Reviews

EAT WHAT YOU WANT, DO WHAT YOU WANT AND LIKE THE PERSON YOU LIKE, THAT'S ALL YOU HAVE TO DO .

I understand why most people are pissed at the ending. For some it's wrong for her to dump potato guy, For others Jae eon is a big no no and they (ML AND FL) would for sure suffer later on. BUT here's my point :
In last episode Professor said this to Nabi : EAT WHAT YOU WANT, DO WHAT YOU WANT AND LIKE THE PERSON YOU LIKE, THAT'S ALL YOU HAVE TO DO . For me this pretty much sums up all of Nabi's feelings. She wanted to be with Jae Eon knowing she might regret ( as she herself said in finale) because she chooses to be with him in the moment and not leave any regret.

Look man, Its simple if u want it to be . Everybody wants to be happy . She found her happiness in Jae Eon ; temporarily or permanent. That's the only way to find out.

Besides, it would have been very unfair to potato guy if Nabi had accepted him knowing she is obviously still in love with Jae Eon.
This drama served its purpose for me that is Yes I enjoyed it a lot.

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Love Alarm might just be the best romantic drama I've ever watched!

[Spoiler alert] Do not read this review if you don't want the ending spoiled!

I have always blamed kdramas and films in general, why there are so many girls who are attracted to "bad guys" who disrespects them and will treat them horribly. Because in most dramas and films we are taught that the "bad boy" male lead is "bad" but that it's up to the female lead to "change" him, which is such an absurd and unrealistic idea to sell to young impressionable girls.
Though I do understand the film industry that a "bad boy" male lead will cause more emotional rollercoaster rides thus a more interesting storyline. But that doesn't change how it's inflicting this unhealthy view on what is a "romantic relationship" to girls. Which is why, I have always wished and prayed for a romantic drama where the female lead ends up with the "nice guy", to show how we as girls do deserve to be with a nice guy who treats us with respect and that a nice guy is a better romantic partner.
And this is the first kdrama I've ever watched where the female lead FINALLY ends up the genuine nice guy who treats her well and with respect instead of the "bad guy". ( I would say that she ended up with the nice guy as well in Start Up, but I thought both male leads were nice guys so it doesn't count)

Now for all the Sun-oh stans out there who disagrees that Sun-oh is a "bad guy"; In season 1, Sun-oh first encounter with Jojo was because he observed and saw that Hye-yeong had a big crush on Jojo. Sun-oh then became interested in Jojo more or less because he knew Hye-yeong had a big crush on her. He followed and persuaded her and forced her into kissing him, again well-knowing that his best bro has the biggest crush on this girl + she has a boyrfriend. I'm not a guy, but this should be a huge break on bro code. And Sun-oh is lucky Hye-yeong never got mad at him over this.
But Sun-oh is so hypocritical that he thought it was okay to go after his best friends biggest crush, but when Hye-yeong said he still likes Jojo and wants to pursue her 4 years after they have broken up, Sun-oh gets so mad and petty asking Hye-yeong how he could do that to him. But what about you, Sun-oh? How could you pursue a girl you knew your best friend has the biggest crush on? And the only reason you ever noticed Jojo was because you saw that Hye-yeong likes her.
And when Sun-oh dated Jojo, Hye-yeong respectfully stepped back and didn't interfere, uninstalled the Love Alarm app so he wouldn't ring Jojo's Love Alarm all the time and let Sun-oh and Jojo be happy. But when Hye-yeong is finally dating Jojo 4 years after, Sun-oh constantly interferes, follows (basically stalking) Jojo around and even forced a kiss on Jojo.

That brings me to another point; Sun-oh basically forced a kiss upon Jojo in the first episode of season 1 well-knowing she had a boyfriend. He constantly follows (stalking) her and interferes with her life (again well-knowing she has a boyfriend) and not respecting her boundaries at all. If this was me, I would've gotten a restraining order on this guy.
Also when Jojo constantly rejects Sun-oh telling him she likes Hye-yeong, Sun-oh is so immature and can't accept that fact and is constantly blaming it on Jojo lying, the Love Alarm app or the developer. He is both selfish and arrogant and only cares about how he is feeling and not what the other party is feeling and acts with no regard to either Jojo, Hye-yeong or his girlfriend Yuk-jo.

Now, I've also had plenty of frustrations with Jojo. Like why didn't she just push Sun-oh away when he kissed her. Why wasn't she honest with Hye-yeong about the shield and her feelings? Like, is it so hard to say "I love you" in this Love Alarm world? You shouldn't be depended on an app to tell someone your feelings. (But I guess that's the point of show)
Now I got frustrated throughout all 6 episodes at Jojo for not being honest and just explaining everything to Hye-yeong. But I think we sometimes tend to forget, that Jojo is a broken person with a lot of mental issues, she might not even be aware of herself. And obvious things such as just speaking your mind and being honest, might not come naturally for a person like Jojo.
But I think the show explained very well, that Jojo is not okay mentally and why she is not good at expressing love. Both with flashbacks and imagery of her traumatic childhood and how she copes with her mental issues through The Ringing World art page. Because if you've never received love from your family and surroundings throughout your upbringing, it's difficult to know how to both receive and give love when you're older. And even harder when it is normalised that you can only give and receive love through an app in this particular world. So I forgive Jojo for acting like she does.

