Reviews

"Might be better on a second watch?"

I love how the movie feels light and easy to watch, but for me… it just kind of exists. If you're a fan of both leads, you'll definitely feel giddy and thrilled watching them together—but if you're looking for emotional depth or layered storytelling, this might not hit the mark.

Personally, I expected more—especially from the title. The plot had great potential, but I was really hoping they’d dive deeper into Jolo and Sari’s individual stories. It felt a bit rushed, like there was more to tell but not enough time to tell it.

I guess part of my disappointment comes from the fact that both of these amazing actors have delivered incredible performances before—like in Linlang and What’s Wrong With Secretary Kim. So my expectations were kind of high. Maybe it’s also because it’s a movie, and there's only so much they can fit in without dragging the story.

Still, I really hope they work together again in the future—but next time, in something more meaningful and emotionally rich. Something like Paulo Avelino’s I’m Drunk, I Love You—now that’s my kind of film.

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I would do anything just to watch this series for the first time again!

There are a lot of things that I like about this series.

First of all the amazing story, I really love the childhood best friend trope. They really capture the essence and the story of reuniting with your childhood friend.

Furthermore, the utterly gorgeous cinematography like guys, I CANNOT begin to explain how freaking every shot or camera angles makes me feel. You can perceive the intensity when they capture the hands of Ho Tae gripping Dong Hui's clothes like AAAAAAA.

And lastly guys, the BEAUTIFUL ACTORS! omg! like whyyyyy is the casting so amazing!!!! and of course the music, the pacing, everything!!!! I think this series first placed in my heart and in my list!

Only thing though that I would like to add is that It could have been longer like AAAA we need more of Dong Hui and Ho Tae. Definitely will rewatch!

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happy to finally see it officially

Overall: I'm ecstatic that this finally has an official international release on GagaOOLala https://www.gagaoolala.com/en/videos/5208/no-touching-at-all-2014 I gave it a bit of a rating bump because it originally aired in 2014 so I'm trying to judge by those standards instead of today's standards

Content Warnings: manhandling, past bullying, homophobia

What I Liked
- their different personalities
- that Shima had a reason for acting like he did
- the cliche plot was not for a long time
- being smart during that phone call towards the end
- how people grow together

Room For Improvement
- whiff of the gay for you trope
- Shima felt a bit too unrealistic with his level of prickliness
- the ending is fine but I enjoy a more clear ending

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River of time

River was a quirky time loop film centered at an inn on the scenic Kibune River. The guests and workers are forced to face their own emotional loops and discover how to resolve an actual time loop that occurs every two minutes.

Waitress Mikoto and clerk Kohachi realize they are having a conversation for the second time. Within two minutes Mikoto is transported back to the river’s edge. The situation is repeated for all of the guests and workers wherever they might be. Together they seek to find the cause and breadth of the time loop. As the affected people begin to despair, tempers fray and secrets come to light.

I enjoyed this revved up Groundhog’s Day where everyone was in on the situation. I did pity the actors as many of the repetitious scenes involved the characters running upstairs, not an easy task for the women in kimonos. There was a continuity issue of the changing weather. One moment it was green and sunny, the next there were several inches/cm of snow and ice on all of the surfaces and then back to greenery. The camera work and acting weren’t very advanced, but not overly distracting. Thankfully, the story moved forward even if time did not. Many of the characters were stuck in their lives and afraid to make decisions or share feelings. The repeated two minutes gave them time to think about their obstacles and relationships, helping them to resolve their problems. And for one chef, the chance to act out his revenge fantasy. That might come back to bite him when the clocks started up again.

10 April 2025

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A mix between action and legal drama

"The Prosecutor" is a captivating Chinese film that seamlessly blends intense courtroom drama with intricate storytelling, offering a cinematic experience that is both thrilling and thought-provoking. Set against the backdrop of China's complex legal system, the film intricately weaves a narrative that examines justice, morality, and personal redemption, providing an insightful look into the societal and personal dilemmas faced by those within the legal profession.

The film's strength lies largely in its cast, led by a charismatic and talented actor whose portrayal of a determined prosecutor is nothing short of outstanding. His performance is both compelling and nuanced, capturing the internal conflicts of a man torn between his duty and personal convictions. The supporting cast also brings depth and authenticity to the story, each character adding layers to the film's intricate plot.

