
Loved....
1) Chemistry! They both atract to each other. I not sure how many kiss in this lakorn... Thaywa really used any opportunity to kiss Raveet. And Raveet cant help to play along.
2) Raveet as strong woman. Breek up with Niman is nothing, she can move on easily. Smart and confident. Pring can't never be a winner even she stole Niman.
3) Family, Thaywa and Raveet have loving family. They support each other, respect their child opinion. Not just arrage marriage for their child like most of lakorn involve big company.
Hate...
1) Pring! She never grateful for what she have. Always want what Raveets. Not smart woman, the only thing she have her body. She used only that to get anything. What can I say, her mother thought that.
2) Da, she really unstable woman. she sick, I mean she mentally sick. She most fragile person. She can be manipulate easily. She can't be leave alone, she gonna suicide.
Summarized... Love this!
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"All I See Are Red Flags"
The title of this drama is extremely fitting to the story. Like previous reviews mentioned, this drama is really not for the faint of heart.Broken the Heart was a dark, angst filled wild ride of a story with an utterly unlikable and sadistic male lead whose type of love language falls under the "I love you, so I hurt and belittled you, crushed your heart and confidence, so I could protect you” category, and a damsel in distress female lead who disappointed me to the very end. All I saw from this man from beginning to end were red flags. The second male lead was the opposite and was a sweetheart, but not without his own set of issues. Who wants a man who is so hung up on his dead wife that even after he "lost his memories of her" gives you her face?
At the end, the male lead did do one thing right, he let her go. In my eyes, this didn’t redeem him. The female lead leaving, and staying away, would have made the perfect ending for the devastatingly tragic "love story " that this could have been. It would have also made me respect her a little for saying her piece and staying strong. Sadly, they forced “a happy ending” which had no business in this story. Despite this, I thoroughly enjoyed this show from beginning to end as it was just right up my alley. The angst was delicious and completely satisfied me, making my heart feel full and content. There were scenes where the composition of it was beautiful, the acting was satisfying, and the OST songs were nice too.
I am honestly glad I started watching it again because it finally had decent subs since it was a show I came to enjoy very much.
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The clue is in the title
Depending on what you are expecting in a romance drama, you might like it or hate it. I enjoyed the series over all. I was a bit frustrated with the ending and felt like there was an opportunity to be a positive impact and that was foregone in exchange for a more realistic take. Let's break down what I enjoyed and what I didn't. Spoilers for 'The Bad'.The Good:
- The chemistry between the leads is excellent.
- Both the lead characters are great on their own.
- The revelation of the issues they both had as people was quite realistic and eye-opening on how you could be perceived.
- The second couple were great too. Also very realistic because they were complete opposites but they made positive changes in order to be together.
- Realistic issues that are common in real life but not usually depicted in dramas.
The Bad:
- Both the leads had annoying mothers and long-standing issues with them which was resolved ridiculously fast but the main leads couldn't resolve theirs?
- The fact that a misunderstanding led to the problem and it was never discussed. Is that realistic? Yes. But it is frustrating nonetheless.
- The male lead was taking positive steps but they still left it as is.
I wouldn't mind if the show ended with them separating because they were at an impasse but not when there was a misunderstanding that caused the break-up and the male lead was making positive strides in order to overcome his avoidant presonality. It felt like a disservice towards a loving couple.
It's still entertaining. It's a different kind of an ending than the usual. It's watchable if you are willing to have an open mind and accept in not all endings are happy.
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~ Story & Cinematography Two adolescent girls both uncertain of what they want, found each other and fell in love. It tells the experience of pain that comes with it - to give space when troubled, to overcome, and make things settle. Unlike common tropes, their relationship is not bound by the harshness of society.
With wide frames of rural sceneries, there were also not well-lighted scenes depicting the lonely lives of the characters and distant shots of interactions capturing body language (like when Nakano was talking to Kirishima about Endo, I believe that moment Kirishima spinned around the bar was a sign of frustration) which made the cinematography and directing interesting but also plain, in general. Not to mention the long, slow, quiet scenes that could be shorten. In opening alone, it took 4 minutes before the first dialogue was uttered. I was actually fine with those except this one thing I find unnecessary (a full-minute screentime of brother checking and disposing the grapes).
