Reviews

Why romance when we have bromance !!!

Am a big fan of medical dramas and love seeing all the surgeries and doctor-patient interactions. But this drama is just shot in the hospital premise and has a little medical aspect, it's more of the ghost world. with ghost and doctor helping each other to fulfill their needs to survive the cruelty of the world proving the title GHOST DOCTOR so apt.

●PLOT VIEW
Having seen a lot of K-drama, I had known that the secrets are meant to be known by villains, benevolent, and some family members. Wherein some try to use this secret and some protect you, the same happens in this drama too. The secret of ghosts in the body getting exposed in layers is done geniously. This drama while maintaining its ghost essence manages to cover today's society of greed. But it highly disappoints in the romance section, because it seemed very unnecessary in this drama. The Ghost Cha Young Min who is an ace cardiothoracic surgeon goes into a coma. And he somehow enters the new resident Ko Seung Tak who is not skilled. CYM is rude but seeing KST struggle, he needs to enter his body to save the patients. CYM's body gets better when they both do good, so KST helps him to wake up soon.
Also, I didn’t like the senior doctors who want to transfer the patient just because they don’t have one genius doctor. Why are they even there if they cant treat the patients properly? I mean the interns are shown running around every time for emergency and surgery both. And seniors don’t even give the basic treatment to the emergency patient.

●ACTING/CAST
I loved the entire main cast of this drama, but KIM BUM's character is so amazing. He is a man of exception. His witty nature and Ghost impolite character were done exceptionally well. I have been a big fan of him and seeing his various character it's hard, to not be one.
RAIN was good, I never get impressed by him but he is good. His angst and rudeness are pretty good to watch. His struggles of being a ghost are hilarious.
UEE is such a good actress but this role didn’t utilize her. She didn’t have a big part in the story and just felt like a supporting character.
SON NA EUN was a friend and keeper. I wanted to see more of her chemistry with KIM BUM.
The three ghosts and their head Tess had also made a good part of the story.

●MUSIC
The music was mediocre. “I can Fly Away” is the only OST that gives the vibe of ghost doctors which I enjoyed.

●REWATCH
Overall I liked this drama a lot. As I can acknowledge the flaws It's not going to make my favorites list, but it's certainly one of the good dramas I've seen in a while.

●RECOMMENDATION
It's a good watch, The story was pretty decent but got a bit draggy near the end, tho it was tolerable because of the bromance storyline. The chemistry between the male leads is undeniable.

●FAV SCENE
When the three ghosts show CYM how to be a better ghost.

●QUOTES
A doctor can wait for the patient, but the patient can't wait for the doctor - Ko Seung Tak

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!!!!!!!!!!This prolly count's as a spoiler, but I would just call it a warning!!!!!!!!!!!



OK very disappointed by the ending. It just like ended w/ way to much story left to tell. I loved it up to the end. The end was so abrupt and it literally sucked. I expected so MUCH more. I juat can't believe that such an awesome story ended like that. It had such potential. The last episode I watched b-4 it was subbed & I only understood like a quarter of it, but I knew that was the end & I just almost didn't go back and watch it the 2nd time subbed.

Now that my major disappointment has been shared I will tell u what I did like. I loved the combination of the You're Beautiful B & Hana Kimi type stories. I loved the leads. There was a rly good thing going on here. Go Eun Ah was amazing at her part. She did an excellent girl/boy reversal. Park Yoo Hwan he was amazing with his questioning of himself. "Y do I like a guy?" "How do I deal w/ this?" Loved it! Such a beautiful smile too. I rly hope that I see him in more drama's. Even though they were stuck w/ such a crappy ending. He did so well w/ his part.

I rly just couldn't stand the character played by Park Hyo Joo. I know there has to be that 1 person every1 hates. They had 2 of them in this drama. Ex-girlfriend & it's usually an evil mother thing, but no we got an overly sensitive, manipulating, "I'm only sry b/c I got caught" type person. I did not fell sry 4 her in the slightest. She deserved more karma.

The CEO, His story ended w/ absolutely nothing. The last u see of him is in his office on the phone. No1 finds out if the M2 Jr's got a spot. Nothing happened w/ the rival competition. OMG that just killed me, right there.

OK, I just don't think I could ever put myself through this ended again. So, I will not be watching this in the future. Watch it if u want to. U will fall in love w/ certain characters, but it just doesn't end well at all. The choice is up to you.

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I was craving for a wuxia series when I started watching it. Maybe that's why I could tolerate a typical storyline and dragging pace of this series.
Nonetheless, it is one of the decent ones in recent wuxia/xianxia genre. It has good action/battle scenes. Even though it follows a typical wuxia storyline of a young naive boy becoming a hero, it is still enjoyable. The story is, however, quite dragging, sometimes it takes three or more episodes to go through a sub-plot.
As for acting wise, I am not that impressed with Li Yi Feng and most of the casts but I have always liked Zhao Li Ying since her older works.

