Reviews

two smiles can trap your soul

Romantic, spontaneous, comfortable. That’s how I’d describe the relationship between DoHoe and JuYeong. A pure feeling, slowly blossomed from smiles and silent support. Their story is sure deep and challenging, the themes are heavy, their emotions leap off the screen. I was firstly hesitant to start this series. I have been hearing about it for some time and people were excitedly sad toward it. The bar was high and I was a bit scared to feel disappointed. Also, I’m particularly sensitive and emphatical over this kind of plots. Basically, I cry a lot. I decided to watch the first episode and, after about two weeks, I saw the second and finished the whole show.
What catches me is how genuine and pure and kind this love is. The neatness makes me cry. I want this. This kind of tenderness is what I’m searching for myself. Everything feels calm and right from the beginning; there is a clear path. Their expressions, their body language have a precise direction. All the things that surround them disappear: that’s how it should be. Their life is not good but, when they are together, all the problems become dust in the wind. Simultaneously, they fight for their mutual happiness. The contrast between external and internal sensations is crystal clear: cold and warm, peace and war.

Stunning, marvellous: the plot is moving and I mean it. It shakes something in me.

The writing is amazing and charming. The conversations are true, properly deep and heavy (for example the discussions about why they separated), but also light and bright (for example them chatting while going home). The dialogues are mature and perfectly portraits the gradual evolution of the main relationship. Few more words about the 'main issue' would have been nice though. I understand what happens but still. The visuals and the cinematography are pretty fabulous as well. In particular, I love the colours and the photography. Furthermore, in my opinion, the direction is another expression of the main contrast of this project: there are lively, animated scenes (for example the taekwondo ones) that represent the chaos, the excitement, and static shoots (for example some of the ones at home) that stan for the harmony and quietness the main characters taste while being together. Even I feel at ease watching and hearing them interact. The show should be sad but it’s so well done that you forget about crying.

Not only the actors are handsome and look so good together, but the characters are both wonderfully recorded and portraited. The acting performances live up perfectly to the writing and the story.

In particular, the taekwondo scenes are amazing. Both Kim Nu Rim (DoHoe) and Lee Sun (JuYeong) do so well. I even thought there were two stuntmen, but I believe it’s not the case since I didn’t find any names in the cast. Moreover, the looks, the glances, the eyes, the kisses, the touching. Natural, authentic, everything is felt for real. And their smiles…they completely trap you. It’s difficult to explain. You just feel. A lot. There is only one take, someone is crying and it doesn’t seem that spontaneous (no spoilers). But just this one thing.
Finally, the music adds a further delicate touch to the series. It seems to match the atmosphere and to represent both the comfort and the sadness. Like a tender melody that makes you cry, it amplifies the emotions the characters pass down. You know that moment you feel down and decide to listen to sad songs? It’s the same.

An important personal consideration: the sensations I felt through this show are the same ones I had watching ‘Banana Fish’. I don’t know if you are familiar with the anime/manga. The themes are heavy, nevertheless everything is so well done that it’s impossible not to like it. So, without further ado, I highly recommend you to watch this series.


Thank you for reading <3

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Conquering Cities and Hearts

A fun romp that didn't take itself seriously, a love triangle done right, some truly funny moments (especially male jealousy), and a charismatic cast made for a pleasant experience.

The Good
• The romance between the leads felt natural, and their interactions were charming. I got the feeling the actors enjoyed making this drama. It may have been due to their acting skills, but when actors convey that enjoyment to their audience, everyone has a good time.
• The comedic timing was delectable, and I say that as someone who generally doesn't enjoy over-the-top slapstick.
• The FL played the role of a man better than most actresses.
• I so appreciated the FL was intelligent and not easily deceived. The IQ of most of the leads was appreciably higher than in most comedies.

The Bad
• There is a bit too much bathroom humor, but I've dealt with plenty of children, so I'm probably jaded in that area.
• Logic wasn't the point, so little was explained and not everything made sense. Cut to a kissing scene and the viewer won't notice.

Extra half star for the inventive way each episode was introduced. I appreciate originality.

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DON’T WASTE YOUR TIME ?

DON’T WASTE YOUR TIME 🥱

The drama had everything to be great. I devoured the first 4 episodes, but what happened from there???? Did they change the protagonist and forget to warn the audience? I didn’t feel her connection with the protagonist, much less with the child.

