Reviews

A timeless, breathtaking masterpiece that captures your heart from the first episode.

Domundi TV and Mandee Work have truly outdone themselves with this series. From the storytelling to the execution, everything about this show is flawless. I have to give flowers for the director, P Den for guiding this masterpiece and also for the author who wrote this beautiful story, littlebbear96. The plot is beautifully written, balancing emotional depth with an incredible romance that keeps you hooked through every episode.

The entire cast delivers phenomenal performances. The chemistry between the leads feels incredibly genuine and carries the emotional weight of the story perfectly. I also love the fact that not only does this series captures my heart for the romance aspect but also for the mystery aspect. And coupled with a stunning soundtrack that elevates every scene and production values that make it highly rewatchable, this series sets a new standard for the genre. It is an absolute must-watch.

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disregard logic, disregard the characters and treat it like soft corn

Personally, I think the way that this drama was approached in the first place is flawed. A title like never ending summer and all these go-lucky happy posters sets up a premise in the viewers mind that this is going to be a lighthearted drama like 'when I fly towards you' but that is literally the furthest from the truth.

The story starts off with two people that obviously are not from the same world, there is no magnetic chemistry and no interesting plots or directing that make the viewer want to support the leads and follow their stories. We have a selfish male lead and an even more selfish female lead. They both have goals to complete and things to do so what is with the need to create a romance? This could have clearly been a heavier coming-of-age story about two people who come from hurt backgrounds but instead we have a mismatched romance where the leads are constantly not communicating and constantly pushing and pulling away from each other.

Now there is nothing wrong with a bit of push and pull in a romance drama but only if done tastefully in a way that makes sense. One example of the absurdity of this drama is around ep 8-10 the fl successfully enters into the ml's family but in order to get money for her grandma's treatment, she needs to find a way to send the male lead overseas. Mind you, the male lead wanted to go overseas already, one 5-minute conversation and both could have gotten what they wanted but instead we need an elaborate plan where the fl tries to 'win over' the ml with an obvious agenda. It is very hard for the viewer to subscribe to this kind of 'fake romance' where proximity and romance is created from straight up lies.

Not to mention, the logic of the plot is not well written, it seems like the first draft with many revisions needed. Take the fl, she is very poor and has a lot of debt seemingly from all of her grandma's treatment. It would seem logical that she may have debt collectors or people bothering her constantly. But instead we get debt collectors like twice in the show and once was literally to 'create' non-existant chemistry between the leads. At this point just get rid of the debt collectors? They don't add to the plot and certainty don't help anyones case. Suddenly they just disappear one day? It is incredibly illogical!

I think the best way to approach this is to literally disregard logic, don't care about the characters and just treat it like soft corn because the only interesting part of the story is the kiss scenes.

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Overall, I loveed the Fourever's series and it's hard to say goodbye (I'm glad I still haven't finish all of the books).

· Beside the Sky: Wow I could not expect more angst. Typhoon is litteraly too cute for this world and his family. I loved how Tonfah always treat him right and with respect. And that he wait everytime Typhoon to tell him the truth when he is ready, even when he know it. They love each other so much.
Btw I'm glad they never forgive the dad.

· Sun from Another Star: My favorite part of Fourever You. I was counting everyday for it release. And I still watching it from time to time.
They got well Arthit and Daotok's character. It feel like they come straight out of the books. I'm just sad they cut some part. Especially with Daotok's bully/Stalker (he was a great way to show how strong Daotok is alone. But they somehow show it with the gym girl. Btw I still find it funny how they make character say out loud in PUBLIC how they want sex with one because only them satisfied them. I would die from embarassement.). The only minus point is how Arthit is fucking trying to force Daotok (with his "I can't resist" Like boy?? You can. You are not a fucking animals). Btw I'm like 100% he is autistic

· Latly it's winter Season: At first, I wasn't hooked, probably because I was still heartbroken from ArthitDaotok. But it give me everything I wish. They hated each other at first. 6 years of yearning. An angry confession. Found Familly.

I conclusion, I LOVE Fourever You. All part are so different even with the colors. They cover a lot of trope and dynamic. And the friendship of all character are so heartwarming. I really hope we can get an adaptation of the two last books.

