Reviews

A man and his personal story of greed - leading into the repulsive quagmire of a corrupt network

In 2017, "The King" is among the top ten movies in South Korea. The story is a prototypical example for a few extremely powerful men(!) manipulating crime, business & politics within South Korean society. In an idiosyncratic style, the movie conveys an insight into an repulsive quagmire of corrupt networks that run through all social classes. It is about the particular imbalance in the realms of public prosecutors and judiciary, which in the 1990s and 2000s was still massively determined by bribery.

The protagonist tells his personal story of greed (it is always people behind a system...) This is about his climbing to the top and the correspondingly deep fall. He accompanies the events from the off while the story unfolds before the eyes of the viewer in trenchant, impressive scenes. At first, you have to get used to this particular style, but the acting, pace, rhythm and camera nimbly catch the audience by the hand and won't let go until the end.

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Lee Sang-il's "Rage" (or Anger, Ikari, whatever you wanna call it) might seem like a murder mystery to you, but it isn't really. While the film's narrative does center around a mysterious bloody murder, the ultimate message is not about finding who the murderer is but rather stories on trust and connection among its characters.

With a talented and star-studded ensemble of some of Japan's most famous names, it's no surprise that Rage shines. Ken Watanabe needs no introductions, the male leads: Go Ayano, Matsuyama Kenichi, Tsumabuki Satoshi and Moriyama Mirai who all have already made names for themselves. Aoi Miyazaki, who's been in the industry since she was four. And the up and coming, Hirose Suzu. I also want to mention the relatively unknown Takara Sakumoto who makes his debut here as an actor to watch out for.

I'll tell you why Rage is a very raw film -- it depicts Japanese rigidity. I don't say that to provide a negative interpretation but there is a lot of suppressed emotions in the society. Hence, these suppressed emotions are bottled up, be it sadness, be it anger, be it loneliness—whichever. The need for catharsis is just too high and I think Rage perfectly depicted that need and gave these characters that chance.

As I watch this film, I too, want to scream, I too want to have a tantrum, I too, want to throw things—I want to release bottled-up feelings. Lee knows how to build-up these emotions that echoes the characters' as much as he builds up the narrative. He knows how to give you the "feels" combined with Ryuichi Sakamoto's score that's just filled with too much dramatic tension, you too, would want to explode.

There are two overlaying narratives in the film, all of which were very cleverly linked not only by the murder and that the three men emerge as potential suspects but are also connected through dialogue, through visuals and through sound. The sound is really the one, to me, pushes the plot. The sounds emit the emotions, emit the passion and emit everything. Lee connects visuals from Tokyo, from Chiba and from Okinawa together with the dialogues and the sound. I think it's a very refreshing way to do so and it makes the three narrative feel balanced.

These narratives, on their own are unique but still keeps the underlying theme of trust and connection. Go and Satoshi's narrative touches on their sexuality. It is very refreshing to see an aloof, almost-silent Go that contrasts with Satoshi's fearless and enthusiastic nature. Miyazaki, Watanabe and Kenichi's narrative touches on acceptance and of family. The lonely, almost weird Kenichi forms a connection with Miyazaki, who has just been rescued by Watanabe (her father) from an abusive sex work. Suzu, Mirai and Sakumoto brings us to Okinawa, of a simpler life, of youth and of curiosity but to me is really the one that resonated with me the most.

If you really want to know who the murderer is, I'd say look at the narrative that's filled with the most rage. Look at which narrative makes you feel the angriest, the one that filled you most with rage and you will have your answer. By the second hour of the film, where it's filled with tears and screaming and throwing, you'd know. The reveal isn't what matters, it's their stories that do. Lee knows how to juggle the three narratives that three of the suspects are all likely to be the killer.

The plot does, disintegrates into a cornucopia of crying, weeping, wailing and just a lot of those (all three narratives stitched together too) so it does overwhelm and to itself, an overexcess portrayal of the characters and their narratives. But nevertheless, very very very impressive performances from the cast.

All I have to critique is probably the lack of a backbone for the killer himself. There is an ongoing question of where the rage comes from. Is it simply from surpassed emotions? Is it simply from being laughed at his pitiful state? Or is it from being pitied? We are never given a straight answer so we can only interpret.

The visuals are stunning. The opening shot of a bird's eye view of Tokyo, to the clear waters of Okinawa to the colorful houses of Chiba—it's beautiful. The visuals are great transitions and there is never the lack of varying colors to depict the scene's mood.