Now I must give Jojo some points as well for the times she is actually really proactive; She hugs and kisses Hye-yeong on the cheek to show her feelings. She actively tries to contact the developer to remove her shield so she can ring Hye-yeong's Love Alarm and express her feelings towards him. She uses the spear to express her feelings towards Hye-yeong even though she should just have been honest with him about everything here (but I'm giving her a break on that one). So I actually really liked how Jojo became more proactive in this season, but also how we more fully understood her character on a deeper level with her mental struggles and past trauma.

I feel like we got to know Hye-yeongs character on a deeper level as well in this season, We get to meet his father in prison whom he has never met before. And we learn that because Hye-yeong grew up without his father, he has always imagined his father when he looks at himself in the mirror. Therefore pushing himself to be a good person, so that his father will be a good person. Which ultimately makes him face the hard truth, when he eventually meets his dad in prison. I really love how we got to see this other side to Hye-yeongs character, and that he has so much more to him than just his nice and good personality. I could really see his inner struggles in this season and I just loved how Jojo came and supported him no matter what.

On another note, Hye-yeong is not only the perfect male lead, he is what all other male leads should aspire to be like.
Now I know that both myself and others would have really wished for Hye-yeong to be more proactive in his relationship with Jojo. But I just love how Hye-yeong takes it slow with Jojo, respecting her boundarie,s and not pressuring her to do or feel anything, and really letting it to be up to her on how she feels and acts. Exactly the opposite of Sun-oh.
And when Sun-oh tells Hye-yeong he met Jojo, Hye-yeong doesn't care because he trusts Jojo. And when he sees the viral video of Sun-oh and Jojo, he never questions or blames Jojo, only worrying if she's okay.
Though I was sometimes frustrated at Hye-yeong for not showing more affection. Like if she is hugging you and kissing you on the cheek, you can hug her back, that's a green light for that it's okay. But I also really respect Hye-yeong for respecting Jojo's boundaries and never forcing himself upon her like Sun-oh did. And letting her decide when she is ready to kiss him.
I love how the show started in season 1 with Sun-oh forcing a kiss on Jojo and ended with Jojo kissing Hye-yeong on her own free will in season 2. It really shows that girls should be the master of their own feelings and fate and that they should've never be pressured into feeling or doing anything by a guy. I really think kdramas (and the whole film industry in general) should follow in Love Alarm's footsteps teaching girls they deserve to be treated with respect.

On a totally different note, the show's sci-fi element with the Love Alarm app, and how it has become so normalised to express your feelings through this app, that we forget how we actually used to be aware of how we were feeling before this app. And how couples break up if their Love Alarm doesn't ring anymore, and that we never say words like "I love you" anymore because the app does that for you - shows how you begin to trust an app more than your own judgement. Which really criticises today's fast evolving technologies and society, where we as humans has begun to trust technology more than ourselves these days. Just like how people are depended on Love Alarm to love in the show, we are in today's society depended on various kinds of technology to "function".
But the shows also portrays how this technology can be dangerous and harmful, especially with mentally unstable people like Jang In-su. But also in season 1 how Love Alarm caused more depression and loneliness with the people in the mass suicide. We see the show obviously criticising the app's nature themselves with the protests in season 1. But in season 2 they also show that even though a technology is bad and harmful, you can't just exclude yourself from it when everyone in the world is using it. Because how will you ever date or find love, when everyone around you dates and finds love based on Love Alarm? Which really draws a clear parallel towards social media, because even though you might be against social media, everyone arounds you uses social media and that it is their only way communication, inviting you to things and so on. So you're more or less forced to be on social media if you don't want to be excluded. Like how you're forced to have Love Alarm if you ever want to find love.
I must say I'm really impressed with how the show incorporated this criticism into the storyline.

All in all, I think season 2 of Love Alarm is such a good romantic drama. I really feel that the show portrayed the characters so well, and that the storyline allowed the deeper layers to the characters to be shown. It raised awareness about mental health and criticised today's fast evolving technologies and social media so well. The show also taught girls that they deserve to be treated with respect and that they should've never be pressured into feeling or doing anything by a guy. I could really go on and on about this show. I haven't even talked about how good the acting and the filmmaking is and so many other parallels. But this review has already gotten way too long, so thank you if you've been reading this far.

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BEST INSPIRING DRAMA {WORTH WAITING FOR 3 YEARS}

Actually after watching 1,2 eps i wrote a review on this drama that i'm not satisfied with it and yes after completion of drama i felt like this is what i missed . Most of the dramas these days are focusing on the side stories than main plot and i felt may be this will also change like those dramas but, doctor romantic never fails to impress us .

1st of all i want to talk about the cast . They are the perfect cast for this drama. As master kim said they are the perfect team of doldam . This is really worth waiting for 3 years. Especially the reunion of season 1 cast is the best part. Along with Kang dong joo and Yoo seo jung doldam has became the unbeatable team. As per what i think may be Yoo seojung works in doldam because she has the same thought as seo woo jin on master kim. She always wanted to work with him and never leave doldam.