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What impressed me most about Double Helix wasn't how much happened, but how much every event mattered. In many dramas, conflict exists to keep the plot moving. Here, conflict is the story. Every argument, every silence, every decision leaves a permanent mark on the characters, ensuring that nothing ever feels isolated or conveniently forgotten.

The narrative excels because it understands that people are shaped by accumulation rather than isolated moments. No one becomes controlling, withdrawn, or self-destructive overnight. These behaviours emerge from years of emotional neglect, fear, family expectations, and unresolved grief. Instead of presenting these traits as excuses, the story treats them as consequences. That distinction is what makes the writing feel so emotionally honest.

One of the drama's greatest strengths is its ability to constantly recontextualize the audience's perspective. Characters who initially seem impossible to sympathize with gradually become understandable, while those who appear morally uncomplicated reveal their own flaws and contradictions. The series never rewrites its characters. It simply reveals them piece by piece, allowing our understanding to evolve alongside the story. Few dramas have the confidence to let their audience sit with uncertainty for so long.

I also appreciated that Double Helix never allows love to become a shortcut for redemption. Affection doesn't erase betrayal. Regret doesn't immediately restore trust. The characters are forced to confront the reality that genuine love without emotional maturity can still leave lasting scars. That refusal to romanticize unhealthy behaviour is one of the reasons the story remained so compelling from beginning to end.

If I had one criticism, it would be that the narrative occasionally becomes too committed to its own emotional intensity. There are stretches where similar conflicts repeat with diminishing emotional returns. The story has already established its themes so effectively that it doesn't always need another confrontation to reinforce them. A little more restraint during these sections would have strengthened the overall pacing.

I also think the ending would have benefited from giving the characters more space to exist after the emotional storm had passed. The drama invests enormous care in showing how trust is broken, identities are reshaped, and relationships collapse under pressure. I wanted that same patience applied to healing. Not because I needed a happier ending, but because the process of rebuilding felt just as worthy of exploration as the process of falling apart.

Despite those minor shortcomings, I found Double Helix remarkably rewarding. It isn't a story driven by shocking twists or grand gestures. It's driven by the slow realization that every character is carrying invisible burdens that shape the way they love, communicate, and survive. That psychological depth transforms what could have been a conventional romance into something far more reflective.

For me, Double Helix succeeds because it never asks the audience to decide who was right. Instead, it asks a much more interesting question: How do people learn to love when everything they've experienced has taught them the wrong lessons? The fact that the series explores that question with such nuance is why it stayed with me long after it ended. It's not perfect, but its emotional intelligence, layered storytelling, and compelling character work make it an easy 9/10.

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DON'T GET FOOL BY THE TITLE OR POSTER!! THIS DESERVES MORE ATTENTIONS!!

I thought it was the normal rom-com when I first saw the poster but from the first episode, we could know that this is way deeper than that. Every episode has a moment that we question why they didn't do like this or that or why this turn out like that. Then it come that moment that make us "Ahh that why". Some details in this series is so precious to miss that when I realized it later. The way they connect their university moment with current events are also really perfect.

The production also did really well in this Drama. The color palate for this series would be one of my fav. While in poster it is really colorful and bright, in series the colorfulness is really balance with emotions. And the costume in this series are really so cute. I personally think Pobmek outfits feels like uncle like my dad might wear that. The comedy, romance, emotion and even spice is all well balanced in this drama.

The acting are on peak. Santa's acting really improved. The way he conveyed Sun and Solar differently is so impressive. In some scenes, I thought it might really hard to change because it is so quick. We all could tell that this is Sun or Solar even from the trailer(But honestly got fooled by Nong Sun once{ep 7}). Perth also did so well with his character too(as expected). The way he conveyed all the emotions really make me cry from the first episode. Even the child actor really did well, my beloved Mean girls, Elsa (she is my fav), Aurora, Tinker Bell, Four, King, Bitcoin, Nobel, Narak. especially our little Sun.

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Watch and Judge this as a Japanese Slice-of-Life drama

Subjective Gut Rating: 7.75

There was a lot of hoopla when OK Taec Yeon was casted in this drama. An established Korean actor and former pop idol in a BL? Really? Then came the queer baiting accusations and the step back announcement that this is not really a BL. If you are expecting a typical BL romance, you will truly be disappointed.