Finally, I just want to say that I will never look at Hirose Suzu the same again. I'm only commenting on her the most because her films are the one I've seen the most. I used to say how Suzu knows how to act, she can cry but there is blankness in it (compared to the way Fumi Nikaido tries) but seeing her, in a very very very mature role, I'm taking back what I said—Suzu deserves all the spotlight she's getting. And with such roles, it's no doubt, she can do more.

Also, Takara Sakumoto making his debut here impresses.

Ultimately, the film is about trust and connection. No, it doesn't tell you who to trust and stuff but it does tell you how it feels when someone you trusts betrays you or someone you choose not to trust just decides to leave.

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I absolutely enjoyed this series. Though my reasoning may be a bit different than most. I was a huge fan of the original series and to see such a decent recreation was a treat.

I knew most of the original story lines that the episodes were adapted from and the changes they made gave me a very unique experience to be able to actually see the similarities and differences between cultures and time periods. I'm not kidding the original versions were stories set from the 60's to 80's. With this remake most were set in the early 90's, which was pointed out many times that the 90's were twenty years ago. I think I actually cringed and sympathized with my parents now knowing how they felt while watching the original series hahaha! Especially when they used music from that time and you knew you heard it on the radio.

I thought this group of actors portrayed each character wonderfully. In fact there were actual moments, looks and quips that were executed so well that I could even visualize the original actor in that moment.

I think anyone who was a fan of the original will definitely appreciate this remake.

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This is one of those stories of strong and witty women who rise to power or accomplish great things despite their handicap of being women in a highly patriarchal society (like Dae Jang Geum in a way).

Atsu-hime's evolution is believable and beautiful to watch. The story is authentic and gives you a glimpse of a closed world and how it changed after the Meiji restoration.

I highly recommend this drama to anybody who wants to see a beautiful story that is both historically accurate and understandable for the modern viewer.

The acting was stellar, believable and stirring all kinds of emotions. The music was epic, as much as the story was personal and without much of those epic scenes with wars and surreal martial arts.

I don't think I can rewatch it as a whole, but there are certain scenes that I would happily rewatch!

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Not what I expected...

I was excited to hear about this sequel starring the daughter of Ying Luo and non-biological son of Fu Heng, but now that I've finished, it was rather disappointing.

It started off strong, with beautiful costume/production/music and the plot was developing smoothly. They used the same OST and BGM from the parent story, Story of Yanxi Palace, so I liked the nostalgic feel to it. Especially the dramatic BGM that was added at certain moments.

However, as there were only 6 episodes, the pacing was rather fast? I couldn't catch up. Prince Chaoyong didn't have as much screen time as Fu Kang'an, but he started off not liking Zhao Hua and then in episode 2 or 3, he suddenly started loving her? One minute Zhao Hua didn't like Fu Kang'an and later, she did. Then, when he betrayed her and she disappeared, it got even more confusing. I didn't get what was going on. I'm guessing they didn't have the time to explain it so they rushed it at the end when Zhao Hua and Prince Chaoyong got married and the truth was revealed as the plot twist. I suppose it was satisfying to find out Zhao Hua got her revenge on Princess Siwan, Fu Kang'an, and Prince Chaoyong, but I wish they showed the process more instead of just throwing it out there at the end with a few words.

I feel like with the limited 6 episodes, the falling in love and later betrayal of Fu Kang'an wasn't as heartfelt to me as a viewer. Everything happened so fast. There wasn't enough time for me to take in each character and how they slowly grew to have feelings for another. The plot twist revealed at the last minute of the last episode also didn't land well for me. I wish they explained it more?

The plot twist for how Fu Kang'an was not the Emperor's son was greatly executed though! I was shocked and loved how they revealed it through Wei Ying Luo's speculations. :) My favorite scene of the drama. I just love it when Wei Ying Luo has the upper hand and reveals it. Really reminded me of the parent story. I loved seeing the old cast too, it was nice that they didn't replace them and got them all back to act their parts. Wei Ying Luo's scenes were the most satisfying parts to watch- especially when she went to Fuca House after Zhao Hua disappears.

Overall, super fast-paced, historical romance but it was nice to see the old cast if you loved the parent story. Plot was alright, used up all the cliches for the romance and was rushed in my opinion for 6 episodes. Some scenes could have been better explained. Give it a try if you miss Wei Ying Luo and you're curious about her daughter, Zhao Hua, who is more like her mother than others believe.

