Reviews

Strong storyline but no emotional depth

I think what makes this series so frustrating to me is that the potential for something truly incredible was clearly there from the very beginning. The premise was strong, the central conflict was compelling, and the story itself had all the ingredients for a deeply emotional and memorable drama. It’s not even that the writing lacked ambition — if anything, the series clearly wanted to tell a tragic, emotional, character-driven story. But somewhere along the way, it seemed to forget that powerful storytelling is not just about having dramatic plot points or shocking revelations. What truly makes a story impactful is making the audience emotionally connect to the characters and genuinely feel what they are going through.

And for me, that emotional connection never fully happened.
What makes that especially disappointing is that I’m usually someone who connects very easily to emotional storytelling. I cry easily during movies and shows, and when characters are written with enough emotional depth, I tend to become very immersed in their experiences. I don’t need a story to be perfect structurally if it succeeds emotionally. But here, despite understanding the conflict and following the storyline perfectly fine, I rarely felt emotionally attached to the characters themselves. The series constantly expected the audience to feel devastated, heartbroken, or emotionally overwhelmed during certain scenes without properly building the emotional foundation needed to make those moments land.

What makes it even more frustrating is that the emotional issues weren’t limited to just one part of the story — they affected almost every major relationship and character motivation throughout the series.

Take Arisa and Lalin’s relationship for example. As viewers, we were basically rushed into their romance without enough emotional exploration to make it feel believable or meaningful. Suddenly three months had passed, and the audience was simply expected to accept the depth of their connection without actually being shown how that emotional bond developed. There weren’t enough quiet moments, vulnerable conversations, or gradual shifts in their dynamic to make their relationship feel truly lived in.

Then the series reveals that, at least initially, Arisa’s relationship with Lalin was tied to her revenge plan. But even when her feelings supposedly shift into genuine love, the show barely takes the time to emotionally explore that transition either. We’re told that her feelings changed, but we rarely feel that internal conflict alongside her. As a result, many of their emotional confrontations and romantic moments ended up feeling hollow instead of heartbreaking or emotionally layered.

The same issue applies to Arisa’s revenge motivation itself. Yes, viewers can logically piece together that her revenge stems from the trauma surrounding her parents’ deaths, but the series never truly lets us sit with the emotional wound that experience left on her as a child. We’re given the plot explanation, but not the emotional depth behind it. There’s a huge difference between understanding what happened to a character and actually feeling the long-term pain, grief, anger, or emptiness that shaped them because of it.
Because the show skipped over so much emotional groundwork, it expected viewers to react strongly to revelations and breakdowns that hadn’t been properly built up. When the truth was finally revealed, it should have been devastating and cathartic, but instead it felt emotionally distant because the audience was never fully invited into Arisa’s inner world in the first place.

And that’s what makes the series feel so disappointing to me. The storyline itself had genuine potential, the conflicts were dramatic, and the themes could’ve been incredibly compelling — but without emotional depth and proper character exploration, so many of the big moments lost the impact they were clearly meant to have.

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mini series covering up all genres

cant stress enough at how perfect this mini series is. theres action, horror, sci-fi, romcom and many more. everythings perfect. funny how an 8 episode mini series covered up all genres but a 12 episode one is not enough lol. cgi's are obviously there and transitions are somewhat clean but i cannot forgive that AI cameo from an actors face. it was horrible, i thank the heavens for not maintaining it for long. the cast, urgh, the perfect cast. bae nara and park eunbin like WOW. bae nara, will come a long way, trust. he needs to be in different genres, he can flawlessly portray them. park eunbin, the most charming actress. i hope shes in the list of chungmuro actors. she deserves it. cha eun woo, my beloved, hes come a long way. im always distracted at his disgustingly perfect face, im drawn to him. cew cannot act allegations are finally free.

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Honestly, such a hidden gem! ?❤️

I just finished The Wonderfools and I’m not even exaggerating—I watched the whole thing in one single sitting. I literally couldn’t pull myself away from the screen!

The way this drama mixes comedy, thrill, and romance is just brilliant. Usually, when shows try to mash up that many genres, it gets messy, but it worked so perfectly here. One minute I was laughing out loud, and the next I was genuinely on the edge of my seat.