On the contrary, she left me frustrated by such a bad aunt. They lost the team to build a family relationship between the 3. And they made a character a sonsa, who only runs after the “first love” 🙄

I can’t wait to finish this drama. For me he was terrible, I don’t recommend it! A shame.

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Strong leads in a writing mess

Overall I would call this a mediocre drama -- nothing terrible, nothing great.

THE GOOD
- The leads
- The setting is magical
...
- The soundtrck is pretty strong
- Some plot / side characters are cute and fun

THE BAD
- Way too much angst
- Many plotlines will repeat over and over
- Villains are flat, uninteresting, and cartoonish
- Heavy handed filial piety propaganda
- Side characters (all characters other than the leads tbh) are often overacted and have their characterization so over emphasized that they become insufferable. Especially the 2nd and 3rd male leads
- Brain off writing. Don't expect plots or character motivations to be believable or even consistent.

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WATCH !!!!!

This drama was perfect! Charismatic and engaging characters. I got excited in many moments 🥹🦋🩵🩷🌙
☀️
The first episode is intriguing and makes you want to go to the second and then to the next, when you see it you already want the other episodes for yesterday. I simply devoured it and was looking forward to the next ones. I hope to meet this couple again in a future project. Mumu and zhaozhao have all my heart 🥰
I already expected the master to be the villain. And I’m happy to see that my theory was right. I liked Linghbo’s redemption, she finally realized who really liked her and went after her goals. I already consider mumu’s two faithful disciples as his best friends hahahahha

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Messed up with randoms!!!

The uncanny counter is one of the best concepts in kdramas that I have watched and since I have watched season one I was really excited for season 2 but I was left with nothing but disappointment. Honestly I didn’t even know if I was watching the right show or not!!!
1. They changed the chemistry between hana and so mun, so as you start season one you can see and even feel the tension So mun had for Hana and altogether it felt like a different aura as like couples or high school sweethearts even so when so mun introduced her to his parents and his grandparents to Hana as his girlfriend but all of a sudden instead of character development in chemistry they ruined it all by giving them a sister and brother tension and giving Hana a useless love triangle and ruining the chemistry by adding her real high school crush like why was that needed? He did absolutely nothing to the story improvement whatsoever and it just ruined the relationship between Hana and so mun. Then the farm boy counter was so USELESS also why make him also interested in Hana? Like how is this helping??? My point is if you want to start a ship and a relationship between two characters then you should keep it as it is like why just change it and give the viewers and awkward atmosphere? I HATED the scenes with her and her high school crush so I skipped so many scenes which were actually waste of time .
2. I don’t feel the old chemistry between the characters, im so sorry but I felt like so mun was doing everything and the others were just there going along with it and yes I get so mun is the main character but in season one he was also the main but it still felt more powerful.
3. Comedy was so forced im so sorry!

But to the directors, please please if you make a dynamic between 2 characters dont ruin it for useless reasons or other characters. Im sure most people wanted season two to see the improvement and more chemistry between Hana and so mun but was left with nothing but disappointment. Im not sure if there will be a season three but if there is please don’t waste wonderful potentials on such stupid backstories or background characters.

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A Promising Premise That Went Nowhere

Unfortunately, this one didn't work for me. The concept sounded so promising, but something was off from the start. I couldn't connect with the characters or feel invested in their journeys. I pushed through to episode 5 hoping it would click, but it never did. Great idea, poor execution—a missed opportunity.

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Mulheres lutando por mulheres

No final de tudo, todas as personagens perderam algo para continuarem sobrevivendo e, enfim, isso é viver com honra: continuar lutando.

Um kdrama incrível, realista, verossímil, cheio de camadas e completamente respeitoso com a temática sensível. Atuações de tirar o fôlego e situações tão reais e atuais que, sendo mulher, é impossível não sentir o coração quebrar por cada vítima.

Mais do que ver os vipps e o ceo pagando por tudo, eu quero uma segunda temporada para acompanhar a reconstrução da relação de mãe e filha da Ra Young e Min Seo.

Mulheres lutando por mulheres e o gosto amargo de saber q vencer na causa das mulheres significa arrancar apenas uma das cabeças do dragão

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More like soft porn

This is hard to rate as a drama, because there is not much of a story. It reminded me a lot of Sexual therapy, just a lot bolder.
There was a little bit of a storyline and it was a clear storyline, there were no questions of what was going on. No jumping or cut off scenes, so that was done well.
The actors did a good job, you clearly saw the doubt at first on the face of the student, and you saw him graduatly falling in love. And the straight face of the teacher, you also saw him really enjoying himself in he last episode.