Hope this series continuous and give us more seasons ( just a little hope even if it never happens )

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I get where the writers were trying to go with this drama, but I don't think it was executed very well. First, the development of the story and the characters was too slow. I take points off because they had to "narrate" at the end to explain the point of the drama when they could have used more plot and character development to explain. When a writer has to do that, then I feel the story wasn't developed well.

As for the acting, I think all of the actors did a great job with their characters. None of them really looked like high school students, but it didn't matter. It was pretty much an all star cast. Too bad the veteran actresses stole the show. Kim Ki Kyung as Eun Sang's mom and Kim Sung Ryung as Kim Tan's mom were just too funny and their relationship was fully developed and fun to watch. I enjoyed their part in the drama the most.

The music for the most part was just horrible.

I won't rewatch this.

If you are looking for something that doesn't make you think and you want to see hot guys...Lee Min Ho, Kim Woo Bin, Choi Jin Hyuk, Kang Ha Neul, etc...then this is the drama to watch.

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Terrific scenario spoiled by slipshod storytelling, a problematic protagonist & uneven cast

This should have been an easy slam dunk hit. Lee Dong Wook as a corrupt investigator with a redemption arc, Wi Ha Joon as a looney vigilante and Han Ji Eun as a narcotics detective is a great setup. Layer on the relationship between Soo Yeol and K is all in Soo Yeol's head and there's endless potential for entertainment.

It's potential mostly unrealized unfortunately.

It begins with another corrupt cop as the primary villain. He's all but twirling a handlebar mustache and exclaiming "You'll never catch me! HAHAHA!!!" Sure enough, the initial attempt to bring him to justice fails and he continues his nefarious deeds. But in relatively quick order, he is brought down only to be replaced by a corrupt politician who repeats the mustache twirling, threats of being above the law, failed initial attempts to bring him down and then somewhat surprisingly quick reversal where his malfeasance is brought to an abrupt end. After that, it's another corrupt cop. Or it might be the drug gang enforcer. Or the wild-eyed assassin that works for one of or both of those two. It's difficult to piece together how quickly the show burns through the lineup of villains each of which momentarily appears to The Big Bad only to be sidelined almost as quickly as he had appeared.

Then there's a mind-controlling REAL Big Bad that takes an agonizingly long time to be revealed by which time there's not a lot of time to build to a satisfying climax. It's a frenetic series of arcs through the first half of "Bad & Crazy" that is then swapped for a tedious one.

If the dialogue and character development had perhaps been better fleshed out, perhaps the wonkiness of the plot might have been worth overlooking, but it isn't.

Lee Dong Wook's Soo Yeol flip flops back and forth between spastically fighting with K to pathetically groveling for mercy to scheming for a promotion during all of which the volume is set to 10. It's a disappointing approach as Lee Dong Wook is a masterful thespian at a more dialed down level. But honestly, with the tediously generic and repetitive dialogue ("You crazy psycho!" "You crazy jerk" "You crazy punk" "You psycho"), Soo Yeol was a mess of a character to portray.

Wi Ha Joon was vastly more entertaining as the wildly grinning and mischievous K. Had he been as prominently featured as Soo Yeol, particularly after the first few episodes, this review would likely have been significantly more positive. Alas, Wi Ha Joon is a distant second in screen time.

As for the remaining cast, there's a cornucopia of less than stellar castings (Lee Hwa Ryong), generic characters (Sung Ji Ru, Shin Joo Hwan, Jo Dong In) or promising appearances that turn out to be limited (Park Se Joon, Lee Seo An, Kim Si Ha). On a brighter note, some of the legion of Briefly Appearing as the Big Bad characters (Lee Sang Hon, Won Hyun Joon and espeically Im Ki Hong) are terrifically fun. And Kang Ae Shim and Kim Dae Gon alternate between delivering the most emotional and most comical scenes.

Overall, though, the production fails to realize what could have been and labors to build sustainable intrigue. Not recommended.

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Overhyped and Overrated

With the amount of hype this show was getting, I was really curious as to how good this show must be to boast being the highest rated TvN show of all time...but of course as usual it's nothing new. It seems like these days any show with a good looking cast and high budget set and cinematography is enough for people to rate it a 9, completely overlooking the lacking story, plotholes and clichés.

Initially the plot seemed promising, most k-dramas do not start out with the leads already being married. Although, the cold CEO fl and sunshine ml has been done before (ahem My Demon ahem). The hype seems to stem primarily from praise for the actors, cinematography and OST, which are important factors for a good show don't get me wrong but like...does anyone even care for the story? Nobody cares that when Haein awoke from brain surgery (although it was supposed radiation therapy) she looked fabulous? Perfectly normal? Perfect hair, makeup??? Did they even TRY to make it realistic?? Am I supposed to believe she just underwent a major brain surgery?? And oh god they didn't even try to make Park Sung Hoon's character interesting. Just made him an obsessive evil rat with no personality whatsoever, it was such a disappointment considering his character in The Glory, that's what I call a real villain. Everytime he came on screen it was excruciating to watch, but Park Sung Hoon's visuals make it a lot more bareable so there's that. The family is your typical chaebol money hungry ruthless evil family, who turn into a big happy family toward the end to unite against a mutual evil force. The progression in their characters was lackluster and more depth could have been added into Haein and her mother's reconcilation. The story is extremely lackluster and honestly I feel like 12 year olds on Wattpad could do a better job than Park Ji-Eun. Most overhyped show of 2024 fr.