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romanticizing toxic relationship for 36 episodes!!

I was rooting for this drama to be good, namely because Arthur Chen is in it. His other projects aren’t watchable for me as I’m waiting for Immortality… but for now I will watch this drama and take my crumbs here and there.

At first the drama was good, then good enough, and now it’s getting hard to watch. Simply because it is too long of a show for the narrative it has. And it’s a shame, because with the story it had potential.

One of the main things that really sends it home is that the main characters aren’t like able. Li Xun, played by Arthur Chen, has a lot of problems and acts rashly and behaves horribly to others around him without any conveniences. And the whole reason why? Well .. there is no explanation. You get half an episode (20 minutes) on his background to explain why he is closed off.. meanwhile you get full few episodes for plot points that don’t advance the story along at all. As for the story it’s hard to tell what it is, but it should’ve been wrapped up sooner.

The whole thing with their coding is hard to watch and boring because I know how coding works. I code, and they language they use may not be the same I do, but the story around the coding isn’t working. Arthur Chen is just good at is, there was no build up or reason why, and Zhu Yun is even worse. He keeps her by her side and she never has a chance to show her being good, she just picks up where he left off etc.

The show is pretty at times, but other than face value it isn’t great. The tonal shifts are so jarring, I don’t know why C-Dramas do this thing where the dynamic between the leads is so toxic but they play it off as charming. Li Xun is not charming, realistically no one would respect him with the way he is acting even if he is good at coding.. he’s got pretty privileged.

Now the kicker for me is the part I’m at where they just now introduce a childhood friend of Zhu Yin’s that took her own life.. and it’s tone deaf. It’s weird to me because they have a character that clearly has things to explain about his upbringing, but Zhu Yun- who has never had any moments building up or any recalling of this friend .. suddenly remembers? She is triggered for the sake of more episodes and I’d be fine with it if they didn’t have Li Xun’s character where they could have time to develop him. And at this point the drama is offensive when she tells another new character that he killed the girl, meanwhile mental issues like that shouldn’t be solely put on one person to blame, she is immature for that and I don’t like her for that. That behavior is so wrong and should’nt be portrayed as righteous. The guy who she pins it on wasn’t perfect, but you never blame someone for anyone’s death unless it’s murder. Mental issues are horribly misunderstood and it’s shameful.

I don’t hate the drama though. I just have issues with it because I’m sick of waiting for Arthur Chen’s Immortality to release because he put a lot of work into that also. This drama for him is on, he gets time to shine and recognition. Other than watching it for him I don’t recommend. Maybe for the hater to lover trope.. honestly watch something else for that. This is taking too long for these two and it can be over shorter and written better overall.


… update… they really are not having any redemption for this drama here. I am really at odds with all the amazing 10/10 reviews.

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Easily one of the worst dramas that I've watched.

❥ This is solely my opinion and it is not necessary that you should agree with this.
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I had very low expectations for Hierarchy after watching the trailer and that's why it did not let me down. I did not enjoy watching this show one bit. Not even a single minute. This show was a whole trashcan and I'm being generous.. I mean, why did they even release this? This script should've been kept in the drafts. I think this would've been slightly better if it weren't for the cast.. or am I wrong? The show was very messy and all over the place which was why I couldn't enjoy it. So many illogical things are taking place here.. This also had an iffy vibe (mainly school scenes) making the drama less watchable. Netflix original shows are getting worse nowadays (like Chicken Nugget) and nothing could save this horrible drama.

☆ STORY:
Was there even any story here? Yeah, I don't think so. The "plot" was garbage, and it was definitely full of flaws. So many dumb things happening and the characters were written very poorly. It looked like they recycled a western teen romance show into a Korean drama and let me say it happened to be an utter failure. Btw I'm not giving out any spoilers. Also was Kang Ha even the main lead? He looked like an SML at this point. I was watching this in English dub because I did not feel any k-drama vibe here. The ending was done badly too.

☆ ACTING:
The only person who could act here was Ji Hye-won (Yoon He-ra). Roh Jeong-eui (Jeong Jae-yi) remained unexpressive throught the show. She failed to portray the character she was given to play and let me say her acting was insufferable. Kim Jae-won (Kim Ri-an) wasn't any better. They both are pretty good actors, but what happened here? Is it because of the bad script? Lee Chae-min(Kang Ha) was pretty mid, I guess. I did not feel any chemistry between the leads. Jae I did have a teeny bit of chemistry with Ri An tho. Their scenes were more fun to watch. Roh Jeong-eui and Lee Chae-min are acting in a show together once again and I hope that's a good one.

☆ OST/BACKGROUND MUSIC:
Background OST's were okay. I did not like the intro song, but the OSTs were actually quite good. I personally don't listen to music every single day cuz I don't have time but I do every now and then. I liked Junhyeon's (TIOT) OST the most. (I'm probably biased lol) Its called Ruin Life. I liked almost all of the songs except for 1 or 2 ones.