I think a lot of people can learn some lessons from this in all the positions there are in having sex.
The visuals were great. The music was subtle, hardly noticable.

For me one time watching was enough. This is probably more interesting for people who like to watch bl's with a lot of nudity scenes.
I rather watch bl's with a nice story and leave something to guess when it comes to the intimate scenes. When you see what they are doing, but don't explicitly SEE what they are doing...if you understand what i mean.

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'‘The jianghu calls itself righteous, yet every blade carries its own ambition’”

This drama is not a typical wuxia story about heroes defeating villains. Instead, it is a melancholic exploration of identity, memory, loyalty, and the emotional cost of living in the jianghu.
At its heart, the story revolves around two contrasting yet deeply connected characters:
Their story unfolds like a melancholic wuxia poem, filled with subtle emotion, philosophical dialogue, and powerful symbolism.
In Generation to Generation (江湖夜雨十年灯), Mu Qingyan stands out because he resembles protagonists from classic wuxia literature rather than modern action-focused heroes. His personality is built around melancholy, reflection, moral conflict, and quiet yearning, which are hallmarks of literary wuxia characters.Zhou Yiran plays the drama’s central anti-hero, Mu Qingyan.
Having survived a devastating tragedy in his past, he enters the martial world with a hidden identity of CHANG NING and a carefully constructed emotional armor. Outwardly, he appears calm, calculating, and detached.

Yet beneath this composure lies:
unresolved grief
deep loneliness
a quiet desire for belonging.

Unlike traditional wuxia protagonists who pursue glory or revenge straightforwardly, Mu Qingyan constantly questions his own motives.
His internal conflict revolves around three struggles:
revenge vs justice
control vs vulnerability
isolation vs the need to trust.

This psychological depth makes him feel closer to the tragic heroes of classical wuxia literature.
small shifts in facial expression
quiet pauses in dialogue
restrained body language.

Instead of portraying Mu Qingyan as cold or ruthless, Zhou Yiran shows that the character’s detachment comes from deep emotional scars.
-The lantern-in-the-rain scene — his silent expression conveys years of loneliness without any dialogue.
- Confession scenes with Cai Zhao — his voice softens almost imperceptibly, revealing vulnerability beneath the character’s strategic exterior.
Because of this subtle acting style, I felt that Zhou Yiran successfully captured Mu Qingyan’s quiet yearning.


Cai Zhao — The Moral Compass

Cai Zhao enters the jianghu with a completely different mindset.

She is independent, perceptive, and emotionally open. Instead of viewing people as potential enemies or strategic tools, she approaches the world with sincerity.
However, she is not naïve. As the story progresses, she witnesses the corruption and hypocrisy within the martial world.
What makes her character powerful is that she refuses to let the jianghu destroy her humanity.

Cai Zhao feels natural and grounded because Bao Shangen uses:
relaxed body language
expressive eyes
an easy conversational tone

Within the narrative she functions as:
the story’s moral center
the emotional balance to Mu Qingyan’s darkness - the light to his darkness
the catalyst for his gradual transformation.

This creates a striking contrast with Mu Qingyan’s guarded personality.
The scene where she calmly listens to Mu Qingyan’s painful past shows her character’s empathy and emotional maturity.
Combat scenes demonstrate Cai Zhao’s confidence and fluidity, reflecting the character’s free-spirited nature.

On-Screen Chemistry

One of the strongest aspects of the drama is the chemistry between Zhou Yiran and Bao Shangen. Their interactions rely on quiet emotional tension rather than overt romance. Instead of dramatic love confessions, their relationship develops through:

lingering looks
hesitant conversations
moments of mutual understanding.
This slow-burn dynamic makes their connection feel believable and emotionally satisfying.


Supporting Cast

While the story focuses primarily on Mu Qingyan and Cai Zhao, the supporting characters help build the morally complex world of the jianghu.
Sect leaders, disciples, and rival factions all contribute to the central theme that the martial world is rarely as righteous as it claims to be. These performances create a layered environment where alliances constantly shift and motives remain uncertain.

I believe The cast of Generation to Generation (江湖夜雨十年灯) succeeds because their performances emphasize emotional nuance rather than spectacle.


A Literary Romance
Their dynamic evolves through several stages:

cautious cooperation
ideological conflict
growing trust
emotional intimacy.

