This review may contain spoilers
After watching a disappointing Princess Agent I was skeptical about this drama because the main characters are not that good looking but after reading postive reviews about this drama I thought I would give it a try. And wow am I blown away it's completely hilarious and very light hearted. The last time I have laughed this hard was go princess go! The female main characters double personality is hilarious and she pulls it off so well. It's very believable and hilarious. The love between the 2 main characters are so sweet and keeps me completely interested in the series. Everything else is mediocre and repetitive in storyline about palace drama. I also have never seen any Chinese drama focus ofnmental illness too. This is a first time that a mental illness like dissociative identity disorder had been used in such a big part of a Chinese drama. Great job! Was this review helpful to you?
No matter how hard I tried, I didn't like it and I don't know why it encountered such a success.
I have problems with the plot, the characters and the ultimate meaning of this drama.
I found the plot highly un-original. Change a couple of names and the setting, and you're left with a déjà-vu: arrogant successful man is changed by simple, goodhearted woman, there's a second female who enters the picture, the hero's got some unresolved issues with his personal life, a lot of running around the city - for lack of any transport, I suppose - and there's the ever-present shilly-shally which goes on till the very end (accompanied by my yawning).
Fine, a plot doesn't need to be original to be well told. More often than not, the lack of suspense is successfully replaced by a strong characterization. And here comes the true sore spot for me: the characters.
Toru Hyuga is quite the obnoxious "genius", a pity he doesn't compensate his bad temper with any particularly charming trait. He changes, inasmuch as he becomes a little humbler towards the end, but I fail to be attracted to him even by a little.
Which makes it even harder for me to empathize with Makoto, who seems to be bewitched by his creativity and his success-driven nature more than anything related to him as a man. The result, in my eyes, is a badly matched couple of disagreeable people with no love chemistry at all.
What bugged me the most is the way Makoto's character is depicted. By what absurd criteria can a young woman who is good at her studies, has a formidable memory, can compile the income tax return of a little business in one night be called "stupid"? Yes, she isn't a computer genius, so what? Are our IQ defined by how good we are at computer programming? Instead of creating a character who could truly complement Toru's glaring shortcomings with her own talent, they gave us a woman who either laughs hysterically when embarrassed and blurts out the first thing that comes to her mind, or apologizes for... being stupid, of all things! As for character development: none whatsoever.
Asahina? One episode he's black, the next he's blue. Disquieting.
The only consistent, pleasing character is Yoko, but we all know from minute one what her role in this story will be.
On the good side of the charts are acting and music. They all acted their part very well and did their best with what they were given. I'm also ready to grant the drama a couple of intense, heartfelt moments, which manage to raise the overall score by a little.
Needless to say, I'm not going to re-watch this. I'm sure there's more to say about it, but I'm honestly tired of thinking this thing over when in fact I should simply borrow a good MDL friend's definition, call this drama "harmless" and forget about it.
°°°°
Edit: someone rightly pointed out my wrong use of the word shizoid. I apologize and edited to correct the mistake. :)
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When Charisma Gets Replaced by Scheming
Can we say… kinda? I mean, in the first season, the winner was way ahead of all the other contestants. You could see their superiority from the very first episodes. They won purely through the power of their charisma and intelligence.The new winner… how can I put it… ended up winning because his BFF dropped out at the last minute. He used her all the way through to the end. Maybe he's more in line with the theme of the show, but honestly, I would’ve preferred a winner who made it to the finale thanks to actual skills, not tricks and manipulation. Sorry not sorry.
I hope the next season focuses more on individual play. I know drama always works, but this season had way too many alliances that ruined the chances of some really interesting potential finalists.
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Yai the lost son of Khun Baisan comes back to his farm to get his inheritance and revenges his father's death from his stepmother...he appears as cave man with non-modernized behavior...scares everyone and pretends to be a gangster...he enjoys tormenting the beautiful young maid Pin...and forces her to be his wife...but he turns out to be a loving prince charming!
A very interesting plot...with one crazy villain...nice supporting characters...a mixture of Action, Drama, Romance, humor...that kept me hooked throughout the long 22 eps...it was smartly written that there was always something going on...no place for speed watching...I expected it to drag a lot but surprisingly it didn't...it also has many cliffhangers that will make you keep watching and it was filmed during airing which somehow made the drama quality even better!
The male lead character was smart, strong, dependable, playful, and very warm...a real prince charming...and Weir played this character perfectly...it's hard to imagine any other actor in his place...
But the female lead character was quit annoying - too good to be true - she was also very naive (he even used to call her stupid child) but she wised up a little at the end!
The N'ek and P'ek chemistry was very good...their scenes would always make me smile!
The music puts you in good mode...and I'm glad the main songs were sang by our leads!
I don't usually re-watch dramas but maybe in a couple of years when I forget it enough!
In short if you guys want a well-written Lakorn with lots of twists and turns with a cast that has a good chemistry and a refreshingly charming male lead character...I highly recommend this one!
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All I Can Say Is WOW!!!