Watch “Soul Mate” as a Japanese slice-of-life drama instead. Forget about all the noise surrounding it, and watch it as a regular drama. You might end up liking it. I re-calibrated my expectations and went into this without any expectations at all. I just want a well-written, well-acted, and well-executed drama. That’s all.

The first episode started with a bang. I was locked in and captivated by. A lot happened in that first episode, starting with the story of Ryu. Then the pacing of the drama falls back into typical slower slice-of-life fashion. Through a chance meeting, our leads met in Berlin, and their lives changed, and I think for the better. We started with Ryu’s story, and ended with Jo Han. Their journey feels like two great friends caring, helping and supporting each other. I enjoy seeing the slow progression but I can’t help but also want hints of romance dropped here and there. I definitely see a tiny bit more coming from Jo Han, and less from Ryu. I can deal with no kiss or NC scene to feel romance (seriously, even for me, it’s OK sometimes). But I just needed a little more to make the ending more impactful.

The slice-of-life plot itself isn’t too unique. I could see that ‘surprise’ speeding from a mile away. The forming of the new found family was lovely and sweet, though also very predictable. Oh, there are emotional moments, too and I definitely shed a tear or two in the latter episodes. I also feel that the closure of Ryu and Arata’s story is a little lacking and anti-climatic. I also thought there would be more to Ryu’s co-worker at the nursing facility.

The acting is good and the actors did their best with what’s given to them. Tac Yeon’s Japanese sounded pretty good to me (but I don’t speak Japanese). However, I feel that the writing could have been better.

In the end, this is an OK slice-of-life and a below-average romance drama. I enjoy watching it to a certain extent, but I couldn’t help but think we wasted two talented actors, especially for a Japan/Korea collaboration that could really WOW us.


Drama Completed: 7/5/2026 Review #701

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Honestly just don't read reviews and watch.

I put this off for a while, even though I've been following it since they announced Taecyeon was in it, mainly because people said they considered it more "bromance" than BL. But I honestly wish I watched it on release, because they are wrong.

Many people tried saying the romance wasn't clear enough through actions. But who cares about that when the story is good and clearly shows the characters emotions. Watching this, I can clearly tell the feelings of the characters, even when they aren't explicitly saying or showing it.
We don't need kiss scenes, shower scenes, or bed scenes for it to be BL. I would rather have a BL that has 1 kiss scenes but an amazing, beautiful, or even a sad story over a BL with 10 kiss scenes and okay story.
That is what this one is. A beautiful, yet sad story of a relationship that shows how difficult yet perfect it can be..

And the last thing; the ending.
Some people were not happy about this ending. But honestly... I think it was a good ending. Do I wish for a happy ending? Yes, always. But is the happy ending the best option? No!
This story, similar to "Love In The Big City" (a Korean BL), clearly wanted a more human feel. The characters are going to do human things; fuck up, say things they don't mean to when mad or sad, make a decision they don't want, they are going to hide things they don't want others knowing.. So many details about this story made it feel very human. And that ending. Not wanting the person you love have to watch you slowly die, and there is nothing they can do about it.. Is that not something humans would naturally feel?

In conclusion: people have been wanting rainbow, sunshine, and kittens recently. Just because the show isn't happy.. or should I say more fantasy ideal driven.. doesn't mean it's not a good story. People can have different opinions about endings, yes; but why can't we agree the ending was good? Cause it was.. If you are hesitating to watch it; ignore all reviews, both good and bad, and go watch it. It really is worth watching, no matter your opinion on the ending or whether if it's BL or bromance..

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It's Not My Thing & That's Okay!

This is the first Thai GL series I've watched in AGES, which is why I'm disappointed that things turned out the way they did with this one. The premise is great but the execution falls flat. The first episode was incredible; it was exciting, it was entertaining, it made you want to come back for more and then the second episode happened. There was something that happened midway through that episode that gave me the biggest ick I've ever gotten while watching a series. It was sudden and unexpected but it happened.