Visually, "The Prosecutor" is a masterpiece. The cinematography is striking, capturing the tension and drama of the courtroom scenes, while also providing a visually engaging portrayal of the bustling city life and quieter, more intimate moments. The director's adept handling of the script ensures that the pacing is perfect, maintaining suspense and keeping the audience engaged as the story unfolds with unexpected twists and turns.

In conclusion, "The Prosecutor" is more than just a legal thriller; it is a profound exploration of the human condition and the complexities of justice. With its gripping storyline, stellar performances, and stunning visuals, this film is a must-watch for anyone who appreciates a well-crafted narrative that challenges and entertains.

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I love disaster movies... this one just falls short.

"Cesium Fallout" is an intriguing watch that combines elements of suspense and drama with a plot centred around a thrilling narrative. The film delves into themes of survival and the human spirit in the face of a major crisis, creating a sense of tension that holds the viewer's attention throughout. While the storyline is engaging, some parts might feel a bit predictable, which could impact the overall surprise element of the film.

Visually, the film's cinematography is quite impressive, effectively capturing the essence of the story and adding depth to the viewing experience. The use of lighting and landscape plays a significant role in setting the tone, making for some truly memorable scenes.

In terms of performances, the cast delivers generally solid performances, with a few standouts that truly shine. However, there are moments where the dialogue could feel slightly stilted, possibly affecting the emotional impact of certain scenes. It’s evident that the actors are committed to their roles, bringing a level of authenticity to the characters they portray.

Overall, "Cesium Fallout" is a film worth watching, particularly if you're a fan of the suspense and drama genre. While it might not break new ground or offer a completely original take, it does provide an engaging experience that invites viewers to reflect on its themes. If you're looking for a movie that combines a gripping storyline with strong visual elements, this film could be a suitable choice.

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Why was this made?

"Hitman 2," the Korean film, sadly didn't quite hit the mark for me. From the start, the plot felt unnecessarily convoluted, struggling to weave together its diverse elements into a coherent narrative. It seemed to lack the finesse needed to hold the viewer's attention, with twists and turns that felt forced rather than integral to the storyline. This complexity made it difficult to remain engaged, causing scenes that should have been climactic to fall disappointingly flat.

Character development was another area where the film missed the opportunity to shine. The main characters, while full of potential, were not explored in depth, leaving me craving more insight into their motivations and backgrounds. This lack of depth made it challenging to emotionally invest in their journeys or care about their fates, reducing the film to a series of events rather than a compelling story.

Action sequences, although plentiful, seemed to be a crutch rather than an enhancement. While some might find entertainment in the relentless pace and explosive scenes, I found them to lack the substance and intricacy that could elevate the film from a typical action flick to a memorable cinematic experience. The over-the-top nature of these scenes often detracted from the overall narrative, making them feel like interruptions rather than integral components of the plot.

Ultimately, "Hitman 2" seemed to focus on style over substance, prioritising high-intensity action at the expense of meaningful storytelling. For those looking for a deep or engaging narrative, this film might not meet expectations. In conclusion, despite its ambitious premise, "Hitman 2" didn't quite resonate with me, leaving it as a rather forgettable chapter in the action genre.

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The film made me rewatch the anime

"Cells at Work!" is a refreshing and imaginative anime film that takes viewers on an extraordinary journey inside the human body. Adapted from the popular manga series by Akane Shimizu, this film brings to life the bustling activities and epic battles of anthropomorphised cells dedicated to keeping the body healthy and functioning. At the heart of the story are the main characters: a diligent yet somewhat scatterbrained Red Blood Cell, responsible for transporting oxygen, and a brave White Blood Cell, charged with defending the body against pathogens.

The film skillfully blends educational content with entertainment, providing viewers with a unique insight into complex biological processes. Each cell is portrayed with quirky personalities, making the scientific concepts more relatable and engaging. The narrative is peppered with action-packed sequences as White Blood Cell battles various invaders, delivering a thrilling experience akin to an epic hero's journey.

Visually, the animation is stunning, with a vibrant colour palette that vividly represents the bustling world inside the human body. The character designs are both whimsical and scientifically accurate, maintaining a balance that appeals to both anime fans and science enthusiasts. The attention to detail in depicting bodily functions and cellular interactions demonstrates the creators' commitment to delivering an experience that is both educational and aesthetically pleasing.

The film also weaves in elements of humour and camaraderie, with its characters forming unlikely alliances and friendships. This adds an emotional depth to the storyline, making it more than just an educational film. The movie’s ability to explain complex scientific concepts through engaging storytelling is commendable, making it suitable for audiences of all ages.