And can we talk about the cast? Everyone did an amazing job, but Park Eun-bin and Cha Eun-woo together? Absolute magic. Their chemistry is insane! Their back-and-forth comedic timing was hilarious, and the romantic vibe between them felt so natural and sweet.

My only real heartbreak is that it was only 8 episodes long. It felt way too short! I was so invested in the story and the characters that I just wanted more time with them.

If you're looking for something fast-paced, super fun, and genuinely feel-good, please go watch this. Just make sure you have a free afternoon because you will binge it!

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A little bit of everything

Where to watch: https://www.youtube.com/playlist?list=PLNd7BhdAz80ptzaxeYXbVCLVXH7JXtely

1. Raise Me?:
Acting and romance in this story felt a bit awkward.
Overall it is kind of cute and not too bad.

2. Folding? You!:
I really didn't like that one. It's pretty cringy and awkward. I know it's hard to make such a short story make a lot of sense, but still, this one just doesn't make any at all.

3. Sweet Mischief:
I like this story; it is cute and interesting. A bit confusing at first but not too much.
I also like a little "crossover" with the previous story.

4. Sleep Around, Still Mine:
Surprisingly, this one was my favorite story out of all of them. Acting is less awkward, and the story is more engaging and enjoyable. I would prefer for it to have a different ending, but still, it was pretty good.

5. Craving You:
More of the awkward acting. I guess this story is not bad, but this one is definitely not my favorite.

6. Not a BL:
Not bad, but the plot for this one is just weird. I feel like the biggest problem here is the time; it's hard to show this kind of story well in such a short period of time, so it all becomes sloppy.

7. Something Sweet:
Not much to say about that one. Cute but really nothing special.

8. A Killer Recipe:
I think they should've stuck to the style they were using with all of the other stories. This one is really different from others, but again, because of the short episodes, mediocre acting, and small budget, it was just not really good. Also quite confusing, I would appreciate more lore to start with.

Overall it was really not my cup of tea. Some of the stories were more or less interesting, but the awkward acting and extremely short episodes just really ruin even that.

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The only thing we can 'Dream On' about is that this were better

I'm annoyed with how disappointed I am because
1. We know that most sequels don't exactly live up to their shared stories
2. We should never really have much expectations, ever

Sometimes, you watch a drama and go 'why do I even bother?' because it's just that bad. I could say that Dream On had no depth, no good character development, no nuanced writing of any relevance, but why bother? What does it matter when they didn't have a decent plot or characters from the get go?
Because drama that goes down between six guys on the set of Romeo and Romeo because all of them clearly like just one person but force themselves to pretend they like others is not exactly a watchable plot with characters you can root for.

Let's just rehash this couple by couple in no particular order (except for the amount I liked/tolerated them)

Arnold and Tua
I believe they were supposed to be the 'steady pairing' - the couple who is kind of always into each other, has a ton of cute moments and one smidgen of drama that is not actually worth crying over (I made up that last part but it happened!)

Tua has forever been in love with Arnold - Arnold has a policy to never date friends and against all odds, they date. But that one smidgen of drama? It comes in the form of Dean, Tua's friend and Arnold's co-star in that play. Dean has this idea to create 'ship content' with Arnold (more on that later) but things start to get kind of real and a photo of them indulging in an angle kiss goes viral. That causes some distress but they make up so quick I began to wonder why break up?

Because they're that couple! Strong, dedicated and so boring. They were so bland as a couple and as individuals that remove them from the plot and it wouldn't really make a difference - which speaks both to how badly and boringly written these two characters were, but also how messily and terribly the other characters were written. I didn't enjoy this pairing much (didn't help that their last work was the Sniffle Story) because either have them be more involved or do not have them at all!

Dean and Jack
Before I start, please repeat after me - Jack is the worst!
Now let's go. I'd argue that these two got the most screentime, which genuinely upset me, not only because Jack was one of the worst characters in the series but also because of how terrible they were to almost everyone, including each other!

