Lovely Runner

cringy romance with an interesting time travelling plot

i was initially interested in this drama because i followed the leads and those actors were ones who usually didn't get main roles but when i saw that it was an idol-fan romance i instantly got the ick and abandoned it. the rumors of it being based on real life situation also didn't help much. now this is one of the most talked drama of 2024 so i made it a point to watch it and see what the hype is about. it certainly won't be bad if that many people like it right? i was wrong.
i would say the main reason why this drama was so successful is because it had pretty main leads who were down bad for each other. no proper/solid plot.

i was very creeped out by the fan-idol thing in many of the first episodes. the reason for her becoming a fan was genuine but her behavior was borderline obsessive. there were many times where she did things for him because she is a fan in 2023, which kind of creeped me out. also the fact that she was a 30 something year old in a highschooler's body chasing another highschooler was creepy to me.

my biggest complaint is how one dimensional both the main leads are especially sol. whatever we know about them revolves on the fact that they like each other. sun-jae likes sol but why? he likes her so much he is willing to die for her, what made him like her so much? i understand crushes but doing all this? in the first timeline it makes sense cause the accident is kind of his fault but after that? what is about her that he likes/loves so much? his whole personality was being in love with sol. at least taesung had a reason to like her. she was oddly mature with him and he liked that.
sol was so childish for majority of the show. it wasn't until the end she acted like an adult. during her first few time travels there was no difference between 30 year old her and high school her. she absolutely did not think before she acted.
so much of the comedy depended on sol making dumb decisions, it cringed me out. they could have shown sol and sun-jae better by avoiding all those cringy scenes between the brother and the best friend. sol got her ability to walk after 15 years yet it was barely acknowledged. she never seemed to spend time with her family nor her friends. same with sun-jae. u would think someone whose grandma lost her memory due to old age would be more emotional at getting her back. also how did sun-jae and sol end up in their respective careers. we don't see sol being so in love with movies nor sun-jae with acting. they could have given the characters more depth.

the time travelling plot was the most interesting part. the change in timelines and the effects they had were interesting. they were honestly what kept me through the series. even though the rules of time travelling and everything was weak it was nice. them being connected in every scenario was a nice touch.

the director/team could have just made a highschool romance with
Byeon Woo Seok and Hye Yoon and it still would have been a hit. they were the best parts of the show and did their roles well. them being casted might be one of the sole reasons the show is successful.
i would have preferred to have the idol fan thing out and make them like neighbors or something and not have the female be obsessive with the male lead, especially in the fan idol sense.

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It's unnecessarily long

It was better off being only 12 episodes. It was dragged on unnecessarily with cliched plots, mindless second lead dumping etc. This is infact highly overrated. Sunjae is a green flag, yes. But Im Sol is not. She's jumpy, confused and very very annoying. I love watching Hyeyoon trust me! Extraordinary You, Sky Castle, Snowdrop etc, she was marvellous in them. But this was cringe, straight up cringe. There's no business of this having 9 rating. A 7 would have been fine honestly. And it was too much of overlapping issues going on. Conclusively this is same typical cliched plot, nothing else.

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my initial rating was 9, went to 7, went to 8, then ended at 5

it felt like a story inside of extraordinary you, totally "scripted", overly fantasy, bright, dreamy, with zero intellectual depth. one would say, it's a drama ofc it's scripted, but that's why mdl reviews need a "plot development" rating as well

as the story goes on, for a time traveling plot, one might be pleasantly surprised by the early twists and think, wow this is so well thought out, but reaching the halfway mark, and one starts to wonder, why is everything going in a spiral, new developments, but never any resolution

im sol, as a time traveler, was really really not smart. she never thought logically, and she was not really a teen to no think a bit more.
her first answer to anything was to run away, first cuz she didn't think she was good enough for him, then she thought he got swayed by her love and deluded himself into loving her, later she worried their love was the reason for his misfortunes...
so even when she could tell him about her truth, she still didn't think...


