes. The only thing that kept me watching was the fact that there was nothing better airing at the time.
(10/10) Cast: I was so happy when the cast was revealed. Seeing Hans Zhang and Janine Chang reunite was awesome. The last drama I've seen with them as co-leads was The Four (2015). How unfortunate because I gave The Four a 9/10 rating but this drama was a disappointment, though it isn't the actors' fault.
(10/10) Music: Not something I really noticed or cared about. I don't think the music would bother anyone though.
(1/10) Rewatch Value: Totally not worth spending 46 hours on. Even if there is nothing to watch, this was too frustrating. But it did give me something to waste my time on which is why the overall score I've given is a 6.
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For series made out of mangas, I think japanese versions are better.
Not because korean or taiwanese versions are not good, but because there are some things just japanese culture can express when it comes to manga/dorama adaptations.
I never read the manga but I know the mangaka's style; I can say I liked this very much but there are also things I'd like to point out.
I made some considerations thinking also of the korean version.
The plot; The plot is nice and the things that happen not so unreal. It is a cute and sometimes moving story about love and about growing up.
Even though some episodes are boring, it is not difficult to watch since you fell for the characters.
The characters and the casting;
Naoki was good; good looking and well played by Furukawa Yuki. I liked him better than the korean one, because I felt like he was more professional and more like the real Naoki. I mean, you have the feeling the actor is doing a great job because you can feel the cold-and-warm-at-the-same-time heart of Naoki.
The only thing that I have to point out is that at the end his character changes too fast, and it seems a little weird. I think it is something that is in the manga too, but well, he is just perfect this way.
Kotoko is a character I love and hate at the same time. I love her because she never gives up, but I hate her because she is a little bit too much in stalkering Naoki. Anyway, it is a good and fresh character that makes you smile.
Despite of what everybody says, I liked Miki Honoka. She's 16, ok, but she is good to be a 16 yo girl! Her exaggerated expressions were part of the script, in almost every comedy japanese doramas there are this kind of expressions. Most of all, I could really feel the change between the firstepisodesKotoko and the lastepisodesKotoko. Everything was good.
Speaking of the age incompatibility between Honoka and Yuki, Yuki said himself he thinks Honoka is very mature to be 16, he didn't feel the age differences at all, and I think so.
I liked the other characters too, both families, and the friends.
Kinchan was portraied better than the korean version: funny, immature but also mature when it comes to be like that.
Music: I liked the op, it was just perfect for this drama, very japanese style.
Also the other songs of the ost are good and suitable for the drama.
In the end, I liked it very much. I recommend this to everyone who wants romance, and also who wants to see something about school, friendship and growing up.
A very good drama!
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The best thing about the movie is, that its not over dramatic, or too sad, depressing and so. The story is actually very simple, cute and optimistic - just a little untraditional love story about two young people who just met each other :)
There is not much speaking in the movie, they mostly use the sign language. Thats why someone could say that it will be boring, but thats absolutely not true. The way they use sign language is so interesting, that it catches your eyes and make it more interesting.
If you are looking for a movie, that is positive, nice and optimistic, this is for you. It a good way to spend your time whenever you are depressed :)
(sorry for my english)
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Growing Up is Hard, But Companion Makes it Easier
Crossroad Bistro (北辙南辕) narrates the story of five women who opened a restaurant together. With each other companions, they found friendship, love, and learn how to grow up in life. In terms of the production, technical execution, performances, and music, this drama is perfect!!The script of this drama is so well written, you can see just how much the writing team put so much effort and attention into the characters. Every single character in it is written realistically, they are well-dimensioned. The characters are written so well to the point that you can relate to their action, and you unconsciously built a connection to them. I love how the writers make the characters develop and grow. I loved every single character and their personal journey arc.
The delivery of the amazing script is accompanied by stunning cinematography which makes this drama arguably one of the best adult dramas. Crossroad Bistro is directed by Feng Xiaogang, it is his drama comeback after more than a decade of not directing a drama. You can already see in the first episode how spectacular and stunning the cinematography is. Through the cinematography, you can see how high-quality production this drama is. Each shot uses soft filters and a warm and cold colour palette are used accordingly, which gives the audience a pleasant viewing experience. The angles of the scenes are also beautifully taken, each and every shot in the drama are exquisitely taken, it is a feast for the eyes!! Other than the amazing cinematography, this drama also has really beautiful authentic sets. Overall, all the shots really evoke and gives off Beijing ambience.