Mu Qingyan initially views relationships strategically, while Cai Zhao believes in honesty and compassion. Through their interactions, each gradually reshapes the other’s worldview.
while often she displayed the fact she does not want to love someone against the beliefs of the six sects.Yet the love that endured everything kept drawing her back to Mu Qingyan. After his betrayal, she still went with him to the Li Sect. There, she finally confessed her feelings in a deeply emotional moment.
Mu Qingyan, who had never truly known the warmth of a home, found himself longing for the comfort of Luoying Valley—especially after hearing Cai Zhao’s childhood story. She shared a piece of that memory with him, drawing it and giving him half of it, as if to let him experience the warmth she once knew.
Through tears, she confessed that she would have loved him even if she had known all his lies from the beginning. Her love was so deep that she was even willing to lie for him.
After a quiet, tender kiss, she left.
But her return home came with a price: she was punished with seven lashes from the python whip.


Themes Explored in the Drama
The Illusion of Righteousness
The drama challenges the traditional wuxia divide between righteous and evil sects.
Many powerful sect leaders hide corruption behind the label of morality, suggesting that power often disguises itself as righteousness

Identity and Masks

Several characters conceal their true identities or intentions.
Mu Qingyan himself lives behind multiple masks, representing the broader theme that survival in the jianghu often requires hiding one’s true self.
Yet the drama also asks:

If someone lives behind a mask for too long, can they still remember who they really are?

THE DRAMA QUITE DEBATE OF WHO REALLY IS THE MAN IN BLACK AND IS THE PAST REPEATING ITSELF YET AGAIN

Trauma and Healing

Mu Qingyan represents the emotional scars left by tragedy, while Cai Zhao represents the possibility of healing.
Their relationship suggests that human connection can slowly restore what trauma has damaged.


Belonging

Many characters in the story wander through the martial world without a true home. The emotional heart of the drama lies in the question:

Where does one belong in a world defined by conflict and betrayal?


Iconic Scenes
🌧 The Lantern in the Rain

One of the most memorable scenes shows Mu Qingyan standing alone at night, holding a lantern in the rain. There is almost no dialogue. The scene visually expresses his isolation and resilience.
It also mirrors the poetic meaning of the drama’s title.

Their First True Partnership

During one battle, Mu Qingyan and Cai Zhao fight side by side for the first time.
Their contrasting fighting styles reflect their personalities:
Mu Qingyan’s movements are precise and calculated
Cai Zhao’s technique is fluid and instinctive with her sword 'sunshine blade' gifted by her aunt Cai pingshu
This moment marks the beginning of their emotional partnership.

The Confession of the Past

When Mu Qingyan finally reveals part of his tragic past, he speaks calmly, as if recounting someone else’s story.
Cai Zhao responds not with pity but with understanding, allowing him to be seen without his usual emotional defenses.

The Moment He Pushes Her Away

At one point, Mu Qingyan deliberately distances himself from Cai Zhao to protect her.
He pretends their relationship was merely strategic, even though the audience can clearly see the pain behind his words.
This moment highlights his belief that his life is too dangerous to allow someone else close.

After Cai zhao was punished for betrayal, he told his sect members to not to mention her name.

Memorable Lines
Several lines capture the philosophical tone of the drama.

“The jianghu calls itself righteous, yet every blade carries its own ambition.”

“I learned long ago that trust is a luxury.”

“If no one dares to trust, then the jianghu will never change.”

“Some wander the jianghu seeking fame. Others wander because they have nowhere left to return.”


The Meaning of the Title
The poetic title “江湖夜雨十年灯” roughly translates to “A Lantern in the Night Rain of the Jianghu for Ten Years.”

Each element carries symbolic meaning.

Night rain represents loneliness and wandering.
The lantern symbolizes fragile hope and memory.
Ten years reflects endurance through hardship.

The title can be interpreted as a metaphor for Mu Qingyan’s life — a man wandering through a dark and turbulent martial world while protecting a small light of hope.
Many viewers interpret that lantern as Cai Zhao, the person who restores his faith in trust and belonging.

《清风醉》 (“Drunk on the Clear Breeze”) — Theme Song by Chris Lee
This song functions as the emotional signature of the entire series. It plays in key moments and in the ending credits, reinforcing the mood that lingers after each episode.
At a surface level, the title evokes freedom and wandering — drifting like wind and unable to settle. But beneath that imagery lies a deeper emotional complexity:

The “clear breeze” represents the fleeting, fragile moments of peace in the jianghu.
The idea of being “drunk” suggests being overwhelmed by something beautiful yet transient — much like Mu Qingyan’s emotional experience.
It captures the tension between longing for freedom and being bound by memories, duty, and pain.