It seems like the writer Park Ji-Eun doesn't know how pacing works, she wasted the initial 5 or 8 episodes making them completely meaningless, plotless, boring which added close to nothing of value or substance to the story, and then rushed a crucial plot point in the SECOND last episode?? AND THE ACCIDENT??? HELLO??? Shock factor does not equate to good storytelling. It just makes for pointless tension. I guess this is what writers had to do to stretch the show to be 16 episodes. I never found it interesting even in the initial episodes, I kept watching because the ml and fl couple were eye-candy and had great chemistry, but if you overlook that, this is nothing but mediocore, maybe even less than mediocore. I kept watching and watching hoping it would get better but nooo oh god. You all need to seriously pick better shows to make popular. It's My Demon all over again. A less than average clichéd show which gets popular because of the cast and high budget set. How superficial. Truly a disappointment. But I must give credit where credit is due and I will admit that the stellar cast did live up to their names by delivering an exceptional performance and the cinematography delivered, truly an eye-candy show. Overall, if you value your time, don't watch it.

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Big Disappointment

I read reviews of shows because I only have so much time, and I can't watch everything. I'd seen the hype over this show, and I was looking forward to it - but looking at other people's reviews here and having actually watched the show, I'm completely flummoxed. My only explanation is that many fans have read the novel and have carried their appreciation over to the series where their imaginations can fill the enormous gaps in the narrative.

This show is jaw-droppingly unoriginal, with every BL trope you can imagine - in fact all the characters are engineering, medical and music students, because nobody is allowed to study anything else in a BL. The tired and untrue-to-life seme/uke dynamic is in full force, there's a tiresome fujoshi, and there are no countervailing positives, at least not in the main pair. Substituting warm milk for pink milk is not originality, it's almost laughable cribbing. And the evil gf is apparenly on the way.

The premise of the show is that Solo's mother has died and so he's lost his smile - but did he also need to lose his entire emotional range? And shouldn't Gui have a contrasting personality? He's equally dour and unsmiling.

The problem is the lack of acting skill in the main pair, and this is underlined with force by the secondary pairing, where Phu is equally unsmiling - but played by a talented actor, he is with virtually no dialog and only a handful of scenes able to convey his character's loneliness, pain, and repressed longing. We get nothing from Solo except his creepily expressionless face and his dead eyes. Losing your smile doesn't mean losing all facial expression.

If PhuKao were the main pair, this would be a really compelling series - the two actors playing these characters are really impressive, and their characters are interestingly drawn, and I can't predict every word they'll say and action they'll take like I can for the main pair. Kao has to work to chip away at Phu's walls, and you can see it slowly working, which is wonderful and beautiful. Kao manages to make his whiney and annoying character charming and endearing, and conveys a greater depth than the surface characteristics of his character suggest. He's cute as f@#$, too.

But I don't see any motivation for the relationship between Solo and Gui. What does Gui see in him? They have no shared experiences, they don't know each other, Solo just stares at him with his creepy blank eyes, and occassionally does something really frighteningly aggressive, like when he backs him into a corner at the flower shop. If you'd seen desire in his eyes, it would have been hot - but instead you (and Gui) had to wonder if he was about to commit murder. For that matter, what does Solo see in Gui? I'll admit he's cute, but that's all there is. So is this a purely physical attraction? One doesn't normally fall in love with someone cute but dull because he boiled milk for you.

I think another problem may be that losing your smile works better in a verbal medium than it does in a visual one, where you get a sort of uncanny valley effect that makes Solo look Not Quite Right.

In Episode 8, there's a character played by an experienced actress that's ill and so also quiet and understated, with only a few lines of dialog, but the actress gives such a powerhouse performance that I was in tears all the way through the episode, which underscores how acting ability is so utterly important and so utterly ignored by Thai BL, at least for the main roles (with the hugely notable exception of I Told Sunset About You and mostly for 1,000 Stars). If Solo had been played by someone with 25% of her ability, this would have been a truly memorable series.

The positives of the show are compelling side characters (except the fujoshi), including one of the best pairings I've seen in PhuKao, and the music is way better than your average Thai BL.

EDIT: Also, if you're going to hire an actor to play another character's father, you should really consider hiring someone more than 3 years older (Solo actor is 27, his father is 30). The little grey streaks of hair dye and glasses aren't fooling anyone. I'm sure the reason is because it's strongly implied he's the lover of a much younger character and they wanted to make it less creepy. But it makes me crack up every time they show him. I will say that he's just as dull and expressionless as his son, so that helps make it believable.

EDIT: The acting issue may largely be the directing because Nut Supanut is amazing in Something In My Room.

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Dying is easy, surviving is hard

All of Us Are Dead is adapted from the serialized Naver digital webtoon entitled Now at Our School, which was written by Joo Dong Geun and published from 2009 to 2011. I haven’t read the webtoon but it reportedly consists of only nine chapters. Therefore it would probably stand to reason that the live-action adaptation has expanded on its lore, especially when Netflix is involved where the potential exists for a series to be renewed for a second season, depending on the success of the first season.