Some aspects are so frustrating, like both like each other but both act distant and cold
As if the writer controls them so they can’t be true to themselves, and later with their last plotmove, of making him forget her, she wonders why he's so cold when he was always a bright sweet person... did she have the amnesia as well? cuz literally he was cold to her from the start


Like her awkward “I’m not spending the night with you” just to see the bar sign two seconds later, just because it’s outside the shot doesn’t mean she couldn’t see it
or her saying "yes i'll stay the night" just to realize he wasn't talking to her... or him saying "so pretty" then say "i wasn't talking to you"


like he was happy she was there, and heard she wants to stay, yet he was the one who kept trying to make her leave
And every time he smiles outside the shot then acts cold in front of her

i hate that push and pull, cuz it's not cute flirting, it's bringing one down and embarrassing them, just so the confession looks sweeter
and it was fine for 18 year olds, but not for 34 year olds..




Like yeah sure he’s hurt about her young vr being so cruel to him and that also adds, if she didn’t love him as an idol she wouldn’t have cared for him as a guy and she’d have rejected him, so this drama wasn't about saving his life but about making sol stop being a self centered cringe fest to finally seeing the guy infront of her xD

but he’s not a teen anymore, again sure “being broken hearted and finding his true love” made him not date anyone even as a 30year old, but he doesn’t need to act like a kid, sure his pure hearted ness is cute but his coldness is such a kids behavior





This is what I like about this drama, it’s not just going back and fixing one or two things
It has consequences, unexpected elements and good back and forth that became too much by the end
Tho I do feel a bit of unfortunate lack of depth in character and friendships and connections but it doesn’t overshadow the good flow

I’m sensing a bit of the movie A Day from the taxi driver, but they never explained or explored it? literally no answers, he was just a random dude who randomly liked to kill random ppl and sungjae/sol were just some random ppl that randomly crossed his path?



Going back to a changed future is a cute touch and fun especially seeing sungjae is the same as always

Tbh I feel like sol accepting him as a friend and telling him to stay by her side would be sweet, cuz he’s not a creep and he can just approach her as if she doesn’t remember him and just be friends, but instead they had a whole reset, to "naturally" keep them away,,

They’re like dumb and dumber, solah as a teen was a handful, and not the cute na hido type

She was mean to her mom, she was clingy af, kinda like some day or one day’s young vr, you just can’t like her
Then comes her old self and some scenes it’s like she just freezes or faints, for the convenience of the writer
And sure he’s cute but he’ll also too obsessed about her, I don’t see them working out as teens, so at least not really meeting in the past saved him alot of cringe and heartache



The thing twinkling watermelon had that this doesn’t is the great characters, bonds and feeling of youth
Here the bro and fl friend are a snooze, the taxi thing is frustrating, his feelings are creepy and I now don’t like the “sol was the first love” it’s like now she only likes him cuz of his idolness rather than him as a person

Ironically if this drama didn’t have that ridiculous mystery element and just stayed as a time traveling romance drama where their worst struggle was her not being able to tell him anything and each thing she changed by being in the past made a new future, like anytime she changed the future, he dies, so ofc the answer would be keeping memories as memories and not meeting in the past so he can live
and I do have to say this, 34 year old sol, no matter how naive, kissing 18 year old sungjae, and the whole past romance parts, was eeeeewwwwwwwwwwwwwwwwwwwwwwwwww

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Strong start, then spiralled downwards

May 2025
This started strong and I was quickly invested, however, sadly it started to go very askew from ep9.

It got much too stretched out for me, with the story becoming far too convoluted. The writer should have kept it simple.

I soon grew tired of the FL character's increasingly questionable thought processes, and decisions/actions. No thought seemed given to the effects of the past on the future, with their love encompassing everything.

The leads were nice to watch. I loved BWS in Moonshine, which I started watching to get a break from this 🫣 His character in this was more likeable (possibly because none of the scenarios he was drawn into, were of his making). I have to say, BWS really has great screen presence, with a great aura, whatever his part.

Supporting characters were OK. No one really stood out, although the way Kim Tae-song's (actor Song Geon-hee) personality was bounced around, gave me whiplash.

I didn't get the urge to drop it, didn't use the FFWD button (tempted, but always worry I'll miss something crucial), but did get bored. Such a shame the writer took the story back, more than once too often.