"Cells at Work!" is not only a visual treat but also an educational tool that encourages viewers to appreciate the intricate workings of the human body. By turning the inner workings of our anatomy into an epic adventure, the film leaves its audience both entertained and informed, fostering a deeper appreciation for the marvel that is the human body. It successfully transforms a textbook subject into a thrilling narrative, making it a standout in the world of educational entertainment.

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Almost iconic

"The Sin" is a captivating South Korean movie that artfully combines elements of drama and suspense, enriched by profound philosophical questions that delve into the essence of human morality. Directed with precision and creativity, the film stands out for its ability to weave a complex narrative that challenges viewers to reflect deeply on the nature of sin, guilt, and redemption.

The plot centres around a protagonist whose life is turned upside down by a series of unforeseen events, leading to a moral quandary that forces him to confront his own values and beliefs. The storyline is meticulously crafted, with each twist and turn building anticipation and encouraging introspection. As the narrative unfolds, themes of personal responsibility and ethical dilemmas are explored, offering a thought-provoking commentary on the choices we make and their consequences.

Performances by the cast are nothing short of exceptional, with each actor bringing a raw emotional intensity to their roles that adds a profound depth to the film. The lead actor, in particular, delivers a haunting portrayal that captures the inner turmoil of his character, drawing the audience into his journey of self-discovery and repentance.

The visual presentation of "The Sin" is equally noteworthy, with cinematography that beautifully captures the stark yet hauntingly beautiful landscapes of South Korea. The use of lighting and shadow not only enhances the mood but also symbolically reflects the inner conflict of the characters. Each scene is thoughtfully framed to enhance the storytelling, creating a rich tapestry of visual artistry.

Moreover, the film’s soundtrack complements its atmospheric tone, using a subtle yet evocative score to heighten the emotional impact of key moments. This, combined with the film’s pacing, ensures that viewers remain engaged throughout, making "The Sin" an immersive and unforgettable cinematic experience.

In essence, "The Sin" is more than just a film; it's a gripping exploration of the human condition, making it a must-watch for anyone who appreciates cinema that challenges and inspires. Its intelligent narrative, combined with powerful performances and stunning visuals, cement its place as a standout entry in the genre of philosophical drama.

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Subtle "Magical Realism" Masterpiece

Important to note:
There are two key factors I see missing from commentaries and I would like to call attention to them.
First, it is crucial to consider the mindset of Tian Yu to truly follow the narration and flow of the story. He is a writer, sensitive, artistic, and yearns.
Second, an important element of the film is the intertwining of some old Taiwanese folk beliefs and modern perspective that places it into a subtle magical realism category.
When viewed in this context, the film shines brilliantly.

This is a quality film that feels authentic and sincere. It was well written and across the board well executed. I love the inclusion of past and present elements Taiwanese culture as well as including the good/bad/inbetween, happiness/despair, and even tragedy. It's beauty omits unnecessary powdered sugar and glitter and I wholeheartedly appreciate that. I highly rate and recommend. Kudos to everyone involved.

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That was pretty fun

The Layout of this movie feels very western in a good way. The cinematography is reminiscent of 28 days later and the walking dead. I thought it had a better feel then most zombie movies from Japan. This one felt like it was playing homage in a way. From the sweeping high angle shots to the chaotic cuts, I liked the way the film was edited. There was some great pull out sequences and the sets were well designed. Zombie movies can pull off some amazing shots when it comes to desolate building areas to convey scope of the devastation.

The acting was great for Hideo. He felt like he was really a guy who didn't have any direction. Kasumi was super wasted lol. I wonder if they meant to have her in a sequel. I don't know anything about the manga so I'm not sure how emotional Hiromi becomes later. The other characters were like sped up tropes you usually see on this type of movie. The heel, the egotistical leader, the pleasant old man, the girl who is unconfident. It's all there. I can tell there's definitely a bunch of things missing but that's mainly due to the format. The important thing is being entertained for this one.

The movie doesn't shy away from the blood and gore. I enjoyed the practical makeup and also amazing body choreography. Hideo's girlfriend did some seriously crazy body stuff. The types of zombies were also incredibly varied which was a plus. The final scenes felt like a video game lol.

It was highly enjoyable, I wonder if they plan to continue? If not then I'm sure you can just read the manga probably to fill in the gaps.