There's a lot going on here, and this is just an abstract but Jack and Dean are exes who broke up because Jack believes that Dean is a player who will eventually cheat on him. They're working together on a play and somehow end up in an on/off, FWB to couple relationship (complicated, I know) but throughout it all, Jack is just a complete jerk. Not just to his boyfriend, but almost everybody. I could actually write a paper on how badly written Jack is. Anyway, they have constant arguments working together, fueled even further by the presence of Raffy, Dean's rival in everything, including love.

The constant jealousy and arguments only get worse when Dean has the idea to shoot content with Arnold to promote the play, and that faux-kiss happens. And obviously Jack is super chill and that's that (ha-ha)

Their part of the story obviously has a lot going on, even aside from the petulant relationship troubles. They take about things like addiction, financial troubles, infidelity, trust - but they don't really talk about it. It's mentioned in passing and immediately forgotten to talk about relationship issues that do not exist. It's like they wanted to say something but were worried for some inapparent reason.

And we've already established that Jack is a jerk (the awfulness must truly be witnessed to understand) but Dean is actually a decent person. A good friend, smart and tenacious but when he's around Jack he turns into this monstrous person I really hated. This pairing actually angered me so much, I just - ugh.

Raffy and Rome
My favourite pairing, why? Because they had the most potential.
Raffy - in love with Jack, would do anything to get him, might be in love with Rome but won't accept it.
Rome - in love with Raffy, hated his step-brother Jack and will do everything to ensure those two don't end up together

These two start off as a quintessential FWB, annoyance to lovers pairing but I quite liked the way their story progressed. Despite being an integral part of the mess, it felt like they never really moved away from each other. Yes, they argued and fought, but somehow always kept looking for each other. Maybe it's the fact that they actually looked like they liked each other, but with a few tweaks, their story would've been one to rival even those from S1.

And even as individuals, brilliant characters. Not perfect but they actually had character growth. Compared to the other characters who didn't move an inch (personality or face wise) these two were aces better.


A story that was supposed to be messy, hard hitting and thought provoking like S1 turned out to be almost nothing. Don't get me wrong, this was MESSY. I haven't even covered so many of the things that happened in this series - embezzlement, the return of Boston, cameos from Only Friends, it had it all but it mostly felt like a hollow shell. Characters sometimes refused to interact outside their set pairings, and when they did it was mostly to fight. That was one of the biggest problems with this series, it felt like I was watching the love story of three different couples who rarely interacted with those around them.

Nothing worked beyond a certain point and we owe it all to the writers and makers who weren't willing to actually go anywhere with the story. The same drama was spun around hundreds of times, characters moved one step forward to take ten steps back, basically ending the story exactly as it started. Even the actors (who I know are brilliant performers) couldn't move their facial muscles to save this lackluster story.

If you've stuck it out until here - go you! It could not have been easy to read my rather incoherent rant (almost done I promise). I don't think I was the target audience for this series. Yes, I love flawed and messy people being themselves but there's a certain amount I can tolerate of people making the same bad decisions over and over again, and standing by that decision lol. If you're looking for a genuine messy bunch and a bunch of messy relationships, go for it. But don't say my rant didn't warn you ;)

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A Healing Love Story

I had been waiting for Soul Mate for over a year, and honestly, it was 100% worth the wait.
At first, I thought this would be a BL series, but it feels more like a bromance although there’s clearly something much deeper between them. And honestly, that’s what makes the story feel so real and emotional.
What makes Soul Mate so beautiful is that it doesn’t only focus on the relationship between the two men. The series also gives attention to the people around them and their own struggles. One of the most emotional parts for me was the woman’s story — dealing with the loss of her husband while also becoming a mother. Her storyline added so much depth and showed that everyone in the story is trying to heal in their own way.
The series explores loneliness, trauma, healing, and real-life struggles in such a natural way. At first, the two main characters seem completely different, but as the story continues, you realize they were always connected. In the end, it becomes clear that he had always liked him all along, which made their bond feel even more emotional because they truly are soulmates.
The chemistry, cinematography, and emotional atmosphere make this series unforgettable. If you love slow-burn emotional stories with deep connections and healing themes, Soul Mate is definitely worth watching.