So disappointed.

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Plot is quite weak and repetitive it's an alright drama I don't know what is all the hype about it

Alright let me tell you there is already a lot of dramas with second chances time travelling and going back to save there loved ones but this one just gets on my nerves the plot just keep repeating they keep time traveling it's quite annoying it's like they keep serving us the same dish in different plates and I don't know I found the female character quite cringe trying to act cute not only that her character is quite dumb and she does everything without thinking I felt second hand embarrassment for her even in the last tae sung saved sun jae she just time travelled for nothing plus what was that truck driver motive for killing sun jae like writer just wanted to end the drama so bad she left so many plot holes and cliches and the only thing I can say is that the drama hype is all because of byeon woo seok just check insta and half of the edits of this drama is about him

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Overhyped & Repetitive — A Frustrating Watch (12/16 eps)

Ep 1–2: Bored.
Ep 3–7: Finally felt some momentum.
Ep 8 onward: Gradual decline.
By episode 8, I started getting irritated with the female lead, Im Sol. By episode 9, that irritation turned into genuine disconnect. The emotional scenes, which should have been impactful, didn’t land for me at all.
I pushed through until episode 12, but I found myself stuck there for days. I had already crossed the halfway mark, so I didn’t want to drop it. Eventually, I did.
The central concept... repeatedly going back to the past and returning to the present... felt fresh at first but quickly became repetitive. Instead of deepening the narrative, it started to feel like the only driving device.
Despite a few enjoyable moments, I couldn’t stay invested. For me, it didn’t live up to the hype.

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Time travel gone wrong

The world setting was done fine where it was explained that the time will stop if the FL talks about an event that happens in future. Half way through the story, this is not the case - she is able to sing a song that is not yet out in the public , she is able to explain that she is from future and many other issues with the overall screenplay. During the third time, she is even able to see the future .
It is a mix of many other time travel series like 'Some Day or One Day', 'Blue Birthday' and many other series, but I felt it doesn't have a proper story which is convincing enough. It is the same villain who is coming back again and again even though there is no issue between the protagonist and the villain. Screenplay could have been better to include the different possibilities of butterfly effect , but the whole series turned out to be a mediocre.
In case of 'Some Day or One Day', the time travel is happening via the doppelganger and not to the past of the same person so it is understandable the difference in the character and memory loss etc, but here it is the same person ; I agree that a person may have a different point of view once they mature but here it is shown as if she is a completely different person.

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only stayed for byeon wooseok

gonna be honest, i did not feed into the hype that this kdrama had. just from the clips i saw online, it didn’t look all that interesting to me. just your run of the mill cheesy drama. and i was right.

it was funny for sure and if not for byeon wooseok i never wouldve watched this. my main issue is with im sol’s character. she lacks depth and personality throughout the whole series, which is a fault many many kdramas are guilty of. they dedicate so much character development and realness to the male lead that the female lead is always overshadowed and unliked. her character was unnecessarily clueless, slow and overall, just stupid. literally in any scenario this girl was in, she chose to make the stupidest decision that negatively affected the people around her. made no sense and just left me resenting her character. also this immature/childish “personality” that theyre always giving to the female lead- get over it already. this 30 year old woman jumping around like a preschooler? really? baby voice at her grown age?

while it is cute and swoonworthy, it just was not developed enough. it was kind of random like many kdramas out there—some random crime happening and super tragic backstory like i don't even know why the stalker plotline was necessary. well, i know why it was necessary —for drama— but come on. it didn't even make any sense. this is one of those dramas where it would've been perfectly fine if the storyline was just normal, mundane, sweet. but of course there had to be some sort of egregious criminal activity thrown in for the plot. the time travel alone was a stretch but sprinkle in all this random other stuff?? personally i don't find that smart or appealing.

the best best component about this show is the soundtrack. it is jam packed with catchy songs by great artists and of course, byeon wooseok; the real treasure of this series. let's be real it's probably why most of us tuned in to watch this but he carried this show's success on his back. yes, they are cute, both in real life and this show but only wooseok was giving what needed to give. is it funny? yes. is it cute? yes. is it also at the same time something that seems like it was written by a 14 year old who has never seen a real life couple before? also yes.