This is DEFINITELY one of my top BL shows of the year alongside Cherry Magic!!! This is such a beautiful masterpiece of a show!!! I remember when the preview trailer first came out… I was already hooked!!! I was on the lookout for it and it did not disappoint me one bit when it finally started. I looked forward to seeing it every week. It made me feel all of the emotions. I was up here sitting in my room crying over everything. I don’t think any other BL has made me this emotional before in my life.First, I would like to start off with the casting and characters. Billkin as Teh did a wonderful job. His character was a smart but confused individual. Given this being a coming of age type of story, I feel like his actions throughout the show were justified because he was learning to navigate who he was as a person like how most people do around that age. Coming into your sexuality can be a mix of conflicting emotions. I understand that it takes much time and reflection. I know some people were annoyed by his character but I think he portrayed it very well. (Side note: I know he had to be drained in between takes from all that crying he did lol It was almost giving me Third vibes from Theory of Love lol I just thought it was kind of funny but they both still had me feeling all emotional and tearing up so you know they were doing something right!!!). PP Krit as Oh-aew also did a wonderful job. To me, Oh-aew I feel was more secure in who he was as a person and of his sexuality than Teh so it was hard for me to see him be so distraught at how Teh kept on backing off from truly moving forward. Pining over someone who won’t REALLY reciprocate can be one of the worst feelings in the world. So, I truly felt his pain through it all. All in all, the two lead actors really DELIVERED!!! I could feel every single stare, every single body movement, and every single touch. You could cut the TENSION with a knife!!! No one couldn’t tell me that there wasn’t a magnetic true love between these two. I know this sounds cliche but it's like they were destined to be together. Also, I would love to see them in future projects!!!
Shoutout to Tan and Bas as well for sticking by Teh and Oh-aew sides and being true friends through it all even though they had to give up the possibility of a romantic relationship with the guys. They are the real MVP’s of this show!!!
The writing and directing on this show was impeccable to me!!! No cringy dialogue and every single line served its purpose well. This is movie grade writing. I saw some behind the scenes videos of certain scenes, like the hotel scene where there under the staircase, being directed and I loved seeing how meticulous the director was. He did a great job directing all of the scenes so you can truly see and get the meaning of everything.
I also wanted to quickly just say that I loved the attention and callback to details throughout like with the tutoring book that Teh made for Oh-aew that was left empty by the end of episode 4, the flower that was supposed to be colored the same as Tan’s garment but Teh colored it red because he was thinking of Oh-aew, the rubbing of Oh-aew’s back when he sniffles, the references to Teh’s favorite actor, and the use of Chinese phrases to get meaning across. I could go on and on but wow I just loved how they really connected all of the details throughout.
Also, the cinematography in this show is TOP FREAKIN NOTCH!!! Every single scene is just so beautifully shot. The cinematography alone makes me want to cry lol I saw somewhere that someone said the filming of the show reminded them of an indie film and I totally agree!!! They came with the high budget for this series and I live for it!!! The music throughout the episodes is beautiful as well. The OST Skyline performed by Billkin made me emotional as well. Billkin’s voice is just so pleasant sounding.
This show was a rollercoaster of emotions and it was one of the most sincere shows I have ever watched!!! I was worried it wasn’t going to end well considering all that went on in episode 4 especially but I am glad that it had a happy ending. When Teh asked Oh-aew to be his boyfriend... I SCREAMED in excitement!!! I can’t wait for Season 2!!! Also, it’s so beautiful how this community really came together to discuss and support this amazing show!!!
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Don't judge a book by its cover.
My first impression of this show wasn't really good; I didn't assume it'd turn out bad but I thought it'd be a basic average story, full of Kdrama romcom clichés. To my surprise, it decimated ( destroying large proportion) my prenotions, it proved to be a competent romcom of the current trend, and stood out in terms of using atypical elements. (using the term "decimate" because it wasn't complete finished off)Produced by Arc Media and broadcasted on KBS, "Crazy Love (크레이지 러브) [2022] is basically a romantic comedy Kdrama along with elements of melodrama and mystery. Written by Kim Bo-gyeom and directed by Kim Jung-hyun, the show was also distributed by Disney+ Korea.
The story follows the build up of office romance between a Private Education Academy CEO and his secretary, equally emphasizing the fight for power within the company and mystery of conspiracies.
Noh Go Jin (Lee Jae Wook) is the CEO of GO-TOP Education and top math instructor, who despite of his educational qualification, has created and made the company No.1, with his knowledge and capabilities. Being as popular as a star, he is loved by the public but known to be a selfish & narcissist by his employees. Lee Shin Ah (Krystal Jung) is an introverted lady with sedulous & responsible personality who has managed to keep up with his notorious boss, with the cost of her degrading mental health. With the dream of becoming an instructor, she contributes her best to accomplish her task and strives to make her ends meet. The story begins with Gojin getting into a threat, as Shin Ah gets entangled with his life, and furthers with the consequences.
Oh Se Gi (Ha Joon) is the Dep. CEO of GOTOP, the dearest to Gojin and Baek Soo Young (Yoo In Young) is the budding educationist and Park Yang Tae (Im Won Hee) is the CEO of Ilpum Edu. Other familiar faces in the drama are: Go Gyu Pil, Park Han Sol, Yoon San Ha, Lee Si Eon, Kim Ki Nam, Lee Mi Young, Kim Hak Seon, etc.
