Reviews

There Really Is Just One Key Moment

I think that this entire movie was built from that moment backward. The fight scenes, the corporate drama. even the use of AI-driven combat soldiers. In a sense these scenes make up the exoskeleton of the movie. It fleshes it out while setting up the key scene. It didn't matter to me that there were big logical holes or tons of unanswered questions. The core of the the movie was merely a daughter forgiving herself and her mother. The cleansing of a lifetime's worth of anger resulting in a rebirth by robotic proxy of her mother, unburdened by concerns about her daughter, now set free to live however she desires. I believe that's what the writer wanted to display. That is the mind/heart/soul of the movie. The rest is just a shell, a conveyance of an idea. It doesn't have to make sense. Just like a robot missing a limb or two, it just has to get the job done.

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Masked Avengers was another Chang Cheh film, this time starring only three of the Venoms. Three or six there was still plenty of action and hidden identities, and of course...blood.

The Good Guys led by Qi Shan Yun are searching for a band of masked killers for hire who have been plaguing the area. While staying at an inn, Zeng Jun thinks the cook is paying too close of attention to the goings on. After the cook saves their lives, Zeng goes out of his ways to befriend the prickly, secretive man. The Good Guys’ numbers continue to dwindle at the hands of the trident wielding murderers leading them to believe that someone within is a traitor.

It’s been a while since I’ve watched a Chang Cheh film so I pulled out my handy-dandy CC checklist:

No discernable female presence. Check. Usually, older actresses like Got Ping or Mama Hung were in a background somewhere. In this film a sister had a couple of minutes of air time. Might be a new record for this period

Bare oiled up chests and fishnet “shirts”. Check and check. Shirts were optional in his homoerotic atmosphere.

Sado-masochistic murders. Check. He went out of his way to kill people in torturous new methods.

Buckets O’ Blood. Check. Though he was rather restrained with his artery spewing extravaganzas. The body count was typical for one of his films. Don’t get emotionally attached to anyone.

Drama Queen Bad Guys. Check. Check. And Check. All the baddies made entrances like on a corny game show in the spotlight. “When he’s not murdering people for hire, he enjoys oiling his weapon and walks along the beach.”

Not necessary, but often included when the Venoms were involved: Mutton chops. Some very serious sideburn action going on.

The story was thin with the requisite hidden identities. Though one look at the cast list tells you all you need to know. I was disappointed Lo Meng couldn’t join Philip Kwok, Chiang Sheng, and Lu Feng for the reunion. But I was pleased with the addition of Chin Siu Ho. Also, the English title is misleading. The bad guys wore the masks. The Venoms and Chu Ko acted as martial arts directors. They sped things up this time around, no kung fu posing. The fights were fast and furious and the final fight gave an appropriate just deserts to the villain.

Because it was a Shaw Brothers production, it has been maintained through the years and still looks sharp. I’m not a huge Chang Cheh fan with his exclusion of female characters but his films from this era were always a spectacle to behold. Rated on a curve.

9 March 2026
Trigger warnings: A chicken was skewered. Numerous impalements and lots of blood. Drinking of “blood”. Sexual assault off-screen.

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"If you had any character, you'd already be married"

Crane Fighter starring Chia Ling struggled to get out of its own way to make a coherent story, and I’m using that term loosely given the genre. Slapstick comedy juxtaposed with a high body count always takes away from the emotional stakes. Throw in some glaringly sexist language and this film was doomed to failure for me.

Ping’er has been forbidden by her father from ever studying kung fu. So, she does what any dutiful daughter would do and studies behind his back. Her father was one of the few people to survive the Qing attack on the Shaolin Temple which means there are men hunting him. The imposing General Ko Chin Chung is determined to eradicate the remaining Shaolin members. Into this volatile situation struts in Blue Fan aka Busybody who is either helping Ping’er out or sparring with her after her secret is exposed. General Ko leaves no stone unturned in his effort to find Ping’er and her family and friends, something they make all too easy for him.

