Reviews

Did you say a live action adaptation for Miyazaki’s timeless masterpiece? No way in the world! Who decided to do this? What an inconsiderate fool! I am sure that’s what went in most people’s minds when they heard about this, me included. But after mastering the courage to watch it, I was positively surprised.

Let’s get things straight; Ghibli Studio’s film is still superior in every way. But this version is also quite enjoyable. Unlike what the general audience might think, this isn’t a remake of the 1989 animation; it’s actually based on the original novel. As a consequence, many things are entirely dissimilar from the animated version. The character and the general climax were untouched but once Kiki arrives into the village, almost everything goes into a different way. This is considerate as a positive point since Shimizu didn’t try to copycat Miyazaki’s version. The little witch still tries to find her way into the world as she goes through puberty and deals many conflicting emotions. The thing about Kiki’s Delivery Service that it inserted stimulating subplots. Of course, it’s not that all of them were successful but it was enough to distinguish itself from the Ghibli Studio’s version.

Koshiba Fuka who played Kiki was convincing acting wise but that doesn’t apply on the aging criteria. She didn’t look like a 13 year-old in any way. However her co-star Hirota Ryohei was very believable as Tombo, he definitely shined better than the main character in this version. Some other characters were altered but it wasn’t very serious.

The CGI could be acceptable but the talking cat looked so fake that my eyes got hurt. Shimizu Takashi, better known as one of Japan’s horror films master decided to go with a family production this time and he did rather well with his angles and settings, if only the CGI was better handled.

Watch if:
-You like to see another version of the outstanding Miyazaki piece.
-You like family films in general.

Do not watch this if:
-You’re looking for a replicate.
-You dislike live action adaptations.

Kiki’s delivery Service is an okay family film. It differs from Ghibli Studio’s iconic animation even if it shares the same concept.

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Righteousness Wins Over Profit in Jianghu

A bet set in the beginning of the show had its answer at the end. I wanted to watch a Wuxia but this had a lot of elements that didn't quite align with that. I knew the majority of the cast and they did a good job with what they were given. This time I won't write pros/cons but combine them.

For starters the show got the rating it got for the awesome martial arts, the fact that other then the draggy family feud like episodes, it was in fact quite entertaining and out of the 3 CY characters my favorite was LCZ because he had a quiet grace along with his wife and theirs wasn't a showy type of love but as you watched, it resonated. Even theirs deaths were beautiful and fit the characters perfectly. I liked QS as he grew from a foolish youth to a moral driven young martial artist; his issues were that they literally gave him a VERSACE sized wardrobe fit for a runway while everyone else got a few (his brothers notwithstanding). Also that he gained his strength and whatnot not always from practicing martial arts nonstop but from a monk here, an invincible pill and spirit snake there, then a total of 8 masters infused him with their energies/legacies randomly before he himself started integrating everything. He used his smarts on other things. Least useful character was XMM, in fact that entire modern world AI transmigration with a stolen copyright by some government secrets selling senior was completely out of left field. It completely took away from the real Wuxia or storytelling portion of it.

Why couldn't it just be a happy family of 5 living their lives until trouble called? Who needed the senior jumping into XKY's body a la Agent Smith from the Matrix? First we were made to believe the power gang were the bad guys and ok we could go with that until it was no longer true and there was a 3rd evil loose in the world creating chaos so he could take over the world because how innovative was that? 🙄🤦🏻‍♀️ The power gang with LCZ as its chief (for whom other than him being a royal, we never got a back story), were essentially double agents; appearing bad to the world but really a collection of kings and other people sending money and clothing to the border to fight the northern westerlanders which were constantly threatening Daxi where they lived. But even there, there were traitors left and right; on both sides to this third side. You didn’t know who to trust.

While this was going on, the Xiao family has to escape to their Sword Manor because someone originally thought to be the power gang had infiltrated their ranks and is trying to get to a rare artifact saved for a general. The real culprits in poisoning the water (and later massacring everyone parents included) is some whistle gang run by a masked man who we all suspected to be XKY with LN (the senior) in his body but he also had 2nd child syndrome and a lifetime of jealousy of both of his brothers who were better then him because they were proficient in different things with a major crush on his adopted sister, whom he later tried to force to marry him and then when she tried to hurt him, killed her instead. I wasn't sure after which did he plan to sleep with her corpse (eww)? She did leave vital information that saved the world for QS at the cost of her life.