I have mixed feelings about the plot development, more than "mixed" it's like particular moods for particular portions of the entire show. As said earlier, for the pilot episodes, I was not really interested, but then it improved and finally sored to another level and made me wish hard for it to retain it's quality. It started going downhill, right from the beginning of 11th episode, I can't say how, but I think most of you can guessz since it's a romcom drama that has to result in unison of the lead couple. Anyways, enjoy it till the fun lasts, it's extremely funny and rarely angsty and there is least amount of romance for the first 2/3rd of the show, though there is a definite buildup of chemistry between the ML & FL. You'll know when the actual romance starts and even so it comprises of clichés scenes, I guess we sometimes crave for it behind the curtains? Haha. I would have loved to see more of Ha Joon's sides and also a complexity to the mystery plot, which somehow got lost in the latter half. Anyways, the ending sequence with extreme conspiracies and power trip was interesting and the show ended on a good note.
Writer Kim Bo Gyeom debuts through the drama, and from his bio, it's apparent that he must have been a part of good script teams, led by prominent screenwriters. Provided his experience, I would say that it is a beyond decent delivery, no? The pilot ep might not be impressive, but the furtherance is amazing and the buildup is worth looking forward to, though the ending sequence isn't as nifty or crackerjack. Given the cult-classic genre with a basic story, it isn't something very difficult to plot and write, but surely implies his skill as a debutant.
Director Kim Jung Hyun with a well-known career graph, is the producer of several popular dramas of contemporary trend. The management, execution, screenplay setup, screen-editing is up to par. The urban romcom and office scenarios were of apt mode. Sound production is probably the best thing about the direction, in my opinion. It's actually that good to be particularly mentioned, for any comedy drama.
There are 6 OSTs in total and they're crazy good, I must say. "I'm Crazy" by the AB6IX duo Jeon Woong and Lee Dae Hwi is a endorphin-releasing song with lyrics that depict confession. "Stay Alive" by formis_9 is a high beat yet soulful track about warmth of love. "Bite!" by NU'EST Baekho is an enticing song meant for motivation and inspiration to climb up the ladder in your life. "Dive into you" by uri love JAY B is a heart-touching & romantic track, and his vocals makes you cry as always. "May be" by DAVII is again a track of pleasurable and fun-living love, his vocal is always a favourite. Lastly, "Wide Open" by Juniel is a softcore romantic song with the vibes of old romcom ones.
What I liked...
# The steady plot development is likable and engaging; though there is nothing outstanding, but provided the fact that the recent plain romcoms fail to retain their qualities, this is comparatively pretty satisfactory.
# The uncharacteristic plot elements and concepts used are what make the show stand out the most, in my opinion. I had assumed it will have all the Kdrama romcom tropes and still wanted to give it a try. Even though the pilot episode didn't interest me much, by the end of the 6th episode, I ended asking my friend, "Where are all my cliché scenes at?" This was the exact line.
# Noh Go Jin, the character is another factor that, in my opinion, is helpful to extents, to make the audience keep going, like a motivational force. His expressions, his reactions to things he's told, his dialogue delivery and even his way of walking, everything makes him a perfect self-obsessed plus funny male lead, which most of us tend to love, no?
# The romance build up is fresh, yes, because modern urban romcoms tend to follow the old plots and there is zero sign of creativity. But, I am glad, even as a debutant, the writer has attempted to do something outta his zone; fortunately, the implementation was successful.
# The Comedy elements are the reasons, a viewer should look forward to and stick to the drama for the amazing ride, even so the initial episodes make you wanna drop.
# Sound editing is again particularly noticeable, especially, for the heavily funny scenes, and, particularly, involving Noh Go Jin. The unexpected violin notes and softbeat instrumentals during scenes where Go Jin is teased and made fun of, were so so so hilarious, I was very engaged to it.
What I didn't like...
# Once again, Krystal's acting was a turn off. I still don't understand whether it's her acting , that hasn't improved over years, despite her constantly doing dramas, or it is the characters sje play, i. e. Bbad choice of scripts? Nevertheless, she could be better and there always that ample amount of space for learning and improving herself.
# Limited screen share of Segi and other characters is what disappointed me a lot, specially in the later half and particularly from 11-16. Ha Joon is a good actor and despite his less experience, plus given the character's importance, he should have appeared more. Ok Hee & Soo Ho also should have been given more.
# The plot turning typical starting from 11th episode, made me go mad, though the cliché romance elements were insignificant & inconsistent. Won't complain much but I would have loved if they had retained their original way of development.
# Extending the previous point, the mystery plot, involving conspiracies and counteraction, was forgotten in the later half; sometimes it was completely gone. It would definitely affect the quality of the drama and reflected in the ratings, as well.
Final Remarks... "Crazy Love" which starts as a basic random show, progressed to be an worthy ride with unexpected elements, though turned into a typical mess by the end. I honestly don't think it's something that will suffice everyone's taste but it's a fair one time watch. If you're a fan of old-styled romcoms and crave such plots, yet looking for new things in one, this is definitely for you. You might want to fast forward a little in the last 4 episodes, and that's very fine, but I suggest you don't give up on this soon. I mean, yeah! I was also proved wrong, judging it from only 2 episodes. Go ahead :)
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Revamp : The Dead Story!
This had everything it needed to be a guilty pleasure masterpiece, from vampires to forbidden love to century-old curses to a tragic painting, and most importantly Boun Prem. And yet, somehow, it manages to take all that potential and throw it down the drain.The premise opens dramatically with a vampire sealed inside a painting, freed by a modern man who is calm about meeting a vampire that he even offered to make tea. To be very honest, I wasn't expecting much from a vampire drama, but then it never lived up to the lore it built.