What I liked:
✔ Production: The production was pretty good. It felt expensive and cool. Their outfits were not bad. Its kinda sad knowing that they used a lot of money for this dissapointing show. The production kept the drama alive in some way.
✔ Cinematography: They did a great job on the cinematography. I liked how they managed the lighting and the color grading, it looked pretty nice.

What I did not like:
✘ Characters: As I said before, they were written very poorly (or idk if it's the acting) which I did not like. The couple lacked chemistry and all of them got on my nerves (especially Jae-yi) everytime except for Kang Ha. Also I'm still shocked by the fact that they're born in 2007.. ahem. Also the teacher and the student? That was the most creepiest thing ever. I initially thought the teacher was a student because of her face but turns out she's not.
✘ Direction: The direction just felt flat and I think it's one of the reasons why it felt like a western series like how their expressions go. It's not the worst thing here, but I wouldn't say it's particularly good either.


And yeah. That's pretty much it. I guess you should watch it for yourself. But if you ask me I do not recommend this show. You most probably will be left dissapointined. If you enjoy teen dark american romance shows with a synopsis like this then I guess you would enjoy it, or most likely not. That's all. And would I re-watch this? Never. With all of this, Im giving this drama a 3.5/10.

Tysm for reading and have a great day <3

︶꒦꒷♡꒷꒦︶

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AN ODE TO YOUTH, CINEMA, AND MOVING ON

OVERVIEW:

Melo-Movie is a quietly devastating and tender drama about people who love, lose, and learn to live again through the lens of cinema. It follows Ko-gyeom, a former actor turned critic, and Moo-bi, a director haunted by her father’s shadow, as their lives intertwine with a circle of artists, each carrying their own unfinished stories. The series explores how film mirrors life, how grief reshapes love, and how connection can heal even the deepest loneliness. Beneath its gentle pace lies an unflinching honesty about regret, forgiveness, and the courage it takes to begin again. It’s not just about movies; it’s about the moments between takes, the silences after heartbreak, and the fragile beauty of choosing to stay.

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COMMENTARY:

Melo Movie is a story about the quiet disasters we survive, the ways we miscommunicate love, and the strange, redemptive beauty that comes from sitting through our pain instead of editing it out.

At first glance, it masquerades as another “melancholic slice-of-life” romance that’s a bit slow, a bit pretentious, full of beautiful people who never quite say what they mean. But the deeper you fall into it, the more you realize it’s about everything that lies beneath the surface of what people say and do. Every silence in this show is an emotion half-swallowed. Every smile is an apology never spoken aloud. The pacing, which might frustrate some, is its own language; the show is less about what happens than what doesn’t.

What I loved most is how Melo Movie doesn’t hand you emotions pre-chewed. It makes you earn them. It’s not melodrama; it’s micro-drama where every scene is built out of tiny, human moments: the way someone hesitates before saying a name, or looks away just before tears fall, or chooses a joke instead of a confession. It’s a series that trusts the audience to understand heartbreak without an orchestra swelling in the background.

This show is, at its core, a story about people who are all, in one way or another, haunted by the gap between the life they wanted and the one they actually live. Each of them has built an armor around that disappointment: Ko-gyeom with his ironic detachment and relentless humor, Moo-bi with her ambition and cynicism, Si-jun with his pride, Ju-a with her self-erasure. They orbit one another, collide, and drift apart, all trying to answer the same question: Can you really move forward while you’re still grieving what might have been?

If Melo Movie has a soul, it’s Ko-gyeom. He’s the character who made me both ache and laugh in equal measure, a man who hides deep wells of sadness behind a disarming grin. His love for cinema becomes both his shield and his crutch; films are how he learned to feel when real life became unbearable. There’s something almost tragic in that, the idea that stories saved him but also kept him from living his own.

Ko-gyeom is the kind of man who talks too much so he won’t have to say what matters. He cracks jokes when he should cry. He turns pain into performance. He’s spent so long being “the funny one,” the dependable one, that he’s forgotten how to let anyone see him break. And yet, Melo Movie breaks him, gently, lovingly, over ten episodes, until all the artifice falls away and he’s just a boy again, sitting in a dark room, watching flickering light fill the silence.

You start thinking he’s just the charming neighbor type, the failed actor who reinvented himself as a film critic. But as the layers peel back, what you find isn’t a cliché redemption story. It’s something rawer: the story of a man realizing that cynicism isn’t wisdom, and that healing doesn’t mean forgetting, but it means learning how to live with the memory.

The show’s greatest triumph, I think, is how it handles his grief. Ko-gyeom doesn’t fall apart in grand, cinematic fashion. He unravels slowly, like a sweater caught on a nail. A little tug here, a small silence there. When his brother dies, he doesn’t scream or break dishes, he just stops going inside the house. He lives in his car, pretending to be fine, because pretending is all he’s ever known.