Continuing, he and his siblings and their disciples plus sworn brothers and friends run away leaving their parents behind one last time alive to find help only for QS to realize their few sources of help have betrayed them but before he could convince his older brother, he was framed so badly and crippled and still his older brother didn't believe him. I have a theory on the older brother's costume; throughout the entire series he only got one but he had plenty of screen time and I feel that that was because he never evolved; he was narrow minded, he never believed his own brother but believed strangers that either humiliated him or laughed in his face. He was one of those people that was totally fine when he was surrounded by his parents who were in charge, but when the massacre happened, everything fell in his lap and he did not know how to cope. Do I excuse his actions? Absolutely not, but I feel that because he never changed and stayed exactly the same and hurt QS so much without an ounce of apology or repentance until his dying moment at the hands of his second brother did Eureka 💡 happen is why he only got one costume for the entire series.

After family feud we got the game of faces GoT style with XKY wearing a mask where he could become become whomever he chose to become to trap people in order to kill them or have them make horrendous mistakes like in the case of LSF and the huge Sect's where he pretended to be LCZ and ordered the deaths of two monks; when that was found out obviously Power Gang was screwed but LSF was determined to make amends to the man who saved his life. This was another character with a very fragmented backstory where he misplaced his rage on one person when in reality that person being QS's father saved his life. And we never quite got to solving that entire issue. LSF also never made amends with any of the other people he killed without mercy, even though power gang only killed those that betrayed them to align with the enemy.

Another character that was a waste of time was the emperor who poisoned his own half brother "to keep him in check" because he was supposedly doing something wrong and being greedy when all LCZ did was provide for the border. But yet when the border is secure, something that the emperor doesn't even know or just found out that the general was kidnapped and he ordered LCZ to save the general and is informed that the border is secure and they have a victory and that the bad guys won't invade for 50 years. He says "everyone has to be rewarded including LCZ; bring him here!" is when he finds out that LCZ died already trying to rescue the general, and the emperor is all shocked and taken aback like he doesn't even understand how it could be possible; hello moron you have been poisoning him with wine ever so often that has basically rendered him all, but an invalid and you're surprised he's dead? On top of that he actually saw the fake mask that XKY brought him with the fake promise of truce with the northern enemies that he himself was leading and the emperor bought it hook, line, and sinker. It makes you think that considering how supposedly large his country is, isn't he supposed to have a broad spectrum of intelligence to tell him what's right and what's wrong instead of him just hastily making decisions without anything actual nor factual.

I have to say that my favorite fight out of all of them, and there were quite a few was the one at thunderdome where we met crazy Yan for the first time. Now talk about knowing how to enter an arena this dude showed up, screaming some bad guy's name like Drogon entering the Colosseum roaring. It was awesome! All the fights together were spectacular there and then naming QS as the world leader of martial arts in order to rescue the general and repel the northern enemy was also great. QS' two sworn brothers (as we lost the third very early on) were there from the beginning to the back in the mortal world. Crazy Yan turned out to be Xuyue's biological brother. Even those four thugs that just seemed so out of place did work and the two that QS met while searching for the abducted TF. It seemed that after his family and the disciples were massacred, he was determined to establish a sector with a rag tag family of his own. One of those people who became my second favorite was Prince Liang; this man had enough benevolence, empathy, and sympathy for both his half brother, LCZ to even attempt to stop the emperor from poisoning him to giving both quiet and physical strength to QS when he thought he had had lost absolutely everything, including that hug that I will probably remember when thinking about this series that no one in his actual family ever thought to give him. He was there for every strategy, for every fight and the way he treated QS seemed like one would treat his own flesh and blood; a brotherly love. It made you tear up quite a lot. Even though there were a lot of problems with LSF's character and his assistant/girlfriend with his storyline overall in the end, he finally understood that QS had won their bet of righteousness over profit, and he fought with the good guys and then left the celebration scene quietly with her vowing to meet again in the future on better terms.

Now let me give my thought process overall on how I thought things ended; I think that 2 out of 3CY characters did in fact die, and that part was obvious. If you look closely, you can see XMM shedding a tear as LN information was being told to him so he can hear them and then you slowly see his blood pressure start to go down and doctors racing into the room, but because it was so badly edited, you couldn't really tell what was happening as it kept fading to black, but I do not believe that he died as well because he did not flatline nor did he go into cardiac arrest. His blood pressure just went down and it was enough to signal the doctors that he was in distress. Distress does not mean death and is very much survivable. I do have to ask what was up with those weird fireworks that turned into colorful smoke that made you think that you were in a Bollywood film in the photo? As for people discussing which character it was that walked away with the Qin and the sword in the historical clothing toward the light, I think it's QS because it wouldn't make sense for a modern day person to walk toward the light carrying all of that and wearing all of that. So I do think that, even though this was an OE, XMM survived.