Coming to logic, or what I call the abstract art here, interpret it however you want. Now, starting from the start, Ramil being trapped for a century should make him disoriented, right? This man adjusts to the 21st century faster than most of us figure out new trends. Again, not asking for ironclad things, just basic stuff.
The drama till the very end couldn't decide what it wanted to be. Was it supposed to be a bit dark? A romance? A parody of its own genre? It felt like this project was directed by different people. One wanted it to be slapstick comedy, the other just wanted to see Boun shirtless but there must be someone who actually wanted the vampire drama with angst, so we also see sprinkles of that. I respect all three visions, but maybe not in the same hour. Somehow, the tonal whiplash weighed down the drama completely and made it boring.
They also introduced a hunter's subplot, and I thought this would bring back some life and excitement in this domesticated tale of a vampire, but I was again proven wrong. They totally underused it to the point that it just started looking funny. Imagine a secret organisation taking on supernatural beings and declaring war, but all of their plans lacked any preparedness. I will not even question logic here.
The only aspect that I enjoyed was the bond between Ramil and the vampire brothers (Methas, Ciar and Mekhin). It wasn't the central plot but I wished it was. They had each other's backs and it was fun where they shared the screen. Again, they totally wasted potential to actually explore the 3 characters and bring in some actual plot. Ciar might come off as rude and presumptuous, but he was the only one who acted like an actual vampire.
Coming to chemistry between the leads, the romance is what sank the ship. It was just too much and everywhere. I like the leads and their chemistry but here all the focus was on their love story, leaving everything else (the actual plot, pacing, character depth) adrift.
Acting-wise, Mark as Methas captured my attention and it was good seeing Barcode on screen. Rest, everyone was forgettable. Again, not bad but nothing to run home about.
The production itself wasn't terrible. The manor was gorgeous, and the opening OST was good. There were inconsistencies in editing, but at one point, I stopped caring.
Overall, this isn't unwatchable but boring. Things kept happening, but nothing held my interest. Everything was half-baked. Again, I understand the main plot is vampires and it is expected to be a bit campy. In fact, I welcome that trope, but this wasn't even a fun camp.
So yes, Revamp tried to suck blood but ended up sucking energy instead.
Will I recommend it? No. I am definitely not their target audience for this.
Will I recommend GMM TV to stop attempting vampire dramas? YES. PLEASE !
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Bon Appétit, Your Majesty – When Mediocrity Goes Viral
The best way to watch this drama? Grab some food, put it on 1.75x speed, and just let it run.. The show has no real substance. The writers clearly got lazy and decided a proper story was optional; instead, it’s basically a long food showcase where dishes get more screen time than the actual characters.Yes, the title hints at food, but the description also promised "romance, fantasy, comedy", Did it deliver? Let’s see:
Fantasy– Oh yes, time travel! The lead goes back to the past. I guess that’s *all it takes* to count as fantasy these days.
Comedy – Original jokes? Forget it. Just recycled gags from every older drama of the same genre you’ve ever seen. Classic.
Romance – Romance, they call it? There’s no buildup, no real conversations, barely any screen time together, and suddenly the ML falls for her just from tasting her food, forcing himself on her, while the FL randomly decides she likes him too. As if that weren’t enough, the leads have non-existent chemistry. They simply look like two good-looking people sharing the screen, nothing more. And after all this, the creators expect us to believe they’re in love. It’s utterly absurd
Now to acting.
Yoona’s performance was fine but predictable. She’s been playing the same rom-com roles for years, merely swapping the setting and profession. Nothing new, nothing surprising—just another comfort-zone performance from her, which, as usual, turned out to be average.
Chaemin shows good potential, but his acting here was wildly overhyped. He was mostly good throughout the run, but not the miracle the internet made him out to be. Honestly, most of the buzz seems driven by his looks rather than his actual acting, and that’s just how it works in K-drama land.
Also wanted to add this: Park Sung-hoon being dropped turned out to be a good thing—this weak script didn’t deserve an actor of his caliber. It was better suited for a rookie like Chaemin (who played his part well👍,still I believe his performance was exggerated by the audience), especially since it was the food, not the cast, that carried the show.
As for the central storyline—there wasn’t one to begin with. By the last four episodes, it felt like the writer finally as well as suddenly realized, “Oops, we don't have a plot,” and started throwing in whatever came to mind just to force a happy ending. The result? A drama with no sensible closure. The creators practically mocked the audience, with, “Let’s throw the dumbest stuff at them as we known they’ll swallow it,” and, unsurprisingly, audience did.
Conclusion: This is easily the most overhyped drama of the year—mediocrity at its finest. A one-time watch if you have nothing else lined up. With a 80-Minute episodes dragged out by endless food shots , average acting and no solid story, it’s not something anyone would revisit.
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Ignore the Noise
Dear reader, I urge you to give this series a chance if you enjoy coming-of-age dramas (including talk of dreams, aspirations, failure, innovation, identity, family, friendship, feeling lost, finding love), as well as lovely cinematography, production design, and direction.Does this drama have flaws? Yes, plenty. The writing goes up and down at times, some storylines are rushed (the revenge plot), and there are characters who should've gotten more screen time (Injae). If you're not a fan of romance in your dramas, then this show is not for you. If you're not a fan of love triangles, this show is not for you.