The actors seem to do a good job overall but the plot got me confused and was the problem for me. Production was top-notch like the original story with its beautiful sets and costumes.

"Everybody says I'm not like my mother. They're wrong."

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Despite the absence of Miike, Oguri Shun, Yamada Takayuki and the rest of the amazing crew, I never actually held previous prejudices on Crows Explode. But after viewing it, I can clearly state that it falls behind compared to its prequels.

Being a fan of Miike’s filmmaking, it was unavoidable to miss the highlighted foolish characterization, extreme violence and hilarious black humour inserted everywhere. That being said, I never expected Toyoda to do the same. After all, two different directors have entirely dissimilar way of making their pictures. Crows Explode leaned to the realistic side way too much which was a bit wrong in my opinion; don’t get the wrong idea, immersing the characters and fighting scenes in realism didn’t sound like a bad treat but when it’s over-done with this type of film then things are bound to become bothersome.

To make things clear, this film had too many similarities with its famed prequels. The fight to become Suzuran’s top leader was still used as the main thread to drive the plot. However, the fighting sequences to reach that objective were surprisingly demure and repetitive in a worrisome way. Although Toyoda tried to focus on the human emotions between his characters, he didn’t exploit his main leads’ potential to the fullest. Thus, many feelings couldn’t get pass the screen barrier to reach the watcher’s heart.

Crows Explode narrative pattern was composed of several side stories that didn’t serve any meaning at times. At the matter of fact, few of them were just used to fill the running time instead of building characters’ back stories. To some extent, most of them were heavy to watch especially with the obvious lack of fighting scenes; they became utterly irrelevant to the film’s development. Let’s not forget the near-disappearance of black humour – which I clearly don’t blame Toyoda for it. The last fighting sequence wasn’t blowing but it delivered a nice punch after all.

The entirely different cast is worrisome, isn’t it? I know that many people can’t imagine the “Crows” without Oguri Shun and Yamada Takayuki on top of them. I am a big fan of those two actors myself but shockingly, their disappearance didn’t make me feel bad. I did want them to be in here but the new faces weren’t bad at all. Led by raising stars like Higashide and Yagira, the acting department did the trick for the lack of better words. Some actors didn’t convince me much but I can’t put all the blame on them, the way their characters’ were written didn’t allow them to show a wide range of emotions or action.

The cinematography was trying to be the same as the two Crows Zero but it didn’t come out that way, I believe the yellowish atmosphere is the film’s way of distinguishing itself from the others. The musical note was the same so there's nothing to complain about in that department. The directing style and the setting of fighting sequences are debatable but Toyoda made sure to leave his mark which is more than enough to respect a director.

Watch if:
-You like both Crows Zero but make sure to watch this with an open mind.
-You like school fighting.

Do not watch if:
-You’re looking for a “copy-paste” version of Takashi Miike’s prequels.

Crows Explode had its own touch of filmmaking but the serious realistic depiction that Toyoda decided to use didn’t come out entirely right, just like it wasn’t entirely wrong. Due to its entirely different pattern, this sequel should be viewed for its own merits, comparing it to Miike’s Crows will only make it harder to watch and judge.

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I'm neither a movie person nor am I experienced in writing reviews. But I got a chance to watch this movie in Seoul today with English subtitles and really came to like it a lot, so I want to give it a try while the impressions are still fresh.

I went into the film not really knowing what it was about but being somewhat curious, since it's critically acclaimed and was received very positively here in Korea. It's even said that there were people who watched it over hundred times because they liked it so much!

To break it down, the film is about a young girl - Eunhee - living in Seoul in 1994, struggling with all kinds of problems that come with human relationships. She is the youngest of three, growing up in a somewhat disfunctional but probably quite typical family - fighting parents, a brother that hits her, a rebellious sister, who secretly dates and stays out the night against her parent's will. Eunhee rather draws manga than to study hard like her parents want her to, she has to confront unreliable friends and lovers, and overall is trying to find out how she is supposed to live her life, apart from the expectations that society confronts her with. The focus always stays on Eunhee. She is the person leading us through the year 1994.

The big reason I liked this movie so much is because I related deeply to the protagonist Eunhee. Of course a lot of things happen to her that I never experienced - some things are quite Korea-specific, for example. But then there also more universal struggles Eunhee has to face to which probably many young girls can relate to: the overall feeling of being a little lost, discovering the flaws and struggles of the people around her, learning to stand up for herself, trying to find people that accept and love her for who she is opposed to all the indifference and criticism that she grew up in, and of course fighting parents and annoying siblings.