Would I recommend it? Only for fans of actors and if you want to be entertained. This is not a memorable story because the storyline was all over the place and that's the fault of production. So decide for yourselves.

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Watching without expectation

I watched this without expectation whatsoever, just wanting to see Gong Yoo and Seo Hyun Jin.

The premise was interesting, and they executed it quite well. This drama is not everyone's cup of tea, but I truly enjoyed it. It might be not that extraordinary, plot wise, but acting wise, it was superb.

Gong Yoo and Seo Hyunjin really showed up and acted!!!! I also loved the one who played Seo Yeon, she potrated her role as a crazy broken woman really well.

Overall it is a good watch if you're looking for melancholy dark slow drama with adult romance.

Note: Gong Yoo be looking really so damn good here.

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What a Masterpiece!

This movie is a hidden gem, but if you were waiting your typical happy, cute, melodramatic drama well... this is clearly not for you.

This movie tells the story of Se-Jin, a 17 years old teen, that gets pregnant and with the help of her new companion (Joo Young, a runaway 17 years old) they do everything possible (and also the impossible compared to other K-Movies) to get her an abortion. But, in the process, this movies shows the society's underworld, rarely shown in this kind of movies. Taboo symbols are common, although the two main leads are minors, this includes: alcohol intake, cigarette smoking, hallucinogens or sedatives, sex, abortion, theft, minors working, bullying, and the list goes on! All this is used to make a critic to society about the hardships faced by teens without somebody to guide them but, clearly, in a very particular way.

The plot is really good and the storyline is easy to follow, though there may be some plot holes. It's is not a particularly fast movie, but it's pace would clearly not get you bored. Nevertheless, in the last 25 minutes the plot line changes a bit, it gets a bit slower and maybe, if we were too excited because of previous events it may get a bit boring, but nothing too serious.

The acting of the two main leads is spectacular. It's amazing how they could portray such personalities in such a natural way. The rest of the cast's acting is good but nothing too remarkable.

Overall, this is a really particular movie, clearly +18. One should start watching the movie knowing this things so to not get disappointed. My personal recommendation is to give it a chance because, almost certainly, you will end enjoying it.

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Totally disappointed.

How can they just do that. The whole series was just jojo and hye yeong. Why did she not consider sunho feelings. I don’t know I just hate this second season. Sunho deserved way better then what he got. Jojo stole a happy smile and that smile can’t come back. Ahhh this script was not at only that good. It was like the actor were forced to act on the screen. I started the series in the thought that at last she would be with sunho but no she didn’t. Ahhhh too damn sad abt this season 2. It can be way to better but no they didn’t wanted it to be. I am covert disappointed with this season. Never watching it again.

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A Mad World Unfolds..

Season 2 picks up right where Season 1 left off.. Season 1 was intense, but this season has way more action, blood and honestly some disgusting scenes.. And yeah we finally got the answers to the questions that we were left with.. We get to see the full dose of the Goto’s brutal madness this time and also the family’s twisted past.. Which explains why they are so messed up.. The action scenes were truly next level and Yuya Yagira shines once again.. There is a scene in ep 2 where he has a moment of realisation and goes completely berserk, that was incredible to watch..

" If they are crazy.. Then I will just have to go crazy too.. "

This season is definitely not for the faint hearted.. I expected gore, but some of it was straight up sickening.. But I loved the fact they didn't try to hold back.. They were fully committed to the madness and it worked..

Special shoutout to Tsunematsu Yuri.. Her potrayal of the younger version of Goto Gin was purely cynical.. She was gaslighting, manipulating and using herself as a trophy to get her revenge.. And she was magnificient in every episode she appeared in.. Limited screentime or not, she made the drama twice as compelling with her performance..

" I am madness itself.. Born from this village.. "

When it comes to the visuals, they were violently beautiful.. Some of the frames looked insane.. And the Music matched the vibe too..

It’s a shame that a drama like this doesn’t get the attention it truly deserves.. I really hope it reaches a wider audience because it’s one that deserves to be seen by more people..

Overall, this season takes everything to the next level.. With wild action, powerful performances and a raw intensity.. It has very dark and disturbing elements with bold scenes that only make it more intriguing to watch..

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Hard to Express my Disappointment with This Cringe Fest.