When it comes to favorite, I choose that seashore confession scene. No close-up shots, yet it captivates the raw emotions. I like the way Endo was waiting for Kirishima to say it. Kirishima struggled but the moment she said it, Endo smiled implying that she confirmed it. And when Kirishima broke down, Endo assured her she liked what she said and that she's happy - for me, that moment was just beautiful.
~ Acting & Characters
What I like about Konishi Manami is her strong feminine vibe. She delivered the character well. While both leads are conflicted, I still find Endo more difficult. Her character seems carefree and confident, but deep inside, she’s a mess with secrets and insecurities. Behind her happy disposition lacks qualities that led her to conform to her lover’s interests, even though it doesn’t inspire her. She holds on to those to feel a sense of value. In fact, the scene where she went off with the guy, you can notice the change in her look. She suddenly had this fear on her face, worried how the meeting would end up. That low self-esteem prevents her from reciprocating Kirishima’s affection in the same way. However, she still gave warmth, and even (indirectly) got her something motivating for the future.
In my eyes, Ichikawa Mikako has this androgynous beauty with distinct features suitable for a cool character (although that wasn’t the case here in the beginning). Kirishima had a dull, reserved attitude contrary to Endo. She might just be fascinated with Endo at first, but as she learned things about her, Kirishima’s attraction grew more, and still, she never judged her. Most importantly, when she got hurt, she reflected about it, and when she regained herself, she tried to fix things.
The leads have natural chemistry together and each has their own charm. One was left hopeful, but at least, that person proceeded on what she needs to do even if it means they would be in different paths.
~ Music
Soundtrack was only used to emphasize certain moments. It might be boring or unappealing to some, but personally I don't mind it.
Overall, Blue is a bleakish tale with work of subtlety. Everything was kept in minimal, and I appreciate that filming style. It’s not something I see often so I got myself caught up.
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The stories within this series are so heartfelt, honest, and true to life that at some moments it's scary to see it happen. A few times I had to pinch myself to remind me that this was "just a tv show". I'm unfamiliar with the main actor (Yoshioka Hidetaka) however, after this series I've become a very ardent fan, very quickly! The way he carries himself as a person, not to mention as a doctor, is something very unique that you don't see very often in any type of drama. Each episode was filled with such strong emotion(s) that I felt as if I was living within the community on the island.
This drama is not one to be missed if you are a medical, suspense, slice-of-life, family, or any genre type, to be honest. This show held a lot of morals and/or lessons too; it is a very sweet, very realistic show!
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Debugging My Heart-A Short but Impactful Romance
Introduction:"Semantic Error" stands out as a rare gem in the BL drama genre, offering a well-executed, character-driven story with sizzling chemistry between its leads. While the premise follows the familiar enemies-to-lovers and school rebel x nerd tropes, it does so with an authenticity that makes the romance feel natural and engaging. The drama successfully avoids common pitfalls seen in short-format romances by ensuring that the relationship progression is believable and emotionally compelling.
Plot & Pacing:
The storyline is simple yet effective, focusing primarily on the dynamic between Chu Sang Woo and Jang Jae Young. From the very first episode, the drama does an excellent job of establishing their personalities and the motivations behind their actions. Their initial conflict feels organic rather than forced, and the plot device that keeps them tied together—the group project—is well-integrated rather than feeling like a generic setup.
One of the greatest strengths of the show is how it allows the relationship to develop naturally. We see clear turning points in their interactions, where annoyance gives way to fascination, then to affection. There is no sense of artificial plot progression; instead, the gradual shift in their relationship feels earned.
Despite being a short drama, "Semantic Error" manages to maintain strong pacing without wasting screen time on unnecessary fillers. While some transitions between scenes could have been smoother, the overall flow remains engaging from start to finish.
Characters & Performances:
Chu Sang Woo (Park Jae Chan):
Sang Woo is an intelligent yet emotionally detached computer science major, ruled by logic and structure. His rigid approach to life could have made him an unlikable character, but instead, his quirks come across as endearing, thanks to Park Jae Chan’s strong portrayal. His robotic nature is humorous at times, though occasionally exaggerated to the point where it feels slightly overdone. Nonetheless, his emotional journey—from detachment to allowing himself to experience love—feels satisfying to watch.