All that said, overall, Start-Up is a good time. All of the characters are complex and flawed, which makes them interesting. Every shot is absolutely beautiful, and the familial/friendship themes are effectively explored. If you've ever felt lost (particularly in your twenties, as those are the leads' ages) and weren't quite sure what you wanted to do with the rest of your life, you can probably relate. It is certainly not a documentary about starting a tech company in South Korea, but it does utilize its accelerator environment well. The strengths of Start-Up lie in its cast of colorful characters, its emotional throughline, and its visual excellence.
If you're thinking of watching this show but are wondering why there are people online who seem passionately invested in hating it as if this show killed their first born child (and you don't mind spoilers,) continue below:
The online reaction surrounding this drama while it's been on-air is some of the most ridiculous and inane I've ever seen in a K-Drama fandom (usually only present in large western or anime fandoms), and this is due to the ship war and the different "teams."
Here's the thing: while the drama did spend an unnecessary amount of time on the love triangle, it was never a true love triangle to begin with. From the first episode, when the cherry blossom petal flew all the way from Dalmi and landed on Dosan's head, if you've ever watched a single K-Drama ever, you should've known what the endgame was going to be. Even more so in Episode 2, with the slow motion walk toward each other during their first-meeting-cut-short and when Dosan showed up at the networking party looking like Cinderella at the ball.
Throughout the course of the story, Dalmi had shown exactly zero interest in Jipyeong as a man, either romantically or sexually. Not even when she was suspicious of Dosan being two separate people did she consider Jipyeong in a romantic light. She’d been curious about him, yes, and clearly valued his friendship and mentorship, but anyone who genuinely hoped she was suddenly going to finally see, in the eleventh hour, how he was the nice guy she’d been looking for all along were going to be sorely disappointed.
It was never going to be Jipyeong, but for some reason, shippers deluded themselves into thinking there was some sort of secret story underneath it all that only they could see. They wholeheartedly believed there was going to be a big plot twist (even though there was never any indication of such), and when the coupling went the way it was always going to go, they got all shocked Pikachu face. And then got angry at the hole they dug themselves into. The most ironic part is that the show has a good amount of symbolism and attention to detail. Just not the symbolism and attention to detail certain factions thought they saw.
Start-Up is not a work of genius, but it's fun and all the actors are fantastic. The OST is out of this world, and there is plenty of comedy and emotional heft to go around. In any case, this is a drama best binged, as it's more cohesive that way.
Ignore the noise and check it out if the synopsis seems interesting to you. And if you don't vibe with it, stop watching and simply move on with your life.
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Infuriating characters & plot holes, but entertaining all the same
Likes: Park Hyung Sik and Han Hyo Joo. I'm fans of both. I think they did a great job with the acting and convinced me that they are both tough characters that could take down zombies and criminals. Doesn't hurt that they are both pretty to look at. I thought they had a very cute chemistry. The doctor was also pretty standout in making his character so despicable. I thought the zombie production and actions scenes were also nicely done.Dislikes: (SPOILERS AHEAD): The HUGE and obvious plot holes that took a lot away from the story because it made the characters look a bit stupid. For instance, the huge one...Why go through all this manipulation and trouble when you could have just asked Saebom for her blood. Everything about her character would have suggested she would do this freely with no objection. That's just lazy writing imo. The writer should have found some reason why they thought Saebom would be resistant to giving her blood. Then the story would have made more sense. Next problem were the infuriating side characters. They were incredibly frustrating mostly because I couldn't understand their actions. I don't have to agree with it, but I should understand why a character is driven to their point in stupidity. There should be a tiny basis of realism in their motivation. Too many actions were just too inconsistent. For instance, the fear level. One minute they are scared to death because they see a zombie turn, then the next they are walking around like nothing is amiss, I mean wouldn't they try to carry something for a weapon or wear some sort of makeshift protection, esp since they don't know who is infected? That goes for the leads as well. They walk around too cavaliery like they are invincible. Sometimes they carry a weapon, sometimes they don't That's just poor direction, The director should have maintained a certain level of fear and caution throughout.
There were so many plot holes that I can't even count, but yet, I still found myself entertained and waiting in anticipation for the next episode. A large part of that has to do with me being fans of PHS and HHJ. I really looked forward to their interaction with each other. It carried a lot of the drama for me. I enjoyed seeing them be all tough. I also have a love for zombies or disaster type stories too so that also played a part. There was also enough tension to keep me tuned in to see how this would all end. If you're like me, then I would suggest checking this drama out. But if you need a well executed story that makes complete sense, then you may not enjoy this one,
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Hermès! Served exactly as intended: a (rarely pure) rom-com delight.
Most romance stories, in my experience as a lover of the romance genre (and as somebody who aspires to write in the genre), will follow a very specific pattern. It typically seems to go something like:-two people who are well-suited to one another meet
-who want to be together
-and share moments of growing emotional, and often physical, intimacy
-but who struggle against internal and external obstacles
-that build up until there's a major complication
-which gets resolved happily.
Romance, as a whole, does not tend to deviate much from this structure; it's why a lot of people return to it, time and time over again. And in terms of being exactly this – a very, very sweet, wholesome, lighthearted and funny romance, in my opinion, this drama excelled.