Since discovering Kdramas I had loved Shin Min ah, her beauty is so natural and gorgeous and her comedic touch in kdramas has been well established from my Girlfriend is Gumiho to Hometwon Cha Cha. Here paired up with a younger and extremely handsome ML the anticipation was high.

Unfortunately what we got was a mish mash of a drama with totally uneven characters, development, character arcs and a script writer who seemed to think that focusing on sexual themes, lifestyles, and engaging in the odd time subtle but mainly the most stupid and crass sexual innuendo was the height of literary achievement.

The flashback scenes of the FL buying a gazillion condoms while shouting around the supermarket that her sex partner better do it more than twice tonight or admonishing some guy for his weak performance in bed were so cringe inducing and pathetic I was actually flabbergasted. I couldn't decide if this was aimed at 14yr olds or idiots or 14yr old idiots or people who hadn't had sex in 14yrs or people who never had sex.

And then the dildos ooh look our sexually liberated FL (okay we get it jesus we get it she has sex) has sex toys and masturbates, a univeral and generally private human activity but here glorified and held up as if ownership of them elevated her to a place of enlightenment and Liberation that sets her apart from the rest of us mere mortals. It reminded me of the innuendo filled British comedy of the 70s and 80s where anything sex related drew gasps and guffaws from the scandalised but knowing audience. The amount of cringey "oh my God I laughed so hard when I saw those dildos" comments I've read is oh whatever 🙄.

Then the more "serious" themes of views on marraige, family infidelity, polyamorous relationships and pregnancy. Again it was like the makers, in their desperate attempt to be edgy modern and join the dreaded race to the bottom of shittiness epitomised by shallow, amoral, sexualised characters in western TV, they just threw in a whole lot of ideas and developed none of them in any meaningful way. The supportive relationship between the three foster siblings was heartwarming but it was overshadowed by the unresolved and unfinished exploration of the nature of the FLs relationship with her mother vs everyone else's. The inherent unfairness of this seemed to be left to the FL right to the end.

The older foster sister having unprotected sex with multiple partners and not knowing or bothering to find out definitively who the real father of her child was, inadvertently highlighted some of the potential pitfalls of polygamy though the writer just seemed to be inserting it for "look at how edgy my script is". It really did not portray a meaningful rmessage apart from her BF being a selfish so and so. Like at least practise safe sex FFS. Again it seemed having the concept in the drama was more important than how it was actually dealt with.

The cheating ex faciltted by the FL the whole way through and the cheating dad of the CEO were just shittiness personified. The fact we are repeatedly shown and reminded that the FL is a morally fair and kind at heart person makes this worse as she loses all credibility here by blatantly betraying her exes wife who was generally kind to and supportive of her. And of course asshole ex gets a pass, ah well we might have that female character, along with the cheated on 2ML wife, portrayed as regressively as an early noughties Kdrama melo but we did have condoms and dildos and a polyamorous couple so it's okay we're edgy.

The infamous second couple were more typical of your Kdrama rom com cute couple but totally distracted from the main couple especialky toward the end, and his initial online attacks were pretty awful along with his weird mamas boy life but at least that plot line didn't seem to take itself too seriously.

Finally the .most irritating take I've repeatedly seen is how the FL is so cool unapologetic and iconic. I just can't get over how crass immature and painfully obviously trying to be cool this script is. It's like the member of your social group who because they're never actually getting any they never stop going on about sex in OTT ways to over compensate. it was pretty cringe tbh.

I don't want to get into the whole westernisation of Kdramas by the Streaming services but if this is anything to go by get ready for a serious decline.

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Love Alarm might just be the best romantic drama I've ever watched!

[Spoiler alert] Do not read this review if you don't want the ending spoiled!

I have always blamed kdramas and films in general, why there are so many girls who are attracted to "bad guys" who disrespects them and will treat them horribly. Because in most dramas and films we are taught that the "bad boy" male lead is "bad" but that it's up to the female lead to "change" him, which is such an absurd and unrealistic idea to sell to young impressionable girls.
Though I do understand the film industry that a "bad boy" male lead will cause more emotional rollercoaster rides thus a more interesting storyline. But that doesn't change how it's inflicting this unhealthy view on what is a "romantic relationship" to girls. Which is why, I have always wished and prayed for a romantic drama where the female lead ends up with the "nice guy", to show how we as girls do deserve to be with a nice guy who treats us with respect and that a nice guy is a better romantic partner.
And this is the first kdrama I've ever watched where the female lead FINALLY ends up the genuine nice guy who treats her well and with respect instead of the "bad guy". ( I would say that she ended up with the nice guy as well in Start Up, but I thought both male leads were nice guys so it doesn't count)