Jang Jae Young (Park Seo Ham):
Jae Young is the confident, social, and effortlessly cool design major who initially clashes with Sang Woo. While he fits the "charming rebel" mold, he also possesses a depth of character that sets him apart from typical love interests in similar dramas. His playful yet self-aware nature makes him easy to root for, and Park Seo Ham's performance is a highlight, bringing warmth and charisma to the role.
Supporting Cast:
The supporting characters add personality to the show without detracting from the central romance. Choi Yu Na is a standout, avoiding the clichéd “jealous female” trope while also hinting at her bisexuality in a subtle but meaningful way. Go Hyeong Taek brings humor and lighthearted moments, making the overall viewing experience more enjoyable. While Ryu Ji Hye’s role may not have been entirely necessary, her presence didn’t take away from the show’s strengths. Like her character.
Chemistry & Romance:
One of the biggest reasons "Semantic Error" succeeds is the electric chemistry between the two leads. The attraction between Jae Young and Sang Woo is both palpable and well-developed. Their tension and gradual emotional shift are handled with care, ensuring that viewers understand why they fall for each other rather than just accepting it as a genre expectation.
A notable strength of the show is that while Jae Young pursues Sang Woo persistently, he also respects his space at times—something rarely seen in dramas where the aggressive suitor trope is romanticized. However, there were moments where Sang Woo’s physical boundaries could have been handled with more sensitivity, and an open discussion between them regarding personal space would have been a welcomed addition.
Cinematography, Editing & Soundtrack:
Visually, the show is a good, using vibrant colors and a cozy autumn setting to create a warm atmosphere.
The beginning editing is playful and ties nicely, but sometimes the scene changes feel sudden. Some scenes could be clearer about how much time has passed, as it's not always easy to tell.
The soundtrack is another highlight, featuring songs that perfectly match the tone of the drama.
Final Thoughts:
Semantic Error is a solid and well-executed BL drama that delivers exactly what it promises—a fun enemies-to-lovers romance with strong performances and great chemistry. The production quality, character dynamics, and engaging moments make it an enjoyable watch. While it didn’t become a personal favorite, I still appreciate how well it was done. It’s not groundbreaking, but it’s a good, entertaining drama that fans of the genre will likely enjoy.
A must-watch for fans of the genre.
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It exists . . . awkwardly
If I want to be generous, I can call this show a fluffy rom-com. However, that will be doing a disservice to the readers of this review. The premise of this show is a rom-com but what is delivered is subpar at every level.The main story line is awkward. Bits of cliche plots are cobbled together. It feels tired and predictable. You could call it a labour of love because a bunch of people certainly worked hard to deliver it even with all its problems. Unfortunately, the core concept is not particularly funny nor romantic. I get that they want to get some laughs out of the struggling dating show but you are more likely to gag than giggle. The pacing is also inconsistent. Some plots feel rushed while others just meander along.
This is not helped by the OTP having little chemistry. Their whole love line felts contrived. It was a bad case of puppy love when they were young teens but their feelings for each other is unchanged for 20 years. Ok, it is a bit of a stretch but this trope has worked in other shows so it can work here too, right?
Yes, it can work and they say that they have resolved their issues and they are all lovey-dovey. Yet the same issue caused them to breakup again before the love bite had time to fade. Have they learnt nothing? Are they 34 or 14? The fact that the issue can be resolved with some straight talking is totally ignored. Some of the later dialogue doesn't make much sense. It is the classic "Do as I say, not as I do". I know the happy ending is mandated but it is one audacious piece of writing.
In terms of acting, the FL is prone to overact because her character is quite exaggerated. I have to give her credit for acting like a fool at times just for laughs. The ML pulls his weight but he can't carry the whole show and his character is a bit nebulous. Support cast is patchy. Lots of one dimensional characters. It feels like they are trying to be a caricature of themselves.
To be honest, I am a bit numb after watching this show. It is not so bad that you want to throw things at the monitor nor is it good enough to be truly enjoyable. You keep watching while clinging onto the hope that it will get better. In your heart, you know the actors deserve better, the crew deserve better, WE deserve better!
It exists . . . awkwardly. Enough said. Peace out.