Ko-gyeom’s relationship with Moo-bi becomes a mirror for everything he’s avoided. She challenges him to feel, to stop treating life like a movie he can critique from a distance. What’s beautiful is that their romance doesn’t “fix” him. It just gives him a reason to try again. By the finale, when he says he’ll stop watching movies for a while, it isn’t a rejection of art; it’s a confession of readiness. He’s finally ready to live his own story.

Moo-bi is not an easy character to love at first, and that’s precisely why I loved her. She’s brittle, defensive, a little cruel sometimes. But her sharpness is all self-protection. Beneath that cold precision is a girl who’s been aching for love her whole life and convinced herself she didn’t need it.

Her relationship with her father forms the emotional spine of her character. The tragedy of Moo-bi is that she spent her entire life resenting him for loving films more than her, only to become exactly like him. Her obsession with proving herself in the same industry is both rebellion and inheritance. She wants to disprove his belief that cinema is sacred, yet she can’t stop chasing that same ghost.

What makes her arc extraordinary is how it’s written not as a redemption but as a recognition. She doesn’t suddenly forgive her father or become soft. She just understands. And that’s far more powerful. The moment she realizes that her mother’s love had always been steady, while her father’s absence loomed larger only because she kept feeding it with anger, that’s the kind of emotional revelation that feels painfully, beautifully real.

Moo-bi and Ko-gyeom’s relationship is messy, tender, and grounded in mutual recognition. They’re two people terrified of intimacy: she’s scared of being left, and he’s scared of being truly seen. What they share isn’t a fairytale but a slow, awkward, brave attempt to let another person in. Their love scenes are breathtaking not because of passion, but because of restraint. Two wounded people choosing to stay anyway; that’s love at its most radical.

Ko Jun broke me. Completely. His story is one of those rare depictions of quiet despair that refuses to sensationalize suffering. He isn’t portrayed as a martyr or a villain, just a boy too tired to keep pretending that existing was easy.

Through Jun, Melo Movie explores a different shade of grief, not the kind that follows loss, but the kind that precedes it. He’s a man waiting for his own end, both literally and emotionally. And the show never punishes him for that. It treats his pain with dignity.

The relationship between the brothers is one of the best-written sibling dynamics I’ve seen in a while. There’s guilt and resentment, love and fear, unspoken devotion, and unbearable distance. Ko-gyeom’s realization that his brother’s “accident” was not an accident is one of the most harrowing scenes in the series, not because it’s shocking, but because of how quietly it’s delivered. Just a man realizing, too late, what his brother had been trying to tell him all along.

And then that letter, that beautiful, devastating letter where Jun writes that Ko-gyeom was his reason to live. That moment shattered me. Because in that confession lies the cruel symmetry of their bond: each brother lived for the other, and both forgot to live for themselves.

If Ko-gyeom and Moo-bi are about rediscovering love, Si-jun and Ju-a are about outliving it. Their story feels like a eulogy to a love that once burned bright but became suffocating over time. It’s not about betrayal or cruelty; it’s about what happens when devotion turns into dependency.

Ju-a is perhaps the most quietly tragic of them all. She believed that loving someone meant making yourself small enough to fit their dreams. She supported Si-jun to the point of erasure. And when she finally realized she didn’t exist outside his orbit, it was already too late. But her strength lies in how she doesn’t seek revenge or closure; she seeks rediscovery.

Si-jun, on the other hand, represents the paralysis of pride. He loved her genuinely, but his love was selfish, built on gratitude and fear rather than equality. When they meet again, his confusion feels painfully authentic. He wants to rekindle what they had, but he’s also terrified of seeing how much she’s changed.

Their final parting is one of the show’s most mature choices. Melo Movie understands that some love stories end not with heartbreak, but with acceptance. And sometimes, that’s the hardest ending of all.


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THEMES:

Melo Movie is built like a sigh that never quite leaves the chest. The central idea is that life’s beauty and pain are inseparable, that to love is to risk being undone by it, and to keep loving anyway is the only real act of courage.

At its core, the show is about the after. Not the big moments of falling in love or losing someone, but the fragile, unglamorous stretch of time that comes after, when you have to live with the consequences of what you said, or didn’t say. That’s where Melo Movie lives: in the pauses, the half-remembered texts, the familiar streets that feel different because someone’s not walking beside you anymore.

There’s also a recurring motif of art as refuge. Every main character uses art as both expression and escape. Moo-bi hides behind her filmmaking, Ko-gyeom behind his reviews, Si-jun behind his music, Ju-a behind her work as a producer. They all create because they’re afraid of confronting the rawness of life. The show’s brilliance lies in how it doesn’t condemn this, it shows that art is survival, but warns that it can become a wall if we never step beyond it.

The cinematography reinforces this beautifully. The way light spills over empty rooms, the framing of doorways (always just slightly too wide, too lonely), the recurring shots of reflections, everything in Melo Movie whispers that the characters are both present and absent, living and haunted.