There was a scene in the second episode where May "lost" Ai-oon and she was grasping at the physical space in front of her in an attempt to find her and there was this look on the actress's face that completely took me out of the scene. Her facial expressions, her body language, her vocal performance. It broke the immersion! I didn't feel like I was watching a drama anymore; it felt like I was watching an actress act out a role and that's never good. An actor's performance is supposed to make you forget that you're watching a drama. It should be that seamless, that effortless. They're supposed to disappear into their role and that's not what happened here. It quite literally gave me actress playing an emotion that doesn't quite fit. It was too over top and there was a LOT of overacting.

The actress playing Ai-oon, Namtan, was fine. I had no issues with her performance whatsoever. I felt like she captured the inner conflict of a woman struggling to find out what happened to her sister while falling for someone she shouldn't. There was a subtly to her performance that worked for her character. Unfortunately, I can't say the same for her counterpart, Film. This is the first series I've watched of both of them so this is my first exposure to both of them as actresses. Film's character, May, was already operating with a huge disadvantage. She was the epitome of a Mary Sue character. She was well-loved, successful, sympathetic, adored, and she had a tragic backstory to boot. May was very one-dimensional and flat as a character and I'm unsure if there was ever any dimension added because I didn't stick around to finish to see.

But anyway, her character was already at a disadvantage due to all those things and her performance didn't elevate that character in any way, shape, or form. Granted, everyone knows that you don't watch Thai GL (or BL) dramas for stellar acting performances. You watch for the queer love and pretty faces! However, I expected more and felt the audience deserved better from this story and we just didn't get that.

Sidenote: this story was also quite predictable. I immediately called May knowing that Ai-oon was pretending to be her sister but I don't know why. I don't know why she continued the charade knowing what she knew and that was the only reason I wanted to keep watching. I needed answers but my patience had run out and I couldn't be bothered anymore.

Honestly, I think this drama was the final nail in the coffin for me. I've struggled with watching most Thai GL dramas, which is why I don't watch as many of them as I could. I always end up dropping them for some reason or another, and this drama is no different. I just think this genre isn't for me, which sucks but I appreciate all sapphic love story attempts but life's too short to watch bad TV if I don't have to. What's even more unfortunate is that I think I probably would have been more receptive to all Thai GL dramas if they were as mass produced back when I initially started watching Thai BL dramas years ago. I think it's just a matter of being more exposed to different markets of Asian dramas so I'm simply more picky now.

Would I recommend this? Maybe? It depends on where you are in your Thai GL drama journey. If you're new to Thai GLs, then you may like it. If you're not new to any of these markets, then probably not. Would I rewatch this? No. Would I go back and finish this? Also, no.

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The best dramas break your heart first, then make every happy ending feel earned.

I have to admit, after finishing The Long Ballad, I intentionally lowered my expectations before starting Moonlit Reunion. I didn't want to expect another masterpiece. I simply wanted to enjoy the journey.
What I didn't expect was finding a drama that completely reminded me why I fell in love with fantasy C-dramas in the first place.
Moonlit Reunion is not perfect. Like most xianxia dramas, it has familiar tropes—hidden identities, ancient grudges, reincarnation, sacrifices, misunderstandings, and a destiny that seems determined to separate the leads. But what made it work for me was how emotionally invested I became in the characters. Instead of feeling repetitive, every revelation added another layer to the story and made me want to keep watching.
One of the biggest strengths of this drama is that it never relied solely on romance. The mystery surrounding the Cat Master, the Sinister Infant, the events from eighteen years ago, and the true identities of several characters kept me constantly curious. Every time I thought I had figured everything out, another piece of the puzzle appeared.
That balance between romance, mystery, fantasy, and suspense was exactly what kept me engaged from beginning to end.

Xu Kai once again proved why he's one of my favorite actors.
I've watched several of his dramas, and what impresses me most is his ability to portray different versions of the same character without making them feel identical.
As Mei Zhuyu, he wasn't the loud, overprotective male lead who constantly declared his love. Instead, he portrayed someone intelligent, composed, patient, and quietly devoted. He expressed love through actions rather than dramatic speeches.
The more the story unfolded, the more I appreciated his performance.
Whether he was investigating the truth, protecting Wu Zhen from the shadows, or carrying burdens he chose not to reveal, Xu Kai delivered every emotional scene with restraint. He never overacted, yet every expression carried weight.
By the time the final arc arrived, I realized that many of the drama's most heartbreaking moments worked because of how naturally he portrayed sacrifice.