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Heart Warming Drama with the Theme of Nature
The story that presented in this drama is quite light, because it's about Mone's past, which in 2011 his family experienced the tsunami disaster in Japan at that time. Then theme of nature is followed by the development of a Nagaura Momone (MC) who is looking to be herself and finally decides to become a weather forecaster. The audience can enjoy the storyline in this drama and enjoy this drama while drinking tea and eating biscuits, because this drama doesn't have to think hard and because the genre is slice of life, when scenes take place in Tome, Kesennuma, and Tokyo are shown, the audience can feel transported directly to these locations and enjoy their natural beauty of japan nature.The setting of the place taken from this drama is also good because it connects the nature of the mountains (City of Tome) and the sea (Island of Kesennuma), and the selection of Kesennuma city as the setting is very good considering that Kesennuma city is a small island on the northeast side of the island of Japan which only had a connecting bridge with the mainland in 2017 (though Kesennuma Island and mainland are very close, crossing by ferry)
The cast in this drama is also very good with Kaya Kiyohara (Nagaura Momone), Makita Aju (Nagaura Michi), Imada Mio (Jino Mariana Riko), etc. Because I think the cast in this drama can play characters that match their own personalities. In this drama also the character development is presented very well, how Mone and his friends started as a junior high school student then entered the maturity phase and in the end became an adult who has experience and mature thoughts, all packaged very well. Viewers can feel the character development in this drama like they are actually following them from 2011 to the present. The 120 episodes in this drama are packaged very well with the right pace (not too fast, but in some episodes sometimes it feels a bit slow). In this drama the depiction of a Mone who is a country girl who then comes to a big city is described quite well.
I think the music used in this drama fits the slice of life drama genre in "Okaeri Mone", relaxing and fun songs and also the music accompany Nagaura Momone's character development as well. Bump of Chicken "Nanairo" is the right song to be the OST of this drama, with mixing of quite unique opening because there is an implied message that combines mountains and sea in the opening of this drama.
Verdict, Okaeri Mone is a slice of life and family drama that is very suitable to watch on Saturdays and Sundays or when coming home from work, because the plot presented in this drama is very interesting as well as light and easy to watch while relaxing and with the theme of nature, which is rather rarely used in slice of life dramas). A heartwarming drama with very interesting characters to follow the development from beginning to end.
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Res ipsa loquitur
Joseon Attorney 'appealed' to me because it stars Woo Do Hwan and it’s an historical, two of my favorite things. However, at 16 one-hour episodes it could not ‘sustain’ any level of intensity. Uneven performances and storytelling almost made me hold it in ‘contempt’. Woo Do Hwan’s performance ended up being the ‘grounds’ for me to finish it. Oh yeah, going to be law puns in this review!Han Su and his buddy Dong Chi come to town looking to make money while plotting revenge on the people responsible for killing Han Su’s parents. Along the way he meets an undercover princess and turns enemies into friends.
I almost dropped this drama after the first episode as I 'judged' it to be cringey in the most 'arbitrary' way. Instead, I bit the bullet and was able to finish the 'rest' of the episodes. As the ‘cases’ became more interesting and the revenge plot deepened, I began to enjoy it more. The romance felt unearned and didn’t ‘exhibit’ much chemistry between Han Su and So Won. My chief ‘complaint’ was that So Won’s character wasn’t written very well. She was earnest but despite saying she trusted Han Su, her ‘actions’ constantly countermanded him. Bona had one expression which made her character even more uninteresting. Yoo Ji Sun had a similar emotional 'delivery' 'issue'. The king was largely ‘incompetent’ needing others to help make 'decisions' and couldn’t ‘bail’ anyone out.
The story 'diminished' in the last few episodes. The king 'rendered a decision' based on 'facts not in evidence' that drastically ‘damaged’ Han Su. In almost no time, Han Su ‘waived’ the ‘offense’ and was back to being buddies with the king. The ‘execution’ of alternating between comedy and drama was not well done. Woo Do Hwan ‘demonstrated’ a wide variety of emotions with his usual skill. The ‘issue’ of going from laughter to tears and back again, and not ‘settling’ on a thematic mood made it difficult for me to care about the characters as I find comedic responses to serious problems distancing. The OST lacked in coherency and was ‘liable’ to cause ‘motion’ sickness as it bounced from music inspired by 1970’s television, to rock, to overtly melodramatic tunes. Trying to fit in as many bromances as possible also ‘challenged’ the veracity of the story.