One part that really hit home for me was when Eunhee one evening witnesses her the parents fighting, blaming each other for the misery of their children, with everything ending in violence and tears. Then, at the next day, she finds them both sitting in front of the TV in daylight, laughing together at the same jokes, as if never anything happened. Eunhee just looks at them, with a certain numbness in her expression.

Another thing the movie nailed was the multi-layered depiction of the characters close to Eunhee. The mother, father and brother all had scenes where they said something bad that made you hate them in this moment. But, at another point, you learn that even though they are wrong in many things, they after all care deeply about the two young girls in the family - even though they can't express it properly. It's not an excuse, they say and do things that are plain wrong, but you come to realize that they, like all of us, simply are imperfect humans, after all.

The movie was filmed beautifully, with the camera sometimes resting on a particular point, in order to really capture the atmosphere of the moment. A little artsy, but never over the top, just enough to deepen the impression. For the acting, I didn't discover any awkwardness. It was flawless for me (but I'm really no expert here).

If I had to criticize anything, it would the small plotline about Eunhees romantic relationship to another girl. The other girl was really sweet and the relationship cute, but it ends very abruptly in a way that made the audience go "Huh?" (- Eunhee: But didn't you say you like me? - Other girl: But ... that was last semester). Maybe they didn't had a better idea how to wrap this up.

The review is already long as it is, but I have to say it again. It was wonderful to have a movie with a protagonist that you can relate to. The movie industry is still heavily men-dominated (in Korea just like in the US), so they naturally like to tell stories about other fellow men. Meanwhile little girls are normally deemed not interesting enough to tell stories about them - especially not the quiet, struggling ones. Here I finally had a story in which I could discover some parts of myself in. I think this is why "House of Hummingbird" touched me so deeply.

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Family Matters on the Farm

This has been on my reserve list since it was first announced and I was looking forward to this concept as a costume drama on a farm was new to me. Joseph always pulls off solid acting. I know the video game concept was put in due to censorship and I have no complaints regarding it. All of that said, the English title didn't fit it at all and it should have just been called Family Matters on the Farm.

Pros: The entire concept was interesting. Had everyone guessing how many of the characters were none NPC. The theories and ideas were great to discuss with other viewers. ML did the best and was my favorite character though everyone did a great job at playing whichever character even the ones we didn't like so much like the toxic family. Our FL was very business oriented but though she spoke her mind, she had a kind heart which I think sometimes was too kind. Everyone that harmed her or her NPC parents and brother did get their comeuppance in more ways than one. Everyone you wanted to hit, absolutely received theirs villains included. The last episode and the hard earned forgiveness of many was actually necessary before the FL could return to her real world.

I liked how they mixed the farming life and the martial arts of SN and 13. There was a nice balance. I know a lot of people weren't pleased with the ending but I think it was a happy ending in both worlds though very subtle. Not every show requires a wedding and babies. They loved each other and even though the extra episode was only like a minute long and didn't show SY aka SN's face, it was obvious from LMN's face and tears that those two would be together in the real world too. I actually got a bit emotional in that last episode with the forgiveness and LMN saying goodbye to everyone. What I'm not sure others noticed was that she somehow exited the VR world without actually putting that last tael of money into the box, it was left on the table and she was still in fact a bit short. So my reasoning is that ML went to meet her and also exited them both out of the game after sitting and chatting about being together forever, then he went to meet her irl to give her the woven horse and reinforce the promise he made in the game.

I love Joseph's OST the most; I don't know why they had someone else also sing it later. His voice was soothing and really brought the song to life. But I have no qualms on costumes, scenery, save for one of FL's hairstyles which was thankfully short lived. You didn't need a large budget here.

Cons: Not very many here; but I do wish that they returned ML to FL sooner at the end and before the last few moments before she exited the game. And I wish that 1 minute special episode had Joseph's face and was part of the last actual episode because as someone mentioned, it did seem like an afterthought. I also wish that FL sounded more mature and less whiny in her conversations; I think that the actress has more or less typecasted herself into these kinds of roles. Would be nice for her to try something where she doesn't always appear brainy and pouty. I'm really nitpicking here because this drama didn't have many cons. Also do wish since they chose to use it, explain more about the game aspect itself; like how long are actual time lapses as opposed to the real world and so forth as well as close out what happened to FL's stingy, uncaring parents irl. That part was left hanging.