But the greatest theme of all is grief. Not the loud, cathartic kind, but the kind that lingers in your posture, in the way you leave a light on at night for someone who isn’t coming back. The show doesn’t treat grief as something to “get over.” It treats it as something you learn to carry. That moment when Moo-bi finds Ko-gyeom sleeping in his car is the perfect embodiment of that: the loneliness of someone unable to step back into a space once shared, the guilt of survival, the quiet hope that maybe someone will find you and just sit with you in it.

Love, here, isn’t grand or sweeping. It’s patient. It’s sitting in the cold car beside someone until morning. It’s telling the truth softly, even when it hurts. It’s the bravery of showing up again the next day, even when you’re still broken.

What struck me the most about Melo Movie is how it trusts silence more than dialogue. The emotional heavy-lifting happens in the moments between words - a look, a small gesture, an interrupted breath. The actors are masters of restraint, communicating volumes through the smallest movements.

There’s this scene where Moo-bi sits alone in the editing room, watching footage of Ko-gyeom smiling. You can feel everything she’s too proud to admit: longing, fear, guilt, tenderness.

Similarly, the friendship between Ko-gyeom and Si-jun speaks volumes through what isn’t said. The revelation that Si-jun knew about Ko-gyeom living in his car and quietly left supplies for him, that’s such a small detail, yet it’s one of the most moving moments in the series. It’s a perfect depiction of how men in particular are often taught to love indirectly, through gestures, through presence, through acts of care disguised as nonchalance.

Even the humor feels like heartbreak in disguise. The banter, the teasing, it’s all defense. The show understands that sometimes laughter is the only way to keep from falling apart.


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LOVES:

What I loved most about Melo Movie was the writing. It’s some of the most emotionally intelligent, quietly devastating writing I’ve seen in a while. Every line feels intentional yet never stiff, as if the script were breathing right alongside its characters. The dialogue doesn’t talk about emotions; it simply embodies them. What fascinates me most is how it captures contradiction so truthfully: how a person can say “I’m fine” and mean “I’m breaking,” how a quiet “okay” can feel like the end of the world.

Then there are the characters, who feel astonishingly real. None of them are saints or villains; they’re simply people stumbling toward understanding. Each decision they make, even the misguided ones, makes perfect sense from their perspective. The show carries them with empathy, never judging, only observing. It understands that everyone is doing their best with what they have, and that sometimes, that’s not enough.

The soundtrack is another triumph. Sparse but unforgettable, it never dictates emotion but enhances it. The recurring piano motif feels like a heartbeat - steady, human, almost imperceptible until you notice how much you’d miss it if it stopped. The music never tries to make you cry; it lets you arrive there on your own.

And of course, the romance. The chemistry between Moo-bi and Ko-gyeom isn’t explosive or cinematic in the usual way, but it’s quiet, magnetic, and achingly believable. Their connection feels lived-in, as if they were two people who had already known each other in another life. Every touch, every shared silence, feels monumental precisely because it’s so restrained. There’s no melodramatic confession, no overwrought declarations, just the slow, patient unfolding of two souls learning to sit in each other’s presence without fear.

Above all, I loved how real it all felt. Melo Movie doesn’t chase neat resolutions or exaggerated catharsis; it chases truth. Healing here doesn’t erase scars; it simply teaches you to live with them. Relationships remain complicated, love remains flawed, and yet, there’s grace in all of it. The show’s realism isn’t cold or cynical; it’s tender. It knows that imperfection is the most honest kind of beauty.


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FINAL THOUGHTS:

When Melo Movie ended, I didn’t feel the usual post-series emptiness. I felt quiet. Still. Like someone had pressed pause on the world so I could breathe for a moment.

This show reminded me that healing isn’t linear, that love doesn’t need to be loud to be real, and that sometimes the bravest thing you can do is stay. Stay when it’s hard, stay when you’re scared, stay even when words fail you.

Melo Movie isn’t for everyone, and that’s what makes it so special. It’s not built for bingeing or background noise. It demands patience, attention, and emotional honesty. But if you meet it halfway, it gives you something profound: a mirror. It shows you your own grief, your own tenderness, your own contradictions.

With all that said, I’d give this series a solid 8.5 out of 10.

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frankly? ...boring

I don't why but I couldn't get into this drama. On paper there is everything: two passionate leads, a sad backstory, a trauma to resolve, some cheeky moments but in reality I didn't feel anything.
The plot revolves around 2 childhood friends that for some unknown reason to the viewer (until episode 3) are unable to connect again after years.
We follow these characters while they open up their hearts and let go of a painful past.. sounds good? On paper.. yes.
The male lead is obnoxious and the female lead is annoyingly stubborn , basicly a tsundere.
Even though the drama is filled with "heart breaking" moments I didn't feel anything for them.
The drama is full of flashbacks that interrupt the natural flow of the drama. 2 characters are in the middle of a conversation and the time goes back to the past to feed us some details to better understand what it is going on. I get that this style of story telling can be interesting but it was overused in this drama.
It is a constant back and forth, back and forth and at the end it became annoying.
The theme of the drama is "summer" because the protagonists used to meet only in this season because of circumstances but the talking about summer, seasons in general, stars is too much.
They keep repeating the same stuff over and over again.