Joseon Attorney didn’t raise the ‘bar’ for historicals, but I don’t hold it ‘in contempt’ either. I’d make the ‘argument’ it could have been more ‘brief’ instead of dragging out the episodes and I ‘penalized’ it for some of the weaker performances. The drama didn’t do Woo Do Hwan’s talents any ‘justice’ either. After ‘examining the evidence’, my ‘verdict’ is that while it was ‘unobjectionable’, it was not ‘effectual’.
7 July 2024
*res ipsa loquitur-the things speaks for itself
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Worth Your While
Well, I actually didn't expect it to be that good. I was delighted to see Zhou Ye not being the quirky kind of girl she so often portrays. I really liked her as the FL and she easily pulled that of, too. Makes me looking forward to what she will work on in the future. Of course Scent of Time is not flawless, but overall I highly recommend it.The strong point is the story telling, which is a weak point in far too many dramas. A really unusual, interesting premise and start (or at least one I haven't encountered before). Executed quite brilliantly. All leads are marvellous and a legion of well cast support characters makes it interesting and captivating. Especially as the characters are allowed to evolve which leads to some of the support characters exhibiting some unexpected, rather surprising, but believable behaviours which creates these little moments that make you really fall for a drama. Refreshingly (nearly) no unneccessary drama just for the sake of it. And I have to admit, I didn't see that twist coming. Not.At.All!
And never ever has the sight of a bowl of noodles make me cry that hard.
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The writers didn't know what they wanted out of the story.
As the headline says, the writers either didn't know what they wanted, or decided it was okay to create a story that is very distasteful to the complexities of life and people.They chose to portray a world that was black and white, where having incredible strength gives a person the right to judge, jury and executioner.
They decided it was okay to allow people never wronged by life to judge the fate a person who was only ever wronged.
To decide who does and does not get a second chance.
The only thing they gave depth to was Shi-oh as a character, and even that they messed up, by tossing him aside as common garbage, simply for the methods he ( had no choice but to use ) so as to avoid dying.
He was a bad person, but he was a person that wanted to live, and the dramas only message was that he should have just died to begin with, rather then become a bad person to survive.
If this character was in a different drama, i wouldn't mind, but in this drama its insulting.
The drama is a joke, in a very misguided and tasteless way, with shallow characters and an even more shallow representation of people and the struggles they go through.
In the end, the (good) characters were worse then the villain, because what good is a good heart when its conditional upon a persons actions.
They justified their own actions because it was for the good.
Many people thought that, and they were seldom right.
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On a dangerous path as a choice
A young woman, sold from the “Flower House” to the prime minister to become his concubine, turns out to be a strong and independent personality with her own goals. She also has a mysterious connection to the prime ministers son-in-law, which makes her endeavour even more risky, while at the same time yields an advantage, as it enables her to involve him into her scheme. Being well prepared she turns dangerous situations into opportunities, so she is not afraid, to provoke such situations, despite being already almost killed by the prime minister, before even entering the mansion. There the story unfolds, as she works on settling old scores and retrieving something important, that had been stolen from her.Maybe give it a try, if you are looking for something with more tension and passion between the main characters, than the average cdrama and if you can bear enemies/lovers stabbing and hurting each other in plenty of ways repeatedly… Also, if you are tired of the innocent, always nice and kind female lead characters, but also don't want her to be unemotional or a stereotypical physically strong woman/warrior type.
I would not recommend this to people, who only want to see sweet/innocent romance. This surely isn't a wholesome love story, since the main characters are set up to be “enemies and lovers” at the same time. Problematic behaviour occurs, but in my opinion, its framed as problematic, not as something to aim for.
I appreciated about the drama:
-that the female lead has agency. She is resourceful, confident and willing to take matters into her own hands. Additionally she has political aspirations besides her personal motivations, giving her purpose beyond romance.
-that the second female lead plays a role beyond being an antagonist to the main leads, not simply being a character to be exclusively hated by the audience, like in many similar dramas.