Admittedly, this Taiwanese film was already going to be a challenge as it was faded, the sound tinny, and the dialogue dubbed in English. Ray Lui directed, produced, starred in, and was also a martial arts director for this film. I feel comfortable laying most of the blame for the cringey sexist language at his feet as well as writer Chang Hsin Yi. Blue Fan was always dropping words of wisdom that often began with, “Women are just like children…” Minor spoiler alert, Ping’er believed her new husband would have to force her onto the marriage bed. Speaking of cringey, the comedy was the cringiest. I’m not a big fan of kung fu comedy, but the sentiment here was we need a laugh so throw the stooge into a vat of water, tofu or have the ML’s face be peed on. What was actually comic were the awful Bruce Lee wigs for the men with a pigtail tacked on.

I like Chia Ling and more often than not have enjoyed her films. She was quick and limber, capable of doing some of her own tumbling. She held up well against the larger than normal fu fighter, Chin Kang. Ray’s choreography was actually pretty good, but his filming techniques didn’t impress me on the bigger fights. The Big Bad’s weakness was ridiculous though I haven’t seen that particular weak spot before. And doubt I will again.

As much as I adore a hard-hitting woman taking down the bad guys, this film was a chore to get through. Chia Ling and her character deserved better than to be constantly belittled for being a woman, especially by the male lead. Rated on a curve.

9 March 2026

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Great Bond and Fun "Conversations"

Her story follows Wang Tiemei, a hardworking single mother who has just moved to a new flat with her daughter. There, they meets the free-spirited woman Xiao Ye. The three of them form a great bond and learn from one another to better understand themselves.

Honestly, I wasn't really fond of the synopsis, I only started watching this because of the great reviews and the accolades it achieved. But I enjoyed it much more than I expected. The story is simple, most of the plot happens through their conversations while sitting together, with no overdramatic developments. The feminism topics are delivered quite well too. The Shanghai cinematography is captured beautifully.

The acting and chemistry are really the best parts of this show. I especially love their banter and conversations, everything feels so fun to watch. However, as a 2-hour film, it sometimes feels a bit slow, and other times a little rushed. But overall, it's really really an enjoyable watch.

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Complete Rubbish

If we had contenders for Korean drams and movies that couldn't be accepted or remade today this would be at the top of the list. The fact it holds a 7.5 currently on mydramalist is very concerning. When i first watched this i was 15 years old i rated it a 10 out of 10, 4 years later when i actually developed and formed intellectual sense i change it to a 1 out of 10. The movies entire premise is a girl who gets into anrranged marriage with a 23 year old man at 16. Lol currently I'm 19 and i wouldn't even date a 16 year old not to talk of marriage no matter the scenario. This movies rating is the reason why we have laws banning child marriage because people see this and confuse it for a romance they think it's sweet but it's actually very concerning.

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Beautifully Acted, Lovely to Watch

The story is a combination of serious matters and light ones. A young king is deposed and sent into exile. The town he is exiled to welcomes him because they think they are going to make big money hosting him.
The king is depressed at first but gets to know the warden who takes care of him and gets to understand the live the warden has for his son and his town.
The acting performances are excellent and the scenery is beautiful.
There is a subplot near the end about the king and his allies trying to come back to power and this ends badly so I found the ending a bit heartbreaking. Overall an excellent film.

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There are stories that are just simple entertainment, to be consumed without much thought.
There are stories that push their message, whichever it might be, on their viewers/readers.
And then there are stories that try to do both -- be entertaining for those who just want to relax after work and still convey messages that go beyond the moment.
"Let's Go Karaoke!" is one of the few films (and series) that really manage to balance the two without one overpowering the other.
The plot itself is engagingly narrated with a clear arc of development for the story -- a viewer can just sit back and be entertained. And yet, the film clearly also talks about the first steps into adolescence: Both the physical changes and the way these changes force children to adapt their own lives and the way children, now teenagers, step into the adult world, and start to understand that adults are not less quirky, not less insecure, not less searching for the right path -- not less human! -- than the children. They start to think about love and friendship. They leave their childhood behind.
I am quite sure that there are also some thoughts about masculinity and machismo to be found.
In "Let's Go Karaoke!", the viewer doesn't have to consciously search for these themes, and neither are they forced unto the viewer.

The unlikely friendship between the Yakuza, who wants to learn how to sing to avoid punishment from his boss, and the middle schooler, who has always sung as a sporano but whose voice is about to break, is the scaffold with which these themes are built. Their power dynamics -- the adult is physically stronger and even dangerous but he still submits to the perceived superior knowledge of a fourteen year-old -- provide an interesting, and often humorous, frame for the story. When Oka Satomi steps into the adult world, he also leaves his childhood pursuits behind, ingeniously symbolized by choir member "Wada" who feels betrayed by Oka's leaving.