Would I recommend it? Yes I would. Just forget the title as romance is nowhere near the primary theme though it does occur and there is great chemistry between the leads. If you're looking for a different costume drama, give it a whirl.

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Without a doubt one of the best Kdramas I have ever watched (I'm at over 300 now). The story was edge of the seat, heart pounding and addictive. Kim Kang Woo gave the performance of a lifetime in this. By anyone's standards he was stunningly good (or evil). Some Kdramas you get so sick of the over dramatization of the bad guy you want to fast forward through their scenes, but he was riveting. It was a painful agony to watch him. And, while he was the star of the show for me, the sight of Park Young Ha, every moment he was on the screen, was an utter heartbreak for me. Knowing that this dear sweet man would commit suicide barely 6 months later had me in tears throughout most of the show. Such a brilliant and well loved person, how could he not know how much he was loved and how much he is still missed to this day. His memory, his dramas, but most of all his beautiful voice and songs will forever be a testament to the tremendous talent of this young man who was lost too soon.

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I don't even know if I can say this is a review... but anyways.

Story:
It is a slow and sad drama but very powerful and haves a great story if you are willing to watch it.

We all know from other dramas and stories we read on the net about how hard is the education system in Korea and the contest between students to take higher places but this is not from the kids view here the point of view is from the parents perspective.

As the drama moves on you will notice that they main subjects are:

- The high expectation a family haves on their kids and their education and how it affects the family itself and even the neighborhood. Not your regular school drama this is just about the parents way of seen education and what they are capable to do to get what they want from it. (risks & consequences)

- The behavior, sacrifices and attitude society expect from you as a mother, wife, housewife and a woman in a family or neighborhood.

Many other themes are discussed on the drama too: infidelity runs along the WHOLE drama, money, greed, addiction to gambling, humiliation, depression, suicide, bullying, sexual harassment, power, in-laws, values, moral and secrets (LOTS OF THEM).

Acting/Cast:
The acting is spot on. The housewife is played by Kim Hee Ae and I couldn't believe she is the same person that play the extremely powerful Machiavellic leading lady on Midas.Here she is the opposite. She doubts and fears everything. She is an amazing actress got me believing her story it was the real thing the whole drama. Gyeol (housewife son ) was played by Im Je No and he was brilliant. A kid becoming forcefully an adult while keeping his innocence that is what I saw. The rest of the cast... all great actors... I ended having strong feelings for them. (don't want to give you spoilers)

Music:
The music it was mellow kind of indie music. I didn't pay too much attention cause I just wanted the drama to keep on and get resolved. I was really into the story and outcome. Got carried away.

Rewatch:
No. I don't think so. I ended all upset on some episodes... but it gets better. The bad. then good. Still once is enough. Just watch it at least once.

Overall:
I liked it and glad that I watched it. It helped me see/understand more the education issue in Korea and how it affects the values and believes of society. I saw infidelity different layers, acceptance and point of views or aspects in Korea. At some point the issues left me feeling confused to the point of been kind of disturbing. It help me appreciate the freedom I had when I was a student and the freedom I've as a woman.

The last episodes where so good that I didn't even noticed when I got to the last one. And was like OMG this is the end so fast? If you watch it you will understand. It might sound all sad but it haves it's really "funny" good parts. It is NOT a cheesy, action, kisses or tears drama. There is a love story but is not your typical romance. This drama is FULL of real life issues. It is a drama to think and study our humanity and meditate on how we value the people around us and life.

Hope this helps.

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Beautiful and rare story about Humanity, Character growth and Forgiveness.......

LCR can be summed up as “The world is better because of you” This is not a fluffy romance drama and required a mature audience to unravel this beautiful story about humanity. LCR story is adapted from China Blue Sky Rescues volunteer including its rescue scenes. It portrayed different aspects of humanity through 6 main characters and their actions not always what audience wants to see…but happening around us…. It is a rare touching story of the real Hero in our world.

The drama tells the growth of 6 different people, all live in their own worlds some with dark past/traumas, whom received kindness through rescue and overcoming their own pasts/struggles to become light for others through rescue….

In the Mv songs…”When the world did not give me a good start”…That’s how our Leads childhood stories begin…both are orphans victims of natural disaster….and grew up taking different paths to patch their traumas….One savvy successful cunning lawyer and one smart, cautious cold doctor who close herself to outside world….As their not so great start begin, it took many twists and turn before they got together and when they did…one big revelations during their childhood trauma is unravelled (a huge surprise) that lead to their love struggle…..one that need a huge courage to overcome….