The drama is co-directed by Lee Jae Gyoo, who won a Baeksang for Damo and directing honours for Beethoven Virus, and Kim Nam Soo. It is based on the screenplay adaptation written by Cheon Seong Il, the screenwriter for Chuno and The Pirates. Principal photography took place from June 2020 to February 2021, which was prolonged due to the Covid-19 outbreak during filming.

In a nutshell, the story revolves around a group of highschool students who are trapped at their school, the ground zero for the onset of a zombie virus outbreak. The drama depicts them fighting to survive both the zombies and virus infection while waiting to be rescued. The rating classification for this production is R-18 and aside from the expected zombie action and gore, certain trigger warnings are present in the form of bullying violence that even borders on sexual assault.

In a recent interview with director Lee Jae Gyoo via the online presentation of the production in South Korea on 26th January, he had intimated that this drama would be uniquely distinct within the K-drama zombie genre that has become commonplace in recent years. According to him, All of Us Are Dead features thought-provoking themes that add a different meaning to a zombie apocalypse, where the focus is on the choices young students make at the boundary between life and death. In addition, the story also provides a satirical take on South Korea's educational system and school space.

What I Liked

I love the K-drama zombie genre and anything closely or even remotely associated in the form of mutants, monsters and the like, complete with the horror, action, adventure tags whether in contemporary, sageuk or fantasy settings. As much as I’ve enjoyed the recently aired Happiness, my preference for zombies leans towards the more feral variety with hordes of them rampaging through the populace annihilating anything and everything in their path, in the mould of Train to Busan (which gets a shoutout in this drama), Kingdom and Rampant. Call me sadistic but I’m all for epic levels of productions with economies of scale in delivering the exhilaration of the action, thrills and suspense, along with all the emotive aspects of human drama as well. Based on what I’ve seen of the depiction of zombies in this drama, it manages to convey all of the above, and has successfully fulfilled most, if not all, of my expectations.

A co-production between JTBC Studios’ Film Monster and Kim Jong Hak Production for Netflix, the quality of the technical execution is beyond doubt. No effort or budget was spared as even a huge four-storey set was constructed as the setting of the fictional Hyosan High School. The money was very well spent indeed as the production design looks top notch with all the nitty gritty details providing an intriguing backdrop to the zombie outbreak. The zombies themselves are deftly manifested in terms of the makeup, special and sound effects, as well as the blood, gore and contortions which complement the extensive range of expertly choreographed sequences.

The cinematography is deserving of praise with the crucial aspect for productions of this nature being the calibre of the camerawork, which for the most part does not let me down (or induce nausea). The well rendered scene transitions are testament to the standard of editing as well, where it’s worth mentioning that the chaotic scenes at the cafeteria and library involving 200 or so extras are reportedly the result of a single-take shooting.

As far as the narrative is concerned, the premise of a school-based zombie outbreak is refreshingly new to me. Some viewers may associate elements of Dark Hole to be of similar vein but personally it really isn’t despite the comparable vibes. While I wouldn’t consider the overall plot trajectory as particularly inventive or groundbreaking, what distinguishes this drama from most others that I’ve seen is the storytelling approach.

In addition to the multiple POV perspectives of the main characters, the screenplay takes its time to explore the origins of the zombie outbreak and motivations behind the actions resulting in the said virus being unleashed on humanity. The depiction of characters dealing with the tragic circumstances in the aftermath certainly elicits an emotional response as well.

True to the director's word, this drama tackles both existing and hypothetical societal concerns which provide added dimensions to the storytelling. Among the thought provoking themes incorporated into the storytelling - unchecked and unmitigated school violence, the ingrained hierarchical social order within a society segmented by wealth and power, the deeply polarised mindsets of the local government and communities in the event of an apocalypse or the aftermath of a mass casualty event. The role that technology plays in binding all these themes together is tackled as well in the form of the ever increasing reliance on and abuse of social media as an outlet that fuels the dissemination of actual and fake news.

The infusion of a number of side stories, character arcs and a narrative that steadily evolves as the drama progresses helped to allay my initial concerns of the story sustaining its momentum over 12 episodes. The dynamic between characters giving rise to various forms of conflicts, teen angst, and even hints of romance contribute towards preserving an atmosphere filled with tension and suspense. That said, I do think the drama could have been slightly shortened without adversely impacting the storytelling.

The main cast is made up of young actors, some of whom were prolific child actors and even critically acclaimed talent as well. Park Ji Hoo, Yoon Chan Young, Jo Yi Hyun, Park Solomon and Yoo In Soo portray the highschool students who are caught up in the ensuing chaos. Featuring roles of varying capacities, these youngsters provide a decent account of themselves through characterizations that are adequately written, for the most part. Lee Yoo Mi is particularly impressive here following her brief appearance in Squid Game, given her experience of being the oldest actress portraying a student and for her captivating portrayal of the antagonistic Lee Na Yeon that actually steals the scenes from the protagonists at times. Meanwhile, I would consider Park Solomon’s affable Lee Soo Hyuk, Jo Yi Hyun’s stoic Choi Nam Ra and Ha Seung Ri’s heroic archer Jang Ha Ri as my favourite characters amongst the students.