Of course, if JFF Theater includes a film in its line-ups, I'll expect high quality regarding the actors' performances and the technical execution; and I was not disappointed here. I was not only impressed by the actors' overall performance -- especially Narita Kyoji who is convincing both as a dangerous Yakuza and as a vulnerable man -- but also by the quality of singing in this film: you have to be very good to sing *that* badly.
The film mostly focuses on the two main protagonists, so the supporting charaters remain mostly quick sketches, but their actors also give them some personality -- for me, it's very clear that Wada, Nakagawa, Izawa and Hyena all have enough backstory that they could easily have their own film.
There were a very small amount of characters' action that only made sense in a "because the plot needs it" way, but these were very easily ignored.

Was it good?
Yes. Not only was I entertained but there was also a not-small amount of depth.

Did I like it?
A lot!

Who would I recommend it to?
To those who love coming-of-age-stories.

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a very realistic movie about two people who meet by chance and part ways by choice

was expecting to be sobbing and alldat but surprisingly didn't lol just shedded a few tears

a very realistic movie about two people who were together in the past and meet again after many years. there's a lot of small details and symbolism that keeps you thinking and the effects of the movie linger because of how much it reflects irl.

i understood the fl, and felt pretty devastated for her. for the fl, the relationship required way more sacrifices compared to the ml. before their relationship, him and his dad were her safe space, somewhere she could fall back to when things got rough. and if (when ig) they broke up, she lost that comfort. that's why she was so hesitant to start the relationship. and towards the end (of the relationship), it was sad to see the little details that he did. i.e. he moved the fan to face only him, and her enjoying the sunlight only for him to close the curtains on her. that small detail destroyed me. the symbolism was just insane. and the contrast to what he said before the relationship and that difference to now, with him shutting the curtains, was just heart wrenching (AND PEAK CINEMA).

in a way, the breakup was inevitable. they both had dreams and for them to stay together and maintain their lifestyle, they had to sacrifice their dreams for the future. without the breakup, he wouldn't have had the motivation to start coding his game again and she wouldn't have switched into architecture. when she left, she knew she deserved better, and similarly, he didn't chase her onto the train because he knew that her leaving was for the best and going after her wouldn't change anything.

the ending was good too. two different outcomes from the same breakup. and that stark realization that if he got on that train, she would've stayed with him.

acting from both koo kyo hwan and moon ga young was phenomenal. loved seeing him still silly and goofy but now, in a romance genre instead. he was so good. (watched for him too). and moon ga young, she was great as usual.

p.s. i still think it was a little weird of them to sit in a hotel room together and reminisce of the past lol even if they used to be together, its weird. especially for the ml cuz ofc the fl would get ideas since they were recalling the time they used to be together and especially talking about this in a confined space???

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This was an intriguing historical movie inspired by true events. It's terrible to be a boy king overthrown by a power hungry tyrant. Play excellently by Yoo Ji Tae. The movie has a really good cast overall.

Ji Hoon emotes so well and is good as the exiled King Dan Jong. He wants to die b/c he couldn't protect the people around him. to a small remote mountain village to die. The Town Chief played to great comic effect by Yoo Hai Jin, saves the young King from an attemped suicide. Later the King faces a tiger and helps to kill it with a bow and arrow finally prompting the KIng to want to fight for his throne.

Very emotional story and I wanted the rebels to win in the end but history has to prevail and the sadness I felt at the end of the movie broke me into pieces. The King is remembered by history and his title was restored in 1698.

3/9/26

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Make sure you have kleenex handy

This is what they call Dramady at it's best. It's hilarious, until it's not. I don't even know how to review this without spoiling anything. I'll just say watch it. The actor that plays the older brother is known for his comedy roles but also brings a great dramatic performance in this movie. His character is basically a bastard in the beginning, but also kind of a likeable conman. Even though it's funny and dramatic, there's also a lighthearted element to it. The movie doesn't take itself overly serious or bend your arm to make you feel a certain way. It just is a slice of life in a way.

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"One man alone can't fight injustice"

Don Wong, John Liu and Hwang Jang Lee all harbor secrets and are deadly Secret Rivals. This was a Hong Kong movie filmed in the RoK and used a number of Korean stuntmen and actors. The scenery was all in Korea as well.