You all start with hating LB and boy how much I love him at the end despite all many tragic events he went through for being real, brave, courageous, kind, smart and forgiving…..LB is a true warrior…

We have 2nd couple who are big sweethearts and the 3rd ones that well can do with less screen time.

LCR showed a dozen + amazing rescue scenes. My favs are the earthquake, mudslide, and cave, some channeling Hollywood production…. Finale Glacier rescue is Epic, movie texture quality and cinematography and one that I did not think C Drama is capable of making such a harrowing scenes…

Acting:
Lyx a season actor he showed all aspects of LB multi-faceted traits eloquently, vivid, delicate and detailed. His ability to deduce the state of his character is thoughtful and accurate. In the last Finale rescue, he blown me away with one of the best acting I’ve seen in C drama and I just witness the explosive growth of this talented actor. ……..Hat’s off to Lyx for performing many dangerous stunts himself.

My first WQ full drama. I like her takes as cold doctor. She is truly an underrated actress with solid acting skill. Most support actors are good, only a few weakling…

All 6 main characters are original voice and they are all good, but especially LYX....This rare in C drama....

OST: I keep looping it and how the narration really fits this story of growth….not able to FF the opening song and ending song each time....

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Offering some food for thought, can be quite lengthy :-)

I spent my afternoon sitting at a quiet, dimly lit corner to watch this movie, and by the end of it I was truly touched by the deep, profound story that this movie portrays.

Having received 11 nominations in the 56th Golden Horse Awards and winning 5 of them, with one being 'Best Film', I know I already have high expectations the moment I clicked into the movie, and boy did the movie not disappoint me. It totally threw me into a whirlwind of emotions. :")

Story and acting wise, I have almost nothing to pick on. The actors were brilliant in their portrayal and well, my ratings are clear enough, and you can watch and judge it for yourself.

Rather, I would like to bring up some themes that lingered in my mind after I've watched the movie.

[We've all been hurt before, and that's how we can become each other's sun.]

[A Sun, A Son]
The title of this movie holds two meanings, 'A Sun' and 'A Son'. What happens when a family is thrown into darkness when the 'sun' of the family is no longer there? What happens to the family when A-Ho has to move out of the darkness, what hope can he, or rather, they, cling onto?
This is a movie that speaks about relationships within a family: mother and son, father and son, elder and younger sibling, and many many more. But ultimately, this movie explores what it means to be a family, and to be yourself.
Also, note the use of the article 'a' for the title of the movie. Why is it 'a' and not 'the'? How does the difference in definiteness of these two articles change the meaning of this movie?

[Light, Darkness, or Both]
In this movie we have characters who stand out and thrive in the world brightly lit up by the sun. However, some recede into the darkness where they seek comfort and find out their own meaning and interpretation of what they're worth. But how about both? How does having both light and darkness in a character's life influence him in any way?

[Expectations and Hope]
For someone who has been in the light all along, how does he feel about it? How do societal and familial expectations weigh down on such a person? How does he find shade to rest and take a breather?
Whereas, for someone who was always in the darkness, will he be able to find his own ray of sunlight and move into a world where the sun shines brightly upon him and his future? Over here, how does societal and familial expectations differ from that in the aforementioned case?

[The Sun (literally)]
The weather changes throughout the movie helps portray the different settings and atmosphere for each character's feelings, emotions and state of mind. And I must say, the appearance of the sun (or the lack of it), as well as the amount of sunlight shining upon a character, plays a huge part in helping viewers understand what state of mind the characters are in. The visual significance of these scenes are enough in showing us the characters' emotions even without them having to portray them. That's how powerful and well-thought-out the cinematography is in this movie.

[Seize the day. Decide your path.]
This is a recurring slogan in the movie, and we can begin to wonder why it's mentioned in the first place (and many times after) and also how much it weighs on the different people receiving this piece of advice.

Well, that's all I can offer for some thinking after the movie ends. Do watch the movie, you'll not regret it ;)

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Suspense-packed. Elusive. Tough - KDrama shows us a poker face in several ways

"Insider" grabbed me from the first minute. It was exciting and unpredictable, fascinating regarding the world of card gambling and convincing with a consistently top-class cast. The story is knitted around the ever topical issue of corrupt South Korean society. You will not find good and bad in the classic sense. Dark shades of gray on the gloomy side dominate the picture. The focus is on the sobering practice of substituting compromises for morale. And those who are not willing to compromise may experience violence. In this context, the KDrama is also brutal on a high level.