Now for all the Sun-oh stans out there who disagrees that Sun-oh is a "bad guy"; In season 1, Sun-oh first encounter with Jojo was because he observed and saw that Hye-yeong had a big crush on Jojo. Sun-oh then became interested in Jojo more or less because he knew Hye-yeong had a big crush on her. He followed and persuaded her and forced her into kissing him, again well-knowing that his best bro has the biggest crush on this girl + she has a boyrfriend. I'm not a guy, but this should be a huge break on bro code. And Sun-oh is lucky Hye-yeong never got mad at him over this.
But Sun-oh is so hypocritical that he thought it was okay to go after his best friends biggest crush, but when Hye-yeong said he still likes Jojo and wants to pursue her 4 years after they have broken up, Sun-oh gets so mad and petty asking Hye-yeong how he could do that to him. But what about you, Sun-oh? How could you pursue a girl you knew your best friend has the biggest crush on? And the only reason you ever noticed Jojo was because you saw that Hye-yeong likes her.
And when Sun-oh dated Jojo, Hye-yeong respectfully stepped back and didn't interfere, uninstalled the Love Alarm app so he wouldn't ring Jojo's Love Alarm all the time and let Sun-oh and Jojo be happy. But when Hye-yeong is finally dating Jojo 4 years after, Sun-oh constantly interferes, follows (basically stalking) Jojo around and even forced a kiss on Jojo.

That brings me to another point; Sun-oh basically forced a kiss upon Jojo in the first episode of season 1 well-knowing she had a boyfriend. He constantly follows (stalking) her and interferes with her life (again well-knowing she has a boyfriend) and not respecting her boundaries at all. If this was me, I would've gotten a restraining order on this guy.
Also when Jojo constantly rejects Sun-oh telling him she likes Hye-yeong, Sun-oh is so immature and can't accept that fact and is constantly blaming it on Jojo lying, the Love Alarm app or the developer. He is both selfish and arrogant and only cares about how he is feeling and not what the other party is feeling and acts with no regard to either Jojo, Hye-yeong or his girlfriend Yuk-jo.

Now, I've also had plenty of frustrations with Jojo. Like why didn't she just push Sun-oh away when he kissed her. Why wasn't she honest with Hye-yeong about the shield and her feelings? Like, is it so hard to say "I love you" in this Love Alarm world? You shouldn't be depended on an app to tell someone your feelings. (But I guess that's the point of show)
Now I got frustrated throughout all 6 episodes at Jojo for not being honest and just explaining everything to Hye-yeong. But I think we sometimes tend to forget, that Jojo is a broken person with a lot of mental issues, she might not even be aware of herself. And obvious things such as just speaking your mind and being honest, might not come naturally for a person like Jojo.
But I think the show explained very well, that Jojo is not okay mentally and why she is not good at expressing love. Both with flashbacks and imagery of her traumatic childhood and how she copes with her mental issues through The Ringing World art page. Because if you've never received love from your family and surroundings throughout your upbringing, it's difficult to know how to both receive and give love when you're older. And even harder when it is normalised that you can only give and receive love through an app in this particular world. So I forgive Jojo for acting like she does.

Now I must give Jojo some points as well for the times she is actually really proactive; She hugs and kisses Hye-yeong on the cheek to show her feelings. She actively tries to contact the developer to remove her shield so she can ring Hye-yeong's Love Alarm and express her feelings towards him. She uses the spear to express her feelings towards Hye-yeong even though she should just have been honest with him about everything here (but I'm giving her a break on that one). So I actually really liked how Jojo became more proactive in this season, but also how we more fully understood her character on a deeper level with her mental struggles and past trauma.

I feel like we got to know Hye-yeongs character on a deeper level as well in this season, We get to meet his father in prison whom he has never met before. And we learn that because Hye-yeong grew up without his father, he has always imagined his father when he looks at himself in the mirror. Therefore pushing himself to be a good person, so that his father will be a good person. Which ultimately makes him face the hard truth, when he eventually meets his dad in prison. I really love how we got to see this other side to Hye-yeongs character, and that he has so much more to him than just his nice and good personality. I could really see his inner struggles in this season and I just loved how Jojo came and supported him no matter what.