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SO MANY HOLES

Lovely Runner had me at “time-traveling fangirl saves her idol,” but by the end, I was laughing through my tears, not always for the reasons it intended. Starring Kim Hye-yoon as Im Sol, a paralyzed superfan, and Byeon Woo-seok as Ryu Sun-jae, the doomed frontman of the fictional boy band Eclipse, this drama promised a swoony mix of romance, thriller, and time-loop shenanigans. It starts with Sol, whose life was upended by a childhood accident, clinging to Sun-jae’s music for solace, only to learn he’s spiraling into depression, a career-killing shoulder injury, and a gut-wrenching suicide in 2023. Then, poof, a magical watch drops into her lap, letting her zip back to 2008 to rewrite his fate. She dives into her high school days, armed with future knowledge, dodging a creepy serial killer, and trying to save Sun-jae from shady managers, overwork, and his own dark path. The setup is a nostalgic love letter to the early 2000s with flip phones, skinny jeans, and all, blending romance, comedy, and a dash of menace. The first half is pure magic: Sol’s fangirl fervor is adorable, Sun-jae’s brooding charm is catnip, and their chemistry crackles like a K-pop banger. Kim Hye-yoon plays Sol with a mix of pluck and pathos, while Byeon Woo-seok makes Sun-jae’s quiet pain achingly real. The supporting cast like Sol’s quirky family, Sun-jae’s bandmates, and Taesung, a sweet cop’s son, adds warmth, and the glossy visuals, paired with Eclipse’s catchy tunes, hit all the right emotional notes. But oh, how the mighty fall. By the end, *Lovely Runner* is a mess, tripping over its own time loops, drowning in plot holes, and leaving me chuckling at its absurdity while mourning what could’ve been. With weak worldbuilding, characters who forget who they are, and a narrative that feels like it was written by a committee of confused time travelers, I’m giving it a 6 out of 10: a bittersweet watch that’s equal parts charming and infuriating, like falling in love with someone who keeps forgetting your name.

The tragedy starts with the worldbuilding, or lack thereof, which is less a foundation and more a crumbling sandcastle. The magical watch that powers Sol’s time-hopping is a mystery wrapped in a shrug. Who owned it before her auction win? Why does her grandma act like she’s in on the timeline secrets, only to vanish into narrative limbo? The watch’s rules are a cosmic joke: it triggers at midnight one day, at Sun-jae’s death the next, or maybe when Sol’s feeling extra regretful, with a supposed three-attempt limit that’s more suggestion than law. It’s like the writers tossed a coin to decide how it works each episode, leaving me giggling at the sheer audacity. Sol’s time-freezing trick is even more maddening. She uses it to sneak into Sun-jae’s house or dodge his dad, but when she’s stuck in a kidnapper’s car, does she freeze time? Nope, she runs in front of it like a sitcom character. Or when Sun-jae’s stabbed and tumbling off a cliff, she’s got 10 seconds to act but just stands there, as if her superpower took a coffee break. These moments are so contrived I couldn’t help but laugh, but it’s a hollow laugh when you realize the stakes are supposed to matter.

The characters, bless their hearts, are a parade of missed potential. Sol’s arc is a tearjerker that never quite lands. Her growth, especially around her disability, happens mostly off-screen, leaning on sappy manipulation instead of depth. Kim Hye-yoon tries, but the script gives her little to work with, leaving Sol feeling like a plot pawn rather than a person. Sun-jae’s bandmates and family are reduced to background noise, their arcs so incomplete I half-expected them to wave at the camera and say, “We tried!” Taesung, the second lead, is a walking plot hole: suddenly Sol’s bestie in altered timelines, despite no prior connection in the original, and the show doesn’t even try to explain it, which had me snorting at its laziness. The serial killer, a taxi driver with a vendetta, is the biggest joke of all. His obsession with Sol, his random possession of her phone at a reservoir (maybe tied to a dead homeless guy, who knows?), and his motives are so vague that when he leaps off a bridge to end his arc, I cackled at the anticlimax. It’s like the writers said, “Eh, close enough.” Younger Sol’s behavior in resets, going from wallflower to cigarette-snatching brawler, feels like a comedy sketch gone wrong, with no bridge to her original shy self, making me laugh and wince at once.