Can one person change the predicament of a corrupt society? In recent years, the KDrama has conspicuously often asked this question. Here the son tries to do the same as the father and at least tries... because: if you don't at least try, then nothing can change. So he wants to go to court and do his part there to ensure justice. Also undercover, if it may help. The question remains: Can one person change something about corrupt social structures? Does it help when illegal activities are uncovered? Or will everything in the end remain as it was, since new characters simply fill the vacant roles?

"Insider" focuses on the networking of politics, criminal prosecution and specifically institutionalized criminal organizations. Democracy has practically no chance in the face of these almost overwhelming networks that decide in the background and create facts. It's bitter to see. In particular, the handling of the law, which appears to be swung almost like a sword in the interests of the powerful, thus relentlessly destroying any hope of justice for honest people.

In this respect, "Insider" is more of a pessimistic story. I admit that I'm ambivalent about this overall quite brutal KDrama. It's repulsive but fascinating at the same time. The story ruthlessly unfolds its impenetrably entangled threads. It tells of outrageous machinations of the powerful and infernal manners in prison. Also about being mercilessly dependent on oneself. It tells of the desperate attempt to avenge injustice.

The dramaturgical leitmotif running through all of the 16 episodes is quite concrete and also symbolic: the impenetrable poker face. Illegal gambling with cards dominates "Insider" from the first minute to the end. Especially at the beginning, the card game itself is in the foreground. As the series progresses, the viewer's perspective shifts to the meta level of casino management and what may be attached to it. But who is up to something here and who is on the side of the protagonist remains unclear until the end. Who or what should you bet on? KDrama also shows us its poker face and simply plays its cards unperturbed - one episode after the other, until the end.

In my opinion, the permanent increase in tension during the first 8-10 episodes, which are mainly focused around prison-life, is like a permanently increasing climax - and the most impressive (yet challenging) part. After that, the actual revenge campaign can only lose. Not because it is not also based on a high level of quality, but simply because this permanent increase in tension cannot be continued forever. In the meantime, the audience has so many open plot threads in their hands that they now want to be resolved before they completely lose track (and interest).

Kang Ha-neul as main lead is incredible. He embodies the difficult process of change in the personality of a highly motivated young trainee at court who involuntarily has to get to know the dark end of society up close. If he doesn't conform and play by their rule, he won't survive. However, if he survives in this dark parallel world, he can never be who he was.

But everyone else around him also keeps up the intensive field and contributes to the convincing overall performance. I was particularly drawn to Kang Young-seok, who practically excelled alongside Kang Ha-neul in the first half. It's unbelievable how he manages to embody the worst merciless willingness to use violence on the one hand and yet still somehow is able to win sympathy on the other. A strong, unforgettable performance!

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Diplomatic impunity.

Go East starts out as a fresh and interesting workplace comedy about Sifang Pavilion 四方馆, which was an institution that hosted guests and envoys from all four directions 四方/sìfāng during the Tang dynasty. Sifang Pavillion is essentially a Ministry of Foreign Affairs; they handle diplomatic issues from issuing visas, facilitating trade, solving diplomatic cases to negotiating treaties. Yuan Mo is loosely attached to Sifang Pavilion and helps oversea foreign visitors at the city gates, under the indulgent eye of Director Ye Deshui. He is a clever fellow with a predisposition for wine, snakes and bird brains but he lacks ambition and shirks responsibility. Alas, he spots a real strange bird, Ashu, at the gates and makes the mistake of his life by stopping her. She invades his personal space, poisons him, bullies him, frames him, helps herself to his hard earned money and turns his life upside down. This poor man is so alone and lonely that he sucks it all up as if he was deprived of attention his whole life. As it turns out, the Man in White, the deadly leader of the Faceless assassins are after her. To help her, Yuan Mo gets co-opted taking on a proper role at the Sifang Pavilion, where he proves himself by solving a few tricky diplomatic cases.