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Wow! What’s not to like about this clever plot line

If you’re looking for a story with sizzling chemistry, great acting, surprising redemption arcs and a very clever plot line then this could be one for you.

The opening scene shows a stunt man, Joe as he plummets into a ravine during a motorbike stunt gone. The next scene shows him waking up in hospital next to a woman who claims to be his mother who’s calling out his name. The following few chapters, mainly through a series of flash backs and snippets from the present day, explain the events that led to the opening scene as well as Joe dealing with this new version of himself two years later. We are introduced to Ming, his wealthy boyfriend, Tong, Ming’s morally bankrupt brother in law, Wut, Joe’s father figure and agency owner and Sol, a young man from the same agency.

It’s obvious from the get go that things between Joe and Ming are not what they initially seem to be. Ming turns into an *sshole of epic proportions and Joe is caught up in a battle he clearly cannot win and which ultimately leads to his death. Fast forward to 2 years after the accident and it’s clear that Joe’s death has had a profound effect on those closest to him but will Ming pull him in again and will history repeat itself?

I loved Joe2’s mum. An absolutely gorgeous woman with a heart big enough to melt an iceberg. Strangely though the actor’s not in the cast list on this platform but I would love to see what else she’s been in.

I’ve barely seen such a clever plot line so kudos to the writers. The production values are great with the exception of the inside of Ming’s family home which is highly conservative with an almost black, panelled interior and at total odds with the ultra modern, glass walled exterior (which appears in Love in the Sky as well as several others).

Would I watch this again? You betcha I would!

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Love You Teacher Is Emotional, Warm, and Easily PerthSanta’s Best Work Yet

Love You Teacher was honestly one of my most anticipated Thai BL dramas of 2026, mainly because I completely fell for the pairing of Perth Tanapon and Santa Pongsapak in Perfect 10 Liners. From the moment the mock trailer appeared during GMMTV’s 2025 lineup reveal, I already had a feeling this pairing would work beautifully in a full-length series. When the official trailer finally dropped, my excitement only doubled. Thankfully, the actual series more than lived up to the hype. This is genuinely PerthSanta’s best project so far.

Produced by GMMTV and Parbdee Taweesuk, Love You Teacher mixes romance, school-life comedy, emotional drama, and caregiving themes into something that feels surprisingly fresh and emotionally layered. The story follows Pobmek, an elementary school teacher who does not really enjoy dealing with children, and his boyfriend Solar, a naturally gentle and caring teacher loved by everyone around him. Their relationship is already established from the start, which immediately makes the series feel different from the usual BL setup.

Everything changes after Solar experiences a traumatic accident that causes neurological damage and occasional mental regression into his seven-year-old self, Sun. It is definitely a strange and risky concept, and I will admit the constant switching between an adult man and a childlike personality can feel uncomfortable at times. But to the show’s credit, it handles the premise far more carefully than expected. Instead of turning it into something exploitative, the story focuses on the emotional consequences of caregiving, grief, exhaustion, and unconditional love.

Santa absolutely shines here. His ability to switch between Solar and Sun is honestly impressive, and I found myself fully invested in understanding his condition and emotional state. Perth is equally fantastic as Pobmek, especially during the heavier scenes where his frustration, sadness, guilt, and emotional burnout become overwhelming. I started tearing up from the very first episode, and from there the series had me emotionally invested every single week.

The chemistry between Perth and Santa remains one of the show’s biggest strengths. Their relationship feels natural, affectionate, and lived-in, which makes the emotional scenes hurt even more. Flashbacks showing how they met and fell in love help balance the present-day heaviness of the story beautifully.

Another standout for me was Kay Lertsittichai as Jee. It was refreshing seeing him play someone genuinely kind, cheerful, and approachable for once, and he added so much warmth to the school setting.

Visually, the series is one of GMMTV’s strongest-looking productions recently. The colours, costumes, and overall art direction feel vibrant and comforting without losing emotional depth. The school environment actually feels alive rather than just existing as a backdrop. Even the humour blends naturally with the heavier moments instead of ruining the emotional tone.