The supporting cast come across as being more familiar, where we get to observe Kim Byung Chul (Sisyphus, Doctor Prisoner), Lee Kyu Hyung (Happiness, Voice 4), Lee Yo Mi (Squid Game), Uhm Hyo Sub (King of Tears, War of the Son) , Bae Hae Seon (Happiness, Inspector Koo, HomeCha), Jeon Bae Soo (Stranger, Lawless Lawyer), Kim Jong Tae (The Veil, Sisyphus), and Yoon Byung Hee (Hot Stove League). The more nuanced acting in the drama is provided by these mostly experienced veterans, especially Kim Byung Chul as science teacher Lee Byeong Chan. Utterly intense, sinister, and convincing, unsurprisingly the best performance in the entire drama comes from this award-winning actor. Jeon Bae Soo gets to play the hero this time in a memorable performance as firefighter Nam So Ju.

What I Didn’t Appreciate

When it comes to K-dramas and school students, bullying and violence are par for the course - they’re never far away and will probably remain as a staple trope. It’s infuriating and disturbing to watch at times and seems to be escalating in brutality these days. The scale of the savagery seems to be higher than the actual zombie action itself but it’s something that all viewers of K-content will need to accept and get used to, unfortunately.

The main villain of the story is featured through the gangster wannabe and low-life bully Yoon Gwi Nam, played almost too well by Yoo In Soo. This despicable human thrash has the typical clichéd story arc that stretches far too long, in my opinion, before eventually fizzling out as a mere afterthought.

As mentioned earlier, I think the storytelling would have been better presented if it were slightly shorter, perhaps with 8 or so episodes.Despite the multiple POVs, too much time is allocated to the teen drama at school than is perhaps necessary. I would have liked to have seen Kim Byung Chul’s character more fleshed out in real time rather than merely as a series of flashbacks. The same goes for Jeon Bae Soo’s firefighter who is desperately trying to get to his daughter.

There are numerous annoying characters in this drama, some of whom supposedly supplying the usual ill-fitting comic relief that appears very much jarring to the senses.The tough girl wannabe and her whingeing companion, the cowardly police sergeant, and the bickering couples, to name a few. I think generally the boys are better written than the girls who come across as petty and physically abusive towards their male counterparts, as far as the youngsters are concerned.

Final Thoughts

All things considered and despite its flaws as well as the overly dramatic ending that has the potential for expansion either as a sequel or a side story, I had a great time mainly because of my love for horror and zombies. We honestly do need more zombie stories because there is too much romance, rom-coms and melodrama in dramaland already and simply not enough of the macabre flesh-eating, blood-sucking undead. All of Us Are Dead is not the best in the genre, where Kingdom still reigns supreme, but as a one-time weekend watch it definitely fulfils my insatiable hunger for such content, albeit temporarily.

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An Emotional Rollercoaster Worth Riding

This drama grabs you from the first scene and refuses to let go, keeping your heart racing long after the credits roll. It’s the kind of story that leaves fingerprints on your soul.

Duan Wu: She’s a force of nature. Fierce, street-smart, and unshaken by challenges—yet there’s a vulnerability in her innocence about life beyond the pearl farm. She’s the girl who punches first and figures out the rest later, and honestly, it works. Hardworking and fearless, but not invincible, her flaws make her real and relatable. Watching her grow into someone even stronger, someone more aware and mature, yet still kind at her core—it’s a transformation so raw and profound, it’s like witnessing a pearl form under pressure.

Yan Zi Jing: Oh, the layers. He’s sharp, complex, and burdened by a past that’s as heavy as it is painful. Living in the grey areas of morality, he’s ruthless when he has to be but still clings to shreds of humanity, refusing to lose himself completely. He’s the guy who looks ridiculously good while taking down enemies and even better while side-eyeing the FL’s stubbornness. A total tsundere, he pretends to be indifferent but sees her in ways that matter. His evolution? Breathless. Watching him rediscover his humanity and love is mesmerizing.

Zhang Jin Ran: The unsung hero. Kind, optimistic, and oh-so-easy to root for. He’s the guy who holds up the light in a dark world, even when it flickers. His hero complex might annoy some, but it’s laced with such genuine care that you can’t help but adore him. His journey from idealistic to grounded is realistic. Honestly? One of the best-written second leads.

Antagonists and Villains: Deliciously dark and grey. The kind that get under your skin, making you rage one second and admire their complexity the next. A perfectly woven balance of evil and intrigue. With a few wicked redemption arcs thrown in.

Acting: Zhao Lusi’s growth as an actress is evident; she’s more captivating than ever here. Her abilities are stronger, more powerful, and stable throughout the drama. She’s mesmerizing, with her emotions hitting you like tidal waves—raw, beautiful, and unrelenting. First time watching Liu Yuning, and he’s impressive—he brings believable subtle emotions and totally owns a tortured, morally grey character that is borderline red flag. His quiet intensity and tortured eyes carrying so much weight, you feel it in your chest. And Tang Xiaotian? Solid and nuanced, keeping his character compelling without overshadowing.

Plot: Fast-paced and brutally real. It’s a story that isn’t afraid to dive into the shadows—exploring slavery, resilience, and redemption with unflinching honesty. The imagery is vivid and unforgettable, lingering like a bittersweet echo. At its heart, it explores the unbreakable bonds of family—the ties that anchor us, but also the ones that weigh us down when love and revenge collide. It’s about a love so deep and unwavering it defies logic, carving through pain and misunderstandings to prove that sometimes, love is not just a feeling but also a choice. Betrayals cut like knives, their sting magnified by the trust that preceded them, and redemption feels hard-earned—messy, imperfect, and profoundly human. This isn’t just a tale of good versus evil; it’s a reflection of life’s grey areas, where the lines between right and wrong blur, and every choice carries a price.