On another note, Hye-yeong is not only the perfect male lead, he is what all other male leads should aspire to be like.
Now I know that both myself and others would have really wished for Hye-yeong to be more proactive in his relationship with Jojo. But I just love how Hye-yeong takes it slow with Jojo, respecting her boundarie,s and not pressuring her to do or feel anything, and really letting it to be up to her on how she feels and acts. Exactly the opposite of Sun-oh.
And when Sun-oh tells Hye-yeong he met Jojo, Hye-yeong doesn't care because he trusts Jojo. And when he sees the viral video of Sun-oh and Jojo, he never questions or blames Jojo, only worrying if she's okay.
Though I was sometimes frustrated at Hye-yeong for not showing more affection. Like if she is hugging you and kissing you on the cheek, you can hug her back, that's a green light for that it's okay. But I also really respect Hye-yeong for respecting Jojo's boundaries and never forcing himself upon her like Sun-oh did. And letting her decide when she is ready to kiss him.
I love how the show started in season 1 with Sun-oh forcing a kiss on Jojo and ended with Jojo kissing Hye-yeong on her own free will in season 2. It really shows that girls should be the master of their own feelings and fate and that they should've never be pressured into feeling or doing anything by a guy. I really think kdramas (and the whole film industry in general) should follow in Love Alarm's footsteps teaching girls they deserve to be treated with respect.

On a totally different note, the show's sci-fi element with the Love Alarm app, and how it has become so normalised to express your feelings through this app, that we forget how we actually used to be aware of how we were feeling before this app. And how couples break up if their Love Alarm doesn't ring anymore, and that we never say words like "I love you" anymore because the app does that for you - shows how you begin to trust an app more than your own judgement. Which really criticises today's fast evolving technologies and society, where we as humans has begun to trust technology more than ourselves these days. Just like how people are depended on Love Alarm to love in the show, we are in today's society depended on various kinds of technology to "function".
But the shows also portrays how this technology can be dangerous and harmful, especially with mentally unstable people like Jang In-su. But also in season 1 how Love Alarm caused more depression and loneliness with the people in the mass suicide. We see the show obviously criticising the app's nature themselves with the protests in season 1. But in season 2 they also show that even though a technology is bad and harmful, you can't just exclude yourself from it when everyone in the world is using it. Because how will you ever date or find love, when everyone around you dates and finds love based on Love Alarm? Which really draws a clear parallel towards social media, because even though you might be against social media, everyone arounds you uses social media and that it is their only way communication, inviting you to things and so on. So you're more or less forced to be on social media if you don't want to be excluded. Like how you're forced to have Love Alarm if you ever want to find love.
I must say I'm really impressed with how the show incorporated this criticism into the storyline.

All in all, I think season 2 of Love Alarm is such a good romantic drama. I really feel that the show portrayed the characters so well, and that the storyline allowed the deeper layers to the characters to be shown. It raised awareness about mental health and criticised today's fast evolving technologies and social media so well. The show also taught girls that they deserve to be treated with respect and that they should've never be pressured into feeling or doing anything by a guy. I could really go on and on about this show. I haven't even talked about how good the acting and the filmmaking is and so many other parallels. But this review has already gotten way too long, so thank you if you've been reading this far.

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Many people may disagree with my review, but Protect The Boss has only one thing going for it: the funny. That is all that I got from this drama, laughs, which is not enough to make a drama good.



It's sad because it started out very good and had so much potential with its breaking every cliche that is repeatedly used in drama after drama, which was refreshing. But unfortunately, somewhere along the way, it lost its charm.



In the beginning, I found myself looking forward to new episodes and would watch right after the subs were out, but towards the end I had trouble finishing the drama and had an internal debate over whether or not to drop it. I decided to give it a chance to redeem itself, but it didn't improve. I think the extension it received was not necessary, it actually hurt it (even though the extension was more for giving A Tree With Deep Roots more time to film).



The story could have been told in 10 episodes instead of 18. The only worthy aspect of this drama was the comedy, and the most enjoyable character was Na Yoon. The acting wasn't great, but had the story been better, it could've been overcome.



Anyway, this was my take on the drama, and I know others loved it, but for me it was a drama that was missing DRAMA.

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BEST INSPIRING DRAMA {WORTH WAITING FOR 3 YEARS}

Actually after watching 1,2 eps i wrote a review on this drama that i'm not satisfied with it and yes after completion of drama i felt like this is what i missed . Most of the dramas these days are focusing on the side stories than main plot and i felt may be this will also change like those dramas but, doctor romantic never fails to impress us .