Spoiler: the main actors plays 2 roles, 2 twin brothers and I must admit he did a pretty bad job. I like the actor but his portrait of the 2 twins was confusing. Is some scenes I was confused about who was who or maybe they did in purpose just to confuse the audience and make things more "dramatic".
The love story is typical of this kind of drama. Very surface level love between two childhood friends. I didn't feel a strong connection. The fact the actors didn't have much chemistry didn't help.
Mid drama I was more interested in the second couple.
The main leads were annoying , repetitive and boring even though they have interesting back stories but we don't explore them too much in depth.
I watched the last 2 episodes skipping here and there because I lost interest in the story.

This a standard drama and if you don't have anything on your watch list or don't care about "explosiveness" I think you might enjoy it.

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The concept & Choi Jin Hyuk brought me here but both lead actresses stole the show.

Ep 1: I have wanted to see Choi Jin Hyuk as a lead in a rom-com for a while so I eagerly put this on my watchlist when I first came across this. I also loved the concept of the drama. Both the lead actresses are terrific, especially Lee Jung Eun. Wow, she made the drama so much fun to watch. Her dance moves were just amazing and comedic at the same time. She definitely has more energy than I have ever had in my life. The scene where Mi Jin falls in the well is so visually good. The cat now, half of the time I thought that it was going to take a big chunk out of her & turn this entire thing into a horror show. Wow, finally there are shows that I can look forward to this month. For a while, there was only Lovely Runner.

Ep 2: Im Sun is clearly the star of this drama and it shows! The serial missing/killer cases make the drama more interesting, going from laugh out loud to being worried if your favorite character is gonna die. Gye Ji Ung brings the mystery the drama needs whereas Lee Mi Jin makes it palatable to watch. Her aunt will probably be on the missing person list if they ever recorded it and Ji Ung might help solve the mystery of what happened to her. Mi Jin's mom is so damn crazy, she wants her grandchildren now. The ending with cliffhanger was done just right! I wonder if the killers is Ko Won or one of the old guys from the Im Sun's workplace.

Ep 3 & 4: It was a nice episode. I have changed my mind about Ko Won, he isn't the killer. Mi Jin's friend is such a cutie, poor Mi Jin gets slapped and can't even blame her for it. Imagine someone showing up at your door like that and you live alone, it could be a lunatic. The next episode's preview shows that Ko Won might discover Mi Jin's secret. At this rate, it seems like our prosecutor will be the last to find out. The way they were trying to get her to quit backfired on them and it was fun to watch. Poor Mi Jin though, she finally has the job she has wanted but how long will she be able to keep it. I just love when Im Sun dances.

Ep 5 & Ep 6: They had me for a while, I thought whoa, they are doing the reveal so soon? It would have been nice. But no, gotta wait for at least the second arc of the show for the ML to find out that the FL & the ahjumma he is trying to get rid of are the same person. I like that Ko Won has someone to talk to, someone who's a bit carefree now. It was sad to see Im Sun brought down to tears because of Ji Ung. He can be a real ass. The headbutt serves him right! First a headbutt and now a kick in the face. Gotta love Im Sun. The next week's preview look exciting! Can't wait!

Ep 7 & Ep 8: Ko Won is fast and smart. He trusted his gut and found out Mi Jin's secret. I am bit confused about the real Im Sun's past. Was she Mi Jin's aunt? If so, how did her mom fail to recognize her on the first morning when they chased her out of the house. They need to give us more romance and screentime between Mi Jin and Ji Ung. That was barely a kiss before the episode ended. Pretty sure Ji Ung was surprised as hell. I have come to appreciate Mi Jin's personality, which shines through when she is Im sun as well.

Ep 9 & Ep 10: Turns out it wasn't really a kiss, boo hoo! They had me! It was nice to see more of Mi Jin and Ji Ung. It was even more fun to watch Byeong Deok going crazy over the idea of a guy dating a older woman. Ep 10 was a bit boring but not that bad. Things were more focused on the case, which is not really that interesting.

Ep 11 to Ep 14 : Mi Jin's friend is such a weirdo but still fun to watch. Both the leads frequently ending up at each other houses because they were passing through is so funny! The parents are so weird, someone stole their food and they are not even scared. I mean, I would be afraid of sleeping in the same house not sure when someone would come in! Okay, although I suspected initially that the killer would be someone from the old interns, I never thought it would be that lady. Ep 14 was much more interesting than the 11 to 13.