The song’s tone — mellow, reflective, and lightly melancholic — mirrors the central emotional arc:

Mu Qingyan’s internal conflict: He yearns to be free from his past but carries it with him always.
Cai Zhao’s influence: Her sincerity becomes a clear breeze in his closed-off world, stirring feelings he rarely acknowledges.
The jianghu itself: Beautiful but unpredictable, inviting yet treacherous.
So even without hearing words, the emotional core of the music feels like a breath between storms — a moment of peace before the next challenge.

《应如是》 (“As It Should Be”) — Insert Song by Wang Zhengliang & Huang Ling

This is the emotional anchor for character relationships. It typically plays during pivotal scenes between Mu Qingyan and Cai Zhao — moments of understanding, unspoken connection, or quiet emotional shift.

The title “As It Should Be” suggests acceptance — not resignation, but a mindful acceptance of the realities that characters can no longer control:

The world is flawed.
Hearts are guarded.
Yet some truths remain inevitable.
It reflects an emotional state where characters stop forcing outcomes and begin acknowledging what is real and true in front of them.

This song’s tone — gently evocative, warm but tinged with vulnerability — fits scenes where:
Trust begins to form between Mu Qingyan and Cai Zhao, even when spoken affection is absent.
A character admits a quiet truth about themselves without explicitly saying it.
Emotional resonance lingers after a scene, rather than being resolved in dialogue.

In essence, this track is used to underline emotional recognition — the moment when a character (or the audience) realizes something fundamental about someone else.

《赴》"Bound For" by Liu Yutong
This track often underscores turning points — scenes where the narrative or the relationships shift in meaning or resolve.The title “赴” means “to go toward,” “to meet,” or “to commit to.” It’s a single-word phrase, but it carries emotional weight:

It implies movement toward something purposeful — not aimless wandering.
It suggests a decision to engage rather than retreat.
This aligns perfectly with key narrative beats where characters decide to face something difficult rather than avoid it.

This song’s tone — contemplative with rising emotional tension — is typically used when:
Mu Qingyan decides to confront his past rather than hide from it.
A character chooses loyalty over fear.
Cai Zhao moves toward a dangerous situation not because she must, but because she chooses to.

The music mirrors the emotional shift from hesitation to resolve — the moment when someone steps forward despite risk.


CGI EFFECTS
In Generation to Generation (江湖夜雨十年灯), CGI and visual effects are used with subtlety and purpose, enhancing the drama’s poetic and introspective tone rather than overshadowing the story. Wirework is augmented with light CGI in martial arts sequences to emphasize the precision and fluidity of Mu Qingyan and Cai Zhao’s fighting styles, while environmental effects like rain, mist, and glowing lanterns heighten the emotional atmosphere, reflecting the characters’ inner states of loneliness, longing, and hope. Symbolic imagery—such as lanterns floating in the night or faint shadows in battle—reinforces themes of legacy, perseverance, and the burdens of the past, and set extensions create a grand but believable jianghu world. Overall, the visual effects support both the narrative and the emotional arcs, making the jianghu feel alive and immersive while keeping the focus on character and story.


MY FAVORITE DIALOGUES - QUOTES
MU QINGYAN -
“I learned long ago that trust is a luxury.”
Captures his guarded, anti-hero nature and the scars of his past.

“If you are here, I do not need to watch my back.”
A subtle confession of trust and vulnerability, usually reserved for Cai Zhao.

“The jianghu calls itself righteous, yet every blade carries its own ambition.”
Reflects his perception of the moral ambiguity in the martial world.


CAI ZHAO -
“You survived. That alone is not something to be ashamed of.”
Shows her empathy and ability to see humanity in others, even wounded anti-heroes.

“Some wander the jianghu seeking fame; others wander because they have nowhere left to return.”
Highlights her reflective, poetic view of the world.

“Strength is not in the blade, but in knowing when to protect and when to let go.”
Reveals her moral clarity and wisdom beyond martial skill.

PLOT HOLES
MANY of these lies within the directors but indeed covered by our flawless couple and Safe to say Novel is written in a amazing way. I won't directly say anything but i do agree the drama is flawed in some aspects.