1st of all i want to talk about the cast . They are the perfect cast for this drama. As master kim said they are the perfect team of doldam . This is really worth waiting for 3 years. Especially the reunion of season 1 cast is the best part. Along with Kang dong joo and Yoo seo jung doldam has became the unbeatable team. As per what i think may be Yoo seojung works in doldam because she has the same thought as seo woo jin on master kim. She always wanted to work with him and never leave doldam.

Hope this series continuous and give us more seasons ( just a little hope even if it never happens )

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There are two sayings which remind me of this drama. The first one is"Don't hate the player, hate the game." and the second one is "Sometimes good things fall apart so better things can fall together."

The story begins were we meet your typical playboy aka Chris Wu although he does not like to refer to himself as that (No one does) that is what he is. He enjoys "targeting" women and philandering with them as much as possible.

We also meet Li Yi Hua a hardworking,32 year old women who dreams of having a monogamous marriage (Having one partner for life.)...she becomes the target of the Chris Wu character.

It becomes a battle of wits between the two of them. Both trying to prove the other is wrong.

In the end I really enjoyed this drama. The first two episodes are hard to get into but if you are patient and wait until the third episode you will see all of the fun within this show.

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Twilight called and it wants its dignity back!!

I am no Stephenie Meyer, but compared to Golden Blood, Twilight did a pretty solid job, seemed more coherent than this and that alone should tell you everything you need to know about this drama.

Let’s start from the beginning. I was genuinely excited for this series. I waited eagerly for GMMTV to announce the slot, and the first few episodes didn’t disappoint. They were campy and kitschy in a fun, entertaining way, you know the kind of over-the-top storytelling that didn’t take itself too seriously and had great chemistry to carry it.

But here is the thing, we have come a long way with fantasy genre. Even supernatural world need logic (atleast some), some basic rules that make sense within the world they have built. Vampires don’t follow human logic, sure I agree, but their world should still have some kind of structure.
For example : when a human discovers vampires exist, the natural reaction should be fear, suspicion, or at the very least curiosity. You run, you hide, you maybe go home and do a little research. What you don’t do is fratenize with them five minutes later. I missed the whole chase and run aspect of a forbidden romance.

The whole "vampire lore" felt dull and dry. I am a sucker for supernatural romances but this went from campy to sometimes uncomfortable to watch real quick!

As the drama went on, the characters just started acting... weird. Their decisions didn’t make much sense and their emotions seemed to flip on and off like a switch. One minute they are scared, the next they are head over heels, with zero explanation. One moment one tries to kill the other and the next moment they are hot and heavy for each other.

The twists didn’t feel justified and they just kind of happened, like the writers were tossing in drama for the sake of it. It all started to feel really random and by the end, none of it came together in a way that made sense. Whatever logic the show had in the beginning clearly checked out halfway through and what was left was just an unintentionally cringey mess.

Coming to the romance, I could definitely see the chemistry between Joss and Gavin. Their NC scenes were a standout, just the right amount of spice and visually on point. But was that enough to save this sinking ship? Sadly No. Hot leads can't save a cold script.

And I am all for unique character quirks, but Mark’s obsession with Tong’s sweat (!?) was borderline gross. I get it, everyone has got their "thing", but maybe let’s stick to “you smell nice” instead of “your post workout musk drives me wild.”

The supporting character arcs (especially Nakan and Tonkla) had such a strong start. But somewhere along the way, in an attempt to make their journeys feel more “unpredictable” or shocking, the writing took a sharp 180°.
What we ended up with felt less like organic growth and more like a complete rewrite. It was jarring, almost as if we were suddenly watching entirely different characters. The emotional consistency and depth that made them compelling in the beginning got lost in the twist for the sake of surprise.

As for the acting, I’ve seen Gavin’s work before and I know he can act very well, but this script gave him nothing to work with. If anything, it dragged him down. Joss, on the other hand was a mixed bag. I haven’t seen him in anything else, so I want to give him the benefit of the doubt here. Maybe with a tighter script and better direction, he could show some range.

Also, I never knew budget could be a problem for GMMTV. Those golden lenses looked like they came straight from the bargain bin, you know buy 1 get 1 free thing. And the special effects just looked childish at times. I know Joss and Gavin are very easy on the eyes but this was a supernatural series, that is not the only visual we needed. They could have just polished that a bit.

Overall, this was the classic example of writing being the weakest link and everything had to suffer because of it. This show made me miss the sparkly vampires. I will not recommend this unless you want to watch it for the leads. But I would rather recommend watching YouTube shorts or instagram reels of them, things would make more sense there.