The soundtrack is also excellent, especially “Written in Our Hearts” (ขีดเขียนเรื่องเรา). Perth’s performance of the song feels incredibly sincere and emotional, and you can genuinely feel the authenticity in the way he sings it.

What makes Love You Teacher stand out is how much it tries to talk about within only ten episodes. Beyond Solar’s condition, the series explores adult friendships, difficult family expectations, emotional insecurity, teacher burnout, children dealing with pressure, and the painful reality of constantly being compared to others. Pobmek’s struggles especially felt relatable because many people grow up feeling pressured to meet expectations that were never truly their own.

At times, the drama probably tries to cover too many themes too quickly, and some conflicts get resolved faster than they realistically should. Still, I appreciated that the series was willing to have these conversations at all. Even with its flaws, the emotional sincerity behind everything remains strong.

I also loved the small finale appearances from Keen Suwijak Piyanopharoj as Thara and Sea Dechchart Tasilp as Wayo as intern teachers. It was a fun little surprise for viewers.

Overall, Love You Teacher is emotional, heartfelt, visually polished, and incredibly bingeable. It is the kind of series that quietly pulls you into its world until you suddenly realise how attached you have become to the characters. The premise may require some suspension of disbelief, but the warmth, performances, and emotional honesty make it worth the ride. For me, this easily became one of the best and most memorable Thai BL dramas of 2026.

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Simple, but It Works

This series’ greatest strength is its simplicity. A lot of anti-hero-centered kdramas have small moments where I genuinely start wondering if they’re successful money-laundering schemes. Regardless, this drama handles superpowers surprisingly well as a plot device. Unlike most series in this genre it doesn't struggle balancing the powers with the storytelling.
However, the writing lacks in other ways. There are quite few "IJBOL" scenes that viewers would’ve found funny ten years ago (where everyone claim kdramas had peaked). Also, I dislike when a huge amount of screen time is given to antagonists (it’s a general kdrama writing issue). I would have prefered learning villains’ motivations through main characters’ povs.
Now, the cast did a decent job with the material they were given. CEW somehow becomes even more stone-faced than he usually is. Meanwhile, PEB’s comedic acting took me some getting used to, but overall she carried the drama alongside the supporting cast. Special kudos to whoever was in charge of the soundtrack selection. One of the highlights of the series was the scene featuring Creep.
I'm recommending this drama to people like me who hardly watch superhero-oriented series.

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A well-crafted story, and executed well for the most part.

This was really good, although I did have problems with the writing and editing in some of the episodes; with the most egregious example being the bomb scene, it's never fully explained just HOW Seong-jun and Seong-hoon got all the hostages out and disabled the bomb, instead we just get them slow-mo aura farming and mogging on In-seong.

I really wish they cut this thing down, I'd say 13 episodes would have been the perfect sweet spot: not too long, not too short and just the right pacing.

But throughout the series itself I do have to commend the cinematography and the sound direction, absolute perfection. And the episodes that DO hit, hit *hard*.

Overall, I'd say that while the drama has its own shortcomings, the good parts still make it enough to warrant at least a try if you're into dark thrillers. I'd say give it at least 4-5 eps before dropping it, which I know is a massive commitment at around 7.5 hours, I believe? But I do believe that the underlying story is genuinely fantastic.

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Character Development was Brilliant

Absolutely love this drama. I'm only on episode 10 (nearing the end). It was a bit confusing in the beginning to see where this was going, but so far I love it. The pacing is fantastic. The story ebbs and flows.

One of my favorite things was the character development for each of the characters. Someone mentioned that there was no clear villain and I believe that's exactly the point. Villains may sometimes not be purely evil, but rather complex humans who make bad decisions as a result of past trauma or hurt egos.

Actors - 10/10. Again with so many potential villains, each actor/actress did a phenomenal job of showing the range of their characters.

Music - this is a bit random, but I love that they chose to rely more on instrumental music than playing the same song with lyrics over and over again. It makes it much easier to watch.

Production value, also 10/10. Set design, costumes, amazing. Visually, it's just beautiful to watch.

10/10, absolutely love it.

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The Beauty of It All

'To the Wonder' is so hauntingly beautiful and different from the rest. The beauty of its simplicity is unparalleled. It makes you want to laugh, to cry, to shout, to scream, to do almost everything, all at once.