Chemistry: Fire. Between the Duan Wu and Yan Zi Jing, it’s charged with simmering heat, the kind that makes you lean closer to the screen. And with the Zhang Jin Ran, it’s tender and heartwarming. Even the bromance between Yan Zi Jing and Zhang jin Ran was heartwarming. Lusi and Yuning’s connection, obvious and through the roof. Yuning's eyes are so expressive and matches Lusi's intensity. Their height difference? Dreamy. Their comfort with each other brings every romantic scene to life in a way that feels seamless and positively electric.

Cinematography & OST: A feast for the senses. Stunning visuals set the tone, and the music? Hauntingly beautiful, amplifying every emotion.

In short: This drama doesn’t just tell a story—it pulls you into its world, holds your heart hostage, and leaves you grateful for the experience. Watch it. Feel it. Love it.

PS:
The ending made every moment precious and worth it. A Walk to Remember left a lasting impression on me, but The Story of Pearl Girl takes it a step further, its finale is unforgettable. Duan Wu and Yan Zi Jing were dealt some of the harshest cards in life, yet they played them with fierce determination. They didn’t just survive, they lived and loved with all they had, defying every hardship thrown their way.

In the end, their dreams weren’t just fulfilled; they were brought to life in each other’s embrace. Their time together may have been fleeting, but it was luminous, filled with memories that eternity itself couldn’t erase. Their story showed something profound: life is brief, fragile, and unpredictable. But in the moments we do have, we can choose to love deeply, live boldly, and create something timeless. Duan Wu and Yan Zi Jing didn’t just exist - they made every second count.

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Good Feel Good Drama

I saw that the site i use to watch dramas had uploaded all the 16 episodes at the same time.
The only thing i knew about this drama was the synopsis and nothing more, with this reason i started watching this drama with low expectations, but i got a positive surprise.
Its a feeling good drama, and i highly recommend to everyone.
One thing that i was surprised was the fact that they included a transgender character and i think they did a good job at portraying a trans man.
But with all the goods we also have bads , in this case was the constant fatphobia, one thing that i hate in kdramas is that in 90% of time the story of the "fat" women character is ONLY that she needs to lose weight and that she can never have a love interest who actually likes her for who she is and only likes her as friend, and this one sadly is following the stereotype.
I hoped that she had a love interest by the end, but she did not, it was a shame
There are 2 couples in this drama and i feel in love with both of them especially with Gi Bbeum and Moo Yeol, in the beginning i thought that he is 2 much of a player for her (a person who never had a boyfriend and as difficulties with communication), but with the elapse of the plot he made feel assured that he really liked her.
I would give this drama a 10 for the story but i didn't like the constant fatphobia and the fact that no one apologized to her.

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This high school GL drama was a sweet little romance with so many lovable characters to get attached to. But perhaps a merged or cut storyline could've allowed the much needed foreshadowing of character flaws that were relevant to the drama's climax. I also found that the lack of addressing of 2 red flags (one from each of our main characters) killed my investment into their particular ending.

SPOILERS START HERE!!!

>>> Ongsa and Sun <<<

I absolutely loved the initial set up for this couple. Ongsa is an insecure, anxious, and socially awkward teen from the countryside. Sun, is the popular (though we really don't see this really), confident, and mature classmate who Ongsa instantly develops a crush on. They accidentally become penpals and Ongsa anxiously lies when it starts coming time for them to actually disclose stuff like names and such. This arc didn't overstay its welcome in my opinion (but Aladdin's the genie "Tell her the truth" scene certainly played in my head on repeat). I was also quite taken by how maturely Sun handled this. Demanding an explanation and refusing the nonstop stream of unexplained apologies. Most love interests would have stormed out, and the lack of communication would have been dragged out for days/episodes. Not here.

By the end of the drama, we start to realize that Sun isn't the perfect, one-dimensional love interest previously portrayed. While her dream is repeated rather verbatim in a short span of time, she does have a dream that she is passionate about and knows where her future is going. She also is not quite at the maturity generally presumed around her. Indeed, much like most teenagers, that "maturity" is partially covering up the fact that Sun molds herself and her reactions to what she thinks is expected of her. Which, of course, causes problems in her relationship with Ongsa - especially since Ongsa is also not thinking as a unit (most high schoolers/first relationship couples dont) and makes the unanimous decision that Ongsa and Sun shouldn't be out to anyone but their shared friend group. This was frustrating, and i feel like Sun's character flaw could've been better hinted at earlier in the series, but overall, quite true to a high school first romance.

What did make me angry is the fact that both Sun and Ongsa did incredibly red flag things that were never really addressed well. Sun literally outed Ongsa, Aylin, and Luna. She outed Ongsa once to her (Sun's) parents without warning, and then again (along with Aylin and Luna) to Ongsa's own parents despite/in spite of Ongsa's attempts to stop her. This wasn't even addressed once, let alone condemned. Being out very obviously means something in the world of this drama, and Sun couldn't have known what Ongsa's parents' reactions would've been. And then, after their break up, Ongsa wouldn't leave Sun alone. This was brought up once, but then was swiftly ignored when Ongsa came with a more detailed apology (that I sorely hope was victim to something being lost in translation, because i didn't like how it compared their love for each other as one being more true than the other just bc Ongsa was scared to be out of the closet).