Ep 15 & Ep 16: I was afraid that the slump created by Ep 11 to 13 would drag down the whole drama, but Ep 15 saved the day for me at least. To be honest, the killer was caught too easily, the suspense part of the drama didn't easily mix well with the romance and fun part. But it is not a turn off for me. Now coming to the good part, I thought that they had left the reveal for too long between Mi Jin and Ji Ung, but the way it came to light was just about perfect for me. I am so glad that he was the mature person about the whole thing. I understand why Mi Jin wanted to breakup as well, but should have thought that one through before getting together with him. I liked that she confessed about her situation to her parents and didn't have worry about it all alone. Even though her friend was always there supporting her, it would have felt like a huge burden had lifted. I felt like Ko Won's character was underutilized and barely present in the last few episodes. Well it ended on a good note, all I can say is that Ji Ung is solid person and Mi Jin definitely found someone she could depend on.

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ABSOLUTELY MIND-BLOWING & MUST-WATCH!

so i’ve never written a review on here before, in-fact i just got into kdramas within the last month and have only watched a handful so forgive me if this isn’t the most “together” or intellectual review but all i have to say is WOW.

STORY — i can’t speak highly enough about the story. the fact that this was written and directed by women!! heck yes!! i typically get bored with things extremely quickly and tend to go on my phone and this didn’t happen once with this drama. every single scene meant something. there was nothing added just to fill up time. everything was important. everyone was important. every single character was vital to what went down throughout the sixteen episodes each in their own unique and intriguing way. the way the writing, directing, and acting showcased everything perfectly is absolutely mesmerizing. there wasn’t a single weak point in the show. i also liked how even though there were subplots with side/supporting characters, as i said, they weren’t there to just fill up time, but ending up playing a huge part into the overall story in the end. the parallels that ended up coming together in the episodes (especially the first few episodes versus the ending) were MIND-BLOWING.

ACTING — i could go on and on and on about the acting in this show everyone did phenomenal but there were four people who specifically stood out to to me:

shin ha kyun: as i said im new to kdramas but did this man blow my mind??? oh my goodness. the emotions he portrayed as such a tortured man dealing with so much. he delivered every line perfectly. AND THE SMILE. you know the smile. insane. i heard he got nominated for a big award. so deserved.

yeo jin goo: another mesmerizing performance by the other lead character. absolutely phenomenal i loved to see how much his character evolved as the story went on and how different circumstances changed the way he ultimately ended up. his acting in the last 3/4ish episodes some of my favorite in the entire drama. he killed it.

choi dae hoon: i’ve watched this actor in CLOY and FOE and if i’m being honest he didn’t stand out in those to me - i barely noticed him if im being honest. however, in BE he blew my mind. genuinely one of the best performances of the show. he had so much he had to do and the role was such a heavy one and the way he portrayed a character dealing with all of the emotions he was and making you sympathize with him was so crazy and he deserves all the praise!!

choi sung eun: she was phenomenal. another actress i’ve never seen before but her whole demeanor was amazing. i loved her character a ton and i want to say its all thanks to the actress. each emotion came across perfectly and i felt like i could somehow relate and understand every single one of her actions. i hope to see her in more projects!

special mention to lee do hyun he was great in his few scenes and as a fan of his, it was nice seeing a familiar face!

OST — im quite new to this but i loved the soundtrack. i loved the whole vibe and it fit extremely well. left me unsettled and intrigued as if i was one of the characters.

REWATCH VALUE — i can guarantee once this has sat for a little bit i will be rewatching. the plot-twists were great and i can’t imagine how cool it will be knowing everything ahead of time. i might have to make someone watch this with me and then i watch their reactions for the first time because i was a mess on multiple occasions.

OVERALL: i’ll put it simply. if you are on the fence about watching this - WATCH IT YOU WONT REGRET IT!

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Does a good job adapting the manhwa with the few episodes there are, but overrated

A surprising amount of 9.5 and 10 star reviews on this site oh lord. There's still much room for improvement

So I've read the korean comic, in fact I'm still reading it while waiting for English translations. I still prefer the comic version, but for what it's worth the drama does alright with fitting the important parts into 8 episodes. If I watched all the episodes at once I would probably think the pacing is too fast, but since I only got to watch 2 episodes as they came out per week I thought it was ok. However I do think because it's only 8 episodes the progression from enemy to lovers still feels rushed. Sure Jae Young thinks Sang Woo is cute I guess, but was taking off his cap all it took for Jae Young to fall in love? And how did Sang Woo start to like Jae Young back, it went from "he's an annoying classmate" to "i like him" pretty fast. There isn't much depth to their emotions.