This drama has a simmering pace, not too slow yet not too fast. It has eventful moments but also slow moments. This drama does not have draggy problems too, the problems encountered are realistic, and the problem solving is done in a timely manner too (they do not drag it). And I also love how the drama does not specifically focus on one or two women in the middle of the drama, they still made the five women the main focus of the drama. All five women in the drama have equal screen time and their own developed storyline.
The casts of Crossroad Bistro are also well-chosen. Each actor and actresses fit in their role so perfectly, as if the characters are written for them. All of the casts' acting is a joy to watch. Even though the five girls are not 24/7 together in the drama, they still showcased really powerful chemistry between them. Everyone in this drama has great chemistry with other casts, not only with their love interest. Moving on, the music of this drama is also beautiful, the music encapsulated the essence of the story - the essence of growing up, love and friendship.
I definitely recommend this one to those who are looking for an adult drama to watch!! If you loved Dear Missy, My Best Friend Story, you will definitely love this too!!
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Even if This Love Disappears from the World Tonight
37 people found this review helpful
Not an average "sickness plot" movie!
This movie is outstanding. I didn't expect it to be this good. I thought it will be just those average Japanese movie where the female lead sick and stuff.. maybe this will be like Ishuukan Friends, as their main plot are Amnesia.BUT IT IS NOT
Before I talk about the plot, let's talk about other things.
Don't worry I won't spoil anything especially the plot because it's more enjoyable when you know nothing. You're welcome.
This movie is aesthetically pleasing. Every scene is beautiful. The soft colours and how the sun shine through, it's really fit the concept and story.
The music is really good, but nothing special in my opinion.
The cast is perfect, especially the trio. They reprised the role perfectly. I don't think I should talk about both main leads, they did perfectly, a really cute couple. But I don't expect much from Izumi-chan yet she "stole" the show. Finally someone do justice to the couple's friend lol
I cried twice and one of them was because Izumi-chan's scene.
Now the plot, this is what makes this movie is not an average Japanese movie with sick lead.
The plot dynamic is perfect. Not boring at all despite it's slow pace. I love how it's actually a flashback, and being told simultaneously between Maori, Izumi, and Tooru. I also love how this movie bring up Tooru's family problem in a very neat way. This movie catch me off guards with the plot twist, it has been a long time since I cried because a movie! I just cried twice lol
Comparing with the trailer, I really love that it doesn't give any spoiler and no one would know what's coming. The 3 rules of Tooru and Maori relationship mentioned but finally explained at the end of the movie.
The explanation about memories and the system is really make sense too, I'm not an expert but it's not cliché and not romanticized the problem here. This is really matter when a movie, drama, or whatever it is took a plot about any kind of sickness.
As expected from a novel adaptated movie.
Now I'm not surprised with the fact about how successfull this movie even in South Korea.
So proud of my baby Micchie! (Yes, I actually watch it because of him)
Lastly, I hope Netflix could pick this movie for their platform! This movie fit Netflix style... and of course I would like to let everyone in this world enjoy this movie and know that Japanese movie is really good lol
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This review may contain spoilers
Let me start off by saying that Mirai Nikki has more than one amazing concept. In fact, it seemed to be a combination of a few of my favorite movies, but I won't tell you which ones because that would be a major spoiler. Anyways, Mirai Nikki is a great show. The concepts alone make sure of that. Unfortunately it's not a masterpiece, which really sucks because it definitely had the potential to be. The story is awesome, however the show itself lacks a certain flow. I'm not sure if this is due to the cinematography, the directing, or the production, but something just felt a little cheap about it. There has been a few other Japanese suspense shows that I've watched that have this same problem. It's a lack of professionalism, or perhaps movie magic that makes you feel like the fantasy movie world is real. It feels like I'm listening to someone trying to play a beautiful song but they're just not hitting all the right keys at all the right times.
That aside, 65% of the way through, the show changed course in a way that made me put most of my criticism on the back burner, and from then on the overall story continued to boost my approval of the show.
The acting wasn't bad, but it could have been better. Gouriki Ayame was so freaking cute as Yuno though. She definitely stole my heart. But I do feel like the acting would have appeared better if the show would have been produced better.
Overall I would say that Mirai Nikki is worth watching, but you're going to have to be a little forgiving while watching it. Maybe in the future I'll watch the anime, or perhaps one day they'll make a remake that will enhance the show and make it the masterpiece that it certainly could be.
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This review may contain spoilers
Sweet B*thcy Life
A testament that the way to a man's heart is through his stomach!Its a story of two guys, both living alone and finding comfort in ach other through good food. One is an awkward cutie college student and one is a suave police officer.