John and Don wander into the Prince’s city with different reasons for being there. The Prince is having a contest to hire the best fighter for his bodyguard. The fights are to the death. What the fighters don’t know is that the Prince and the Silver Fox stole a shipment of gold three years ago from the Chinese. They hope to pin the theft and a murder on the new bodyguard. Both John and Don fall for the lovely Ching Chin Chin who is the daughter of the inn’s owner.

The story was thin and the camera work not so great. What was good? If Hwang Jang Lee, Don Wong and John Liu are in a film there will be plenty of high-flying kicks which rarely used wires or undercranking. The Silver Fox had two of the best legs in the business. I didn’t really care much about the story, HJL flying without the use of wires, kicking high, hooking, and twisting, is always fun to watch. Of course, the stuntmen were called upon to do a few flips and somersaults here and there but the fights were largely au naturale.

The film was badly faded with white pock marks and green streaks. The only copy I could find was dubbed in English with grainy tin can sound. It’s the same guy who does all the male voice with a female actor doing all the women’s voices. No subtitles available. I tried to not let any of these things affect my review…too much.

If you like old kung fu flicks with creative kicks, this is one to try. Graded on a curve. Really missed HJL’s mom hair and 70’s stache.

8 March 2026
Trigger warnings: Lots of bodies, but no spewing blood

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Comedy Fell Flat for Me

My Rating: 6.5 / 10

Miss Shampoo starts with a fun premise: an average young hairdresser suddenly catches the attention of a gangster who becomes completely smitten with her. The beginning is actually pretty entertaining. Watching a nervous salon apprentice suddenly gain a flood of intimidating gangster customers because of one loyal admirer is a funny setup, and it makes for a strong opening.

Unfortunately, the movie never quite reaches the potential that premise promises. While it remains mildly entertaining throughout, the tone jumps awkwardly between romance, gangster violence, and goofy comedy. The film feels like it wants to be heartfelt and funny at the same time but never fully succeeds at either.

It’s not a terrible movie, but it’s also not particularly memorable. I personally would not watch it again. I would only recommend it to viewers who especially enjoy romantic comedies mixed with gangster themes, because that unusual combination is the main appeal.

Overall, it’s a movie with an interesting idea and a decent start, but the execution keeps it from being truly great.

Spoilers

The film establishes early on that Tai, a triad gangster, becomes fascinated with Fen after she helps hide him from assassins in her family’s salon. Instead of simply thanking her, he becomes almost fixated on her and begins forcing his gang members—and even random people—to get their hair cut by her to help her business succeed.

This idea could have been charming, but the romance never really made sense to me. Fen has just broken up with her previous boyfriend, who was a clean-cut college guy. Her suddenly falling for a scruffy gangster doesn’t feel like a natural progression for her character.

Another strange aspect is how quickly Fen’s family accepts Tai’s presence. It’s already odd that a family would allow a gangster to regularly hang around their salon, but the film also plays scenes involving intimacy between Tai and Fen in a way that feels awkward considering the parents are nearby. I personally did not like all the F bombs. Saying you are going to F somebody is not romantic. Talking about your genitals also not romantic. So, the raunchy language was unnecessary and really took me out of the romance.

I had to look it up because I did not expect sex to be treated so casually by the family. Culturally, Taiwan is generally modern in its attitudes toward dating and relationships, so couples being intimate before marriage isn’t unheard of. However, the movie exaggerates the situation for comedy, which may be why it feels awkward or unrealistic rather than believable.

The film also leans heavily into slapstick humor and gangster violence. I knew going in that there would be some blood and fights because it involves organized crime, and that part wasn’t the issue. The bigger problem is that the love story—the emotional core of the film—never becomes convincing or heartwarming.

The ending is also questionable. Tai is stabbed badly, yet instead of going to the hospital he shows up to make a dramatic romantic gesture toward Fen. It’s meant to be emotional, but it comes across as unrealistic.

The movie then shows a sort of epilogue/outtake scene where Fen is pregnant and still working as a hairdresser, while Tai is no longer a gangster. However, he seems to be mostly talking about plans and dreams rather than actually doing anything meaningful with his life. It’s technically a happy ending because they’re together, but it doesn’t feel particularly satisfying.

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