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Satisfied

I watched all episodes , and I enjoyed this drama. In particular , last 6 episodes were fully satisfied .
Male lead acting is wonderful. This drama role is soft and IT geek . looks about 25 years old , another drama "Stealth Walker" role is smart tough guy, looks about 35 years old. The other drama"Sleepless Princess"role is fierce General(but inside gentle and lovely).
He can act various roles , so I wasn't able to discriminate a same actor.
He is able to act a wide range performances. Other idol actors usually play one pattern idol role , but He is different.
Also female lead acting is great. She is a beautiful lady , in particular her crying face is so beautiful .
Though I watched her first time , now I am a big fan of her.

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Because sometimes the quietest films leave the deepest marks — through glances, silence, and soul

The Match – A Silent Duel and the Echo of a Game
A board, 361 intersections, two players — and between them, an entire life: The Match is many things at once. A biographical drama about two icons of South Korean Go. A quiet tragedy about pride and letting go. And not least, a poetic exploration of a game that, in Korea, means far more than victory or defeat.

What captivates critics and fans alike is the film’s restraint. No dramatic bombast, no artificially inflated tension. Glances speak, cuts breathe, and silence lingers. Experts praised the precision: how actually real matches were re-enacted with exacting detail, and how the psychological depth of competition was rendered authentically. It is a film that resonates long after the credits roll because it speaks in subtleties: of ambition, betrayal, affection, and quiet determination.

At its heart: Lee Byung-hun as the driven veteran Cho Hun-hyun, defending his throne from his own protégé — and Yoo Ah-in as the gentle, reserved Lee Chang-ho, who speaks only through the board. Both deliver brilliant performances without pathos. Their glances are statements. Their hands speak louder than words. Especially striking: a scene where Cho sits alone in the dojang, sensing his student’s shadow — in silence. Yet thus he reveals everything. Supporting actors like Kim Kang-hoon (as young Lee) or Heo Sung-tae blend seamlessly into this atmosphere of quiet intensity.

So what is The Match really about? Not just Go. It’s about the fragile bond between mentor and student. About the question: when does leadership become control? When does gratitude become a shackle? And perhaps: how do you respond when your own “clone” becomes better — and turns your strategies into revolution?

Only against this backdrop does Baduk in The Match reveal its true meaning. It’s no coincidence that Korea's national heroes are born not on soccer fields, but at the Go board. Because here, the game is not mere competition, but a quiet cultural treasure — a space where personality reveals itself, even when lips stay silent. The Match is not just a story of two players — it’s an explanation of why that story matters.










------------------------------------- side note on baduk ---------------------------------------------------


MORE THAN A GAME: BADUK IN KOREA
It’s fascinating how such a quiet sport can shape the thinking of a society. To outsiders, it might look like a dry ritual: two players leaning silently over a wooden board, fingers poised over black or white stones, a soft click on lacquered wood — and seemingly not much happening. But in Korea, Baduk is far more than a game. It’s a mindset. A way of life. A mirror of character. And for some, a destiny.

Its roots reach back to the 1st century BCE, yet it’s more alive than ever — on TV screens, in schools, street cafés, and quiet dojangs. Millions watch live tournaments on television, narrated by experts who analyze every stone like a line of poetry. Children attend Baduk academies while their peers elsewhere take to soccer fields. Because here, it’s not about goals — it’s about thinking in long arcs.

What makes Baduk in Korea so unique is its philosophical depth. It shows how character takes shape: Who takes risks? Who builds with foresight? Who sacrifices wisely? It rewards patience and long-term strategy — often across dozens of moves. Koreans don’t call it “waiting,” but ´insight´.

The rules are simple — capture by encirclement, passing, the K.O. rule — and yet it unfolds into a universe with more possible games than atoms in the cosmos. No match is the same. And when two evenly matched players meet, something poetic happens: a poem in black and white.

In a country marked by speed, change, and technology, Baduk feels almost anachronistic. And yet that’s where its power lies. It represents the contemplative, disciplined, and introspective Korea. It teaches us to leave space — and still be present. To anticipate setbacks — and turn shadows into strength. To play Baduk is to learn more than rules: it’s to learn posture.

Lee Chang-ho, around whom The Match revolves, was known as the master of silence. He didn’t win through aggression — but by avoiding mistakes. His style was almost invisible, yet unstoppable — like water. It’s no wonder he became a hero. And the film, a mirror of that quiet greatness.

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