There is no secret serial killer or hardcore thriller plotline, and in this way, it feels like a "pure" rom-com – most misunderstandings are easily resolved, and a lot of the drama consists of different scenarios involving the leads being sweet and falling deeper in love with each other, supporting each other when the relationship is tested.
The drama wastes no time in having the leads fall for and get with each other – it's certainly no slow-burn where the characters' hands brushing against each other will leave you gasping for air, but I personally found a lot of beauty in this drama's simplicity. Rather than missing the aching slowburn, or yearning for the higher stakes, this drama's low stakes kept me focused on the relationship, kept me believing in the strength of its foundations, and got me attached to them. Though these are perhaps not the most complex or layered characters, I found them well drawn out, acted, and lovable. In a lot of ways, it became my weekly injection of sunshine.
I admired how much it kept to its theme and heart in the pro-worker throughline. The ways that (especially service) workers are often mistreated, and especially how that interplays with the power/wealth disparity between the two leads as boss and employee felt like it was given the kind of treatment I'm not used to seeing just yet. I ended up liking how I felt the respect the female lead got in her romantic relationship was not only extended to her in her professional life, but to the professional lives of many in her line of service work.
To some, it might be slow, boring – I've even seen "lazy" tossed around, but to me, I don't think it was lazy at all. There were bits of symbolism, love shown in small, almost unnoticeable acts (like him closing the gate up to her apartment behind her, or them saving their names as stars and angels) that all add to the larger picture – there are themes and undercurrents of pro-worker sentiment and of the role of women, the links between their personal and professional lives (exploitation at work, and exploitation in the home – divorce, too, as a cultural taboo that threatens a woman's professional life) rippling throughout. There was meaning in their names – the male lead's full name, Gu Won, meaning "salvation" – a part of her name, Sa-Rang, meaning "love" (I'm not sure how the context/meaning is changed with her family name Cheon) – with salvation and love being the foundation of their mature, adult relationship. I found a great deal of small personal meaning in this drama.
Overall, in terms of the acting (Lee Jun-Ho's acting especially; I look forward to digging into his acting from before too – but Im Yoon-A I felt like did a very believable job of a woman working in service and of selling the chemistry too – the side cast of characters, and especially the woman who played the villainess Hwa-Ran, Kim Sun Young, who gave dimension to a character I feel like could have fallen quite flat, the direction, the writing, the music (my personal favourite from the OST being 'Confess To You' by Lim Kim) – I feel like they did a very very good job in delivering exactly what they promised: a fluffy rom-com.
While in terms of other, more complex and nuanced dramas that have captured my heart, it might not compare with my other 10/10s, which is why I will not rate it as such, but within its own genre, I think it deserves to be seen as extremely well crafted, and I do not believe it deserves a low rating for being what it is. For the other people this kind of lighthearted story will appeal to, I hope they feel just as well served as I do.
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Overhyped undercooked K-drama meal at its peak!
Before starting Queen of Tears:"OMG I'M SO EXCITED" ٩(ᵔ0ᵔ)۶
Ep 1-8: OOOHHH, I'm enjoying!!! (ʃƪ˘з˘)
Ep 9-12: hmmm, ok...umm ( ˙-˙ )
Ep 13-16: EH? WHAT? WTH? (╯°Д°)╯︵ ┸┸
☑️Likes:
✓Leads bickering and them being mean to eachother occasionally
✓THE AUNT!
❎Dislikes:
Everything else other than likes. Starting with -
X FL's mean character and they dragged her sickness too long
X ML being a pushover
X The pacing of the story, it got damn boring at the end of the story, that I had to use +30sec and 2x speed button back to back.
X Slow sloth moments with all ballad OSTs had me yawn in every single episode.
X DAMN PEOPLE CAN CRY, I wouldn't know if I didn't watch this. They cried in almost every episode. Drunk crying, happy crying, cute crying, sad⁹⁹ crying, angry crying and so on.
(I shouldn't have picked this one to watch considering the title being filled with tears -_-)
X And WhyTF did that old selfish geezer escaped from this misery?! He's the root cause of this mishap, now when he saw he is in deep mud, run away without explaining, leaving his offsprings in pain. Strange!!!
If this drama was one of my first dramas, I would have loved it and rated it close to 10. But after watching hundreds of dramas I have outgrown this genre and developed a taste of my own where bleak plots like this completely failed to entertain me. They had big budget, star artists, pretty faces, crystal clear cinematography but lacked to grip attention of the audience with less intriguing plot.
This is an one time watch only. You watch, you finish, you forget and move on in life. But why did I watch? Because my completionist brain said "you've come so far to drop it now, deal with it". >.<
My Rating: 5/10 ʕ–_–ʔ
If I have to explain the drama in one word that would be, "BORING".
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This review may contain spoilers
A romcom that knows it's doing too much and still pulls it off well!
The drama is chaotic and it is one of those "why am I grinning like an idiot?" experiences, and honestly, I am pretty much okay about it. It is self-aware of what it wants to be, slightly unhinged yet somehow it is grounded enough to make you emotionally invest in it.Khun Thee is the biggest gamble here and it paid off left and right. He is arrogant, clueless, and wildly out of touch, but in the harmless, oblivious way rather than malice. But beneath all the over-the-top antics, he is someone who is learning very basic things but important things like sorry and thank you (it is very hard to believe... I KNOW, but once you watch the drama, you will understand). Watching someone emotionally stunted like him learn things was scratch was very effective, even if it was buried under comedy.