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a dishonorable but admirably stoic heroine and great smalltime crooks

2024 film. A temple holding secrets, a grilled fish and soju by the sea, women drinking whiskey and Ji Chang Wook hopping around, crazed and pantless. with tattooed thighs. These are a few of my favourite things. JCW is still charming even as a "mad dog covered in perfume". He made a very very good villain and I hope he does more such roles. He has a range and energy which should not be confined only to romance.

An excellent movie, in the vein of many a british production, situated in the small-time underworld of characters with little compunction or shame who can be very entertaining nevertheless, without entering the world of slapstick
.

Jeon Do Yeon is an ultimate action star, here as Ha Su Young, a dishonorable ex-detective who was cheated out of her promised payoff while in jail. JDY plays her as an uncomplicated and unfussy woman who knows what she wants and what her limits are. Admirable for her restraint and focus, she is a tenacious, hardened and powerful fighter whom the villains underestimate.

The lovely and duplicitous Jung Yoon Seon, played by Im Ji Yeon, an ex-lover of HSY's now deceased detective partnerand a peripheral part of the group of gangsters, becomes HSY's fan. When she hops out of the car to do an impromptu victory dance in the middle of a battle royal deep in the forests of Sokcho, you will want to dance in your seat too. When the shady detective sidekick exasperatedly asks JYS what she likes about Ha Su Young, she widens her eyes, laughs a little and says, "Everything!". Me too.

Wait for the monk who claps his hands when Mommy Dearest appears.

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save your time, I don't recommend.

1) The whole movie is unrealistic, if you swapped the actor for an uglier man, every thing the guy did in the movie would appear stalkerish and weird.
2) It's like the writer doesn't have any siblings, no one acts like that, its very cringy and cheesy.
3) First half of the movie was very slow and aimless, the second half had to compromise for that, and all the plot points were shoved in it, which made the second half of the movie very rushed.
4) Absolutely zero chemistry between the two main leads and their scenes were very awkward, it was painful to watch
5) Soundtrack sounded like the royalty free music you can find for no cost on Youtube.
6) A lot of secondhand embarrassment because the guy was trying too hard to appear cute it just became plain weird and cringy.
7) Very predictable plot, I was able to guess the plot twist from the very beginning, you don't even have to think for two seconds to figure what the plot twist is going to be.
8) I would say there were a lot of plot holes but the problem is there is no plot to begin with.

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A slowly placed uneven drama

The first thing to mention is the plot is a little strange. Is it common to come back to high school to help a old teacher with something in Japan? I know the schooling is very different in Japan and you have you have more obligations but the setup was a little random. I guess from a standpoint of helping out old friends it makes sense but then they added in the random swerve of Yuzuko's story!

I get that it's sort of a parallel to Kudo's story and showing what maybe would have happened to her if Hayama didn't take interest in her. But it's really just a plot device to move the story along. It felt really out of place. The pacing and plot lines shuffle a little bit too much in this story. Thus creating an uneven watching experience. Somethings happen at a snails pace. While others are in fast forwards like the relationship with Ono and Kudo.

Now there are some morality issues in this one. A teacher having a relationship with a high school student, despite things only becoming inappropriate after graduation. It's at first shown that Kudo is the unrequited love but then after the kiss scene all gloves are off.
Some may have issues with this romance situation. Especially during their final scenes together, we have a very emotional sex scene that is stark contrast to the other sex scene. This scene however directly comes after a scene with exposition that would make the sex between Hayama and Kudo controversial.

The movie skirts the line on morality a bunch with how these things play out. We don't need to necessarily feel like these are good decisions but they are there to inform us how these characters are themselves flawed.


And unfortunately the second relationship doesn't fair much better.

The main issue I have with this movie is the lack of chemistry. The two main leads Jun and Kasumi really don't have too much going for them. I didn't really feel like they had any sort of connection. Some actors just don't really get that spark together. They may have acted fine individually but I couldn't feel that rapport. The ending of the movie kinda proves this point that the love they shared was different but it surely will be controversial to a lot of people.

I've watched Kentarou and Kasumi in all their performances together in reverse order and this was by far their most physical but also most lacking in chemistry. But that's mainly due to the type of relationship they have in this. It's very unhealthy. I honestly wasn't expecting that sort of outcome. So I guess that's one positive to this story. That nothing ends positively lol.

The cinematography of the movie is fairly ok. There's a lot of rain shots and sometimes what I consider a few artsy shots. The movie has a fairly nostalgic tone over the film as well due to the flashbacks. There's also the classic blown out white light that's so common in Japanese media lol. The music is mostly nostalgic or sad piano.

Overall I'm not sure this is one worth watching personally.

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