Tian Xiwei completely surprised me.
I've always found her charming in romantic comedies, but Moonlit Reunion allowed her to show a much wider emotional range.
Wu Zhen could be playful, stubborn, mischievous, vulnerable, and incredibly courageous—all within the same episode.
She wasn't a perfect heroine, and that's exactly why I liked her.
She made mistakes.
She doubted herself.
She struggled with her identity as someone caught between the mortal and demon worlds.
Watching her gradually accept who she truly was made her character feel believable and relatable.
Most importantly, the chemistry between Tian Xiwei and Xu Kai never felt forced.
Their relationship grew naturally through trust, shared experiences, and countless sacrifices instead of instant romance.

The chemistry was one of the drama's greatest strengths.
Rather than relying on excessive romantic scenes, Moonlit Reunion focused on emotional intimacy.
Sometimes a simple glance, silent protection, or choosing each other despite impossible circumstances carried far more impact than grand romantic confessions.
Their relationship was built on mutual respect.
Neither character constantly needed saving by the other.
Instead, they repeatedly chose to protect one another, making their partnership feel balanced.
By the final episodes, I genuinely believed they belonged together.

Visually, this is one of the most beautiful fantasy dramas I've watched.
The cinematography deserves enormous praise.
Every location felt magical without looking overly artificial.
The moonlit forests, ancient temples, demon realm, and mountain landscapes all created an immersive fantasy world.
Several scenes genuinely looked like paintings.
The color palette shifted beautifully depending on the emotional tone of each arc.
Soft moonlight during romantic moments.
Cold blue tones during tragedy.
Warm golden lighting during reunion scenes.
Every frame felt carefully composed rather than simply filmed.


The soundtrack elevated every emotional moment.
One thing I always appreciate in a drama is when I can remember its music after finishing it.
Moonlit Reunion accomplished exactly that.
The background score never overpowered the scenes.
Instead, it quietly enhanced every confession, every sacrifice, every farewell, and every reunion.
Several emotional moments became unforgettable because the music knew exactly when to stay subtle and when to soar.

What I appreciated most was the pacing.
Unlike some fantasy dramas that become repetitive in the middle, I rarely felt the urge to skip scenes here.
Every major revelation answered one mystery while introducing another.
The story maintained enough momentum that I always wanted to know what happened next.
Even the numerous twists surrounding identities and the events from eighteen years ago eventually connected in satisfying ways.

The emotional payoff made the journey worthwhile.
I often say that my favorite xianxia dramas are the ones that emotionally destroy me first before rewarding me with a satisfying ending.
Moonlit Reunion delivered exactly that.
It gave me heartbreak.
It gave me sacrifices.
It gave me moments where I genuinely thought happiness was impossible for the characters.
But unlike tragedies that leave you emotionally exhausted, this drama remembered to reward both its characters and its audience.
By the time the final episode ended, I wasn't thinking about how much they suffered.
I was thinking about how much they deserved their happiness.
And that made all the pain worth it.

Final Thoughts
After watching many fantasy C-dramas over the past few months, I've realized that what keeps me invested isn't simply powerful cultivators or beautiful CGI.
It's the emotional journey.
The sacrifices.
The trust.
The quiet acts of love.
The feeling that every happy moment has been earned after everything the characters endured.
Moonlit Reunion reminded me why I enjoy this genre so much.
It isn't just another fantasy romance.
It's a story about destiny, identity, forgiveness, sacrifice, and choosing love despite impossible circumstances.
Xu Kai and Tian Xiwei delivered wonderful performances, supported by stunning cinematography, memorable music, and a world that felt both magical and emotionally grounded.
For me, this became another xianxia that successfully balanced fantasy with heartfelt storytelling.
It made me smile.
It made me anxious.
It made me cry.
And most importantly...
It gave me the emotional recovery I always look for after the heartbreak.