In contrast, Peachayarat (Peach) is the exact opposite of him. If I talk math (I don't know why but go with it), in the Venn diagram of the Me and Thee universe, Thee and Peach have no intersection. He is grounded, logical like a "normal" person and emotionally intelligent in a way that doesn't feel preachy. From a distance, he may look like he has everything in control and is living the best life. But once we get to know him, the cracks of loneliness begin to show and from the point of no intersection we have two separate circles slowly drifting closer, breaking a few mathematical rules along the way, until the impossible happens and an intersection appears, a shared space that wasn’t in the original diagram but somehow becomes the only part that matters.
What makes their dynamic click is how perfectly they offset each other. Thee is excess in human form, while Peach is restraint done right. Thee blasts into Peach’s world all chaos, sunshine and sparkle and Peach, very patiently and almost effortlessly, shows him how to take up space without causing damage. Watching them navigate their relationship was both absurd and heartfelt at once, and that strange combination is exactly what makes it work.
Now, most of it worked for me, but what didn’t quite land was that I felt Peach, as an individual character, was neglected. As a lover, we see different layers of him and how much of a delight it is to watch him put Thee in place but I wish we explored his side of the story a little more in detail too. I wanted a bit of his inner world explored. I feel like we saw him more through the lens of Thee on how he reacts to Thee, how he softens or challenges Thee.
Also, the whole mafia background isn't to be taken too seriously. It was a plot device to provide Thee his unique personality but beyond that, it doesn’t carry much weight in the story.
Another thing that bothered me was the supporting characters. I feel like both the other pairs, Tawan - Aran ( Perth- Santa) and Mok - Rome ( Est- William) were underused. While Mok, as an individual character, did stand out with his relationship to Thee. There was such a surprisingly emotional layer in their dynamics. But apart from him, I feel the story would have been exactly the same without the others.
Aran - Tawan's story had so much potential but I didn't find it cohesive to the original storyline. The way kept disappearing and appearing again to serve us crumbs of angst could have been dealt better. Mok- Rome definitely had more screen time and a fleshed-out story compared to other couple, but it felt very superficial. They teased us and it could have been more.
I love William Est & Perth Santa, and I was happy to see them on screen together, so maybe it's just me being greedy to see more of them!
Coming to the comedy, I did enjoy the exaggerated, over-the-top humour with dramatic meltdowns that was both sort of insane but always in-character. It was silly and very self-aware. I straight-up laughed (with sound and everything not just the LOL expression one) at how absurd everything got and honestly had a blast the whole time.
Acting-wise, Pond Naravit has the time of his life as Khun Thee, and it clearly shows in his performance. I have seen him in previous dramas and without a doubt, this is his best performance. Phuwin has improved too, since the last time I saw him. This is my highest-rated series of both of them and the roles suited them. Est in glasses was not on my bingo card but I will take and accept anything without complaints. William, Perth, and Santa were okay too, acting-wise, though they didn't get much screen time.
Visually, the drama was stunning. I couldn't find any faults. Though I wasn't a fan of the music choices here.
Overall, this is fun, warm and kind of drama that doesn't take itself too seriously but is surprisingly thoughtful. Will I recommend it? Hell yeah!
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This review may contain spoilers
Underwhelming, Cliche-Riddled "Fairy Tale" That We've Seen So Many Times Before!
I’m not sure why I continue to fall into the trap of watching these romantic dramas that overuse cliches that have been done hundreds of times before. It’s the biggest reason why I stopped watching American romantic comedies because they’re mostly all the same. However, perhaps it’s because I’ve seen enough refreshing takes on the genre in K-Dramas that I remain hopeful, that there are still a few gems out there. This series isn’t one of them.Once again, we have the super-wealthy man who swoops in for the plain working girl. We’ve seen this duo so many times, that it’s literally become tiresome. It’s also insulting that women today—in any part of the world—are made to feel that the “jackpot” is still the rich man. Look around, and you’ll probably find that many such relationships don’t last or end well.
There is little innovation or creativity in this series. It’s about as predictable as you could imagine. It follows this predictable formula: wealthy son has a problem, so he’s a bit of a recluse. Wealthy son has a parent who is unhappy with him and, of course, he disapproves of the girl he likes and is told to get rid of her. Always a power struggle between the guy and a sibling or rival. Regular girl doesn’t have much self-esteem and struggles to make ends meet. Regular girl begins to question her value as soon as any objection is made against her, especially by his parents. Wealthy guy miraculously recovers from his problem, usually with the help of the girl, and we see him begin to soften and see life in a different way. Wealthy man treats the girl to many exotic events that nobody could possibly experience (bought out restaurants, amusement parks, lavish hotel rooms, etc.) as if this is the only way to enjoy each other’s company. Everything is miraculously wrapped up in the last episode so that everything ends on a happy note.
What we end up having is a very predictable series where we already know what’s going to happen from the very start. This formula is used in nearly every Hallmark movie ever made. In fact, I wondered if the writer stole their template to use for this series. It wouldn’t surprise me.