Overall Rating: 9.5 / 10

Generation to Generation is a poetic, character-driven wuxia drama that explores trust, legacy, and moral dilemmas. With Mu Qingyan’s complex anti-hero journey, Cai Zhao’s sincerity, and a hauntingly atmospheric world, it balances emotion, philosophy, and subtle action. Even with minor plot gaps, its emotional depth and immersive storytelling make it a must-watch.

IT MADE IT TO TOP 10 FAVOURITE DRAMA LIST .

NO OFFENSE, I LOVE WHEN I FLY TOWARDS YOU.BUT, THIS IS MY FAVOURITE ZHAO YIRAN DRAMA
HE IS VERY ALLURING WITH LONG HAIR AND TRADITIONAL COSTUMES, OF COURSE VERY HAMDSOME
NO WONDER, CAI ZHAO WAS SURPRISED.

FEMALE LEAD IS SOOO PRETTY NO WORD.
THIS is one of MY TOP 10 FAVOURITE COUPLE.
visual x visuals

I believe people have different opinion on the drama but this is mine, hopefully everyone respect this and enjoy the drama.

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finished in 3 days: addictive!!!

Let me tell you.. I finished this drama in 3 days. It was so addictive.

I love coming of age stories but it is really hard to find a good one.
Is this show perfect? Absolutely not.
Is it worth watching for 36 episodes? Absolutely yes.

Plot: we follow the lives of a bunch of teen Agers across high school, university and into adulthood.
The thing that makes this drama stand out is that it feels way more realistic than other ones especially when it comes to the romantic aspect of life.

If I have to make it short, the leit motiv of this drama is "you might be in love with someone but he is already in love with someone else, but ehy... Keep holding on".

All the characters are somewhat intertwined in some kind of "one sided love" and it feels so real.

The script gave each of them same personal battle. We experience love at first side, love that stems from friendship, betrayal, unsure love etc.. the whole umbrella. This gives you the chance to empatize with all the characters at some level.

Friendship is a solid presence throughout the drama. This people are always there for each other no matter their personal circumstances or contrasting feelings and that was so well done and sweet to watch.

Family dynamics are a part of the drama but don't play a huge roll. The are somewhat more relevant in the "high school" days but less present later on.

The characters are well written except for some secondary characters that are just there to be the occuring "room mate" or "university collegue".

The actors did all a fantastic job, especially the main duo. These guys just make you laugh, cry, sight.. wonderful.

The highlight of the show? Definitely lu suyi. This poor guy. You cannot not fall for him. He is the greenest flag you'll ever see. I felt his pain so many times. He never give up his love even when the odds where all against him.

The female lead was lovely. Often in this teenager drama they dumm down the female protagonist but here she is resilient, a good friend, has a strong will power and genuily funny without that "cute but dummy" stereotype. Sure, she is not academically gifted like 90% of this kind of characters but she makes up with other qualities.

I loved the fact that no guy in the main group is toxic or a tsundere. Really refreshing.

This drama is pretty long and some dynamics start to feel a bit repetitive at the end but to my surprise I didn't find any episode to be boring.
Sure I skipped some parts related to some couple but that was just me trying to find out about the main trio.

Complaints?

Expected maybe more high school episodes. They end pretty quickly.

The passing of time is not really done well.
It is hard sometimes to know how much time has passed. Even though their attention to details like the technology available at a certain given time.

University wise: they did very little study. Especially the main guy which is supposed to be a medical student.🤣
University life was pretty lacking. It seems like they were mainly hanging out with each other and focusing on their personal love story.

Adult episodes: they are literally 3. I would have liked to see more of how they adjusted to life outside of school. Sure they tell us what they were up to but it felt a bit lacking.

This is definitely worth to watch.

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It's really good but i wanted a few more episodes

The only kinda mid episode was episode 1 where i just didn't feel this drama was gonna be that good. I've watched other age gap office romance which was like wayy too good from the start. This was more on the slow burn side. I really liked how Nozoe was oblivuous of the fact that Togowa liked him but was also jealous and Togawa being a total golden retriever 🤭 my fav scene would be when Nozoe asked him to go out of the kitchen cz he was big and bothersome so Togowa tries to sink himself😆😆 that was just soo damn cute. I really liked those tiny cute moments that popped up once in a while.

The reason i minus 0.5 was cz we didn't get to see their life after they got together much. Like their firsts. First official date. First time staying together after they started dating. Moving in together. Telling friends and family about their relationship etc...

Overall it's nice for a 5 ep drama they've done a really good job

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