I am, however, glad that Sun realized that she was being hypocritical and unfair though, especially since she was molding herself to what she thought Ongsa wanted in their relationship, instead of talking to her. And so, i appreciate that they became a more healthy and stable relationship afterwards. Though, admittedly, my enjoyment of them as a couple was killed by their red flag actions that weren't properly addressed. So, I wasn't really invested in their ending.

>>>Aylin and Luna<<<

An absolutely adorable 2nd couple. I loved how honest Aylin was, even when she was nervous, in pursuing Luna (after Luna showed her she could trust her). And i loved the relationship between Aylin and Ongsa (her cousin). Aylin and Luna were a healthy couple pretty much from the beginning (with the hiccup of pushing Aylin into socialization too fast), and I don't think i stopped smiling for a moment when they were on screen together. And Aylin's neurodivergent (potentially autistic?) coding was great to see - especially with her lack of social cue awareness, her needing clear answers to social questions, and her displays of overstimulation that can be seen even in the background of other scenes. However, my one complaint is probably that Luna, as cute and lovable as she is, didn't really have a character flaw in sight.

>>>Alpha<<<

Alpha is Ongsa's older sister and Aylin's older cousin. On one hand, i loved that her presence helped contribute to Ongsa's family relationship development (she and her father had lived separately from her mother and sister for several years). Her scenes with Ongsa and Aylin were sweet. And i really related to her pre-graduation stress of uncertainty in her future and in her family relationships. But, she really didn't have much of an impactful role. So perhaps this was a storyline that could've been omitted or perhaps merged with Luna's (perhaps to balance out Luna's perfection) since they share similar traits and are in the same year together.

>>>The Friend Group<<<

I really value the focus on Ongsa's growing friend group, as it really helped her develop as a character and in her confidence - not having any friends coming into school and all. They're supportive, distinct, eclectic, quirky, and diverse. It made for the perfect complement to Ongsa's story and needs. There was also some comedic relief in there I really appreciated.

>>>Teachers Bambam and Nida<<<

These characters stole my heart. I loved their low-angst side story of the hapless accident-prone and tarot-loving Bambam and of her caretaking friend who developed feelings. Furthermore, I liked how they provided advice to their students when needed, and also stepped away so the major characters can figure things out on their own. And of course, they helped to drive the story forward at a few places, in believable way that never made me blink twice.

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This is a mindfuck movie.

And I love mindfucks!! And this movie fucked mine up pretty good. This movie will keep you on your toes, you might make your own conclusions up and you'll feel excited watching this movie!!

The acting is really good, I was in the movie. The music fitted every scene en the story? The story is really good, it's mind breaking and somehow sad.

I loved the ending where it all comes together. Some movies pull it off to fast and doesn't let it end properly. But after watching this movie you'll have no questions left anymore.

Good movie, great mindfuck and worth watching!

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Oh my god oh my god!

This series made my heart race. All of the dramas being aired right now are so so so cliche especially the Korean ones. They are the same formulaic ones which become super popular every year or so. Cast an a league actor who plays the same role over and over and an actress with a beautiful wardrobe and there you have it.
Anyways back to this drama, you can see this is low budget. But it’s got such a massive pull. This is my second girl love drama after GAP but this is miles better than GAP (which I also liked a lot, but did not love). The female lead, the older one, shows so much angst. It almost felt so real their love that one can almost touch it it’s so tangible. It’s also so non heteronormative where I am so tired of ajusshi type men chasing after young girls. Here the female lead who is older is actually holding herself back every step of the way since she is so much older. Her ethical and moral dilemma is so real and justified. And yes hats off to the writing to make it palpable. The younger girl is also so deeply in love and she is so charming. Every time I watched them on screen I smiled and then when the last episode ended I almost cried (I think I am too jaded for that but I legit got emotional for sure).
Love it love it love it.

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I don't read manga so I wasn't aware of Switch Girl but the premise seemed interesting enough...

Story- Really the story is nothing original and has been done many times before. Its a school drama with your average villains trying to mess with the leads throughout but becoming good by the end. However, I found it so funny, cute, and the romance was perfectly done (what I would like to see in more J dramas). My only complaint is that is was really too short. There's only 8 eps and thier barely a half hr long. I want more!

Acting/Cast- For the casting, I didnt know much about the lead actors beforehand, but they had awesome chemistry which made me invested in thier romance. I remember the guy that played Arata from Hana Kimi Remake. The impression he gave me right off the bat was he was HOT but not really memorable. In Switch Girl though, I really took notice of him! He was perfect as Arata. I cant wait to see him in more things.The actress who played Nika was soo good as being the switch girl. It was eery how she changed from being the popular school princess to being a nerdy looking slob at home. She convinced me well though.

Music- It was fun and silly when needed.

Rewatch- I could watch this many times over in a year because its short and really funny.

Overall Switch Girl is just a really sweet and fun watch.

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