The series could have been brave and chosen to go off in a totally different direction. Perhaps the guy gives up his wealth to pursue his own dreams and happiness. Or how about this? Why can’t the woman be the wealthy one and the guy be the regular shmo? Because culturally, we still live in a world where women continue to believe that ultimate happiness lies with a wealthy man, which is beyond sad. It’s pathetic because it’s so completely untrue.
Gu Won (Lee Jun Ho) is the reclusive son of a wealthy company and hotel owner. His mother suddenly disappears from his life at a young age, and he doesn’t trust people who smile. He views such actions as fake as well as insulting as if the person is hiding their true feelings. He’s not entirely wrong. There is nothing so superficial as a fake smile. He comes back to Korea after years in the UK to learn the business, even though at first, he has no interest in taking over.
Cheon Sa Rang (Im Yoon Ah) is a young woman who’s always dreamed of working at the King Hotel. It’s a place of warm memories from when she was a child, and because of her customer service skills, she finds herself moving up the ladder to King the Land—an exclusive VIP floor of the hotel, only for the very richest of people who demand special service. She’s very good at her job, and when she’s asked to interview Gu Won for a promotional scheme, of course, there is immediate friction, especially when he demands that she stop smiling.
As you can already guess, these two are whisked away alone (you have to hand it to the writers who scheme to come up with some plausible way to force these two characters to be alone in order to break the ice!), and they begin to learn about each other. The sad part is that by the end of the third episode, Gu Won miraculously recovers from his problem of seeing people smile. This is an area that could have, and should have, been explored much more thoroughly than it was. This was a missed opportunity.
Cheon Sa Rang has two other friends who both work under the same company. Kang Da Eul works at a duty-free shop. And Oh Pyung Hwa is a flight attendant. All three women are very immature, cowardly, and weak. Wallflowers are never attractive or appealing. Sa Rang constantly allows herself to be abused at work. Kang Da Eul is abused by her in-laws and husband. It’s sad that her little girl has more maturity than she does. And Oh Pyung Hwa has her past held against her, and she’s also abused by the pilot and co-workers. None of them ever speak up and stand up for themselves.
To be fair, Korea is arguably the most competitive country in the world. And what we see is a very cutthroat mentality in which workers are expected to fall-in and do whatever they’re told without argument or complaint. This leads to a hierarchy of those above abusing those below. In one of the high points of the series, Gu Won attempts to correct this oversight. His plan is for companies to appreciate their employees and to treat them as valuable commodities rather than throwaways. This is a philosophy that is sorely needed in today’s world, but perhaps especially in Korea. This point was actually my favorite aspect of the series, so it wasn’t a total loss.
Lee Jun Ho is the glue of this series. He has a very natural acting style that makes you appreciate his acting chops in nearly every scene that he’s in, and in many ways, he single-handedly prevents this “ship” from sinking completely.
I’ve always loved Kim Young Ok (Grandma) who dazzled us in “Hometown Cha Cha Cha” as well as “Tomorrow.” She’s a true delight in everything she does. I smiled when I saw her in her first scene.
Im Yoon Ah is the weak link in this series. this woman is like a Jekyll and Hyde actress. She's either upbeat, bubbly, and warm, or she's cold, rude, aloof, and indifferent. She has no other "speeds" which is why her range isn't very good. She has no clue how to build up a scene. She can only hit one button or the other, which really hurts her performance. Too often, she looks uncomfortable in scenes where she shouldn't be. I found it ironic that she’s the last one to smile in the wedding of the last episode. She looked so uncomfortable, and it showed. She has a good grin, but she hardly has “the best smile.” Her performance is very inconsistent and lacking believability in many scenes. I certainly won’t be watching any more series that showcase this actress. She’s decent at best.
Kim Sun Young plays Gu Hwa Ran, Gu Won’s sister, even though she looks more like his mother. While she played the character well, Gu Hwa Ran is way too one-dimensional. This was another character that should have been explored with much more depth.
Finally, we have Ah Se Ha playing No Sang Sik (Gu Won’s assistant). There is a fine line between playing the idiot and playing the funny man. The buffoon is rarely appealing, and the Thailand trip was cringeworthy and easily my least favorite part of the series. It takes someone with real acting chops to toe the line between being annoying and funny. He was easily my least favorite character of the series, making me question why he was there.
I prefer series like “Business Proposal” that showcased strong, mature women who could fend for themselves. Women who didn’t act like wallflowers who wilt under every kind of pressure, which is what we have here. “Hometown Cha Cha Cha,” “Our Beloved Summer,” “Touch Your Heart” and “Love To Hate You” were vastly superior to this series. These writers really need to start thinking outside the box instead of hammering us with the same plots and weak characters that have been done to death.
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why ???
I know that watching c drama requires patience as it’s a long haul. I still struggle with this one. why going all the way to Finland to din only Chinese people to interact with ? why is the FL so cringy? She’s a grown woman and yet shies away from any romantic interaction with her obviously smitten boyfriend who irrealistically bears it all with a smile. Hello Hidden Love! Same age and yet more realistic isn’t it ?And then why so much food ? they spend their time in bars and restaurants eating food all the time. he’s supposed to be broke and yet feeds her endlessly … The FL is cute as a button but she’s too cringy for my taste.
Anyway, like a lot of you have replied it’s not for everyone ! It’s nice to see that we respect each other’s opinions here. Enjoy the show!
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