What i liked about it is it's sweet and slow-paced approach to the story. Both characters hinted of having a sad backstory, but that wasnt the focus of the story and was only slightly brushed upon, instead they decided to keep it light and palatable that unfortunately if you look closer may make you feel that the show lacked depth. The intention of the show is just to show life is better experienced with someone you love!
Of course it didnt hurt that they cast two very good looking leads and the Japanese robotic (that should have been patented by now) acting worked out great in its favor. To be perfectly honest, nothing much has been happening every episode and the whole series would have been perfectly ok in maybe 6 episodes but seeing both of the actors just being cute together is enough to keep me watching the show. I also liked Isumi's friends especially Yohei, who acted more like a fairy god BL mother in the story.
HOWEVER, in what feels like a big clickbait BL thirsttrap, I initially thought that they were spoiling the story in the credits sequence which showed a lot of scenes of Isumi and Kyosuke being sweet together and holding hands in public. The truth is those sequences wasnt even shown in the actual series (the same exact sequence and a just a tad more was just shown in the last few minutes as a closing montage of their time together). There was even a time around the middle episodes when i was even questioning whetherthis was in fact just a bromance show and a one-sided unrequited love and that Amasawa only really saw Isumi as a younger brother and Isumi was only misinterpreting Amasawa's actions. Every next episode preview would tease us that something sweet will be happening in the next episode only for it to turn out into nothing the next week. It only really paid off during the last few minutes of the finale and by that time you feel like you just havent seen enough of the two as a couple together.
With that consideration aside, i still feel like it is a good enough show that would even be better binged in a day or two seating. Will i recommend the show? Yes definitely. Will I rewatch? Maybe not entirely.
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I rated the re-watch value quite low because this is still a mystery drama so once you know the big revelation, the impact won't be quite the same as the first time but there are plenty of compelling scenes that makes up for it.
Overall, I'd definitely recommend it to any Kimura fans who haven't seen this yet, as well as anyone looking for a compelling story about love, betrayal and redemption.
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The Escape of the Seven: Resurrection
37 people found this review helpful
This review may contain spoilers
Where it is particularly dark, even a tiny little bit of light appears immensely bright...
I ended my review about the first seasons with the conclusion: "I only recommend "The Escape of the Seven" if the mood is right - one that demands unfathomable beastliness down to the blood. If we get involved in this KDrama, then we will uncompromisingly be catapulted into a world in which a search for the good guys could very well be in vain..."And obviously, things can always get even worse. At the same time, a wink of a conscience is actually making itself known here and there… very quietly, though. Regret and shame become concepts that are though stumbling trying to make themselves be heard. It's evidently not that easy, but maybe, who knows, it might not be impossible…
Still, the Seven can't easily get out of their skin. It´s way too serious what they had done and must be held accountable for. Even if they all go through their own processes and would perhaps like to choose a new path in some way (fortunately, people have the potential for healing and transformation), they can neither run away nor undo what has happened. In addition, they have made a pact with the devil... No matter which devil you get involved with, it rarely goes well...
The second season cleverly manages to build on the first one with fresh dynamics, while still giving the emotional rollercoaster ride a new direction. Sophisticated dramaturgical twists included. It's amazing to notice ourselves suddenly sympathizing with one or the other of the loathsome Seven...
In addition, the KDrama is vividly displaying the frighteningly diabolical (not too distant) future scenarios of our increasingly digitally depending information society, that in the worst case scenario, could become completely helpless in its interconnectedness...
Overall, I think “Escape of the Seven” is even winning with its second season. It offers a special KDrama experience that has it all - for all those who don't shy away from the abysm of the human species. And as is well known, where it is particularly dark, even a tiny little bit of light appears immensely bright...
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Siwan gave justice to his character as well as the other actors. I watched the movie with unexplainable emotion. The plot was perfectly done and and the scenes were magnanimously executed. This Movie would really test your emotions like what happened to me because I love movies that do have a theme of REVENGE and this movie satisfied me in so many ways.
Recommending it again and again to somebody would be an honor for me... this movie deserved a 10/10 rating... WOOOOO!!!!
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This drama is one of those that captured me from the start. I've got to tell you that the 1st episode is a masterpiece; it was well done in many ways, i believe it was one of the greatest 1st episodes that I've ever seen and the reason that made me proceed with the rest of the drama.
The story was cool, somehow unique containing a good cast and great supporting roles.
There were many changes in the drama's storyline which made it more interesting.
Fated to love you is one of those dramas that you have to like from the 1st episode or simply drop it because events are so attached.
Just watch the 1st episode and see with yourself.
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