In a world where the focus is to do everything faster, with more efficiency, and make more and more and more money, this is a breath of fresh air. We are pulled back into life without such strict constraints and rules beyond recognition. This drama, from the plot to the actors to the setting, everything is beautiful. It isn't an extravagant type of beauty that takes you all at once, forcing you to gape at it in awe; it's the simplicity in itself and in the lifestyle of the people. The contrast between the ever-changing, fast-paced world we live in, and the life of herders and culture. In the mundanity of life, we often forget to appreciate the culture passed down from our ancestors and the self-sufficiency of nature. Our current climate continues taking and taking until the greed becomes insurmountable, yet the destruction is felt by the exact life source we thrive off from.

This is a drama that makes you think. Not a single detail is simply 'there', yet nor is it deliberate – it is representative of real people, real lives, real cultures. What beauty that we live in yet don't feel gratitude towards.

Even if the ending is debated upon by many, I believe it is the best. Happy endings only exist in fiction; reality differs. The humane aspect of this drama is what touches everyone, because it is raw and unfiltered. We can see ourselves in the characters despite living largely different lives. Nothing is easy in life, yet we must move on; even if we stop, the world continues without us, so we must learn to live with the pain of it all, until it no longer aches your soul.

Truly beautiful.

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An alright watch.

I hate the fact that the drama was advertised/classified as a BL because their relationship was portrayed of being really good friends more than lovers.It felt like watching two guys who became best friends (Soulmates) due to their life experiences and they never judged each other's life's choices.Granted Johan was gay while Ryu wasn't exactly sure of himself after he was confessed too by his teammate.I want to say the drama was more of Johan's growth but the stunt he pulled in distancing himself from Ryu the person he truly loved just pissed me off.I hate characters like Johan....who despite being seen in a vulnerable state by the one person whom they truly cherish choose a path that hurts both of them when a life changing event occurs.Ryu on the other hand,did he really find happiness in life cause he quit ice hockey something he did and enjoyed since he was a kid, despite graduating he got a job that was exhausting mentally, emotionally and physically.Then the person who seemed to have a connection with him 'broke up' with him in a disrespectful way then he joins his dad's company and planned to marry someone he wasn't romantically interested in.To be honest Ryu never got his happy ending.

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This Isn’t Romance. It’s Something Deeper.

I don’t think Soul Mate is the kind of drama you “watch” casually. It’s the kind that quietly settles into your chest and stays there long after the final episode ends.

What impressed me most was how emotionally restrained yet deeply intimate it felt. So many dramas try to force emotion through dramatic speeches or constant romance, but Soul Mate trusted silence, distance, longing, guilt, and timing. The connection between Ryu and Johan felt painfully human — two lonely people carrying heavy emotional wounds, finding understanding in each other without always knowing how to express it.

The cinematography was beautiful without feeling artificial, and the atmosphere across Berlin, Seoul, and Tokyo gave the story this drifting, almost dreamlike feeling. There were scenes where barely anything was said, yet I felt everything. The show understands emotional loneliness in a way that many romance dramas don’t.

Hayato Isomura and Ok Taec-yeon gave incredibly layered performances. Their chemistry wasn’t loud or flashy — it was quiet, aching, tender, and believable. I especially appreciated that the story focused more on emotional dependency, healing, grief, and companionship rather than trying to constantly “prove” romance to the audience. That choice will probably divide viewers, but for me, it made the story feel more mature and realistic.

I also loved how flawed everyone felt. Nobody was written as purely good or bad. Every character carried regret, fear, selfishness, and love at the same time. Arata’s storyline especially hit hard and added emotional weight to everything that followed.

My only reason for not giving it a perfect 10 is that the pacing occasionally became a little too restrained, and there were moments where I wanted the emotional tension to fully explode instead of remaining so subtle. Still, when the show landed emotionally, it landed HARD.

Soul Mate is less about labels and more about connection — the kind of bond that changes your life forever, whether the world fully understands it or not. Quietly devastating, deeply comforting, and one of the most emotionally memorable dramas I’ve watched in a long time.

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