The pacing and tone are where the show’s soul truly shines, or rather, stumbles. The first half zips along, balancing romance, humor, and mystery like a well-choreographed dance. But the second half? It’s like the show got stuck in a time loop of its own, repeating the same beats until I was begging for mercy. The endless cycles feel like a writer’s room prank, dragging the story into a slog that’s both exhausting and absurdly funny in its refusal to move forward. The tone is a disaster: slapstick comedy crashes into gut-punch drama, like a clown stumbling into a funeral. One minute, Sol’s chasing a goat in a goofy gag; the next, she’s sobbing over Sun-jae’s fate, and I’m left with tonal whiplash, laughing at the absurdity while craving coherence. The thriller subplot is a forced mess, like someone tossed a serial killer into a rom-com and hoped for the best. And don’t get me started on Sol’s baffling choices: she sees future visions (like tripping during that goat chase) but lies about them to Sun-jae, who already knows she’s from 2023, stretching misunderstandings into a sitcom-level farce that’s equal parts infuriating and unintentionally hilarious. The romance, initially so tender, gets buried under these repetitive loops, with too few intimate moments to keep the heart fluttering, leaving me chuckling at the irony of a love story forgetting its own spark.

The plot holes are the cherry on top, a laundry list of absurdities that make you laugh, cry, and question your life choices. Sol’s ability to walk in 2023 after erasing her connection to Sun-jae is pure nonsense. In the original timeline, he saved her from drowning post-accident, so without him, she should be paralyzed or worse, but the show just shrugs, tossing in vague butterfly effects like a bad punchline. The lottery ticket Sol gives her brother with 2024 numbers somehow wins across resets, even when those events are erased, which is so illogical I snorted. Her family’s move to dodge dangers like a fire or redevelopment is a head-scratcher. Some timelines show no burn marks on her mom, suggesting the threats aren’t consistent, and how Sol pulls it off repeatedly is anyone’s guess. Sol’s consciousness during time slips is a comedic riddle, is her past self on auto-pilot? She keeps skills like driving but needs triggers for memories, blurring whether it’s parallel universes or a single timeline, and I couldn’t help but laugh at the confusion. The timeline count, maybe five, from handicapped Sol to erasing links, is a chaotic mess, with returns flipping between morning and midnight like a drunk time traveler. The police arresting the killer is a farce: handcuffing him in front, not securing him in the car, and letting him escape for no reason other than drama, which had me giggling at the sheer incompetence. Sol writing a script about their romance after swearing to avoid Sun-jae is a contradiction: it jogs his memories, undoing her plan, and she’s somehow surprised, which is both sad and absurd. The watch’s random reappearance in timelines where they don’t meet, with no explanation of how Sun-jae gets it, is another laughable gap. These holes pile up, turning the story into a circus, equal parts exasperating and unintentionally funny.

In the end, *Lovely Runner* is a K-drama that woos you with its big heart and bigger dreams, only to trip face-first into a pile of its own plot holes, leaving you laughing through the pain. Kim Hye-yoon and Byeon Woo-seok are the saving grace, their chemistry a beacon in the storm, making those high school scenes and early romantic beats feel like a warm hug. The visuals, dripping with 2000s nostalgia, and the Eclipse soundtrack are pure joy, tugging at your heart even when the story doesn’t. Themes of regret, fate, and idol pressures could’ve been profound, but they’re lost in the shuffle, like a poignant line in a bad comedy sketch. It promises a masterpiece but delivers a messy love story that’s as frustrating as it is charming. I wanted to adore it, but I ended up laughing at its stumbles while sighing for what might’ve been.