-that the acting is decent and the plot moves along quickly (there are more flashback scenes in the beginning, but its not excessive throughout the drama)
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My Precious Series
Ocean Likes me was a pleasant surprise that I needed. Initially, seeing the trailer, I wasn't all that enthused about this, but eventually, this came next on my list of things to watch, so I tuned in. Good thing I tuned in without looking at reviews as the majority thinks this was mediocre at best (which I won't argue much on, since I can agree to some extent), and negative comments lead me to a negative mindset, and I'm glad I didn't have one when going into this series. Ocean Likes Me is a precious gem that I appreciate having the opportunity to watch.Let's Dive In.
Ocean Likes Me is another BL based around being a chef/owning a restaurant in which Ba Da does, renting out a little shop on the beach to sell his udon, but his problem is that he's so shy that it's hard for him to get customers until he meets Tommy, an inspiring musician who helps him gain leverage for his restaurant. And the rest is history. The first episode was a little rocky, and I didn't love how they introduce us to Tommy.
If there are a few things I can nit-pick at in this show, then it's definitely how they introduce Tommy to Ba Da and the other girl. It made no sense, and in the end, served no purpose. He gets hit by the car Ba Da is driving and they panic and act like he's dead. It's too much for me to take seriously, and it's super silly for a series that mostly serious.
Although their relationship was heavily rushed, I literally could care less because they are the cutest humans I've ever watched. The number of times I went, "awe" to my screen was too many times. And I loved how realistic their relationship looked and felt. the little kisses they shared were so natural, and the cuddles and Tommy's little pouts and cutesy voice. God, I loved them. Again, their relationship feels rushed with the build-up of these two going by too fast to where we don't really feel their romance until their relationship begins. They hadn't had enough time with one another for Ba Da to go on a hunt for him, and confess his love to Tommy, although both actors do an amazing job, it is a bit anti-climatic. The ending is a bit rushed too, but I do like that Ba Da is supportive of Tommy leaving him to go pursue his dreams instead of holding him back, and it comes to suck that in the last 5 minutes, we get a time jump with no explanation of what went on for the both of them since then. They do get back together, which is nice, but again, we need to physically see their time on screen so we can find the space and heart to care. Other than those few obstacles, Holland and Gichan have incredible chemistry. I wouldn't mind seeing them again at all.
I really appreciate that we see Ba Da is openly gay/pan and has already been in an mlm relationship before. We don't spend too much time on the "revelation" that most K-BLs have, and instead, we really just fall for the story. Holland is also an openly gay Korean idol/actor which is incredible, and I love that he was able to portray such a healthy gay character in a healthy gay relationship.
I was surprised that I didn't want to chop my own head off at the realization that this was another food BL because of my literal hatred of Gichan's opposite partner in WYEL's food BL, My Sweet Dear (Euisoo). It was a trainwreck, so bad that I couldn't even manage to get through it, but this didn't throw me off one bit. I was happy that the cooking competition didn't take up too much time that we already didn't have. It happened quickly. and I don't feel the need to skip or FF.
On top of that, the cinematography is gorgeous. They get some beautiful shots of the sea and do a wonderful job at silhouetting the two main leads with the sun behind them and it's breathtaking.
Ratings;
Story: 8 - I think it could've been stronger, They didn't have much time to tell a full story with only 15 minutes for the 8 episodes, but they did what they could, and I appreciate that. The rushed relationship was handled a little sloppy at the end, the build-up could've been stronger. However, these two work on screen and create beautiful chemistry and told a simplistic story as best as they could.
Acting: 9.5 - I really think everyone pulled through in this. It was my first time seeing Holland act, and he did a wonderful job. I like how completely opposite Gichan felt in this compared to his character in WYEL who was a lot more bubbly and childish. Here, his mature and it shows. The others did well too. Nothing to complain about in this department.
Music: 7.5 - Holland has an incredible voice. He's a part of the very few people that I don't skip over when they're singing. So I'll give them that.
Rewatch value: 5 - A good chance I could rewatch, Just because I loved the way that the actors portray these character's relationship.
I recommend this with all of me, I finished in pretty much one sitting because I couldn't manage to not watch. Some hiccups, but this is still very much so worth the watch.
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