First of all, I think the casting for Sang Woo is pretty spot on in terms of appearance. Jae Young I would have liked if they got the red longer hairstyle right, but it's no big deal. I never like lip piercings though so I don't know why they have him wear that in the first episode. But in the manga I do get a more westernized vibe from Jae Young which I would have liked to see more in the live action. The acting is okay, but after watching other korean BL series like To My Star and You Make Me Dance this definitely pales in comparison. You can tell that the actors are idols instead of people who studied acting. Sure they're eye candy (especially Jae young) but sometimes their facial expressions are awkward and I hate the zooming in and 10 second long stares that happen in so much romance kdrama. The acting is bearable though, as for rookies they're a lot better than some other BL I've watched. They have some funny banter but sometimes it just feels forced and not natural? Everyone is saying "omg their chemistry is so good" which people say for almost every korean BL drama lol. The last two episodes where they kissed I didn't get the same satisfaction I did as with the previous two series I mentioned.

I wish at the end they didn't go with the usual "I'm not going to leave for this once-in-a-lifetime opportunity because I love you" trope. Like why can't Jae Young just go to Dex and they do a time skip where he comes back from France and gets back together with Sangwoo? Maybe I'm just a realist but I hate it when people give up their potential dream/job for their new lover. Like what if they break up in the future lol.

Overall this series is okay, but overrated in my opinion. I hear it has a high budget, which I couldn't tell tbh besides the nice clothes and lighting/aesthetic I guess. I still get excited when a new chapter of the manga comes out, but while watching the drama I got bored honestly. I dropped the series on episode 3 but decided to pick it back up because of how many other BL fans were singing praises about it. Even after the end I'm not super impressed. I guess I'm biased since I liked the manhua much better. The drama is fluffy and lighthearted which appeals to the masses I suppose, but don't expect too much substance either.

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A Flash In The Pan

Common tropes and cliches abound in this poorly executed story, leaving loose ends untied and logic sorely lacking. The characters make questionable decisions that do not ring true to their development, such as Hae In blindly trusting Eun Song despite obvious red flags. The lack of critical thinking, like Hae In not hiring a lawyer to protect her memory through a diary, undermines the believability of the plot. The character of Grace switching sides serves little purpose other than to conveniently aid one side with the progression of the story, without any real depth or consistency. Even Hae In's parents' lack of visitation after her treatment in Germany contradicts their supposed love and support for her after learning about her illness. The most ironic thing of all is how Hyun Woo had to cook for the commemoration of Hae In’s grandmother. Viewers were under an impression in the first episode that how stressful it must feel to be in this powerful family. Yet just as the story progresses further we can see they are actually clueless and powerless, with the entire family surrounds Hyun Woo’s bed just to listen to what plan he has for them to restore their family power.

Overall, this narrative fails both its audience and its cast with lazy storytelling and reliance on tired cliches.

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Three more episodes and I would've at least finished this, but the prospect of three more hours of this torture was driving me crazy.

When I started watching the drama, I had a lot of expectations. My best friend is a baseball fanatic and it kind of rubbed into me; so I was pretty excited at the beginning solely because of the baseball factor. If you were hoping for some baseball action, then forget it.

You're in for a borderline ridiculous plot about revenge and the strong hold of the past on these characters' lives, really bad acting, non-existant chemistry between the two main leads, extremely evil and insane cut-board characters (stereotypical), and a great dosage of lameness in between. LAME. SILLY. This is what this drama is.

Don't watch it if you don't want to waste your time. I wish I could take all the time I spent on this back. >:O

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A K-Drama That Tried to Be Everything and Ended Up as a Cosmic Mess

Ah, the sweet sound of hype imploding like a black hole swallowing a dying star.*

This drama had one job: make interstellar romance charming. Instead, it delivered a celestial dumpster fire where logic went to die. 12 episodes in, and it’s painfully clear—the writers were either sleep-deprived or conducting a social experiment to see how much absurdity audiences will tolerate.

#The Leads: Chemistry or Chemistry Experiment Gone Wrong?
The main couple has the romantic tension of two astronauts trapped in separate orbits. Their love story is marketed as “destined,” but it feels more like an HR violation waiting to happen. He broods like he’s trying to out-angst every K-drama lead ever, while she oscillates between quirky and utterly baffling.

#The Plot: A Telenovela on Steroids
At first, you think, 'Ah, it’s a rom-com with space elements.' Then episode after episode, you realize it’s a thriller, a sci-fi melodrama, a corporate revenge saga, and possibly a guide on how NOT to write a coherent script. The subplots multiply like bacteria in a petri dish—messy, uncontrollable, and occasionally dangerous.

#The Side Characters: Walking Red Flags
Every supporting character is either secretly evil, morally bankrupt, or just there to deliver one-liners before disappearing forever.

#Final Verdict: 2/10 Meteor Showers
This drama is like ordering a luxury space cruise and getting stranded in an asteroid belt of nonsense. You WILL laugh, but mostly at how ridiculous it gets. If you love watching beautiful people suffer through questionable writing, congratulations—this is your next guilty pleasure.

But hey, at least it’s entertaining in a *watching-a-satellite-crash* kind of way.

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