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Time travel not easy to conceptualize

Not sure if these are spoilers......................................After watching this drama, I have some misgivings about the whole plot. Something is amiss, and the timeline is vague and obscure. It got so ridiculous that they both have 2 past abduction scenes(her wearing school uniform and another scene of her wearing yellow.) and 2 present situations( both of her being able to walk,not a paraplegic anymore. Present MALE LEAD, Ryu, rekindles the relationship and another he who has no memory of imsol at all). Now, imo, both multiverse of the characters being presented in one universe is a bad idea. Characters in this story SHOULD BE in one universe. they can exist in another universe but they should not exist at the same time,imo. This drama does this, and it gets a fatal flaw following that kind of storyline. It gets so messy to the point that many plotholes are bound to happen.
Inconsistencies are here and there.
1) in the earlier episodes, everytime she mentions about the future, " time freezes" and ryu seonjae can't hear what she has just told him nor can see the texts that she has written. Then in the middle episodes, she has successfully told him about his dying," time freeze" was not doing its magic. Lol. overriding what has happened in the prior episodes.
she Is a paraplegic in the past[(2009), maybe caused by her being abducted? The series didn't specifically give the reason why she became paralyzed down].she should remain in that condition in all "present scenes(2022)". I got surprised why she could walk all of a sudden without forewarning in the present ( looks like in episode 7 when she thought she was in ancient goryeo)from the middle and to forward episodes. She was wheelchair bound in 2022 (present)when she watched ryu's concert. She got to see the announcement of his death on the big screen outside the concert venue. So from her hospital stay in 2009 till present 2022 , she can't move from the waist down. It was that long since that way, 13 years to be exact! So how come she can walk again? That beats me!

The plot deals on how she could save her idol, Ryuseonjae, who has inspired her to live her life and not be despondent about her condition,but instead, what the storyline gave us as the past is more on her abduction( why 2 abductions? It should only be 1!) and did not delve on the cause of the suicide of Ryu or murder of Ryu( storyline did not touch this topic at all) so she might have prevented it!
But anyway, the death of Ryu has come to pass and it could never have been prevented because one can't undo a past action. The latter episodes became more ridiculous because Ryu has come alive and totally becomes amnesiac on his relationship with imsol. This is one BIG plothole of the story( done so they can have many romantic thrilling moments together?,lol)
The events that have unfolded is not because of the novel imsol has been drafting. Imsol wrote the novel based on what she has experienced in the last 15 years. It is not the novel dictating the events in imsol's life,imo. And to me, granny has beginning alzheimer's, nothing more to it. She is not a time traveller,imo.
I would like to mention that I don't like Kim hyeyoon's getting her eyes look BIGGER , in surprise, or in anything she does. She is over-acting quite a bit here. Funny how many times I have counted when she is doing THIS facial expression!

So I STILL I cant get it. Were the 2 years( it was mentioned 15 years gap. 2009 is the year of her accident and 2022 is when Ryu committed suicide, so 13 years apart and 2 years as neighbors,2007-2009)of living as neighbors mean they know each other and are a couple?( romantic moments together) or they don't know each other?( imsol blatantly said she doesn't know Ryu and the band Eclipse during a phone in call in her hospital room and when she avoided meeting Ryu during her last time travel so they didn't get to know each other). I'm still at a loss here. The more logical thought would be that they don't know each other and then proceed to get to know each other till they become a couple. But this will NEGATE somehow the" time travel" concept of the storyline. It will make all those earlier episodes wasted! That's why I said that time travel is hard to form as a drama series because it is very abstract and somehow hard to conceptualize. It really needs a good directing and screenplay to pull it off nicely. One title I have in mind is the Chinese drama " shining for you( shown in 2022)" which is done so well!
Some things( surely not the messy plot)rescued this drama. It gave us many comedic relief moments in between, like the competition of the men for imsol's attention, the lottery scene wherein it showed the reason why their win is so low, the condom issue, the brother's "role-as-an-actor scene in the hospital to name a few. I have enjoyed these scenes so much to give a passing 5 score on this drama. ( If it were not for these funny scenes, this drama is a fail in story presentation).
I grade dramas based on the freq uency of plotholes, as well as inconsistencies to the storyline. There should also be " continuation" and free flow of the storyline and character development. Cheesy romantic moments are not what I come for in a drama

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