Ashu as a character did not work for me from the get go. She debuts as an entitled bully who blames the hapless Yuan Mo for all her issues, makes unreasonable demands and causes no end of trouble for him. She doesn't bat an eye when her servants openly disrespect him and never apologizes or feels a smidgeon of remorse. She puts herself in harm's way repeatedly with her noble idiocy and half baked schemes, endangering everyone that has to rescue her. This is an ungrateful creature that tramples all over the male lead and is so lacking in intelligence and survival instincts that it is a miracle she didn't perish long ago. I never connected with any Zhou Yiran's roles and her portrayal of Ashu is callous and supercilious to the point that I didn't root for her. Her piteous and repetitive crying scenes made me yawn and roll my eyes. For sure, these scenes are exaggerated for comedic effect but her constant smug expression made her seem mean instead of endearing or comical. None of the female characters are written in a flattering way. Yuchi Hua is also a termagant and is a cliché gender bender character whose only contribution is as token muscle. But at least she softens up and she shows she genuinely respects and cares for Wang Kunwu. This is the latest in a disturbing trend of dramas where the female characters get a free pass for toxic behavior towards male characters who pretty much just roll over and play dead. When did it become so unfashionable to have balanced relationships where men and women just treat each other well?

The only thing that salvaged this drama for me is Tan Jianci's incredibly funny and moving performance as Yuan Mo. This is a refreshing role for him and his comedic timing and expressions are spot on. The character itself is not super well written either; he fell for Ashu too quickly and I remain baffled as to why; he lets her walk all over him and he is super intelligent but ultimately only applies himself for her. The gaping difference between Tan Jianci and Zhou Yiran is that he made me love his goofy, slightly wimpy, deeply wounded Yuan Mo flaws and all; a character who seemed to not quite dare to live until he had to find himself for an ungrateful wretch with the brain the size of a watermelon seed. (Why didn't I live thousands of years ago so he could have found me instead?) Even though they looked cute together, the chemistry between them seemed more friendly than passionate so as a couple, they didn't move me. All those wasted Tan Jianci kiss scenes! But I enjoyed the camaraderie between both couples and the broader Sifang Pavilion team and the hilarious rivalry between the East Court and the West Court. Ye Deshui was MVP for me; he delivered as many comedy gold moments as Yuan Mo did and I loved the hilariously pragmatic way in which he ran Sifang Pavilion and appeased domestic and foreign conflicts.

Plot-wise this drama starts out well as I was genuinely intrigued by the foreign relations premise of the story. The first two cases are interesting and tight and the satire made me invested in the team. After that, the romances starts to take center stage and the to-ing and fro-ing between couples I didn't really care for was not funny enough to keep me engaged. That is also when progressively larger holes in the plot emerges and it snowballs into an avalanche at the end. Along the way, the tone of the drama shifts from silly and hilarious to one where the writer kills off good characters with diplomatic impunity. There was only one good twist in the entire plot, which was who saved the Yanle princess. The identity of the princess was too obvious you couldn't have missed it. Likewise, they cast an actor with an unmistakably prominent feature as the mysterious Man in White. He was flagged early on as a suspect in the Red Lotus case and his identity was just given away during Ashilan's kidnapping. Both these reveals were too early, erasing any sense of suspense. I thought Ashu was as dumb as bricks until they get back to Yanle which is when I realized that in the land of the blind, the one eyed woman is queen. The final reveal of the Man in White's motive contradicts the entire plot because given his identity, he never needed any Yanle princess; in fact a cooperative fake one is much better than the real thing. The smart thing for him to do would have been to eliminate her from the start. This is also what Long Tuqi should have done but Yanle is the land of the dumb after all. Even though it ends in a satisfying way, it was a hollow victory because they won because they were out-dumbed by the antagonists. It is this drama's most unique feature; a race to the bottom where the protagonists and antagonists vie to under smart each other.

Overall, the first half of this drama can be enjoyed as a spoof kind of along the lines of the Austin Powers movies but lacking any underlying intelligence. It is worth watching just to see Tan Jianci do comedy and romance watchers who can ship the couple may enjoy it more than I did. I found it a very mediocre watch, one that feels like a 7.0 more often than not. But I am going to throw in a 0.5 for the fresh premise and Tan Jianci's phenomenal, funny and moving acting to call it 7.5/10.0 overall.

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Absolutely hilarious!

Hands down the most fun I've had watching a comedy series in a long time. I was literally rolling on the floor. It's short, but totally worth the time. The casting was also very good (not great, but decent), and the main character played his role flawlessly.
The only criticism I would have is that I'd like for the romantic storyline to be more developed & foreshadowed earlier, as well as for the entire series to be longer. However, if you look at this show purely from the comedic perspective, it's a 10!
And it's super rewatchable :)

The series tackles most cliches in the genre and does it an unexpected, fun way, without offending anybody. It's just so fresh in the sea of BL shows that are similar to each other.
It's an easy recommendation.

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