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there is a 10/10, and then there is ticket to heaven.

this show hits close to home. as a queer girl in a single sex catholic school, this show delivers a message and story so impactful that its difficult to put into words. the entire final episode i was sobbing. not JUST crying, i was full on blubbering, squinting through waterfalls of tears trying to read the subtitles. this story is so delicate, its entire premise is extremely sensitive and SO easy to mess up. but they didn't, and i am SO glad they didn't.

i want to keep this spoiler free, so i won't go into insane detail. what i will say is that gemini and fourth acted their asses off. i feel like i say that about actors in all my reviews, but i truly mean it here. i do not think i have ever seen acting this raw and emotional in a thai bl literally ever. not just gemini and fourth, the performance from ashi, the performance from the actor of the priest, the other students, literally EVERYONE delivered. the pain, the confusion, the shame, the guilt, i mean, you could see it all of tanrak's face. gemini did great, everyone did great, but fourth really deserves the MVP award here. tanrak is far from an easy character to act, and he played his part beautifully. if this performance doesn't earn fourth an award then i will personally riot in the streets.

the story here is beautiful, simply beautiful. while it may hit harder for me than others as i am actively living out a very similar circumstance to barth and tanrak, this story truly is for everyone. the religious elements are incredibly important to me due to my background, but anyone of any religious upbringing or faith can see themselves in either barth, or tanrak, or both. i sure saw myelf in both. i will warn anyone who is on the fence about watching this show that you are going to cry. thats just a nonnegotiable. you WILL cry, like, a lot. thats not a bad thing, but just be prepared before you start that first episode. if you want fluff, maybe go hit up duang with you. come back to this one another night.

overall, i can/t go into crazy detail about how incredible this show is, since i want to keep this spoiler free. however, i will say this: i truly believe ticket to heaven is one of the most meaningful and impactful pieces of queer media ever, out of all queer media, from all countries, and from all time periods. yes, ticket to heaven, in its short 6 episodes, moved not just MY heart, but the hearts of thousands of others in a way that very, VERY few pieces of queer media ever have. this show explores themes most other shows do not dare touch, and it does so with a quiet beauty. it trusts its audience, it does not go over the top and it does not hold your hand through the plot. ticket to heaven allows the audience to interpret many elements in their own way, and it allows the viewer to find the joys and pains of queerness and religion. i would do anything to watch this show again for the first time. these six weeks have gone far too quickly, and i will miss so so dearly the moments i shared with my barth and tanrak. this show is special, it is one of a kind, and it deserves all the acclaim it has received and more.

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Poured the petrol, but then lit the fire somewhere else

Burn the House Down promises a strong revenge thriller but ultimately delivers a slow-burn family drama. And I'm okay with that.

However, what I really didn't enjoy was the ick the storyline gave me. Up until the final episodes, I felt like a lot of time was spent on classist punching down. By the time the punching down stopped (or slowed at least), there wasn't really enough time left for the story to redeem itself in my eyes.

It didn't help that the overall direction kept on changing. This drama felt like the creators had decided to knit a scarf in one colour, only to then constantly change their minds and swap out colours while they pulled together the threads of the plot.

In a similar vein, the way some characters have been written felt too transactional. It was made insultingly clear that many of the supporting characters were there solely to fulfil key plot points and then kept around as hollow shells.

That said, despite dipping in and out of this drama, I did end up finishing it thanks to a just-curious-enough plot.

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THE GOAT SERIES

What a beautiful series! I am telling you I have watched a lot of bl series but none have managed to capture my heart like this right from the first sequence of the first episode, it beginning with when the marriage bill passed in 2025. Right from the first episode, and the past beginning from their first meeting being wonderfully portrayed as planned by god and them getting close together. Tanrak getting curious about Barth and Barth getting curious about Tanrak. The feelings then capture them both and how the pure beauty of the love, the guilt, the regrets all build up beautifully to more confusion and attraction. More doubts, more love and they travel through it all in the most soul-rendering way. Time comes, they had to choose between themselves and god, and shall I say what better way to convey them through their eyes. Not much dialogues were needed for the actors showcased them all through their eyes. The love, lust, guilt and what not. The plot by the best director himself, the storylining, the cinematography, the coloring, the music, and the icing on top given by the actors themselves, Geminifourth as barthtanrak, this series will make you feel a lot of emotions throughout the six hours and I promise you, you'd want to rewatfh to catch all the little deets. One of the best series so far. And definitely my top 5. RELIGIOUS GUILT CAN BE OVERCOME. You can choose yourself as well as God. Faith and Love always comes together.

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